Love in 'Romeo and Juliet'

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The play "Romeo and Juliet" has become forever associated with love. It's a truly iconic story of romance and passion—even the name “Romeo” is still used to describe enthusiastic young lovers.

But while the romantic love between the titular characters is often what we think of when we consider the love theme in "Romeo and Juliet," Shakespeare ’s treatment of the concept of love is complex and multifaceted. Through different characters and relationships, he portrays some of the various types of love and the different ways it can manifest.

These are some of the expressions of love Shakespeare threads together to create the play.

Shallow Love

Some characters fall in and out of love very quickly in "Romeo and Juliet." For example, Romeo is in "love" with Rosaline at the start of the play, but it is presented as an immature infatuation. Today, we might use the term “puppy love” to describe it. Romeo’s love for Rosaline is shallow, and nobody really believes that it will last, including Friar Laurence:

Romeo: Thou chid'st me oft for loving Rosaline. Friar Laurence: For doting, not for loving, pupil mine. (Act Two, Scene Three)

Similarly, Paris’ love for Juliet is borne out of tradition, not passion. He has identified her as a good candidate for a wife and approaches her father to arrange the marriage. Although this was the tradition at the time, it also says something about Paris’ staid, unpassionate attitude toward love. He even admits to Friar Laurence that in his haste to rush the wedding, he hasn’t discussed it with his bride-to-be:

Friar Laurence: On Thursday, sir? the time is very short. Paris: My father Capulet will have it so; And I am nothing slow to slack his haste. Friar Laurence: You say you do not know the lady's mind: Uneven is the course, I like it not. Paris: Immoderately she weeps for Tybalt's death, And therefore have I little talked of love. (Act Four, Scene One)

Friendly Love

Many of the friendships in the play are as sincere as Romeo and Juliet’s love for one another. The best example of this is in Act Three, Scene One, where Mercutio and Romeo fight Tybalt. When Romeo attempts to bring peace, Mercutio fights back at Tybalt's slander of Romeo. Then, it is out of rage over Mercutio's death that Romeo pursues—and kills—Tybalt:

Romeo: In triumph, and Mercutio slain! Away to heaven, respective lenity, And fire-eyed fury be my conduct now.— Now, Tybalt, take the “villain” back again That late thou gavest me, for Mercutio’s soul Is but a little way above our heads, Staying for thine to keep him company. Either thou or I, or both, must go with him. (Act Three, Scene One)

It is out of friendly love for his companion that Romeo acts out.

Romantic Love

Then, of course, is romantic love, the classic idea of which is embodied in "Romeo and Juliet." In fact, maybe it is "Romeo and Juliet" that has influenced our definition of the concept. The characters are deeply infatuated with one another, so committed to being together that they defy their respective families.

Romeo: By a name I know not how to tell thee who I am. My name, dear saint, is hateful to myself Because it is an enemy to thee. Had I it written, I would tear the word. (Act Two, Scene Two)

Perhaps Romeo and Juliet's love is fate ; their love is given a cosmic significance, which suggests that the universe plays a role in the creation of deep romantic love. Despite their love being disallowed by the Capulet and Montague households , they inevitably—and irresistibly—find themselves drawn together.

Juliet: Prodigious birth of love it is to me That I must love a loathèd enemy. Act One, Scene Five)

All in all, Shakespeare presents romantic love as a force of nature, so strong that it transcends expectations, tradition, and—through the combined suicides of lovers who cannot live without one another—life itself.

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Romeo And Juliet Essay for Students and Children

500+ words essay on romeo and juliet.

Romeo and Juliet is the most famous love tragedy written by William Shakespeare. This is a story of love and fate. Furthermore, the basis of this tragic love story is the Old Italian tale translated into English in the sixteenth century. The story is about two young star-crossed lovers whose death results in reconcile between their feuding families. Moreover, Romeo and Juliet is among the most frequently performed plays by Shakespeare .

Romeo and Juliet Essay

Lessons of Love from Romeo and Juliet

First of all, Romeo and Juliet teach us that love is blind. Romeo and Juliet belonged to two influential families. Furthermore, these two families were engaged in a big feud among themselves. However, against all odds, Romeo and Juliet find each other and fall in love. Most noteworthy, they are blind to the fact that they are from rival families. They strive to be together in spite of the threat of hate between their families.

Another important lesson is that love brings out the best in us. Most noteworthy, Romeo and Juliet were very different characters by the end of the story than in the beginning. Romeo was suffering from depression before he met Juliet. Furthermore, Juliet was an innocent timid girl. Juliet was forced into marriage against her will by her parents. After falling in love, the personalities of these characters changed in positive ways. Romeo becomes a deeply passionate lover and Juliet becomes a confident woman.

Life without love is certainly not worth living. Later in the story, Romeo learns that his beloved Juliet is dead. At this moment Romeo felt a heart-shattering moment. Romeo then gets extremely sad and drinks poison. However, Juliet was alive and wakes up to see Romeo dead. Juliet then immediately decides to kill herself due to this massive heartbreak. Hence, both lovers believed that life without love is not worth living.

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Legacy of Romeo and Juliet

Romeo and Juliet is one of Shakespeare’s most popular plays. Furthermore, the play was very popular even in Shakespeare’s lifetime. Scholar Gary Taylor believes it as the sixth most popular of Shakespeare’s plays. Moreover, Sir William Davenant of the Duke’s Company staged Romeo and Juliet in 1662. The earliest production of Romeo and Juliet was in North America on 23 March 1730.

There were professional performances of Romeo and Juliet in the mid-19th century. In 19th century America, probably the most elaborate productions of Romeo and Juliet took place. The first professional performance of the play in Japan seems to be George Crichton Miln’s company’s production in 1890. In the 20th century, Romeo and Juliet became the second most popular play behind Hamlet.

There have been at least 24 operas based on Romeo and Juliet. The best-known ballet version of this play is Prokofiev’s Romeo and Juliet. Most noteworthy, Romeo and Juliet have a huge impact on literature. Romeo and Juliet made romance as a worthy topic for tragedy. Before Romeo and Juliet, romantic tragedy was certainly unthinkable.

Romeo and Juliet are probably the most popular romantic fictional characters. They have been an inspiration for lovers around the world for centuries. Most noteworthy, the story depicts the struggle of the couple against a patriarchal society. People will always consider Romeo and Juliet as archetypal young lovers.

Q1 State any one lesson of love from Romeo and Juliet?

A1 One lesson of love from Romeo and Juliet is that love brings out the best in us.

Q2 What makes Romeo and Juliet unique in literature?

A2 Romeo and Juliet made romance as a worthy topic for tragedy. This is what makes it unique.

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How is Love Presented in 'Romeo and Juliet' by Shakespeare

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Published: Feb 9, 2023

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essay about the love of romeo and juliet

Types Of Love In Romeo And Juliet

Romeo and Juliet is a play written by William Shakespeare. It is a tragedy about two star-crossed lovers from rival families, Romeo Montague and Juliet Capulet, whose deaths ultimately reconcile their feuding households. The play has been adapted into many forms throughout the years, including movies, operas, and ballets.

One of the most notable aspects of Romeo and Juliet is the various types of love that are portrayed throughout the story. Romeo and Juliet fall in love with each other at first sight, but their relationship is also fraught with the tension of their rival families. There is also the love between Romeo and Juliet’s friend Mercutio, which is more platonic than romantic. And finally, there is the love that Romeo and Juliet’s families have for each other, which is ultimately what leads to the lovers’ tragic end.

Romeo and Juliet is a timeless story that continues to be relevant today because it speaks to the power of love in all its forms. Whether it is the passionate love between Romeo and Juliet, the loyal friendship of Mercutio, or the familial love that drives the plot, each type of love has a significant impact on the course of events. Romeo and Juliet is a tragedy, but it is also a reminder of the strength and beauty of love in all its forms.

The theme of love is important to the play in Shakespeare’s “Romeo and Juliet,” which is depicted against a backdrop of war and conflict. Shakespeare employs the constant juxtaposition of love and hatred throughout the drama. I feel he does so to allow the audience to comprehend the difficulties faced by the two lovers, trapped in such horrible circumstances.

Romeo and Juliet is a play about true love, family love and courtly love. Romeo and Juliet’s love for each other is the central focus of the play. Romeo Montague falls in love with Juliet Capulet, who is due to marry the County Paris. Romeo gets banished. Juliet fakes her own death in a plan to be reunited. Romeo believes Juliet is truly dead and kills himself. Upon finding Romeo’s corpse beside her, Juliet takes her own life. The story ends with the two families being reconciled and peace restored to Verona.

The tragic ending of Romeo and Juliet’s lives highlights the power of their love for each other. In spite of everything that tries to keep them apart, their love is stronger than anything. Romeo and Juliet are willing to sacrifice their own lives for each other, which demonstrates the purity and depth of their love.

Shakespeare also explores the concept of family love in Romeo and Juliet. Juliet is a Capulet and Romeo is a Montague. As such, their families are sworn enemies. In spite of this, Romeo and Juliet fall in love and get married in secret. Their marriage is an act of defiance against their respective families. However, Romeo and Juliet’s love for each other is strong enough to overcome the hatred between their families. At the end of the play, Romeo and Juliet’s deaths serve as a catalyst for peace between the two families.

In “Romeo and Juliet”, audience members are kept on the edge of their seats by the continuous tension throughout the play. This is due to Shakespeare’s great display of parental love between Romeo and Juliet, which eventually leads to the couple’s demise.

Romeo Montague falls in love with Juliet Capulet, who is due to marry the County Paris. Romeo gets banished. In Verona, Italy, the Montagues and Capulets are two prominent families that despise each other.

The play opens with servants from both households getting into a fight. The fight is broken up by Romeo’s father, Lord Montague, and Romeo’s mother, Lady Montague. Romeo’s cousin Benvolio tells Romeo that he should forget about Rosaline, a girl he loves who does not love him back, and try to find someone new. Romeo goes to the Capulet’s party where he meets Juliet and falls in love with her. Romeo gets banished.

Juliet’s father, Lord Capulet, tells Juliet that she is going to marry the County Paris. Juliet does not want to marry Paris and she gets Romeo’s best friend Friar Laurence to help her. Friar Laurence gives Juliet a potion that will make her appear dead for 42 hours. Romeo believes that Juliet is actually dead and kills himself. When Juliet awakens, she finds Romeo’s corpse beside her and kills herself.

The tragic story of Romeo and Juliet is a result of the hate between the Montagues and Capulets. If there was no hate, Romeo and Juliet would have been able to be together and their love would have flourished. Romeo and Juliet’s story is a tragic example of how hate can destroy love.

Alliteration is used to highlight the play’s darker (and thus more intriguing) aspects and to hint at its themes of love, rage, and death. (E.O.P.) Shakespeare refers to the Capulets and Montagues as “parents” and Romeo and Juliet as their “children” twice in the prologue.

This suggests that Romeo and Juliet are not solely responsible for their actions and fate, but that their parents’ feud is also to blame.

The first type of love shown in Romeo and Juliet is unrequited love. Romeo Montague falls in love with Rosaline Capulet, who does not return his affections. Romeo is heartbroken and even contemplates suicide. However, Romeo’s friend Benvolio encourages him to forget about Rosaline and instead look at other “fairer” (more beautiful) women. This eventually leads Romeo to meet Juliet, with whom he falls deeply in love.

A second type of love shown in Romeo and Juliet is parental love. Lord and Lady Capulet want what is best for their daughter and are therefore willing to arrange a marriage between Juliet and the County Paris, whom they believe will be a good match for her. However, Juliet does not want to marry Paris and she pleads with her parents to let her marry Romeo instead. Lady Capulet is initially angry with Juliet but eventually agrees to Romeo’s proposal, on the condition that Romeo must first prove his worth by killing Tybalt, Juliet’s cousin.

A third type of love shown in Romeo and Juliet is marital love. Romeo and Juliet get married in secret by Friar Lawrence. They are willing to risk everything – even their lives – for each other. Unfortunately, their love is ultimately doomed as Romeo is banished from Verona and Juliet takes her own life.

The fourth and final type of love shown in Romeo and Juliet is platonic love. This is the friendship between Romeo and his best friend Mercutio and between Romeo and Friar Lawrence. Romeo confides in both Mercutio and Friar Lawrence about his love for Juliet. Mercutio does not approve of Romeo’s relationship with Juliet but he nonetheless remains Romeo’s loyal friend. Friar Lawrence agrees to help Romeo and Juliet get married, even though he knows that it could be dangerous.

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essay about the love of romeo and juliet

Romeo and Juliet

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Love and Violence Theme Icon

“These violent delights have violent ends,” says Friar Laurence in an attempt to warn Romeo , early on in the play, of the dangers of falling in love too hard or too fast. In the world of Romeo and Juliet , love is not pretty or idealized—it is chaotic and dangerous. Throughout the play, love is connected through word and action with violence, and Romeo and Juliet ’s deepest mutual expression of love occurs when the “star-crossed lovers take their life.” By connecting love with pain and ultimately with suicide, Shakespeare suggests that there is an inherent sense of violence in many of the physical and emotional facets of expressing love—a chaotic and complex emotion very different from the serene, idealized sweetness it’s so often portrayed as being.

There are countless instances throughout Romeo and Juliet in which love and violence are connected. After their marriage, Juliet imagines in detail the passion she and Romeo will share on their wedding night, and invokes the Elizabethan characterization of orgasm as a small death or “petite mort”—she looks forward to the moment she will “die” and see Romeo’s face reflected in the stars above her. When Romeo overhears Juliet say that she wishes he were not a Montague so that they could be together, he declares that his name is “hateful” and offers to write it down on a piece of paper just so he can rip it up and obliterate it—and, along with it, his very identity, and sense of self as part of the Montague family. When Juliet finds out that her parents, ignorant of her secret marriage to Romeo, have arranged for her to marry Paris , she goes to Friar Laurence’s chambers with a knife, threatening to kill herself if he is unable to come up with a plan that will allow her to escape her second marriage. All of these examples represent just a fraction of the instances in which language and action conspire to render love as a “violent delight” whose “violent ends” result in danger, injury, and even death. Feeling oneself in the throes of love, Shakespeare suggests, is tumultuous and destabilizing enough—but the real violence of love, he argues, emerges in the many ways of expressing love.

Emotional and verbal expressions of love are the ones most frequently deployed throughout the play. Romeo and Juliet wax poetic about their great love for each other—and the misery they feel as a result of that love—over and over again, and at great lengths. Often, one of their friends or servants must cut them off mid-speech—otherwise, Shakespeare seems to suggest, Romeo and Juliet would spend hours trying to wrestle their feelings into words. Though Romeo and Juliet say lovely things about one another, to be sure, their speeches about each other, or about love more broadly, are almost always tinged with violence, which illustrates their chaotic passion for each other and their desire to mow down anything that stands in its way. When Romeo, for instance, spots Juliet at her window in the famous “balcony scene” in Act 2, Scene 2, he wills her to come closer by whispering, “Arise, fair sun ”—a beautiful metaphor of his love and desire for Juliet—and quickly follows his entreaty with the dangerous language “and kill the envious moon, Who is already sick and pale with grief.” Juliet’s “sun”-like radiance makes Romeo want her to “kill” the moon (or Rosaline ,) his former love and her rival in beauty and glory, so that Juliet can reign supreme over his heart. Later on in the play, when the arrival of dawn brings an end to Romeo and Juliet’s first night together as man and wife, Juliet invokes the symbol of a lark’s song—traditionally a symbol of love and sweetness—as a violent, ill-meaning presence which seeks to pull Romeo and Juliet apart, “arm from arm,” and “hunt” Romeo out of Juliet’s chambers. Romeo calls love a “rough” thing which “pricks” him like a thorn; Juliet says that if she could love and possess Romeo in the way she wants to, as if he were her pet bird, she would “kill [him] with much cherishing.” The way the two young lovers at the heart of the play speak about love shows an enormously violent undercurrent to their emotions—as they attempt to name their feelings and express themselves, they resort to violence-tinged speech to convey the enormity of their emotions.

Physical expressions of love throughout the play also carry violent connotations. From Romeo and Juliet’s first kiss, described by each of them as a “sin” and a “trespass,” to their last, in which Juliet seeks to kill herself by sucking remnants of poison from the dead Romeo’s lips, the way Romeo and Juliet conceive of the physical and sexual aspects of love are inextricable from how they conceive of violence. Juliet looks forward to “dying” in Romeo’s arms—again, one Elizabethan meaning of the phrase “to die” is to orgasm—while Romeo, just after drinking a vial of poison so lethal a few drops could kill 20 men, chooses to kiss Juliet as his dying act. The violence associated with these acts of sensuality and physical touch furthers Shakespeare’s argument that attempts to adequately express the chaotic, overwhelming, and confusing feelings of intense passion often lead to a commingling with violence.

Violent expressions of love are at the heart of Romeo and Juliet . In presenting and interrogating them, Shakespeare shows his audiences—in the Elizabethan area, the present day, and the centuries in-between—that love is not pleasant, reserved, cordial, or sweet. Rather, it is a violent and all-consuming force. As lovers especially those facing obstacles and uncertainties like the ones Romeo and Juliet encounter, struggle to express their love, there may be eruptions of violence both between the lovers themselves and within the communities of which they’re a part.

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Love and Violence Quotes in Romeo and Juliet

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows, Doth with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.

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Why then, O brawling love! O loving hate! O any thing, of nothing first created; O heavy lightness! serious vanity! Mis-shapen chaos of well-seeming forms!

essay about the love of romeo and juliet

Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope's ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I'll watch her place of stand, And, touching hers, make blessèd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.

You kiss by th’ book.

My only love sprung from my only hate! Too early seen unknown, and known too late!

But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun!

O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.

'Tis but thy name that is my enemy; — Thou art thyself though, not a Montague. What's Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? That which we call a rose, By any other word would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title: — Romeo, doff thy name; And for thy name, which is no part of thee, Take all myself.

I take thee at thy word: Call me but love, and I'll be new baptis'd; Henceforth I never will be Romeo.

O, swear not by the moon, the inconstant moon, That monthly changes in her circled orb, Lest that thy love prove likewise variable.

Good-night, good-night! Parting is such sweet sorrow That I shall say good-night till it be morrow.

Romeo, the hate I bear thee can afford No better term than this: thou art a villain.

Romeo: Courage, man; the hurt cannot be much. Mercutio: No, 'tis not so deep as a well, nor so wide as a church-door; but 'tis enough, 'twill serve: ask for me to-morrow, and you shall find me a grave man.

O, I am fortune's fool!

Come, gentle night, — come, loving black brow'd night, Give me my Romeo; and when he shall die, Take him and cut him out in little stars, And he will make the face of Heaven so fine That all the world will be in love with night, And pay no worship to the garish sun.

Wilt thou be gone? it is not yet near day. It was the nightingale, and not the lark, That pierc'd the fearful hollow of thine ear; Nightly she sings on yond pomegranate tree. Believe me love, it was the nightingale.

Is there no pity sitting in the clouds That sees into the bottom of my grief? O sweet my mother, cast me not away! Delay this marriage for a month, a week, Or if you do not, make the bridal bed In that dim monument where Tybalt lies.

Or bid me go into a new-made grave, And hide me with a dead man in his shroud - Things that, to hear them told, have made me tremble - And I will do it without fear or doubt, To live an unstain'd wife to my sweet love.

Then I defy you, stars!

O true apothecary! Thy drugs are quick. — Thus with a kiss I die.

Yea, noise, then I'll be brief; O, happy dagger! This is thy sheath; there rest, and let me die.

For never was a story of more woe Than this of Juliet and her Romeo.

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Analysis of Shakespeare’s Romeo and Juliet: Tragic Love

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Tragic Love: An In-Depth Analysis of Shakespeare’s Romeo and Juliet

A tragic tale of love and fate: essay on romeo and juliet, brief overview of the play and its significance, background information on shakespeare’s writing style and the elizabethan era, the tragic story of romeo and juliet, character analysis, examination of romeo’s personality and motivations, discussion of juliet’s character development throughout the play, historical context, exploration of societal norms during the elizabethan era, comparison to modern-day relationships, literary devices, the power of metaphors, foreshadowing hints tragedy, overall impact, critical reception, review of critical responses to romeo and juliet over time, discussion on why this play has remained relevant for centuries, summarization of key points, final thoughts on romeo and juliet’s enduring legacy, leave a reply.

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How is love portrayed in “Romeo and Juliet”?

Shakespeare portrays love in Romeo and Juliet in many ways. Their love is portrayed by images of light and dark and is juxtaposed against death, and he sets next to Romeo and Juliet the love associated with sight and appearances. In all, their love is of another world. The love of Romeo and Juliet is portrayed as otherworldly and heavenly. They are “star-crossed lovers”, with their destiny pre-determined; they and other humans have no control.

Instead the control lies with fate and God. The lovers are “fortune’s fools”. This dependency on fate and otherworldly powers lend their love a sense of being something heavenly, “hanging in the stars”.

With their love, they are able to rise above their world and everyone else. Their love is a means to escape the world of reality and to create their own world of darkness. This world of darkness is their consequential deaths, because their love is “death-marked”. Their love is too passionate and powerful to remain in their world, ruled by family hate and violence. Shakespeare describes love in terms of sight and appearances. Romeo and Juliet’s love is blind, they first meet at a ball, where Romeo is “covered in an antic face” and Juliet’s identity is unknown to him.

Their first meeting is love at first sight. Romeo has “ne’er saw true beauty till this night” and this shows their love’s dependency on sight. During their second meeting at the balcony, Juliet asks Romeo to “doff thy name”, as names are also a type of disguise and mask. Romeo in turn replies that he is hidden “from their sight”, so that his appearance is seen only by Juliet, who has the “mask of night” on her face. Despite both of them admitting that they love each other, their love is heavily depended on their sight and the appearance of the other person.

This theme is an important element of Shakespeare’s portrayed love because the play itself is based on sight, appearances and masks like the family name. In the play, a common theme is contrasting images of light and dark. Shakespeare uses these images of light and dark often in terms of light and day. Most of Romeo and Juliet’s meetings happen at night. At the Capulets ball, Romeo’s first description of Juliet is that “she doth teach the torches to burn bright”. To Romeo, Juliet, the “fair sun” will be forever associated with light. But to Juliet, she links Romeo, “bescreened in night”, with darkness and the moon.

In the morning after their wedding night Romeo and Juliet argue whether it is light or dark. If it is dark, they are able to stay with each other for longer, but since it is the “lark, the herald of the morn; no nightingale”, the light separates them. Light reveals and exposes, and before the light can expose the truths and realities of their relationship, they are forced to separate. Light and dark can never coexist, and symbolising their love as that show how it can never survive in reality. Throughout Romeo and Juliet, Shakespeare employs opposing factors. One of the most potent contrasts is how he sets love next to death.

Their love has “sprung from my [their] only hate”. This juxtaposition emphasises their love and how out of place it is in their society they live in. Both love and death are very strong themes all through the play and are linked. Juliet often refers to death, almost subconsciously. If she does not meet Romeo, she thinks that her “grave is like to be my [her] wedding bed”. Juliet orders that when Romeo dies, he should be cut “out in little stars”. These are not only foreshadowing the lovers imminent deaths, but the constant link between love and death in the play.

They spend one night together, and the next morning Juliet comments how she imagines him “dead at the bottom of a tomb” and that he “lookst pale” Romeo replies that so does she. Exactly a day later, they are lying together again, dead in the tomb. Their love is so passionate and intense, but “violent delights have violent ends”. Instead of being that type of love that pushes and protects them from violence and death, their type of love pushes them towards it. The “violent ends” are the lovers’ suicide, they must finally meet death to preserve their love.

Shakespeare does not want to portray the sweet, gentle and almost childish love, like the love Romeo thought he had for Rosaline. Instead he wanted to portray Romeo and Juliet’s love as powerful, violent, passionate, and as intense as death. Because of the way in which Shakespeare employs images and common themes, the play records Romeo and Juliet’s evolving love, from their metaphorical and heavenly meetings at the ball with “torches” to their literal and dramatic deaths in the darkness of the mausoleum. In the space of four days, Shakespeare has encompassed a lifetime.


Tom Holland’s sold-out Romeo and Juliet play sparks ticket pricing controversy

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After hours of queuing, Tom Holland ’s new West End production of William Shakespeare ’s Romeo and Juliet totally sold out within two hours.

Before general sale had even begun, huge numbers of fans were queuing to get their chance to see Spider-Man swap his web-slinging for soliloquies.

The 27-year-old actor’s return to the stage was swamped as over 60,000 people attempted to see Marvel’s golden child in his 12 weeks starring as the ill-fated Romeo.

It’s no surprise the show sold out quickly as The Duke of York’s Theatre, where Romeo and Juliet will take place, only has a capacity of 650 seats per show.

However, fans are not happy as they spotted some changes to ticket prices after complaining that the queue had been stalled for a long time.

It seems ATG, who were selling the tickets, decided to use dynamic pricing and boosted the cost of seats by at least £20 as fans blindly waited to be allowed access.

Tom Holland in Romeo & Juliet on the West End

The queue opened at 8am on Tuesday, February 13, for those who had registered for priority access with ATG Tickets – but it seems the priority booking was rather oversubscribed.

The actor even began to trend on X as tens of thousands attempted to get tickets to the play, which will start its run from Saturday, May 11, until Saturday, August 3 2024.

Within one hour of the queue being open, one fan spotted that the prices had changed for certain in-demand seats and posted pictures to prove it.

Going by Lys on X, she tweeted: ‘ATG JUST RAISED THE PRICE OF ROMEO & JULIET! 💀 Within one hour of queue like wtf??’

This meant before the general sale had even begun, while 40,000 people were still waiting to get their tickets, ATG raised the prices from £145 to £165 for the royal circle and stalls.

ATG JUST RAISED THE PRICE OF ROMEO & JULIET! 💀 within one hour of queue like wtf?? see pics: old vs new price — lys (@elyse) February 13, 2024

More tickets had been released amid the pricing shift as one fan explained to Lys but she responded ‘They did raise the price, not just changed the colour coding :) see the yellow ones in royal circle row C — same seats, different price.’

She continued: ‘I think it’s unacceptable to start dynamic pricing when general booking hasn’t even opened.’

Others vented about the dynamic pricing decision – an already controversial ticket tool which allows companies to boost the cost for in demand shows.

‘ATG would have known this was going to be a hot ticket but to add £30 on top of an already pricey ticket before general sale has even opened is taking the p**s,’ wrote Hayley Sprout.

Tom Holland

Dr Emily Garside shared: ‘I had no horse (spider) in this race but this kind of dynamic pricing is appalling. Pricing people out, making theatre in accessible- it’s no good having a handful of ‘cheap’ (sorry £30 isn’t ‘cheap’) tickets if most of your tickets are £100 plus.’

The entire sale had already been criticised for its poor handling of demand, which saw Eras Tour and Glastonbury levels of insanity as fans rushed for tickets.

One disgruntled fan, Cat Reid, tweeted: ‘Not quite understanding the point of a presale when the population of Liechtenstein has signed up for it? 40,000 people to battle through to get tickets for Tom Holland’s Romeo and Juliet is insane😭.’

Jaymi Niall added: ‘Trying to get Tom Holland Rome & Juliet tickets. I had 21k in front of me on my phone so that was quickly scrapped.’

been in the tom holland romeo & juliet queue for an hour already and there’s still 21k people ahead of me 😭 — niamh (@xniamhamelia) February 13, 2024
snatching tom holland tickets like the eras tour tickets — Mel ‘ㅅ’ (@melissxlee02) February 13, 2024
Still another 10,000 in front of me in this Romeo and Juliet queue I’m praying to the gods of Tom Holland I get some 🙏🏼 — karl 🪩 (@karldenniss) February 13, 2024

Some fans did appear to be successful in securing seats, as Minny Futto tweeted: ‘I got tickets to see Tom Holland in Romeo and Juliet!!! I now feel more motivated in writing the essays for my Shakespeare module 🙌🏻❤️’

Can you still get tickets for Tom Holland’s Romeo and Juliet play?

According to the official Romeo and Juliet London website , the show is now entirely sold out so there are unfortunately no tickets left.

The Duke of York’s Theatre has not yet addressed the mass of people who attempted – and failed – to get tickets.

The box office for the show simply says sold out, with no indication of if the show may be extended, although this would likely be without their leading Marvel man.

Currently, the show is advertised to run for eight shows a week – six evenings, two matinees – for 12 weeks, totalling around 62,000 seats across the entire production.

Tom Holland

Ticket prices ranged – after dynamic pricing – from £45 to £145, with few seats below the £95 mark within an hour of the priority sale.

There were said to be 10,000 tickets priced at £25 and under, with half of those made available exclusively for those under 30s, key workers, and those receiving government benefits, to be released later.

At the Duke of York’s Theatre, there are plenty of stalls seats – although beware the further back you sit there is the overhang of the balcony above which may restrict views.

The balcony and upper circle both have six rows each with around 18 to 20 seats per row.

What else do we know about Tom Holland in Romeo and Juliet?

After his success as one of Marvel’s leading men , Tom is returning to his home on London ’s stages – where he made his debut performances as Billy Elliot in the late 2000s.

Tom Holland

He was spotted by the show’s choreographer and after two years of training in ballet, tap dancing and acrobatics, joined the production in 2008 as Billy Elliot’s best friend.

Later in the year, he took the titular role and stayed there for two years before heading to Hollywood – it was five years and many minor roles later he was cast as Spider-Man.

Very little is known about Tom’s epic return to the West End, other than he will appear as star-crossed lover Romeo in the new production, directed by the Jamie Lloyd Company.

The Cherry star, whose  famous dad recently had fans shocked , announced his casting via his Instagram account, sharing a picture of the production’s poster and the Jamie Lloyd Company logo.

He accompanied this with a simple instruction: ‘Sign up now. Link in bio.’

Tom Holland

Meanwhile, the Duke of York’s Theatre shared the news in an Instagram post of their own which garnered thousands of likes.

‘Tom Holland is Romeo in Jamie Lloyd’s pulsating new vision of Shakespeare’s immortal tale of wordsmiths, rhymers, lovers and fighters,’ the announcement read.

British theatre director Jamie Lloyd is best known for his recent production of Sunset Blvd, starring Nicole Scherzinger, and A Doll’s House with Jessica Chastain.

‘Tom Holland is one of the greatest, most exciting young actors in the world. It is an honour to welcome him back to the West End,’ he praised of the Marvel star.

The rest of the cast is yet to be announced, with Juliet still unnamed next to Tom’s superhero might.

All the production has revealed is the haunting tagline: ‘Violent delights have violent ends.’ has reached out to the theatre and ATG for comment.

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MORE : Tom Holland fans can’t believe who his famous dad is

MORE : Tom Holland’s 7-figure pay cheque for Avengers nearly went to wrong actor

MORE : Tom Holland didn’t pay water bill for years because he genuinely thought it was free


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