how to write an essay on visual imagery

Definition of Imagery

Imagery is a literary device that refers to the use of figurative language to evoke a sensory experience or create a picture with words for a reader. By utilizing effective descriptive language and figures of speech , writers appeal to a reader’s senses of sight, taste, smell, touch, and sound, as well as internal emotion and feelings. Therefore, imagery is not limited to visual representations or mental images, but also includes physical sensations and internal emotions.

For example, in his novel   The Scarlet Letter , Nathaniel Hawthorne utilizes imagery as a literary device to create a sensation for the reader as a means of understanding the love felt by the protagonist , Hester Prynne.

Love, whether newly born or aroused from a deathlike slumber, must always create sunshine, filling the heart so full of radiance, that it overflows upon the outward world.

By using descriptive language in an effective and unique way, Hawthorne evokes feelings and allows the reader an internal emotional response in reaction to his description of love. This image is especially poignant and effective for readers of this novel since Hester’s love, in the story , results in darkness , shame, and isolation–the opposite of sunshine and radiance. However, Hawthorne’s imagery appeals to the reader’s understanding of love and subsequent empathy for Hester’s emotions and actions, despite her transgression of societal norms, morals , and laws.

Common Examples of Imagery in Everyday Speech

People frequently use imagery as a means of communicating feelings, thoughts, and ideas through descriptive language. Here are some common examples of imagery in everyday speech:

• The autumn leaves are a blanket on the ground.
• Her lips tasted as sweet as sugar.
• His words felt like a dagger in my heart.
• My head is pounding like a drum.
• The kitten’s fur is milky.
• The siren turned into a whisper as it ended.
• His coat felt like a velvet curtain.
• The houses look like frosted cakes in winter .
• The light under the door looked buttery.
• I came inside because the house smells like a chocolate brownie.

Types of Poetic Imagery

For poetic imagery, there are seven primary types. These types of imagery often feature figures of speech such as similes and metaphors to make comparisons . Overall, poetic imagery provides sensory details to create clear and vibrant descriptions. This appeals to a reader’s imagination and emotions as well as their senses.

Here are the main types of poetic imagery:

• Visual : appeals to the sense of sight through the description of color, light, size, pattern, etc.
• Auditory : appeals to the sense of hearing or sound by including melodic sounds, silence , harsh noises, and even onomatopoeia .
• Gustatory : appeals to the sense of taste by describing whether something is sweet, salty, savory, spicy, or sour.
• Tactile : appeals to the sense of touch by describing how something physically feels, such as its temperature, texture, or other sensation.
• Olfactory : appeals to the sense of smell by describing something’s fragrance or odor.
• Kinesthetic : appeals to a reader’s sense of motion or movement through describing the sensations of moving or the movements of an object .
• Organic : appeals to and communicates internal sensations, feelings, and emotions, such as fatigue, thirst, fear, love, loneliness, despair, etc.

Famous Examples of Imagery in Shakespearean Works

Writers use imagery to create pictures in the minds of readers, often with words and phrases that are uniquely descriptive and emotionally charged to emphasize an idea. William Shakespeare ’s works feature imagery as a literary device for readers and audiences as a means to enhance their experience of his plays. Shakespeare’s artistic use of language and imagery is considered to be some of the greatest in literature.

Here are some famous examples of imagery in Shakespearean works:

• “My bounty is as boundless as the sea, My love as deep.”  Romeo and Juliet
• “There’s daggers in men’s smiles.”  Macbeth
• “Sigh no more, ladies, sigh no more, Men were deceivers ever,- One foot in sea and one on shore, To one thing constant never.”  Much Ado About Nothing
• “If I be waspish, best beware my sting.”  The Taming of the Shrew
• “Good- night , sweet prince; And flights of angels sing thee to thy rest.”  Hamlet
• “Lovers and madmen have such seething brains, Such shaping fantasies , that apprehend More than cool reason ever comprehends.”  A Midsummer Night’s Dream
• “We are such stuff as dreams are made on, and our little life is rounded with a sleep.”  The Tempest
• “And thus I clothe my naked villainy With odd old ends stol’n out of holy writ; And seem a saint, when most I play the devil.”  Richard III
• “By heaven, me thinks it were an easy leap, To pluck bright honour from the pale-faced moon”  Henry IV
• “If music be the food of love, play on, Give me excess of it; that surfeiting, The appetite may sicken, and so die.”  Twelfth Night

Writing Imagery

Writers use imagery to evoke emotion in readers. In this way, the reader’s understanding of the poetic subject , setting , plot , characters , etc., is deepened and they have a sense of how to feel about it. Ideally, as a literary device, imagery should enhance a literary work. Unfortunately, some writers try to use this literary device too often, which can lessen the impact of the description and figurative language.

For imagery to be effective and significant, whether, in poetry or a story, it should add depth and meaning to the literary work. Overuse of imagery can feel tedious for readers and limit their access to and understanding of the writer’s purpose. Therefore, it’s essential for writers to balance presenting information in a straightforward manner and using imagery as a literary device.

Difference between Literal Imagery and Figurative Imagery

There is a slight difference in literal and figurative imagery. Literal imagery, as the name applies, is near in meanings and almost the same thing or exactly what the description says. For example, color like the red rose implies the same thing. However, in figurative imagery, a thing is often not what it implies. There is often the use of hyperbole , simile , or metaphors that construct an image that could be different from the actual thing or person. For example, his cries moved the sky is not an example of literal imagery but of figurative imagery as the skies do not move with cries.

Tips to Analyze Imagery

Analysis of imagery is often done in poetry and short stories. However, imagery is present in every literary work where description becomes of some significance. Whenever there is a description in a literary work, a reader first analyses different figures of speech such as metaphors, similes, personifications , images, and hyperbole, etc. There are four major steps in analyzing imagery in a specific description.

• Identify the type of figures of speech, types of images, and their roles in the description.
• Compare and contrast the types of images and their accuracy in the description.
• Compare and contrast the role of the specific figures of speech, their meanings, their roles, and their end product.
• Critique the description and see how it demonstrates its actual meanings in the context and setting.

Use of Imagery in Sentences

• Iwan’s sweaty gym clothes left a stale odor in the locker room; so they had to keep the windows open.
• The tasty, salty broth soothed her sore throat as Simran ate the warm soup.
• Glittering white, the blanket of snow -covered everything in sight and also blocked the street.
• The tree bark was rough against the deer’s skin but it did satisfy its itch.
• Kids could hear the popping and crackling as their mom dropped the bacon into the frying pan, and soon the salty, greasy smell wafted toward me.

Examples of Imagery in Literature

Though imagery is often associated with poetry, it is an effective literary device in all forms of writing. Writers utilize imagery as a means of communicating their thoughts and perceptions on a deeper and more memorable level with readers. Imagery helps a reader formulate a visual picture and sensory impression of what the writer is describing as well as the emotions attached to the description. In addition, imagery is a means of showcasing a writer’s mastery of artistic and figurative language, which also enhances the meaning and enjoyment of a literary work for a reader.

Here are some examples of imagery in literature:

Example 1:  Goblin Market (Christina Rossetti)

Early in the morning When the first cock crow’d his warning, Neat like bees, as sweet and busy, Laura rose with Lizzie: Fetch’d in honey, milk’d the cows, Air’d and set to rights the house, Kneaded cakes of whitest wheat, Cakes for dainty mouths to eat, Next churn’d butter, whipp’d up cream, Fed their poultry, sat and sew’d; Talk’d as modest maidens should: Lizzie with an open heart, Laura in an absent dream, One content, one sick in part; One warbling for the mere bright day’s delight, One longing for the night.

In this passage of her poem , Rossetti uses all forms of poetic imagery to appeal to the reader’s physical senses as well as their experience of motion and internal emotions. The reader can visualize the actions taking place in the poem along with a sense of orderly movement paired with disordered emotion. As the sisters Lizzie and Laura go about their maidenly and pastoral tasks, the poet’s description of their divergent mindsets and feelings creates an imagery of the tension between darkness and light, innocence and temptation. These contrasting images evoke unsettled and contradictory feelings for the reader, undermining the appearance of the sisters’ idyllic lives with a sense of foreboding.

Example 2:  The Yellow Wallpaper  (Charlotte Perkins Gilman)

The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long.

In this passage of Gilman’s short story , the narrator uses poetic imagery to describe the yellow wallpaper which eventually ensnares her mind and body. The narrator’s imagery effectively appeals to the reader’s sense of sight, smell, and touch so that the reader is as repulsed by the wallpaper as the story’s protagonist. By utilizing imagery as a literary device, Gilman is able to evoke the same feelings of sickness, despair, fear, claustrophobia, etc., for the reader as she does for the narrator. In addition to this emotional effect, the artistic language used to describe the yellow wallpaper also enhances its symbolic presence in the story.

Example 3:  The Red Wheelbarrow  (William Carlos Williams)

so much depends upon a red wheel barrow glazed with rain water beside the white chickens

This poem by William Carlos Williams features imagery and, in fact, is an example of Imagist poetry. Imagism was a poetic movement of the early twentieth century that veered away from the heavy description that was characteristic of Romantic and Victorian poems. Instead, the purpose of Imagism was to create an accurate image or presentation of a subject that would be visually concrete for the reader. Imagist poets achieved this through succinct, direct, and specific language, favoring precise phrasing over set poetic meter .

In Williams’s poem, the poet uses simple language and clear expression to create imagery for the reader of a red wheelbarrow, lending beauty , and symbolism to an ordinary object. By describing the wheelbarrow with sparse but precise language, the reader can picture an exact visual image of what the poet is trying to convey which, in turn, evokes an emotional response to the image. This imagery enhances the meaning of the poem’s phrasing such that each word becomes essential, and the poem and its imagery are nearly indistinguishable.

Synonyms of Imagery

Imagery has several synonyms with slightly different meanings. They are imagination, picturing, mental imagery, vision, imaging, and dreaming are almost near in meanings but evocation, chimera, pretense, and mind’s eyes.

Related posts:

• Auditory Imagery
• Visual Imagery
• Gustatory Imagery
• Tactile Imagery
• Olfactory Imagery
• Kinesthetic Imagery
• Examples of Imagery in Poetry

Post navigation

Calculate for all schools

Your chance of acceptance, your chancing factors, extracurriculars, using imagery in college essays: tips and importance.

As I start drafting my essays for college applications, how crucial is it to include imagery, and does anyone have strategies for incorporating it effectively without overdoing it?

Imagery can be a powerful tool in your essays, creating an immersive experience for the reader and showcasing your writing abilities. It's important to use it to bring your story to life, painting a vivid picture of experiences, settings, emotions, or actions. However, the key is balance. You want to enhance your narrative without detracting from your message or making the prose feel forced.

One strategy is to choose moments where detailed descriptions will add value, perhaps when setting the scene or emphasizing a pivotal moment in your story. It's often more impactful to illustrate one memorable instance in detail than to use flowery language throughout.

For example, instead of describing a general passion for nature, you could describe the intricate patterns of frost on leaves during an early morning hike. This paints a picture while telling something meaningful about your appreciation for detail and beauty. Keep it natural, and let your own voice shine through. Best of luck with your applications!

About CollegeVine’s Expert FAQ

CollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field.

• Scriptwriting

What is Imagery — Definition & Examples in Literature & Poetry

• Point of View
• Protagonist
• Deus ex Machina
• Foreshadowing
• Iambic Pentameter
• Juxtaposition
• Personification
• Red Herring
• Alliteration
• Connotation
• Onomatopoeia
• Write Your Script For Free

D escribing sensory experiences through the medium of writing and text can be difficult. By enlisting the use of imagery, writers are able to vividly describe experiences, actions, characters, and places through written language. What is imagery exactly. How is imagery in poetry and literature used? In this article, we’ll take a look at the imagery definition, seven different types of imagery and how each can be used to further immerse a reader into the work of a writer. 

Imagery definition

First, let’s define imagery.

Although there are several types of imagery, they all generally serve a similar function. To better understand the function of imagery in poetry and literature and how it can be achieved through various other literary devices, let’s take a look at the imagery definition. 

IMAGERY DEFINITION

What is imagery.

Imagery is a literary device used in poetry, novels, and other writing that uses vivid description that appeals to a readers’ senses to create an image or idea in their head. Through language, imagery does not only paint a picture, but aims to portray the sensational and emotional experience within text. 

Imagery can improve a reader’s experience of the text by immersing them more deeply by appealing to their senses. Imagery in writing can aim at a reader’s sense of taste, smell, touch, hearing, or sight through vivid descriptions. Imagery can be created using other literary devices like similes, metaphors, or onomatopoeia. 

What is imagery used for?

• Establishing a world or setting
• Creating empathy for a character’s experience
• Immersing a character into a situation

There are seven different types of imagery that writer’s use. All are in one way or another dependent on the reader’s senses. Let’s take a look at the types of imagery that are most commonly used in literature. 

What is imagery in poetry

1. visual imagery.

Visual imagery is most likely what people think of when they hear the term imagery. It uses qualities of how something looks visually to best create an image in the reader’s head. These visual qualities can be shapes, color, light, shadow, or even patterns. 

It is one of the most common types of imagery as it allows readers to better describe the world and characters of a novel or poem. Visual imagery is often used in screenplays when first introducing characters. Take a look at how Quentin Tarantino uses this type of imagery to introduce characters and places in the Pulp Fiction screenplay .

Pulp Fiction screenplay  •  Imagery examples

Visual imagery is often achieved through the use of other literary devices like metaphors and similes . To say a woman looks like Helen of Troy is both imagery, a simile, and an allusion. 

It can be frequently found in screenplays when a character is first introduced. 

Related Posts

• Read More: What is a Simile? Definition and Examples →
• Read More: How to Write a Fight Scene in a Screenplay →
• FREE: Write and create professionally formatted screenplays →

What’s imagery used for?

2. auditory imagery.

Our next type of imagery is auditory imagery. This type of imagery appeals to a reader’s sense of hearing. Creating an auditory experience through text can be difficult. But it can also be necessary for a story or plot. For example, the sound of war can be necessary to immerse the reader into a war novel. This may be used to describe gunfire, explosions, screams, and helicopters. 

Let’s take a look at William Shakespeare’s Macbeth , auditory imagery is used for a physical action that affects the actions of the characters. 

Macbeth - Imagery examples

Auditory imagery.

“Here’s a knocking indeed! If a man were porter of

hell-gate, he should have old turning the key. Knock

Knock, knock, knock, knock! Who’s there, i’ the name of

Belzebub? Here’s a farmer that hanged himself on th’

expectation of plenty. Come in time! Have napkins

enow about you; here you’ll sweat for’t. Knock

Knock, knock! Who’s there, in th’ other devil’s name?”

As you can see from this example, writers will also enlist the use of onomatopoeia to create the actual sound of an action or effect through text. This can make reading a story more experiential. 

What does imagery mean?

3. gustatory imagery.

Gustatory imagery is a type of imagery that aims at a reader’s sense of taste. This would most commonly be used to describe food as a character eats it. A great example of this can be found in The Lion, the Witch and the Wardrobe by C.S. Lewis. As the Queen creates Turkish Delight for Edmund, C.S. Lewis uses gustatory imagery to describe its taste.

The Lion, the Witch and the Wardrobe - Imagery examples

Gustatory imagery.

“The Queen let another drop fall from her bottle on to the snow, and instantly there appeared a round box, tied with green silk ribbon, which, when opened, turned out to contain several pounds of the best Turkish Delight. Each piece was sweet and light to the very centre and Edmund had never tasted anything more delicious. He was quite warm now, and very comfortable.”

Describing food as sweet, salty, or even spicy can immerse a reader further into a character’s simple action of eating. Gustatory imagery can be incredibly effective when describing unpleasant tastes as well. 

4. Olfactory Imagery

Olfactory imagery is used when writers’ want to appeal to a reader’s sense of smell. Olfactory imagery is a great way to better describe both what a character is experiencing as well as the world of the novel, poem, or other writing. 

The smell of fresh rain, smoke from a fire, or gasoline can be described through olfactory imagery. A great example of this can be found in the novel The Dead Path by Stephen M. Irwin. Note the comparisons Irwin used to create the olfactory imagery and paint a picture of the smell. 

The Death Path - What is imagery in literature?

Olfactory imagery.

“But a smell shivered him awake.

It was a scent as old as the world. It was a hundred aromas of a thousand places. It was the tang of pine needles. It was the musk of sex. It was the muscular rot of mushrooms. It was the spice of oak. Meaty and redolent of soil and bark and herb. It was bats and husks and burrows and moss. It was solid and alive - so alive! And it was close.”

Olfactory imagery can also be used in a screenplay as a plot point and to suggest to actor’s what they are smelling and how they are reacting.

5. Tactile Imagery

To create the sensory experience of touch through text, writers utilize tactile imagery. This type of imagery can be used to describe how something feels such as texture, temperature, wetness, dryness, etc. 

In Albert Camus’ novel The Stranger , Camus uses this type of imagery to describe the heat of the sun pressing down on a man at the beach. 

The Stranger - What is imagery in literature?

Tactile imagery.

“Seeing the rows of cypress trees leading up to the hills next to the sky, and the houses standing out here and there against that red and green earth, I was able to understand Maman better. Evenings in that part of the country must have been a kind of sad relief. But today, with the sun bearing down, making the whole landscape shimmer with heat, it was inhuman and oppressive.”

As you can see from this example, this can be tremendously effective when characters are undergoing some type of turmoil. Tactile imagery appeals to a reader’s sense of touch and allows them to better empathize with a character. 

• Read More: Ultimate guide to Literary Devices →
• Read More: What is a Motif? Definition and Examples →

Kinesthetic imagery definition

6. kinesthetic imagery.

Kinesthetic imagery is used to describe the sensory experience of motion. Speed, slowness, falling, or even fighting can be written with kinesthetic imagery. 

In the world of screenwriting, kinesthetic imagery is perhaps most important in the genre of action films. How else can you write an epic fight scene other than by using kinesthetic imagery to paint the picture? 

In our breakdown of one of the many epic fight scenes in John Wick , we take a look at how kinesthetic imagery can tell the story of action on the page. Using words like “slam” and “snap” create the imagery of the fight scene. 

What is Imagery in Fight scenes?  •   Subscribe on YouTube

Kinesthetic imagery is also great when writing about topics like sports, driving, and other intense action. 

Organic imagery meaning

7. organic imagery.

Last, but not least on our list is organic imagery. Organic imagery appeals to the most primitive sensations in the human experience such as hunger, fatigue, fear and even emotion. 

It can be quite difficult to describe the emotions of a sorrowful character or desperate character. But organic imagery aims to do just that. When done effectively, organic imagery can be the best tool to move a reader to tears of either joy or sadness. 

Explore more literary devices

Imagery is just one of many literary devices and types of figurative language , including metaphor , juxtaposition , and symbolism . If you're a writer and want to develop your craft fully, do yourself a favor and continue this exploration. The next article on literary devices is a gateway to many of these tools that help add substance and style to any type of written work.

Up Next: Literary Devices Index →

Write and produce your scripts all in one place..

Write and collaborate on your scripts FREE . Create script breakdowns, sides, schedules, storyboards, call sheets and more.

• Pricing & Plans
• Product Updates
• Featured On
• StudioBinder Partners
• The Ultimate Guide to Call Sheets (with FREE Call Sheet Template)
• How to Break Down a Script (with FREE Script Breakdown Sheet)
• The Only Shot List Template You Need — with Free Download
• Managing Your Film Budget Cashflow & PO Log (Free Template)
• A Better Film Crew List Template Booking Sheet
• Best Storyboard Softwares (with free Storyboard Templates)
• Movie Magic Scheduling
• Gorilla Software
• Storyboard That

A visual medium requires visual methods. Master the art of visual storytelling with our FREE video series on directing and filmmaking techniques.

We’re in a golden age of TV writing and development. More and more people are flocking to the small screen to find daily entertainment. So how can you break put from the pack and get your idea onto the small screen? We’re here to help.

• Making It: From Pre-Production to Screen
• What is a Call Sheet — Everything You Need to Know
• What is Narrative Pacing — And How to Control It
• How to Make a Call Sheet for Film & TV (Free Example)
• What is a Storyboard? The Fundamentals to Get You Started
• 7 Pinterest
• 12 LinkedIn

Choose Your Test

Sat / act prep online guides and tips, what is imagery a complete guide.

General Education

A literary device is a technique a writer uses to convey ideas and messages to their readers. That means that as readers, we need to understand and use literary devices to fully understand a work’s major themes!

Today, we’re going to take a closer look at how to use imagery to analyze a text. We’ll start by giving you the imagery definition before talking about why it’s an important tool for analyzing a text. Then we’ll walk you through some imagery examples in poetry and fiction and show you exactly how to analyze the imagery in each.

By the end of this article, you’ll be able to talk about imagery in literature like a pro, so let’s get started.

What Is Imagery? Definition and Explanation

Have you ever read a book that makes you feel like you’re seeing, feeling, smelling, or tasting the same thing as the character you’re reading about? (We had that experience the first time Harry Potter tries butterbeer in Hogsmeade .) If you have, you can thank imagery for that experience!

Imagery is the act of using language to create images in the reader’s mind . Writers use descriptive words and phrases to help the reader feel like they’re...well, wherever the writer wants them to be! Basically, the writer is trying to create a “mental image” for the reader through the words they choose. Here’s how one of the greatest horror writers of all time, Stephen King , describes imagery :

Imagery does not occur on the writer’s page; it occurs in the reader’s mind. To describe everything is to supply a photograph in words; to indicate the points which seem the most vivid and important to you, the writer, is to allow the reader to flesh out your sketch into a portrait.

In other words: you can think of imagery as painting with words in order to fuel the reader’s imagination!

An easy way to spot imagery in a text is to pay attention to words, phrases, and sentences that connect with your five senses (sight, smell, taste, touch, and sound). That’s because writers know that in order to capture a reader’s attention, they need to engage with them mentally, physically, and emotionally.

Since imagery is designed to connect a reader to a text, it’s one of the most powerful tools a writer has to communicate their themes and messages.

The 2 Types of Imagery

Any time a writer engages a reader’s senses, they’re using imagery...which means imagery is a really broad literary device. In general, however , imagery fits into two big categories: literal and figurative.

Literal Imagery: Examples and Explanation

With literal imagery, a writer is literally describing things to the reader. (Pretty straightforward, huh?)

Writers often use literal imagery to describe the setting, characters, and situation for a reader. Literal imagery helps the reader picture where characters are, understand what characters are doing, and even foreshadow what might happen next. (For example, if the character is in a dark, dirty alley, they’re probably in a more dangerous situation than if the character is skipping through a field of daisies.)

Let’s take a look at an example of literal imagery from Michael Crichton's Jurassic Park so you can see what we mean. In this scene, Dr. Alan Grant, Lex Murphy, and Tim Murphy are trying to hide from a tyrannosaurus rex:

The tyrannosaur was still looking downstream, its back turned to them. They hurried along the path to the waterfall, and had almost moved behind the sheet of falling water when Grant saw the tyrannosaur turn. Then they were completely behind the waterfall, and Grant was unable to see out through the silver sheet.

Now that you’ve read this passage, close your eyes and picture the scene. You’re probably picturing a giant waterfall, a hungry tyrannosaurus rex, and a lot of danger, right? That’s because the literal imagery in this passage paints a very specific, literal picture that helps you imagine what’s happening in this moment!

Magic, right? Not quite. Imagery works because the writer uses descriptive words and phrases to help paint a picture. Let’s take a look at the first few lines again and pick out some of the descriptive language that helps shape the scene:  

They were closer to the waterfall now, the roar much louder. The rocks became slippery, the path muddy. There was a constant hanging mist. It was like moving through a cloud.

These lines are almost exclusively description, and Crichton uses phrases like “rocks became slippery” and “constant hanging mist” to help you imagine exactly what’s happening. A good way to pick out literal imagery is to look for nouns, then see how they’re described. For example, the noun “waterfall” is described as having a “roar” that gets “louder” the closer the characters get!

From an analysis perspective, these literal images all work together to help build the mood , or tone , of the scene. In this case, the imagery of the scene contributes to its tense and suspenseful tone. The environment is treacherous--not only are the rocks slick, but the characters have trouble seeing through the mist and water. One false move, and they’ll be a tasty snack for a hungry dinosaur!

  Use this picture as inspiration for finding connotation! (This will all make sense in a second.)

Figurative Imagery: Examples and Explanation  

Unlike literal imagery, figurative imagery uses on the non-literal--or metaphorical--meaning of words to paint a picture for the reader. Almost all words have two meanings: their denotation and connotation. The denotation of a word is its literal, dictionary definition. Figurative imagery, on the other hand, relies on the connotation —or implied meaning—of words and phrases to help shape a text’s themes and ideas.

To see how figurative imagery works, let’s look at the first line of Shakespeare’s “Sonnet 130,” where the speaker is describing his lady love:  

My mistress’ eyes are nothing like the sun;

Okay. Let’s zero in on the word “sun” here. According to Merriam-Webster, the literal definition of the word “sun” is “the luminous celestial body around which the earth and other planets revolve, from which they receive heat and light, which is composed mainly of hydrogen and helium.” But the speaker doesn’t literally mean that his mistress’ eyes aren’t like a ball of gas!

So what does he mean? To figure this out, let’s look at the figurative imagery here. Take a minute and think of some of the implied or metaphorical meanings of the word “sun.” The word might make you think of warmth and happiness. It also might make you think of other images like burning, blazing, or fiery brightness.

With this figurative imagery in mind, this line is better read as “my mistress’s eyes aren’t bright, warm, or happy.” Not only does figurative imagery help this line make more sense, it also clues readers into the message of the poem: that you can recognize someone’s faults and still love them and find them beautiful.

One more quick note: because you’re a savvy reader , you’ve probably realized that this line from Shakespeare is also a metaphor , which is a comparison between two seemingly unrelated objects (in this case, “eyes” and “sun”). Writers often use other literary devices like metaphor, simile, and personification to help create vivid imagery for the reader. So don’t be surprised if you see imagery overlapping with other literary techniques!

Can an Example of Imagery be Both Literal and Figurative at the Same Time?

Absolutely! In fact, it’s quite common to see writers use literal and figurative imagery simultaneously. Take the first stanza of William Wordsworth’s poem, “Daffodils” :

That floats on high o’er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.

This stanza combines literal and figurative imagery. Literally, the images in this stanza help us see the speaker wandering around alone until he stumbles upon a patch of daffodils that are growing by a lake. This imagery is important to understanding Wordsworth’s poetry, which often explores the relationship between nature and man.  

The figurative imagery helps us learn a little more about the speaker, who’s an outsider. We can infer this because of the imagery he gives us; he imagines himself as a cloud floating over everything, able to see what’s going on but unable to participate. The daffodils, on the other hand, represent society. The imagery here is happy (the daffodils are “golden” and “dancing”), which is how the speaker views society as someone on the outside looking in.

 Imagery in Poetry: “Hope is the thing with feathers” by Emily Dickinson

Now that you know more about imagery, let’s look at a poem that uses imagery to portray its major themes:

That perches in the soul - And sings the tune without the words - And never stops - at all -

And sweetest - in the Gale - is heard - And sore must be the storm - That could abash the little Bird That kept so many warm -

I’ve heard it in the chillest land - And on the strangest Sea - Yet - never - in Extremity, It asked a crumb - of me.

Imagery can make something abstract, like an emotion or theory, seem more concrete and tangible to the reader. By using imagery, writers can evoke the feeling they want to talk about in their readers...and by making their readers feel, writers can also help readers connect to the messages in their work.

In this example, Emily Dickinson takes the abstract idea of “hope” and compares it to a bird. Dickinson paints images of hope doing all the same things a bird does: it “perches,” “sings,” and keeps “so many warm” with its feathers. And despite all these gifts, hope never “asked a crumb” of anything in return. By using imagery to take an abstract idea (hope) and make it concrete (a bird), Dickinson helps readers understand the nature of hope. For Dickinson, hope is something that costs little to have and yet offers us comfort in all of life’s toughest situations.

Imagery in Fiction: Dracula by Bram Stoker

Imagery can be an equally powerful tool for fiction writers, too. In Dracula, Bram Stoker uses imagery to drive home the horror of the novel. Let’s take a look at one particularly stand-out scene, where Arthur Holmwood has to kill his former fiancee, Lucy Westenra, who has been turned into a vampire:

Remember how we talked about how imagery can set a tone or mood? That’s certainly the case here. Lucy is visually described not as a woman but as a “thing,” and the “blood-curdling screech” she lets out is a great example of how auditory imagery--or the sound of a scene--can contribute to its overall effect. (In this case, it amps up the horror of a once-delicate Englishwoman being transformed into a bloodthirsty beast.) It's the imagery associated with Lucy that shows readers how vicious and animalistic she’s become, which is no surprise: she’s joined Dracula’s army of the undead.

Now, take a look at the imagery surrounding Arthur, Lucy’s former fiancee, and see how it compares to Lucy’s description. Even as he’s killing Lucy, Arthur is described as “a figure of Thor”--meaning he’s strong, heroic, and good with a hammer. Stoker specifically says Arthur is “untrembling” in his task; despite its grisly nature, his steadiness showcases his commitment to protecting his country from the vampire threat...even when it means driving a stake in his lover’s heart. Additionally, his face has the “shine” of duty, which is a nod to the glowing, angelic halos of angels. Arthur’s bravery and light stands in contrast to Lucy’s dark, demonic nature, and Stoker specifically uses imagery to show readers how good can triumph over evil.

3 Questions to Ask When Analyzing Imagery

These examples have shown you how to find and analyze imagery, but you’ll have to do this all by yourself when you take the AP Literature exam. But don’t worry--now that you’re an expert, finding and analyzing imagery will be a breeze! But just in case you get stuck, here are three questions you can ask yourself to help you better analyze imagery in literature and poetry.

Question 1: What Did I Imagine While I Was Reading?  

The hardest part about analyzing imagery is finding it in the first place. Like we mentioned earlier, a good way to do this is to look for nouns and search for words that describe them. Then you can start asking yourself if those descriptions are figurative imagery (i.e., do those words have any implied or metaphorical meaning).

But when you’re crunched for time, you can go back to the tried-and-true method of using your imagination. Which parts of the text made you picture something in your mind? Since imagery is designed to spark your imagination, there’s a great chance that section contains some sort of imagery!

Question 2: What Does the Imagery Reveal About the Situation?

This question helps you get to the meat-and-potatoes of your analysis really quickly. Once you find a piece of imagery, ask yourself what it’s showing you . It could be describing an important setting, plot point, or character. Make sure you’re asking yourself if there’s figurative imagery at work, too.

If you’re struggling here, you can always go back to the “mental picture” we talked about with the first question. What do you see in that image? There’s a good chance that whatever you’re imagining matters in some way. Once you have that image in your mind, you can start to ask yourself why that particular image is important.

Here’s what we mean: think about the Jurassic Park example we talked about earlier. The imagery there tells us some literal things about what’s happening in the scene, but it also adds to the danger and suspense of the main characters’ predicament. The same can be said for the excerpt from “Daffodils,” only instead of revealing a plot point, the imagery gives readers important insight into the narrator of the poem.

Question 3: How Does the Imagery Affect the Mood of the Text?

Once you find a good piece of imagery, ask yourself how it makes you feel. Is it hopeful? Scary? Depressed? Angry? The feelings associated with the imagery in a work can often reveal the theme of a text.

Take Emily Dickinson’s poem. What feelings are associated with the imagery surrounding “hope”? Well, birds are tame and delicate, and the bird Dickinson describes sings sweetly through life’s fierce storms. Hope is clearly a reassuring, gentle, uplifting thing. By asking yourself why Dickinson thinks hope is good, you can start to figure out some of the messages of the poem!

What's Next?

Test out your new-found imagery chops by analyzing a poem on your own! We think that Dylan Thomas’ “Do not go gentle into that good night” is a great place to start. Y ou can find the full text of the poem, as well as additional analysis, here .

There’s more to literary analysis than just knowing your way around imagery! Make sure you’re familiar with the most important literary devices, like personification, before you head into your AP test.

There are two parts to the AP Literature test: the multiple choice section and the essay section. Some students worry about the written portion of the test so much that they forget to study for the multiple choice questions! Don’t let this be your situation. Make sure you’re preparing for the whole test by reading through this guide to mastering the AP Literature exam’s multiple choice portion, too .

These recommendations are based solely on our knowledge and experience. If you purchase an item through one of our links, PrepScholar may receive a commission.

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

Ask a Question Below

Have any questions about this article or other topics? Ask below and we'll reply!

Improve With Our Famous Guides

• For All Students

The 5 Strategies You Must Be Using to Improve 160+ SAT Points

How to Get a Perfect 1600, by a Perfect Scorer

Series: How to Get 800 on Each SAT Section:

Score 800 on SAT Math

Score 800 on SAT Reading

Score 800 on SAT Writing

Series: How to Get to 600 on Each SAT Section:

Score 600 on SAT Math

Score 600 on SAT Reading

Score 600 on SAT Writing

Free Complete Official SAT Practice Tests

What SAT Target Score Should You Be Aiming For?

15 Strategies to Improve Your SAT Essay

The 5 Strategies You Must Be Using to Improve 4+ ACT Points

How to Get a Perfect 36 ACT, by a Perfect Scorer

Series: How to Get 36 on Each ACT Section:

36 on ACT English

36 on ACT Math

36 on ACT Reading

36 on ACT Science

Series: How to Get to 24 on Each ACT Section:

24 on ACT English

24 on ACT Math

24 on ACT Reading

24 on ACT Science

What ACT target score should you be aiming for?

ACT Vocabulary You Must Know

ACT Writing: 15 Tips to Raise Your Essay Score

How to Get Into Harvard and the Ivy League

How to Get a Perfect 4.0 GPA

How to Write an Amazing College Essay

What Exactly Are Colleges Looking For?

Is the ACT easier than the SAT? A Comprehensive Guide

Should you retake your SAT or ACT?

When should you take the SAT or ACT?

Stay Informed

Get the latest articles and test prep tips!

Looking for Graduate School Test Prep?

Check out our top-rated graduate blogs here:

GRE Online Prep Blog

GMAT Online Prep Blog

TOEFL Online Prep Blog

Holly R. "I am absolutely overjoyed and cannot thank you enough for helping me!”

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

What is imagery?

In terms of writing, imagery is more than creating a pretty picture for the reader. Imagery pertains to a technique for the writer to appeal to the reader’s five senses as a means to convey the essence of an event. The five senses include sight, sound, smell, touch, and taste. The writer does not need to employ all five senses, only those senses that most effectively convey, transport the reader into that event.

Why use imagery?

Imagery engages the reader with specific sensory details. Imagery creates atmosphere/mood, causing the reader to feel a certain emotion. For example, a scary scene includes details that cause a reader to be frightened.

Example from Edgar Allan Poe’s “Masque of the Red Death”

The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in blood — and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

Imagery can be used throughout an entire essay, such as a description essay that focuses on a particular event. Writers should first decide what atmosphere/mood they want to create for their readers and then focus solely on the sensory details that convey that particular atmosphere/mood. For example, if a writer wanted to share the experience of a favorite holiday meal, then s/he would focus on the smells and tastes of all the food and the memories that those smells and tastes conjure. The hectic grocery shopping for all the ingredients would be omitted since that would not express the nostalgia of the meal.

Imagery can also be used per individual paragraph as a means to illustrate a point. For example, in an essay arguing for a ban on smoking, one paragraph could detail the damage to lungs caused by smoking.

A brainstorming technique for imagery involves drawing a picture by focusing on one sense at a time. So, find a blank sheet of paper and various colored pencils.

First and easiest would be sight. Slow down to mentally picture every object, shape, color, person, and so on in the scene. Draw, as best you can, representations of each of those visual details. (Only you will see this drawing; no need to stress over perfection.)

Next, take a different sense, such as sounds, and record those sounds on paper with various colors, symbols, or onomatopoeia. (Again, do the best you can to represent what you heard. Your goal is to remind yourself of the sounds, not create a work of art.)

Next, take a different sense and record that particular sense on paper with various colors and symbols.

The objective is to slow down and focus on each sense individually rather than trying to remember the scene all at once. By slowing down and envisioning each sense on paper, you can determine which senses most accurately create the atmosphere/mood for the essay and then apply only those senses in the essay.

Further Reading

Reading and Writing in College Copyright © 2021 by Jackie Hoermann-Elliott and TWU FYC Team is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

Share This Book

Imagery Definition

What is imagery? Here’s a quick and simple definition:

Imagery, in any sort of writing, refers to descriptive language that engages the human senses. For instance, the following lines from Robert Frost's poem "After Apple-Picking" contain imagery that engages the senses of touch, movement, and hearing: "I feel the ladder sway as the boughs bend. / And I keep hearing from the cellar bin / The rumbling sound / Of load on load of apples coming in."

Some additional key details about imagery:

• Though imagery contains the word "image," it does not only refer to descriptive language that appeals to the sense of sight. Imagery includes language that appeals to all of the human senses, including sight, hearing, taste, touch, and smell.
• While imagery can and often does benefit from the use of figurative language such as metaphors and similes, imagery can also be written without using any figurative language at all.

Imagery Pronunciation

Here's how to pronounce imagery: im -ij-ree

Types of Imagery

There are five main types of imagery, each related to one of the human senses:

• Visual imagery (sight)
• Auditory imagery (hearing)
• Olfactory imagery (smell)
• Gustatory imagery (taste)
• Tactile imagery (touch)

Some people may also argue that imagery can be kinesthetic (related to movement) or organic (related to sensations within the body). Writers may focus descriptions in a particular passage on primarily one type of imagery, or multiple types of imagery.

Imagery and Figurative Language

Many people (and websites) confuse the relationship between imagery and figurative language. Usually this confusion involves one of two things:

• Describing imagery as a type of figurative language.
• Describing imagery as the use of figurative language to create descriptions that engage the physical senses.

Both are wrong.

A Quick Definition of Figurative Language

Figurative language is language that creates a meaning that is different from the literal interpretation of the words. For instance, the phrase "you are my sunshine" is figurative language (a metaphor , to be precise). It's not literally saying that you are a beam of light from the sun, but rather is creating an association between "you" and "sunshine" to say that you make the speaker feel warm and happy and also give the speaker life in the same way sunshine does.

Imagery can be Literal or Figurative

Imagery is neither a type of figurative language nor does it solely involve the use of figurative language to create descriptions for one simple reason: imagery can be totally literal. Take the lines from Robert Frost's "After-Apple Picking:"

I feel the ladder sway as the boughs bend. And I keep hearing from the cellar bin The rumbling sound Of load on load of apples coming in.

These lines contain powerful imagery: you can feel the swaying ladder, see the bending boughs, and hear the rumbling of the apples going into the cellar bin. But it is also completely literal: every word means exactly what it typically means. So this imagery involves no figurative language at all.

Now, that doesn't mean imagery can't use figurative language. It can! You could write, for instance, "The apples rumbled into the cellar bin like a stampede of buffalo," using a simile to create a non-literal comparison that emphasizes just how loudly those apples were rumbling. To sum up, then: imagery can involve the use of figurative language, but it doesn't have to.

Imagery Examples

Imagery is found in all sorts of writing, from fiction to non-fiction to poetry to drama to essays.

Example of Imagery in Romeo and Juliet

In Shakespeare's Romeo and Juliet , Romeo describes his first sight of Juliet with rich visual imagery:

O, she doth teach the torches to burn bright! Her beauty hangs upon the cheek of night, Like a rich jewel in an Ethiop's ear

This imagery does involve the use of figurative language, as Romeo describes Juliet's beauty in the nighttime by using a simile that compares her to a jewel shining against dark skin.

Example of Imagery in "Birches"

In the early lines of his poem "Birches," Robert Frost describes the birches that give his poem it's title. The language he uses in the description involves imagery of sight, movement, and sound.

When I see birches bend to left and right Across the lines of straighter darker trees, I like to think some boy's been swinging them. But swinging doesn't bend them down to stay As ice-storms do. Often you must have seen them Loaded with ice a sunny winter morning After a rain. They click upon themselves As the breeze rises, and turn many-colored As the stir cracks and crazes their enamel.

Example of Imagery in The Road

The novelist Cormac McCarthy is known, among other things, for his powerful imagery. In this passage from his novel The Road , note how he uses imagery to describe the fire on the distant ridge, the feel of the air, and even the feeling inside that the man experiences.

A forest fire was making its way along the tinderbox ridges above them, flaring and shimmering against the overcast like the northern lights. Cold as it was he stood there a long time. The color of it moved something in him long forgotten.

Example of Imagery in Moby-Dick

The passage ago appears at the very end of Herman Melville's Moby-Dick and describes the ocean in the moments after a destroyed ship has sunk into it. Notice how Melville combines visual, auditory, and kinesthetic imagery ("small fowls flew"; "white surf beat"), and how the imagery allows you to almost feel the vortex created by the sinking ship and then the silence left behind when it closes.

Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.

Example of Imagery in Song of Solomon

In this passage from Song of Solomon , Toni Morrison uses visual imagery to capture the color and motion of the table cloth as it settles over the table. She also uses figurative language ("like a lighthouse keeper...") to describe the way that Ruth in the passage looks at the water stain on the table. The figurative language doesn't just describe the color or sound or smell of the scene, it captures the obsessive way that Ruth glances at the water stain, and the way that seeing it gives her a sense of ease. Here the figurative language deepens the imagery of the scene.

As she unfolded the white linen and let it billow over the fine mahogany table, she would look once more at the large water mark. She never set the table or passed through the dining room without looking at it. Like a lighthouse keeper drawn to his window to gaze once again at the sea, or a prisoner automatically searching out the sun as he steps into the yard for his hour of exercise, Ruth looked for the water mark several times during the day.

Example of Imagery in Perfume: The Story of a Murderer

The main character of Patrick Suskind's novel Perfume: The Story of a Murderer has a supernaturally powerful sense of smell. In this passage, which describes the smells of an 18th century city, the narrator captures the nature of 18th century cities—their grittiness and griminess—through the smell of their refuse, and how in such a world perfume might be not just a luxury but a necessity. Further, he makes readers aware of a world of smell of which they normally are only slightly aware, and how a super-sensitive sense of smell could both be powerful but also be overwhelmingly unpleasant. And finally, through smell the narrator is able to describe just how gross humans can be, how they are in some ways just another kind of animal, and how their bodies are always failing or dying. Through descriptions of smell, in other words, the novel also describes an overlooked aspect of the human condition.

In the period of which we speak, there reigned in the cities a stench barely conceivable to us modern men and women. The streets stank of manure, the courtyards of urine, the stairwells stank of moldering wood and rat droppings, the kitchens of spoiled cabbage and mutton fat; the unaired parlors stank of stale dust, the bedrooms of greasy sheets, damp featherbeds, and the pungently sweet aroma of chamber pots. The stench of sulfur rose from the chimneys, the stench of caustic lyes from the tanneries, and from the slaughterhouses came the stench of congealed blood. People stank of sweat and unwashed clothes; from their mouths came the stench of rotting teeth, from their bellies that of onions, and from their bodies, if they were no longer very young, came the stench of rancid cheese and sour milk and tumorous disease.

Why Do Writers Use Imagery?

Imagery is essential to nearly every form of writing, and writers use imagery for a wide variety of reasons:

• It engages readers: Imagery allows readers to see and feel what's going on in a story. It fully engages the reader's imagination, and brings them into the story.
• It's interesting: Writing without imagery would be dry and dull, while writing with imagery can be vibrant and gripping.
• It can set the scene and communicate character: The description of how a person or place looks, moves, sounds, smells, does as much to tell you about that person or place as any explanation can. Imagery is not just "window dressing," it is the necessary sensory detail that allows a reader to understand the world and people being described, from their fundamental traits to their mood.
• It can be symbolic: Imagery can both describe the world and establish symbolic meanings that deepen the impact of the text. Such symbolism can range from the weather (rain occurring in moments of sadness) to symbolism that is even deeper or more complex, such as the way that Moby-Dick layers multiple meanings through his descriptions of the whiteness of the whale.

Other Helpful Imagery Resources

• Wikipedia entry on imagery : A concise, no nonsense entry on imagery.
• Imagery in Robert Frost's poetry : A page that picks out different kinds of imagery in poems by Robert Frost.
• Imagery in John Keats's poetry : A page that identifies imagery in poems by John Keats.

• PDFs for all 136 Lit Terms we cover
• Downloads of 1941 LitCharts Lit Guides
• Teacher Editions for every Lit Guide
• Explanations and citation info for 40,925 quotes across 1941 books
• Downloadable (PDF) line-by-line translations of every Shakespeare play
• Figurative Language
• Slant Rhyme
• Climax (Plot)
• Stream of Consciousness
• Point of View
• Flat Character
• Anadiplosis
• Static Character
• Pathetic Fallacy
• Deus Ex Machina

How to Write a Visual Analysis Essay: Examples & Template

A visual analysis essay is an academic paper type that history and art students often deal with. It consists of a detailed description of an image or object. It can also include an interpretation or an argument that is supported by visual evidence.

In this article, our custom writing experts will:

• explain what a visual analysis is;
• share useful tips on how to write a good visual analysis essay;
• provide an essay sample.
• 🎨 Visual Analysis Definition
• 🏺 Artwork Analysis Tips
• ✅ Visual Analysis Writing Guide
• 📑 Example & Citation Tips

🎨 What Is a Visual Analysis?

The primary objective of visual analysis is to understand an artwork better by examining the visual elements. There are two types of visual analysis: formal and contextual.

• A formal analysis focuses on artwork elements such as texture, color, size, and line. It aims to organize visual information and translate it into words. A formal analysis doesn’t interpret the piece.
• Unlike formal analysis, contextual analysis’ primary goal is to connect artwork to its purpose or meaning within a culture. A contextual analysis includes formal analysis. Additionally, it discusses an artwork’s social purpose and significance.

Usually, students deal with formal visual analysis. Before starting to work on your essay, make sure to ask your professor whether to include contextual analysis or not.

The Purpose of Analyzing Images

Why is visual analysis important? What does it help to learn? There are several things that visual analysis helps with:

• It allows students to enhance their appreciation of art.
• It enables students to develop the ability to synthesize information.
• It encourages students to seek out answers instead of simply receiving them.
• It prompts higher-order critical thinking and helps to create a well-reasoned analysis.
• By conducting visual analysis, students learn how to support and explain their ideas by studying visual information.

What Is Formal Analysis: Art History

When we look at an artwork, we want to know why it was created, who made it, and what its function was. That’s why art historians and researchers pay special attention to the role of artworks within historical contexts.

Visual analysis is a helpful tool in exploring art. It focuses on the following aspects:

• Interpretation of subject matter ( iconography). An iconographic analysis is an explanation of the work’s meaning. Art historians try to understand what is shown and why it is depicted in a certain way.
• The analysis of function. Many works of art were designed to serve a purpose that goes beyond aesthetics. Understanding that purpose by studying their historical use helps learn more about artworks. It also establishes a connection between function and appearance.

Formal Analysis: Art Glossary

Now, let’s look at some visual elements and principles and learn how to define them.

Visual Elements :

Visual Principles :

🏺 How to Analyze Artworks: Different Types

Writing a formal analysis is a skill that requires practice. Being careful and attentive during the pre-writing stage is essential if you want to create a good and well-structured visual analysis. 

Visual analysis essay mainly consists of two components:

• Description of the selected image or object,
• Interpretation built on the visual evidence.

During the pre-writing stage:

• Collect general information about an artwork. Describe it briefly. Pay special attention to visual elements and principles:
• Develop an interpretation. Think critically. What does the information in your notes imply? How can it be interpreted?
• Support your ideas. To do it, refer to the visual elements directly. Avoid generalizing art and double-check your prompts. 

How to Analyze a Painting Using the Elements of Art

To write an excellent formal visual analysis, you need to consider as many visual principles and elements as you can apply. In the formal analysis part:

• Target your description;
• Address only those elements relevant to your essay;
• Pay attention to visual elements and principles;
• Introduce the subject of the painting and describe it;
• Explain why you have decided to discuss specific elements;
• Discuss the relationship between visual elements of the artwork;
• Use the vocabulary terms.

If you are asked to do a contextual analysis , you may want to:

• Focus on the historical importance of an artwork;
• Explore the style or movement associated with an artwork;
• Learn about the historical context and the public’s reaction to the artwork;
• Learn about the author and how they’ve created the piece of art.

Painting Analysis Essay Example & Tips

Here is a template you can use for your essay.

Now, let’s take a look at an essay example.

How to Analyze a Photograph

Analyzing photos has a lot in common with paintings. There are three methods on which photo visual analysis relies: description, reflection, and formal analysis. Historical analysis can be included as well, though it is optional.

• Description . It implies looking closely at the photo and considering all the details. The description needs to be objective and consists of basic statements that don’t express an opinion.
• Reflection. For the next step, focus on the emotions that the photograph evokes. Here, every viewer will have a different opinion and feelings about the artwork. Knowing some historical context may be helpful to construct a thoughtful response.
• Formal analysis . Think of the visual elements and principles. How are they represented in the photograph?
• Historical analysis. For a contextual analysis, you need to pay attention to the external elements of the photograph. Make sure that you understand the environmental context in which the photo was taken. Under what historical circumstances was the picture made?

Photo Analysis Essay Tips

Now that we’ve talked about analyzing a photograph let’s look at some helpful tips that will help you write an essay.

How to Analyze a Sculpture

Visual analysis of a sculpture is slightly different from the one of a painting or a photograph. However, it still uses similar concepts, relies on visual elements and principles. When you write about sculpture, consider:

Visual Analysis Essay on a Sculpture: Writing Tips

A sculpture analysis consists of the following parts:

• Description . Include specific details, such as what the sculpture may represent. For instance, the human figure may be an athlete, an ancient God, a poet, etc. Consider their pose, body build, and attire.
• Formal analysis . Here, visual elements and principles become the focus. Discuss the color, shape, technique, and medium.
• Contextual analysis . If you decide to include a contextual analysis, you can talk about the sculpture’s function and how it conveys   ideas and sentiments of that period. Mention its historical and cultural importance.

When it comes to sculpture analysis, you may also want to collect technical data such as:

• The size of the sculpture
• Medium (the material)
• The current condition (is it damaged, preserved as a fragment, or as a whole piece)
• Display (Was a sculpture a part of an architectural setting, or was it an independent piece of work?)

For instance, if you were to do a visual analysis of Laocoön and His Sons , you could first look up such details:

• Location: Discovered in a Roman vineyard in 1506
• Current location: Vatican
• Date: Hellenistic Period (323 BCE – 31 CE)
• Size: Height 208 cm; Width 163 cm; Depth 112 cm
• Material: Marble
• Current condition: Missing several parts.

Visual Analysis Essay: Advertisement Analysis

Visuals are used in advertisements to attract attention or convince the public that they need what is being advertised. The purpose of a visual argument is to create interest. Advertisements use images to convey information and communicate with the audience.

When writing a visual analysis of an advertisement, pay attention to the following:

• text elements,
• illustrations,
• composition.

All of this influences how the viewer perceives the information and reacts to it.

When you write about an advertisement, you conduct a rhetorical analysis of its visual elements. Visual rhetoric is mainly directed at analyzing images and extracting information from them. It helps to understand the use of typography, imagery, and the arrangement of elements on the page.

Think of the famous visual rhetoric examples such as the We can do it! poster or a Chanel №5 commercial. Both examples demonstrate how persuasive imagery has been used throughout history.

How to Write a Visual Analysis Paper on an Advertisement

The presentation of visual elements in advertising is essential. It helps to convince the audience. When you analyze visual arguments, always keep the rhetorical situation in mind. Here are some crucial elements to focus on:

✅ How to Write a Visual Analysis Paper: Step by Step

Now, we’ll focus on the paper itself and how to structure it. But first, check out the list of topics and choose what suits you best.

Visual Analysis Essay Topics

There are a lot of artworks and advertisements that can be analyzed and viewed from different perspectives. Here are some essay topics on visual analysis that you may find helpful:

• Analyze Gustav Klimt’s The Kiss (1907-1908.)
• The theme of humanity and The Son of Man (1964) by René Magritte.
• The use of visual elements in Almond Blossom by Vincent van Gogh (1888-1890.)
• Identity and Seated Harlequin (1901) by Picasso .
• Explore the themes of Paul Klee ’s The Tree of Houses , 1918.
• Objectives, activities, and instructions of Pietro Perugino’s fresco The Delivery of the Keys to Saint Peter . 
• Reflection on social issues of the time in Two Fridas by Frida Kahlo and Untitled by Ramses Younan.  
• Analyze the importance of Mural (1943) by Jackson Pollock.  
• The political message in John Gast’s painting American Progress (1872).
• Describe the visual techniques used in Toy Pieta by Scott Avett .
• The interpretation of the painting Indian Fire God by Frederic Remington.
• Explore the historical significance and aesthetic meaning of Ognissanti Madonna by Giotto di Bondone .
• Analyze different interpretations of The Three Dancers by Pablo Picasso .

Photography:

• The idea behind Lindsay Key (1985) by Robert Mapplethorpe.
• Explore the mythical appeal of Robert Capa’s photograph The Falling Soldier (Spain,1936) from Death in Making photobook.
• Describe Two Boys with Fish (2018) from Faith series by Mario Macilau.
• Kevin Carter’s Starving Child and Vulture (1993) as the representation of photojournalism.
• The story behind Philippe Halsman’s Dali Atomicus , 1948.
• Describe The Starving Boy in Uganda photograph by Mike Wells
• Analyse the view of a historic disaster in San Francisco photograph by George R. Lawrence.
• The statement behind Eddie Adams’s photo Shooting a Viet Cong Prisoner .
• How is Steve McCurry’s perception of the world reflected in his photo Afghanistan Girl .
• Analyze the reflection of Ansel Adams’s environmental philosophy in his photo Moon and Half Dome (1960).
• Describe Girl on the Garda Lake (2016) by Giuseppe Milo.
• Combination of internal geometry and true-to-life moments in Behind the Gare Saint Lazare by Henri Cartier-Bresson .
• Modern art and Couple on Seat by Lynn Chadwick (1984.)
• Analyze the biblical context of Pieta (1498-1499) by Michelangelo.
• The use of shapes in Louise Bourgeois’ Spider (1996.)
• Analysis of the symbolism behind The Thinker (1880) by Rodin.
• The historical meaning of Fountain (1917) by Duchamp .
• Analyze the Miniature Statue of Liberty by Willard Wigan 
• The combination of Egyptian culture and classical Greek ideology in statue of Osiris-Antinous.  
• Reflection of the civilization values in emperor Qin’s Terracotta Army . 
• The aesthetic and philosophical significance of Michelangelo’s David .
• Explore the controversial meaning of Damien Hirst’s sculpture For the Love of God (2007).
• Analyze the elements of art and design used in The Thinker by August Rodin .
• Symbolic elements in the Ancient Greek statues of Zeus .
• Depiction of the fundamental aspects of Buddhism in The Parinirvana of Siddhartha/Shakyamuni.

Advertisement:

• How Volkswagen : Think Small (1960) ad changed advertising.
• Analyze the use of figures in California Milk Processor Board: Got Milk? (1993) ad campaign .
• Analyze the use of colors in Coca-Cola — The Pause that Refreshes (1931.)
• Explore the historical context of We Can Do It! (1942) campaign.
• The importance of a slogan in 1947: A Diamond Is Forever by De Beers.
• Examine the specifics of visual advert: dogs and their humans.  
• Describe the use of visual techniques in Kentucky Fried Chicken company’s advertisement.
• Analyze the multiple messages behind the print ad of JBL .
• Discuss the methods used in Toyota Highlander advertisement .
• Elucidation of people’s dependency on social networks in the advertising campaign Followers by Miller Lite.
• The use of the visual arguments in Schlitz Brewing Company advertisement .
• The role of colors and fonts in Viva la Juicy perfume advertisement .

Visual Analysis Essay Outline

You can use this art analysis template to structure your essay:

How to Start an Art Essay

Every analysis starts with an introduction. In the first paragraph, make sure that:

• the reader knows that this essay is a visual analysis;
• you have provided all the necessary background information about an artwork.

It’s also important to know how to introduce an artwork. If you’re dealing with a panting or a photograph, it’s better to integrate them into the first page of your analysis. This way, the reader can see the piece and use it as a reference while reading your paper.

Art Thesis Statement Examples & Tips

Formulating a thesis is an essential step in every essay. Depending on the purpose of your paper, you can either focus your visual analysis thesis statement on formal elements or connect it with the contextual meaning. 

To create a strong thesis, you should relate it to an artwork’s meaning, significance, or effect. Your interpretation should put out an argument that someone could potentially disagree with. 

• For instance, you can consider how formal elements or principles impact the meaning of an artwork. Here are some options you can consider:
• If your focus is the contextual analysis, you can find the connection between the artwork and the artist’s personal life or a historical event.

How to Write Visual Analysis Body Paragraphs

Body paragraphs of formal analysis consist of two parts—the description and the analysis itself. Let’s take Klimt’s The Kiss as an example:

The contextual analysis includes interpretation and evaluation.

Visual Analysis Essay Conclusion

When you work on the conclusion, try to conclude your paper without restating the thesis. At the end of your essay, you can present an interesting fact. You can also try to:

• Compare an artwork to similar ones;
• Contrast your own ideas on the piece with the reaction people had when it was first revealed.
• Talk about an artwork’s significance to the culture and art in general.

📑 Visual Analysis Essay Example & Citation Tips

In this section of the article, we will share some tips on how to reference an artwork in a paper. We will also provide an essay example.

How to Reference a Painting in an Essay

When you work on visual analysis, it is important to know how to write the title of an artwork properly. Citing a painting, a photograph, or any other visual source, will require a little more information than citing a book or an article. Here is what you will need:

• Size dimensions
• Current location
• Name of the piece
• Artist’s name
• Date when artwork was created

If you want to cite a painting or an artwork you saw online, you will also need:

• The name of the website
• Website URL
• Page’s publication date
• Date of your access

How to Properly Credit an Artwork in APA

How to properly credit an artwork in mla, how to properly credit an artwork in chicago format.

Finally, here’s a sample visual analysis of Rodin’s sculpture The Thinker in APA format. Feel free to download it below.

Many people believe that works of art are bound to be immortal. Indeed, some remarkable masterpieces have outlived their artists by many years, gaining more and more popularity with time. Among them is The Thinker, a brilliant sculpture made by Auguste Rodin, depicting a young, athletic man, immersed deep into his thoughts.

You can also look at the following essay samples to get even more ideas.

• The Protestors Cartoon by Clay Bennett: Visual Analysis
• Visual Analysis – Editorial Cartoon
• Visual Analysis: “Dust Storm” Photo by Steve McCurry
• Visual, Aural, Read & Write, Kinesthetic Analysis
• Schlitz Brewing Company Advertisement: Visual Arguments Analysis

Thanks for reading through our article! We hope you found it helpful. Don’t hesitate to share it with your friends.

Further reading:

• How to Write a Lab Report: Format, Tips, & Example
• Literature Review Outline: Examples, Approaches, & Templates
• How to Write a Research Paper Step by Step [2024 Upd.]
• How to Write a Term Paper: The Ultimate Guide and Tips

❓ Visual Analysis FAQs

To write a visual argument essay, you need to use rhetorical analysis. Visual rhetoric is directed at analyzing images and extracting the information they contain. It helps to analyze the visuals and the arrangement of elements on the page.

A well-though contextual analysis will include:

1. formal analysis, 2. some information about the artist, 3. details on when and where the piece was created, 4. the social purpose of the work, 5. its cultural meaning.

It is better to include pictures  in the introduction  part of your paper. Make sure to cite them correctly according to the format you’re using. Don’t forget to add the website name, the URL, and the access date.

To analyze means not only to describe but also to evaluate and synthesize visual information. To do that, you need to learn about visual elements and principles and see how and why they are used within artworks.

🔍 References

• Art History: University of North Carolina at Chapel Hill
• Visual Analysis: Duke University
• Writing a Formal Analysis in Art History: Hamilton College
• Contextual Analysis: Pine-Richland School District
• How to Analyze an Artwork: Student Art Guide
• Introduction to Art Historical Analysis: Khan Academy
• Guidelines for Analysis of Art: University of Arkansas at Little Rock
• Elements of Art: Getty.edu
• Formal or Critical Analysis: LibreTexts
• Analyzing a Photograph: University of Oregon
• Picture Composition Analysis and Photo Essay: University of Northern Iowa
• Visual Analysis Guidelines: Skidmore College
• How to Analyze Sculpture: NLA Design and Visual Arts: WordPress
• Visual Rhetoric: Purdue University
• Formal Visual Analysis: The Elements & Principles of Composition
• Share to Facebook
• Share to Twitter
• Share to LinkedIn
• Share to email

Want to know how to write a reflection paper for college or school? To do that, you need to connect your personal experiences with theoretical knowledge. Usually, students are asked to reflect on a documentary, a text, or their experience. Sometimes one needs to write a paper about a lesson...

A character analysis is an examination of the personalities and actions of protagonists and antagonists that make up a story. It discusses their role in the story, evaluates their traits, and looks at their conflicts and experiences. You might need to write this assignment in school or college. Like any...

Any critique is nothing more than critical analysis, and the word “analysis” does not have a negative meaning. Critical writing relies on objective evaluations of or a response to an author’s creation. As such, they can be either positive or negative, as the work deserves. To write a critique, you...

If you are assigned to write a rhetorical analysis essay, you have one significant advantage. You can choose a text from an almost infinite number of resources. The most important thing is that you analyze the statement addressed to an audience. The task of a rhetorical analysis essay is to...

Any literary analysis is a challenging task since literature includes many elements that can be interpreted differently. However, a stylistic analysis of all the figurative language the poets use may seem even harder. You may never realize what the author actually meant and how to comment on it! While analyzing...

As a student, you may be asked to write a book review. Unlike an argumentative essay, a book review is an opportunity to convey the central theme of a story while offering a new perspective on the author’s ideas. Knowing how to create a well-organized and coherent review, however, is...

The difference between an argumentative and persuasive essay isn’t always clear. If you’re struggling with either style for your next assignment, don’t worry. The following will clarify everything you need to know so you can write with confidence. First, we define the primary objectives of argumentative vs. persuasive writing. We...

You don’t need to be a nerd to understand the general idea behind cause and effect essays. Let’s see! If you skip a meal, you get hungry. And if you write an essay about it, your goal is achieved! However, following multiple rules of academic writing can be a tough...

An argumentative essay is a genre of academic writing that investigates different sides of a particular issue. Its central purpose is to inform the readers rather than expressively persuade them. Thus, it is crucial to differentiate between argumentative and persuasive essays. While composing an argumentative essay, the students have to...

It’s not a secret that the reader notices an essay title first. No catchy hook or colorful examples attract more attention from a quick glance. Composing a creative title for your essay is essential if you strive to succeed, as it: Thus, how you name your paper is of the...

The conclusion is the last paragraph in your paper that draws the ideas and reasoning together. However, its purpose does not end there. A definite essay conclusion accomplishes several goals: Therefore, a conclusion usually consists of: Our experts prepared this guide, where you will find great tips on how to...

A five-paragraph essay is one of the most common academic assignments a student may face. It has a well-defined structure: an introduction, three body paragraphs, and a conclusion. Writing an introduction can be the most challenging part of the entire piece. It aims to introduce the main ideas and present...

do you review and edit visual arts extended essay

What Are the Best Tips for Writing an Essay on Imagery?

Our promise to you.

Founded in 2002, our company has been a trusted resource for readers seeking informative and engaging content. Our dedication to quality remains unwavering—and will never change. We follow a strict editorial policy , ensuring that our content is authored by highly qualified professionals and edited by subject matter experts. This guarantees that everything we publish is objective, accurate, and trustworthy.

Over the years, we've refined our approach to cover a wide range of topics, providing readers with reliable and practical advice to enhance their knowledge and skills. That's why millions of readers turn to us each year. Join us in celebrating the joy of learning, guided by standards you can trust.

Editorial Standards

At Language & Humanities, we are committed to creating content that you can trust. Our editorial process is designed to ensure that every piece of content we publish is accurate, reliable, and informative.

Our team of experienced writers and editors follows a strict set of guidelines to ensure the highest quality content. We conduct thorough research, fact-check all information, and rely on credible sources to back up our claims. Our content is reviewed by subject-matter experts to ensure accuracy and clarity.

We believe in transparency and maintain editorial independence from our advertisers. Our team does not receive direct compensation from advertisers, allowing us to create unbiased content that prioritizes your interests.

Imagery is one of the most commonly used and most effective literary techniques to really transport the reader into the story. As a result, it is common for teachers to assign students to write essays on imagery to be sure they understand this important concept. To begin writing an essay on imagery, it is first necessary to identify the examples of imagery in the story. Then, start considering the bigger picture; beyond the image itself, what could the author be trying to convey? It might be a symbolic image, or one meant to conjure up feelings related to something else in the text.

Identifying imagery can be difficult at first, but with practice it will become easier. When writing an essay on imagery, and trying to locate the examples of imagery in the story, it helps to consider the different possible types. Visual imagery is the most common, in which an author will describe how something looks, often making use of metaphor and simile . However, imagery can be used with any of the other four senses, including touch, smell, taste, and hearing. If an author takes the time to describe the way something smells, or the sound it makes, chances are it is an important part of imagery for the story.

Making notes and creating a type of outline of the imagery found throughout the story can be a great place to begin writing the essay. It can also make it easier to identify patterns. If a certain image is seen over and over again, this is a great place to focus to consider what the author meant by it. Even if images are not repeated, it is still necessary to look deeper; don't simply describe the images, but consider what they might mean on a deeper level.

A certain repeated image could represent the mood or personality of a character, for example. It might represent certain religious symbolism, or be indicative of a larger, theoretical idea. Though it may seem like too simple of an idea, it is also very helpful to consider other major aspects of the story, like plot and theme, when writing an essay on imagery. The theme of a book or short story is often repeated, over and over again, in the imagery used throughout. Asking these types of questions will generally make it easier to develop a thesis statement, which will help to guide the writing of the rest of the essay on imagery.

Related Articles

• What Is a Writing Style?

Our latest articles, guides, and more, delivered daily.

Home — Essay Samples — Literature — Book Report — Cavalry Crossing A Ford: An Analytical Perspective

Cavalry Crossing a Ford: an Analytical Perspective

• Categories: Book Report Symbolism

About this sample

Words: 685 |

Published: Jun 6, 2024

Words: 685 | Pages: 2 | 4 min read

Table of contents

Imagery and symbolism, structure and form, humanity amidst conflict, conclusion: a moment captured in time.

Cite this Essay

Let us write you an essay from scratch

• 450+ experts on 30 subjects ready to help
• Custom essay delivered in as few as 3 hours

Get high-quality help

Dr. Heisenberg

Verified writer

• Expert in: Literature

+ 120 experts online

By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy . We’ll occasionally send you promo and account related email

No need to pay just yet!

Related Essays

2 pages / 1072 words

2 pages / 1087 words

4 pages / 1993 words

2.5 pages / 1190 words

Remember! This is just a sample.

You can get your custom paper by one of our expert writers.

121 writers online

Still can’t find what you need?

Browse our vast selection of original essay samples, each expertly formatted and styled

Related Essays on Book Report

Tuesdays with Morrie is book which was composed by one of the subject’s most loved student, Mitch Albom. Mitch is an American writer, columnist, screenwriter, playwright, radio and TV telecaster, and performer. It was committed [...]

Fairy tales have been a part of human culture for centuries, passed down from generation to generation through oral tradition and written literature. These stories often feature magical elements, fantastical creatures, and moral [...]

In the realm of human emotions, love often stands out as an enigmatic and multifaceted phenomenon. The aphorism "love is blind" suggests that love can obscure one's judgment and perception, leading individuals to overlook flaws [...]

In conclusion, "Deaf Like Me" is a testament to the power of communication, understanding, and empathy. Through their personal journey, the Spradleys invite us to reflect on the challenges faced by the Deaf community and [...]

Many modern playwrights seek to connect contemporary issues with ancient themes by updating the stories of mythic stories into a completely modern milieu. With Blood Wedding, Federico Garcia Lorca seeks to explore this idea [...]

Character Development: Explore how the characters in "The Book Thief" are shaped and transformed by the power of words, including Liesel, Hans, and Max. Literary Devices: Analyze the literary devices [...]

Related Topics

By clicking “Send”, you agree to our Terms of service and Privacy statement . We will occasionally send you account related emails.

Where do you want us to send this sample?

By clicking “Continue”, you agree to our terms of service and privacy policy.

Be careful. This essay is not unique

This essay was donated by a student and is likely to have been used and submitted before

Download this Sample

Free samples may contain mistakes and not unique parts

Sorry, we could not paraphrase this essay. Our professional writers can rewrite it and get you a unique paper.

Please check your inbox.

We can write you a custom essay that will follow your exact instructions and meet the deadlines. Let's fix your grades together!

Get Your Personalized Essay in 3 Hours or Less!

We use cookies to personalyze your web-site experience. By continuing we’ll assume you board with our cookie policy .

• Instructions Followed To The Letter
• Deadlines Met At Every Stage
• Unique And Plagiarism Free

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Welcome to the Purdue Online Writing Lab

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

The Online Writing Lab at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue. Students, members of the community, and users worldwide will find information to assist with many writing projects. Teachers and trainers may use this material for in-class and out-of-class instruction.

The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives. The Purdue OWL offers global support through online reference materials and services.

A Message From the Assistant Director of Content Development 

The Purdue OWL® is committed to supporting  students, instructors, and writers by offering a wide range of resources that are developed and revised with them in mind. To do this, the OWL team is always exploring possibilties for a better design, allowing accessibility and user experience to guide our process. As the OWL undergoes some changes, we welcome your feedback and suggestions by email at any time.

Please don't hesitate to contact us via our contact page  if you have any questions or comments.

All the best,

Social Media

Facebook twitter.

Jump to navigation

Hard Bodies: Aesthetic, Materiality, and Mediality of Masculinity in American and European Art and Visual Culture, c. 1900 – today

Goethe-Universität Frankfurt a.M., Germany, 9th–11th January 2025

Deadline: 15th July, 2024

Description:

The hard body is omnipresent in contemporary culture. It evokes purity, whiteness, and resistance to cracking or contamination. It is the result of disciplined self-optimization (physical training, a strict diet, dietary supplements, and/or surgery) and part of the iconography of white supremacy. Contemporary artists only refer to the hard male body to destroy it – like Candice Lin in her installation A Hard White Body (2017). 

So, why should we revisit the hard male body, with its undeniable hegemonic bias? Why not dismiss it, and look at the fragmented, performative, vulnerable, and transformative male body instead?

This conference argues that the study of the hard male body is crucial to understand constructions of masculinities (straight and queer) in the art and visual culture that have developed in constant exchange between Europe and the US since the 19th century. Klaus Theweleit’s psychoanalytic study of masculinity, Männerphantasien (1977/2019), serves as the conference's primal inspiration: His term "body armor" delineates the function of muscles as a protective barrier against physical threats and any sexual and emotional destabilizations originating from women. 

However, art and visual culture represent the hard male body as an ambiguous figure: neither solely hegemonic or heteronormative nor solely white but part of queer desire and potentially queer itself. Taking the intertwined European and American emergence of fitness and bodybuilding culture as well as representations of muscular men in art and mass media since the late 19th century as a starting point, this conference will reconstruct the ambivalent history of an abiding fascination with the hard male body.

Three main strands include: 

1. The Muscular Male Body: Biopolitics, Cultural Practices, and Discourses

The hard body’s renaissance across Europe and the US in the 19th and early 20th centuries as well as the biopolitics, cultural practices, and discourses that shaped it. 

2. The Medialized Male Body

The muscular male body's medializations from the early 1900s to today. The eroticism, ambivalence, and spectacle of the muscular male body in the imagery representing as well as shaping this ideal or bodies directly.

3. The (Re- or De-)Materialized Male Body

Appropriations of the hard male body in contemporary art, its re- and/or dematerializations and surface transformations.

We will seek contributions that investigate the following questions:

How was the hard male body established as the primary image of modernist masculinity?

What role did art, art education, and mass media play in this process?

How are the muscular male body's appeal and glamor enhanced (or even created) by medialized, circulating images? 

How are Black muscular men eroticized – in media directed at Black and white beholders, respectively? 

How are Asian muscular men represented throughout this period, for example in white homoerotica and pornography?

Why is the hard male body's eroticism overlooked even in queer studies? 

How is the hard male body transformed or seen from a feminist perspective?

What are the materials and techniques used to aestheticize or optimize hard bodies in contemporary art, sports, fitness culture, and homoerotica as well as pornography? 

What are the materials and surfaces that (de-)stabilize or transform muscular male bodies in contemporary art?

What are the visual and/or artistic strategies behind it?

This international in-person conference seeks to connect established scholars and young researchers from America and Europe. We therefore look for early career researchers at the final stages of their PhD or in the postdoc phase to present papers on one of the related topics outlined above. In order to establish equity, all travel and accommodation costs for inner-European travel will be covered. 

Proposals should include the paper’s title (max 15 words), an abstract (max 500 words) and a short CV. Please send your material to: [email protected]

Proposal deadline: July 15th, 2024

Notification date: July 31st, 2024

Organized by Max Böhner (Humboldt-University of Berlin/University of Potsdam), Antje Krause-Wahl (Goethe University); Clara J. Lauffer (Goethe University); Simon Wendt (Goethe University)

• Share full article

Advertisement

Supported by

In Paris, Using Dance to Uncover Hidden History

Benjamin Millepied, an organizer of La Ville Dansée — a daylong event in Paris and its environs — wants “to tell the invisible stories of the city.”

By Roslyn Sulcas

Reporting from Paris

Benjamin Millepied thinks big.

La Ville Dansée, a free festival of outdoor dance on Saturday, is the first large-scale initiative from Millepied’s Paris Dance Project . Starting at 11 in the morning and ending after midnight, it involves 12 choreographers and seven commissions; 10 neighborhoods in Paris and its outlying suburbs; podcasts, screenings and live streams.

The Paris Dance Project, which Millepied formed last year with Solenne du Haÿs Mascré, is not a dance company, but an organization that creates educational programs and accessible performances. La Ville Dansée (“the dancing city”), part of the Cultural Olympiad — a program of arts events around the Olympics — is its biggest splash yet, intended to show Paris and its environs not just as gorgeous settings for performance, but as places with hidden or forgotten histories.

Millepied returned to live in Paris last year after a decade spent mostly in Los Angeles. His last Parisian sojourn, 2014-2016, included a brief, contentious, term as the director of the Paris Opera Ballet, which he said provided some seeds for the idea of La Ville Dansée.

“I was running the best-funded institution in France, but only a fraction of society felt invited,” Millepied said in an interview in Paris in May. “It made me think about how much segregation there is, how people can have a very different experience in the same place. I decided we would commission works to tell the invisible stories of the city to gather people together who would never go to the theater, to build empathy and community.”

Millepied and du Haÿs Mascré gathered a small core team that included, unusually, a political theorist, Françoise Vergès , and a sociologist, Fabien Truong, as well as the dramaturg Christian Longchamp. Over months of weekly meetings, they discussed and identified sites for dance — some famous, like the Eiffel Tower and the Jardin du Luxembourg; others little known, like an abandoned supermarket in the town of Grigny and Saint-Bernard de la Chapelle, a church that was the site of a notable police raid on migrants in 1996.

Millepied researched and chose the diverse group of choreographers. Then came the logistics of raising money, getting permissions and coordinating technical teams across the city.

The Artistic Director: Millepied

“I really wanted to invest in the city as a performance space,” Millepied said.

His first inspiration came from reading an article in The New York Times about the way Haitian debt had financed the Eiffel Tower , and he also knew he wanted to work in the suburbs that housed lower-income and migrant populations.

But “you can’t just show up and put on a show,” he said. “You have to come with some humility and respect, and knowledge.” He met Truong through his brother, a sociologist, and contacted Vergès after reading her book, “Decolonizing the Museum.” “I wouldn’t work without them if I were to venture anywhere with arts projects in spaces that are too far from my own experience of life,” Millepied said.

He picked choreographers he admired “and felt had a history with or relationship to each site,” like the Moroccan choreographer Mohamed Lamqayssi for Grigny, home to diverse immigrant populations; the Mozambican Idio Chivava for a work on the roof of the Philharmonie de Paris that focuses on sound; and the Haitian choreographer Kettly Noël, who will perform a duo with Thierno Thioune near the Eiffel Tower.

And he asked the American choreographer Madeline Hollander to make a film at the Stade de France, the huge sports stadium in St. Denis on the northern perimeter of Paris, because of “her curiosity and empathy.”

Sometimes, he said, “there is so much hidden violence in the things you walk past every day.”

The Political Scientist: Vergès

“This is a form of writing through dance, through the body, making the body the pen,” said Vergès, a distinguished senior fellow at University College London.

To find the sites, each team member brought ideas and historical research to the weekly meetings. Vergès suggested the Presence Africaine bookstore, established in 1947 in the Fifth Arrondissement, “because it brought the African continent to Paris, saying, ‘We have a culture, we have a story.’” Sandra Sainte Rose Fanchine, from Guadeloupe, is presenting a work there based on New Orleans parades, featuring 30 women of color.

Vergès also proposed the Place Maubert, at one stage heavily populated by immigrants from Vietnam, Cambodia and Laos. “H o Chi Minh settled in Paris around 1919, but this is almost forgotten” she said. Emmanuelle Huynh, a French choreographer of Vietnamese descent, will create a work there.

After the sites were chosen, Vergès said, the team condensed their ideas about the history of each site into one paragraph for each choreographer. “Then it was up to them how they wanted to bring that forth,” she said.

The Planner: Du Haÿs Mascré

Putting the day together was “incredibly complicated,” said Du Haÿs Mascré, a former production director at La Seine Musicale in Paris. “It involved five different municipalities, several regional departments, the Ministry of Foreign Affairs, the city of Paris and numerous cultural institutions and private partners.” There was also, she added, the question of additional security amid preparations for the Olympics.

The $870,000 budget came in equal measures from the public and private sectors, she said.

“You are effectively producing a show in each of the 10 sites,” she said. “In each place we have a specific team who have worked with the community; you can’t just drop in, it has to be an ongoing dialogue.”

The Choreographers

One chosen site, the Stade de France, was being renovated for the Olympics. But Millepied and Du Hays Mascré obtained access to the rooftop and asked Hollander to make a film there, since it was an impractical place for an audience. “Daunted and excited,” Hollander said, she began to think about the history of games at the stadium — “FIFA, two rugby world cups, the 2015 game when there were terrorist attacks ” across Paris — and to create a timeline of sports photography from 1998 to the present, taken at matches there.

Five hundred images “of these very high energy moments” became the score for the choreography of her rooftop film. “I thought a lot about how imagery really does sculpt our memories and histories,” she said.

Other choreographers delved into the history of their sites. Lamqayssi, working in Grigny, was inspired when he learned that quarries there provided stone to build the Paris Metro. “Grigny is marginalized and poor, a hub for immigrants, but it contributed to building big, beautiful Paris,” he said.

The Haitian-born Noël, whose work will have the Eiffel Tower as a backdrop, said the duet she has created makes oblique references to Haiti’s stolen resources. But mostly, she said: “I hope meanings will emerge from our bodies.”

Public performance, she added “is a way to democratize dance, make it available. Lots of people think dance is only for an elite — even those who actually dance in real life.”

La Ville Dansée

Can be live-streamed on parisdanceproject.org and on the Paris Dance Project’s TikTok and Instagram accounts.

Stepping Into the World of Dance

Mira Nadon, the rising New York City Ballet principal, is coming off her best season yet. And it’s only the beginning .

As Ballet Tech, a tuition-free public school in New York, prepares for its Joyce season, Dionne Figgins teaches the students  to see the big picture of their art form.

Tamara Rojo, the San Francisco Ballet company’s new artistic director, has a vision of ballet as for the people — all the people — with dances that reflect our world .

A couple with deep ties to the popular Brooklyn festival DanceAfrica and its founder and longtime artistic director, Chuck Davis, recall when their wedding  was part of the show.

As Black roller skaters from around the country bring their styles to Atlanta, some locals look for space to preserve the moves the city  is known for.