Last Updated: September 27, 2023 Fact Checked
This article was co-authored by Heather Gallagher . Heather Gallagher is a Photojournalist & Photographer based in Austin, Texas. She runs her own photography studio named "Heather Gallagher Photography" which was voted Austin's Best Family Photographer and top 3 Birth Photographers in 2017, 2018, and 2019. Heather specializes in family Photojournalism and has over 15 years of experience documenting individuals, families, and businesses all over the world. Her clients include Delta Airlines, Oracle, Texas Monthly, and her work has been featured in The Washington Post and The Austin American Statesman. She is a member of the International Association of Professional Birth Photographers (IAPBP). There are 11 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 289,213 times.
Photo essays are an increasingly popular medium for journalists, bloggers, and advertisers alike. Whether you’re trying to show the emotional impact of a current news story or share your hobby with friends and family, images can capture your topic in a personal, emotional, and interesting way. Creating a photo essay can be as easy as choosing a topic, getting your images, and organizing the essay.
To make a photo essay, start by selecting a subject that is easy to capture and that inspires you, like a friend or a family pet. Then, decide if you want to present your photo essay as thematic, which shows specific examples of a big idea, or narrative, with a beginning, middle, and end. Next, create an outline of your essay to determine which photos you’ll need, like an establishing shot. Finally, take your photos, select which images you want to use in your essay, and organize them according to your theme before adding text to explain the essay. To learn how to capture the best images, keep scrolling! Did this summary help you? Yes No
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As a photographer, you are a storyteller. The nouns are your subject matter; the verbs are the color and contrast that keep the story moving. A cast of characters all working together to get your point across. Instead of proper grammar, you ensure proper exposure. Instead of spelling errors, you watch for tack-sharp focus. For those times when the story is especially important and meaningful, or for when one image doesn’t say it all, there is the photographic essay. With blogging and social media, photo essays are more popular than ever: humorous or emotionally relevant, sparking debate or encouraging compassion, each with a story to tell.
I’ve mentioned before that taking on a photo project is one of my favorite ways to reignite my love for photography, but beyond that, it’s a great way to get your message across and have your work seen by a larger group. A photo essay is intriguing; it’s something to talk about after people hear that you’re a photographer and want to know about the glitz and glamour of it all. It’s the perfect thing to tell them after you’re done going on and on about all of the red carpets, the celebrities, the fame, and the fortune. It also can be extremely satisfying and kick-start your creative wonderment.
By definition, a photographic essay is a set or series of photographs intended to tell a story or evoke emotions. It can be only images, images with captions, or images with full text. In short, it can be almost anything you want it to be. Which is where I struggle most–when the options are limitless. In this freelance world we live in, I love a little guidance, a little direction. Ideally, someone to tell me exactly what they want and promise to be thrilled with whatever I produce, for my fragile artist ego can’t take any less. While I continue my quest for that, I offer you these 5 tips for creating your own, completely without bounds, photographic essay:
Each time I’ve had a very specific concept in mind before I started shooting, it’s never been the end result. An example: for a hot minute, I offered a “day in the life” session to my clients. I was photographing so many of the same clients year after year that I wanted to be able to offer them a different spin on the portrait sessions I was doing for them. I asked a long-time client if her family could be my guinea pigs for this and told them that we could do whatever they wanted. We went out for ice cream, had a mini dance party in their living room, and I photographed a tooth that had been lost that very morning. Then, very last, I photographed the two young daughters with notes they had written, which to be honest, I’m not even sure how they had come about. I rushed home after the session and edited those last note pictures first just because they were so different from what I usually shoot, and posted them on my personal Facebook page the heading Notes Girls Write .
Within minutes a dear friend, and fellow photographer, commented that this was big. Bigger than just the two pictures. She and I would spend the next year working on a photo essay that became a blog, that in turn became a book entitled Notes Girls Write . We photographed hundreds of women of all ages with their notes, each one later expressing having their portrait taken with their own words was an extremely powerful moment for them. Beyond my beautiful children, the fact that I can make a bed with hospital corners like no one’s business, and the award I won in the 4th grade for “Most Patient”, Notes Girls Write is one of my proudest accomplishments. It evolved on its own, starting from a few similar photographs that struck a cord in viewers and becoming a large and powerful project, one of the biggest markers in my career so far.
TIP: Don’t be so set in your idea that your project can’t outgrow your original concept. Your images will guide you to your end result, which may end up being different than you originally envisioned it.
For the last year I have been a “foster mom” with a dog rescue group. Volunteers transport dogs that would otherwise be put down from overpopulated shelters, or seized from terrible situations, to my area, where dog adoption rates are much higher. These dogs live in foster homes while they receive medical care and basic training so that they can be adopted out to loving homes. It’s incredibly rewarding. Especially when I had hardwood floors.
I knew from the first time I met the transport van I wanted to document what it looked like: a van full of dogs that just narrowly escaped death arriving to temporary homes where they will experience a level of love and care which they’ve likely never known. I tear-up every time I see it. I am also put to work every time I am there, so taking photos while holding onto a 100 pound German Shepard is tough. It’s going to take me several trips to have enough images to do anything with, but that’s fine. I have no idea what I will be doing with these photos. I know they will find a home somewhere: maybe with the rescue group to raise awareness, or to help bring in volunteers, or maybe they will do nothing more than document my own story with volunteering, or perhaps something more. I’m not sure yet, but the point is that I have the images, ready for their time, whenever that is.
TIP: If you think there is something to it, there likely is. Even if it’s just a personal passion project. Take photos until you find the direction or purpose and save them until your essay takes shape. You may not end up using all, or any of the images, but in continuing to take photographs, your project will be defined.
I’m the “World’s Worst Over-Shooter”. Need one image? Let me take a hundred so we know we have it. Luckily for my bad habit, the photographic essay needs over shooting. Whether you know what your plan is, or have no idea want your end result will look like, the more coverage you have, the better. This is one of the few times I push my luck and ask my subjects to work for me until they never want to see me again (I only photograph people though, so if you are photographing mountains or something, you have the added advantage of not pushing people until they cry or yell). Don’t be shy. Shoot everything you know you don’t need, just in case you need it. Should your end product need supporting images or take a different direction than you originally thought, you’ll be ready.
Take advantage of digital (if that’s how you shoot) and fill a memory card. You may end up trashing everything, or you may not. I had no idea that my Notes Girls Write project would span for as long as it did, but because I didn’t turn down anyone who was interested in the very beginning I ended up with some shots that told complete stories and expanded on the original concept.
TIP: Think big. If you are shooting an essay where mountains are your subject matter, see the mountain in pieces and photograph the surrounding trees, rocks, and whatever else. This will save you having to return to the beginning of the project for supporting shots, or having to reshoot if your essay takes a different turn than you planned.
I struggle with this one–I let my personal feelings get involved. Throughout our Notes Girls Write project I was constantly picking images based on my personal feelings–the subjects that I had connected with more, and the girls that I knew were most interested in the project. This is where it is so helpful to have someone else help. Someone who has no personal feelings towards the images and will help you pick based only on the strength of the image and not your own feelings. Even if people were not involved as subjects, you tend to have personal feelings toward images that the general public may not see the power behind.
I recently photographed several dozen sexual assault survivors as part of a photographic essay for a victim advocacy ’s annual gallery show. This event is meant to put faces on the survivors and raise awareness, and has been a large local event for years. I was thrilled to be selected to be the exclusive photographer, though this was one of the hardest projects I’ve ever taken on. The photo sessions themselves, whether five minutes or 30, were extremely emotional for the survivors and in the time I spent with them, I often learned a lot about their journey and experience. This made it difficult for me to pick which final images would be used for the show, based only on the power of the image and not my personal feelings. In the end several select friends helped me narrow each survivor’s images down, and the subjects themselves selected which would be the final image used, as ultimately this is their story.
TIP: All creative work is personal, and looking at photographs we take ourselves is incredibly hard to do with clear eyes. We see the mistakes, the personal feelings, the shot that could have been better. It’s impossible to always set these aside so when working on a project that is incredibly important to you, or large in scale. Have others help you decide what images to use for your final pieces. Bring in people who are interested in photography and people that aren’t. People that know about your subject matter and people that don’t understand it at all. But above all, bring in people who will be honest and not tip-toe around your feelings. Lastly, also bring a thick skin.
Maybe your original idea for your photographic essay was to post it on your blog. Awesome, nothing wrong with that, but are you sure it can’t be more? Shop it around, who can it help? Does this benefit a group, an organization, or a person? Could it inspire people? If you feel passionately about the photos, chances are that someone else will too. Your photographic eye doesn’t stop when your shooting is done. If you felt compelled to take the time to create a photographic essay, there are likely “readers” for your story.
TIP: This isn’t the time to be humble. Taking on a photo essay is a large endeavour. While there’s nothing wrong with having it be something you only did for your own personal growth, showing it around can be helpful both in experience and longterm benefit. Post it on social media, find appropriate places your essay could be displayed, and think about how it helped you. Every single photo essay I have done has led to an outstanding connection, or more work, and there is nothing wrong with getting those things along with the personal gain of accomplishing something you’re proud of.
The ideas are truly for a photographic essay are limitless. Truly.
Want a few more ideas for projects, try these?
Have you ever done a photographic essay? What is your experience? Share with in the comments if you have, or have considered it. If you haven’t, what are you waiting for?
photographs families, kids, couples, and other groups of people who, for whatever reason, kind of like each other. Her portrait work has been featured in People Magazine, Us Weekly, BBC Magazine, and on national TV including CNN, Oprah, and Ellen, but most importantly, in the personal galleries of clients across the country. Her photography can be viewed at www.lynseymattingly.com or on Facebook .
Photo essay generator.
We all know that photographs tell a story. These still images may be seen from various perspectives and are interpreted in different ways. Oftentimes, photographers like to give dramatic meaning to various scenarios. For instance, a blooming flower signifies a new life. Photographs always hold a deeper meaning than what they actually are.
In essay writing , photographs along with its supporting texts, play a significant role in conveying a message. Here are some examples of these kinds of photo-text combinations.
What is Photo Essay? A photo essay is a visual storytelling method that utilizes a sequence of carefully curated photographs to convey a narrative, explore a theme, or evoke specific emotions. It goes beyond individual images, aiming to tell a cohesive and impactful story through the arrangement and combination of pictures.
A photo essay is a series of photographs that are intended to tell a story or evoke a series of emotions in the viewer. It is a powerful way to convey messages without the need for many words. Here is a format to guide you in creating an effective photo essay:
Select a subject that you are passionate about or that you find intriguing. Ensure the topic has a clear narrative that can be expressed visually.
Outline the story you wish to tell. This could involve a beginning, middle, and end or a thematic approach. Decide on the types of shots you need (e.g., wide shots, close-ups, portraits, action shots) to best tell the story.
Capture a variety of images to have a wide selection when editing your essay. Focus on images that convey emotion, tell a story, or highlight your theme.
Select the strongest images that best convey your message or story. Edit for consistency in style, color, and lighting to ensure the essay flows smoothly.
Order your images in a way that makes sense narratively or thematically. Consider transitions between photos to ensure they lead the viewer naturally through the story.
Write captions to provide context, add depth, or explain the significance of each photo. Keep text concise and impactful, letting the images remain the focus.
Choose a platform for presentation, whether online, in a gallery, or as a printed booklet. Consider the layout and design, ensuring that it complements and enhances the visual narrative.
End with a strong image or a conclusion that encapsulates the essence of your essay. Leave the viewer with something to ponder , reflecting on the message or emotions you aimed to convey.
One notable example of a powerful photo essay is “The Photographic Essay: Paul Fusco’s ‘RFK Funeral Train'” by Paul Fusco. This photo essay captures the emotional journey of the train carrying the body of Robert F. Kennedy from New York to Washington, D.C., after his assassination in 1968. Fusco’s images beautifully and poignantly document the mourning and respect shown by people along the train route. The series is a moving portrayal of grief, unity, and the impact of a historical moment on the lives of ordinary individuals. The photographs are both artistically compelling and deeply human, making it a notable example of the potential for photo essays to convey complex emotions and historical narratives.
1. narrative photo essay format example.
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Now that you are educated with the fundamentals of photo essays, why not lay eyes on some great photo essays for inspiration. To give you a glimpse of a few epitomes, we collected the best and fascinating photo essays for you. The handpicked samples are as follows:
journals.openedition.org
This photo essay presents its subject which is the latest genre of photography, toy photography. In this type of picture taking, the photographer aims to give life on the toys and treat them as his/her model. This photography follows the idea of a toy researcher, Katrina Heljakka, who states that also adults and not only children are interested in reimagining and preserving the characters of their toys with the means of roleplay and creating a story about these toys. This photo essay is based on the self-reflection of the author on a friend’s toys in their home environment.
godandnature.asa3.org
This photo essay and collection caters the creativity of the author’s mind in seeing the world. In her composition, she justified that there are millions of faces that are naturally made that some of us have not noticed. She also presented tons of photos showing different natural objects that form patterns of faces. Though it was not mentioned in the essay itself, the author has unconsciously showcased the psychological phenomenon, pareidolia. This is the tendency to translate an obscure stimulus that let the observer see faces in inanimate objects or abstract patterns, or even hearing concealed messages in music.
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This photo essay depicts the medical hardships in a small rural town in Colorado called Kremling. For 23 days, Smith shadowed Dr. Ernest Ceriani, witnessing the dramatic life of the small town and capturing the woeful crisis of the region. The picture in this photographic essay was photographed by Smith himself for Life magazine in 1948 but remained as fascinating as it was posted weeks ago.
lens.blogs.nytimes.com
Café Latte, cappuccino, espresso, or flat white—of course, you know these if you have visited a coffee shop at least once. However, the photographer of this photo essay took it to a whole new level of experience. Within two to three days of visiting various coffee places, Mr. Gavrysh stayed most of his day observing at the finest details such as the source of the coffee, the procedure of delivering them, and the process of roasting and grounding them. He also watched how did the baristas perfect the drinks and the reaction of the customers as they received their ordered coffee with delights in their faces. Gavrysh did not mean to compose a coffeehouse guide, but to make a composition that describes modern, local places where coffee is sipped and treated with respect.
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One of the basic necessity of a person to live according to his/her will is food. In this photo essay, you will see how these necessities vary in several ways. In 2005, a pair of Peter Menzel and Faith D’ Aluisio released a book that showcased the meals of an average family in 24 countries. Ecuador, south-central Mali, China, Mexico, Kuwait, Norway, and Greenland are among the nations they visited. This photo essay is written to raise awareness about the influence of environment and culture to the cost and calories of the foods laid on the various dining tables across the globe.
Photo essays are not just about photographic aesthetics but also the stories that authors built behind those pictures. In this collection of captivating photo essays, reflect on how to write your own. If you are allured and still can’t get enough, there’s no need for you to be frantic about. Besides, there are thousands of samples and templates on our website to browse. Visit us to check them all out.
First of all, you would need to find a topic that you are interested in. With this, you can conduct thorough research on the topic that goes beyond what is common. This would mean that it would be necessary to look for facts that not a lot of people know about. Not only will this make your essay interesting, but this may also help you capture the necessary elements for your images.
Remember, the ability to manipulate the emotions of your audience will allow you to build a strong connection with them. Knowing this, you need to plan out your shots. With the different emotions and concepts in mind, your images should tell a story along with the essay outline .
Photo essays are a compelling medium to tell a story, convey emotions, or present a perspective through a series of photographs. Understanding the different types of photo essays can help photographers and storytellers choose the best approach for their project. Here are the main types of photo essays:
1. choose a compelling theme or topic:.
Select a theme or topic that resonates with you and has visual storytelling potential. It could be a personal project, an exploration of a social issue, or a visual journey through a specific place or event.
Conduct research on your chosen theme to understand its nuances, context, and potential visual elements. Develop a conceptual framework for your photo essay, outlining the key aspects you want to capture.
Determine how you want to convey your narrative. Consider whether your photo essay will follow a chronological sequence, a thematic structure, or a more abstract and conceptual approach.
Develop a list of specific shots you want to include in your essay. This can help guide your photography and ensure you capture a diverse range of images that contribute to your overall narrative.
Think about how you want to introduce your photo essay. The first image or series of images should grab the viewer’s attention and set the tone for the narrative.
Plan the flow of your photo essay, ensuring a logical progression of images that tells a cohesive and engaging story. Consider the emotional impact and visual variety as you sequence your photographs.
Start capturing images with your conceptual framework in mind. Focus on images that align with your theme and contribute to the overall narrative. Look for moments that convey emotion, tell a story, or reveal aspects of your chosen subject.
Explore different perspectives, compositions, and photographic techniques to add visual interest and depth to your essay. Consider using a variety of shots, including wide-angle, close-ups, and detail shots.
As you capture images, think about the accompanying captions. Captions should provide context, additional information, or insights that enhance the viewer’s understanding of each photograph.
1. Theme or Topic:
Clearly defined subject matter or theme that unifies the photographs and tells a cohesive story.
2. Narrative Structure:
An intentional narrative structure that guides the viewer through the photo essay, whether chronological, thematic, or conceptual.
3. Introduction:
A strong introduction that captures the viewer’s attention and sets the tone for the photo essay.
4. Captivating Images:
A series of high-quality and visually compelling images that effectively convey the chosen theme or story.
5. Variety of Shots:
A variety of shots, including wide-angle, close-ups, detail shots, and different perspectives, to add visual interest and depth.
6. Sequencing:
Careful sequencing of images to create a logical flow and emotional impact, guiding the viewer through the narrative.
7. Captions and Text:
Thoughtful captions or accompanying text that provide context, additional information, or insights, enhancing the viewer’s understanding.
8. Conclusion:
A concluding section that brings the photo essay to a satisfying close, leaving a lasting impression on the viewer.
With good writing skills , a person is able to tell a story through words. However, adding images for your essay will give it the dramatic effect it needs. The photographs and the text work hand in hand to create something compelling enough to attract an audience.
This connection goes beyond something visual, as photo essays are also able to connect with an audience emotionally. This is to create an essay that is effective enough to relay a given message.
A school photo essay is a visual storytelling project for educational purposes, typically assigned to students. It involves creating a narrative using a series of carefully curated photographs on a chosen theme.
The number of pictures in a photo essay varies based on the chosen theme and narrative structure. It can range from a few impactful images to a more extensive series, typically around 10-20 photographs.
Yes, a photo essay is a visual storytelling form. It uses a series of carefully curated photographs to convey a narrative, evoke emotions, or communicate a specific message or theme.
An unforgettable photo essay is characterized by a powerful theme, emotionally resonant images, a well-crafted narrative structure, attention to detail, and a connection that leaves a lasting impact on viewers.
Text prompt
Create a Photo Essay on the theme of urban exploration.
Discuss the story of a local community event through a Photo Essay.
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If you’re looking for a photo essay example (or 17!), you’ve come to the right place. But what is the purpose of a photo essay? A photo essay is intended to tell a story or evoke emotion from the viewers through a series of photographs. They allow you to be creative and fully explore an idea. But how do you make one yourself? Here’s a list of photo essay examples. Choose one that you can easily do based on your photographic level and equipment.
Here are some fantastic ideas to get you inspired to create your own photo essays!
Photo essays tell stories. And there are plenty of amazingly interesting stories to tell! Photographing photo essays is a great way to practice your photography skills while having fun. You might even learn something! These photo essay examples are here to provide you with the inspiration to go out and tell your own stories through photos!
Whether through digital channels, print or on exhibit, the impact, influence and reach of the still image has never been greater. But with so many images fighting for our attention, how do photographers make work that most effectively stands out and connects with an audience. In this seven-part series, TIME looks back over the past 12 months to identify some of the ways of seeing—whether conceptually, aesthetically or through dissemination—that have grabbed our attention and been influential in maintaining photography’s relevance in an ever shifting environment, media landscape, and culture now ruled by images.
The Contemporary Photo Essay
We live in an age where the volume of photographic output has never been greater. Yet the propensity is for images to be conceived, received digested and regurgitated in an isolated, singular form—and without further context. Against this backdrop, a generation of committed photographers are working passionately to iterate on, and further develop the traditions for long form story telling, and in so doing, draw attention to their subject matter through new powerful, innovative and resourceful ways.
On Aug. 31 this year, the New York Times Magazine published a photo essay that interweaved the images of two Magnum photographers working on each side of the Israeli, Palestinian conflict— Paolo Pellegrin (in Gaza) and Peter van Agtmael (in Israel). The essay was not only a creative and effective way of balancing a delicate and sensitive story, it was also, as Editor-in-Chief Jake Silverstein explained in a note about the project, conceived in part as a reaction to “the prevalence of cellphone cameras and social media [that had] led to many more images of Gaza than in previous iterations of this long-running conflict.”
“As powerful as these photos were,” he wrote, “the speed and fervor of their dissemination tended to bring them to us isolated from context.” The Times Magazine story was a considered attempt to have Pellegrin and van Agtmael slow things down and in Silversteins words “try to capture a deeper and more narrative sense of the texture of life on the ground.” The resultant essay, that intentionally combines two aesthetically different bodies of work emphasizes “that the fates of average Israelis and Palestinians are intertwined.”
Photographer Matt Black has subverted the prevalent philosophy of Instagram for his project The Geography of Poverty . Although using Instagram as one of the primary platforms for the work, Black has maintained a thematic and aesthetic cohesion to produce a dedicated feed—devoid of distraction or interference—that builds image by image, to deliver an investigation on poverty that is essayistic and closer to that of a traditional photo essay. On the website—exclusively dedicated to the project—Black explores the potential of geo-tagging to extend the project and map the images (for this project, Black was selected as TIME’s Instagram Photographer of the Year in 2014 )
Photographers such as Diana Markosian with her work made in Beslan, Russia and Carolyn Drake in Turkistan have embraced different types of media and photographic approaches–including still life, documentary, portraiture as well as writing and drawing. They have also actively encouraged their subjects to contribute to the artistic process and tell their own stories through notated recollections narratives and artwork, which is at times directly applied to the photographic print. As Drake says of her project Wild Pigeon that documents the lives of the Uyghur people: “I started looking for meaning at the intersection of our views, and find ways to bring the people I was meeting into the creative process. Traveling with a box of prints, a pair of scissors, a container of glue, colored pencils, and a sketchbook, I asked willing collaborators to draw on, re-assemble, and use their own tools on my photographs. I hoped that the new images would bring Uyghur perspectives into the work and facilitate a new kind of dialogue with the people I met, one that was face-to-face and tactile, if mostly without words.”
In Ukraine a generation of young, predominantly European, freelance photographers including Maria Turchenkova , Ross McDonnell and Capucine Granier-Deferre committed themselves to documenting the searing violence and the disquieting consequences of the year-long conflict—building long-term photo essays that contextualize news events through more in-depth and nuanced perspectives.
One of the most important and powerful bodies of work was produced by Daniel Berehulak , who spent more than 14 weeks covering the Ebola outbreak in West Africa. His work, made on assignment for The New York Times , shows that long-term commitment to a story can reap astounding returns. And a powerful continuum of work, can raise awareness and deeply affect its audience.
In an age when we’re saturated with an omnivorous barrage of distracting and singular imagery, there is still a role for subtleties embodied within the traditions of long form storytelling. Through innovative, full screen photo-centric web designs and effective digital dissemination, these photo essays are drawing our attention—in different and often more meaningful ways—to important issues that we otherwise would ignore or at best feel we had seen too many times before.
Read Part 1 – Direct to Audience .
Read Part 2 – Documentary Still Life .
Read Part 3 – The Portrait Series .
Read Part 5 – From Stills to Motion .
Phil Bicker is a Senior Photo Editor at TIME
Contact us at [email protected]
Creative Ways to Use Graphic Novels in the Classroom! 🎥
A picture is worth 1,000 words.
Your students, if they’re anything like mine, love to communicate through images—photos on Instagram , GIFs shared in a text, photo stories on Snapchat. And yet, so much of our conversation in school revolves around words. Understanding text is critical to students’ success now and in the future. But do we also help students identify, read and understand images in order to become literate in the visual language that is all around us? The photo essay can be a great middle or high school assignment that will have strong appeal and grow your students’ writing skills.
For those who aren’t familiar with the term “photo essay,” have no fear. A photo essay, in its simplest form, is a series of pictures that evokes an emotion, presents an idea or helps tell a story. You’ve been exposed to photo essays for your entire life—possibly without even knowing it. For example, you may have seen Dorothea Lange’s Migrant Mother:
An iconic image of the Great Depression, this picture, along with Lange’s other gripping photos, helped Americans better understand the effects of poverty in California as well as across the nation. Migrant Mother is one of countless photographs that helped persuade, influence or engage viewers in ways that text alone could not.
Photo essays can feature text through articles and descriptions, or they can stand alone with simple captions to give context. The versatility of photo essays has helped the medium become a part of our culture for centuries, from the American Civil War to modern environmental disasters like the 2010 earthquake in Haiti. This versatility is also what makes the photo essay a great educational asset in classrooms today; teachers can use them in any content area. Math students can use them to show a geometric concept in real life. Science students can document a chemistry process at home. Auto students can photograph the technique—and joys and frustrations—of learning a new procedure.
So, where does a teacher begin? Read further for tips and ideas for making photo essays a part of your teaching toolbox.
Introducing photo essays as a means of changing lives and changing society can hook student interest in the medium. Begin by simply showing pictures and letting students discuss their reactions. Consider this famous photo of the field at Antietam during the Civil War. Share some of the photos from this collection from CNN of 25 of the Most Iconic Photograph s or this list of 50 Influential Photographs That Changed Our World .
Each of these photographs stirs emotion and sends our minds searching for answers. As a warm-up assignment or series of assignments, have students choose (or assign randomly) a photograph to write about. What’s the story? Why did this happen? Who was involved?
Before giving a formal photo essay assignment, give students an opportunity to practice and receive feedback. Consider presenting students with several open-ended, ungraded challenges like “For class tomorrow, take a photo that depicts ‘Struggle.’” Other possible photo topics: chaos, frustration, friendship, school. Have students email you their photo homework and share it as a slideshow. Talk about the images. Do they convey the theme?
You can give examples or suggestions; however, giving too many examples and requirements can narrow students’ creativity. The purpose of this trial run is to generate conversation and introduce students to thinking like photographers, so don’t worry if the photos aren’t what you had in mind; it’s about getting feedback on what the student had in mind.
Even though the goal of a photo essay is to influence and create discussion, there is still benefit in giving students a crash course on simple photography concepts. Don’t feel like you have to teach a master-level course on dark-room development. Even a simple overview on the “Rule of Thirds” and the importance of perspective can be enough to help students create intentional, visually stirring photographs.
You can teach these ideas directly or have students do the work by researching on their own. They have most likely seen hundreds of movies, advertisements and photos, so these lessons are simply labeling what they’ve already experienced. Having some knowledge of composition will not only help students improve their visual literacy, it will also help empower them to take photos of their own.
Are students telling their own stories of their neighborhoods or their families? Are they addressing a social issue or making an argument through their images and text? A photo essay could be a great assignment in science to document a process or focus on nature.
If you are just getting started, start out small: Have students create a short photo essay (two to five images) to present a topic, process or idea you have been focusing on in class. Here’s a Photo Essay Planning Guide to share with your students.
With pictures becoming a dominant medium in our image-filled world, it’s not a question of if we should give students practice and feedback with visual literacy, it’s a question of how . Photo essays are a simple, engaging way to start. So, what’s your plan?
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This cover image released by Simon & Schuster shows “Something Lost, Something Gained: Reflections on Life, Love and Liberty” by Hillary Rodham Clinton. The book will be released Sept. 17. (Simon & Schuster via AP)
Hillary Clinton’s next book is a collection of essays, touching upon everything from marriage to politics to faith, that her publisher is calling her most personal yet.
Simon and Schuster announced Tuesday that Clinton’s “Something Lost, Something Gained: Reflections on Life, Love and Liberty” will be released Sept. 17.
Among the topics she will cover: Her marriage to former President Bill Clinton, her Methodist faith, adjusting to private life after her failed presidential runs, her friendships with other first ladies and her takes on climate change, democracy and Vladimir Putin.
“The book reads like you’re sitting down with your smartest, funniest, most passionate friend over a long meal,” Clinton’s editor, Priscilla Painton, said in a statement.
“This is the Hillary Americans have come to know and love: candid, engaged, humorous, self-deprecating — and always learning.”
Clinton, the former first lady, U.S. senator and secretary and presidential candidate, will promote her book with a cross country tour. “Something Lost, Something Gained” comes out two months before Bill Clinton’s memoir about post-presidential life, “Citizen.”
Financial terms were not disclosed. Clinton was represented by Washington attorney Robert Barnett, whose other clients have included former President George W. Bush and former President Barack Obama.
Clinton’s previous books include such bestsellers as “It Takes a Village,” “Living History” and “What Happened.”
WASHINGTON − The Supreme Court ruled Monday that former President Donald Trump can be tried for any of his efforts to overturn his 2020 loss that were not taken in his official capacity, a decision that likely came too late for a trial to be completed before Election Day.
Deciding for the first time whether presidents are immune from criminal prosecution, a divided Supreme Court said “official” acts taken by a president are protected but not steps he took as a candidate.
“The parties before us do not dispute that a former President can be subject to criminal prosecution for unofficial acts committed while in office,” Chief Justice John Roberts wrote for the 6-3 majority that divided along ideological lines. “They also agree that some of the conduct described in the indictment includes actions taken by Trump in his unofficial capacity.”
Justice Sonia Sotomayor, in a dissent joined by Justices Elena Kagan and Ketanji Brown Jackson, said the majority’s decision “makes a mockery of the principle, foundational to our Constitution and system of Government, that no man is above the law.”
Sotomayor said the court gave Trump “all the immunity he asked for and more.”
"With fear for our democracy, I dissent," she wrote.
Roberts criticized the dissenters for doomsaying rather than acknowledging the lower courts will determine whether Trump’s conduct is vulnerable to criminal charges.
“As for the dissents, they strike a tone of chilling doom that is wholly disproportionate to what the Court actually does today – conclude that immunity extends to official discussions between the President and his Attorney General, and then remand to the lower courts to determine ‘in the first instance’ whether and to what extent Trump’s remaining alleged conduct is entitled to immunity,” Roberts wrote.
Trump, on Truth Social , called the decision a “BIG WIN FOR OUR CONSTITUTION AND DEMOCRACY.”
The case was a crucial test for the court and its six conservative justices, half of whom were appointed by Trump.
The time it took the high court to issue its opinion leaves a tight timeline to hold a trial that was originally scheduled for March. If Trump wins the election in November , he could order the Justice Department to dismiss any federal case against him. Justice Department special counsel Jack Smith indicted Trump last August on four charges, to which he has pleaded not guilty.
Trump is accused of trying to steal the 2020 election by spreading lies about election fraud and attempting to persuade state officials, his vice president and Congress to prevent the certification of the legitimate results.
Trump, the first president – former or current – to be criminally charged, argued he can't be prosecuted for actions he took in his official capacity during his administration, an extension of the reasoning the Supreme Court used in 1982 when it barred civil suits against a president for official actions. Otherwise, Trump's attorneys argued, the threat of future prosecution and imprisonment would destroy the strength and authority of the presidency by subjecting them to politically motivated prosecutions.
Roberts said presidents are not above the law.
“But under our system of separated powers, the President may not be prosecuted for exercising his core constitutional powers, and he is entitled to at least presumptive immunity from prosecution for his official acts,” he wrote. “That immunity applies equally to all occupants of the Oval Office.”
A New York jury in May found Trump guilty of falsifying business records to hide a hush money payment to porn star Stormy Daniels ahead of the 2016 presidential election. The state judge had rejected Trump’s effort to delay that trial until the Supreme Court ruled on the immunity question.
Trump also has claimed immunity in his federal case in Florida for allegedly hoarding classified documents after leaving the White House and in his election interference case in Georgia.
David Becker, a former senior trial attorney in the voting section of the Justice Department’s civil rights division, called the high court's decision “deeply disturbing” and “really striking” for what it would allow a president to do in office and remain unchallenged criminally.
Presidents, he said, would have immunity from interactions with an attorney general, even if that means pressuring him to change election results or ordering SEAL Team 6 to kill a political opponent.
“The way I read this opinion is it could be a road map for (presidents) seeking to stay in power,” Becker said. “It could put into question whether or not future peaceful transfers of power occur.”
Robert Mintz, an expert on white collar criminal defense at McCarter & English, said the decision created more heat than light.
“Rather than finding either clear immunity or no immunity for alleged criminal conduct, this new standard will unquestionably lead to protracted hearings and further appeals as the lower courts have to now grapple with the question of which allegations in the indictment constitute official acts,” Mintz said.
In January, a three-judge panel of the D.C. Circuit Court of Appeals unanimously rejected Trump's claim of absolute immunity . But the Supreme Court stepped in to decide for the first time if there are barriers to the criminal prosecutions of presidents.
The court had previously said presidents are immune from civil lawsuits for official actions taken while president, though not from lawsuits tied to their personal behavior.
Smith, the special counsel, argued presidents can still function effectively without criminal immunity, a protection he said neither the framers of the Constitution nor any other president contemplated.
And even if a former president has some immunity, Smith said, trying to thwart the peaceful transfer of power is a perfect example of conduct that should not be protected from prosecution.
During more than 2½ hours of oral arguments in April, several conservative justices signaled they were more focused on how a ruling would affect future presidents than − as Justice Brett Kavanaugh put it − the "here and now of this case."
“We’re writing a rule for the ages,” said Justice Neil Gorsuch.
But Justice Amy Coney Barrett got Trump's lawyer to concede that the private acts of presidents aren't protected from prosecution − and that some of the alleged conduct included in the indictment is private.
For example, Barrett asked whether directing lawyers to submit fraudulent slates of electors to obstruct the certification of the election − if proven − would be official or private.
“That’s private,” Sauer said.
The Supreme Court has decided other high-profile cases much faster than Trump’s immunity claim.
Smith asked the court to reject the claim quickly in December after U.S. District Judge Tanya Chutkan ruled Trump must stand trial. But instead the high court waited for the D.C. Circuit to also rule that Trump isn’t immune.
In contrast, the Supreme Court allowed Trump’s name to remain on the Colorado primary ballot less than a month after hearing arguments about removing it because of his role in the Capitol attack on Jan. 6, 2021.
And in 1974, the court ordered President Richard Nixon to turn over secret tapes of White House conversations 16 days after hearing arguments.
Justices Samuel Alito and Clarence Thomas rejected calls from Democrats that they recuse themselves from deciding the case.
Alito's wife, Martha-Ann Alito, flew flags over the couple's homes that were adopted by some Trump supporters trying to overturn the 2020 election results.
Thomas' wife, Virginia “Ginni” Thomas, has argued repeatedly that the 2020 election was stolen and attended Trump’s “Stop the Steal” rally on Jan. 6, 2021.
Thomas, in an opinion agreeing with Roberts, seemed to question whether Smith is a legitimate prosecutor for the case.
“If this unprecedented prosecution is to proceed, it must be conducted by someone duly authorized to do so by the American people,” Thomas wrote. “The lower courts should thus answer these essential questions concerning the Special Counsel’s appointment before proceeding.”
The case is Trump v. United States.
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A photographic essay or photo-essay for short is a form of visual storytelling, a way to present a narrative through a series of images. A photo essay delivers a story using a series of photographs and brings the viewer along a narrative journey. Examples of photo essays include: A web page or portion of a web site.
3. Take your time. A great photo essay is not done in a few hours. You need to put in the time to research it, conceptualizing it, editing, etc. That's why I previously recommended following your passion because it takes a lot of dedication, and if you're not passionate about it - it's difficult to push through. 4.
Photo essays tell a story in pictures, and there are many different ways to style your own photo essay. With a wide range of topics to explore, a photo essay can be thought-provoking, emotional, funny, unsettling, or all of the above, but mostly, they should be unforgettable.
A photo essay is a form of visual storytelling that develops a narrative across a series of photographs. It originated during the late 1920s in German illustrated journals, initially presenting stories in the objective, distanced tone of news reporting. The photo essay gained wide popularity with the growth of photographically illustrated magazines such as VU (launched in Paris in 1928), LIFE ...
The terms photo essay and photo story are often used interchangeably. Even the dictionary definition of "photo essay" includes using images to convey either a theme or a story. But in my experience, a photo essay and a photo story are two different things.
The Photo Essay as a Persuasive Narrative. The photo essay is a persuasive narrative, the visual details of which show a subject, theme, and sense of purpose. For example, one of the most famous ...
The idea of a photo essay is to create a whole, not a bunch of random parts. Think gestalt. The images must interact with each other. Repetition helps achieve this end. Recurring themes, moods ...
photo-essay: [noun] a group of photographs (as in a book or magazine) arranged to explore a theme or tell a story.
From Taylor Dorrell's photo essay White Fences: "White Fences is an ongoing photo series that explores the theme of suburban youth in the United States, specifically in the midwest suburb New Albany, Ohio.". Put your emotions aside. Self-doubt can easily come into play when working with your own photography. The adage that we are our own worst critics is often true.
A photo essay is an informative compilation of images and texts, generally with a persuasive narrative. Like most pieces of journalism, photo essays tell a story with a purpose, but primarily use ...
Step 1: Choose Your Photo Essay Topics. Just about any topic you can imagine can form the foundation for a photo essay. You may choose to focus on a specific event, such as a wedding, performance, or festival. Or you may want to cover a topic over a set span of time, such as documenting a child's first year.
A photo essay is a series of images that tells a story. Some photo essay ideas can include instructions on how to do something, a timeline of some event, an explanation of a cause, or simply a fun story. Taking the idea of a photo essay as a form of instruction, I've made some behind the scenes series showing how to do different aspects of ...
1. Find a topic you care about. Every good photo essay should start with an idea. Otherwise, you'll be shooting without a purpose - and while such an approach may eventually lead to an interesting series of photos, it's far, far easier to begin with a topic and only then take out your camera. As I emphasized above, a photo essay can be ...
Photo essay definition: a group of photographs, usually with supplementary text, that conveys a unified story and is published as a book or as a feature in a magazine or newspaper.. See examples of PHOTO ESSAY used in a sentence.
A photo essay is a captivating visual storytelling technique that utilizes a sequence of carefully curated photographs to convey a narrative, evoke emotions, or shed light on a particular theme or subject. It is a powerful medium for photographers to communicate their perspectives and convey a deeper understanding of the world around us. Rather than relying solely on individual images, a photo ...
7. Include a clincher. This image may not be apparent to you in the beginning, but most photographers say they know it when they see it. It's an image that wraps up the essay for the viewer. This image should say "the end," give a call to action, or show the end result of a day in the life or how to sequence.
By definition, a photographic essay is a set or series of photographs intended to tell a story or evoke emotions. It can be only images, images with captions, or images with full text. ... She and I would spend the next year working on a photo essay that became a blog, that in turn became a book entitled Notes Girls Write. We photographed ...
It is a powerful way to convey messages without the need for many words. Here is a format to guide you in creating an effective photo essay: 1. Choose a Compelling Topic. Select a subject that you are passionate about or that you find intriguing. Ensure the topic has a clear narrative that can be expressed visually.
A good photojournalist harnesses this potential to confront viewers with the reality of pain, injustice or whatever his or her story incorporates. Indeed a successful and factual photo essay has the potential to bring about social change, provoke lawmakers in to changing laws, and even end wars. An effective and successful essay produces an ...
32 Photo Essay Examples (Plus Tips) Photography is a medium that allows you to explore narratives and tell stories about the world around you. One form of storytelling is the photo essay. If you want to create your own photo essay, it can help to know the two main types of essays and some examples of potential subjects. In this article, we ...
Top 17 Photo Essay Examples. Here are some fantastic ideas to get you inspired to create your own photo essays! 17. Photograph a Protest. Protests tend to be lively events. You will find people standing, moving, and holding banners and signs. This is a great way to practice on a moving crowd.
On Aug. 31 this year, the New York Times Magazine published a photo essay that interweaved the images of two Magnum photographers working on each side of the Israeli, Palestinian conflict— Paolo ...
Teaching the Photo Essay. A picture is worth 1,000 words. Your students, if they're anything like mine, love to communicate through images—photos on Instagram, GIFs shared in a text, photo stories on Snapchat. And yet, so much of our conversation in school revolves around words. Understanding text is critical to students' success now and ...
Colorado College students recently got to see the contrasting realities of the U.S.-Mexico border between Eagle Pass and Piedras Negras and how Operation Lone Star has transformed the areas.
Hillary Clinton's next book is a collection of essays, touching upon everything from marriage to politics to faith, that her publisher is calling her most personal yet.. Simon and Schuster announced Tuesday that Clinton's "Something Lost, Something Gained: Reflections on Life, Love and Liberty" will be released Sept. 17.
Justice Sonia Sotomayor, in a dissent joined by Justices Elena Kagan and Ketanji Brown Jackson, said the majority's decision "makes a mockery of the principle, foundational to our Constitution ...