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Story of Kadakkal Chandran, the Chief Minister of Kerala whose uncompromising attitude towards corruption and his dictatorial actions have gained him a lot of enemies. The events get more in... Read all Story of Kadakkal Chandran, the Chief Minister of Kerala whose uncompromising attitude towards corruption and his dictatorial actions have gained him a lot of enemies. The events get more intense when he faces an allegation. Story of Kadakkal Chandran, the Chief Minister of Kerala whose uncompromising attitude towards corruption and his dictatorial actions have gained him a lot of enemies. The events get more intense when he faces an allegation.
- Santhosh Viswanath
- Bobby Sanjay
- Joju George
- Murali Gopy
- 47 User reviews
- 4 Critic reviews
- 1 nomination
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- Kadakkal Chandran
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Did you know
- Trivia One of the screenwriters Sanjay said the name 'Chandran' was considered for the character from the very beginning. But the power of the character has doubled with the addition of the place name Kadakkal to Chandran. Prior to the name, Kadakkal is very attractive also. The idea struck him when he went through this place several times. When the screenwriters thought of such a background, they came up with the idea of why Chandran could not be a Kollam district resident. That's it. Each region has its own politics. That is the politics of Chandran. Chandran got that majesty when the name of the place was added to the name of the leader and it was when Kadakkal came along.
- Soundtracks Janamanassin Adhipadi Nee Written by Rafeeq Ahammed Produced by Gopi Sundar Performed by Shankar Mahadevan
User reviews 47
- Apr 27, 2021
- How long is One? Powered by Alexa
- March 26, 2021 (India)
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- ₹11 (estimated)
Technical specs
- Runtime 2 hours 31 minutes
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One Movie Review: Mammootty Shines Bright In This Moving Political Drama
One , the Mammootty starring political drama has finally hit the theatres today (March 26, Friday). The Santhosh Viswanath directorial has released as the megastar's second theatrical release, post the lockdown. Mammootty is playing the role of the Chief Minister of Kerala for the first time in his career in One , which is scripted by Bobby-Sanjay duo.
Did the Mammootty-starrer impress the viewers? Read One movie review here to know...
*No Spoilers Ahead*
What's Yay:
Mammootty's majestic portrayal of Kadakkal Chandran
Impressive first half and interval block
Cinematography and background score
What's Nay:
Average second half
Kadakkal Chandran (Mammootty) is a senior politician and the Chief Minister of Kerala. His strong decisions and morals equally irk both the opposition party as well as the members of his own party. However, Baby (Joju George), the party secretary and Chandran's best buddy, always supports his decisions. However, things take a different turn when Kadakkal Chandran decides to present the 'Right to Recall' bill.
![One Movie Review: Mammootty Shines Bright In This Moving Political Drama | One Movie Review Malayalam | One Review | One Review And Rating One Movie Review: Mammootty Shines Bright In This Moving Political Drama | One Movie Review Malayalam | One Review | One Review And Rating](https://images.filmibeat.com/img/2021/03/one-movie-review-mammootty-shines-bright-in-this-moving-political-drama-1616756108.jpg)
Script & Direction
Director Santhosh Viswanath, along with scriptwriter duo Bobby-Sanjay, creates an earnest, moving political drama that discusses the importance of democracy and "Right To Recall". The character sketch and presentation of Kadakkal Chandran, the almost-Godly Chief Minister is highly impactful. Chandran is a man who is beyond all political games and agenda, he's almost flawless.
One is all about the honorouble CM's political as well as personal journies, and the battles he faces all alone. Despite being a realistic political drama, the Santhosh Viswanath directorial has some low-key mass moments in store for its leading man, and it does cause a huge adrenaline rush. The first-half majorly concentrates on establishing the characters, especially Chandran. The interval block is highly impressive and suggests that something more exciting is awaiting in the second half.
But One also has its flaws. The movie struggles to meet the expectations created by the impressive first half with its average second half and climax, which are stretched and half-baked. The Mammootty starrer also tends to get borderline-preachy and lacks conviction at points. Most of the supporting characters that had high potential are wasted with limited screentime and no scope to perform.
Performances
Mammootty once again stuns the audience with his majestic screen presence and brilliant performance as Kadakkal Chandran in One . The megastar brings the rooted yet larger-than-life persona of the Kerala Cheif Minister to life with absolute ease. Mammootty's voice modulation is simply impeccable.
Murali Gopy excels as the crooked opposition leader Jayanandan, while Joju George portrays the dilemmas of the party secretary Baby to near perfection. The rest of the star cast, including Mathew Thomas, Salim Kumar, Madhu, Shankar Ramakrishnan, director Ranjith, Jagadheesh, Sudheer Karamana, Prem Kumar, Mamukoya, Meghanadhan, Jayakrishan, Sudev Nair, Nimisha Sajayan, Nishanth Sagar, Gayathri Arun, Ishaani Krishna, and so on are good in their respective roles.
Technical Aspects
Vaidy Somasundaram, the DOP has done a brilliant job with the visualisation of this realistic political thriller. Nishad Yusuf' editing is not up to the mark, as the movie falls into slow pace and looks stretched in the second half.
Gopi Sundar, the National award-winning musician scores with a brilliant background score, that elevates the overall mood. However, the only song, which is sung by Shankar Mahadevan, fails to create any impact.
Mammootty's extraordinary performance is the backbone of this moving political drama. Despite the minor flaws in storytelling, One emerges as a highly impactful theatrical experience.
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Director Julian Farino ’s “The Union” follows Mike ( Mark Wahlberg ), a construction worker content with his job, dive bar outings with his friends, and sleeping with his former seventh-grade teacher (an awkward joke that remains a punchline over the course of the film’s entirety). When his adolescent flame, Roxanne ( Halle Berry ) returns to the east coast after decades of no contact, what he thinks is a meet cute down memory lane turns into an international intelligence operation.
Hackers have accessed the personal information of all of the Western world’s government employees, from soldiers to cops and the FBI. Agent Roxanne and her cut-to-the-chase boss Tom (J.K. Simmons) are spearheading the mission to retrieve the hack to prevent it from getting in the wrong hands. Their titular organization, The Union, is a small, highly secretive agency within the government, akin to the operations of the CIA. They’re “an invisible army that keeps the world running,” an agency that looks for street-smart, blue collar individuals who fly under the radar. Kidnapping Mike from New Jersey to London, Roxanne enlists his help for this high-stakes assignment for one sole reason: “He’s a nobody.” It’s a flimsy premise that precedes an equally thin film.
There’s no driving force when it comes to the characters. We suspend disbelief that Mike would be remotely interested in this life-threatening operation for which he has no true technical skills solely out of nostalgic romance and maybe a hint of patriotic duty (the latter of which is not far off but assumed more for Wahlberg’s habitual social sentiments than anything in-script). On paper, the plot seems to be the sole consideration of the film, while character development and world-building this criminal underbelly falls to the wayside.
Everything about “The Union” is painstakingly familiar. Wahlberg kicks back and lounges comfortably in his habitual role: a laid back, kinda cocky east coaster who juggles punchlines and machismo. Berry, who is fully capable of being a compelling action star, (most recently in the third installment of the John Wick franchise), attempts her best with the film’s shoddy script. “The Union” hits bullet points on its outline with an overwhelming sense of tired obligation and stunted creativity. Its leads have no chemistry and being that their will-they-won’t-they serves as the story’s main attempt at depth, the emotive capabilities of the film sputter and shut down.
“The Union” delivers tonal whiplash on account of its failure to exceed at either end of its genre attempt at action-comedy. The action is mostly unremarkable, with a few key set pieces that pump the pace, but ultimately neglect to put anything exciting on display. Rebounds of exposition and non-committal world building fudge the film’s flow, making the 105-minute runtime feel like a fight to the finish.
Its ham-fisted comedic attempts incite semi-indignant smirks and exasperated chuckles rather than genuine, inspired laughter. Most of the jokes hit with the punch of a half-deflated whoopee cushion, and the sneaking feeling that the script was written on the basis of cheap laughs creeps further up your back as the minutes tick on. “The Union” is unspecial and unengaging. It lacks charm and excitement, clutching to simplicity and a lazy script that relies on star power that’s not bright enough to save it.
Peyton Robinson
Peyton Robinson is a freelance film writer based in Chicago, IL.
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The Union (2024)
Rated PG-13
109 minutes
Mark Wahlberg as Mike McKenna
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Jessica De Gouw as Juliet Quinn
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Home » Reviews » Malayalam Movie Reviews
One Movie Review: Mammootty Brings His A-Game In This Too Good To Be True Film
Mammootty is amazing but that isn’t enough to make a film brilliant in totality..
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Star Cast: Mammootty, Murali Gopy, Joju George, Salim Kumar, Mathew Thomas, Nimisha Sajayan, Madhu
Director: Santhosh Vishwanath
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What’s Good: Mammootty enters the frame and lives the life of bipolarity through a character that has lost himself to help his people.
What’s Bad: The film relies too much on the superstar and doesn’t really become a strong voice or representation that we expect from a politically sound social drama.
Loo Break: every time the DOP decides to take a slow-motion shot of Mammootty , RUN!
Watch or Not?: if you are still stuck in ‘too good to be true’ films and a Mammootty fan, why are you even here? Go watch. Others don’t go in expecting you are going to get the reality. It’s a template of how we want our Chief Minister(s) to be. Anil Kapoor did that back in 2001, 20 years ago. Just a lesser sanitised version, maybe.
One can be simply described as Mammootty explaining to the world what CMs are supposed to do. But I will be more creative, don’t worry. Kadakkal Chandran, CM of Kerala, is a person everyone unanimously dreads. Ones who have met him and even the ones who have just heard his name. But who is he? Is he that cruel? Does democracy mean anything to him? Why the fear? Everything is dissected when a boy and his friend dare to call him out after he is assaulted by the CM’s security guard at a hospital the boy’s father is admitted in.
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One Movie Review: Script Analysis
The last three films I got the watch are The Priest , Wild Dog and One. A thing that is common between all the above is the presence of a mass superstar; two even have the same. While The Priest was successful in putting the story above the star, Wild Dog was halfway there. Sad to report, One fails in that department, but Mammootty saves the day. More about that later.
My intrigue was upped by many levels when I read Bobby and Sanjay have penned One. Not to forget, these are the same guys who have shaped films like Uyare and Mumbai Police (if you haven’t, go for them before you watch One). The writers are known for tackling social stigmas and issues through their narratives respectfully. Remember how Mumbai Police focused on the LGBTQ community (don’t come at me calling it a spoiler. The film is ancient now).
With One, they try to do the same. They talk about the fact how the citizens are dreadful of the chair regardless of the fact of how the person sitting on it is. With that, they also focus on how a Chief Minister is supposed to be. What creates ideologies, and how to follow them and sow their seeds. For the first half an hour, it is just the build-up to meeting the man who sums it up all.
These 30 minutes, in my opinion, are closest to reality, and thus relatable to the max. A young boy Sanal, after his father is admitted to the hospital due to an inhumane incident, is manhandled by the cops outside the hospital because the CM is inside. That creates a whirlpool inside him, and when a friend triggers it, he decides to call that out through a social media post.
The post goes viral, and the opposition to the CM begin juicing out the situation. The ruling party is looking for the boy, who is running away thinking that the CM will kill him. Now, this was a fertile ground to showcase how rebels are created. The relation between the youth and the politics. Veteran politicians prepping up the youth. And Sanjay and Bobby too try and show all of that, but sadly fall prey to the command of overshadowing it all with Mammootty’s magnum presence.
What we instead get is a half baked look at a CM trying to get rid of the evils in the system, and incorporating the people in the system. The idea of giving power in those hands who elect the king is ideal in creating a social drama that will speak to the masses. But if your constant gaze is on how your antagonist walks in slow-motion, while you zoom in towards his shining shoes, writers can’t do much.
My interest forever was with the dynamic the Sanal and the CM shared. It seemed like a man is preparing his prodigy. Whenever youth and politics meet, it has to be fresh, because it is. Remember Mani Ratnam’s Yuva, not an exact example, but that is what I was hoping for. But the makers completely forget the angle for long chunks, and all Sanal gets to do by the end is stand and clap at a speech that Kadakkal has given. Wow inspired!
One Movie Review: Star Performance
I have indeed criticised the slow-motion shots, and too much focus on Mammootty, but that doesn’t take away anything from the fact that the superstar has kept his best foot forward. The actor plays a politician who has almost no family to lose. He is not just an image of a democratic leader to the world, but actually a democratic man in real life. His orders are not brutal commands but requests.
Though he gets no backstory, but you can see where he has come from. Mammootty lives the bipolarity of his character. You see it clearly when he forgets his signature. There is a battle within a battle, and with his calm face, he aces every minute of playing the part.
Mathew Thomas gets to play the boy Sanal. In the first few minutes he is given a breakdown scene and he proves to have calibre. The actor manages to embody the character and impress. And I will say that again, I wish he would have been explored more.
The Great Indian Kitchen actor Nimisha Sajayan gets an inconsequential cameo. Joju George and Madhu do what they know best.
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One Movie Review: Direction, Music
Santhosh Vishwanath takes the director’s chair and heads the film in directions far away from each other. The first hour is completely different from the next, and the climax conflict can be an entirely different film. Good that he is backed by some amazing actors, or the chinks would have shined brighter.
What kills the mood is the sanitisation of it all. Now the production design team is also to be blamed. For a film that talks about politics of the real world, there are no names, no mentions. Not even fictional flags to differentiate between the organisations. Everything becomes too vanilla, and we know that isn’t true at all.
Background score is grand and helpful to the fabric of the film.
One Movie Review: The Last Word
One is an honest attempt to telling the world how it is supposed to be, but a bit too sanitised. Mammootty is amazing but that isn’t enough to make a film brilliant in totality.
One Trailer
One releases on 27th April, 2021.
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Mani ratnam’s ponniyin selvan 1 movie review tamil news: நாவலைப் போலவே வல்லவராயன் வந்தியத்தேவன் படத்தை சிரமமின்றி திருடுகிறார். கார்த்தி எல்லா எதிர்பார்ப்புகளையும் பூர்த்தி செய்கிறார்..
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Ponniyin Selvan
ponniyin selvan 1 review in tamil : மறைந்த எழுத்தாளர் கல்கி எழுதி புகழ்பெற்ற வரலாற்றுப் புனைவு நாவலான பொன்னியின் செல்வனை பல ஆண்டுகால முயற்சிக்கு பின் படமாக எடுத்துள்ளார் மணிரத்னம். இந்த படத்தில் விக்ரம், கார்த்தி, திரிஷா, ஐஸ்வர்யா ராய், ஜெயம்ரவி, ஜெயராம் உள்ளிட்ட பல நடிகர்கள் நடித்துள்ளனர். இந்த படத்திற்கு ஏ.ஆர்.ரகுமான் இசையமைத்துள்ளார். இரண்டு பாகங்களாக உருவாகியுள்ள பொன்னியின் செல்வன் முதல் பாகம் இன்று உலகம் முழுவதும் வெளியாகியுள்ளது.
மணிரத்னம் கதையை முன்னோக்கி நகர்த்தும் விஷயங்களை மட்டுமே எடுத்துக்கொள்கிறார். ஐந்து பாகங்கள் கொண்ட தொடரின் சுமார் இரண்டரை புத்தகங்களை உள்ளடக்கிய பொன்னியின் செல்வன் 1 பல இடங்களில் நடக்கும் கதையைச் சொல்கிறது. சுந்தர சோழனின் (பிரகாஷ் ராஜ்) உடல்நலம் பாதிக்கப்பட்டதால், இளவரசர் ஆதித்த கரிகாலன் (விக்ரம்) அடுத்த மன்னராக வருவதைத் தடுக்க ஒரு சதி நடத்தப்படுகிறது.
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தலைநகரில் இருந்து விலகியிருக்கும் இளம் இளவரசன், துரோகிகளைக் கண்டுபிடிக்க காஞ்சியிலிருந்து ஒற்றரும் தூதருமாக வல்லவராயன் வந்தியத்தேவனை (கார்த்தி) அனுப்புகிறார். இது ஜிக்சாவின் ஒரு பகுதி மட்டுமே, இலங்கையில் அருள்மொழி வர்மன் (ஜெயம் ரவி) மற்றும் பழையரையில் குந்தவை (த்ரிஷா) சம்பந்தப்பட்ட மற்ற கதைக்களம். 5 பாகங்கள் கொண்ட நாவலின் சுருக்கத்தை எழுதுவது கூட கடினமாக இருந்தாலும், மணிரத்னத்தின் பொன்னியின் செல்வன், அசலின் சிறந்ததைச் சேர்க்க நேரத்தையும் இடத்தையும் கண்டுபிடித்து இரண்டு மூழ்கும் போர் காட்சிகளைச் சேர்க்கிறார்.
படத்தில் வரும் போர்க் காட்சிகள், படத்தை மணிரத்னத்தின் கமர்ஷியல் படமாக உருவாக்குகிறது. இரண்டு காட்சிகளின் வெளிப்படையான நோக்கம், பாகுபலிக்குப் பிந்தைய திரையில் வாழ்க்கையை விட பெரிய போர் தருணங்களுக்கான பார்வையாளர்களின் அதிகரித்து வரும் தாகத்தைத் தூண்டுவதாகும். இருப்பினும், அவர் எளிதான வழியை எடுக்க மறுக்கிறார். போர்க் காட்சிகள் ஹீரோக்களின் அறிமுகக் காட்சிகளாக இல்லாமல் உண்மையானதாகவும் நிதர்சனமானதாகவும் தெரிகிறது. "நெருப்பு மற்றும் நீர்" தருணங்களுக்கு எளிதாகப் பயன்படுத்தக்கூடிய ஒரு கதை இருந்தபோதிலும், திரைப்படத் தயாரிப்பாளர் உணர்வுபூர்வமாக இந்தப் பாதையை எடுக்கிறார்.
மணிரத்னம் கத்தி சண்டையை விட நாடகத்தை மிகவும் கவர்ந்துள்ளார். நந்தினி (ஐஸ்வர்யா ராய்) மற்றும் குந்தவை (த்ரிஷா) சந்திப்பு பளிச்சிடுகிறது. ஆதித்த கரிகாலனின் நந்தினியின் தனிப்பாடல் மறக்கமுடியாததாக அமைகிறது. வல்லவராயன் வந்தியத்தேவனின் நம்பிக்கையற்ற பிக்-அப் வரிகள் மூழ்கும் கப்பல்களையும் எரியும் கோட்டைகளையும் விட மிகவும் சுவாரஸ்யமாக உள்ளன.
பழுவேட்டரையர் சகோதரர்கள் (சரத்குமார் மற்றும் பார்த்திபன்) சுந்தர சோழனை சந்திக்கும் காட்சி, ராஜ்யத்தின் உண்மையுள்ள நண்பர்களாக இருந்த இருவரும் தனக்கு எதிராக சதி செய்வதை மன்னருக்குத் தெரிய வைக்கிறது. உரையாடல் இல்லாமல் இந்த வலியை எப்படி காட்டுவது? இதோ: ராஜாவுக்கு அக்குபஞ்சர் சிகிச்சை அளிக்கப்பட்டு வருகிறது, துரோகிகளிடம் பேசும்போது மருத்துவர்கள் அவரது முதுகில் ஊசியால் குத்துகிறார்கள். இது ஒரு தெளிவான அடையாளமாகும். ஆனால் நுட்பமான மற்றும் பயனுள்ளது.
அதேபோல, வழக்கமான மணிரத்னம் டச் இல்லாத தினசரி உரையாடல்கள் உள்ளன. வசனங்கள் தூய தமிழில் இருக்க வேண்டும், ஆனால் நாடகத்தன்மை மற்றும் தொன்மையானதாக இருக்க வேண்டும் என்று தான் விரும்பியதால், அந்த வசனங்கள் குறித்து தான் கவலைப்பட்டதாக இயக்குனர் முன்பே கூறியிருக்கிறார். தமிழ் எழுத்தாளர் ஜெயமோகன் அந்தப் பணிக்கு சரியானவராக மாறியுள்ளார். பழைய தமிழ் பேசாத பார்வையாளருக்கு இந்த வரிகள் அரிதாகவே புரியும்.
திரைப்படத்திற்கு சாதகமாக இருக்கும் மற்றொரு விஷயம் திறமையான நடிப்பு. நாவலைப் போலவே வல்லவராயன் வந்தியத்தேவன் படத்தை சிரமமின்றி திருடுகிறார். கார்த்தி எல்லா எதிர்பார்ப்புகளையும் பூர்த்தி செய்கிறார். அவர் ஒரு சிறிய ஊர்சுற்றலாக சிரமமின்றி வசீகரமாக இருக்கிறார், அதே நேரத்தில், நீங்கள் அவரை ஒரு துணிச்சலான போர்வீரராக பார்க்கிறீர்கள். நந்தினி தேவியைப் பற்றி கல்கி உருவாக்கிய அத்தனை பரபரப்புகளுக்கும் மணிரத்னத்தைத் தவிர வேறு யாராலும் நியாயம் கிடைத்திருக்குமா என்று தெரியவில்லை. ஆம், இதில் ஐஸ்வர்யா ராய் நடித்துள்ளார், ஆனால் அவரது காட்சிகள் ஒரு கதாபாத்திரத்தை கச்சிதமாக வழங்குவதில் ஒரு ஆய்வு - மயக்கும் இசை மற்றும் மென்மையான கவனம் ஆகியவை நடிகரைப் போலவே உணர்வுபூர்வமானவை. கல்கியின் ‘மாயா மோகினி’யை திரையில் உருவாக்கி இருக்கிறார் மணிரத்னம்.
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மறுபுறம், ஜெயம் ரவி மற்றும் த்ரிஷா முறையே பொன்னியின் செல்வன் மற்றும் குழந்தையாய் உங்களை ஆச்சரியப்படுத்துகிறார்கள். ஒற்றைப்படைத் தேர்வுகளாகக் கருதப்பட்டவை சரியானவைகளாக மாறிவிடும். விஷயங்களைக் கட்டுப்பாட்டில் வைத்திருக்கும் ஒரு நிலை-தலைமை கொண்ட இளவரசனின் அன்பான ஆற்றலை ரவி வெளிப்படுத்துகிறார். தனிப்பட்ட முறையில், குந்தவையாக த்ரிஷாவுக்கு மிகவும் வீரமான தருணங்கள் சென்றதாக உணரலாம். ஒரு நொடி கூட அவள் அவற்றை வாழத் தவறவில்லை.
படத்தின் இன்னொரு ஹீரோ கேமராவுக்குப் பின்னால் நின்றிருக்கிறார். ‘ஒளிப்பதிவாளர் ரவிவர்மாவின் ஒவ்வொரு ஃப்ரேமும் ஓவியம் போல் இருக்கிறது’ என்று சொன்னால் அது ஒரு க்ளிஷே ஆகிவிடும். ஆனால் அது உண்மையாக இருக்கும்போது நீங்கள் என்ன செய்ய முடியும்? வந்தியத்தேவனைச் சந்திப்பதற்கு முன் நந்தினி தனது அரண்மனையில் ஓய்வெடுப்பது முதல், பரந்த கடலில் பூங்குழலியின் படகின் லாங் ஷாட் வரை, ஆதித்த கரிகாலன் குதிரையில் நுழைவது வரை, படத்தில் உள்ள பல பிரேம்கள் ஓவியங்களாகத் தொங்கவிடத் தகுதியானவை. காட்சிகளை ‘பிரமாண்டம்’ என்று அலற வைப்பது ஒன்று, விஷயங்களின் உள்ளார்ந்த பிரம்மாண்டத்தை படமாக்குவது வேறு. ரவி வர்மனின் பணி வெளிப்படையாக இரண்டாவது வகையைச் சேர்ந்தது.
மணிரத்னத்தின் கமர்ஷியல் படங்களுக்கும் மற்றவற்றுக்கும் உள்ள வித்தியாசம் பொன்னியின் செல்வன் மூலம் தெளிவாகிறது. அவர் தனது ஹீரோக்களிலிருந்து டெமி-கடவுள்களை உருவாக்கவில்லை. அவர்கள் வெறும் ராஜாக்கள். மேலும், திரைப்பட தயாரிப்பாளர் பார்வையாளர்களை மதிக்கிறார். குந்தவை வந்தியத்தேவனை இலங்கைக்கு அனுப்பும் போது, படம் பெரும் பாய்ச்சலைப் பெறுகிறது. அடுத்த முறை கார்த்தியைப் பார்க்கும்போது கடலில் படகில் இருக்கிறார். இடைவெளிகளை நிரப்ப பார்வையாளர்களின் நுண்ணறிவை அவர் நம்புகிறார். அதனால்தான் பொன்னியின் செல்வன் பலனளிக்கிறது.
பொன்னியின் செல்வன் தனது படைப்பில் திருப்பு முனையை ஏற்படுத்தும் என்பதையும் அவர் புரிந்துகொள்கிறார். அது பார்வையாளர்களை ஈர்க்கிறது. எனவே, அவர் அதை ஊமையாக்கவோ அல்லது அறிவுப்பூர்வமாக்கவோ இல்லை. அதற்கு பதிலாக, அவர் இந்த முற்றிலும் ரசிக்கக்கூடிய படத்தில் பரவலாக ரசித்த புத்தகத்தின் சுவையை தக்க வைத்துக் கொண்டார்.
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Thangalaan, starring Chiyaan Vikram, is a period drama set in the British Raj era, telling the story of a tribal chief's battle against oppression. The film has received positive reviews from both critics and audiences since its theatrical release. Directed by Pa. Ranjith, Thangalaan is expected to premiere on Netflix in October 2024. With strong box office numbers and a budget of Rs 100-150 crore, the film has become one of the biggest openers of the year.
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In ‘Good One,’ a family camping trip is full of emotional switchbacks
Justin Chang
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Lily Collias brings a nearly wordless intensity as Sam in Good One. Smudge Films hide caption
Too often, the month of August is regarded as a fallow period for moviegoing, after the big blockbusters of the summer but before the awards contenders of the fall. But the aptly titled new movie Good One is a reminder that there are always smart, interesting films being released, if you’re willing to look beyond the obvious. As it turns out, looking beyond the obvious is something that the writer-director India Donaldson has a real knack for. In just 90 minutes, she tells a three-character story that appears simple enough on the surface, yet it’s so sharp and engrossing that you might not immediately notice the deeper story taking shape underneath.
Lily Collias plays 17-year-old Sam, who’s going backpacking in the Catskills with her father, Chris — that’s the terrific James Le Gros in a too-rare leading role. They’re supposed to be joined by Chris’ oldest friend, Matt, and his teenage son, Dylan. But Matt winds up being the only one to come along; he and Dylan’s mom are recently divorced, and Dylan isn’t taking it well.
Chris himself has been divorced for a while, and he and Sam have a pretty harmonious relationship by comparison. They seem to get along even when they’re bickering, as happens when Chris criticizes Sam’s driving.
Much of the movie consists of Sam listening quietly as Chris and Matt go on and on, reminiscing about old times yet always finding new things to grouse about. Chris, a savvy outdoorsman, can’t stop complaining about how badly Matt has overpacked for a three-day hiking trip.
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While the two men rarely ask Sam how she’s doing or feeling, they seem cool enough where it counts. Chris has long been supportive of his daughter’s queer identity; she has a girlfriend whom she texts during the trip, whenever she can get a cellphone signal. Matt tells Sam that she’s wise beyond her years: Unlike all the other reckless, rebellious teenagers out there, she’s a rare “good one” in his book.
Scene by scene, however, writer-director Donaldson paints a subtler picture of the dynamics at work. At times Good One reminded me of Kelly Reichardt ’s quietly perceptive 2006 drama, Old Joy , which also squeezed a lot of emotional history into a fateful camping trip.
You get the sense that Sam has traveled a bunch with her dad and Matt before, and that she’s long adjusted to her designated role. When the three of them share a motel room on their way up to the Catskills, it’s Sam who instinctively rolls out her sleeping bag, without even being asked, leaving the two beds to the men. And once they reach their campsite, it’s Sam who cooks dinner for the three of them without complaint. The dynamics are complicated. Beneath the men’s easygoing manner, there’s an unmistakable air of condescension toward Sam, a sense that their appreciation of her is more conditional than genuine.
If Sam resents them for any of this, she doesn’t show it, at least not at first. Collias gives a beautifully understated performance; with very little effort, she can register everything from wry affection to barely concealed exasperation. And Donaldson, working with the cinematographer Wilson Cameron, proves as keenly observant as her protagonist. She’s alive to the beauty of the mountains, whether it’s the sight of a majestic canyon or the sound of rushing water. Some of the movie’s slow-simmering tension arises from your uncertainty about what might be lurking nearby, whether it’s a bear in search of food or three young men they cross paths with on the hiking trail.
But Good One isn’t one of those movies in which a journey into the wilderness spirals into horror. The dangers that Donaldson introduces are of a more intimate and perhaps more insidious nature. There comes a moment in the story when everything changes, and it’s at once surprising and unsurprising, all too believable and, in the moment, perhaps a little contrived.
But that hardly matters. What matters is how Sam responds to this sudden shift, and Collias shows her unpacking that response almost in real time, and with a nearly wordless intensity. Good One has the concision of a sharply etched short story, but what happens by the end can’t be easily summed up. Sam won’t soon forget the lessons of this particular trip, and neither will we.
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Akash Jai 16 hours ago
தங்கலான் திரைப்படமானது Technical Making மற்றும் character arc & performance அதிலும் விக்ரமின் நடிப்பு அசுரத்தனமாகவும் விக்ரமுக்கு சற்றிலும் விதத்தில் பார்வதியின் <br/>நடிப்பு மிகவும் அருமையாக இருந்தது....ஆனால் திரைக்கதையாக குஞ்சம் சுமாரா தான் இருந்தது முதல் பாதி அருமையாகவும், இரண்டாம் பாதி <br/>மிகவும் சுமாராக தான் இருந்தது<br/>ஆனாலும் ஒரு முறை பார்க்கும் <br/>நல்ல திரைப்படம்......<br/>சலிக்காத வித
kumar sathish 18 hours ago
Standard of making unimaginable
jkgnam 23 hours ago
Fantabulous
James Ebenezer 1 day ago
Master Piece Acting Direction Music and Screenplay.
Sidhu M 1 day ago
Really wonderful movie.. Vikram acting and Pa Ranjith Direction.....Sooper.. sooper... Sooper.....
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Movie Review: Delicate and powerful, ‘Good One’ is one of the year’s indie breakouts
This image released by Metrograph shows Lilly Collias in a scene from “Good One.” (Metrograph via AP)
This image released by Metrograph shows James Le Gros,, left, and Lilly Collias in a scene from “Good One.” (Metrograph via AP)
This image released by Metrograph shows James Le Gros, left, and Lilly Collias in a scene from “Good One.” (Metrograph via AP)
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A 17-year-old’s perception of her father is forever altered on a three-day backpacking trip in India Donaldson’s excellent debut “ Good One ,” in theaters Friday .
Something happens. And then something doesn’t happen. But that’s more of the tear point on the already delicate fabric of a relationship that has been deteriorating from neglect for years.
The trip to the Catskills was envisioned as a joint family trip. Chris (James Le Gros) and his daughter Sam (newcomer Lily Collias) planned to go with Chris’s old friend Matt (Danny McCarthy) and his teenage son. But when they pull up to Matt’s place, there’s an argument taking place between the father and son, who retreats to the apartment as Matt stomps to Chris’s car. The teenage son is no longer joining them.
Donaldson focuses her camera on Sam, whose face and deeply expressive eyes tell you everything you need to know: This is weird and it doesn’t feel right. Suddenly she’s on a boys trip with a pair of sad middle aged men who have known one another for decades and whose lives haven’t worked out the way they thought. Both are divorced. Chris has moved on and has a new baby. Matt is still in the early stages of having his life upended. And, boy, do they talk about their failed relationships, one of whom is obviously Sam’s mother. “I couldn’t make her happy.” “She was the one who started doing things first.” “I didn’t want to get divorced.”
Sam rolls her eyes a lot of the time; Other times she responds insightfully. The guys seem to half hear her, but also not. They long ago decided on their own narrative, their victimhood, and Sam is not going to change that with a bit of innocent truth.
Are they always this honest with their disappointments, failures and shortcomings around their kids, you wonder? Or is this a new thing happening on this trip? Chris, in particular, has forgotten that Sam, as worldly and wise as she seems, is still ultimately just a kid. You sense that Sam has already started to realize that her father is as flawed as anyone; but on this trip, his full self is on display.
All of the acting is terrific and so naturalistic that it’s easy to forget that these are actors performing lines that they’ve memorized in front of a camera. Le Gros as the fastidious super camper, who freaks out about his daughter’s safety from bears when he discovers that Matt was eating in his tent, but does little later on; And McCarthy as a failed actor and now failed husband who can be charming and fun but is mostly annoying and gross. But the real breakout is Collias. Her face and presence, empathetic and knowing, carries the whole film in an unforgettable depiction of modern girlhood with all of the dreaminess, awkwardness and boredom.
Donaldson, like Kelly Reichardt , has a keen eye for the smallest of details; A reaction, a wince, even a blank expression that says everything. She also knows when to turn away from the dialogue and the people and give the audience a nature break. One of many great decisions was to have Sam on her period during the trip, something she deals with silently behind trees and bushes as the guys wait impatiently.
At one point the guys are dreaming about what they’d do differently if they had a second chance at life. Matt would be a philosopher. Chris would own a bookstore. What about Sam, they ask. She responds that hopefully she still has a shot at deciding on this life. Indeed.
These stakes might seem comparatively small in a movie landscape of deadly tornadoes, apocalypses and multiverses colliding. But that’s what makes it so special. It is humanity, with all of its beauties and disappointments, as most of us experience it. And it’s one that will likely stay with you for some time.
“Good One,” a Metrograph pictures release in limited theaters Friday, is rated R by the Motion Picture Association for “language.” Running time: 90 minutes. Four stars out of four.
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One Fast Move Reviews
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Blatz opts for scenes full of action and adrenaline, with moments that explore the complexities of family relationships. However, the film fails to escape genre tropes, making it predictable at several points. [Full review in Spanish]
Full Review | Original Score: 5/10 | Aug 13, 2024
For most of its nearly two hour run time, One Fast Move feels stuck in neutral. Director/writer Kelly Blatz seems unwilling to take any interesting or risky detours with this racing film.
Full Review | Original Score: 5/10 | Aug 11, 2024
One Fast Move circles the same old sports-flick track, round and round, round and round.
Full Review | Aug 9, 2024
It’s difficult to say which are more numerous—the cycles or the clichés—in Kelly Blatz’s movie about a young biker who aims to become a pro...a warmed-over retread of the kind of sports story we’ve seen many times before.
Full Review | Original Score: C- | Aug 9, 2024
Although some of the racing sequences are exciting, the cliché-fueled screenplay runs out of gas well before the finish line.
One Fast Move is an easy pick for a popcorn movie night. There’s enough good drama and substance to justify the genericness.
Full Review | Original Score: 3.5/5 | Aug 8, 2024
One Fast Move is about these ideas, characters, and relationships first, leaving racing an admirably distant second.
Full Review | Original Score: 3/4 | Aug 8, 2024
Prime Video's One Fast Move is excruciatingly mid, leaving you thoroughly confused about the point of it all.
Full Review | Original Score: 1.5/5 | Aug 8, 2024
A few scenes manage to connect on an emotional level, but the rest of the feature fails to be meaningful as Blatz goes déjà vu with the structure of a sports film.
Full Review | Original Score: C | Aug 8, 2024
The film never establishes an emotional connection between the characters that translate into the redemption story Kelly Blatz’s film hinges on. One Fast Move plays it too safe, which can bury you in racing and filmmaking.
Full Review | Original Score: 4/10 | Aug 7, 2024
Review: In the quietly observed ‘Good One,’ a teenager grapples with aggressions small and big
![one movie review in tamil A young woman sits in a tent.](https://ca-times.brightspotcdn.com/dims4/default/fcf08a0/2147483647/strip/true/crop/3840x2160+0+0/resize/1200x675!/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F08%2F43%2F3099232e4a73919791f506d63b9d%2Fgood-one-still-13-copy.jpg)
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A woodsy hike becomes a Petri dish of human nature in “Good One,” writer-director India Donaldson ’s tense, revealing and exquisitely composed feature debut about a 17-year-old at the cusp of adulthood. In its lived-in quality and gathering churn, “Good One” is a dream of an indie, from the craft in every frame to the humor, epiphanies and mysteries that gird its portraiture.
Its watchful soul is a New York daughter of divorce, Sam (Lily Collias, a real find), who with her remarried architect dad, Chris (James Le Gros), is expecting their Upstate excursion to be a backpacking foursome. But when the teenage son of dad’s oldest pal, Matt (Danny McCarthy), bows out at the last second, making them a trio, Sam finds herself without a peer, a deflation that Collias perfectly conveys without words from the SUV’s backseat. Over an endurance test of a weekend, we’ll get to know this Mona Lisa-esque face very well as Sam’s microexpressions and utterances betray fascinating variations on “How did I get here?”
That’s because the trip quickly becomes the Matt and Chris show, a long-running two-hander stuffed with bickering, personality tics and grievances that suggests a friendship of opposites long past its sell-by date. Sam’s gently patronizing dad, masterfully rendered by one of our most underappreciated actors (when will James Le Gros get his Oscar?), is an uptight, over-organized weekend warrior with little tolerance for his old chum’s shambolic quality and self-mythologizing patter. Matt, meanwhile, is avuncular and parlor-philosophical, but in McCarthy’s perfectly captured performance of an ego barely hanging on by some well-chewed fingernails, he can barely hide how depressed he is about a life gone sideways, or how hurt he is by Chris’s jabs.
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It all leaves Sam in a situation where she’s not only a lone target for the pair’s “These kids today”-style ribbing, but also, by turns, a personal assistant, cook, advisor and peacekeeper. (When Sam tends to her period squatting behind a tree, the vibe is of a worker’s ill-timed break.) A quality getaway with loved ones starts to feel like managing a suffocating situation. Even her sympathy gets weaponized: When she indulges Matt’s harmlessly random musings or laughs with him, you can feel her father’s irritation rise.
“Good One” is soexpert at tracking a young woman’s emotional intelligence — as amusing, preciseand patient as a Kelly Reichardt film like “Certain Women” — that when the moment arrives when everything shifts, it’s a legitimate surprise. Don’t call it a twist, though. (No spoilers here.) It’s a built-in hinge, and the melodrama-averse Donaldson treats it as such, letting it open the door for a final act of decision-making and discovery that positions Sam as emerging from this odd, illuminating trip a more self-possessed individual.
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India Donaldson grew up around Hollywood A-listers. Now she’s cutting her own path
Her father is responsible for ‘No Way Out’ and ‘Cocktail,’ but India Donaldson has found a signature way into filmmaking with her celebrated indie debut, ‘Good One.’
Aug. 6, 2024
So much of this psychologically complex movie’s artistry is wonderfully assured, from cinematographer Wilson Cameron’s textured intimacy with nature and faces, to the tenderly applied, deceptively varied music. But what most gives me hope for Donaldson as a filmmaker, however, is how much she cares about the lost magic of scene work, those building blocks of human interaction — movement, composition, dialogue, pacing, depth and in this case the gifts of an incredible newcomer in Collias — that fuse us to a movie’s internal logic, its intangibles. “Good One” is as complete a piece of storytelling as you’ll see all year. For a pot of frogs coming to a boil, it’s a great place to be.
'Good One'
Rating: R, for language Running time: 1 hour, 29 minutes Playing: Opens Friday at Landmark Theatres Sunset, Los Angeles
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Movie buffs worldwide have a popular misconception that Bollywood is a synonym for Indian cinema. The Indian film industry is an umbrella term that comprises Hindi films, regional movies, and art cinema. Being the world’s largest filmmaking nation, India produces more than 1,500 movies per year in different languages. Based in Chennai, the capital city of Tamil heartland, Tamil Cinema, which is fondly called Kollywood , has a broad reach across the nation and among the Tamil diaspora worldwide. Netflix boasts an extensive collection of Tamil movies in all genres, catering to the taste of every audience.
31. DeAr (2024)
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How badly can a marriage be affected if a spouse snores loudly while her partner is a light sleeper? ‘DeAr’ is a comedic take on this question. Arjun and Deepika have a beautiful wedding (arranged), but their togetherness is affected due to the conditions above. To make things work, they have to make compromises and accept each other flaws. After all, isn’t that the very basis of any relationship? How Arjun and Deepika deal with it is what follows in this Anand Ravichandran directorial. The film stars GV Prakash as Arjun and Aishwarya Rajesh as Deepika. You can watch it here .
30. Indian (1996) & Indian 2 (2024)
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Directed by S. Shankar, ‘Indian’ and ‘Indian 2’ are epic vigilante action dramas starring Kamal Haasan as Senapathy, an aged vigilante who fought during India’s struggle for freedom. Having realized that freedom was the beginning of another fight against corruption, he took up arms, fighting criminals and serving justice. In the first film, he goes against his corrupt son while in the second film, he aids a guy who is trying to expose dishonest politicians. Known for the way they incorporate patriotism, current affairs, anti-establishment tropes, and action, the ‘Indian’ films are counted among India’s most famous and crowd-pulling films ever. A third part is also in the pipeline and is expected to arrive in January 2025. You can watch the two films here .
29. Game Over (2019)
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A girl who is suffering from post-traumatic stress disorder (PTSD) due to a tragic incident that she experienced in the past begins to unravel after the news of a group of killers beheading and burning women spreads like wildfire. Starring Taapsee Pannu, ‘Game Over’ is a psychological thriller directed by Ashwin Saravanan. The way the film unravels, along with Pannu’s brilliant performance underscored by Saravanan’s direction, makes it a commendable watch. You can watch the movie here .
28. Thalaikoothal (2023)
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This emotionally moving drama throws light on the ritual of Thalaikoothal, the traditional practice of senicide or involuntary euthanasia, which is prevalent in several districts in Tamil Nadu, India. A family may perform Thalaikoothal on a bedridden, comatose family member when all other options have been exhausted. In the film, lower-class middle-aged Pazhani (Samuthirakani) finds himself conflicted between family responsibilities (he has a wife, Kalaiselvi, and a daughter, Raji) and love for his comatose father, Muthu (Kalaiselvan), whose care affects their household finances. This plot moves ahead alongside a second one that shows Muthu’s youth and love life, the film’s way of putting things in perspective. Directed by Jayaprakash Radhakrishnan, ‘Thalaikoothal’ co-stars Kathir as young Muthu, Vasundhara Kashyap as Kalaiselvi, and Katha Nandi as Pechi, young Muthu’s love interest. You can watch the film here .
27. Visaaranai (2015)
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How long can you take a beating without knowing what you have been accused of? ‘Visaaranai’ is a chilling manifestation of this question. We have four laborers who are arrested and tortured almost to death to force them to surrender and take the blame for a high-profile robbery, a case that the cops need to close as soon as possible. A police inspector helps them walk free, but in return, they are required to kidnap another person. This kidnapping, unbeknownst to the laborers, is part of a deeper conspiracy by the state’s ruling political party. When the person dies in custody, his death is again pinned on the four laborers. The film is adapted from the novel ’Lock Up,’ written by M. Chandrakumar, who is the only surviving laborer in the story. To find out what happened to the other three guys, you can watch this Vetrimaaran directorial right here .
26. Maamannan (2023)
Written and directed by Mari Selvaraj, this political action-thriller film is set in Salem district, Tamil Nadu. The movie revolves around ‘Maamannan,’ an MLA from the Dalit community who has worked his way up from being a cadre of the SSMK party. The central plot focuses on Maamannan’s strained relationship with his son Athiveeran alias “Veera,” a skilled practitioner of Adimurai, an ancient martial art form. Veera refuses to communicate with his father due to the emotional and physical trauma he endured due to a casteist attack during his childhood.
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The film stars Vadivelu in the titular role, alongside Udhayanidhi Stalin as Athiveeran (Veera). It encapsulates the complexities of caste dynamics prevalent in modern-day Tamil Nadu. This poignant storyline sheds light on the challenges faced by individuals marginalized by society and highlights their journey toward self-discovery and empowerment. You may watch the film here .
25. Doctor (2021)
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‘Doctor’ is an action-thriller comedy film directed by Nelson Dilipkumar. The movie follows the story of Varun, a military doctor who embarks on a mission to rescue his kidnapped fiancée, Padmini. Along with his friends, Varun uses his intelligence and medical knowledge to outsmart the kidnappers and save Padmini, uncovering a larger criminal operation in the process. The film stars Sivakarthikeyan, Priyanka Arul Mohan, Vinay Rai, and Yogi Babu in significant roles. Feel free to check out the movie here .
24. Kadaseela Biriyani (2021)
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Kadaseela Biriyani is a crime-comedy drama film directed by Nishanth Kalidindi. The movie revolves around three brothers who plan to murder their father’s killer. As they set out to execute their plan, they face unexpected consequences and moral dilemmas that challenge their resolve and family bonds. Ram, Vasanth Selvam, Hakkim Shah, and Dinesh Mani star in this action-packed film, which explores the themes of revenge, family, and the consequences of actions. You can check out the film here .
23. Beast (2022)
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‘Beast’ is a comedic action-thriller film directed by Nelson Dilipkumar. The movie follows the story of Veera Raghavan, a former RAW agent who finds himself in a shopping mall taken over by terrorists. As the terrorists take hostages, Veera must use his skills and intelligence to save the hostages, including his love interest, while also dealing with his traumatic past. The ensemble cast includes Thalapathy Vijay, Pooja Hegde, Selvaraghavan, and Yogi Babu. You can watch ‘Beast’ here .
22. Etharkkum Thunindhavan (2022)
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‘Etharkkum Thunindhavan’ is a captivating action-drama film written and directed by Pandiraj. The film follows the story of Kannabiran, a lawyer who takes on a crime syndicate involved in women trafficking. As he delves deeper into the case, Kannabiran uncovers shocking truths and faces personal and professional challenges that test his resolve to bring justice to the victims. Suriya, Priyanka Arul Mohan, Vinay Rai, and Sathyaraj play significant roles in the movie. You may watch the film here .
21. Annaatthe (2021)
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Translated as “Big Brother,” ‘Annaatthe’ is a Tamil action film that revolves around Kaalaiyan, an honest and upstanding village president. Although Kaalaiyan holds morality and ethics above all, he is pretty proud of his position and refuses to bow to anyone, resulting in a massive feud with the rival leader, Nattadurai. Gradually, the movie reveals how Kaalaiyan’s sister, Meenatchi, means the world to him, and the leader gets ready to find her a groom. Although fate fixes Meenatchi’s marriage with Nattadurai’s younger brother, she falls in love with a fellow student and attempts to run away. Nevertheless, Kaalaiyan gives in to his sister’s demands and somehow manages to contain the situation. However, the decision comes back to haunt Meenatchi, and thus, with his sister in danger, Kaalaiyan sets out to face whatever trouble he has to to keep her safe. You may watch ‘Annaatthe’ here .
20. Nitham Oru Vaanam (2022)
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‘Nitham Oru Vaanam’ is a romantic drama film that tells the story of Arjun, a young man with OCD. He leads a reclusive life until he meets Janani, a girl about his age who he believes understands him. The two of them grow close, and talks of marriage begin to float around. But Janani abruptly ends the relationship and goes back to her former boyfriend, leaving Arjun heartbroken. His therapist suggests two stories for him to read. As he tends to imagine himself as a character in the stories he reads, the sudden and cliffhanger endings of both of those stories frustrate Arjun to no end. His therapist reveals to him that those characters he read about are real people and encourages him to meet them, hoping that Arjun will find answers for his pain and heartbreak in the journey as well. You can stream the film here .
19. Don (2022)
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The film’s title ‘Don’ refers to the eponymous character, Chakaravarthi “Don” Ganesan. The story begins when Don is already an established filmmaker. As he hurriedly heads to college, the narrative shifts to the past, and we see him in his school days when he meets and falls in love with Angaiyarkanni or Angu. Don’s father wants him to become a civil engineer and pretty much forces him to enroll at BEC (Best Engineering College) in Coimbatore. Although Don and Angu parted ways after school, they reunite in college after he helps her reconcile with her father. Don’s hope for an easy and fun-filled college life is dashed when he meets Bhoominathan, a disciplinarian professor. As the film progresses, Don finds ways to rebel against the people who hold positions of power in his life and develops a deep love for filmmaking. You can stream ‘Don’ here .
18. Mersal (2017)
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Written and directed by Atlee Kumar, ‘Mersal’ features one of the biggest stars in Tamil Cinema, Vijay , as Maaran, a doctor who declares war against corruption in the healthcare sector. When he is mistakenly arrested for the murder of his colleague, Dr. Arjun Zachariah, Maran discovers that the real killer is a doppelganger. Maaran goes deep into the mystery and finds out that the real culprit behind the murders is a magician named Vetri. The plot thickens when Maaran and Vetri realize that they are estranged twin brothers. Both the doctor and the magician form an extraordinary sibling pact to join their skills to hunt down the man behind their legendary father’s brutal murder. ‘ Mersal ‘ offers the thrill and excitement of a revenge drama with peppy numbers to appease hardcore Vijay fans. You can stream it here .
17. Aelay (2021)
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This Halitha Shameem directorial takes a unique approach to a father-son relationship. When elderly Muthukutty (Samuthirakani) passes away, his son Parthi (K. Manikandan) performs the last rites. Parallelly, we get to see a young and fun-loving Sudhakar earn a living as an ice cream seller and how loved he was by his townsfolk. However, Parthi never shared the same equation with his father. Will Muthukutty’s funeral change anything? ‘Aelay’ is an intriguing film with twists that seamlessly add to the dominant father-son dynamic. You can watch it here .
16. KD (A) Karuppudurai (2019)
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‘KD (A) Karuppudurai’ is a family drama film helmed by Madhumita Sundararaman. The movie follows the story of Karuppudurai, an 80-year-old man who escapes from his family, as they want him dead so that they can inherit his wealth. On the run, he forms a bond with an orphan boy named Kutty. Together, they embark on a journey that explores the meaning of life, friendship, and family. Mu Ramasamy, Nagavishal, Yog Japee, and Badava Gopi star in this film, touching on the themes of family, friendship, and life. Feel free to check out the movie here .
15. Gatta Kusthi (2022)
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Raised by his uncle Ratnam, Veera (Vishnu Vishal) is a chauvinist through and through. As he decides to find a bride, he comes up with certain conditions that a girl has to meet to be considered seriously. She can’t be more educated than him, must not have a career, must have long hair, and should be obedient. He couldn’t reach beyond the eighth grade and is not the high-valued candidate he thinks he is. Keerthi (Aishwarya Lekshmi), who is the polar opposite of everything Veera is looking for and is a wrestling champion, agrees to marry him out of desperation and because he refuses dowry. On the advice of her uncle, she wears hair extensions, hides her wrestling credentials, and that she is a university graduate. Hilarity ensues when Veera eventually finds out the truth. You can check out the film here .
14. RK Nagar (2019)
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A political satire Tamil film, RK Nagar follows Shankar, a Chennai man struggling to make ends meet. Shankar believes that wealth is of no use to humankind and, thus, refuses to respect people of fortune. Meanwhile, Ranjini, a girl who abhors rowdy men, has a sudden change of heart and falls in love with Shankar after witnessing him chasing guys with a machete. This unlikely relationship soon blossoms as the couple gets to know each other better and becomes comfortable. However, as fate would have it, a violent altercation between two rivals ends with a man murdered inside Shankar’s tailoring shop. The rest of the movie provides a healthy mix of romance and comedy as the investigation hones in on Shankar while he tries his best to clear his name. You can watch ‘RK Nagar’ here .
13. Mehandi Circus (2019)
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When two people fall in love, it is not just about the two who are involved; social implications shadow their love story, which has the potential to destroy lives. The tale of Mehandi (Shweta Tripathi) and Jeeva (Madhampatty Rangaraj) is tainted by caste differences and jealousy. Set in the 1990s, ‘Mehandi Circus’ is Saravana Rajendran’s directorial debut. He brings to life the fading art of the circus of which Mehandi is a part. Jeeva is the owner of a music shop in Kodaikanal where Mehandi’s circus troupe comes to perform. The circus troupe used in the film is Kamala Circus from Gujarat. The film’s color palette makes the scenes spectacular and conveys a sense of nostalgia. You may watch it here .
12. Sethum Aayiram Pon (2020)
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Directed by Anand Ravichandran, this sweet and heartwarming film explores the relationship between an elderly rural woman named Krishnaveni (Srilekha Rajendran) and her 23-year-old estranged granddaughter Meera (Nivedhithaa Sathish), who arrives at her village from the city. While the friction is more than palpable at first, things slowly start to change between the two ladies in little ways. To find out how they do so, you can watch ‘Sethum Aayiram Pon’ here . One thing is for sure, this film will make you miss your grandparents.
11. Andhaghaaram (2020)
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Translated as “Darkness,” ‘Andhaghaaram’ is a Tamil language supernatural movie that follows three seemingly unrelated individuals in Chennai. The first, Dr. Indran, is a doctor who was shot by a violent patient. Although the doctor survives, the patient massacres his whole family, leading to his license getting suspended. The second, Selvam, is a blind, honest man who lives with a severe kidney problem. However, being versed in the occult, he tries to get paid by capturing spirits in a seemingly haunted house. Finally, the third, Vinod, is a cricket coach who feels that he is to blame for gifting his friend, Pradeep, with a book on the occult, which appears to have given the latter some mental instability. As the movie progresses, it reveals how these three men live in different timelines and how the supernatural, or rather the spirit world, connects them. The rest of the movie is a thrilling watch as it reveals the current timeline and shows how the spirit world tries to use the living to wreak havoc on past wrongdoers. You can stream the movie here .
10. Spyder (2017)
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‘Spyder’ is another AR Murugadoss directorial that is made simultaneously in Tamil and Telugu. Both versions have the Telugu superstar Mahesh Babu in the lead role. ‘Spyder’ also has the surprise characterization of director SJ Surya as Heath Ledger’s Joker-like psychopathic villain, Sudalai. Mahesh Babu plays a cunning intelligence officer who comes in between the deadly scheme of the villain. He has to save the city and its innocent inhabitants from imminent danger before the psychotic serial killer, Sudalai, unleashes horror. Sudalai loves to hear people’s screams of pain and suffering and plots a deadly scheme to stage his death opera. The cat-and-mouse game ensues and reveals the inner demons of both the cop and the villain. You can stream ‘Spyder’ here .
9. Irugapatru (2023)
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Directed by Yuvaraj Dhayalan, ‘Irugapatru’ stars Saniya Iyappan, Abarnathi, Shraddha Srinath and Vikram Prabhu. It follows Mithra, a marriage counselor whose tips and tricks for maintaining a good marriage start taking a toll on her own married life. Side by side, we also get to see two other married couples undergoing relationship issues. Amid understanding and misunderstanding, we are provided with a big picture of what it means to be in a relationship wherein both parties are bound by the solemn oath. You can watch the film here .
8. Love Today (2022)
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From director Pradeep Ranganathan comes a rom-com starring Ivana, Pradeep Ranganathan, Akshaya Udayakumar, Yogi Babu, and Sathyaraj. The story shows what happens when Nikitha’s father tells her and her boyfriend Uthaman to swap their phones for a day, after which, if they want to get married, they can. Uthaman’s parents are out of the picture here. While both Uthaman and Nikitha are hesitant at first, they swap and eventually unlock each other phones. And that’s when complications, complaints, and confusion creep in. While for us viewers, it is fun, the film makes it clear that it takes one to understand one who is in such a situation. It’s not about cheating but about hiding and/or not telling stuff to the person who you have decided to spend your whole life with. To find out what happens to Nikitha and Uthaman, you can watch the film here .
7. Kannum Kannum Kollaiyadithaal (2020)
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The story of two friends who con people by posing as app developers and their misadventures as they find love makes the film a fun watch. All four actors in the movie have been given enough space, which makes the film even more special. ‘Kannum Kannum Kollaiyadithaal’ was shot in Delhi, Goa, and Chennai by the much-appreciated debutante director Desingh Periyasamy. The entertainer does not come across as preachy, nor does it hold guilt over any of the characters for what they have done. However, it does leave us with some “life lessons” through this funny yet filled-with-twists story. You may watch the film here .
6. Anjaan (2014)
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Set in the narrow alleys of the Mumbai underworld, ‘Anjaan’ follows a disabled man named Krishna who travels to the metropolis in search of his brother, Raju Bhai. The brother goes missing under mysterious circumstances, and Krishna learns that Raju Bhai is a daredevil gangster. To make circumstances more chaotic, there are people still roaming around to kill Raju Bhai. Now, Krishna has to find the dubious connection between the disappearance of his brother and the dreaded don Imran Bhai and also save himself from the machetes and guns mistaking him as his criminal brother. Directed by N. Linguswamy, ‘Anjaan’ features the heartthrob of Tamil cinema, Suriya , in double roles, both as Krishna and Raju Bhai. Feel free to check out the movie here .
5. Jagame Thandiram (2021)
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‘Jagame Thandiram,’ translated to “The Universe is a ruse,” revolves around Suruli, a gangster from Madurai who owns a restaurant. Although Suruli wants to tie the knot as soon as possible, he falls victim to fate as his bride learns of his criminal background and runs away. Alone, Suruli turns to crime and subsequently comes under the notice of John, who takes him to London to join Peter Sprott’s gang. Once in London, Suruli helps Peter kill a rival leader, gaining his boss’s support and trust. Gradually, the gangster from Madurai begins to thrive and even falls in love with a Sri Lankan Tamil girl, Attila. However, when Attila tries to nurse him back to health after a violent altercation, Suruli catches her trying to poison him to death. The reasoning behind Attila’s actions then makes up the rest of the film as the chain of events threatens to rock the underbellies of both Sri Lanka and London. You can check out the film here .
4. Maharaja (2024)
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Directed by Nithilan Swaminathan, ‘Maharaja’ stars Vijay Sethupathi as the titular character. He is a single father/barber who ends up on the receiving end of a robbery that deprives him of his “Lakshmi.” What follows is his struggle to get the police to find Lakshmi, whom Maharaja’s daughter, Jyothi, loves. When requests don’t work, he turns to bribes to coerce the police into finding the culprits who have taken Lakshmi. However, what the police do not know is that Maharaja is looking for the culprits for a different reason, one propelled by the thirst for revenge that has resulted from a personal tragedy. Sethupathi’s performance uplifts the film from its regular revenge trope to a strong crime drama. Also co-starring are Anurag Kashyap, Mamta Mohandas, Sachana Namidass, and Natarajan Subramaniam. You can watch ‘Maharaja’ here .
3. Roja (1992)
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A cult classic, with an important role played by its songs and score as composed by A. R. Rahman, ‘Roja’ is a romantic thriller directed by acclaimed filmmaker Mani Ratnam. It shows the desperate attempts of a woman (Madhoo) from Tamil Nadu to get the Indian government to rescue her husband (Arvind Swami), a RAW agent, who is kidnapped by Pakistani terrorists. Stellar performances, exemplary direction, and a praiseworthy story make ‘Roja’ one of the best Tamil films of all time. You can watch it here .
2. Sila Samayangalil (2016)
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Also known as ‘Sometimes,’ this film narrates an unusual story of seven strangers who go to a clinic to get tested for AIDS and their anxiety as they learn that one of them is infected. It is human nature to be curious and to imagine possibilities or an alternative reality. As each of the characters reveals their story through conversations varying in-depth, we start to empathize with the characters and what they are going through. The film also highlights the stigma that surrounds AIDS and how it affects people, whether they have it or not. This is shown tactfully as the characters do not have inhibitions judging one another, although they are all standing in the same spot. The entire film is set in the waiting lounge of a clinic; therefore, the portrayal of the characters and the strength of storytelling carry the movie on its shoulders. You may watch ‘Sila Samayangalil’ here .
1. Jigarthanda Double X (2023)
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One of the latest Tamil additions to Netflix, ‘Jigarthanda Double X,’ is directed by Karthik Subbaraj and stars Raghava Lawrence, SJ Surya, Nimisha Sajayan, and Shine Tom Chacko. The story is set in the 1970s and follows two characters: Alliyus Caesar, who is a gangster, and Kirubakar, who is a police sub-inspector tasked with apprehending Caesar. So when he comes to know that Caesar is looking for a director who shall direct a film with him as the lead, Kirubakar assumes the role of Ray Dasan, an assistant director of world-famous Indian director Satyajit Ray, and makes it through the audition. Whether Kirubakar is able to bring Caesar to justice while trying to make a film with him is what we see in this utterly entertaining movie with compelling performances by all actors. You can watch ‘Jigarthanda Double X’ here .
Read More: Best Bollywood Movies on Netflix
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Published :
Last Updated : 07 Jun, 2024 07:02 PM
Published : 07 Jun 2024 07:02 PM Last Updated : 07 Jun 2024 07:02 PM
ஹரா Review - ‘வெள்ளி விழா’ நாயகன் மோகனின் கம்பேக் எப்படி?
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தமிழ் சினிமாவில் ஒரு காலத்தில் வெள்ளி விழா நாயகன் என்று புகழப்பட்ட மோகன், 80களில் கொடிகட்டி பறந்த நடிகர். 90களில் அவர் நடித்த படங்கள் கைகொடுக்காமல் போகவே சிலகாலம் சினிமாவில் இருந்து ஒதுங்கியிருந்தார். 2008-ல் வெளியான ‘சுட்டப் பழம்’ படம்தான் அவர் திரையில் தோன்றிய கடைசி படம். தற்போது 14 ஆண்டுகளுக்குப் பிறகு மீண்டும் அவரை லைம்லைட்டுக்கு கொண்டு வந்திருக்கிறது ‘ஹரா’.
கோயம்புத்தூரில் மனைவி மற்றும் மகளுடன் சந்தோசமாக வாழ்ந்து கொண்டிருக்கிறார் ராம் (மோகன்). திடீரென ஒருநாள் மகள் ரயிலில் விழுந்து தற்கொலை செய்துகொள்ளவே, குடும்பம் நிலைகுலைகிறது. இதன்பிறகு இப்ராஹீம் என்று தனது பெயரை மாற்றிக் கொண்டு தனது மகளின் தற்கொலைக்கு காரணம் யார் என்ற விசாரணையில் இறங்குகிறார்.
இன்னொருபுறம் ஹீரோவால் ஒருகாலத்தில் பாதிக்கப்பட்டு வேலை, குடும்பத்தை இழந்த முன்னாள் போலீஸ்காரர் ஒருவர் தலைமையிலான ஆட்கள் இவரை தீவிரமாக தேடிக் கொண்டிருக்கின்றனர். தனது மகளின் மரணத்துக்கான காரணம் குறித்த தேடலின்போது ஹீரோ செய்யும் சில வேலைகள் போலீஸின் கவனத்தை இவரை நோக்கி கொண்டு வந்துவிடுகின்றன. ஹீரோவின் மகளின் மரணத்துக்கு நியாயம் கிடைத்ததா, இறுதியில் என்னவானது என்பதே ‘ஹரா’ படத்தின் திரைக்கதை.
ரஜினி, கமல் தமிழ் சினிமாவில் கோலோச்சிக் கொண்டிருந்த காலத்தில் தனக்கென ஒரு பாணியையும், தனக்கென ஒரு ரசிகர் கூட்டத்தையும் உருவாக்கியவர் மோகன். தான் நடிக்கும் படங்கள் என்றாலே எப்படியும் ஓடிவிடும் என்ற மினிமம் கேரன்டியை தயாரிப்பாளர்களுக்கும், ரசிகர்களுக்கும் கொடுத்தவர். அப்படிப்பட்ட ஒரு நடிகர் இத்தனை ஆண்டுகளுக்குப் பிறகு நடிக்க வருகிறார் என்றால் அப்படம் எப்படி இருந்திருக்க வேண்டும்?
ட்ரெய்லரிலேயே இது ஒரு பழிவாங்கும் கதைதான் என்பதை நிறுவிய இயக்குநர், திரைக்கதையில் அதற்காக எந்தவொரு சிரத்தையும் எடுக்காமல் தேமேவென்று எடுத்து வைத்திருப்பது ஏமாற்றம். படத்தின் தொடக்கம் முதல் இறுதி வரை பெரும்பாலான காட்சிகள் பயங்கர அமெச்சூர்த்தனத்துடனே நகர்கின்றன. டப்பிங், வசனங்கள், காட்சியமைப்பு, நடிப்பு என அனைத்துமே ஒரு பெரிய திரை சீரியலை பார்த்துக் கொண்டிருப்பது போன்ற உணர்வையே தருகின்றன.
படத்தில் ஆறுதலான ஒரே விஷயம் மோகன் மட்டுமே. எந்தவித அலட்டலும் இல்லாமல் நிதானமான நடிப்பை வழங்கி தன்னால் முடிந்த அளவுக்கு படத்தை காப்பாற்ற முயல்கிறார். எமோஷனல் காட்சிகளிலும் அவருடைய மெனக்கெடல் தெரிகிறது. ஆனால், இவை எதுவும் படத்தின் மோசமான திரைக்கதை மற்றும் மேக்கிங் முன்னால் எடுபடவில்லை. படத்தில் மற்றொரு குறிப்பிடத்தக்க நடிப்பை கொடுத்திருப்பவர் அனுமோல். சில காட்சிகளே வந்தாலும் மனதில் நிற்கிறார். இவர்கள் இருவர் தவிர மற்ற யாருடைய நடிப்பும் சொல்லிக் கொள்ளும்படி இல்லை.
படத்தில் சம்பந்தமே இல்லாமல் ஏகப்பட்ட கதாபாத்திரங்கள். குறிப்பாக யோகி பாபு எல்லாம் கால்ஷீட் கொடுத்துவிட்டார் என்பதற்காகவே வைக்கப்பட்ட அந்த நீதிமன்ற காட்சி எல்லாம் முனை மழுங்கிய ஒரு கத்தியை கழுத்தில் வைத்து கரகரவென்று அறுப்பதை போல இருக்கிறது. இதுபோன்ற கோர்ட் சீன்களை படங்களில் வைப்பவர்கள் மீது நீதிமன்றங்கள் தாமாக முன்வந்து வழக்குப் பதிவு செய்தால் தேவலாம்.
தமிழில் எத்தனையோ பழிவாங்கும் கதைகள் இதற்குமுன் வந்துள்ளன. அவற்றின் காட்சிகளை எல்லாம் பட்டி டிங்கரிங் செய்து அங்கொன்று இங்கொன்று வைத்திருந்தால் கூட ஓரளவும் பார்க்கும்படி வந்திருக்கும். ஆனால், நேர்த்தி என்பதே கிஞ்சித்தும் இருந்துவிடக் கூடாது என்பதற்காகவே மாங்கு மாங்கு என்று படக்குழு உழைத்தது போல தெரிகிறது.
படத்தின் வசனங்கள் எல்லாம் கேமராவை ஆன் செய்துவிட்டு ஸ்பாட்டிலேயே மனதில் தோன்றியதை எழுதியது போல இருக்கிறது. அதிலும் மகள் வயதுக்கு வந்ததற்காக பள்ளி தலைமை ஆசிரியரிடம் சென்று மோகன் பேசுவதெல்லாம் அபத்தத்தின் உச்சம். அவ்வளவு நேரம் ஒவ்வொரு காட்சியாக காட்டியதை எல்லாம் உடைக்கும் வகையில் க்ளைமாக்ஸில் ட்விஸ்ட் என்ற பெயரில் ஒன்றை கொண்டு வந்து வைத்திருப்பது பார்வையாளர்களை முட்டாளாக்கும் செயல்.
சாதாரண பழிவாங்கும் கதையில் தீவிரவாதம், மத நல்லிணக்கம், மருந்துகளில் கலப்படம் என மொத்தமாக எதையோ கிண்டி வைத்திருப்பது தலையை சுற்றவைக்கிறது.
இத்தனை ஆண்டுகளுக்குப் பிறகு மீண்டும் நடிக்க முடிவு செய்த மோகன் நல்ல திரைக்கதையும், நேர்த்தியான காட்சியமைப்புகளும் கொண்ட ஒரு கதையை தேர்வு செய்திருந்தால் தமிழ் சினிமாவின் சில்வர் ஜூபிளி ஸ்டாருக்கு ஓர் உண்மையான கம்பேக் கிடைத்திருக்கும்.
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அன்பு வாசகர்களே....
இந்த ஊரடங்கு காலத்தில் வீட்டை விட்டு வெளியே வராமல் நமக்கு நாமே சமூக விலகல் ( Social Distancing) செய்து கொள்வோம். செய்தி ஊடகங்களின் வழியே உலகுடன் தொடர்பில் இருப்போம். பொதுவெளியில் இருந்து தனிமைப்படுத்திக் கொண்டு கரோனா பரவலைத் தடுப்பதில் நம் பங்கை முழுமையாக இந்த சமூகத்துக்கு அளிப்போம்.
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- வாசகர்கள் நலனில் அக்கறையுடன் இந்து தமிழ் திசை
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“For me being a woman of ‘a certain age’ as we'll say, it's really cool to have the hope of finding love at any age,” Beauvais says of the movie’s storyline. “And we touch upon really real things: She's a chef, but she has arthritis, she's going through menopause. We didn't shy away from what people think is the uncomfortable stuff. But I think that's what makes it endearing, because it's real.”
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அம்பு நாடு ஒம்பது குப்பம் விமர்சனம்
சாதி வேறுபாடு உள்ள ஒரு கிராமம். அங்கு மேல் வகுப்பு மக்கள், கீழ் வகுப்பு மக்கள் உயர்ந்து விட கூடாது என்று முனைப்போடு இருக்கிறார்கள். இந்நிலையில் அந்த கிராமத்தில் திருவிழா நடக்கிறது. இதில் மேல் வகுப்பு மக்களிடையே கோவில் மரியாதை செலுத்துவதில் பிரச்சனை ஏற்படுகிறது.
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இதே சமயம் கீழ் வகுப்பைச் சேர்ந்த நாயகன் பூசாரி வைத்திருக்கும் தட்டில் விபூதி எடுக்கும் நேரத்தில் தட்டு கீழே விழ, அங்கு கலவரம் வெடிக்கிறது.
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இறுதியில் கலவரம் என்ன ஆனது? கோவில் திருவிழா முறையாக நடைபெற்றதா? சாதி பிரிவினை நீங்கியதா? என்பதே படத்தின் மீதிக்கதை.
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படத்தில் சங்ககிரி மாணிக்கம், ஹர்ஷிதாஸ்ரீ, விக்ரம், சுருதி, பிரபு மாணிக்கம் உள்ளிட்ட பலர் நடித்து இருக்கிறார்கள். அனைவரும் புது முகங்கள் என்பதால் நடிப்பை எதிர்பார்க்க முடியவில்லை.
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உண்மை சம்பவத்தை அடிப்படையாக வைத்து படத்தை இயக்கி இருக்கிறார் இயக்குனர் ராஜாஜி. ஆனால் திரைக்கதையில் தெளிவு இல்லாததால் பெரியதாக படம் ஒர்க்கவுட் ஆகவில்லை. காட்சிகள் ஒவ்வொன்றும் தொடர்ச்சி இல்லாமல் பயணிக்கிறது. சொல்ல வந்த கருத்து நியாயம் என்றாலும், எடுத்த விதம் நியாயம் இல்லாமல் இருக்கிறது.
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ஓ.மகேஷ் ஒளிப்பதிவில் கவனம் செலுத்தி இருக்கலாம். ஆண்டணி தாசின் இசையில் பாடல்கள் ஓகே. ஜேம்ஸ் வசந்தனின் பின்னணி இசை திரைக்கதை ஓட்டத்திற்கு செட் ஆகவில்லை.
![தென்னிந்திய படங்களில் நடித்ததால் என்னை பாலிவுட் கைவிட்டது- மனம் திறந்த ஜெனிலியா தென்னிந்திய படங்களில் நடித்ததால் என்னை பாலிவுட் கைவிட்டது- மனம் திறந்த ஜெனிலியா](https://media.maalaimalar.com/h-upload/2023/07/21/500x300_1919028-32.webp)
தென்னிந்திய படங்களில் நடித்ததால் என்னை பாலிவுட் கைவிட்டது- மனம் திறந்த ஜெனிலியா
- நடிகை ஜெனிலியா தமிழில் பல படங்களில் நடித்துள்ளார்.
- இவர் நடிகர் ரித்தேஷ் தேஷ்முக்கை திருமணம் செய்துகொண்டு நடிப்பில் இருந்து ஒதுங்கினார்.
பாலிவுட் திரைப்படம் மூலம் திரையுலகில் அறிமுகமானவர் ஜெனிலியா. பின்னர், இயக்குனர் ஷங்கர் இயக்கத்தில் வெளியான 'பாய்ஸ்' படத்தின் மூலம் தமிழில் அறிமுகமானார். தொடர்ந்து சச்சின், சந்தோஷ் சுப்ரமணியம் படங்களில் தனது குறும்புத்தனமான நடிப்பால் அனைவரையும் கவர்ந்தவர்.
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தமிழ், தெலுங்கு, இந்தி என 3 மொழிகளில் தொடர்ந்து நடித்து வந்த ஜெனிலியா, இந்தி நடிகர் ரித்தேஷ் தேஷ்முக்கை திருமணம் செய்துகொண்டு நடிப்பில் இருந்து ஒதுங்கினார். இதையடுத்து நீண்ட இடைவெளிக்கு பிறகு தற்போது தெலுங்கில் ஒரு படத்தில் நடித்து வருகிறார்.
இந்நிலையில், நடிகை ஜெனிலியா, தென்னிந்திய சினிமா குறித்து மனம் திறந்துள்ளார். அவர் கூறியதாவது, நான் தென்னிந்திய படங்களில் நடித்த போது என்னை பாலிவுட் கைவிட்டது. அங்கேயே செல் என்று கூறியது. ஆனால், எனக்கு தென்னிந்திய சினிமாவை மிகவும் பிடிக்கும். எனக்கு நடிப்பின் மீது காதல் வர காரணமே தென்னிந்திய சினிமாதான். தென்னிந்திய படங்களில் மீண்டும் நடிக்க விருப்பம் உள்ளது என்று கூறியுள்ளார்.
![விஜய் சேதுபதி எனக்கு ஆசான் - நடிகை மதுரா பேச்சு விஜய் சேதுபதி எனக்கு ஆசான் - நடிகை மதுரா பேச்சு](https://media.maalaimalar.com/h-upload/2023/05/22/500x300_1885680-27.webp)
விஜய் சேதுபதி எனக்கு ஆசான் - நடிகை மதுரா பேச்சு
- இயக்குனர் வெங்கட கிருஷ்ணா இயக்கத்தில் உருவான திரைப்படம் 'யாதும் ஊரே யாவரும் கேளிர்'.
- இப்படம் கடந்த 19-ஆம் தேதி திரையரங்குகளில் வெளியாகி வரவேற்பை பெற்று வருகிறது.
அறிமுக இயக்குனர் வெங்கட கிருஷ்ணா இயக்கத்தில் உருவான திரைப்படம் 'யாதும் ஊரே யாவரும் கேளிர்'. விஜய் சேதுபதி நாயகனாக நடித்த இப்படத்தில், அவருக்கு ஜோடியாக மேகா ஆகாஷ் நடித்துள்ளார். மேலும் மோகன் ராஜா, மகிழ்திருமேனி ஆகியோர் முக்கிய கதாபாத்திரத்தில் நடித்துள்ளனர். நிவாஸ் கே பிரசன்னா இப்படத்திற்கு இசையமைத்துள்ளார்.
இப்படம் கடந்த 19-ஆம் தேதி திரையரங்குகளில் வெளியாகி வரவேற்பை பெற்று வருகிறது. இப்படத்தில், லண்டனில் இருந்து கொடைக்கானலுக்கு தன் இசைக் குழுவுடன் வரும் "ஜெசி" என்ற கதாபாத்திரத்தில் நடித்து வரவேற்பை பெற்றவர் மதுரா. தற்போது, ஜெர்மனியில் வாழும் இலங்கை தமிழ் பெண்ணான இவர் பத்திரிகையாளர்களுக்கு அளித்திருந்த சிறப்பு பேட்டியின் போது பல விஷயங்களை பகிர்ந்து கொண்டுள்ளார்.
அதில், யாதும் ஊரே யாவரும் கேளிர் திரைப்படத்தை பற்றி உங்களது கருத்து என்ன என்ற கேள்விக்கு, என் அம்மாவின் பூர்வீகம் இலங்கை, யாதும் ஊரே யாவரும் கேளிர் திரைப்படத்தின் கதையோ ஈழத் தமிழர்களின் வலியையும் வேதனையையும் சொல்லும் கதை என்பதால் என்னால் உணர்வுபூர்வமாக புரிந்து கொள்ள முடிந்தது, இந்தப் படம் ஈழத் தமிழர்களின் உணர்வுகளை வெளிப்படுத்தும் படமாகவே நான் பார்க்கிறேன். கண்டிப்பாக மக்கள் செல்வன் விஜய் சேதுபதி ரசிகர்களுக்கும் தமிழ் திரைப்பட ரசிகர்களுக்கும் இது நல்ல பொழுதுபோக்கு திரைப்படமாக மட்டுமல்லாமல் உணர்வுகளை வெளிப்படுத்தும் படமாகவும் அமையும் என்று நான் கருதுகிறேன் என்று கூறினார்.
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நடிகர் விஜய் சேதுபதி பற்றி நீங்கள் என்ன நினைக்கிறீர்கள்? என்று கேட்ட போது, தமிழ் மக்களின் மனதில் நீங்காத இடம் பிடித்தவர் விஜய் சேதுபதி. என் முதல் நாள் படப்பிடிப்பில் எனக்கு சற்று தயக்கம் இருந்தது என்னை பார்த்ததும் புரிந்துகொண்டு எனக்கு நடிப்பை சொல்லிக் கொடுத்து பதட்டத்தை போக்கி எனக்கு ஒரு ஆசனாக இருந்தார். அவருடன் இந்தப் படத்தில் பயணிக்க வாய்ப்பு தந்ததற்கு எனது நெஞ்சார்ந்த நன்றிகளைத் தெரிவித்துக் கொள்கிறேன்.
விவேக் அவர்களைப் பற்றி உங்களின் கருத்து, நடிப்பின் மீது ஆர்வம் வந்த பிறகு அவருடன் நடிக்க வேண்டும் என்பது எனது நீண்ட நாள் கனவு அவருடன் இணைந்து இந்த படத்தில் பணியாற்றியது எனக்கு பேரானந்தம், படப்பிடிப்பு தளத்தில் அவருடன் பேசியது பழகியது அனைத்தும் இன்றும் எனக்கு ஞாபகம் வருகிறது.
எங்கள் படப்பிடிப்பு தளத்தில் ஒரு சிறிய இடைவேளை இருந்தது அப்போது பியானோ அங்கிருந்தது அதில் எனக்கு முதல்வன் படத்தில் இருந்து குறுக்கு சிறுத்தவளே என்ற பாடலை வாசிக்க கற்று கொடுத்தார், அதுமட்டுமல்ல நிறைய இளையராஜா பாடல்களை எங்களுக்கு வாசித்து காண்பித்து என்னை ஆச்சரியப்படுத்தினார். ஆனால் அவரின் மறைவு எனக்கு மிகுந்த வேதனையை தந்தது, தமிழ் சினிமாவில் மிகப்பெரிய நட்சத்திரத்தை இழந்து விட்டோமே என்று.
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மேகா ஆகாஷுடன் இணைந்து நடித்த அனுபவம் குறித்து கேட்ட போது, என்னுடைய நடிப்பு பயணத்தில் முதல் நட்சத்திர நடிகையும் எனக்கு நல்ல தோழியும் ஆன மேகா ஆகாஷ் உடன் நடித்ததை நான் பெருமையாக நினைக்கிறேன். எங்களது நட்பு என்றும் நீடிக்கும்.
சந்திரா ஆர்ட்ஸ் புரொடக்சன் பற்றியும் தயாரிப்பாளர் பற்றி கேட்கப்பட்ட கேள்விக்கு, நான் ஜெர்மனியில் இருந்து படப்பிடிப்புக்காக சென்னை வரும்போதெல்லாம் இந்த படத்தின் தயாரிப்பாளர்கள் அக்கரையாகவும் எனக்கு தேவையான வசதிகளையும் அனைத்தையும் ஒரு புதுமுக நடிகை என்று பார்க்காமல் தாய் வீட்டில் இருந்தது போன்ற உணர்வை ஏற்படுத்திய சந்திரா ஆர்ட்ஸ் புரொடக்சனுக்கு மிக்க நன்றி.
இயக்குனரைப் பற்றியும் அவரது பணியை பற்றியும் பகிர்ந்துகொள்ளுமாறு கேட்டதற்கு, தமிழ் திரை உலகில் எத்தனையோ கதைகள் இருந்தாலும் தன் முதல் படத்தில் ஈழத் தமிழனின் கதையை ஆழமாகவும் நேர்த்தியாகவும் அழகாக வடிவமைத்து அதில் எனக்கு ஒரு முக்கியமான கதாபாத்திரத்தை தந்ததற்கு என்னுடைய இயக்குனருக்கு நெஞ்சார்ந்த நன்றிகள்.
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அவரைப் பற்றியும் அவரின் குடும்பத்தை பற்றியும் பகிர்ந்துகொண்ட அவர், நான் ஜெர்மனி நாட்டில் பெர்லின் மாநகரில் பிறந்தேன் என்னுடைய அப்பா ஜெர்மன் நாட்டைச் சேர்ந்தவர் என்னுடைய தாயார் இலங்கையை யாழ்ப்பாண தமிழ் பெண், எனக்கு மூன்று சகோதரிகள் உள்ளனர், நான் ஜெர்மன் நாட்டில் வழக்கறிஞருக்கான பட்டப்படிப்பை முடித்து பயிற்சிப்பட்டறையில் கடமை ஆற்றுகின்றேன். என்னுடைய சிறு வயதிலிருந்து தமிழ் மொழி அதை சார்ந்த கலைகளான பரதநாட்டியம், கர்நாடக சங்கீதம், மிருதங்கம் அனைத்தையும் கற்றுத் தெரிந்தேன் என் கல்லூரி நாட்களில் பல நிகழ்ச்சிகளில் பங்கேற்று பரிசுகளும் வாங்கியுள்ளேன்.
தமிழ் மொழியில் உயர்தர கல்வியை முடித்து ஜெர்மன் பிராங்பேர்ட் நகரில் உள்ள தமிழ் பாடசாலையில் ஆசிரியராகவும் தற்போது பணியாற்றுகிறேன். சுவிட்சர்லாந்து மற்றும் லண்டன் ஆகிய இடங்களில் கார்ப்பரேட் நிறுவனங்களுக்கு மாடலிங் செய்து வருகிறேன், அது மட்டுமல்லாமல் ஜெர்மனில் மூன்று இசை வீடியோக்களில் நடித்துள்ளேன்
யாதும் ஊரே யாவரும் கேளிர் படத்திற்குள் எப்படி வந்தீர்கள் என்ற கேள்விக்கு, ஜெர்மனியில் நான் செய்த மாடலிங் வீடியோக்கள் மற்றும் நான் நடித்த மியூசிக் ஆல்பம் மூலமாக எனக்கு இந்தப் படத்தில் நடிக்க வாய்ப்பு கிடைத்தது.
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கலைத்துறையில் எப்படி ஆர்வம் வந்தது என்பது குறித்து பேசிய அவர், சிறு வயதிலிருந்தே எனக்கு நடிப்பின் மீதும் நடனத்தின் மீதும் ஈடுபாடு அதிகம் நடிப்பில் ஏதாவது சாதிக்க வேண்டும் என்ற கனவு ஆசையாக மாறி அதற்காக அனைத்தையும் கற்றுக் கொண்டேன் அதற்காக கிடைக்கும் வாய்ப்புகள் அனைத்தையும் பயன்படுத்திக் கொண்டிருந்தேன், என்னுடைய ஆசைக்கும் கனவுக்கும் துணையாக நின்ற அத்தனை பேருக்கும் முக்கியமாக என்னுடைய பெற்றோருக்கும் இந்த தருணத்தில் நான் நன்றியை தெரிவித்துக் கொள்கிறேன்.
மேலும் தமிழ் படத்தின் மீது உங்களுக்கு உண்டான புரிதல் பற்றிய கேள்விக்கு, தமிழ் எனக்கு பிறப்பிலிருந்து ஊட்டப்பட்டது, நான் ஒரு தமிழ் பெண், சிறு வயதில் இருந்தே தமிழ் பேசி வளர்ந்ததால் தமிழ் திரைப்படங்கள் நிறைய பார்த்திருக்கிறேன், ஆனால் தமிழில் நடிக்கப் போகிறோம் என்றவுடன் தமிழில் எல்லா நடிகர், நடிகைகள் உடைய படத்தை பார்த்து நிறைய கற்றுக்கொள்ளவும் செய்தேன். ரஜினி சார் உடைய மாஸ், கமல் சார் உடைய நடிப்பு, விஜய் சேதுபதி அவர்களுடைய இயல்பான நடிப்பு அனைத்தையும் பார்த்து ரசித்திருக்கிறேன். நான் தமிழ் சினிமாவில் நடித்தது எனக்கு மிகவும் பெருமையாக இருக்கிறது. படத்திற்கும் எனக்கும் ஆதரவு கொடுத்த என் ரசிகர்களுக்கும், தமிழ் மக்கள் மற்றும் பத்திரிகை ஊடக நண்பர்கள் அனைவருக்கும் எனது நெஞ்சார்ந்த நன்றிகளை தெரிவித்துக் கொள்கிறேன் என்றார்.
![வதந்திகளுக்கு முற்றுப்புள்ளி வைத்த ரோபோ சங்கர்.. கவனம் ஈர்க்கும் வீடியோ வதந்திகளுக்கு முற்றுப்புள்ளி வைத்த ரோபோ சங்கர்.. கவனம் ஈர்க்கும் வீடியோ](https://media.maalaimalar.com/h-upload/2023/05/15/500x300_1881875-20.webp)
வதந்திகளுக்கு முற்றுப்புள்ளி வைத்த ரோபோ சங்கர்.. கவனம் ஈர்க்கும் வீடியோ
- நடிகர் ரோபோ சங்கர் பல படங்களில் முக்கிய கதாபாத்திரத்தில் நடித்து வருகிறார்.
- நல்ல உடல்வாக்குடன் இருந்த ரோபோ சங்கர் மெலிந்த உருவத்தில் இருக்கும் வீடியோவை பார்த்த ரசிகர்கள் அதிர்ச்சியடைந்தனர்.
தனியார் தொலைக்காட்சி காமெடி நிகழ்ச்சிகளில் மிமிக்ரி ஆர்டிஸ்டாக பயணத்தை தொடங்கியவர் ரோபோ சங்கர். அதன்பின்னர் தமிழ் திரையுலகில் தீபாவளி, வாயை மூடி பேசவும், மாரி, புலி, வேலைன்னு வந்துட்டா வெள்ளக்காரன், வேலைக்காரன், ஹீரோ, உள்ளிட்ட பல படங்களில் நகைச்சுவை நடிகராக வலம் வந்து ரசிகர்களை கவர்ந்தார். தமிழ் திரையுலகின் முன்னணி நடிகர்களின் படங்களில் நடித்து பாராட்டுக்களை பெற்றார்.
![one movie review in tamil one movie review in tamil](https://media.maalaimalar.com/h-upload/2023/05/15/1881876-19.webp)
ரோபோ ஷங்கர்
சமீபகாலமாக அவரது உடல் மிகவும் மெலிந்து காணப்பட்டது. நல்ல உடல்வாக்குடன் இருந்த ரோபோ சங்கர் மெலிந்த உருவத்தில் இருக்கும் வீடியோவை பார்த்த ரசிகர்கள் அதிர்ச்சியடைந்தனர். படத்திற்காக ரோபோ சங்கர் உடல் இடையை குறைத்தாரா? அல்லது உடல்நலக்குறைவால் அவர் இப்படி ஆனாரா? என்று பலரும் கேள்வி எழுப்பி வந்தனர். இதையடுத்து அவரது மனைவி, அவர் ஆரோக்கியமாக இருப்பதாகவும், ஒரு படத்திற்காக உடல் எடையை குறைத்ததாகவும் விளக்கம் அளித்திருந்தார்.
![one movie review in tamil one movie review in tamil](https://media.maalaimalar.com/h-upload/2023/05/15/1881877-21.webp)
இந்த நிலையில் ரசிகர்களின் சந்தேகத்தை தீர்க்கும் விதமாக தான் நடனமாடும் வீடியோ ஒன்றை ரோபோ சங்கர் சமூக வலைதளத்தில் பகிர்ந்துள்ளார். அதில் 'வாரணம் ஆயிரம்' படத்தில் இடம்பெற்ற ஒரு பாடலுக்கு ரோபோ சங்கர் நடனமாடியுள்ளார். ரசிகர்கள் பலரும் ரோபோ சங்கரின் இந்த வீடியோவை சமூக வலைதளத்தில் வைரலாக்கி வருகின்றனர்.
![வாழ்வில் இரண்டாவது முறையாக நடக்க கற்றுக் கொண்டேன் - நடிகை பூஜா ஹெக்டே பதிவு வாழ்வில் இரண்டாவது முறையாக நடக்க கற்றுக் கொண்டேன் - நடிகை பூஜா ஹெக்டே பதிவு](https://media.maalaimalar.com/h-upload/2022/11/24/500x300_1797069-1.webp)
வாழ்வில் இரண்டாவது முறையாக நடக்க கற்றுக் கொண்டேன் - நடிகை பூஜா ஹெக்டே பதிவு
- நடிகை பூஜா ஹெக்டே சமீபத்தில் தன் காலில் காயம் ஏற்பட்டுள்ளதாக சமூக வலைதளத்தில் தெரிவித்திருந்தார்.
- இவர் தற்போது சிகிச்சை எடுக்கும் புகைப்படத்தை இணையத்தில் பகிர்ந்துள்ளார்.
தமிழ் சினிமாவில் மிஷ்கின் இயக்கத்தில் வெளிவந்த முகமூடி படத்தின் மூலம் அறிமுகமானவர் பூஜா ஹெக்டே. அதன்பின்னர், பீஸ்ட் படத்தின் மூலம் மீண்டும் தமிழில் களம் இறங்கினார். தெலுங்கில் பிரபாஸ், இந்தியில் சல்மான் கான் என பல்வேறு மொழிகளில் டாப் ஹீரோக்களுடன் நடித்து முன்னணி நடிகையாக வலம் வருகிறார்.
![one movie review in tamil one movie review in tamil](https://media.maalaimalar.com/h-upload/2022/11/24/1797070-3.webp)
பூஜா ஹெக்டே
தற்போது தமிழ், தெலுங்கு மற்றும் இந்தி மொழிகளில் முன்னணி நடிகையாக உருவெடுத்துள்ளார். சமீபத்தில் பூஜா ஹக்டே தனக்கு அடிப்பட்டு விட்டதாக சமுக வலைதளத்தில் காலில் கட்டுடனான புகைப்படம் ஒன்றை பகிர்ந்து தெரிவித்திருந்தார். இது அவரது ரசிகர்களுக்கு அதிர்ச்சியை ஏற்படுத்தியது.
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பூஜா ஹெக்டே
இந்நிலையில், இவர் தொடர்ந்து சிகிச்சை எடுக்கும் புகைப்படத்தை தனது சமூக வலைதளப் பக்கத்தில் பகிர்ந்துள்ளார். மேலும், "இரண்டு வாரங்களுக்கு முன்பு.. நான் என் வாழ்வில் இரண்டாவது முறையாக நடக்க கற்றுக் கொண்டேன்.. இது மிகவும் வேடிக்கையானது" என்று பதிவிட்டுள்ளார்.
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பூஜா ஹெக்டே பதிவு
இதற்கு முன்பும் தான் சிகிச்சை எடுக்கும் புகைப்படத்தை பூஜா ஹெக்டே இணையத்தில் பகிர்ந்திருந்தார் என்பது குறிப்பிடத்தக்கது.
![சூர்யா படத்தின் மியூசிக் ஸ்டார்ட்.. அப்டேட் கொடுத்த ஜி.வி. பிரகாஷ் சூர்யா படத்தின் மியூசிக் ஸ்டார்ட்.. அப்டேட் கொடுத்த ஜி.வி. பிரகாஷ்](https://media.maalaimalar.com/h-upload/2022/09/12/500x300_1760788-1.jpg)
சூர்யா படத்தின் மியூசிக் ஸ்டார்ட்.. அப்டேட் கொடுத்த ஜி.வி. பிரகாஷ்
- இயக்குனர் பாலா இயக்கத்தில் சூர்யா நடித்து வரும் படம் 'வணங்கான்'.
- 'வணங்கான்' படத்தில் கீர்த்தி ஷெட்டி கதாநாயகியாக நடிக்கிறார்.
இயக்குனர் பாலா இயக்கத்தில் சூர்யா தற்போது நடித்து வரும் படம் 'வணங்கான்'. இந்த படத்தில் கீர்த்தி ஷெட்டி கதாநாயகியாக நடிக்கிறார். ஜி.வி பிரகாஷ் இசையமைக்கும் இப்படத்தை '2டி என்டர்டைன்மெண்ட்' நிறுவனம் தயாரிக்கிறது.
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இப்படத்தின் படப்பிடிப்பு விறுவிறுப்பாக நடைபெற்று வருகிறது. இந்நிலையில், இப்படத்தின் புதிய அப்டேட் வெளியாகியுள்ளது. அதன்படி, இந்த படத்தின் பாடல்கள் ரெக்கார்ட் செய்யும் பணி நடைபெற்று வருகிறது. இதனை ஜி.வி. பிரகாஷ் தனது சமூக வலைதளப் பக்கத்தில் தெரிவித்துள்ளார்.
'வணங்கான்' படத்தைத் தொடர்ந்து வெற்றிமாறன் இயக்கத்தில் எஸ். தாணு தயாரிப்பில் உருவாகும் 'வாடிவாசல்' திரைப்படத்தில் சூர்யா நடிக்கவுள்ளார் என்பது குறிப்பிடத்தக்கது.
#vanangaan songs recording on progress 🔥🔥🔥 … @Suriya_offl @rajsekarpandian #directorbala — G.V.Prakash Kumar (@gvprakash) September 11, 2022
பழிக்கு பழி - விக்ரம் விமர்சனம்
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டாப் கன் மேவ்ரிக் விமர்சனம்
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போத்தனூர் தபால் நிலையம் விமர்சனம்
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விஷமக்காரன் விமர்சனம்
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நெஞ்சுக்கு நீதி விமர்சனம்
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டான் விமர்சனம்
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‘The Union’ Review: Old Friends Mark Wahlberg and Halle Berry Reunite in a Middling Spy Movie
Playing ex-flames who team up to save the world, the two leads have chemistry, but the movie lacks the personality to make their low-key screwball dynamic worth the hassle.
By Peter Debruge
Peter Debruge
Chief Film Critic
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Life peaked in high school for Mike McKenna ( Mark Wahlberg ), whereas then-sweetheart Roxanne Hall ( Halle Berry ) managed to escape dead-end New Jersey and travel the world. While he joined the local construction workers union, she joined the Union , a clandestine spy group about whom Roxanne blandly claims, “Half the intelligence community don’t know we exist, and the other half regret finding out.”
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Mike’s been drinking at the same bar ever since Roxanne dumped him, hoping she’d walk back into his life. “Is it as you imagined?” Roxanne asks when she does. “I dunno,” he says. “In my head, you were always wearing a bikini.” Just more evidence that the movie was made for 13-year-old boys, even if Wahlberg thinks he’s making this film for the blue-collar guys back home. What else could he mean when his characters says, “It’s nice seeing yourself reflected on-screen”? He’s not drinking martinis in a bespoke tuxedo, but this hardly feels like the representation that Hollywood’s been missing.
Wahlberg plays Mike as if he doesn’t want to do spy stuff, but the movie never gives him a convincing reason to come around. Maybe he would’ve joined the Union if Roxanne had been kidnapped, or if someone he knew (like Lorraine Bracco, wasted as his mom) were in danger, but as written, the character agrees because the actor playing him likes the idea. I suspect Wahlberg is also responsible for enlisting director Julian Farino (who has nearly two dozen “Entourage” episodes to his name). Comedy he can handle, but action doesn’t come naturally to the helmer, and it shows in set-pieces recycled from 007 and “Mission: Impossible” movies.
Once Mike agrees to join, the film compresses a two-week training program (already cut down from six months) into a trailer-length montage, during which he meets other Union members: top boss Tom Brennan (J.K. Simmons), combat pro Frank Preiffer (Adewale Akinnuoye-Agbaje), psych evaluator Athena Kim (Alice Lee) and an underused IT guy who calls himself “the Foreman” (Jackie Earle Haley). At times, “The Union” seems to suggest that all of these agents were once honest, hardworking stiffs like Mike — in which case, the organization’s name kinda makes sense — but if that were true, then Roxanne doesn’t fit the profile.
Or maybe she does. The trouble with “The Union” is that neither the film nor its characters have much in the way of personality, to the point it’s not even clear how they feel about one another. To reveal the villain would spoil a mild surprise, though it feels reasonable to complain about the cheap trick of insisting said baddie was once married to Roxanne. When all three characters are together, the movie intends to spark jealousy between Mike and his rival, but mostly it just freezes whatever chemistry had been heating up between the ex-high school sweethearts, as Mike finds himself friend-zoned.
In concept, there’s something inherently appealing about Berry and Wahlberg as action stars. Both have shone in the genre before: It’s hard to top Berry’s intensity in B-movie “Kidnap,” while Wahlberg does best in “Patriots Day” director Peter Berg’s real-hero portraits. In “The Union,” it’s easy to tell they’re being doubled by stunt people half the time, and when they’re not, neither actor looks very convincing — which is to say, instead of entertaining the notion that a Jersey boy can be a spy, it shatters the previously accepted idea that Wahlberg should play one.
Reviewed at Egyptian Theater, Los Angeles, Aug. 12, 2024. MPA Rating: PG-13. Running time: 107 MIN.
- Production: A Netflix release and presentation of a Municipal Pictures production. Producers: Mark Wahlberg, Stephen Levinson, Jeff G. Waxman. Executive producer: Jennifer Madeloff.
- Crew: Director: Julian Farino. Screenplay: Joe Barton, David Guggenheim. Camera: Alan Stewart. Editor: Pia Di Ciaula. Music: Rupert Gregson-Williams.
- With: Mark Wahlberg, Halle Berry, Mike Colter, Adewale Akinnuoye-Agbaje, Jessica De Gouw, Alice Lee, Jackie Earle Haley, J.K. Simmons.
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'Thangalaan' Movie Review: What's Good, What's Bad; Find Out From Viewers' Words
After the success of two-part Mani Ratnam's 'Ponniyin Selvan', Chiyaan Vikram is back with 'Thangalaan', an action-adventure film, directed by Pa Ranjith of 'Kabali' and 'Madras' fame. The multilingual film is jointly produced by Studio Green, in collaboration with Neelam Productions and Jio Studios.
Apart from Vikram, the film has Malavika Mohanan, Parvathy Thiruvothu, Daniel Caltagirone, Pasupathy, Hari Krishnan Anbudurai and Sampath Ram in the cast.
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The movie has GV Prakash Kumar's music, Selva RK's editing and A Kishor Kumar's cinematography.
Story Set during the British Raj era, the story is about a fierce tribal leader named Thangalaan who is drawn into a battle against an apparent sorceress after assisting a British general in the quest for gold in their village.
Thangalaan and his tribe join forces with Lord Clement, a British General, to locate gold hidden in their village. However, their actions invoke the wrath of Aarathi, a mysterious and feared sorceress. As calamities begin to strike the villagers, fueled by legends that warn, "seeking gold here is seeking death," Thangalaan takes it upon himself to confront Aarathi and end the chaos.
Despite the spreading stories of monsters haunting the land, the British officer remains determined to find the gold. Thangalaan, convinced that Aarathi is the source of the turmoil, sets out to stop her with all his might.
The film is inspired by the real history of the Kolar Gold Fields (KGF), discovered by the British two centuries ago. The British exploited the land, looting its riches and oppressing the local people.
The movie has garnered a lot of hype. Will it live up to their expectations? Find out here
Rajasekar: #Thangalaan - The scene where women for the first time felt privileged wearing a blouse talks volumes about @beemji standing for the oppressed not just caste but also for the gender! His political inclination towards BR Ambedkar is very much evident. #Thangalaan first half - @beemji once again proves he is a unique voice here in Indian cinema. The way he subtly registers how Buddhism was destroyed here in India, how the land of the working class was once immorally taken away from them by kings in the name of Brahmadeya, Devadana, etc., (Google if you don't know) will be an eye opener for those who have sound ears and eyes that are willing to see the truth. Later from Kings, it's the Zamindars who once again take the lands of the workings class in the form of tax and other illegal means!
@chiyaan is extraordinary 🔥, he has given his heart, soul and everything to the film! @MalavikaM_ is super impressive , not an easy role to play. @parvatweets is as usual exhibited a great performance. @gvprakash proves that he is the best in the business for such metaphorically executed films!
PS: Audiences should come keeping in the mind that they are not going to watch a regular vannila cinema!
G Dhananjeyan: #Thangalaan 🔱 is magical, mystical & powerful in its theme with epic performances by the Team 👌🔥
@chiyaan sir terrific, fantastic and has lived the role. @beemji has created a classic film that will be remembered for long. @gvprakash is outstanding in his songs & BGM.
Solid performances by @parvatweets @MalavikaM_ #Pasupathy sir & #Daniel .
A pride production for @StudioGreen2 A glorious film & a must watch in theatres to experience the magic
sridevi sreedhar: #Thangalaan 3.5/5 Stunning! Don't judge @beemji #Thangalaan, just sit back & enjoy the spectacular making, the grand scale and above all, salute @chiyaan the actor 🙌 He is simply terrific in a physically demanding dual role. It's a film which Tamil cinema can be proud of 👏 @parvatweets is effortlessly convincing and @MalavikaM_ is a revelation. Music by @gvprakash is awesome with #MinikkiMinikki song my pick 🤩 Technically brilliant!
AmuthaBharathi: #Thangalaan [#ABRatings - 3.5/5]
- Fairly Good First half followed by an okish second half 🤝 - Action blocks are made quite impressive & liked the scenes involving malavika👌 - #ChiyaanVikram performance & #GVPrakash music are the 2 strong pillars of the movie 🔥🔥 - Slow narration, few flat scenes & predictable narration are the drawbacks !! - PaRanjith has delivered an excellent making 👏
Overall a Decent to Above Average attempt, which definitely can be watched for its unique experience
Siddarth Srinivas: #Thangalaan Interval: Good so far. The premise from Ranjith is so interesting that it holds in the tempo despite some pacing inconsistencies and forced elements. Full marks to Chiyaan Vikram and GVP - they have absolutely rocked. Action sequences 🔥👌
Prashanth Rangaswamy: The only problem so far - VFX . You guys cannot even VFX a peacock properly ? Why run a business then ? #Thangalaan
Roger Mani: #Thangalaan @chiyaan What an Acting sir ... Totally deserves an Oscar award 🫸🫷 @beemji Brilliant direction 🫡 @gvprakash your songs and BGM are the main pillars of the movie 😎🔥 @StudioGreen2 Thank you for making such a wonderful movie. Salute 🫡 Thangalaan - #GOLD
Narasimha Varman: #Thangalaan the film lacks a coherent story, unfortunately chiyaan's performance may go in vain. a Good score from GV Prakash
No Name: #Thangalaan has a terrific premise but the unfocused writing and weak filmmaking, along with the worst possible VFX, make this a dull watch. Almost no department brings their A-game to the film. One of the biggest disappointments of this year for me.
Muthu gautham: #Thangalaan [4/5] - Fairly Good First half followed by an okish second half 🤝 - Action blocks are made quite impressive & liked the scenes involving malavika👌 - #ChiyaanVikram performance & #GVPrakash music are the 2 strong pillars of the movie
Bala: #Thangalaan OMG this is a mind-blowing film from Pa Ranjith. Spectacular. Bloody good so far. Ufff. So many goosebump moments. Ranjith has outdone himself
Lets X OTT CINEMA: #THANGALAAN So far the Good Film in 2024 for KW 👏 @chiyaan deserves a awards for his acting ; An absolute BANGER from @gvprakash 🔥 All Kudos goes to @beemji sir , as usual your direction was top notch . Second Half worked out well ; Good Screenplay #Thangalaan First Half : Terificcc 🏆🏆🏆🏆 Pure Goosebumps 🤯🔥 Chiyaan Performace was so surprising , @gvprakash the Back Bone of the Film 🔥 , Visuals are really good ; Brilliant Making by @beemji - A Chiyan Sambvam ❤️🔥
John: Just first 20 minutes - so many triggering points for Bs. Pa Ranjith at it again as expected. #Thangalaan
Harish N S: #ThangalaanReview worked for me! 🙌 The first half is absolutely stellar with gripping storytelling and top-notch performances, especially by Parvati and Chiyaan Vikram-take a bow! 🙇 surprising performance from Malavika 👍 The second half kicks off with goosebumps and maintains the momentum, though a few elements towards the climax didn't quite land for me. However, the ending wraps up decently. GV Prakash's BGM and songs are on another level-he really rocked it! Overall, it's a brave attempt with a new genre, delivering spine-chilling moments in several places. Definitely worth a watch!
karambakkattaan: Chiyaaan sir kannu kalangiruchu!! 🥺🔥🔥⚡ First half is just a Lit, Its a Slow Burner and its Burned, Now waiting for 2nd half 🔥 As the words of everyone, Interval Block is 🔥🥺. @gvprakash sir neenga Manushane illaa, u r Hossam sir 🔥🥺
Hardik: #Thangalaan First Half - Disappointing so far👎 * Except Vikram- other artists performances are lackluster and fail to engage. * GV Prakash Kumar's background score is underwhelming and doesn't add to the movie's atmosphere. * The build-up to the interval is slow.
Umair Sandhu: First Review #Thangalaan : Unbelievable! What a deadly performance by #ChiyaanVikram ! #Vikram gave National Award 🥇 winning performance. Tamil fans will love this flick. ⭐️⭐️⭐️
STR_off: #Thangalaan Review: First Half: vikram nadipu vera level and Malavika acting also very nice💥 Second Half: vikram body language and fights, screen presence 💥 Songs: minikii song super ❤️ GV nice background music very emotional 😭 it's connected 👍 overall worth the movie 💥
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‘Alien: Romulus’ Review: Go Ahead, Scream (No One Can Hear You)
The seventh installment of the series centers on Rain (Cailee Spaeny), a contract worker in an outer-space mining colony, and her friend Andy (David Jonsson), an android.
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By Manohla Dargis
Some movie sequels take a series in new directions, adding original ideas, new characters, different approaches and, at times, heft and myth. Other sequels are more like filler. They help plug the spaces between movies and keep the franchise’s brand in the public’s imagination, all while trying to make some cash. The newest “Alien” movie, “Alien: Romulus,” the seventh installment in this storied, apparently inexhaustible cycle of films, is perfectly adequate filler.
Since Ridley Scott’s “Alien” burst into gripping, gruesome life in 1979, the series has generated hits and misses, tankers of acidic slobber and a sizable body count. The franchise turned Sigourney Weaver into an icon and gave David Fincher his start as a film director. As the movies piled up, they also reminded you that the original “Alien” is a masterpiece and that even the lesser follow-ups that Scott directed, “Prometheus” and “Alien: Covenant,” have their virtues, among them striking visuals, filmmaking intelligence, a curiosity about the cosmos, and a twinned appreciation for the mystery of life and the inevitability of death.
“Alien: Romulus” is a nuts-and-bolts action-adventure horror story with boos and splatter. It doesn’t have much on its mind but it has some good jump scares along with a disappointingly bland heroine, a sympathetic android and the usual collection of disposable characters who are unduly killed by slavering, rampaging extraterrestrials. In series terms, the events in “Romulus” take place between those in “Alien” and those in the second film, “Aliens.” Written and directed by James Cameron, and crowded with big guns and bulging biceps, “Aliens” is largely notable for its swaggering action sequences that have become de rigueur in the series and for giving Weaver’s Ripley a muscular makeover while turning her into a surrogate mom.
Directed by Fede Álvarez (“ Don’t Breathe ”), who shares script credit with Rodo Sayagues, “Romulus” tells a familiar, half-baked story of adversity, gritty perseverance, quick thinking and a drag-down fight for survival. It centers on Rain (Cailee Spaeny), a 20-something contract worker in a grim outer-space mining colony. There, along with Andy (David Jonsson), a glitchy android that she loves and calls her brother, Rain yearns to leave the sunless planet and the punishing conditions that condemned both her parents to early deaths. She soon gets her chance when some other friends share that they’re planning an escape in an abandoned space station that has conveniently drifted above their planet.
Álvarez gets through this setup economically, and it isn’t long before Rain and company are creeping through the station’s eerily empty corridors, exploring its topsy-turvy rooms and pondering its not particularly mysterious mysteries. (Álvarez spends a lot of time showing off his sets, which are more engaging than the writing.) Spaeny, who played Priscilla Presley in Sofia Coppola’s “Priscilla,” is an appealing performer — her youth and slight frame deceptively suggest near-childlike vulnerability — and you’re on Rain’s side straightaway. What keeps you rooted there is largely a matter of film-going habit and franchise familiarity: She’s the heroine and Ripley’s symbolic heir, after all, and the monsters are coming.
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COMMENTS
Permalink. 8/10. A feel good political entertainer. mdas-44222 27 March 2021. The movie'one'starring mamooty mathew thomas joju george etc directed by santhosh viswanath is a feel good polotical entertainer. The story revolves under kadakkal chandran (played by mammooty)who is chief minister of kerala.
One: Directed by Santhosh Viswanath. With Mammootty, Joju George, Murali Gopy, Mathew Thomas. Story of Kadakkal Chandran, the Chief Minister of Kerala whose uncompromising attitude towards corruption and his dictatorial actions have gained him a lot of enemies. The events get more intense when he faces an allegation.
One movie star cast: Mammootty, Murali Gopy, Joju George, Siddique, Mathew Thomas One movie director: Santhosh Viswanath One movie ratings: 2.5 star. One of the upsides of watching a movie on a streaming service from the comfort and safety of our home is that we become a tad bit more accommodative than we usually are.
Country. India. Language. Malayalam. One is a 2021 Indian Malayalam -language political drama film directed by Santhosh Vishwanath and written by Bobby & Sanjay. The film stars Mammootty in the lead role. [ 1][ 2] Mathew Thomas, Murali Gopy, Siddique, Joju George, Ishaani Krishna, Gayatri Arun and Nimisha Sajayan plays the supporting roles.
One Movie Review: Critics Rating: 3.0 stars, click to give your rating/review,Although One is built around a power struggle, the main focus of the movie is the Chief Minister - h ... Tamil Movies ...
One, the Mammootty starring political drama has finally hit the theatres today (March 26, Friday). The Santhosh Viswanath directorial has released as the megastars second theatrical release, post ...
Director Julian Farino's "The Union" follows Mike (Mark Wahlberg), a construction worker content with his job, dive bar outings with his friends, and sleeping with his former seventh-grade teacher (an awkward joke that remains a punchline over the course of the film's entirety).When his adolescent flame, Roxanne (Halle Berry) returns to the east coast after decades of no contact, what ...
One Movie Review Rating: 2.5/5 Stars (Two and half stars) Star Cast: Mammootty, Murali Gopy, Joju George, Salim Kumar, Mathew Thomas, Nimisha Sajayan, Madhu. Director: Santhosh Vishwanath. What ...
The spy-vs.-spy nature of the story suggests a 12th-century Bourne movie, interspersed with song and dance. In the 11th and 12th centuries, Southern India was ruled by the Cheras, Cholas, Pandyas ...
ponniyin selvan 1 review in tamil: மறைந்த எழுத்தாளர் கல்கி எழுதி புகழ்பெற்ற ...
SPOILER ALERT: This interview contains spoilers for "Good One," in theaters now. From first-time feature director India Donaldson, "Good One" is a breezy dramedy about three people on a ...
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Thangalaan, starring Chiyaan Vikram, is a period drama set in the British Raj era, telling the story of a tribal chief's battle against oppression. The film has received positive reviews from both critics and audiences since its theatrical release. Directed by Pa. Ranjith, Thangalaan is expected to premiere on Netflix in October 2024. With strong box office numbers and a budget of Rs 100-150 ...
On its surface, Good One is about a teen on a backpacking trip with her dad and his friend. But the film is so sharp and engrossing you might not notice the deeper story taking shape underneath.
Thangalaan Movie Review: Critics Rating: 4.0 stars, click to give your rating/review,The film is a true-blue big-screen experience that immerses us into its world and keeps us glued wit
These stakes might seem comparatively small in a movie landscape of deadly tornadoes, apocalypses and multiverses colliding. But that's what makes it so special. It is humanity, with all of its beauties and disappointments, as most of us experience it. And it's one that will likely stay with you for some time.
On the day Matthew Perry died, his live-in personal assistant gave him his first ketamine shot of the morning at around 8:30 a.m.About four hours later, while Mr. Perry watched a movie at his home ...
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One Fast Move is an easy pick for a popcorn movie night. There's enough good drama and substance to justify the genericness. Full Review | Original Score: 3.5/5 | Aug 8, 2024
A woodsy hike becomes a Petri dish of human nature in "Good One," writer-director India Donaldson's tense, revealing and exquisitely composed feature debut about a 17-year-old at the cusp of ...
Movie Reviews- Get the Newest Tamil Movie Reviews and Critic Ratings, Explore Kollywood Reviews, and Enjoy Movie Reviews in Tamil. Open Popup. Times Now; TN Navbharat; Zoom; ET Now; ... Romance Series My Lady Jane Cancelled After One Season; Upset Fans Launch Campaign To Save Show. Manorathangal: An Earnest-To-Goodness Homage To MT Vasudevan ...
One thing is for sure, this film will make you miss your grandparents. 11. Andhaghaaram (2020) Translated as "Darkness," 'Andhaghaaram' is a Tamil language supernatural movie that follows three seemingly unrelated individuals in Chennai. The first, Dr. Indran, is a doctor who was shot by a violent patient.
"Good one," a person might respond to a joke, or a story told around a campfire. The phrase provides the title of writer-director India Donaldson's feature debut, which follows a 17-year-old ...
ஹரா Review - 'வெள்ளி விழா' நாயகன் மோகனின் கம்பேக் எப்படி? தமிழ் சினிமாவில் ஒரு காலத்தில் வெள்ளி விழா நாயகன் என்று புகழப்பட்ட மோகன் ...
Garcelle Beauvais learned how far a Lifetime movie love scene could go while she was on set filming one.. Beauvais stars in and executive produces "Terry McMillan Presents: Tempted by Love ...
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Thangalaan Movie Review and Ratings: The movie, which is also spelt as Thangalan, stars Vikram and Malavika Mohanan. The film is being released in multiple languages on Friday.
The seventh installment of the series centers on Rain (Cailee Spaeny), a contract worker in an outer-space mining colony, and her friend Andy (David Jonsson), an android.