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The Best Indie Horror Movies to Stream Right Now, from ‘X’ and ‘Terrifier’ to ‘The Strangers’ and ‘Fresh’

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The crisp creepiness of October is upon us. With the colder months comes not only Halloween but also a new sort of setting perfect for watching horror movies. With the punishing wind whipping chill into the air outside, and the crisp leaves keeping fireplaces ablaze and blankets at the ready, this time of year is just right for inviting fear into your home and snuggling up with something spooky.

Fortunately for indie movie fans, there are dozens of low-budget chillers (and in the case of Luca Guadagnino’s “Suspiria,” not-so-low-budget thrillers) waiting to be streamed on Netflix , Hulu, Max, Peacock, AMC+, Showtime, Shudder, Amazon Prime Video, and a variety of other streaming platforms right now. From contemporary horror classics (see Robert Eggers’ “The Witch” or Bryan Bertino’s “The Strangers”) to beloved horror anthologies (“Southbound,” “Tales From Halloween”) and non-English language movies (“Train to Busan,” “Piggy”), the major streaming platforms offer no shortage of great indie horror movies.

The best indie horror movies are the ones that totally envelop viewers in their nightmarish fantasies while impressing cinephiles with their bold vision, original stories, and commitment to craft. Practically synonymous with indie horror, A24 makes a sizable contribution to this list with the aforementioned Anya-Taylor Joy starring “The Witch” appearing alongside Rose Glass’ “Saint Maud” and Ti West’s “X” and “Pearl,” as well as Ari Aster’s “Hereditary” and “Midsommar.” Other studios — chiefly, Neon — also appear with some frequency on this list. But so do one-off projects championed by individual auteurs, from Adrian Tofei’s “Be My Cat: A Film for Anne” to Damien Leone’s gleefully gory “Terrifier.”

Whether you’re interested in watching an indie horror favorite or want to take a chance on something new, use IndieWire’s streaming guide below to find the best frights streaming in fall 2023. The following films are listed in no particular order and represent 50 of the best (critical distinction!) indie horror movies currently streaming. Also check out IndieWire’s complete guide to the best horror movies ever made.

With editorial contributions by Ryan Lattanzio and Kate Erbland.

[Editor’s note: This list was published in October 2019 and has been updated multiple times since.]

“The Outwaters” (Streaming on Tubi and Screambox)

A memorably nasty found footage experiment, Robbie Banfitch’s “The Outwaters” begins with a burst of energy through a panicked and chaotic 9-1-1 call that makes it pretty obvious something horrible  is about to happen to its cast of four young dummies heading to the desert to shoot a music video. Presented as the combined footage of three memory cards from one of the crew member’s cameras, the film then goes into a slow build-up, keeping the danger in the periphery during the group’s camping trip. But even when things escalate suddenly in the film’s centerpiece scene, the danger remains out of sight and unexplained — in favor of a kaleidoscopic series of surreal terrors that reflect the protagonist’s increasingly delirious fear. The result is slippery and hard to define, which is part of what makes it so scary. —WC

“Skinamarink” (Streaming on Hulu)

A viral sensation that became a shock box office success, “Skinamarink” is a micro-budget title that looks more gorgeous than almost anything else in its genre. Kyle Edward Ball’s directorial debut focuses on two children who wake up in the night to discover their father has disappeared. Slowly, an entity controlling the house reveals itself, blocking them from receiving outside help and tormenting them as its playthings. The film’s languid pacing and faceless protagonists have drawn divided reactions, but “Skinamarink” hits for the people who get on its own particular wavelength. It’s a unique experiment that captures the singular fear and powerlessness that comes from childhood. —WC

“We’re All Going to the World’s Fair” (Streaming on Max)

It’s hard to properly depict the internet on film, but “We’re All Going to the World’s Fair” is steeped in the language of niche forums and viral creepypastas. Jane Schoenbrun’s feature stars Anna Cobb as Casey, a lonely teenager taking part in a viral horror-themed internet challenge whose grasp on sanity is constantly in question. Reached out to by the adult “JLB” (Michael J. Rogers), Anna forms a slippery, confusing bond with their internet friend, but the true nature of that relationship remains in question. The film uses its horror trappings to explore the vulnerability and confusion of life on the internet, and how you never truly know the person behind the other screen. —WC

“It Follows” (Streaming on Netflix)

It’s an age-old trope that anyone who has sex in a slasher is doomed to die; “It Follows” makes that a bit more literal than most. David Robert Mitchell’s film stars Maika Monroe as Jay, a teenager who loses her virginity to her boyfriend and gets targeted by an entity that pursues young people who have sex. A divisive title thanks to its slow, psychological approach to its seemingly lurid premise, “It Follows” nonetheless holds together thanks to Monroe’s strong central performance and Mitchell’s controlled, powerful direction. —WC

“Winnie the Pooh: Blood and Honey” (Streaming on Peacock)

Have you ever wondered what would happen if A. A. Milne’s beloved storybook bear Winnie the Pooh left the Hundred-Acre Woods and began a killing spree? That is the question Rhys Frake-Waterfield dared to ask with “Blood and Honey,” a violent take on the Pooh mythos that imagines a world where Christopher Robin abandoned his friend, killed (and ate) Eeyore, and became a vicious killing machine. Five years later, Pooh and Piglet are silent beasts, who stalk and murder a group of young college kids that make the fatal mistake of vacationing in the Woods. “Blood and Honey” is maybe not the highest-brow film on this list, but it’s good for a cheap thrill. And with a sequel in development, you might as well get on board for the newest big slasher franchise around. —WC

“Relic” (Stream it on AMC+ and Shudder)

When it comes to matters of monstrous kin, modern horror movies tend to turn on the “bad seed” angle, viewing demonic or killer children through the eyes of their feckless parents. But rarely do we see the opposite — an elder parent’s devolution into madness through the eyes of their adult brood. Enter “Relic,” the feature debut from Japanese-Australian filmmaker Natalie Erika James co-written by Christian White, which shows an 85-year-old matriarch’s descent into otherworldly insanity from the points of view of her daughter, Kay (Emily Mortimer), and granddaughter, Sam (Bella Heathcote). —RL

Read IndieWire’s full review .

“Hatching” (Stream it on Hulu)

Tjina (Siiri Solalinna) seems to like animals, but they don’t much take to her, from the squawky crow that crashes straight into her house to the chubby new French bulldog next door. Mostly, the rail-thin Finnish tween seems to be seeking connection outside the fraying bonds of her family, including her simpering father (Jani Volanen), annoying (but probably sanest of the bunch) little brother Matias (Oiva Ollila), and her morally empty mother (Sophia Heikkilä). The foursome are the stars of Tjina’s unnamed mother’s blog, hilariously titled “Lovely Everyday Life,” and as Hanna Bergholm’s clever, confounding “Hatching” opens, those lives are about to cease being lovely. —KE

Read IndieWire’s full review.

“Terrifier” (Streaming on Amazon Prime, Peacock, Tubi, The Roku Channel)

Damien Leone conjured up the menacing Art the Clown for 2013’s anthology film “All Hallows’ Eve,” but the vicious jester wouldn’t fully shine until his standalone flick: “Terrifier.” The low-budget splatter fest sees a silent stalker (David Howard Thornton) seriously disrespect some restaurant workers before pursuing two women (Samantha Scaffidi, Catherine Corcoran) into the night for a truly torturous game of cat and mouse. Though it’s profoundly graphic, “Terrifier” is also full of camp: delivering giggles along with gags. Heroine Tara (Jenna Kanell) would be replaced by sequel star Sienna (Lauren LaVero) for a super-sized follow-up that practically pulled off miracles at the 2022 box office . —AF

“Fresh” (Stream it on Hulu)

About thirty minutes into “Fresh,” a deliciously jangly horror movie, the opening credits roll. Up until then, the movie, which premiered in the Midnight section of the Sundance Film Festival, unfolds like an edgy romantic comedy. In the opening scene, Noa (Daisy Edgar-Jones, with a bite) shows up for an app date, which turns out to be a dud: A vain cheapskate who’s brusque with the waiter, the guy tells Noa between bites of their meal that her sweater looks shlumpy and a dress would suit her better. Reading the disagreeable signs, Noa bids him a polite goodbye, but not before Mr. Conceited Civility, upon rejection, can shout, “Good luck finding a guy, you stuck up bitch.” —RL

“Barbarian” (Streaming on Max)

In writer/director Zach Creggers’ “Barbarian,” a creepy misunderstanding at a rental property leaves a young woman (Georgina Campbell) stranded with a man she doesn’t know (Bill Skarsgård). But what lurks behind the shuttered-windows of the dilapidated Detroit home is far more menacing than your average case of stranger danger. Overwrought with gruesome twists and turns, and featuring a laugh-out-loud satirical performance from scream king Justin Long, “Barbarian” not only builds an incredibly scary atmosphere, but manages to sneak in a genuinely funny comedic centerpiece that heightens the terror.  —AF

“Watcher” (Stream it on Hulu, AMC+, Shudder)

Chloe Okuno could have= struck gold when production of “Watcher” was relocated from New York to Bucharest, Romania. The Eastern European city’s mix of bleak, brutalist architecture and baroque government buildings only add to the isolation that the film’s protagonist, Julia (Maika Monroe), feels as she tags along when her half-Romanian husband is transferred there for work. Add to that a stark language barrier and a neighbor who may or may not be spying on her from across the street, and you’ve got all the ingredients for a taut paranoid thriller. —RL

“Titane” (Streaming on Hulu)

Julia Ducournau’s “Titane” is a melancholy, but still jaw-dropping study of Agathe Rousselle’s dazzling Alexia: an alluring stripper-turned-vicious killer who has sex with cars. The 2021 shocker won the Palme d’Or in 2021, making Ducournau the second woman to receive the top prize at Cannes. Vincent Lindon delivers a heartbreaking performance as a firefighter grieving his missing son, who unknowingly accepts Alexia into his home as that missing child. Meanwhile, the fiery antiheroine tends a unique pregnancy that landed “Titane” on IndieWire’s list of the scariest body horror movies about women. —AF

“X” (Streaming on Paramount+ with Showtime)

The renegade intensity of Ti West’s “X,” another homage by the “House of the Devil” writer-director to independent cinema’s past, and his first horror film in over a decade, is his willingness to ask: What if a slasher, but with porn? That genre bending — in a rollicking, wicked dark horror comedy about intrepid filmmakers just barely scraping by, the fetishization of youth, and how the weight of aging into a sexless marriage can lead to mayhem — brings the spirit of the rule-breaking 1970s moviemaking back to modern audiences. While West isn’t always operating on the same levels as his influences, his signature flair for tension through simmering slow-burn pacing remains unparalleled. —RL

“Censor” (Streaming on Hulu)

Grainy VHS footage has become a popular trope in the horror genre for years, with its deteriorating quality often enhancing the impression of an ominous, otherworldly realm on the verge of collapse. Yet “Censor,” the engrossing and disturbing first feature from British director Prano Bailey-Bond, may be the first of its kind to put the VHS horror phenomenon in historical context. The story of a troubled British film censor circa 1985 eventually settles into the kind of subjective descent into lunacy the genre’s offered up many times before, but there’s a certain immersive thrill to the way this character’s unraveling takes place within the same dilapidated material she’s been forced to watch for her job. —RL

“Possessor” (Streaming on Hulu)

A queasy and intriguing horror-inflected techno-thriller that gets lost somewhere in the Bermuda Triangle between “Mandy,” “Inception,” and “Ghost in the Shell,” Brandon Cronenberg’s “Possessor” is drunk on its own sick potential in the best way possible. Behold 90 minutes of Andrea Riseborough and Christopher Abbott engaging in ultra-gory psychic warfare over control of the latter’s body. —RL

“In the Earth” (Streaming on Hulu)

“Ben Wheatley’s fun, gnarly, and resourceful micro-budget pandemic movie redefines what it means to commune with nature,” IndieWire’s David Ehrlich wrote in his review . Wheatley’s horror movie follows a scientist and a park scout who venture deep into the words for equipment during a pandemic and discover something mind-melting and disturbing. Ehrlich’s review continues: “The result is a micro-budget horror movie every bit as ancient and elemental as its title suggests; a gnarly and largely satisfying nightmare about someone who tries to leave the coronavirus behind, only to wander into the dark heart of an eternal struggle.” —RL

“The Eyes of My Mother” (Streaming on Amazon Prime, Pluto TV, The Roku Channel, Tubi)

Nicolas Pesce’s black-and-white stunner “The Eyes of My Mother” was named the big discovery of the 2016 Sundance Film Festival by IndieWire. Pesce’s minimalist script tells the story of a disturbed young woman (the revelatory Kika Magalhães) who, following a traumatizing encounter, keeps a murderer locked up in her barn and forges an unusual relationship with him. The movie’s crisp black-and-white photography and terrifying character dynamics create a chill that’s hard to forget. —RL

“Spree” (Streaming on Hulu)

Director Eugene Kotlyarenko’s “Spree,” co-written with Gene McHugh, centers on “Stranger Things” star Joe Keery as a Gen-Z wannabe influencer whose thirst for internet fame turns him into a serial killer who live-streams his murders while posing as a friendly-faced rideshare driver. “Spree” is a found-footage horror movie for the “Joker” age, mean-spirited and heartless. What’s the point, you might ask? The point is that there isn’t one. —RL

“His House” (Streaming on Netflix)

Remi Weekes’ thrilling feature directorial debut “His House” filters the immigrant experience through a terrifying horror lens in a film that follows two Sudanese asylum-seekers who arrive in Britain with their demons in tow. A critical favorite upon release in October, “His House” boasts riveting performances from Sope Dirisu and Wunmi Mosaku that ground Weekes’ supernatural leanings in trauma and emotions that feel far too real. As David Ehrlich wrote in this B+ review, “‘His House’ is an urgent and spine-tingling ghost story about what it means to begin anew in a home that may not want you to live in it.” —RL

“The Alchemist Cookbook” (Streaming on Kanopy, Topic, Tubi)

Joel Potrykus’s “The Alchemist Cookbook” follows young outcast Sean (Ty Hickson) who has isolated himself in the woods in order to pursue his alchemist pursuits without distractions. Though his experiments start out innocent enough, they soon turn to black magic in order to crack the secrets of nature. Naturally things go awry, awakening something far more sinister and dangerous. —RL

“Baskin” (Streaming on AMC+, Tubi)

Turkish horror movie “Baskin” starts off like a buddy cop film before plunging viewers into a nightmarish world filled with brutal, unflinching violence and bloody horrors. The movie follows a five-man cop unit that enters an abandoned building and are slowly killed by the terrors awaiting them. The movie earned comparisons to “The Human Centipede” when it debuted at the 2016 Toronto International Film Festival. —RL

“The Blackcoat’s Daughter” (Streaming on Max)

“The Blackcoat’s Daughter” is the directorial debut of Osgood Perkins, son of Anthony Perkins (yes, Norman Bates), so it’s a safe bet the filmmaker knows a thing or two about scaring the crap out of audiences. Perkins’ debut is a stirring exercise in style dripping with tidbits of Gothic horror. The movie pairs Emma Roberts and Kiernan Shipka as two Catholic schoolgirls who get left behind at their boarding school over winter break, only to discover the nuns are rumored to be satanists. —RL

“Body at Brighton Rock” (Streaming on Amazon Prime, Tubi, Pluto TV)

Roxanne Benjamin’s feature directorial debut “Body at Brighton Rock” feels like a throwback to a time when horror movies weren’t afraid to bop around and have fun. The film, which centers on a state park employee who must confront horrors after getting lost in the woods, feels ready-made for a Friday night on your couch. It’s a total slumber party of a movie, told with plenty of skill, even more potential, and an utter lack of preciousness from its delightful opening moments to its enjoyable last-minute twist. —RL

“Creep” (Streaming on Netflix)

Patrick Brice and Mark Duplass were a match made in indie horror heaven with “Creep,” a found footage nightmare in which Duplass’ madness goes to a rattling extreme. Part of the film’s success is how it subverts the found footage horror genre. Almost always, found footage movies are used to investigate alleged paranormal phenomena or superstitious entities (see “Blair Witch” and “Paranormal Activity”). “Creep,” however, is all about the terror of one man. The way Duplass uses the found footage style to charm and terrify is impressive. —RL

“1922” (Streaming on Netflix)

Thomas Jane gives his best performance in ages in this poetic take on the Stephen King novella of the same name. In “1922,” a guy kills his wife and feels guilty about it. That’s the gist of its premise, and while nothing groundbreaking, the story mines a degree of profundity out of the traditional supernatural thriller tropes at its core. As directed by Zak Hilditch (whose 2013 debut “These Final Hours” was an expressionistic apocalyptic tale), “1922” has the merits of a solid “Tales From the Crypt” or “Masters of Horror” episode, with a straightforward story that folds the delicate visual language of a rural Terrence Malick drama into the mold of existential horror. The result suggests what might happen if Malick took at stab at “The Tell-Tale Heart,” with a mentally disturbed male protagonist straight out of King’s “The Shining.” So while not the most original or surprising King story, it hits a lot of the right notes. —RL

“Climax” (Streaming on Cinemax)

Gaspar Noé’s “Climax” stars Sofia Boutella as the leader of a dance troupe that finds itself thrown into madness after one of its members spikes the water cooler with a hallucinogenic drug. The boldness of Noé’s set pieces are dazzling to behold (the movie opens with an astonishing one take that soars through the dance troupe’s rehearsal), and his camera takes on a frenetic quality that matches the delusion of his characters. —RL

“The Ritual” (Streaming on Netflix)

Horror favorites like Guillermo del Toro and Mike Flanagan took to social media in 2018 to champion David Bruckner’s lost-in-the-woods chiller “The Ritual.” The film stars Rafe Spall, Arsher Ali, Robert James-Collier, and Sam Troughton as four friends who get together to honor the memory of one of their late pals by setting out on a hiking trip through Sarek National Park in northern Sweden. The forest, however, is hiding some dark secrets, and it doesn’t take long for the group to be put in jeopardy after they discovery something terrifying is lurking about. Del Toro “highly recommended” the movie to his followers and called it “amazing and scary.” Flanagan, meanwhile, said the film was “seriously great” and “dripping with tension.” —RL

“Emelie” (Streaming on Peacock, Amazon Freevee, Tubi)

Get ready to meet the worst babysitter imaginable. As played by Sarah Bolger in “Emelie,” the character’s end goal seems to be to destroy the innocence of the children she’s babysitting, or to just destroy them altogether. Playing around with “the call is coming from inside the house” horror motif, director Michael Thelin has a field day manipulating the psychological disturbances of his leading lady. —RL

“Evolution” (Streaming on Pluto, Youtube)

What would happen if you mixed art house cinema with the kind of body horror every David Cronenberg fan loves? The result would look something like “Evolution.” The second feature from French director Lucile Hadžihalilovic is a mesmerizing and maddening coming-of-age horror movie that has the look of a beautiful nightmare. The story centers around 10-year-old Nicolas (Max Brebant), a young boy living in a remote seaside hospital where he and several other children are subjected to an alarming medical process. —RL

“Be My Cat: A Film for Anne” (Streaming on YouTube, Tubi, The Roku Channel)

Filmmaker Adrian Tofei crafts something uniquely sinister in the found footage outing “Be My Cat: A Film for Anne.” Playing a fictional version of himself, Tofei puts out a call for amateur actresses who look like Anne Hathaway: the real star he wants to convince to work with him through the proof of concept project. But what follows isn’t a sizzle reel; it’s a nonstop nightmare that feels not only deeply real, but like a threatening artifact from a sick mind. You can watch the film for free on YouTube. —AF

Read IndieWire’s guide to the best found footage movies.

“Ghost Stories” (Streaming on AMC+, IFC Films Unlimited, Tubi, Pluto TV)

Jeremy Dyson and Andy Nyman’s anthology horror film “Ghost Stories” stars Nyman as the host of a television program that applies rational explanations for ghostly encounters and exposes modern day charlatans. The movie tells three ghost stories, one of which stars Martin Freeman as a man whose house is haunted by a poltergeist with a chilling message to relay about his pregnant, hospitalized wife. The three stories weave together and expertly build tension toward a shocking finale that that pays off in spades. —RL

“Goodnight Mommy” (Streaming on Amazon Prime, Pluto TV, Tubi)

The expertly crafted Austrian horror film “Goodnight Mommy” is a visceral nightmare about a twisted cat-and-mouse game that forms between a mother and her children. The story follows a pair of identical twin brothers (Lukas and Elias Schwartz) whose mother (Susanne Wuest) has just undergone facial reconstructive surgery. But the mother who returns to their isolated countryside home is not the same as the mother who left in the first place. Her face is obscured with a haunting bandage, and her personality seems to have changed for the worse. —RL

“Green Room” (Streaming on Max)

Jeremy Saulnier’s “Green Room” pits a young punk rock band against a gang of white power skinheads who’ve trapped them in a secluded venue after the rockers witness a horrific act of violence, and all witnesses must go. Saulnier’s script might fit more into the thriller genre, but his unnervingly alive performance from the late Alton Yelchin proudly carries on the tradition of horror teenagers who fight to the death to survive a night from hell. —RL

“Hellions” (Streaming on Pluto TV, The Roku Channel, Tubi)

Bruce McDonald’s hallucinatory horror movie “Hellions” is a visual and auditory nightmare. Chloe Rose gives a memorable performance as a 17-year-old girl who discovers she’s pregnant on Halloween night, only for a group of killers to show up on her doorstep with the goal of taking her unborn child. —RL

“Hereditary” (Streaming on Max)

Before it becomes an ultra-creepy haunted house movie, Ari Aster’s “Hereditary” is an almost-unbearable study of the grieving process. A family copes with traumatizing loss, screaming, crying, and growing apart as the scariest aspect of their lives becomes the actual hardships of each passing day. Then something far more terrifying happens. Despite some occasionally clichéd jump scares, “Hereditary” excels at evoking a convincing environment of despair along with first-rate horror. —RL

“High Tension” (Streaming on Amazon Prime, Tubi, Pluto TV)

Before Alexandre Aja found success with American horror films such as “The Hills Have Eyes” and this summer’s “Crawl,” he made a name for himself in the genre with his grisly French horror offering “High Tension.” The movie centers around two best friends who must fight for survival after a serial killer shows up at the doorstep of one of their parents’ homes. “High Tension” is so graphically terrifying that it was released internationally with an NC-17 rating. —RL

“The Hole in the Ground” (Streaming on Max)

Horror lovers kill for a good demonic child narrative, from “The Omen” to “Hereditary,” and A24’s “The Hole in The Ground” is a worthy addition to the long-running subgenre. Directed by Irish filmmaker Lee Cronin, who wrote the script with Stephen Shields, “The Hole in the Ground” follows a mother who is slowly driven to the brink of sanity as she suspects her son isn’t himself. —RL

“Hounds of Love” (Streaming on AMC+ and Shudder)

Ben Young’s twisted kidnapping thriller “Hounds of Love” stars Ashleigh Cummings as cool ’80s teen Vicki Maloney, who is seemingly abducted at random by secret suburban serial killers John and Evelyn White (Emma Booth and Stephen Curry). Set in Perth during the middle of a predictably steamy summer, the Whites have been waging their own private war with the city’s women, and no one seems to realize that they’ve got a pair of serial killers in their midst. —RL

“The Invitation” (Streaming on Peacock, Tubi, AMC+, Shudder, Pluto TV)

While technically a thriller that dovetails into slasher territory for its third act, “The Invitation” maintains a unique horror intrigue that constantly defies expectations. Set in the confines of a Hollywood Hills house where a dinner party reunion takes a series of ghoulish turns, the movie finds bearded Will (Logan Marshall-Green) reuniting with his ex-wife Eden (Tammy Blanchard) along with assorted friends and their partners several years after a traumatic event. As the horror escalates, “The Invitation” becomes the definitive statement of director Karyn Kusama’s career as it lands on the suggestion that surviving one tumultuous experience only leads to more of the same. —RL

“The Love Witch” (Streaming on Mubi, Pluto TV, Peacock, Shudder)

Anna Biller’s “The Love Witch” is a spellbinding homage to old pulp paperbacks and the Technicolor melodramas of the 1960s — a throwback that’s told with a degree of perverse conviction and studied expertise that would make Quentin Tarantino blush. Shot in velvety 35mm and seen through the lens of a playfully violent female gaze, the film follows a beautiful, narcissistic young sorceress named Elaine (Samantha Robinson, unforgettable in a demented breakthrough performance) as she blows into a coastal California town in desperate search of a replacement for her recently murdered husband. —RL

“Southbound” (Streaming on Tubi)

“The Twilight Zone” for more deranged sensibilities, the anthology movie “Southbound” takes place in an eerie purgatorial desert in which various characters wind up trapped and face bizarre supernatural threats. Each macabre installment expertly segues into the next one: “Siren,” Roxanne Benjamin’s portrait of a touring band whose car breaks down, finds the group seeking refuge with an eerie couple in the wasteland, one of whom winds up at the center of David Bruckner’s brilliantly wacky “The Accident,” in which an emergency phone call following an accident on the road turns out to be a devious prank. Unlike other horror anthologies, “Southbound” creates a consistent world defined by sheer dread and unpredictability. —RL

“The Strangers” (Streaming on Netflix) and “The Strangers: Prey at Night” (Streaming on Starz)

It took a decade for writer-director Bryan Bertino to release a sequel to his cult favorite “The Strangers,” but the follow-up movie “The Strangers: Prey at Night” was surely worth the wait. Helmed by “47 Meters Down” director Johannes Roberts, “Prey at Night” plays out as both a clever followup to the first film and an homage to classic John Carpenter joints like “Christine” and “Halloween.” —RL

“Suspiria” (Streaming on Amazon Prime)

Luca Guadagnino’s “Suspiria” is a grim and severe reworking of Dario Argento’s horror classic, offering a thematically richer and more explicit interpretation of that old nightmare. Dakota Johnson stars as an aspiring dancer who discovers her international dance company is being run by a coven of witches. Guadagnino’s slow-burn approach to the storyline builds tension to a final 30 minutes that explode in an orgy of restless editing and visceral gore. —RL

“Train to Busan” (Streaming on Prime Video, Peacock, Pluto TV, and The Roku Channel)

Yeon Sang-ho’s 2016 South Korean zombie film “Train to Busan” exploded into a box office phenomenon in its home country with a gross of over $10 million alone in South Korea. Mashing the wildest elements of “Snowpiercer” (passengers stuck on a train) and “World War Z” (rabid zombies that want to eat you alive), the apocalyptic horror sensation has a momentum like few other horror films this decade. Thanks to some virtuoso camerawork and adrenaline-fueled set pieces, “Train To Busan” will have you covering your eyes one moment and standing on your feet out of anxiety the next. —RL

“Trespassers” (Streaming on AMC+, IFC Films Unlimited, Tubi)

Orson Oblowitz’s “Trespassers” has a classic horror set up: Two couples plagued by relationship issues rent a gorgeous house in the desert to escape their issues. The night turns drug and party-fueled, escalating tensions that explode when a woman claiming to be their neighbor shows up uninvited to wreak havoc on their lives. Oblowitz’s stylish direction and neon-soaked imagery recall the hypnotic menace of Nicolas Winding Refn. —RL

“Under the Shadow” (Streaming on Netflix)

Set during the War of Cities in 1980s Tehran, Babak Anvari’s chilling “Under The Shadow” is part supernatural horror film, part mother-daughter drama, and the power of the film is how it uses one genre to effectively subvert the other. Narges Rashidi gives a bold lead performance as Shideh, a mother who refuses to abandon her home despite her husband’s protest and the increasingly violent missile strikes taking place all over the city. As tenants leave one by one, Shideh and her daughter find themselves isolated alone, forced to confront a presence that refuses to leave. —RL

“The Woman in Black” (Streaming on Paramount+)

Daniel Radcliffe’s supernatural horror movie “The Woman in Black” was a box office hit for CBS Films in 2012 (the film grossed $127 million worldwide on a $15 million production budget), but it has never become appointment viewing during the Halloween season. Directed by James Watkins, the underrated horror gem is a successful Gothic chiller set in 20th century England where a widowed lawyer must figure out how to stop vengeful spirits from haunting a remote town. —RL

“We Are What We Are” (Streaming on Pluto TV and Tubi)

Jim Mickle’s “We Are What We Are” is a cannibal movie done right. Mickle’s loose remake of Jorge Michel Grau’s 2009 Mexican cannibal tale brings the filmmaker’s distinct blend of the elegant and the macabre to its ultimate realization. Outdoing the original by a long shot, Mickle’s slow-burn take on the story is poetic, creepy and, finally, satisfyingly gross. —RL

“The Witch” (Streaming on Max)

Robert Eggers’ 2015 feature directorial debut “The Witch” was the breakout horror sensation of the 2015 Sundance Film Festival. With a meticulous commitment to period authenticity, Eggers grounds the viewer in the dark and dreary world of a New England family come undone in the 1630s. The cast is led by the breakthrough Anya Taylor-Joy, whose journey from naive daughter to the dark side taps a nerve that’s impossible to forget. With “The Witch,” Eggers creates a haunting narrative of otherworldly forces made especially scary due to the realism surrounding them. —RL

“Saint Maud” (Streaming on Amazon Prime and MGM+)

Writer/director Rose Glass marries supernatural and religious terror in this two-hander starring Morfydd Clark and Jennifer Ehle. When a pious home nurse is assigned to the house of a wickedly cynical dying woman, the pair embark on a tense exchange of philosophies doomed for disaster. “Saint Maud” also boasts one of the most memorable final shots in horror history. —AF

Read IndieWire’s full review of Saint Maud.

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30+ Best Indie Horror Movies of All Time [Reviewed for 2024]

The Top Indie Horror Movies Ever

My top choices for a fantastic independent horror movie to watch tonight would have to be Evil Dead 2, Stake Land and It Comes At Night. As an indie filmmaker, I also have to say that my new indie horror-thriller would be right up there – check out Spin The Wheel wherever you stream movies!

Are you a horror fan looking for a unique and terrifying movie experience?

If you love the horror genre as much as I do, you’ll know that there are tons of fantastic indie horror movies out there – ones that will creep you out and provide the jump scares and body count that you’re looking for… however, there are also tons of not-so-great independent horror movies too. So, which ones should you take the time to watch?

Well, as a genre filmmaker and writer , I’ve watched tons of indie horror flicks as research for my own movies and scripts, and I’d love to share with you the ones that I have found to be the very best!

In fact, I’ll also include my debut feature film , Spin The Wheel in the list below, too!

So go ahead, sit back, and prepare for an in-depth look at some of the best indie horror movies today!

What Are The Best Indie Horror Movies?

Standout Indie Horror Films

Let’s start with some of what I think are the very best indie horror films.

Evil Dead 2 (1987): A Perfect Blend of Horror and Comedy

Improving upon the original in every way, Sam Raimi’s Evil Dead 2 deserves its place as a classic in horror movie canon.

Though the beats are similar, with Bruce Campbell’s Ash starting out as a hapless everyman transforming into a confident and capable hero, this sequel is more focused and engaging, with a real sense of tension and urgency.

The breakthrough use of humor adds an extra layer of entertainment value without detracting from the horror.

Stake Land (2010): A Dramatic Tone Without Becoming Overwrought

Stake Land , directed by Jim Mickle, is a post-apocalyptic vampire film that stands out from its contemporaries with its gritty atmosphere and character-driven narrative.

Martin embarks on a journey through an undead-infested landscape, guided by his wise companion Mister. Stake Land defies expectations by focusing more on human relationships and character development than typical bloodsucking action.

It Comes At Night (2017): Engaging Character-Driven Experience

In It Comes At Night , director Trey Edward Shults creates an intimate portrait of fear and paranoia set against the backdrop of an unknown threat lurking outside their home.

This slow-burn psychological thriller focuses on two families who are forced to share living quarters after society collapses due to an unspecified pandemic event.

It Comes At Night ‘s claustrophobic setting adds tension throughout the film as characters grapple with trust issues and agonizing choices amidst growing desperation.

It Follows (2014): Unforgettable Despite Polarizing Opinions

It Follows , directed by David Robert Mitchell, is a divisive film that has garnered both praise and criticism for its unique premise. The story revolves around Jay, a young woman who becomes the target of an unstoppable supernatural entity after a sexual encounter.

While some viewers find the concept of a supernatural STD too simplistic or even absurd, others appreciate its originality and atmospheric tension. Regardless of one’s opinion on It Follows , it remains an unforgettable entry in indie horror cinema.

Innovative Indie Horror Movies

Breaking away from traditional tropes, these indie horror films present thought-provoking questions and inventive spins on familiar themes. They explore enigmatic epidemics, vampire lore, suburban horrors, and grindhouse classics with heart.

Pontypool (2008): An Epidemic Consuming People’s Minds

Pontypool is a unique take on the zombie genre that centers around an epidemic spreading through language itself.

This Canadian film follows a radio host as he uncovers the terrifying truth behind the mysterious events happening in his small town.

By focusing on psychological terror rather than gore or jump scares , Pontypool offers viewers an engaging experience unlike that of horror movies with a similar premise.

Cronos (1992): Guillermo del Toro’s Debut Feature Reimagines Vampire Lore

Famed director Guillermo del Toro ‘s first film, Cronos , showcases his knack for storytelling by putting a fresh spin on classic vampire mythology.

The story revolves around an antique dealer who discovers a device that grants eternal life which comes at a terrible cost. Del Toro includes elements of body horror and dark fantasy while exploring themes of immortality and human nature.

PIN (1988): Fuses Suburban Dread with Body Horror

Directed by Sandor Stern, this film’s haunting visuals, remarkable performances, and thought-provoking subject matter revolve around a twisted relationship between two siblings and their life-sized medical dummy, Pin.

What sets Pin apart is its exploration of deeper themes, such as mental illness, family dysfunction, and the consequences of isolation, creating an unsettling atmosphere that lingers long after the credits roll.

Terrifier 2 (2022): The Bloodiest of Sequels

Terrifier 2 cemented its instant cult following due to its excessive gore, visceral and realistic practical effects, and unforgettable characters.

David Howard Thornton’s standout performance cements Art the Clown as one of the most memorable horror villains in recent memory. He brings a perfect combination of humor, terror, and sadism to the role, making him a cult favorite among horror fans .

Boundary-Pushing Indie Horrors

The indie horror genre has always been known for pushing boundaries and exploring themes that go beyond supernatural entities or grotesque body horrors. These films dare to venture into uncharted territories, leaving a chilling impact on audiences .

Martyrs (2008): Explores Disturbing New Territories in Horror Storytelling

Martyrs , directed by Pascal Laugier, follows the harrowing journey of a young woman seeking revenge on her childhood tormentors, only to uncover a twisted secret society obsessed with discovering the transcendental nature of pain and suffering.

This cult classic from French-Canadian filmmaker Pascal Laugier pushes the boundaries of horror, presenting an intense psychological thriller that probes into the depths of human endurance and suffering.

Bone Tomahawk (2015): Horror Meets Western in This Unique Blend

In S. Craig Zahler’s Bone Tomahawk , horror meets western for an unforgettably graphic cinematic experience.

When a group of cannibalistic cave dwellers kidnaps settlers from a small town called Bright Hope, four men embark on a dangerous rescue mission that quickly turns into an intense battle for survival.

The Kurt Russell-led movie effectively combines elements from both genres resulting in thrilling action sequences accompanied by bone-chilling horror.

Get Out (2017): Jordan Peele Breaks Barriers with this Influential Film

Jordan Peele made waves in the film industry when he transitioned from comedy to mainstream writer/director success with his groundbreaking work on Get Out .

The movie masterfully blends horror and social commentary as it follows a young African-American man who uncovers horrifying secrets while visiting his white girlfriend’s family estate.

This trailblazing work opened the door for other filmmakers to explore similar topics and pushed boundaries.

Hereditary (2018): Debut Feature Blends Emotional Weight with Effective Jump Scares

In Hereditary , director Ari Aster showcases an impressive array of storytelling skills by combining emotional depth with terrifying supernatural elements.

Starring Toni Collette and Alex Wolff as a mother and son in mourning as their family is terrorized by both inner and outside demons, Hereditary has been lauded as one of the most remarkable independent horror movies in recent times owing to its special mix of mental fear and frightening suspense.

Psychological Thrills & Chills

The indie horror genre is no stranger to psychological thrillers that keep audiences on the edge of their seats. These films look at the human psyche, exploring complex emotions and dark themes while delivering spine-chilling scares.

Goodnight Mommy (2014): A Tale of Adaptation and Psychological Terror

Goodnight Mommy , directed by Veronika Franz and Severin Fiala, tells the story of two young brothers struggling to adapt when their mother returns home from facial surgery covered in bandages.

As they begin to question her true identity, paranoia sets in, leading them down a terrifying path filled with tension and suspense. This Austrian film deftly explores themes such as trust, family dynamics, isolation, and fear through its unsettling narrative.

Green Room (2015): Showcases a Deadly Twist on Party Culture

In Green Room , director Jeremy Saulnier takes viewers on a thrilling ride as a punk rock band that becomes trapped in a secluded venue, forced to confront a group of ruthless neo-Nazis.

The film’s strength lies in its realistic portrayal of violence and the palpable tension it creates, while also delving into themes such as survival, human brutality, and the dangers of extremist ideologies. With its claustrophobic atmosphere, unrelenting suspense, and raw performances by Anton Yelchin and Patrick Stewart, Green Room stands out as a powerful example of a contemporary indie horror-thriller.

Spree (2020): Fresh Take on the Slasher Genre

Spree , directed by Eugene Kotlyarenko, cleverly mixes comedy and horror in a modern take on the slasher genre and found footage.

Joe Keery stars as Kurt Kunkle, an aspiring social media influencer and ride-share driver, who embarks on a murderous rampage while live-streaming his exploits to gain followers.

The serial-killer film offers biting commentary on society’s obsession with online fame while delivering suspenseful thrills.

X (2020): Adult Film Gone Bad

Set in rural Texas, X follows a group of young filmmakers who inadvertently provoke the wrath of a demented elderly couple while shooting an adult film on their property.

The film, by acclaimed director Ti West, addresses themes such as obsession, generational conflict, and the consequences of trespassing physical and moral boundaries through elements of suspense, gore, and dark humor.

Emerging Indie Horrors

Despite the COVID-19 pandemic slowing down film production for a time, indie horror filmmakers have continued creating unique stories.

This section will discuss three standout films that emerged amidst these challenges.

Relic (2020): Combining Haunted Houses with Monstrous Frights

In Natalie Erika James’ directorial debut, Relic , viewers are presented with both haunted house chills and monster movie thrills as they follow the story of three generations of women dealing with their family’s dark past and the impact of dementia on their relationships.

The film expertly blends psychological terror with supernatural horror elements to create an unforgettable viewing experience that leaves audiences questioning what it means to be truly haunted.

Censor (2021): Personal Struggles Amidst External Challenges

Censor , directed by Prano Bailey-Bond, explores one woman’s unraveling grip on reality within Britain’s Board of Film Classification during the 1980s “video nasty” era.

As she probes a frightful movie connected to her sibling’s vanishing, the main character is compelled to confront her own personal fears and the indistinct lines between actuality and imagination.

This psychological horror film offers a unique perspective on censorship while delivering spine-chilling scares.

Spin The Wheel (2023): A Unique Take on the Apocalypse

Co-directed by David Heacock and Neil Chase (yours truly), this film explores the lengths people will go to in order to save themselves, even if it means risking their lives – and eternal souls – to do it.

Taking place in real-time, Spin the Wheel revolves around a group of strangers playing Russian Roulette with the Devil to save the world as it ends around them.

As the tension ramps up to intolerable levels, what begins as an act of self-preservation for some morphs into a willingness to sacrifice for others in this game of no return.

Groundbreaking Indie Horror Films

The indie horror space has been thriving in recent years, delivering scares on an epic level with a small budget. These films have pushed the boundaries of storytelling and provided a platform for unique voices to explore various themes within the genre.

Night of the Living Dead (1968): A Benchmark Classic

Night of the Living Dead , directed by George A. Romero, is considered one of the most influential independent horror movies ever made.

Often copied but never duplicated, this black-and-white film introduced audiences to a flesh-eating zombie apocalypse as social commentary on classism and race relations during a turbulent period in American history – and became the benchmark for the genre in the process.

His House (2020): Survivor Guilt Turned Monstrous

In Remi Weekes’ directorial debut, His House , we follow a refugee couple from South Sudan who are haunted by their past while trying to adapt to a new life in England.

This chilling tale blends supernatural elements with real-life horrors faced by refugees worldwide, as the protagonists face an unknown evil in addition to their own inner demons borne of their tragic journey.

Psycho Goreman (2020): Campy Creature-Feature Fun

Fans of campy sci-fi horror will love Steven Kostanski’s Psycho Goreman , which follows a young girl and her brother as they accidentally unleash an ancient alien overlord.

This creature feature provides a wealth of special effects, hilarity, death, and gore that are sure to entertain devotees of the genre while at the same time pulling at heartstrings and teaching a few lessons about the importance of family.

Funny Games (1997): Hostage Horror Reinvented

Austrian filmmaker Michael Haneke’s psychological thriller Funny Games explores the dark side of human nature as two sadistic men take a family hostage in their vacation home.

With fourth-wall breaks and a meta-twist, the film challenges the audience as a surrogate accomplice in the terrors inflicted on the victims, becoming so well-received that Haneke later directed an American remake starring Naomi Watts and Tim Roth.

The House of the Devil (2009): Retro Look with a Modern Feel

In Ti West’s slow-burning horror flick The House of the Devil , a college student takes on a seemingly innocuous babysitting gig at an isolated house, only to uncover something far more sinister.

The film pays homage to classic ’80s horror films by using vintage filmmaking techniques like shooting on 16mm film and emulating the styles of its predecessors while managing to bring a fresh take on the genre.

The Invitation (2015): Secrets and Lies Repurposed

Karyn Kusama’s suspenseful thriller The Invitation invites viewers into an uncomfortable dinner party where dark secrets are revealed, tensions rise, and paranoia sets in.

As past traumas resurface, this chilling tale about a man accepting a seemingly-innocent dinner party invitation from his ex-wife keeps audiences guessing until its shocking conclusion.

Movies That Explore Social Issues

Indie horror films have a unique ability to tackle timely issues by providing social commentary amidst terrifying visuals. This approach allows filmmakers to explore complex themes while still delivering an engaging and thrilling experience for the audience.

Possessor (2020): Body Horror and Autonomy Through Terror

Brandon Cronenberg presents a dystopian body horror as he explores issues surrounding technology, surveillance, identity, and personal autonomy in this chilling tale.

Possessor follows an elite corporate assassin who uses brain-implant technology to inhabit other people’s bodies to execute high-profile targets.

The compelling narrative is elevated by a unique visual style, effectively capturing the disorienting and unsettling nature of the story while highlighting the ethical implications of invasive technology.

R ELATED: If you want to write your own dystopian novel or screenplay, check out my article with 99+ unique dystopian story ideas!

I Saw the Devil (2010): Exploring Revenge and Morality

In I Saw the Devil , South Korean director Kim Jee-woon presents a chilling tale of unchecked vengeance through themes of morality and justice.

When his fiancée becomes the latest victim of a brutal serial killer, an elite special agent embarks on an unrelenting pursuit filled with bloodshed and cruelty in order to exact retribution.

By blurring the lines between heroism and villainy, I Saw the Devil challenges audiences’ perceptions of right versus wrong and justice versus revenge.

Blood Quantum (2019): A Fresh Perspective in Zombie Storytelling

Blood Quantum , directed by Jeff Barnaby, is a First Nations-directed take on zombie lore where white people are transformed into flesh-eating monsters.

This innovative approach provides an intriguing commentary on colonialism and cultural identity while offering audiences a thrilling experience with its gruesome visuals and intense action sequences.

RELATED: If you ever want to try writing your own zombie horror story or movie, check out this list of great zombie story ideas and this list of unique zombie name ideas !

Blending Genres

Indie horror films often excel at blending genres to create memorable experiences for viewers. These movies push the boundaries of storytelling and provide fresh takes on classic horror tropes.

Let the Right One In (2008): Vampire Romance Meets Coming-of-Age Drama

Let the Right One In , a Swedish film directed by Tomas Alfredson, is a prime example of how indie horrors can successfully blend genres.

The movie combines vampire romance with coming-of-age drama, as seen through the eyes of a solitary twelve-year-old boy and a mysterious vampiric girl, resulting in an atmospheric and haunting tale that resonates with audiences long after they’ve left the theater.

Dead Man’s Shoes (2004): Revenge Thriller with Horror Elements

In Dead Man’s Shoes , director Shane Meadows skillfully blends revenge thriller elements with dark horror undertones.

Paddy Considine stars as Richard, an ex-soldier seeking retribution against those who wronged his mentally disabled brother in his absence from military service.

As Richard hunts down each perpetrator one by one, Dead Man’s Shoes has themes such as guilt, redemption, and family bonds while maintaining its chilling atmosphere throughout.

Folklore-Inspired Indie Horror Films

Indie horror films often draw inspiration from folklore to create haunting tales. These movies explore the rich history of folk stories and legends.

The Ritual (2017): Folk Horror Roots

Directed by David Bruckner, The Ritual follows a group of old college friends who embark on a hiking trip in the Scandinavian wilderness, only to find themselves stalked by an ancient, malevolent entity.

Blending psychological terror with supernatural elements – and a thoroughly unique and terrifying monster – the supernatural horror film creates an atmosphere of dread as it goes into themes of grief, guilt, and the fragility of friendships.

Titane (2021): Tackling Societal Issues Through Chilling Stories

In Titane , director Julia Ducournau tackles gender norms, toxic masculinity, and parenthood through an unsettling narrative about a woman with a titanium plate in her head who becomes involved with a grieving father searching for his lost son.

This Cannes Film Festival Palme d’Or winner combines body horror elements with thought-provoking themes to create an unforgettable cinematic experience that challenges societal expectations.

The Forest Of Lost Souls (2017): Grindhouse Meets Arthouse

The Forest Of Lost Souls tells the story of a young woman and an old man who meet in the titular forest – a fictional place in Portugal and loosely based on Aokigahara, the Japanese forest where some people go to commit suicide – to do themselves in.

As they venture further into the woods, it becomes increasingly clear that one of them has motives that are much more sinister than they appear.

Drawing on a mixture of Portuguese, Spanish, and Japanese folklore, The Forest Of Lost Souls offers a mix of mystery and horror that will keep viewers enthralled.

Classic Indie Horrors

Films like Saw and The Babadook showcase innovative storytelling techniques that keep viewers on edge, while in the 1600s New England-set The Witch , family dynamics are explored alongside supernatural elements as puritans struggle to survive in their secluded home.

Texas Chainsaw Massacre remains iconic for its skin-masked Leatherface picking off teens one by one, while the Sam Raimi-helmed Evil Dead series launched both him and Bruce Campbell into stardom through comedic hijinks within the genre.

The Void (2016): Exploring Grief

The Void is a Canadian horror film that has themes of grief, loss, and isolation. The story follows a small-town cop who discovers an eerie cult-like group lurking around his town after encountering strange occurrences at a local hospital.

With its Lovecraftian atmosphere, practical effects reminiscent of John Carpenter’s work, and emotional depth exploring how people cope with grief, The Void has become a modern indie horror classic.

The Crazies (1973 & 2010): A Classic Horror Remade for Modern Audiences

Originally released in 1973 by George A. Romero, The Crazies was remade in 2010 by director Breck Eisner as a modern take on this classic indie horror tale about a small town affected by an unknown toxin that turns its residents into violent killers.

With updated special effects and social commentary relevant to contemporary audiences, the remake pays homage to its predecessor while offering fresh perspectives on paranoia and government overreach and control.

OK, I hope you found a great new indie horror movie to watch tonight! They may not have the marketing budgets that studio movies get, but I know you’ll love these movies if you’re a horror fan like me!

If you think I’ve left off any great horror movies here in this list, please let me know in the comments below and I will check them out!

And, if you’re hoping to create your own horror story , check out my list of fantastic scary story prompts to get started!

Q & A: Indie Horror Movies

What is the most successful independent horror film of all time.

The most successful independent horror films of all time are considered to be The Blair Witch Project (1999) and Paranormal Activity (2007). The first is the film that launched the found-footage craze, and was made on a budget of $60,000 while grossing over $248 million worldwide. The latter was made on an even smaller budget of around $15,000 while grossing over $194 million worldwide, making them the highest-grossing indie films ever. The innovative marketing campaign and realistic approach for each film contributed to its respective success.

What is an indie horror movie?

An indie horror movie refers to a horror film that has been produced outside the major studio system, often with lower budgets and more creative freedom. These movies are typically financed by smaller production companies or through crowdfunding efforts, allowing filmmakers to explore unique ideas and storytelling techniques without mainstream constraints.

Which movie is #1 in the list of scariest horror movies ever according to Rotten Tomatoes?

Rotten Tomatoes’ list of scariest movies includes many classics and their top-rated choice for the scariest film ever made may vary depending on updates in ratings. As per their current list, Alfred Hitchcock’s Psycho (1960) holds a high position as one of the best-reviewed classic horrors, and is generally considered one of the greatest horror-thrillers of all time.

What is the number 1 horror movie ever made?

Determining which movie stands as the number 1 independent horror film can be subjective, but my top choices include Stanley Kubrick’s The Shining (1980), William Friedkin’s The Exorcist (1974), George A. Romero’s Night Of The Living Dead (1968), and Alfred Hitchcock’s Psycho (1960).

Love movie lists? Check out these other great articles!

Top 10 Evil Dads in Horror Movies

Best Evil Horror Movie Mothers [Top 10 Scariest Moms]

Knock ‘Em Dead: The Top 10 Best Horror Western Movies

Viking Wolf Movie Review – Indie Horror Done Right!

Filmmaker, Author, Actor and Story Consultant

Neil Chase is an award-winning, produced screenwriter, independent filmmaker, professional actor, and author of the horror-western novel Iron Dogs. His latest feature film is an apocalyptic thriller called Spin The Wheel.

Neil has been featured on Celtx, No Film School, Script Revolution, Raindance, The Write Practice, Lifewire, and MSN.com, and his work has won awards from Script Summit, ScreamFest, FilmQuest and Cinequest (among others).

Neil believes that all writers have the potential to create great work. His passion is helping writers find their voice and develop their skills so that they can create stories that are entertaining and meaningful. If you’re ready to take your writing to the next level, he's here to help!

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The Best Indie Horror Movies of the Decade (So Far)

The 2020s have been rough, and we’re only a few years in. COVID-19. Climate “disruptions.” Ongoing migration crises. The rise of AI and the devaluation of the worker and the artist. The highest office of American government soiled. REM sang it back in 1987—it’s the end of the world as we know it.

When the chips are down and everything is on fire, it might seem counterproductive to turn to horror movies for entertainment; closing an article about the latest violent tragedy in order to watch a fictional home invasion thriller sounds like an exercise in masochism. But a recent study shows that those who engage with horror movies are better equipped to handle times of crisis. They don’t consume the genre’s art with any interest in committing violent acts. Rather, it helps them engage with their fears within safe boundaries, with the bonus dividend of a psychological hardiness that helps the viewer weather the slings and arrows of a stressful era.

While the big studios continue to churn out mainstream scary movies for the masses, indie horror has been experiencing a resurgence. For every major franchise sequel written by committee, there’s a surplus of boundary-pushing cinema from production companies and directors you’ve never heard of. Prestige horror has made the genre more lucrative, while streaming has made it more accessible to the average moviegoer. When you add it all up, you get a bounty of riches for those of us who want something less formulaic, more unique, and—as always—a little weird and unsettling.

So sit back, turn up the sound, and turn down the lights: this early list of the best indie horror movies of the 2020s (so far) is sure to have something for everyone, from dementia monsters to uncanny clones. Happy viewing!

Relic (2020)

Right out of the gate, the 2020s have an early contender for best horror movie of the decade. Natalie Erika James’ Relic is a heady Australian horror film focused on three generations of women who converge at their old family home. Matriarch Edna (Robyn Nevin) has gone missing, and her growing dementia has daughter Kay (Emily Mortimer) and granddaughter Sam (Bella Heathcote) concerned enough to come looking for her. They find a mysterious black mold throughout the upper level of the house, and when Edna returns, she bears an odd bruise that resembles the mold. Heavy on the dread and light on the jump scares, Relic is a horror show for anyone who has had to witness a parent’s mental decline.

Titane (2021)

Back in 2018, The Mary Sue’s Stefania Sarrubba observed that horror was using unorthodox methods to unpack women’s sexual empowerment, citing Julia Ducournau’s 2016 coming-of-age cannibal movie Raw as a prime example. So it should surprise no one that Ducournau’s next feature is equal parts erotic and disturbing body horror. The basic plotline of Titane is that a woman named Alexia (Agathe Rousselle), who has a titanium plate in her head, commits crimes and goes on the run, has sex with a car, and eventually poses as the long lost son of a firefighter (Vincent Lindon). It gets more strange from there, but through it all are incredibly human themes that deal with the body and personhood. Recommended for fans of David Cronenberg’s movies.

We’re All Going to the World’s Fair (2021)

Plenty of horror movies have emerged from the shadowed interiors of nationwide lockdowns, but few are as strange and isolating as Jane Schoenbrun’s We’re All Going to the World’s Fai r. Written, directed, and edited by Schoenbrun, the story follows teen Casey (Anna Cobb), who takes the World’s Fair Challenge, an occult-centric internet challenge that involves pricking one’s finger on camera, making a blood oath, and recording any subsequent experiences. Another user reaches out to Casey as her videos become more disjointed, but it’s tough to tell if he is truly concerned about her or if his correspondences are predatory. “Alienating” isn’t a strong enough characterization of the relationships in this story; everyone’s interactions happen through a screen, bathed in the glow of the after-hours online world in a feature-length experiment in unreality and dissociation. Coming-of-age movies rarely get this dark.

Saint Maud (2021)

Saint Maud technically premiered in 2019 (at Toronto International Film Festival, where A24 and StudioCanal picked it up) but was released in 2020 in the UK with a US release following in 2021; it would be a crime to leave it off of this list. Rose Glass’ feature debut stars Morfydd Clark (whom you might recognize as Galadriel in The Lord of the Rings: The Rings of Power ) as a support worker to a former dancer (Jennifer Ehle) with stage four lymphoma. A staunch Roman Catholic, Maud assigns herself the task of saving the terminally ill woman’s soul in order to redeem herself for losing a patient in the past. Ostensibly a religious thriller, Saint Maud is really a hard look at the toxicity of loneliness, with one of the greatest final images the genre could offer.

Barbarian (2022)

Zach Cregger’s feature debut Barbarian is the story of a homestay experience from hell. Amid a vicious thunderstorm, Tess Marshall (Georgina Campbell) arrives at a Detroit rental home she booked only to find a man (Bill Skarsgård) already occupying the double-booked home. She proceeds to ignore every red flag telling her to leave the house until she finds herself locked in the basement with a hidden hallway that leads to even bigger, redder flags. One thing’s for sure: you will not be able to guess how Barbarian ends.

Skinamarink (2022)

Skinamarink is considered an experimental horror film in that it plays fast and loose with narrative. The core story is that of a pair of young siblings who awaken during the night and can’t find their father. Then they find a chair on the ceiling, their toilet disappears, and doors go missing. In the hands of director Kyle Edward Ball, and with an infusion of analog horror aesthetics, the children are plunged into a hellscape in their own home. What makes Skinamarink effective? It hits a universal nerve that runs through every childhood nightmare: your parents are gone, and there’s something scary in the house. Ball’s coy composition worsens the tension, focusing on a random corner or a darkened room while the sound design makes the imagination rev with speculation on what might be lurking nearby.

The Outwaters (2022)

Every time I get the urge to declare a subgenre dead, a film comes along that shuts me up. Zombie movies were dead to me until Train to Busan reanimated them. I was over ghost stories until The Vigil changed the game. For those who have seen every found footage horror movie available, The Outwaters is that film. A trio of memory cards found in the Mojave desert reveal the saga of a group of friends who trek to the vast desert to shoot a music video, where they experience strange and terrifying occurrences. Director Robbie Banfitch’s patient and transgressive movie trades in cosmic horror and the power of influential imagery; it suggests horrific abominations more than it shows or explains them. That’s not to say The Outwaters is bloodless; its mutilation-mayhem should be kept far away from the kiddies. While plenty of found-footage horror deals with the supernatural and worlds beyond ours, few reach the abyssal scope of The Outwaters .

In the age when Barbie has hit dogs hollering in a lot of male-written reviews, the accusation that Alex Garland’s Men is a feature-length spectacle of man-hating only strengthens its power. After her abusive husband dies in an apparent suicide, Harper (Jessie Buckley) heads to a rural Hertfordshire village for mental recovery. Soon enough, a series of men—all played by Rory Kinnear—come along and disturb her peace with increasingly menacing intensity. The most corrosive elements of masculinity work to entrap, stifle, and nearly consume Harper in a highly unsubtle bit of folk horror.

A Wounded Fawn (2022)

Travis Stevens tends to tell stories about men learning lessons the hard way. The director of Girl on the Third Floor (2019) and Jakob’s Wife (2021) returns with his biggest swing yet in A Wounded Fawn , which sees a serial killer (Josh Ruben of Scare Me ) inviting a new potential victim to a weekend retreat. The cat-and-mouse battle that ensues is a 16mm fugue-state study in madness, with Greek mythology (Furies!) and buckets of blood to add to its ambitious artistry. Everyone in and behind this movie is clearly working at a creative peak. Those who enjoy the uncomfortable end-credits of Pearl should stick around for an equally disquieting credits scene from Stevens and Ruben.

Infinity Pool (2023)

Brandon Cronenberg may be horror royalty as the son of genre giant David Cronenberg ( The Fly , Videodrome ), but in recent years the Canadian storyteller has forged a path as a formidable voice in the realms of sci-fi and horror with films like Possessor and his latest, this year’s Infinity Pool . The latter follows struggling novelist James Foster (Alexander Skarsgård) whose vacation to the fictional coastal country of Li Tolqa takes a bizarre, dark turn. He commits a crime and is sentenced to be executed, but in Li Tolqa, the wealthy can pay for clones to take the punishment in their place. What follows is a hedonistic journey into humanity’s most perverse vices, given a huge boost by Mia Goth’s unhinged performance as a fellow vacationer. Sci-fi satire doesn’t get much weirder than when a Cronenberg gets their hands on it.

(featured image: Neon / 20th Century Studios / IFC Films / A24)

The 30 Greatest Indie Horror Movies of All Time, Ranked

Indie horror has created some of the most compelling, thought-provoking stories in the genre, as well as some of the most entertaining.

• Indie horror films offer compelling stories and characters often overlooked by mainstream audiences.
• Night of the Living Dead created the zombie genre and inspired many horror franchises.
• Texas Chainsaw Massacre, Eraserhead, and Halloween influenced the horror genre with their unique approaches.

Horror has always been a subjective genre. There are die-hard fans who line up to see every film and moviegoers who want absolutely nothing to do with it. Horror encompasses many subgenres and themes that people don't give the genre credit for. Comedy, thriller, fantasy, and drama can all be merged with horror, and while not all of these combinations stick to the landing, many of them are worth checking out. Horror has given movie fans some of the most iconic films and characters in film history and has consistently kept movie theater seats filled over the years .

While there are numerous horror films that many of us love, there are possibly just as many lesser-known horror films equally deserving of horror fans' attention. Indie horror has created some of the most compelling, thought-provoking stories in the genre, as well as some of the most entertaining. Here are 30 of the greatest indie horror films.

Update February 28, 2024: We love indie horror and want to give you even more recommendations! This article has been updated with even more great low-budget horror films to watch.

30 Dog Soldiers (2002)

Dog soldiers.

*Availability in US

Not available

A squad of British soldiers find themselves up against an army of werewolves during a routine training mission in the Scottish Highlands. The soldiers, along with a zoologist named Megan, seek refuge in a small farm cabin and aim to fight through the night in the hopes of the morning sun powering down the ferocious predators. Director Neil Marshall would follow up the success of Dog Soldiers with another beloved horror movie of the 2000s, The Descent .

At War With The Wolves

While the horror/action genre is nothing new, there are not many exemplary cases where a film melds both genres in a way that appeases fans of both. This made Dog Soldiers a pleasant surprise and a hit among genre fans as the movie brought bloody chaos and jump scares to a trigger-happy army squadron. The movie also boasts one of the most slick and intimidating werewolf designs to make it onto the screen. Dog Soldiers is admittedly simplistic in its approach, but it is so well executed that the movie has become a classic in the horror genre and one of the most beloved British horror films of the era. Stream Dog Soldiers on Hulu .

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29 [rec] (2007).

The Spanish-found footage film follows television reporter Angela Vidal and her cameraman, Pablo, as they report on the duty of firefighters, visiting their hall and ultimately going with them to a call at an apartment building. Shortly after they arrive, the crew is attacked by one of the residents and soon find themselves, along with the tenants, quarantined inside the building. The movie also got an English remake a year later as Quarantine , starring Jennifer Carpenter.

Pushing Found Footage Horror to New Heights

While the found footage genre had already established itself as more than just a niche genre thanks to the success of movies like The Blair Witch Project and Paranormal Activity , [REC] delivered the definitive found-footage knockout and is still considered by many to be the best the genre has ever produced . Proving it was not a one-trick shot, Paco Plaza and Jaume Balaguero would follow it up with a sequel that both further deepened the lore but provided extra shocks and moments of chaotic violence. If you are going to watch one found footage film to get an idea of the genre's ability to deliver scares, [REC] is the way to go. Rent [REC] on Prime or YouTube .

28 Let the Right One In (2008)

Let the right one in.

In the Stockholm suburb of Blackeberg in 1982, Oskar is a 12-year-old boy who dreams of revenge against his bullies. He meets and falls in love with a peculiar girl named Eli, who lives in his building. Eli can't stand the sun or eat normal food, and she must be invited in order to enter a room. She gives Oskar the strength to deal with his bullies, but he quickly realizes that Eli needs to drink other people's blood in order to survive.

Coming-of-Age and Horror Going Hand in Hand

Let the Right One In is a Swedish vampire love story that is unlike any vampire movie . It adheres to some vampire tropes, such as not being able to be in the sunlight and needing to drink blood to survive, but it offers its own spin on the classic vampire tale. The movie is excellent at building tension, and the two young leads absolutely carry the story. Funny enough, this came out the same year that Twilight did, and both films could not be more different iterations of a vampire love story. Stream Let the Right One In on Prime .

27 It Follows (2014)

After 19-year-old Jay (Maika Monroe) sleeps with her boyfriend for the first time, her life begins to change. She is plagued by strange visions and the inescapable feeling that someone or something is following her. Something is indeed following her, but only those infected can see the evil entity wanting Jay dead.

No Escaping the Inevitable

It Follows builds suspense and tension by taking advantage of the fear that something is always around the corner watching your every move. It's more psychologically terrifying than it is conventionally terrifying, but it will surely make anyone rethink whom they choose to have any type of relationship with, as the movie masterfully explores the horrifying aftermath of sexual assault and a denunciation of victim-blaming through metaphors. It Follows has also proven to be an established fan favorite, with many clamoring for a sequel since the film's release . Stream It Follows on Netflix .

26 A Girl Walks Home Alone at Night (2014)

A girl walks home alone at night.

In the Iranian ghost town of Bad City, a place that reeks of death and loneliness, the townspeople are unaware that a lonesome vampire stalks the city's streets come nightfall. A Girl Walks Home Alone at Night is truly unlike any other vampire movie you have ever seen and, frankly, unlike any other horror movie.

A Unique Vision of Horror Unlike Any Other

Gorgeously shot in black and white, the film is hypnotic and haunting. It's very minimal in its imagery and in its story, but the viewer remains entranced the entire time. The titular girl quietly waltzes through the desolate streets and only harms those who have harmed others. More than blood, she wants companionship. A neo-noir-vampire-western, the film is unique to any other vampire movie put on film. The movie also has a wonderfully haunting score, helping push the movie to be one of the more immersive and hypnotic on this list. Stream A Girl Walks Home Alone at Night on Kanopy .

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25 the invitation (2015), the invitation.

On a dark night, Will (Logan Marshall-Green) takes his girlfriend to his ex-wife's house, where they are invited for dinner. Over the course of the dinner, he notices that the other guests are acting strangely and that his ex-wife is acting even stranger. Something sinister is brewing in that house, and the other guests have a horrifying agenda.

Killing for Company

The Invitation is another slow-burn horror film that takes its time taking the viewer through the unsettling things occurring within that house. While its methodical approach may be too slow for some, the ending of the film is one of the most effective in an indie horror film that spreads beyond the doors of that house and is likely to stick with you long after you have finished the movie. Stream Invitation on Tubi .

24 The Witch (2015)

Robert Eggers is one of the most exciting directors working today, and his directorial debut showed audiences that he was someone to follow. A Puritan family in 1630s New England is forced to move outside their village to the outskirts of the forest, where they are torn apart by black magic, witchcraft, and demonic possession.

Folk Horror Re-imagined for A Modern Audience

Part period piece and part supernatural horror, The Witch is a detailed nightmare set against the backdrop of fearsome woods during the Salem witch hunt. We watch this once close-knit family start to turn on each other. The film doesn't deliver full-on scares but rather forces the audience to sit uncomfortably in the uncertainty of what will happen to this family next. While divisive on release among the fandom, Robert Eggers would go on to prove his mastery of the horror genre with works like The Lighthouse and The Northman . Stream The Witch on Max .

23 Raw (2016)

After living her whole life as a vegetarian, veterinary student Justine is forced to eat raw meat for the first time in her life as part of a hazing ritual. She soon discovers she has an extreme craving for meat, leaving her absolutely ravenous at all times. She is thrown into an uncharted world of animalistic tendencies powered by an all-consuming need for flesh .

Embracing the Inner Cannibal

Julia Ducournau's directorial debut Raw is an incredibly disgusting French horror film that you simply cannot look away from. Justine experiences a craving so strong that she will quite literally take a bit of anything that is in front of her. The film is unbelievably gory and doesn't shy away from Justine's cannibalistic traits whatsoever. Despite this, the film is so well-crafted that even as you are flinching at every horrendous moment that disgusts you, you are equally captivated by what you are witnessing unfold before you. Rent Raw on Apple TV+ .

22 Green Room (2016)

For as punk rock as 2016's Green Room is, it's equally horrifying. This A24 horror-thriller sees a down-on-their-luck punk band in unfamiliar territory. Desperate for some cash, the group plays a show in a club in rural Portland. However, shortly after their arrival, they realize it's a refuge for neo-Nazi skinheads. Though the performance goes well, the group eventually witnesses something they shouldn't, prompting a fight for survival against the club's owner and leader, Darcy Banker, played by none other than Patrick Stewart .

Punk Rock Fueled Terrors

Aside from marking a rare villainous role for Stewart, let alone one in a horror film, it also marked one of the final roles for the late Anton Yelchin. Unfortunately, this gore-laden fright fest didn't make back its minimal production budget at the box office. Though it underperformed financially, it remains a highlight of A24's 2016 catalog of films, standing tall alongside The Witch , Swiss Army Man , and Moonlight . Rent Green Room on Apple TV+ .

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21 the neon demon (2016).

Nicolas Winding Refn's horror-thriller follows a young aspiring model named Jesse (Elle Fanning) as she moves to Los Angeles to begin her career. Her beauty and youth generate intense interest in the fashion industry, and she is sent to model for a professional photographer. However, the fascination Jesse generates also comes with fierce jealousy, which proves to be sinister.

Drowning in Decadence and Neon

Drenched in neon lights and visceral violence, The Neon Demon is a divisive film. It is both enthralling and disgusting. The imagery is both graphic and colorful, and the story flows like a dream. Refn's take on the toxicity of the fashion industry makes for a dark, satirical commentary on an industry that preys on the nativity of young people yearning to be part of that world. Horror and fashion on paper don't seem like two things that would mesh well, but on screen, it makes for a stylized, captivating narrative. Stream The Neon Demon on Prime .

20 One Cut of the Dead (2017)

One cut of the dead.

It's hard to explain why One Cut of the Dead is so appealing without spoiling the very thing that makes it so good. On the surface, this independent 2017 Japanese production is a meta one, showcasing a small crew attempting to film a zombie movie amid numerous production struggles. However, the film's manic director may have finally caught a break when a real zombie invasion occurs outside their door.

Don't Stop Filming!

This homage to horror and filmmaking as a whole made waves for its sense of humor, its meta twists and turns, and its impressive single-take shots. Though the film deliberately swerves in a completely different direction around the halfway point, the journey is worth sticking through until the very end. The way that the Japanese gem unravels is its biggest draw, so go in blind! It's an incredibly inventive film that even spawned a French remake in 2022; you can also watch director Shinichiro Ueda's follow-up short film, One Cut of the Dead Mission: Remote , for free on YouTube. Stream One Cut of the Dead on AMC+ .

19 Cam (2018)

Cam follows a young cam girl named Alice (Madeline Brewster), who is eagerly trying to break into the top 50 ranks in her online video chat room. After she enters the top 50, Alice realizes she has been locked out of her account and that someone else who looks just like her has taken over her chat room and is posting live videos posing as her online alter ego, Lola.

Online Identity Theft at Its Most Horrifying

While there are some bloody scenes in Cam , they are not what you would expect them to be. There are no jump scares, monsters, or killers in this film. The true horror in the movie is the fear of someone taking over your identity on any online platform and not being able to prove just that. Instead, you just watch your life slowly but surely being ripped from your grasp as you desperately try to pick up the pieces. A modern horror movie dealing with paranoia around technology that is only going to become more prevalent with advances in AI . Stream Cam on Netflix .

18 Hereditary (2018)

After the death of her mentally ill mother, Annie (Toni Collette) and her family all mourn the loss in different ways. When a tragic freak accident occurs shortly after, Annie begins to look for alternative ways to grieve. She and her family begin to uncover cryptic and increasingly terrifying secrets about their ancestry. Ari Aster's psychological horror masterpiece Hereditary is partially responsible for the term "elevated horror" surfacing in recent years.

A Shocking and Disturbing Twist

This film is terrifying, but not in the traditional sense. It's relentless in its pursuit to make the audience uncomfortable, and even after multiple viewings, it still stays in your mind. There are no monsters or serial killers on the hunt for this family, as what happens to them is their own doing. The last act is particularly unnerving, and Toni Collette and Alex Wolf expertly portray the emotions of a mother and son experiencing a truly awful situation. Stream Hereditary on Max .

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17 mandy (2018).

The peaceful and secluded existence of Red Miller and Mandy Bloom is shattered when Mandy is murdered by a cult leader, Jeremiah Sand, and his demonic bike gang. This leads to Red (Nicolas Cage) entering into a surreal and satanic fight for revenge against the otherworldly forces that the cult leader has command over.

The Film That Turned Nicolas Cage Into a Horror Icon

Wonderfully trippy and overly violent, Panos Cosmatos's Mandy made a huge splash on its release for its unique approach to cinema that combined elements of fantasy and horror. The movie was a case of so many elements coming together, from the strikingly dark yet hauntingly beautiful color palettes to the resonating score by Johann Johannsson; Mandy is a true audiovisual treat. The movie is also notable for giving Nicolas Cage a bit of a career resurgence , with his over-the-top persona working perfectly for the maddened husband hellbent on revenge and bringing his name to the forefront for fans of genre film. Watch Mandy on AMC+ .

16 Midsommar (2019)

After a family tragedy, a struggling couple travels to Sweden to visit a rural town's fabled mid-summer festival. What is at first an idyllic retreat from daily life starts to turn into an increasingly violent competition at the hands of a pagan cult.

One of A24's Best

Swathed in never-ending sunlight, Midsommar is another psychological horror from mastermind Ari Aster that makes the viewer witness horrific ritualistic acts against a colorful, sunlit backdrop in a gorgeous Swedish field. It takes complete dedication to the craft to be able to create something so horrifying that people aren't even put off by the beautiful scenery surrounding these sadistic characters. Breathtakingly stunning and entirely uncomfortable, the film is an absolute must-watch. Stream Midsommar on Max .

15 Spree (2020)

Kurt Kunkle (Joe Keery) is a 23-year-old ride-share driver for Spree with a dream of achieving internet stardom by going viral on social media. He is so desperate to achieve internet fame that he will quite literally stop at nothing to gain a following. He installs cameras in his car starts livestreaming his rides, and hashtags his rampage to infamy as #thelesson. During his lethal rides to fame, he encounters a stand-up comedian with her own viral agenda that becomes the only hope of stopping Kurt's desperation.

Don't Forget to Smash That Like Button

This satirical horror-comedy is certainly not for everyone, but Kurt's blatant disregard for anyone or anything that could possibly stop him from becoming a viral internet sensation is as comical as it is concerning. Spree also works as a commentary on the obsession with online fame that has led many youths to push boundaries in order to get views and name recognition. Stream Spree on Plex .

14 The Night House (2021)

The night house.

Grief-stricken high school teacher Beth (Rebecca Hall) returns to the enormous, eerily vacant lake house her late husband had built for her. As Beth tries to pick up the pieces of her husband's death, she starts to see mysterious shadows and reflections that taunt her. Slowly, Beth's nightmares become increasingly vivid.

An Inescapable Waking Nightmare

The Night House sees its protagonist isolated in a lake-front house in the woods with little to no contact with other people, save for her colleagues when she's at work and one neighbor. The isolated environment adds a mysterious, eerie feel to the film and puts the viewer right in Beth's shoes. The reasons behind why Beth is experiencing these traumatic occurrences are creatively revealed and well-thought-out. Stream The Night House on Fubo .

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13 censor (2021).

Tasked with viewing films for the British rating board, Enid Baines (Niamh Algar) comes across a violent slasher movie that she believes is the key to finding her sister, who disappeared years previously. As she begins her search and delves into the horror, Enid begins to lose her grip on reality, and the violence on screen and her personal life become dangerously intertwined.

Horror in the Era of the Video Nasty

The abstract and surreal journey through a contentious time in cinema, "The Video Nasties" era, gives Censor an oddly nostalgic feeling while still distinguishing itself as a modern standout in the horror genre. The movie also has a sharp and defined visual direction that only escalates as events start to unravel, with the climax of the film being a wonderful mix of surreal violence and abstract storytelling. Prano Bailey-Bond impressed in her debut feature-length film , and we can't wait to see what the Welsh director will do next. Watch Censor on Max .

12 X (2022)

The first of Ti West's slasher trilogy centers around a group of friends on their way to a remote farmhouse in rural Texas to use the property as a filming location for their adult movie in 1979. When their reclusive, elderly guests catch them in the act, it becomes an all-out fight for their lives to escape the farmhouse.

The beginning of One of the Best Film Trilogies of the 2020s

X is a wildly entertaining slasher that pays homage to the slashers that came before it while offering its own take on one of horror's most beloved subgenres. The elderly hosts are vile and disgusting to look at, and their envy of the group of filmmakers for being young and fit is palpable. The film doesn't hold back when it comes to the slasher aspects, and the camera work is intentional in its desire to make the film look stunning. The parallels between Maxine and Pearl, which come to fruition later on in Pearl, are perfectly written, and it makes us even more excited to see what West has in store for us with MaXXXine . Stream X on Netflix .

11 Resurrection (2022)

Resurrection.

Haunted by her past, doting mother Margaret (Rebecca Hall) is a successful executive at the top of her game. Her 17-year-old daughter is preparing to leave for college, and it appears that Margaret's life is going according to plan. Until she catches a glimpse of her abusive past at a conference. She must muster every ounce of courage in her to confront the ghastly figure eager to reenter her life after over two decades apart.

Mother Knows Best

Resurrection sees Rebecca Hall at her absolute best and Tim Roth utterly unhinged. Every scene is more absurd than the next and Hall's seven-minute unbroken monologue is jaw-dropping. It is so effective that you don't even realize the camera has not cut away for seven whole minutes. The movie toys with your emotions as you root for this devoted mother to protect what matters most to her in the strangest of ways. Stream Resurrection on AMC+ .

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Skinamarink

The best indie horror movies of 2023.

The best indie horror movies coming out in 2023 are a frightfully good time and sure to keep you on the edge of your seat. From eerie psychological thrillers and devious supernatural forces to blood-curdling slashers and mind-bending body horrors, we’ve got all the details about this year's most talked-about scary independent films. So if you’re looking for some truly terrifying entertainment that will leave you shaking with fear, these independent horror films have got you covered. You'll find the experimental low-budget Canadian horror movie like Skinamarink, and there are more to come as the year goes on.

Vote up all your favorite 2023 indie horror movies so that other fans will know what to watch next. Don't hesitate to vote down the scary indie films you think others should skip over to help them out. Also, look for the Shudder, Hulu, and Netflix buttons below each film to stream them whenever you want a fright.

Infinity Pool

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The Price We Pay

Small-time crooks take a hostage during a botched pawn shop robbery and make their way to a rural farmhouse. But only time will tell who should be afraid of who.

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An experimental horror film hailing from Canada. Skinamarink places two children at the center of a nightmarish scenario where they wake up without their adults, and all the doors and windows in their house are missing. Get ready to be creeped out by the cinematography and unsettling atmosphere.

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Mother May I?

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The Offering

The Offering is a religious horror film that focuses on an ancient evil, an unborn child, and a son attempting to reconcile with his father. The Offering will terrify audiences by preying on our fears of forgotten Jewish lore and demons.

The Devil Conspiracy

Science and religion collide in this action horror flick. With tons of special effects and jump scares, fans of scary religious movies are not going to want to miss out on this one. 

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Kids vs. Aliens

This is a must-watch if you love campy horror films that make cringe as much as they make you laugh. Get ready to kick some extra-terrestrial butt with this fun flick.

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Alone at Night

This joint effort between the U.S. and Finland throws several stars together into a quirky slasher film that will keep you guessing until the end. Look for Pamela Anderson, Luis Guzmán, Paris Hilton, G-Eazy, and Winnie Harlow as they slip in their cameos throughout this scary indie flick.

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Winnie-the-Pooh: Blood and Honey

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20 Indie Horror Flicks To Watch In 2020

2019 was by no means the best of the decade, but we still had some heavy hitters like  It: Chapter Two  and  Us  at the box office. Meanwhile, indie darlings like  One Cut Of The Dead  and  Midsommar took many by surprise, providing hope and inspiration to filmmakers the world over. But the past is past, and now we turn our attention to 20 independent horror films that you should keep on your radar in this new year, in no particular order.

1. A Good Woman Is Hard To Find

a nightmare of crime, murder, and dismemberment

A recently widowed young mother will go to any lengths to protect her children as she seeks the truth behind her husband’s murder. [ Review ] Abner Pastoll’s feature-length debut is a nightmare of crime, murder, and dismemberment. One of the highlights of 2019’s Fantasia Fest, we can’t wait until the rest of the fans can get eyes on this visceral crime-thriller.

2. Color Out Of Space

goes full-tilt into body horror and uncanny psychedelia

A town is struck by a meteorite and the fallout is catastrophic. [ Review ] This modern-day retelling of a classic Lovecraft story updates the setting and characters, but otherwise sticks to the source material. This Richard Stanley film features another manic Nicolas Cage performance and goes full-tilt into body horror and uncanny psychedelia. Look for it in January.

3. Synchronic

from the directors of  Spring and The Endless

Two New Orleans paramedics’ lives are ripped apart after encountering a series of horrific deaths linked to a designer drug with bizarre, otherworldly effects. Unfortunately, we’re largely in the dark on this one, with no review and nary a trailer to be found. But this latest, and most ambitious, effort from the directors of  Spring and The Endless is not to be missed!

VFW has been making noise on the festival circuit for months

A group of war veterans must defend their local VFW post and an innocent teen against a deranged drug dealer and his relentless army of punk mutants. [ Trailer ] The latest film from Joe Begos ( The Mind’s Eye ,  Bliss ) appears to be his first time adapting someone else’s screenplay, which is something we’re really interested in seeing. VFW has been making noise on the festival circuit for months, but now we have a confirmed release date of February 14th, 2020.

5. The Wretched

The Changeling  meets  Rear Window.

A defiant teenage boy, struggling with his parent’s imminent divorce, faces off with a thousand year-old witch, who is living beneath the skin of and posing as the woman next door. [ Review ] The Pierce Brothers ( Deadheads ) sophomore effort is The Changeling  meets  Rear Window.  Blending a manipulative-monster movie with a middle-class community mystery,  The Wretched features a tight script, outstanding performances, and expert cinematography. Look for this to make several ‘best of 2020’ lists.

6. Come To Daddy

weird and wild slice of cinema

A man in his thirties travels to a remote cabin to reconnect with his estranged father. [ Review ] Elijah Wood takes center stage in the latest SpectreVision release, a feature film debut for director Ant Timpson. This weird and wild slice of cinema comes complete with a script by the co-writer of  The Greasy Strangler . ‘Nuff said.

one of the most highly anticipated films of the year

A small-town Oregon teacher and her brother, the local sheriff, become entwined with a young student harboring a dangerous secret with frightening consequences. Antlers is one of the most highly anticipated films of the year. With veteran director Scott Cooper ( Hostiles ,  Black Mass ) at the helm, and featuring performances from Keri Russell and Jesse Plemmons, look for it this April.

8. The Lodge

striking cinematography and excellent performances

A soon-to-be stepmom is snowed in with her fiancé’s two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place. [ Review ] The sophomore narrative feature from directors Veronika Franz and Severin Fiala ( Goodnight Mommy ) shocked audiences at 2019’s Fantastic Fest. This tense tale features striking cinematography and excellent performances.

9. The Invisible Man

tale of paranoia and abuse

When Cecilia’s abusive ex takes his own life and leaves her a fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see. Leigh Whannel ( Upgrade ) brings us a new twist on a classic Universal monster. We can’t wait to see Whannel and lead actor Elizabeth Moss ( Us ) bring this tale of paranoia and abuse to the screen.

10. Snatchers

atrocious, yet hysterical gore

After status-obsessed teen Sara has sex for the first time, she wakes up the next day nine months pregnant-with an alien. [ Review ] Jessica already said it best: Snatchers  has the fun, modern gleam of  Tragedy Girls  and  Happy Death Day , the dark humor nostalgia of  Army of Darkness , the style of  Shaun of the Dead , the wit and heart of  Juno , and the atrocious, yet hysterical gore of  Drag Me to Hell .

home invasion, torture, and the social media craze

A group of young people is attacked by three individuals. Cruel games and tortures will be broadcast in live streaming. [ Review ] We know … we know. At this point it’s become tradition, but fingers crossed that we actually get a US release this year. Back in 2017, co-founder Jacob Hopkins lauded director Marc Martinez Jordán’s ability to take the concepts of home invasion, torture, and the social media craze and spin it into one hell of a ride.

12. The Vast Of Night

influenced by The Twilight Zone and The Outer Limits

In the twilight of the 1950s, two youths seek the source of a mysterious frequency that has descended upon a town in New Mexico, in Andrew Patterson’s pitch-perfect sci-fi thriller. Director Patterson’s feature debut is an effective sci-fi throwback, influenced by The Twilight Zone and The Outer Limits . The Vast of Night also stars Sierra McCormick, taking on a much different role than her turn in VFW . Amazon Studios picked up the film for distribution prior to its screening at Fantastic Fest. They are currently planning a limited theatrical release, soon followed by streaming on Prime Video.

13. After Midnight

a love story crossed with a monster movie

When his long-suffering girlfriend disappears suddenly, leaving a cryptic note as her only explanation, Hank’s comfortable life and his sanity begin to crack. Then, from the woods surrounding his house, something terrible starts trying to break in. [ Review ] Jeremy Gardner is set for one helluva 2020, with this first entry showcasing his talents in a love story crossed with a monster movie à la Spring . After Midnight combines elements of heartfelt relationship drama, character study, paranoid thriller, and creature feature. Currently slated for a February 14th release.

14. Sadistic Intentions

sweet and sadistic genre gem

A psychotic musician lures a fellow bandmate and an unsuspecting woman to a remote mansion for a night of romantic deceit and grinding metal mayhem. [ Review ] Make it a double-date with Jeremy Gardner on February 14th, with his second leading role in a horror-romance on the same day! This sweet and sadistic genre gem leaves you satisfied with a feverishly executed crescendo from first-time filmmaker Eric Pennycoff.

one of the best–or worst, depending who you ask–peen shots of the year

When five teen employees at the local movie theater in a small Christian town discover a mysterious old film hidden in its basement, they unleash an alluring succubus who gives them a sex education…written in blood. [ Review ] It may be the worst title of the year, from an SEO perspective, but Porno is a shocking, charming supernatural thriller featuring fun, over-the-top performances and one of the best–or worst, depending who you ask–peen shots of the year. This one is not to be missed, in particular for former (or current) movie theater workers and anyone raised with a strong Christian upbringing.

a good old-fashioned scary movie

Members of a family find themselves terrorized by their eight-year-old son’s imaginary friend. Brandon Christensen’s followup to  Still/Born [ Review ] shows that his terrifying debut was no fluke. Z is a good old-fashioned scary movie featuring a creepy kid and an apparently demonic presence. Playing out a bit like a narrative version of  Paranormal Activity 3 , the film explores everything you’d expect it to with the ‘imaginary friend’ setup, culminating in a tense, satisfying conclusion.

17. Last Night In Soho

Edgar Wright is back

A young girl, passionate in fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to fall apart with shady consequences. Edgar Wright ( Shaun Of The Dead ) is back in the genre with this horror-thriller featuring Anya-Taylor Joy. Do we need to say more?

18. The Turning

the potential for an all-time classic

A young governess is hired by a man who has become responsible for his young nephew and niece after the deaths of their parents. A modern take on Henry James’s novella “The Turn of the Screw”. Gothic horror is hot, and this iconic story is now in the hands of veteran director Floria Sigismondi ( American Gods ,  Daredevil ,  The Handmaid’s Tale ). Throw in Mackenzie Davis ( Blade Runner 2049 ) and Finn Wolfhard ( Stranger Things ,  IT ) and you’ve got the potential for an all-time classic.

19. Gretel & Hansel

Dripping with cold, contrasting colors, and an immense feeling of dread

A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil. [ Trailer ] The latest iteration of this classic fairy tale comes from director Oz Perkins ( The Blackcoat’s Daughter ,  I Am The Pretty Thing That Lives in the House ). Dripping with cold, contrasting colors, and an immense feeling of dread, the trailer promises a dark, moody story with a sinister twist.

20. Nefarious

a bloody, satisfying climax with award-winning special effects

When worlds collide following a botched robbery, a group of would-be criminals get more than they bargained for, and are tested to their limits in a desperate attempt to survive a predator of monstrous proportions. [ Review ] This twist on home invasion took home several festival awards last year before landing a distribution deal with Gravitas Ventures. This slow burn builds tension with a relatively unknown cast, culminating in a bloody, satisfying climax with award-winning special effects.

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55 Best Indie Horror Movies in 2023 (and All-Time)

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Indie horror movies have been around for decades, but often they do not get as much attention as box-office movies. Sometimes though the movies jump into mainstream media and become fan favorites for years to come. Check out our list of the best indie horror movies to watch and expand your view of the horror genre.

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What Is an Indie Horror Movie?

Indie horror movies are also known as low-budget horror movies, because they often are used for experimentation within the horror genre, and trying to gain maximum shock value from the viewer. These can include slashers, ghost stories, mockumentaries, comedy horror, and horror that bends genres together into something new. Even though they are low budget, many of these indie horror movies have gone on to become prominent cinema. 

What Is the Most Successful Independent Horror Film of all Time?

Pulling in $258 million, The Blair Witch Project is the highest grossing independent horror film. Though it is not the highest grossing independent film, it changed the way horror films were made and was the first horror film to instigate what Blumhouse Productions, a huge horror industry, has made their business model. Considering this film only had a budget between $200,000 and $500,000, this is an incredible pull by an independent film. 

What Is the Number One Horror Movie Ever Made?

Many consider The Exorcist to be the best and scariest horror film of all time. Premiering in 1973, this movie has been able to outlast decades of other horror films and has led to five other films in the same vein. The original focuses on a mother who is trying to save her possessed daughter with the help of two Catholic priests. 

What Is the Best Horror Movie According to IMDB Ratings?

According to IMDB, the psychological horror film The Silence of the Lambs takes the prize of being the best horror film with a rating of 8.6 out of 10. This score is cemented by the fact that The Silence of the Lambs is one of three films in history to win the five major categories at the Academy Awards. 

What Is the Best Horror Movie According to Rotten Tomatoes Audience Scores?

According to the Rotten Tomatoes audience scores, Psycho is the best horror film with a rating of 95% on the Tomatometer. Directed by Alfred Hitchcock, this is one of the well-known horror films, even to people who don’t like watching scary movies. Even with no blood or gore in the movie, you still will not want to turn off the lights when it gets dark out. 

How We Have Decided on the Best Indie Horror Movies

We will be evaluating the best indie horror movies based on the Rotten Tomatoes Audience score, because it holds the most accurate rating in our opinion, since the score is made up of viewers just like us. 

5 Best New Indie Horror Movies

Here are our top five best indie horror movie picks from 2023.

5. Winnie the Pooh: Blood and Honey (2023)

Transformed from our favorite children’s book into feral and bloodthirsty monsters, Winnie-the-Pooh and Piglet terrorize Christopher Robin and a group of young women at a remote house in the woods.

• IMDB: 2.9/10
• Rotten Tomatoes Audience Score: 50%

4. Infinity Pool (2023)

Couple James and Em Foster are enjoying an all-inclusive beach vacation on the island of La Tolqa. When a fatal accident exposes the resort’s perverse subculture of hedonistic tourism, reckless violence and surreal horrors, the couple must fight to survive their new world of horror.

• IMDB: 6.1/10
• Rotten Tomatoes Audience Score: 52%

3. Mother May I? (2023)

After Emmett’s mother passes away, he starts to notice that his fiancé Anya is acting like his mother. In order to free Anya from this freakish possession, he must confront his deepest traumas from childhood.

• IMDB: 5.3/10
• Rotten Tomatoes Audience Score: 65%

2. My Animal (2023)

Heather, an outcast starts to fall for newcomer Jonny, a tormented figure skater. As their relationship progresses, Heather’s desires clash with her secret animal inside, making this a twisted web of love and lycanthropy.

• IMDB: 4.9/10
• Rotten Tomatoes Audience Score: No score (critics 73%)

1. Talk to Me (2023)

When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, egging each other on to hold onto the hand as long as possible. Everything is going “okay” until one of them goes too far and unleashes terrifying supernatural forces.

• IMDB: 7.2/10
• Rotten Tomatoes Audience Score: 82%

5 Best Indie Horror Movies in 2022

These are our top five best indie horror movie picks from 2022.

5. Enys Men (2022)

In 1973, on an uninhabited island off the Cornish coast a wildlife volunteer records observations of a rare flower. These observations slowly turn into a metaphysical journey that makes the viewer question what is real and what is a waking nightmare.

• IMDB: 5.7/10
• Rotten Tomatoes Audience Score: 23%

4. The Price We Pay (2022)

During a pawn shop robbery Grace gets kidnapped by the criminals, who escape and find refuge in a remote farmhouse. As they wait for the heat to die down, a malevolent presence is lurking in the shadows of the farmhouse, and the criminals will not be so lucky this time.

• Rotten Tomatoes Audience Score: 36%

3. Skinamarink (2022)

In this bone-chilling film, two children wake up in the middle of the night to find that their father is missing, and all the windows and doors have vanished.

• Rotten Tomatoes Audience Score: 44%

2. The Offering (2022)

After the disappearance of a young Jewish girl, the son of a Hasidic funeral director comes home to his pregnant wife and wants to repair the bonds between him and his father. But underneath their feet in the family morgue is an ancient evil, waiting for the perfect moment to unleash its plans for the unborn child.

• IMDB: 5./10
• Rotten Tomatoes Audience Score: 48%

1. The Devil Conspiracy (2022)

In a combination between religion and science, The Devil Conspiracy is a horror born from twisted desires. When a cabal of Satanists posing as a biotech company finds a way to clone people with DNA, they steal the shroud of Christ so they can reawaken him and make the ultimate offering to the devil. Archangel Michael comes down to earth to fight against the devil’s plans.

• IMDB: 4.5/10
• Rotten Tomatoes Audience Score: 51%

5 Best Indie Horror Movies in 2021

These are our top five best indie horror movie picks from 2021.

5. In the Earth (2021)

In the aftermath of COVID-19 comes In the Earth , where the world is searching for a cure to a disastrous virus. The story focuses on a scientist and park scout who venture into the forest for a routine equipment run, but instead must go through a terrifying voyage into the heart of darkness as the forest comes alive around them.

• IMDB: 5.1/10
• Rotten Tomatoes Audience Score: 24%

4. Censor (2021)

Film censor Enid takes pride in guarding audiences from the gory killings she pores over, amplified by the disappearance of her sister years ago and declared dead in absentia. When a new film appears in Enid’s archive echoing her hazy childhood memories, Enid takes steps to see how this eerie film might be connected to her past.

• Rotten Tomatoes Audience Score: 57%

3. My Heart Can’t Beat Unless You Tell it To (2021)

In a twisted family dynamic older brother Dwight and older sister Jessie must kill strangers in order to give their blood to Thomas, their youngest brother, in order to survive. As Dwight yearns for another life and Jessie tries to keep the family together, Thomas continues to yearn for blood.

• Rotten Tomatoes Audience Score: 60%

2. Willy’s Wonderland (2021)

Nicolas Cage stars in this movie as a quiet drifter who was tricked into a janitorial job for the condemned Willy’s Wonderland. As he completes mundane tasks, his easy job turns into a battle for survival when the demonic animatronics come alive and attack, and only one side will come out alive.

• IMDB: 5.5/10
• Rotten Tomatoes Audience Score: 68%

1. Last Night in Soho (2021)

After moving to Soho to pursue her fashion designer dreams, Eloise is mysteriously able to enter the 1960s where she encounters and “becomes” wannabe singer Sandie. The glamour is not all it seems though, and as the dreams of the past turn dark, Eloise must figure out what really happened all those years ago.

• Rotten Tomatoes Audience Score: 90%

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5 Best Indie Horror Movies in 2020

These are our top five best indie horror movie picks from 2020.

5. Relic (2020)

Three generations of women are terrorized in Relic — a daughter, mother, and grandmother. As the grandmother becomes more hostile, the mother realizes there is something evil lurking in their family’s home.

4. Possessor (2020)

Taysa Vos, an elite corporate assassin, is part of a secretive organization that uses brain-implant technology to inhabit other people’s bodies to commit high-profile assassinations. When Vos gets hacked though, she must figure out what happened and how to save herself in this mind-gripping horror film.

• IMDB: 6.5/10
• Rotten Tomatoes Audience Score: 59%

3. Spree (2020)

Obsessed with gaining a large social media following, rideshare driver Kurt Kunkle has figured out the perfect plan to go viral. Unfortunately for his riders, this plan is quite bloody and deadly.

• IMDB: 5.9/10

2. The Night House (2020)

Trying to pick up the pieces after her husband unexpectedly dies, Beth is alone in the lake house that he built for her. When the house starts calling out to Beth in her dreams, she decides to dig into her husband’s belongings, against the advice of her friends. What she ends up finding are secrets to a disturbing mystery she must unravel in order to find the truth.

• Rotten Tomatoes Audience Score: 69%

1. His House (2020)

After successfully escaping from war-torn South Sudan, a refugee couple try to adjust to their new lives in an English town. But there’s evil lurking under the surface and its coming to get them.

• Rotten Tomatoes Audience Score: 73%

10 Best Indie Horror Movies of the 2010s

These are our top ten picks for the best indie horror movie from the 2010s.

10. The Killing of a Sacred Deer (2017)

Dr. Steven Murphy, a cardiovascular surgeon, has the perfect life with his wife and two children. The only problem is Martin, a fatherless teen who continues to edge his way into Steven’s life in unsettling ways. When Martin makes his intentions clear with a long-forgotten transgression, Steven’s world will be shattered forever.

• Rotten Tomatoes Audience Score: 63%

9. Goodnight Mommy (2014)

After their mother has face-changing cosmetic surgery, twin boys move into a new house with her to recover. But over time, the strange demeanor of their mother has the children on edge, and they might not recognize who lies beneath the bandages.

• IMDB: 6.7/10
• Rotten Tomatoes Audience Score: 66%

8. The Battery (2012)

Forced to survive together during a zombie apocalypse is two former baseball players who must work together to survive, as they traverse the rural back roads of New England that are now teeming with the undead.

• IMDB: 6.3/10

7. Hereditary (2018)

When the matriarch of the Graham family dies, her daughter and grandchildren begin to unravel cryptic and increasingly terrifying secrets about their ancestry, and must try to outrun the sinister fate they have now inherited.

• IMDB: 7.3/10
• Rotten Tomatoes Audience Score: 70%

6. A Girl Walks Home Alone at Night (2014)

In an Iranian ghost-town called Bad City, a place full of death and loneliness, there is something lurking the in the shadows. The townspeople are unaware that they are being stalked by a lonesome vampire who preys on men that are rude to other women.

• IMDB: 6.9/10
• Rotten Tomatoes Audience Score: 75%

5. Green Room (2015)

After witnessing a murder at a neo-Nazi skinhead bar, a punk rock band is captured and brought to a remote Oregon roadhouse. As each of the members are tortured in horrifying ways, they must come together if they want to survive.

4. Only Lovers Left Alive (2013)

Two vampire lovers played by Tilda Swinton and Tom Hiddleston try to understand their place in the modern world after living for centuries. This peace gets interrupted though when Tilda’s younger uncontrollable sister appears in their home.

3. Raw (2016)

Vegetarian Justine is starting veterinary school and must endure a new dangerously seductive world around her. Trying to fit in, she eats raw meat for the first time and experiences terrible consequences as her true corrupted self begins to emerge from the shadows.

• Rotten Tomatoes Audience Score: 76%

2. Blue Ruin (2013)

After returning to his childhood home to commit an act of vengeance against those who killed his parents, this mysterious outsider proves himself to be an amateur assassin. He then winds up in a brutal fight in order to protect his estranged family

• IMDB: 7.1/10
• Rotten Tomatoes Audience Score: 79%

1. Get Out (2017)

Couple Chris and Rose have finally gotten to the meet-the-parents stage of dating, and Rose invites Chris for a weekend trip with her parents. Chris originally takes their overly accommodating behavior as attempts to be okay with an interracial relationship, but as the trip progresses Chris uncovers the truth that he never could have imagined.

• IMDB: 7.8/10
• Rotten Tomatoes Audience Score: 86%

10 Best Indie Horror Movies of the 2000s

These are our top ten best indie horror movie picks from the 2000s.

10. Cabin Fever (2002)

Five college graduates rent a cabin in the woods, but begin to fall victim to a horrifying flesh-eating virus. This attracts the unwanted attention of the homicidal locals, so the college graduates must fight horror from inside their bodies and outside in the woods.

• IMDB: 5.6/10

9. Wrong Turn (2003)

Chris and a group of five friends are deep in the middle of the woods after their cars collide, leaving both of them stranded. As they venture deeper into the woods, they face an uncertain and bloodcurdling fate when a group of backwoods cannibals appear.

• Rotten Tomatoes Audience Score: 54%

8. Paranormal Activity (2007)

Not long after moving into their suburban home, Katie and Micah become increasingly frightened by what appears to be a supernatural presence in the house. Hoping to capture evidence on film, they set up video cameras around the house but are not prepared for the real horror to come.

7. The House of the Devil (2009)

Needing to make some extra money to move into a new apartment, college student Samantha takes a mysterious babysitting job. After arriving at the house, the owner Mr. Ulman explains that instead of a child Samantha will be watching his mother. As Samantha explores the creepy house, she realizes her employers are hiding a terrible secret and have horrifying plans for her.

6. Eden Lake (2008)

Trying to make the best out of their romantic weekend, a young couple refuses to let anything spoil the fun. When they encounter a group of loutish youths though, a series of events takes them to terrifyingly brutal consequences.

5. Martyrs (2008)

In a quest for revenge against the people who kidnapped and tormented her as a child, a young woman joins forces with her friend who was also a victim of child abuse. They embark on a journey that leads them down a path into a living hell of depravity.

4. The Descent (2005)

A fun exploration into a cave goes horribly wrong as the explorers become trapped in the depths of the earth, and are pursued by a strange breed of predators that have a craving for human flesh.

3. REC (2007)

A “found footage” horror film, REC is about a reporter and her cameraman that follow emergency workers into a apartment building and are locked inside. Turns out there is a disease that turns humans into vicious cannibals, and now they are trapped inside the building with no way out.

• IMDB: 7.4/10

2. Saw (2004)

Photographer Adam and oncologist Lawrence wake up chained to pipes in a filthy bathroom, new victims of the serial killer nicknamed “Jigsaw.” In order to live, the two must complete his perverse puzzle, as flashbacks relate the fates of previous victims, and on a closed-circuit video Lawrence’s wife watches on in terror.

• IMDB: 7.6/10
• Rotten Tomatoes Audience Score: 84%

1. Shaun of the Dead (2004)

Shaun is a 30-year-old loser that works at an electronics store and lives with his best friend Ed in the outskirts of London. Shaun’s girlfriend Liz just wants him to grow up and be a man, and he may finally get his chance when the town is overrun with zombies, and Shaun must protect Liz and his mother.

• IMDB: 7.9/10
• Rotten Tomatoes Audience Score: 93%

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10 Best Indie Horror Movies of All-Time

These are our top ten best indie horror movie picks of all-time.

10. The Collector (2009)

Trying to find a way to repay his debt to his ex-wife, an ex-con plans to steal a precious gem from his new employer’s home. But, someone else has targeted the property and by the time the ex-con gets there, the family inside is tied up and the house is riddled with deadly traps.

9. The Blair Witch Project (1999)

The found footage on a videocamera reveals the story of three film students who’ve traveled to a small town in order to create a documentary about the legendary Blair Witch, a local murderer. As the students collect interviews from townspeople and gather clues to support the tale, they end up getting lost in the woods and begin to hear horrific noises around them.

• Rotten Tomatoes Audience Score: 56%

8. The Witch (2015)

This horror film takes a step into the past to evoke fear from its viewers. In 1630 New England, panic encloses a family when their youngest son Samuel disappears. The family blames the oldest daughter Thomasin, and as twin siblings Mercy and Jonas suspect Thomasin of witchcraft, the clan’s faith, loyalty, and love is put to the test.

7. Midsommer (2019)

Starring Florence Pugh and Jack Reynor, Midsommar is about a couple who decides to visit a Northern Europe town’s fabled Swedish mid-summer festival. Instead, the idyllic retreat quickly turns into a violent and bizarre competition at the hands of a pagan cult.

6. It Follows (2014)

After teenager Jay sleeps with her new boyfriend Hugh, she learns she is the latest recipient of a fatal curse passed via sexual intercourse. Death will now creep towards her as either a friend or stranger. Jay’s friends don’t believe her at first, until they too see the phantom assassins and band together to protect Jay.

• IMDB: 6.8/10

5. Eraserhead (1977)

Henry lives alone in industrial gloom, until his earlier fling with Mary X has left her pregnant and prompts Henry to marry her and have Mary move in with him. When the baby is born though, it’s a weird lizard-like creature that will not stop wailing. Other odd characters add to Henry’s troubles as he struggles to cope with having a wife and child.

4. Re-Animator (1985)

When an odd new medical student arrives on campus, a dedicated local and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue with a special serum, and end up bringing their headless professor back from the dead.

3. Texas Chain Saw Massacre (1974)

One of the most popular horror movies is Texas Chain Saw Massacre , where five friends are heading into rural Texas to visit the grave of a grandfather. On the way though, they stumble across a seemingly deserted home, only to discover that there’s something there…something with a chainsaw.

2. The Evil Dead (1981)

A group of five friends decide to hike into the woods to a cabin for a fun night away. Once inside, they find an old book titled the Necronomicon, and unknowingly release of flood of evil and must fight for their lives, or become one of the evil dead.

1. Halloween (1978)

On Halloween in 1963, six year old Michael Myers brutally killed his 17 year old sister and was sentenced to fifteen years behind bars. But on October 30, 1978 as Myers is being transferred for a court date, the 21 year old escapes by stealing a car. He returns to his quite hometown of Haddonfield, Illinois, intent on finding more victims.

• IMDB: 7.7/10
• Rotten Tomatoes Audience Score: 89%

5 Best Indie Horror Movies Based on True Stories

This is our top five best indie horror movie picks based on true stories that might even be scarier than the movie itself.

5. Open Water (2003)

Based on the true story of two scuba divers that were accidentally stranded in shark infested waters after their tour boat left them, Open Water is a guess at what happened to the divers, as their real bodies were never found.

• IMDB: 5.8/10
• Rotten Tomatoes Audience Score: 33%

4. Wolf Creek (2005)

Three backpackers traveling through the Australian outback become stranded, and are then plunged inside a hellish nightmare of torture by a sadistic psychopathic local that finds them.

• IMDB: 6.2/10
• Rotten Tomatoes Audience Score: 49%

3. The Amityville Horror (1979)

A couple of newlyweds and their three children move into a large home where a mass murder was committed years ago. As they live inside the house, the family starts to experience strange manifestations which have strong effects on everyone living in or those that visit the house.

2. Compliance (2012)

A normal Friday goes horribly wrong at a fast food restaurant, when service is interrupted by a police officer claiming an employee stole from a customer. He then subjects the worker to intense interrogation, all the while something more sinister lurks in the background.

• IMDB: 6.4/10

1. An American Crime (2007)

An American Crime is about a divorced housewife, Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s. She tortured her and allowed her kids to follow suit in this horrifying twist.

• Rotten Tomatoes Audience Score: 74%

55 Best Indie Horror Movies of All Time, Ranked

55. Enys Men (2022) 23%

54. In the Earth (2021) 24%

53. Open Water (2003) 33%

52. The Price We Pay (2022) 36%

51. Cabin Fever (2002) 44%

50. Skinamarink (2022) 44%

49. The Collector (2009) 48%

48. The Offering (2022) 48%

47. Wolf Creek (2005) 49%

46. Winnie the Pooh: Blood and Honey (2023) 50%

45. The Devil Conspiracy (2022) 51%

44. The Amityville Horror (1979) 52%

43. Infinity Pool (2023) 52%

42. Relic (2020) 52%

41. Wrong Turn (2003) 54%

40. The Blair Witch Project (1999) 56%

39. Paranormal Activity (2007) 57%

38. Censor (2021) 57%

37. Possessor (2020) 59%

36. Compliance (2012) 60%

35. My Heart Can’t Beat Unless You Tell it To (2021) 60%

34. The Witch (2015) 60%

33. Spree (2020) 60%

32. Midsommer (2019) 63%

31. The Killing of a Sacred Deer (2017) 63%

30. The House of the Devil (2009) 63%

29. Mother May I? (2023) 65%

28. It Follows (2014) 66%

27. Goodnight Mommy (2014) 66%

26. Eden Lake (2008) 66%

25. The Battery (2012) 66%

24. Willy’s Wonderland (2021) 68%

23. Martyrs (2008) 69%

22. The Night House (2020) 69%

21. Hereditary (2018) 70%

20. His House (2020) 73%

19. My Animal (2023) 73%

18. An American Crime (2007) 74%

17. Only Lovers Left Alive (2013) 75%

16. Green Room (2015) 75%

15. A Girl Walks Home Alone at Night (2014) 75%

14. The Descent (2005) 76%

13. Raw (2016) 76%

12. Blue Ruin (2013) 79%

11. Texas Chain Saw Massacre (1974) 82%

10. Re-Animator (1985) 82%

9. Eraserhead (1977) 82%

8. Talk to Me (2023) 82%

7. REC (2007) 82%

6. The Evil Dead (1981) 84%

5. Saw (2004) 84%

4. Get Out (2017) 86%

3. Halloween (1978) 89%

2. Last Night in Soho (2021) 90%

1. Shaun of the Dead (2004) 93%

Horror has always been a prominent genre in movies, whether the budget is millions of dollars or only a couple thousand. Indie movies bring out the best in horror because they have no strict limits, and often directors take impressive creative liberties with the characters and storylines, making a great movies. Be sure to check out some of these indie horror films from our top 55 list.

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The Indie Horror Film That Everyone Is Suddenly Talking About

Barbarian capitalizes on the thing viewers love and hate most: the unknown.

This story contains major spoilers for Barbarian .

On the opening day of this year’s Toronto International Film Festival , one film was on everybody’s lips. As I ran into other critics around town, they kept asking, “Have you seen Barbarian yet? You’ve gotta.” That kind of chatter is typical at a festival, but the only wrinkle was that Barbarian wasn’t even playing at TIFF. It was just a small-budget horror film that had been plunked into theaters in early September, a so-called dead zone for new releases. The title is cryptic, and the trailer mostly avoids imagery from anything past the first act. Despite these hurdles, the movie became a word-of-mouth hit .

Now that it has started streaming on HBO Max, I’ve received a second wave of messages from friends who are discovering it and are floored, baffled, or simply want to compare notes. Small-scale films, unattached to any preexisting intellectual property, face significant challenges to gaining a foothold with the viewing public, so Barbarian ’s success is rare and heartening. It also speaks to a wryly intelligent selling point: The film’s story, much like its marketing, capitalizes on the simultaneous terror and appeal of the unknown.

Zach Cregger, the writer and director of Barbarian , has wittily described it as “Fincher upstairs, Raimi downstairs.” The first half is taut, high-concept storytelling that gives the audience no room to relax; the back half is a loopy, makeup-heavy monster movie. The film begins with Tess Marshall (played by Georgina Campbell) arriving one night at a Detroit Airbnb, only to find it has been double-booked: A mystery man named Keith (Bill Skarsgård) is already inside. Caught in a rainstorm and anxious about a job interview she has the next morning, Tess decides to share the space. She keeps her guard up against Keith and notes several red flags in the house. Every detail is loaded with tension, including the glass of wine Keith offers her and the fact that he talks in his sleep (although he graciously insists on taking the couch and leaving her the bedroom).

Read: The people who can see inside David Fincher’s head

Cregger mines her paranoia, the unsettling feeling that something is not right even as no actual threat presents itself. Get out of there , I wanted to urge Tess during the first 30 minutes, but I also understood the predicament she was in—she doesn’t want to appear rude to Keith or dash her chances at making it to the job interview. Her decision to stay is perfectly plausible. David Fincher sets one of the highest bars for depicting creeping dread; Barbarian doesn’t quite clear it, but it certainly offers a master class in wringing frights from both graphic violence and the viewer’s own imagination. (If you don’t want to be spoiled, you should stop reading further … and go watch Barbarian .)

After her interview, Tess explores the Airbnb’s basement and unearths a hidden door to a dank tunnel, which leads to a distressing subterranean room with a mounted camcorder and a bloody bed. She wisely flees, but Keith goes exploring and vanishes. Out of some mix of altruism and curiosity, Tess looks for him and finds even deeper tunnels—and a monstrous creature prowling within them. Keith is every inch the nice guy he presented himself to be, but unfortunately, he gets his head smashed to bits right as the audience figures that out.

I’d already be on board with Barbarian if it stopped there: a nice anxiety number followed by gory chaos in the basement. But just as the violence ramps up, Cregger cuts away from the entire situation and introduces a new character, AJ Gilbride (Justin Long). An entitled Hollywood actor, AJ is cruising down the highway singing along to Donovan’s “Riki Tiki Tavi.” The lighthearted switch is perhaps more of a shock than Keith’s skull getting pulped by a superhuman beast. AJ immediately comes off as villainous in his own right: He’s a sitcom star who has been credibly accused of rape by another actor, and his response to the charge is deep denial, both outwardly and inwardly.

But his connection to the story isn’t clear until, looking to fund his legal defense, he decides to sell his extraneous properties—including a home in Detroit that is, of course, the very same Airbnb we’ve become well acquainted with. Cregger’s brilliance here is that this second horror narrative is a mirror image of the first. Tess and the viewer spend the first act of the film on the edge of their seat, wondering what awaits them around every corner of the little house. AJ barges into the same situation with complete obliviousness, eagerly measuring square footage while ignoring all warning signs, such as the empty glasses Keith and Tess left out. Essentially, this horror movie gets to have it both ways: It offers an unselfish hero (Tess) whom audiences can support, and a wincing buffoon whose inevitable comeuppance they can root for.

Eventually, AJ finds his way into the basement, Tess reemerges, and the origins of the brute in the tunnels are revealed. Barbarian laces each narrative loop with sharp social commentary. Tess’s most reckless decisions are made with the goal of helping someone; she’s not stupid, merely noble, which infuses her arc with a sad vulnerability. Although the monster is the biggest physical threat in the film, AJ represents a vile, cowardly rot—the kind Cregger has likely noticed in powerful men in his industry.

The film never underlines who the titular barbarian is, but part of the fun is deciding for yourself where to pin that label. Plenty of horror movies are roller-coaster rides that drop us off after 90 minutes with little else beyond the message “Monsters are scary.” Barbarian serves up all the requisite thrills with panache, but it also provokes deeper, longer-lasting reflections. That balance is why the film has continued spreading so organically months after its release, and why it’ll keep tempting viewers down to the basement for years to come.

The Devil, Jason, and Belle: 3 New Indie Horror Films to Haunt Your Night

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It’s been a while since I’ve done one of these rapid-fire film review deals, hasn’t it? Unfortunately, given the volume of indie horror flicks, they’re pretty much a necessity, or else I wouldn’t get to nearly as many films as I do now. Granted, that number has been on the lower end as of late, but let’s see if we can get it up a notch or two! Let’s not keep the devil waiting.

The Devil’s Left Hand

(Directed by Harley Wallen ; Starring Laurene Landon , Yan Birch , Kaiti Wallen ; 2023)

“A Demonic entity breaches a Medium at a young couple’s housewarming party, wreaking havoc and terrifying the attendees. After they party, the entity begins stalking the guests. They attempt to fight back, but don’t know who they can trust as the Demon can shape-shift and appear to be anyone. The stakes grow higher when the Demon begins killing them, one by one.”

The Devil’s Left Hand is an interesting piece of indie horror—not in an “introspective” sort of way, but in what elements the filmmakers chose to include. In essence, this follows the same routine most ghost flicks do nowadays: a group goes to a medium, uses a spirit board, contacts something they shouldn’t have, and appropriately gets haunted by a specter that wants to kill them… eventually. There’s a good bit of time spent with characters talking in circles about their situation instead of showing the action unfold. Usually, this wouldn’t bother me too much. I mean, hey, I get it. Budgets are tight, and you need to fill the runtime somehow. 

Here’s the problem, though: this movie is nearly two hours long. I can’t help but be less forgiving, especially since the characters weren’t strong enough to hold even an ounce of my attention. There’s a decent 90-minute movie in here if only they’d trim the fat around it. Or rather, there would be, if it had a proper ending. By “proper ending”, of course, I mean “an ending”. It just stops without any sort of resolution. I don’t know if they’re planning a sequel or just ran out of time, but it’s unsatisfying. 

All that said, there are still satisfactory aspects. I appreciate how everyone’s so ready to assume ghosts were the cause of the supernatural shit happening to them. No one tried to explain it all away with tired concepts like “reason” and “logic”, which is a breath of fresh air considering how these things normally go. The medium ( Aphrodite Nikolovski ) and her ghost hunter friend ( Harley Wallen ) are by far the best characters, both in terms of performance and attire. Seriously, their outfits gave me  Van Helsing vibes, I dig it. Also, the ghost/demon/left hand is—for some reason—an onryo , a type of Japanese ghost woman. That’s fine, I like variety, but it does make me question why Judeo-Christian demon-repelling methods work against it.

Overall, the film would’ve benefited from a shorter runtime and… y’know… an ending, but as is, it’s fine. The acting is decent, the cinematography is solid and not too “clean” looking, and the few gore effects there work well enough.

Watch The Devil’s Left Hand on Tubi right here !

Victim No More

(Directed by Bob Heckman ; Starring Hans Paul Hendrickson , Deana Naja , Joe Winchell ; 2022)

“Robin is a young man whose family members are surviving victims of serial killer Jason Voorhees. He sets out to prove to his loved ones that Voorhees is dead, and that the infamous Crystal Lake campgrounds are now safe.”

As far as the Friday the 13th franchise goes, it’s safe to say the fans are the sole reason Camp Blood stays in business. I’d even go so far as to claim that any studio offering would be hard-pressed to match the love and respect fan creators have shown in their unofficial indie horror films. From The Never Hike Alone series to Night of the Beast to My Special Boy , there’s no shortage of campfire tales featuring our favorite pissed-off goalie. That includes this recent watch, which continues to share as much passion as the rest— Victim No More !

The love can be immediately felt, with establishing shots of New York City taking the screen and the opening credits carrying the same font from that one movie . There’s so much previous lore that’s lovingly and abundantly referenced, but never to an obnoxious level. Friday the 13th isn’t known for being reserved, so such things fit just fine. 

Characters are standard fare, at least in the first half, after which the film switches gears for a fun surprise of a finale. Curiously, the filmmakers opted not to adorn Jason with his traditional facial attire. There’s not much reason for this departure, but when has there been much reason for anything in these flicks besides the rule of cool? Most importantly, the kills score up with the best of them, being as brutal as they are creative. If you’re a Friday the 13th fan, then you should take this trip back to Crystal Lake, for sure. You won’t regret it!

Watch Victim No More on YouTube right here !

Life of Belle

(Directed by Shawn Robinson ; Starring Syrenne Robinson , Zachary Robinson , Sarah Mae Robsion , Matthew Robinson ; 2024)

“In 2018, Annabelle Starnes went missing. York County police released surveillance footage of the home in hopes of new leads.”

This is a PRIME example of how creative and competent an indie horror feature can truly be. Made with a budget of only $100, Life of Belle stands out as one of the most unique found-footage films I’ve seen this decade. Utilizing an innocent enough narrative—a young girl named Belle ( Syrenne Robinson ) making videos for her YouTube channel—it manages to curate a genuine connection to Belle’s family, which makes all the ensuing horror much more tragic.

And what horror it is! The depiction of one’s sanity slowly fading away due to one’s own refusal of treatment can be a bit hard to watch at points, especially when the kids are involved. There’s not much more I can say without venturing into spoiler territory, which I’m hesitant to do, since this film works best when going in as blind as possible. There are some nitpicks I have—mostly the ending, for those pattern-seeking readers amongst us. But nothing subtracts from the film too much. For something that was made on a day’s paycheck and lil’ elbow grease, this flick is outstanding!

Watch Life of Belle on Tubi right here !

I’m serious about Friday the 13th , by the way. Y’all are the only ones keeping that ship afloat, and I’m all grateful for it! Tune in next time to see what other indie horror films cross my screen, and trust me… There are many. Same Dread time, same Central channel!

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It takes about a half hour (or, approximately 27 minutes) for the admirably ruthless indie psychodrama “1BR” to get really unpleasant. Until then, “1BR” is a familiar Los Angeles horror story: an unfortunate patsy, I mean young woman runs away from home and is immediately preyed upon by the members of an unassuming, but vicious gated community.

At first, you might not think that Sarah’s neighbors are capable of being bloodthirsty cultists, because they listen to AM radio (a lot of “Happy Heart”), and live in a cozy apartment complex with a pool and regularly scheduled barbecue shindigs. Still, you also might be able to guess that something’s amiss as soon as twenty-something architecture student Sarah ( Nicole Brydon Bloom ) attends an open house: paternal community leader Jerry ( Taylor Nichols ) asks Sarah if she has any LA-based contacts or pets. These two boilerplate questions might not seem like red flags, but well, this is a horror movie about a single white woman called “1BR.”

And as if that wasn’t bad enough: writer/director David Marmor prefaces this scene with a dialogue-free, slow-motion montage that looks like it’s the cornerstone of a tacky and totally unbelievable ad campaign. Just take a look at the apartment’s inclusive, multi-culti community, whose members include: a little white girl chasing a ball; a pregnant woman talking to an older beardo; a same-sex couple doing their laundry; and a black woman watering her plants. Everything seems too good to be true, because it obviously is.

Marmor also immediately over-stresses the blatant creepiness of quirky neighbors like klutzy retiree Esther (Earnestine Phillips), one-eyed lurker Lester ( Clayton Hoff ), and Bobby Sherman-eque love interest Brian ( Giles Matthey ). These side characters are walking, talking plot points waiting to be set into motion, so it’s easy to get lost imagining what they’ll eventually become once Sarah realizes that she’s unwittingly joined a hippie-ish cult (imagine a combination of Charles Manson’s “ Family ” and Charles Dederich’s Santa Monica-based Synanon group).

To be fair, you can’t honestly blame Sarah for her victimization. She just ran away from her overbearing father ( Alan Blumenfeld ), and while she owns a concerned-looking house-cat, she only has one other source of non-neighborly human contact: Lisa (Celeste Sully), a sympathetic colleague at Sarah’s generically taxing and underpaid internship.

Then again, if you think Sarah’s cat will survive “1BR” unharmed, you are probably not the ideal audience for “1BR.” Sarah’s neighbors essentially live in a self-policing panopticon, a central metaphor that’s made explicit in a later scene where her neighbors observe each other through closed-circuit cameras. There are also a few conspicuously mounted cameras trained on the neighborhood’s human monitors, though Sarah’s told not to think about those cameras. Just like when Brian, in early scene, tells Sarah not to worry about the cameras that are posted above the apartment complex’s mailboxes. Everything in “1BR” is over-exposed, often literally thanks to the movie’s basic camera set-ups and general emphasis on naturally and/or harshly front-lit close-ups, or medium shots of brown stucco walls.

At this point, I must admit: I was also reluctantly taken in by “1BR,” mostly because, at the 27-minute mark (or so), Marmor truly commits to making life hellish for poor Sarah. In theory, there’s not much to Jerry and his Synanon-like fixation with de-programming all the “selfish fantasies” and “bad conditioning” that define Sarah as a normal, self-interested twenty-something. But it’s hard to resist “1BR” given that every other scene escalates Sarah’s peril in a memorably sadistic way.

Several sequences involving graphic violence and psychological torture are effectively jarring because they’re as over-ripe and sensationalistic as this type of horror movie needs them to be. I mean, I knew what type of movie “1BR” was before I found out how evil Brian is, or what happened to Lester’s eye. But I was still impressed by “1BR,” especially since Marmor somehow found a way to make his movie’s pervasive grubbiness seem more like a feature than a bug.

I’m honestly not sure how well a movie like “1BR” will play for horror fans now that there are so many true-crime docu-series and LA-set indie horror films about serial murderers, religious cults, and other seductive frauds. I can, however, tell you that I eventually stopped second-guessing Marmor’s creative choices, and eagerly waited for Sarah’s situation to become even more bleak. There’s a light at the end of the tunnel for Sarah, and seeing her claw her way to it is often fun, albeit in a gasp-inducing sort of way. 

Premieres on VOD today, 4/24.

Simon Abrams

Simon Abrams is a native New Yorker and freelance film critic whose work has been featured in  The New York Times ,  Vanity Fair ,  The Village Voice,  and elsewhere.

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Nicole Brydon Bloom as Sarah

Alan Blumenfeld as Gus

Giles Matthey as Brian

Taylor Nichols as Jerry

• David Marmor

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• Ronen Landa

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The Beast review: Léa Seydoux leads a mesmeric blend of sci-fi, horror and romance

The works of french filmmaker bertrand bonello are designed to provoke – and this time-hopping drama, co-starring george mackay, is no different, article bookmarked.

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The future presented in The Beast , Bertrand Bonello’s mesmeric blend of sci-fi, horror and romance, feels frighteningly plausible. In the wake of disaster, AI has taken on the responsibility of running civilisation , leaving 67 per cent of humanity unemployed. Decisions, now, are made entirely without bias or empathy, so that when Gabrielle (Léa Seydoux) attempts to seek more fulfilling work, she’s forced to undergo a process of “purification”, in which her past lives, and all their inherited trauma, are scrubbed clean from her DNA.

The notion that we carry our ancestors’ sorrows, one proposed by certain corners of the scientific community, is an unnerving one. Here, the French filmmaker suggests it may be the true explanation for the amorphous “beast” once described in a Henry James novella . Its story concerns a man who rejects love and stability because he’s convinced some terrible catastrophe, moving unseen like a creature in the jungle, will one day strike him down. Gabrielle feels the same, and in Bonello’s sad, unshakeable film, it’s suggested that perhaps her fears are justified – some of us, it seems, are simply fated to be plagued by the same, cyclic miseries.

There are three timelines at play here: the future, in 2044; the present(ish), in 2014; and the past, in 1910. In all three, there is a Gabrielle and there is a Louis (George MacKay, who took on the role after the death of Gaspard Ulliel , to whom this film is dedicated). In the 1910 sections, Bonello comes the closest to plainly adapting James’s novella, 1903’s The Beast in the Jungle . We’re in Paris, during the Belle Époque, and Gabrielle is an accomplished pianist who denies Louis’s advances in an attempt to stave off the doom. MacKay supplies dignified, courtly yearning – in one scene he snaps his eyes shut and you can almost see, dancing across his features, the daydream of leaning across to kiss Gabrielle’s lips.

In 2044, Louis is another candidate for the process of purification, another soul pledged to never feel a true and powerful emotion ever again. But it’s in the contemporary section, in 2014, that Bonello best deploys his web of Lynchian symbols – each timeline, in some way, features a clairvoyant, a bird as the harbinger of ill, and a doll as a totem of innocence (in the future, it’s an android played, with poignant restraint, by Saint Omer ’s Guslagie Malanda).

In 2014, self-imposed isolation, when mixed with hatred and entitlement, turns dangerous – in a way that suggests that, while fear and loneliness are part of the universal experience, social hierarchy tends to dictate what people choose to do with those emotions. Here, Gabrielle is an actor in Los Angeles, paid to replicate extreme emotions against an endless void of green screen. Louis, meanwhile, is a violent misogynist, whose video manifestos could almost be direct translations of those made by the man who shot and murdered six people in Santa Barbara, California, on 23 May 2014. McKay finds the necessary, chilling balance between disturbing and deeply pathetic. Seydoux’s terror, in response, seems infinite – inviting in all that is material and immaterial, simultaneously becoming a woman living in everyday fear of men, and a woman in touch with some primordial knowledge of her own mortality.

Bonello, whose films – among them Nocturama and Zombi Child – are made to provoke, does not leave us entirely hopeless. In 2044, Gabrielle faces a hard bargain: would permanent serenity be worth the loss of every great piece of art made by those brave enough to face their pain? As she insists, in 2014: “There must be beautiful things in this chaos.” The Beast does its best to seek them out.

Dir: Bertrand Bonello. Starring: Léa Seydoux, George MacKay, Guslagie Malanda, Dasha Nekrasovai. Cert 15, 145 mins

‘The Beast’ is in cinemas from 31 May

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10 Classic Horror Movie Rules That Are Still Being Followed Today

Why moana looks so different in moana 2, cillian murphy's 28 years later return was perfectly set up by this story 15 years ago.

Sci-fi and horror are two phenomenal genres, so what could be better than putting them together? As special effects equipment has become cheaper and more obtainable in recent decades, it's allowed more independent filmmakers to partake in the growing subgenre.

RELATED:  10 Cosmic Horror Movies That Left Fans and Critics Divided, From Best to Worst

The 10 movies on this list all blend elements of sci-fi and horror together perfectly, creating films that are captivating, unsettling, and wholly unique. From a truly bizarre musical to a Larz von Trier masterpiece, here are 10 amazing independent sci-fi horror movies.

The Beach House (2019)

To describe  The Beach House , imagine  Cabin Fever on steroids. In the film, global warming has released underwater microbes into the atmosphere. These microbes seem to be able to manipulate the physical world around them, and, if breathed in by humans, a horrifying mutation begins .

The movie was originally shown at a few film festivals and was then picked up by the streaming service Shudder . It has since received rave reviews from horror fans, and its release date (summer of 2020) seemed oddly pertinent with the global COVID-19 pandemic. The film is streaming on Shudder and can be rented on Amazon Prime.

Melancholia (2011)

At first glance, Lars von Trier's 2011 film appears to be about depression. Kirstin Dunst plays newlywed Justine, who is so overcome with depression that she can't even enjoy her own wedding reception. However, it soon becomes known that a rogue planet, Melancholia, will do a 'fly-by' of Earth and that Earth's gravitational force will ultimately pull the planet into a collision, obliterating all life.

RELATED: Lars von Trier's 10 Best Films According To IMDb

Through very sly, small moments in the movie, it becomes clear that Justine might have the power to see the future and has always known of Earth's impending doom, hence her ever-present depression. Dunst was even awarded the Best Actress award at Cannes for her role. Melancholia is currently streaming for free on Tubi.

The Void (2016)

The Canadian supernatural film   The Void  has been polarizing viewers since it first premiered. The movie is a heavily stylized, retro-throwback that very much follows in the footsteps of Lovecraft. In the film, a small town seems to be mostly abandoned aside from some murderous townspeople, robed cultists, and Dr. Richard Powell, the ringmaster behind it all.

It becomes evident that that cult is trying to open a portal to another world. Also, there are Lovecraftian monsters being birthed in the hospital... and this was part of audience complaints. The plot was truly all over the place. However, with epic practical effects and a great vibe, it's an incredible film for genre fans. It's currently streaming for free on Crackle.

Contracted (2013)

In what's surely one of the most traumatic movies ever made, Contracted portrays the very beginning of a zombie apocalypse—and it all began with a mutated STD.

In the film, Samantha is drugged by a necrophiliac. When she comes to the next day, she notices she feels different. Over the course of the film, Samantha's body begins to fall apart, her mood changes, and eventually, she becomes murderous. Contracted  is part drama, part science fiction, and part body horror . It's a painful slow burn that's sure to make audiences squirm, and it can be rented on Amazon Prime.

The Lodge (2019)

In this trippy horror movie, two kids head to New England for Christmas with their father and soon-to-be stepmother, Grace, after some serious family drama. While at the remote Massachusetts lodge, the kids decide to get revenge against their father's fiance.

RELATED: 10 Best Horror Films Set In Winter, Ranked According To IMDb

Throughout the film, Grace can't figure out what's happening. She wonders if she's dreaming or trapped in the afterlife. Audiences will also be left questioning the entire film until the shocking surprise ending. The Lodge  is currently streaming on Hulu.

The Bay (2012)

In 2012's The Bay , farm animal waste that's filled with industrial steroids is being dumped into the Chesapeake Bay. Before long, a small coastal island begins experiencing strange phenomena. Divers' corpses are washing up completely mutilated, residents are growing violently ill, and strange lesions are appearing on people's bodies. The culprit provides the film with an unexpected twist.

The Bay was directed by Oscar-winning Hollywood veteran Barry Levinson, who wanted to explore the idea of a potential environmental disaster caused by  manmade pollution and habitat destruction . The movie premiered at the 2012 Toronto Film Festival to positive reviews and is now streaming on AMC+ and can be rented on Google Play and YouTube.

Daybreakers (2009)

In Daybreakers , humanity falls victim to a plague caused by an infected bat. The disease turns people into vampires , and, before long, almost the entire populous has transitioned. Because of the dwindling human population, the supply of blood has become increasingly thin, causing some of the vampires to devolve into monsters.

Daybreakers is like Dracula meets The Matrix meets Children of Men . It's a unique movie that doesn't easily fit into any one genre, and that's part of what makes it such an interesting watch. It's currently streaming on Peacock and can be rented on Amazon Prime, iTunes, and YouTube.

Repo: The Genetic Opera (2008)

In the future, pollution and overconsumption have turned the world into a toxic dump. Organ failures are common, and having them replaced is a necessary procedure. The wealthy have taken this new surgery-centric lifestyle to the next level and routinely have unnecessary and extreme cosmetic surgery to show off their wealth and opulence.

RELATED: The 10 Weirdest Musicals Everyone Should See

For the rest of mankind, however, if they can't pay for their transplants, the repo man will come and cut out the organ, leaving the victim to die. This is Repo: The Genetic Opera . Yes, it's a musical . Yes, it has a totally random cast, like Sarah Brightman and Paris Hilton. And, yes, it's an incredibly interesting film. It's streaming for free on Tubi and Pluto TV and can be rented on iTunes, Amazon Prime, and YouTube.

CUBE (1997)

This little indie gem from Canada has been cited as a precursor to SAW . In the film, a group of strangers wakes up in a giant cube made up of ever-shifting smaller cubes. Some cubes are rigged with traps, and a mathematical formula written on each cube's entryway is the only way to decipher which ones are dangerous.

The film is filled with paranoia and a sense of isolation, claustrophobia, and imminent doom. It's beautifully made and was done so on an extremely small budget. It also led to a sequel and prequel. All three CUBE movies can be streamed for free on Vudu, Tubi, and Pluto TV.

Sunshine (2007)

If someone took Event Horizon and combined it with elements from Alien , as well as The Day After Tomorrow , and then had Danny Boyle direct it , they would end up with  Sunshine . In the movie, the sun is dying and Earth is getting colder and colder. A team is sent to restart the star with a massive bomb. However, unforeseen events get in the way.

Sunshine  is a stylized masterpiece, and, halfway through the film, the plot shifts wildly in some very unexpected ways. The best part is that it works perfectly.  Sunshine  is also loaded with A-List stars like Cillian Murphy, Chris Evans, Michelle Yeoh, and Rose Byrne. It can be rented on Amazon Prime, Apple TV, and YouTube.

NEXT: 10 Scariest Games You Can Play On Switch Right Now

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The Best Horror Films on Prime Video to Watch Right Now

Why not spend the long weekend with a scary flick?

Prime Video has a lot to offer horror fans, from Ti West's Pearl to M. Night Shyamalan's Knock at the Cabin. Ads are now a part of the streaming service , but if you'd prefer to watch your spooky content without commercial interruptions, you can pay an additional fee to remove them.

Here are some highly rated horror flicks to satisfy your cravings. Dim the lights, grab the popcorn and enjoy your creepy feature.

Psycho (1960)

Prime Video currently offers Alfred Hitchcock's Psycho, which is a pretty big deal -- the black-and-white flick frequently cracks the top five on lists of the best horror films ever. If you've never seen the film, starring Janet Leigh as Marion Crane, it's best to go straight in without looking up details.

Pearl (2022)

A prequel to Ti West's film X, Pearl stars Mia Goth as a younger version of the elderly villain in that flick. MaXXXine -- another addition to the series set after X and also starring Goth as the title character -- is scheduled to hit theaters this summer, on July 5.

Knock at the Cabin (2023)

M. Night Shyamalan's Knock at the Cabin is based on the novel The Cabin at the End of the World by Paul G. Tremblay. A family is vacationing at a remote cabin when a band of strangers shows up with an impossible demand: The three cabin-dwellers must choose to save humanity or their family.

Nanny (2022)

Nanny is an increasingly unnerving movie about a mother working in the US and separated from her son in Senegal, whom she hopes will soon join her. The powerful, chilling film -- led by a captivating Anna Diop -- takes viewers through her difficult, haunting wait.

Totally Killer (2023)

Want to revisit the '80s? Kiernan Shipka time-travels to the decade and takes on a killer in this new Prime Video slasher comedy. Randall Park and Julie Bowen also make appearances.

Smile (2022)

An unnatural grin can be utterly terrifying. This recent release takes full advantage of that. Dr. Rose Cotter (Sosie Bacon, actor and daughter of Kevin Bacon) goes on a horrific journey after she witnesses a traumatic incident involving a patient.

The Descent (2005)

In this British horror film from 2005, six young women go spelunking and rub up against terrifying humanoid cave dwellers. It's a race to evade the dark before becoming creature food. If you need another reason to descend, the flick's high user score on Metacritic suggests you'll be glad you went on this chilling expedition. 

Candyman (2021)

Jordan Peele and Nia DaCosta are at the helm of this gripping slasher. A sequel to the 1992 film of the same name, Candyman tackles issues such as gentrification and police brutality. Prepare for blood, swarming bees and people making the unfortunate decision to recite Candyman's name in front of a mirror. Candyman is available to watch for free with ads using Amazon Freevee.

Suspiria (2018)

If you like your horror films interspersed with a bit of contemporary dance (and who wouldn't!) then Suspiria is definitely the one for you. It tells the story of a supernatural dance academy run by a coven of witches and features themes like motherhood, guilt and abuse of power. An homage to the original 1977 film, Suspiria stars Dakota Johnson and Tilda Swinton. 

Coherence (2014)

Coherence is a huge favorite here at CNET  and it's a terrifying watch. Not necessarily in the traditional, gory, horrific sense but more in terms of the concepts. It's a multiverse movie released before multiverses were cool and it's not what you expect. Coherence is the kind of movie you'll finish and immediately rewatch to try and rewire your brain. It's a fantastic achievement. A must watch.

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25 of the Worst Horror Movies Ever Made, According to Rotten Tomatoes

By mike rampton | may 17, 2024.

Horror is unfairly maligned as a genre . If we think of high art as work that provokes an intellectual response and low art as something that provokes more of a physical one, horror falls firmly in the latter category for most. After all, shrieking in terror is a pretty physical response.

While there are absolutely some undeniable masterpieces in the horror genre, there are also a lot of schlocky stinkers. It’s not always about budget, either. Classics like The Blair Witch Project (1999), The Texas Chain Saw Massacre (1974), and Night Of The Living Dead (1968) were all made for peanuts but went on to transcend those limitations and make a big impact on pop culture.

Usually even a crappy horror movie has something going for it. But you’d be hard-pressed to find anything worth writing home about when it comes to the flicks that made it onto Rotten Tomatoes’ roundup of the worst horror movies of all time, like 2008’s One Missed Call . A remake of the 2003 Japanese horror movie of the same name by Takashi Miike, it placed first overall and has a score of 0 percent on the site, with film critic Wesley Morris dubbing it “hopelessly disconnected” and “another demonstration of how certain studios and producers care neither about us nor the skill required to pull off a respectable work of garbage.”

Other entrants onto the list—like FeardotCom (2002) and 2023’s Winnie-the-Pooh: Blood and Honey —did slightly better, earning a 3 percent score overall. But within the top 25, nothing cracks past a 6 percent score, and there are plenty of cynical by-the-numbers remakes (like 2017’s Flatliners ) and sequels with recycled plots (see: 1988’s Return of the Living Dead Part II ) to go around. You can check out the worst of the worst down below. Bear in mind that to even make it onto the rankings to begin with, these flicks had to have at least 20 reviews. (Ouch.)

Making a completely unwatchable horror film takes some doing. Further on, we break down the six that scored a flat 0 percent score on Rotten Tomatoes. Remarkably, one actor— Michael Landes of Final Destination 2 (2003) and the first season of Lois & Clark: The New Adventures of Superman , both of which are great—pops up in two of these. It’s not his fault!

One Missed Call (2008) // 0 Percent Score

Jaws: the revenge (1987) // 0 percent score, cabin fever (2016) // 0 percent score, the disappointments room (2016) // 0 percent score, homecoming (2009) // 0 percent score, beneath the darkness (2011) // 0 percent score.

Premise: This 2008 J-horror remake focuses on a curse that manifests through phone calls and results in candy popping out of dead people’s mouths.

“Fun” fact: Guillermo Del Toro passed up the opportunity to direct this in order to focus on Hellboy II: The Golden Army , which has a vastly more impressive 86 percent score on Rotten Tomatoes. 

Better movies to watch instead: The Ring (2002), The Grudge (2004)

Premise : Apparently great white sharks are big on holding a grudge, because in this follow-up to the 1975 summer blockbuster, one is out for vengeance against the Brody family and is willing to head down to the Bahamas to get it.

“Fun” fact : Star Michael Caine won his first Oscar in 1986 for Hannah and Her Sisters , but missed the ceremony because he was too busy shooting this clunker. He famously quipped: “I have never seen [ Jaws: The Revenge ], but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific.”

Better movies to watch instead: Jaws (1975), Cujo (1983)

Premise: This inexplicable remake of 2002’s Cabin Fever follows the original beat for beat but doesn’t have the novelty value of starring the guy from Boy Meets World . Why was this film made? Your guess is as good as ours.

“Fun” fact: One of the decisions the creative team made for their remake was to remove the comedic elements of the original.

Better movies to watch instead: The Evil Dead (1981), 28 Days Later (2002)

Premise: A New York couple moves to rural North Carolina and are either haunted by the house’s previous occupants, go bonkers or—get this—possibly both.

“Fun” fact: Some of the North Carolina locations used in this movie were also used in Hellraiser III: Hell On Earth (which has 38 percent score on Rotten Tomatoes). 

Better movies to watch instead: The Others (2001), Poltergeist (1982)

Premise: An obsessive stalker does a Misery on her ex-boyfriend’s new girlfriend and predictably, chaos ensues.

“Fun” fact: One of the filming locations was North Allegheny Senior High School in Pennsylvania, whose alumni include Christina Aguilera.

Better movies to watch instead: Misery (1990), Single White Female (1992)

Premise: An unhinged mortician-turned-murderer terrorizes a group of teenagers when they discover his secret (which involves dancing with his wife’s corpse).

“Fun” fact: Beneath The Darkness grossed a mere $9600 at the domestic box office.

Better movies to watch instead: Psycho (1960), The Shining (1980)

Read More About Horror Movies:

By Bobby LePire | May 23, 2024

Michael S. Rodriguez’s Daisy is a unique exploration of the owner-pet relationship, taking a morbid twist. The story revolves around Felix (Michael Wainwright), an auto mechanic who inherits his late father’s garage. However, his lack of business acumen leads to mediocre sales. The plot takes a dark turn when a couple in need of a vehicle part walks in, and instead of assisting them, Felix commits a heinous act.

Zero (Wade Pierson) and Jerry (Manuel Ramirez) embark on a suspenseful journey through the small town where the garage is located, desperately searching for their missing loved ones. They stumble upon the horrifying truth that Felix has been harboring a cryptid named Daisy (Jamie Krivobok), using unsuspecting victims as its food. This revelation puts them in grave danger as they become the next potential meal for the insatiable beast. Will Wade and Jerry manage to escape with their lives and expose the evil that’s been lurking in the shadows?

The independent nature of Daisy is most evident in its driving scenes. They have an unusual green screen look that distracts from the point of those moments. Also, lighting in some scenes may be basic. Still, it effectively enhances the mystery and ominous atmosphere, particularly in the latter half of this 62-minute film.

“…they become the next potential meal for the insatiable beast.”

Yet, the film shines in several aspects. Stephanie Galvan’s makeup work is truly commendable, bringing Daisy to life in a way that is both terrifying and realistic. Tricia Minty’s score, with its perfectly timed crescendos and eerie undertones, heightens the horror vibe to a chilling degree. Wade and Jerry’s decision to venture into the unknown is not only logical but also adds to the suspense. Finally, Rodriguez’s direction creates a terrifying world filled with blood and gore, with the viscera looking appropriately juicy and disgusting.

The cast is a standout, delivering performances that are both chilling and captivating. Wainwright’s portrayal of Felix is eerie and unsettling. Krivobok’s depiction of Daisy is realistic and terrifying. Ramirez’s character is easy to root for. Pierson’s handling of the dramatic stakes is commendable, evoking genuine fear in the audience.

Daisy is a chilling descent into the unknown. While the lighting and driving scenes may not be perfect, the film is saturated with a sense of impending doom, courtesy of the titular monster. The cast breathes life into their characters, with special mention to Wainwright and Krivobok for their unsettling performances. The direction creates an atmosphere thick with eeriness and blood, intensifying the horror.

Daisy (2024)

Directed and Written: Michael S. Rodriguez

Starring: Michael Wainwright, Wade Pierson, Manuel Ramirez, Jamie Krivobok, etc.

Movie score: 7.5/10

"…special mention to Wainwright and Krivobok for their unsettling performances."

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Lifestyle | ‘I Saw the TV Glow’ review: Jane Schoenbrun’s…

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Lifestyle | guilty: trump becomes first former u.s. president convicted of felony crimes, things to do, lifestyle | ‘i saw the tv glow’ review: jane schoenbrun’s teen drama thrives in abstraction.

“Glow” is steeped in the imagery of ‘90s TV shows like “Buffy the Vampire Slayer” and “My So-Called Life,” bathed in neon green and pastel purple. TV provides a way for Owen and his friend/possible alter ego Maddy (Brigette Lundy-Paine) to escape their miserable lives at home, and as the film wears on, the boundaries between reality and the screen begin to blur. It’s easy to assume Schoenbrun is making a statement about technology’s stranglehold on modern life, but the director sees media as a place of refuge, where kids can form an identity for themselves before they’re ready to present it to the “real” world.

Owen is played by Ian Foreman for much of the film’s first half, aging rather abruptly into the softer-featured, sad-eyed Smith. This is one of the most passive heroes in recent cinema, his voice rarely broaching a hesitant croak. Maddy drops into his life like an angel and disappears just as quickly, though not before gifting generations of drama classes with a tear-jerking six-minute monologue, delivered mostly in one shot while standing in front of a star projector spangled with images of the constellations. Robert Altman’s elliptical 1977 masterpiece “3 Women” comes to mind, with its amniotic swimming pools and drowned mosaics of god-like creatures.

Songs swim in and out of view, most of them by younger women and queer artists, all of them commissioned by Schoenbrun in an effort to create the “ultimate teen drama soundtrack.” The scene at the heart of the film takes place at a bar on the edge of town, where the young rock star Phoebe Bridgers takes the stage and sings a song called “Claw Machine” that expresses everything Owen is unable to say. Even if “Glow” is too cryptic to join “Civil War” and “Everything Everywhere All at Once” in indie distributor A24’s list of crossover hits, the soundtrack already seems guaranteed a place in history, and “Claw Machine” is one of the best rock songs of the year.

Those who grew up in ‘90s TV land may have a more Pavlovian reaction to what’s on screen than those who didn’t, though the film is far from the parade of signifiers one might expect. The pervasive sense in the film that not all is right with reality has been connected by some commentators to the experience of gender dysphoria, and what may be cryptic to the cisgender viewer may be revelatory to the trans viewer. (Schoenbrun identifies as non-binary.)

So what’s in it for audiences whose experience might not necessarily square with those of the characters? For one, the intoxicating freshness of the film: Schoenbrun’s work feels alive, with an assured visual style and an unwillingness to sacrifice its sickly dreamy vision at the altar of an ordered plot. Then there’s the pervasively weepy tone of the film, in which the pathos comes from the fact that everyone gets only one life and you can either put away your dreams and desires or live it freely. If you were moved by “Brokeback Mountain,” with Heath Ledger stuck in his tiny trailer at the end, that’s step one towards understanding the conflict at the heart of “Glow.”

Schoenbrun is one of America’s most exciting directors, and if their films can be frustrating at first, they ripen in the mind and reveal their deepest secrets once they’ve marinated in the brain for days or even weeks. Their previous film “We’re All Going to the World’s Fair” involved a girl who is essentially swallowed by the internet, the same way the girls in Peter Weir’s 1975 mystery “Picnic at Hanging Rock” were swallowed by the living landscape. Its marketing as a horror film didn’t help audiences warm to it much — it was really more of an abstract coming-of-age drama, and the same is true for “Glow” — but between the two films, it’s clear Schoenbrun has cracked the code for making Gen Z tearjerkers.

‘I Saw the TV Glow’

Stars (out of four): 3 stars

Runtime: 1 hour, 40 minutes

Rated: PG-13 (for violent content, some sexual material, thematic elements and teen smoking)

How to watch: In theaters

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