aama tamil movie review

Aama Tamil Movie 2020 Cast

Posted by | Vishnu Das on | May 20, 2023

Initial release

Aama, a Nepali drama film released in 2020, was helmed and written by Dipendra K. Khanal. Sharmila Pandey produced the film under the DS Digital banner.

Aama Tamil Movie Cast, Plot, Production, & Release

The lead roles were portrayed by Mithila Sharma and Surakshya Panta, accompanied by Sarita Giri, Deshbhakta Khanal, Manish Niraula, Laxmi Bhusal, Tika Pahari, Padam Prasad Poudel, Aashant Sharma, and Saroj Aryal. This heartfelt movie explores the intricate bond between a mother and daughter. Overall, Aama garnered positive reviews from critics.

Following a distressing incident that resulted in a severe head injury, Yagya Prasad Aryal (portrayed by Desh Bhakta Khanal) finds himself hospitalized in Kathmandu. With her husband requiring immediate medical attention, Yagya Prasad’s wife turns to the bustling city for help. In this unfamiliar environment, her only sources of support are her daughter Arati (played by Surakshya Panta) and her husband (portrayed by Manish Niraula).

Due to her brother’s absence in the United States, Arati is now tasked with the responsibility of caring for both her father and mother. The medical journey becomes an expensive one as Yagya Prasad undergoes a crucial surgical procedure.

Mithila Sharma

Surakshya Panta

Surakshya Panta soared to stardom following her exceptional performance in the movie “Dhanapati.” Since then, she has graced the silver screen with her remarkable talent in highly acclaimed films such as “Gopi” and “Aama.”

Sarita Giri

Sarita Giri shares a similar circumstance in her role, where both Sharma and Giri seldom find reasons to smile throughout the story.

Deshbhakta Khanal

Manish Niraula

Laxmi Bhusal

The lead roles in the film are portrayed by Laxmi Bhusal, Surakshya Panta, and Sarita Giri.

Tika Pahari

Arpan Thapa

Thapa embarked on his acting journey with the Nepali film “Sick City,” where he portrayed the lead role of Krishna. Additionally, he showcased his directorial skills in the movie “Mukhauta.”

Padam Prasad Poudel

Aashant Sharma

Saroj Aryal

The characters portrayed by Aashant Sharma, Saroj Aryal, and Asmita Khanal are thoughtfully developed and well-crafted in the film.

Actress Surakshya Panta displayed her dedication to the role by agreeing to shave her head.

Sunny Mahat from The Annapurna Express highly recommended watching “Aama,” describing it as a film that challenges norms, shatters stereotypes and showcases the presence of talented filmmakers and artists in the industry. The movie is a relatable story without theatrical embellishments.

Diwakar Pyakurel from Online Khabar praised Surakshya Panta for her outstanding performance, noting her natural portrayal of an emotionally turbulent character. The project has undoubtedly elevated her career to a higher level.

Theatrical Release Poster

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Saroj Aryal Laxmi Bhusal (Grandmother) Eddie Edwards (Narendra) Sarita Giri Deshbhakta Khanal Manish Niraula (Arati's Husband) Tika Pahari Surakshya Panta Padam Prasad Poudel Aashant Sharma

Dipendra K. Khanal

Yagya Prasad Aryal is in an incident which caused a serious head injury. His wife admits him to a hospital in Kathmandu.

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Aama (2020)

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Aama movie review: Moving plot fails to quench Nepali film industry’s thirst for ‘newness’

But ironically, this specificity becomes problematic if you go to the cinema after watching the trailer—the nearly two-hour-long movie offers you nothing more than what you have seen in the four-minute advertisement. The development of climax and denouement seems formulaic; it is predictable and rarely surprises you.

Overall, hence, Aama is another average project. While it offers you a spellbinding story with an excellent directorship, the movie cannot quench the Nepali cinema industry’s long-awaited thirst for originality and ‘newness’.

 ‘Single-handed’ movie

Because it is a family story and family values play decisive roles in anyone’s life in the Nepali society, the movie easily appeals to the Nepali audience in general. Dipendra K Khanal has written an emotionally charged story incorporating three subplots that are closely interconnected. The three subplots deal with different issues of the Nepali society: from the growing exodus of the young population to the foreign land, leaving the life of old people miserable in the villages, to the woes of ‘infertile’ couples. Yet, they connect to one theme: the parent-child relationship.

Khanal seems so cautious not to ruin the vigour of his story that he has not only directed the movie, but he has held the cinematographer’s job also with himself. Apparently, his single-handedness has paid off. The camerawork is almost flawless. Many things, for example, the couple (Surakshya Panta and Manish Niraula)’s desire for a child, are told with the use of images, without saying it in words. Separate shots and scenes have been connected well. Transitions are effectively marked. For the sake of clarity, flashback scenes have not been used.

Despite having three subplots, which could have been developed into separate standalone stories, the movie communicates well. Khanal, as the writer and the director, deserves applause for this.

Realistic acting and presentation

More importantly, the characters are built well in the movie. Though the title character is apparently played by veteran Mithila Sharma, Panta is the lead in this movie. Panta has done an excellent job; she looks natural in her emotionally-turbulent role. This project has elevated her one step up in her career. Sharma’s acting is also impressive, but the character she acts is quite flat that she is not required to show any dynamism and versatility. The same condition applies to the role played by Sarita Giri. The story allows both Sharma and Giri to smile very rarely. Though in a negative role, veteran radio drama actor Laxmi Bhusal has done her job well.

Because Khanal has introduced comparatively a few characters in the story, he has not lost his control over their portrayal. As Nepali movie critics often say, some ‘star’ actors work on their own frequently depriving the director of his/her command over the movie. However, Khanal has successfully handled the issue. Even the minor characters, such as the roles played by Aashant Sharma, Saroj Aryal and Asmita Khanal are built well.

But there are some glitches. Consider two scenes as examples. When Aarati (Panta) shouts at some doctors at the first hospital the family visits to admit her dad (Desh Bhakta Khanal), the audience feels it is too early to make Panta angry. Perhaps, the director could have delayed the expression of anger. Then, in the second half, Aarati’s unnamed mother (Mithila Sharma) speaks to the ailing husband (Khanal) without waiting for his response, and her speech about how the couple raised their children in the past lasts for more than one minute. Here, the director has forgotten that his job is to show, not tell.

It seems the director deliberately wants to keep all men of the film under the women’s shadow. Not only that Khanal has been silenced, the character of Aarati’s husband, played by Manish Niraula, is also underdeveloped in the movie. His angry shouts at the wife seem made-up. While he is also a major character of the story and the way he acts out significantly affects the overall performance of the movie, Niraula’s training is below par in comparison to the performance of Surakshya Panta or Mithila Sharma.

Predictable story

Perhaps the bigger problem than the training of the actors is the story’s predictability. While the four-minute trial sums up everything that happens in the movie, a few elements of the film also enable the viewers to guess what they are expecting next. Consider, for example, the use of rainfall as a motif. Stereotypically, rainfall suggests some imminent challenges to the protagonists. As the curtains open, an ambulance is plying a serpentine road while it is raining cats and dogs. Showing the rainfall once or twice could have made the movie interesting and symbolically rich, but the audience of Aama fails to count how many times it rains after the opening scene.

So happens with Aarati’s mother’s efforts to check the time on her husband’s watch. However, the use of roasted corn as a symbol is appropriate; it tells a lot about the family’s shattered dreams.

Of course, there are a few things that the trailer does not show you clearly; for example, a Christian man’s efforts to convert people at the hospital and the hospital’s fraudulent activities. However, they do not add anything significant to the plot.

Khanal’s 2016 blockbuster Pashupati Prasad fared well in the box office because its story was unique and particular. The movie had dealt with the incidents that general people had rarely thought about. However, his latest project does not have such unique elements, except that a lady shaves her head for her parents’ funeral. That too has turned stale with its excessive exposure on the film’s posters.

Perhaps, Khanal is aware of these shortcomings; hence he has been using the name and fame of Pashupati Prasad to promote Aama. When he delivers his next project after a few years, Khanal will still need to use the Pashupati Prasad-fame to advertise that. Though emotionally appealing, Aama does not offer him anything sellable to him and anything ‘new’ to the audience.

Genre: Drama, tragedy

Run time: 110 minutes

Screenwriter/director: Dipendra K Khanal

Cast: Mithila Sharma, Surakshya Panta, Sarita Giri, Deshbhakta Khanal, Manish Niraula, Laxmi Bhusal, Tika Pahari, Padam Prasad Poudel, Aashant Sharma, Saroj Aryal, Asmita Khanal

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Pyakurel is a Kathmandu-based bilingual journalist, who worked for Onlinekhabar from April 2017 till May 2023, leading its English edition from January 2020 till May 2023. He writes on climate and environment, society and culture, art and literature, and entrepreneurship, among others.

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Directed by Dipendra K. Khanal

About the story of a family facing a medical emergency and the bureaucratic apathy of the medical institution.

Mithila Sharma Surakshya Panta

Director Director

Dipendra K. Khanal

Writer Writer

Cinematography cinematography, releases by date, 21 feb 2020, releases by country.

112 mins   More at IMDb TMDb Report this page

Popular reviews

Review by Sakshat KC

Melodramatic to the point that this movie after a while simply turns into blatant tragedy porn. This is the exact kind of treatment of social realism in Nepali films that is setting us back. It's a shame that they couldn't treat the subject matter with the same kind of dignity that the cinematography of this film promises it does.

Review by Aadarsh Shrestha ★★★★½

Hospital walls have heard more prayers than any temples or churches.

'Aama' which means mother in Nepali, is a heartwrenching tale of a mother and a daughter whose husband/ father is admitted in the hospital. The film portrays the hardship that the family face while their family member is admitted in the hospital. The story is so important. An incredible drama. It depicts Nepali society as a whole. A social drama which is so so important. Mithila Sharma and Surakshya Panta was the highlight of the film. Both women spills all the emotions to the character.

Not only she is the daughter of an injured/ admitted father; she is someone's wife and someone's daughter-in-law. And she has to play the role of three person: daughter, wife and daughter-in-law.

An important watch.

https://youtu.be/jC8qrOZnEew

Review by Bibek Poudel ★★½

Better than an average Nepali movie but it has its shortcomings. The background music is average and becomes irritating after an hour. Some parts of the story were overly exaggerated and forced without context. The performance from Mithila Sharma was exceptional.

Review by rajnroll ½

I really wanted to like this film, for what it was trying to do with a Nepali story. But unfortunately, i couldn't, as melodrama, on the nose music and an overly unwarranted tragic ending stood in the way.

Review by pawan85 ★★★★

One of the best Nepali films i have seen in recent years, it certainly is very emotional with great acting and based on Nepal's sociopolitical context. For any Nepali movie lovers out there i highly recommend it.

Review by Cinephile's cinephile ★★★★½

Nepali film industry is slowly but surely maturing.

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Aame - movie review.

Film: Aame Cast: Amala Paul, Ramya Subramanian, Sriranjini, Vivek Prasanna and others Dialogues: Rajesh A Murthy  Music: Pradeep Kumar Cinematography: Vijay Kartik Kannan Editor: Shafiq   Art: Videsh Stunts: "Stunner" Sam Producers: Rambabu Kalluri, Vijay Moraveneni Written and directed by: Rathnakumar Release date: July 18, 2019

Amala Paul created a sensation of sorts with the teaser of ‘Aame’. Her bold act became the talk of the town. The film is finally here after getting canceled shows on its release date due to financial issues and let's find out if the film has anything interesting to showcase.

What's it about?

Kamini(Amala Paul) works in the media and is very bold by nature. She goes to any extent just to get TRP's for her shows which are made up of prank videos. But one fine day, she and her gang decide to party hard at their old premises before shifting to a new office. One of her colleague's drugs her and the next morning Kamini finds out that she is all naked in the building with absolutely no one to help her. How does she make out of such a deadly situation is the story of the film?

What catches your imagination right away is the concept of the film which is very bold. A heroine being naked in the whole film is not tried for sure to date in India. This is a completely daring attempt. But the director takes his sweet time to come to the point. 

The director starts the film on an uneven note. It is only at the interval point the film takes grip when Amala Paul's naked avatar comes into force. From there, the film is interesting as the thrills showcased are genuine and create a good effect on the audience. 

Amala Paul is riveting in her role and credit should go to her for even attempting something daring like this. The way she gives a tough fight in crazy situations reveals her talent. Then at the end of the film, the actual truth is revealed which is also good. 

While the plot point is novel and ambitious but it drags on, which is a major drawback. There is no doubt some thrilling elements which will connect with the audience but better handling by the director in certain portions would have made matters even better.

The cinematography is excellent and BG work is decent. There is a lot of Tamil nativity in the film.

Bottom-line: ‘Aame’ is an interesting thriller to watch out for but the experience could have been even more gripping if not for the uneven narration of the director. Amala Paul's bold act will shock many and win accolades in the coming days. She has done one of the bravest roles ever.

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Review of Nepali movie "Aama"

Cast :  Mithila Sharma , Surakshya Panta , Sarita Giri, Deshbhakta Khanal, Manish Niraula, Laxmi Bhusal, Tika Pahari, Padam Prasad Poudel, Aashant Sharma, Saroj Aryal

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