detailed biography of robert frost

Robert Frost

(1874-1963)

Who Was Robert Frost?

Frost spent his first 40 years as an unknown. He exploded on the scene after returning from England at the beginning of World War I . He died of complications from prostate surgery on January 29, 1963.

Early Years

Frost was born on March 26, 1874, in San Francisco, California. He spent the first 11 years of his life there, until his journalist father, William Prescott Frost Jr., died of tuberculosis.

Following his father's passing, Frost moved with his mother and sister, Jeanie, to the town of Lawrence, Massachusetts. They moved in with his grandparents, and Frost attended Lawrence High School.

After high school, Frost attended Dartmouth College for several months, returning home to work a slew of unfulfilling jobs.

Beginning in 1897, Frost attended Harvard University but had to drop out after two years due to health concerns. He returned to Lawrence to join his wife.

In 1900, Frost moved with his wife and children to a farm in New Hampshire — property that Frost's grandfather had purchased for them—and they attempted to make a life on it for the next 12 years. Though it was a fruitful time for Frost's writing, it was a difficult period in his personal life and followed the deaths of two of his young children.

During that time, Frost and Elinor attempted several endeavors, including poultry farming, all of which were fairly unsuccessful.

Despite such challenges, it was during this time that Frost acclimated himself to rural life. In fact, he grew to depict it quite well, and began setting many of his poems in the countryside.

Frost met his future love and wife, Elinor White, when they were both attending Lawrence High School. She was his co-valedictorian when they graduated in 1892.

In 1894, Frost proposed to White, who was attending St. Lawrence University , but she turned him down because she first wanted to finish school. Frost then decided to leave on a trip to Virginia, and when he returned, he proposed again. By then, White had graduated from college, and she accepted. They married on December 19, 1895.

White died in 1938. Diagnosed with cancer in 1937 and having undergone surgery, she also had had a long history of heart trouble, to which she ultimately succumbed.

Frost and White had six children together. Their first child, Elliot, was born in 1896. Daughter Lesley was born in 1899.

Elliot died of cholera in 1900. After his death, Elinor gave birth to four more children: son Carol (1902), who would commit suicide in 1940; Irma (1903), who later developed mental illness; Marjorie (1905), who died in her late 20s after giving birth; and Elinor (1907), who died just weeks after she was born.

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Early Poetry

In 1894, Frost had his first poem, "My Butterfly: an Elegy," published in The Independent , a weekly literary journal based in New York City .

Two poems, "The Tuft of Flowers" and "The Trial by Existence," were published in 1906. He could not find any publishers who were willing to underwrite his other poems.

In 1912, Frost and Elinor decided to sell the farm in New Hampshire and move the family to England, where they hoped there would be more publishers willing to take a chance on new poets.

Within just a few months, Frost, now 38, found a publisher who would print his first book of poems, A Boy’s Will , followed by North of Boston a year later.

It was at this time that Frost met fellow poets Ezra Pound and Edward Thomas, two men who would affect his life in significant ways. Pound and Thomas were the first to review his work in a favorable light, as well as provide significant encouragement. Frost credited Thomas's long walks over the English landscape as the inspiration for one of his most famous poems, "The Road Not Taken."

Apparently, Thomas's indecision and regret regarding what paths to take inspired Frost's work. The time Frost spent in England was one of the most significant periods in his life, but it was short-lived. Shortly after World War I broke out in August 1914, Frost and Elinor were forced to return to America.

Public Recognition for Frost’s Poetry

When Frost arrived back in America, his reputation had preceded him, and he was well-received by the literary world. His new publisher, Henry Holt, who would remain with him for the rest of his life, had purchased all of the copies of North of Boston . In 1916, he published Frost's Mountain Interval , a collection of other works that he created while in England, including a tribute to Thomas.

Journals such as the Atlantic Monthly , who had turned Frost down when he submitted work earlier, now came calling. Frost famously sent the Atlantic the same poems that they had rejected before his stay in England.

In 1915, Frost and Elinor settled down on a farm that they purchased in Franconia, New Hampshire. There, Frost began a long career as a teacher at several colleges, reciting poetry to eager crowds and writing all the while.

He taught at Dartmouth and the University of Michigan at various times, but his most significant association was with Amherst College , where he taught steadily during the period from 1916 until his wife’s death in 1938. The main library is now named in his honor.

For a period of more than 40 years beginning in 1921, Frost also spent almost every summer and fall at Middlebury College , teaching English on its campus in Ripton, Vermont.

In the late 1950s, Frost, along with Ernest Hemingway and T. S. Eliot , championed the release of his old acquaintance Ezra Pound, who was being held in a federal mental hospital for treason due to his involvement with fascists in Italy during World War II . Pound was released in 1958, after the indictments were dropped.

Famous Poems

Some of Frost’s most well-known poems include:

• “The Road Not Taken”
• “Fire and Ice”
• “Mending Wall”
• “Home Burial”
• “The Death of the Hired Man”
• “Stopping By Woods on a Snowy Evening”
• “Acquainted with the Night”
• “Nothing Gold Can Stay”

Pulitzer Prizes and Awards

During his lifetime, Frost received more than 40 honorary degrees.

In 1924, Frost was awarded his first of four Pulitzer Prizes, for his book New Hampshire . He would subsequently win Pulitzers for Collected Poems (1931), A Further Range (1937) and A Witness Tree (1943).

In 1960, Congress awarded Frost the Congressional Gold Medal.

President John F. Kennedy’s Inauguration

At the age of 86, Frost was honored when asked to write and recite a poem for President John F. Kennedy's 1961 inauguration. His sight now failing, he was not able to see the words in the sunlight and substituted the reading of one of his poems, "The Gift Outright," which he had committed to memory.

Soviet Union Tour

In 1962, Frost visited the Soviet Union on a goodwill tour. However, when he accidentally misrepresented a statement made by Soviet Premier Nikita Khrushchev following their meeting, he unwittingly undid much of the good intended by his visit.

On January 29, 1963, Frost died from complications related to prostate surgery. He was survived by two of his daughters, Lesley and Irma. His ashes are interred in a family plot in Bennington, Vermont.

QUICK FACTS

• Name: Robert Lee Frost
• Birth Year: 1874
• Birth date: March 26, 1874
• Birth State: California
• Birth City: San Francisco
• Birth Country: United States
• Gender: Male
• Best Known For: Robert Frost was an American poet who depicted realistic New England life through language and situations familiar to the common man. He won four Pulitzer Prizes for his work and spoke at John F. Kennedy's 1961 inauguration.
• Fiction and Poetry
• Astrological Sign: Aries
• Harvard University
• Lawrence High School
• Dartmouth College
• Death Year: 1963
• Death date: January 29, 1963
• Death State: Massachusetts
• Death City: Boston
• Death Country: United States

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CITATION INFORMATION

• Article Title: Robert Frost Biography
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• Last Updated: December 1, 2021
• Original Published Date: April 2, 2014
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• I would have written of me on my stone: I had a lover's quarrel with the world.

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Robert Frost

Robert Frost was born on March 26, 1874, in San Francisco, where his father, William Prescott Frost, Jr., and his mother, Isabelle Moodie, had moved from Pennsylvania shortly after marrying. After the death of his father from tuberculosis when Frost was eleven years old, he moved with his mother and sister, Jeanie, who was two years younger, to Lawrence, Massachusetts. He became interested in reading and writing poetry during his high school years in Lawrence, enrolled at Dartmouth College in Hanover, New Hampshire in 1892 and, later, at Harvard University, though he never earned a formal degree.

Frost drifted through a string of occupations after leaving school, working as a teacher, cobbler, and editor of the Lawrence Sentinel . His first published poem, “My Butterfly,” appeared on November 8, 1894 in the New York newspaper The Independent .

In 1895, Frost married Elinor Miriam White, with whom he’d shared valedictorian honors in high school, and who was a major inspiration for his poetry until her death in 1938. The couple moved to England in 1912, after they tried and failed at farming in New Hampshire. It was abroad where Frost met and was influenced by such contemporary British poets as Edward Thomas , Rupert Brooke , and Robert Graves . While in England, Frost also established a friendship with the poet Ezra Pound , who helped to promote and publish his work.

By the time Frost returned to the United States in 1915, he had published two full-length collections, A Boy’s Will (Henry Holt and Company, 1913) and North of Boston (Henry Holt and Company, 1914), thereby establishing his reputation. By the 1920s, he was the most celebrated poet in America, and with each new book—including New Hampshire (Henry Holt and Company, 1923), A Further Range (Henry Holt and Company, 1936), Steeple Bush (Henry Holt and Company, 1947), and In the Clearing (Holt Rinehart & Winston, 1962)—his fame and honors, including four Pulitzer Prizes, increased. Frost served as a consultant in poetry to the Library of Congress from 1958–59. In 1962, he was presented the Congressional Gold Medal. 

Though Frost’s work is principally associated with the life and landscape of New England—and, though he was a poet of traditional verse forms and metrics who remained steadfastly aloof from the poetic movements and fashions of his time—Frost is anything but merely a regional poet. The author of searching, and often dark, meditations on universal themes, he is a quintessentially modern poet in his adherence to language as it is actually spoken, in the psychological complexity of his portraits, and in the degree to which his work is infused with layers of ambiguity and irony.

In a 1970 review of The Poetry of Robert Frost , the poet Daniel Hoffman describes Frost’s early work as “the Puritan ethic turned astonishingly lyrical and enabled to say out loud the sources of its own delight in the world,” and comments on Frost’s career as the “American Bard”: “He became a national celebrity, our nearly official poet laureate, and a great performer in the tradition of that earlier master of the literary vernacular, Mark Twain.”

President John F. Kennedy, at whose inauguration Frost delivered a poem, said of the poet, “He has bequeathed his nation a body of imperishable verse from which Americans will forever gain joy and understanding.” And famously, “He saw poetry as the means of saving power from itself. When power leads man towards arrogance, poetry reminds him of his limitations. When power narrows the areas of man’s concern, poetry reminds him of the richness and diversity of his existence. When power corrupts, poetry cleanses.”

Robert Frost lived and taught for many years in Massachusetts and Vermont, and died in Boston on January 29, 1963.

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Biography of Robert Frost

America's Farmer/Philosopher Poet

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• B.A., English and American Literature, University of California at Santa Barbara
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Robert Frost — even the sound of his name is folksy, rural: simple, New England, white farmhouse, red barn, stone walls. And that’s our vision of him, thin white hair blowing at JFK’s inauguration, reciting his poem “The Gift Outright.” (The weather was too blustery and frigid for him to read “Dedication,” which he had written specifically for the event, so he simply performed the only poem he had memorized. It was oddly fitting.) As usual, there’s some truth in the myth — and a lot of back story that makes Frost much more interesting — more poet, less icon Americana.

Early Years

Robert Lee Frost was born March 26, 1874 in San Francisco to Isabelle Moodie and William Prescott Frost, Jr. The Civil War had ended nine years previously, Walt Whitman was 55. Frost had deep US roots: his father was a descendant of a Devonshire Frost who sailed to New Hampshire in 1634. William Frost had been a teacher and then a journalist, was known as a drinker, a gambler and a harsh disciplinarian. He also dabbled in politics, for as long as his health allowed. He died of tuberculosis in 1885, when his son was 11.

Youth and College Years

After the death of his father, Robert, his mother and sister moved from California to eastern Massachusetts near his paternal grandparents. His mother joined the Swedenborgian church and had him baptized in it, but Frost left it as an adult. He grew up as a city boy and attended Dartmouth College in 1892, for just less than a semester. He went back home to teach and work at various jobs including factory work and newspaper delivery.

First Publication and Marriage

In 1894 Frost sold his first poem, “My Butterfly,” to  The New York Independent for $15. It begins: “Thine emulous fond flowers are dead, too, / And the daft sun-assaulter, he / That frighted thee so oft, is fled or dead.” On the strength of this accomplishment, he asked Elinor Miriam White, his high school co-valedictorian, to marry him: she refused. She wanted to finish school before they married. Frost was sure that there was another man and made an excursion to the Great Dismal Swamp in Virginia. He came back later that year and asked Elinor again; this time she accepted. They married in December 1895.

Farming, Expatriating

The newlyweds taught school together until 1897, when Frost entered Harvard for two years. He did well, but left school to return home when his wife was expecting a second child. He never returned to college, never earned a degree. His grandfather bought a farm for the family in Derry, New Hampshire (you can still visit this farm). Frost spent nine years there, farming and writing — the poultry farming was not successful but the writing drove him on, and back to teaching for a couple more years. In 1912, the Frost gave up the farm, sailed to Glasgow, and later settled in Beaconsfield, outside London.

Success in England

Frost’s efforts to establish himself in England were immediately successful. In 1913 he published his first book,  A Boy’s Will , followed a year later by North of Boston . It was in England that he met such poets as Rupert Brooke, T.E. Hulme and Robert Graves, and established his lifelong friendship with Ezra Pound, who helped to promote and publish his work. Pound was the first American to write a (favorable) review of Frost’s work. In England Frost also met Edward Thomas, a member of the group known as the Dymock poets; it was walks with Thomas that led to Frost’s beloved but “tricky” poem, “The Road Not Taken.”

The Most Celebrated Poet in North America

Frost returned to the U.S. in 1915 and, by the 1920s, he was the most celebrated poet in North America, winning four Pulitzer Prizes (still a record). He lived on a farm in Franconia, New Hampshire, and from there carried on a long career writing, teaching and lecturing. From 1916 to 1938, he taught at Amherst College, and from 1921 to 1963 he spent his summers teaching at the Bread Loaf Writer’s Conference at Middlebury College, which he helped found. Middlebury still owns and maintains his farm as a National Historic site: it is now a museum and poetry conference center.

Upon his death in Boston on January 29, 1963, Robert Frost was buried in the Old Bennington Cemetery, in Bennington, Vermont. He said, “I don’t go to church, but I look in the window.” It does say something about one’s beliefs to be buried behind a church, although the gravestone faces in the opposite direction. Frost was a man famous for contradictions, known as a cranky and egocentric personality – he once lit a wastebasket on fire on stage when the poet before him went on too long. His gravestone of Barre granite with hand-carved laurel leaves is inscribed, “I had a lover’s quarrel with the world

Frost in the Poetry Sphere

Even though he was first discovered in England and extolled by the archmodernist Ezra Pound, Robert Frost’s reputation as a poet has been that of the most conservative, traditional, formal verse-maker. This may be changing: Paul Muldoon claims Frost as “the greatest American poet of the 20th century,” and the New York Times has tried to resuscitate him as a proto-experimentalist: “ Frost on the Edge ,” by David Orr, February 4, 2007 in the Sunday Book Review.

No matter. Frost is secure as our farmer/philosopher poet.

• Frost was actually born in San Francisco.
• He lived in California till he was 11 and then moved East — he grew up in cities in Massachusetts.
• Far from a hardscrabble farming apprenticeship, Frost attended Dartmouth and then Harvard. His grandfather bought him a farm when he was in his early 20s.
• When his attempt at chicken farming failed, he served a stint teaching at a private school and then he and his family moved to England.
• It was while he was in Europe that he was discovered by the US expat and Impresario of Modernism, Ezra Pound, who published him in  Poetry .

“Home is the place where, when you have to go there, They have to take you in....” --“The Death of the Hired Man”

“Something there is that doesn’t love a wall....” --“ Mending Wall ”​

“Some say the world will end in fire, Some say in ice.... --“ Fire and Ice”

A Girl’s Garden

Robert Frost (from  Mountain Interval , 1920)

A neighbor of mine in the village     Likes to tell how one spring When she was a girl on the farm, she did     A childlike thing.

One day she asked her father     To give her a garden plot To plant and tend and reap herself,     And he said, “Why not?”

 In casting about for a corner     He thought of an idle bit Of walled-off ground where a shop had stood,     And he said, “Just it.”

And he said, “That ought to make you     An ideal one-girl farm, And give you a chance to put some strength     On your slim-jim arm.”

It was not enough of a garden,     Her father said, to plough; So she had to work it all by hand,     But she don’t mind now.

She wheeled the dung in the wheelbarrow     Along a stretch of road; But she always ran away and left     Her not-nice load.

And hid from anyone passing.     And then she begged the seed. She says she thinks she planted one     Of all things but weed.

A hill each of potatoes,     Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn,     And even fruit trees

And yes, she has long mistrusted     That a cider apple tree In bearing there to-day is hers,     Or at least may be.

Her crop was a miscellany     When all was said and done, A little bit of everything,     A great deal of none.

Now when she sees in the village     How village things go, Just when it seems to come in right,     She says, “I know!

It’s as when I was a farmer——”     Oh, never by way of advice! And she never sins by telling the tale     To the same person twice.

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Robert Frost

• Biography of Robert Frost

Robert Frost (1874-1963) , four-time Pulitzer Prize winning American poet, teacher and lecturer wrote many popular and oft-quoted poems including “After Apple-Picking”, “The Road Not Taken”, “Home Burial” and “Mending Wall”;

I let my neighbour know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: “Stay where you are until our backs are turned!” We wear our fingers rough with handling them. Oh, just another kind of out-door game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, “Good fences make good neighbours.”

At times bittersweet, sometimes ironic, or simply marveling at his surroundings, one can also see autobiographical details in Frost’s works; he suffered devastating losses in his life including the untimely deaths of his sister, two of his children and his wife. He knew the soul’s depths of psychic despair but was also capable of delighting in birch trees ‘loaded with ice a sunny winter morning’ . While memorialising the rural landscape, vernacular, culture and people of New England in his traditional verse style, his poems also transcend the boundaries of time and place with metaphysical significance and modern exploration of human nature in all her beauty and contradictions. Though not without his critics, millions of readers the world over have found comfort and profound meaning in his poetry and he has influenced numerous other authors, poets, musicians, and playwrights into the 21st Century.

Robert Lee Frost (named after Southern General Robert E. Lee) was born on 26 March 1874 in San Francisco, California to Isabelle Moodie (1844-1900) teacher, and William Prescott Frost Jr. (1850-1885), teacher and journalist. San Francisco was a lively city full of citizens of Pioneering spirit, including Will who had ventured there from New Hampshire to seek his fortune as a journalist. He also started gambling and drinking, habits which left his family in dire financial straits when he died in 1885 after contracting tuberculosis. Honouring his last wishes to be buried in Lawrence, Massachusetts where he was born, Isabelle, Robert and his sister Jeanie Florence (1876-1929) made the long train journey across the country to the New England town. Isabelle took up teaching again to support her children.

With both parents as teachers, young Robert was early on exposed to the world of books and reading, studying such works as those by William Shakespeare and poets Robert Burns and William Wordsworth . He also formed a life-long love of nature, the great outdoors and rural countryside. After enrolling in Lawrence High School he was soon writing his own poems including “La Noche Triste” (1890) which was published in the school’s paper. He excelled in many subjects including history, botany, Latin and Greek, and played football, graduating at the head of his class. In 1892 he entered Dartmouth, the Ivy League College in Hanover, New Hampshire, but soon became disenchanted with the atmosphere of campus life. He then took on a series of jobs including teaching and working in a mill, all the while continuing to write poetry.

Frost got his first break as a poet in 1894 when the New York magazine Independent published “My Butterfly: An Elegy” for a stipend of $15. A year later a wish he had had for some time came true; on 19 December 1895 he married Elinor Miriam White (1872-1938), his co-valedictorian and sweetheart from school. They had gone separate ways upon graduation to attend college, and while Frost had left early, Elinor wanted to wait until she was finished before getting married. They would have six children together; sons Elliott (b.1896-1900) and Carol (1902-1940) and daughters Lesley (b.1899), Irma (b.1903), Marjorie (b.1905-1934), and Elinor Bettina (1907-1907).

The newlyweds continued to teach, which Frost always enjoyed, but the demanding schedule interfered with his writing. In 1897 he entered Harvard University in Cambridge, Massachusetts, though illness caused him to leave in 1899 before finishing his degree. Despite that, it was one of many institutions that would award him an honorary degree later on. The next ten years, the ‘Derry years’, were trying times for Frost with a growing family to support. In 1900 they moved to a farm bought by his paternal grandfather in Derry, New Hampshire to try poultry farming. The same year his son Elliot died of cholera. Frost suffered greatly from grief and guilt, and compounding this was the loss of his mother to cancer the same year. In 1907 Elinor Bettina died just one day after birth. But the farm was a peaceful and secluded setting and Frost enjoyed farming, tending to his orchard trees, chickens and various other chores. This period inspired such poems as “The Mending Wall” (written in England in 1913) and “Hyla Brook” (1906). The house built in the typical New England clapboard style is now a restored State Historical Landmark.

But it was soon time for a change. In 1911 he sold the farm and the Frosts set sail for England. Elinor was enthusiastic about traveling, even with four children, and they moved into a cottage in Beaconsfield, just outside of London. Then finally it happened; after writing poetry and trying to get noticed by publishers for over twenty years, Frost’s first collection of poetry A Boy’s Will was published in England in 1913 by a small London printer, David Nutt. American publisher Henry Holt printed it in 1915. Frost’s work was well-received and fellow poets Edward Thomas and Ezra Pound became friends, supporters, and helped promote his work. North of Boston (1914) followed. When World War I started the Frosts were back in New Hampshire, settling at their newly bought farm in Franconia in 1915. A year later Robert began teaching English at Amherst College. Mountain Interval was published in 1916 which contained many poems written at Franconia. He was also starting lecture tours for his ever-growing audience of avid readers.

In 1920, Frost bought ‘Stone House’ (now a museum) in South Shaftsbury, Vermont. There he wrote many of the poems contained in his fourth collection of poetry New Hampshire (1923) which won him the Pulitzer Prize for Poetry in 1923. It includes “Stopping By Woods On A Snowy Evening”;

The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

While he also farmed on the idyllic property with its breathtaking views of mountains and valleys, another project Frost undertook was the founding of the Bread Loaf School of English at Middlebury College in Ripton, Vermont. After his son Carol married Lillian LaBatt (1905-1995) and his grandson Prescott arrived, he gave them Stone House to live in where Carol planted his thousand apple trees. Frost bought a second farm in Shaftsbury, “The Gulley”. At the height of his career, his next collection of poems West-running Brook (1928) was published just one year before another great loss of a loved one hit him; his sister Jeanie died.

By now Frost was a popular speaker and had a demanding schedule of which Elinor, acting as his secretary, organised for him, so he spent a fair bit of time traveling, though still maintaining an impressive output of poetry. He was awarded the Pulitzer Prize for Poetry a second time in 1931 for his Collected Poems (1930), and also in 1937 for A Further Range (1936), and yet again in 1943 for his collection A Witness Tree (1942). All his children were married and he spent much time with them and his grandchildren, though it was not long before the heavy blows of loss struck again; his beloved daughter Marjorie died in 1934 after the birth of her first child, and in 1938 Elinor died of a heart attack. In 1940 Carol committed suicide.

Leaving the Stone House and The Gulley behind, in 1939 Frost bought the Homer Noble Farm in Ripton, Vermont for his summer residence, located near the Bread Loaf School. He occupied the cabin on the property ‘Than smoke and mist who better could appraise, The kindred spirit of an inner haze?’ (“A Cabin in the Clearing”) while his friends and colleagues the Morrisons stayed in the main house. Collected Poems (1939) was followed by A Masque of Reason (play, 1945), Steeple Bush (1947), A Masque of Mercy (play, 1947), Complete Poems (1949), and In the Clearing (1962). At the Inauguration of American President John F. Kennedy on 20 January 1961, Frost recited his poem “The Gift Outright” (1942).

Robert Frost died on the 29th of January 1963 in Boston, Massachusetts. ‘Safe!, Now let the night be dark for all of me. Let the night be too dark for me to see, Into the future. Let what will be, be.’ (“Acceptance”) He lies buried in the family plot in the Old Bennington Cemetery behind the Old First Congregational Church near Shaftsbury, Vermont. His gravestone reads ‘I Had A Lover’s Quarrel With The World’.

Just nine months after Frost’s death, Kennedy gave a speech at Amherst College, singing Frosts’ praises and speaking on the importance of the Arts in America. Later he said;

“The death of Robert Frost leaves a vacancy in the American spirit....His death impoverishes us all; but he has bequeathed his Nation a body of imperishable verse from which Americans will forever gain joy and understanding.”

Biography written by C.D. Merriman for Jalic Inc. Copyright Jalic Inc 2006. All Rights Reserved.

The above biography is copyrighted. Do not republish it without permission.

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Robert frost: opinions.

I've been reading some Frost poems (I guess I've read about fifteen) and find him to be an odd writer (for me at least), because his poems seem to be brilliant or quite lame. Some of them are beautifully written and wonderfully philosophical and introspective . . . and some of them come off as complete kitsch. And some of them, the longer ones in particular, read completely like prose, like he wasn't even trying. So, what do you all think? I'm curious because I've heard quite a few people cite him as their favorite author. I just don't see it. (And, no, my subjective opinion doesn't mean I'm saying he's not a great author--I'm saying I don't see it, nothing more.)...

Posted By Mutatis-Mutandis in Frost, Robert || 17 Replies

Help please, Robert Frost experts!

I need the actual source of a quote attributed to Robert Frost in countless places: In three words I can sum up everything I've learned about life: it goes on. Does anyone know if this was part of a poem, a play, or did he say it in an interview with the media?...

Posted By Heidi Mangel in Frost, Robert || 4 Replies

Desert Places - help?

My classmate and I are currently doing a project on Frost's poem "Desert Places". We were told to find information on the poem at various websites, including this one, however the sites do not contain much relevant information. We would love help from some of you lit and poetry junkies, so if you would like to be of assistance, please respond in the thread below and we will post our specific questions and concerns. Thank you all so much! :smilewinkgrin: -Stowpup...

Posted By stowpup in Frost, Robert || 0 Replies

Not Quite Social

Robert Frost is my favourite poet (that might be because he's the only one I've actually read) but I often get the feeling that I'm missing the whole point, or the picture... Either way, I was wondering if you could tell me what you think Forst meant with a the following lines in Not Quite Social (A Further Range): To punish me overcruelly wouldn't be right For merely giving you once more gently proof That the city's hold on a man is no more tight Than when its walls rose higher than any roof I don't know. I think poetry is difficult. I never know whether there's an actual meaning behind (a part of) it or whether the poet simply chose a word that rhymes or words that "feel ri...

Posted By Propter W. in Frost, Robert || 0 Replies

Two Look at two

hi, i have a project do on this poem i did a lot of research but was unable to find some certain things i need. what is the tone/mood/structure of the poem? the theme? ( i have the general idea) thesis statement? and also the speaker voice? thanks in advane...

Posted By nick1407 in Frost, Robert || 0 Replies

Interesting True Story about "Stopping by Woods on a Snowy Evening"

What follows is an interesting true story about Robert Frost and the correct interpretation of "Stopping by Woods on a Snowy Evening." One of my best friends took a poetry class in highschool (probably his freshman year). The class studied the aforementioned poem and the teacher encouraged each student to try to interpret it. After the students had each come to a conclusion as to what the poem signified, the the class discussed it. During the discussion the teacher insisted that the poem was about contemplating committing suicide by running off into the freezing woods. My friend was skeptical. He argued that perhaps Frost meant precisely what he said: he was simply stopping by woods on a ...

Posted By Il Dante in Frost, Robert || 3 Replies

The Silken Tent

I found it really difficult to move from the physical to the psychological in Frost's poetry ; yet it is interesting and with time I tend to like it especially for this very thing. At first I didn't like the comparaison between a woman and a tent ! Not so romantic and a little humuliating after being the man's temple , his star and so on ......I won't feel happy if a man called me " my tent ":p But I think this is the point of view of the modern man .This is how he sees her now . He's more like a vagabond . Therefore the tent is an excellent choice . From this perspective I really appreciate how he gives great dimensions to the trivial and the common ; to let us appreciate what we di...

Posted By caddy_caddy in Frost, Robert || 0 Replies

Deconstructing Robert Frost's "The Road Not Taken

Hi there. Would you please tell me how to deconstruct Robert Frost's "The Road Not Taken"? Thnx....

Posted By atena_63 in Frost, Robert || 5 Replies

Balloon animals

I've been having trouble finding a good way to make a Robert Frost balloon animal. Any suggestions? (pop culture reference)...

Posted By imthefoolonthehill in Frost, Robert || 0 Replies

frost poems... best to argue naturalism

I'm typing an essay on Frost, and was going to include . i realize that nearly all of his poems are of and relating to nature. im basically looking for a simple, straight to the point but profound poem that impacts a reader in an emotional way through the use of nature. "Stopping by Woods on a Snowy Evening” and “the Onset” to speak of naturalism. are there any better poems, in you opinion, that could possibly show naturalism in a more profound way? thanks so much - the gist of the essay is naturalism being a poetic device in which readers are more fully able to relate to a poem and let it affect their hearts and emotions, thus walking away from the poem with a sense of enlight...

Posted By chrome9k in Frost, Robert || 2 Replies

I find often with Frost that his shorter poems I tend to like, but his longer poems, just come off as sounding like these long rambling stories that do not even appear to be particuarly poetic, but more like prose but into the format of a poem. It will probably not be much of a surprsie that I just adore this poem. Desgin found a dimpled spider, fat and white, On a white heal-all, holding up a moth Like a white piece of rigid satin cloth-- Assorted characters of death and blight Mixed ready to begin the morning right, Like the ingredients of a witches' broth-- A snow-drop spider, a flower like a froth, And dead wings carried like a paper kite. What had that flower to d...

Posted By Dark Muse in Frost, Robert || 0 Replies

Frost-Desert Place

Hi, Im new in here, and just got Frost as one of my subject. Can all of you help me with Desert Place?? Thank you so much:yawnb:...

Posted By renz in Frost, Robert || 0 Replies

Post a New Comment/Question on Frost

• A Boy's Will
• "Out, Out–"
• A Girl's Garden
• A Hundred Collars
• A Servant to Servants
• After Apple-Picking
• Blueberries
• Dust of Snow
• Fire and Ice
• For Once, Then Something
• Good-bye, and Keep Cold
• Home Burial
• Mending Wall
• Neither Out Far Nor In Deep
• Nothing Gold Can Stay
• Once By The Pacific
• Putting in the Seed
• Range-Finding
• Spring Pools
• Stopping By Woods on a Snowy Evening
• The Black Cottage
• The Death of the Hired Man
• The Generations of Men
• The Housekeeper
• The Mountain
• The Oven Bird
• The Pasture
• The Road Not Taken
• The Rose Family
• The Self-seeker
• The Sound Of The Trees
• The Star-Splitter
• The Tuft of Flowers
• The Wood-Pile
• Quiz: Robert Frost: His Life and Poetry: 20 Questions

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Robert Frost

Robert Frost (Robert Lee Frost) was an American Poet. Before his works were published in America, they were published in England. Frost is known for his accurate description of country life and his grasp on the colloquial speech of America. Frost wrote about the rural life of New England in the early 20 th century. He used the settings of New England to analyze the philosophical and complex social themes.

Frost was admired and honored for his poetry. He is the only poet who received four Pulitzer Prizes in Poetry. He turned out to be one of the rare literary figures of America who was almost an artistic institution. In 1960, he was honored with the Congressional Gold Medal for his poetry. He was named as poet laureate of Vermont on 22 nd July 1961. 

A Short Biography of Robert Frost

Robert Frost was born on 26 th August 1874 to William Prescott, Jr. and Isabelle Moodie Frost. His father, William, was a journalist and was ambitious to make his career in California. He has only one sister Jeanie Frost. In 1885, his father died, and his mother shifted to Lawrence, Massachusetts, with her two children. The children were taken by the paternal grandparents of Robert and grew up in Lawrence, whereas his mother started teaching at different schools in Massachusetts and New Hampshire. In 1892, Robert graduated from high school. He was a top student in the class and shared his valediction honors with his beloved Elinor White.

Both Elinor and Robert shared interest in poetry; however, they were separated as Robert continued his education at Dartmouth College, and Elinor went to St. Lawrence University. The poetic career Robert had started in high school was continued by him. He published his first poem, My Butterfly: An Elegy” in 1894 in a weekly journal, The Independent. Frost left Dartmouth College before the completion of his first year because of the tiring academic routine. 

In 1985, he married Elinor. However, life was difficult, and Robert started teaching and farming to support his family. His fields of career did not meet any notable success. In the following twelve years, they had six children. Two of the children died at an early age. In 1897, Robert resumed his education at Harvard University and left the university after two years. From1900 to 1909, the family started poultry on a farm in New Hampshire; Frost also started teaching at the Pinkerton Academy in Derry. Frost turned into an ambitious botanist and attained his poetic identity of a rural sage of New England during these years. He was writing poetry during the time, but the publishing opening shows that he did not have much interest in it.

Frost was struggling against the discouragement by 1911. For him, poetry was regarded as a game of a young person. Whereas Frost, who was almost 40 years old, could not publish a book and only had published a few handfuls of poems in magazines. In 1911, Frost got ownership of the Derry farm. He made a sudden decision to sell the farm and started a new life in London. To him, the publishers in London were more approachable to new talent than in America. In 1912, Frost, along with his family, moved to England. Frost also took his poems with him that he had written in America but did not publish it. Indeed the publishers of England proved receptive to an innovative verse of Robert Frost. Frost n with his own efforts and help of Ezra pound published his book A Boy’s Will in 1913. His poems “The Tuft of Flowers,” “Mowing,” and “Storm Fear” from the first book were the standard pieces.

In 1914, he published his second collection North of Boston. The collection contained the major and most popular poems of Robert Frost. These poems include “The Death of the Hired Man,” “After Apple-Picking,” “Mending Wall,” and “Home Burial.” In 1914, Anne Lowell, the Boston poet, traveled to England and encountered Frost’s work in the bookstore. She took the books with her to America and launched a campaign to publish it in America. In the meantime, she also started writing a complimentary review of North of Boston.

Frost had achieved great fame without his knowledge. In 1915, Frost returned to America because of World War I. Till that time, the review of Amy Lowell was already published, and everyone was aware of the unusual qualities of Robert Frost. His book North of Boston had been published by Henry Holt Publishers in 1914. It was the best-seller, and when Frost was moving to America, it had already started publishing the American edition of A Boy’s Will. Frost was instantly approached by various magazines to publish his poems.

In 1915, at Franconia, New Hampshire, Frost bought a little farm. However, he was unable to support his family with the income of poetry and farm.  Thus, he started lecturing part-time at Amherst College. From 1916 to 1938, he taught at the University of Michigan. In 1916, he published a new collection of poems, Mountain Interval. The collection continued to be as successful and the previous one. In 1923, he published New Hampshire. This collection received a Pulitzer Prize for poetry. 

His further collection was published in the succeeding years. He published Collected Poem in 1930, Further Range in 1936, and A Witness Tree in 1942. He also published volumes of poetry that includes West-Running Brook in 1928, In Clearing in 1962, and Steeple Blush in 1947. From 1939 to 1943, he served as the Poet-in-residence at Harvard; from 1943 to 1949 at Dartmouth; and from 1949 to 63 at Amherst College. He gathered awards and honors from every year in his last years. He also served as the poetry consultant to the Library of Congress from 1958 to 1959.

In 1962, on a goodwill tour, Frost visited the Soviet Union. However, he, by mistake, altered the statement by Soviet Premier Nikita Khrushchev after the meeting. The good intended by the visit was unwittingly undone.

On 29 th January 1963, frost faced complications from his prostate surgery and died. He left two daughters, Irma and Lesley. His remains are buried in Bennington, Vermont, in a family plot. 

Robert Frost’s Literary Style

A regional poet.

Robert Frost was living in the region of New England, almost in New Hampshire. He considered it to be one of the two best states in the United States of America; the other was Vermont. He was a poet in his region. He did not include the region of all of America in his poetic scope. However, he also did not attempt to bring regional unity to his characters and also create a Utopian world for them. According to John Lynen, “Frost is the best known to the public as the poet of New England. Like Faulkner, he stands forth as both the interpreter and the representative of his regional culture.”

The setting of New England offered him stories, characters, attitudes that he needed. He loved the tradition of New England and sought strength from it. His works fall in the pastoral literary tradition. His characters, subjects, and events belong to rural New England. He focuses on the ordinary setting and events of rural areas.

Symbolism in Robert Frost’s Poetry

Symbolism is an indirect and veiled mode of communication. Along with the surface meaning, a literary piece also has a deeper meaning, which can only be understood when one reads the poem/literary work through close examination. The poems of Robert Frost have symbolic meaning.

For example, the poem “Mending Wall” apparently suggests that good neighbors are made by good friends. However, the poem symbolically deals with one of the significant problems. It put forwards the question of whether to make the natural boundaries strong to protect ourselves or to remove them as they limit our interaction with other people.

Similarly, the poem “Stopping by Woods” symbolically suggests the struggle of every individual between their social duties towards others with the stresses of our practical life and the moving longing to escape into nature and relax. Moreover, darks woods in the poem that is covered with the snow, and the speaker is greatly attracted to it, symbolizes death. However, the speaker turns down the call of nature (wood) and decides on fulfilling his social obligations. The speaker says:

“The woods are lovely, dark and deep

  But I have promises to keep,

  And miles to go before I sleep,

  And miles to go before I sleep.”

The poem “Stopping by Woods on a snowy evening” has a new sort of symbolism, unlike the outdated traditional pastoral symbolism. The subtly and indirect nature of Frost’s symbolism in the poem is due to its fondness for inference than obvious statements.  It is due to this subtle quality that readers admire Frost’s poetry. Another unique quality in the reading of the poems of Frost is that our surface understanding of the poem does not coincide with deeper meaning. 

 Though the poems or subject matters, Frost’s poetry is complicated. However, clarity in verse veiled the complications and made the poem comprehensible. Even if the poems had nothing but surface meaning, Frost would be admired for his clarity of verse.

Seriousness and Spontaneity in Frost’s Poetry

The whole life of Robert Frost was dedicated to his poetry, which shows his seriousness for his art. But in the initial life, he did not pay much attention to his poetic talent or analyze the source of his poetic gift. This turned the poetry of Frost having unforced, simple, and lyric charm. It appears to be written effortlessly and naturally, just as breathing.

The verse of Robert Frost d stately, formed, and easily anticipated. The technique he employed is simple. He carefully handles the language and rhythm that his most sophisticated poems have spontaneity. Therefore, his ideas seem to be suddenly discovered, not conceived earlier.

Isolation and Loneliness in Robert Frost’s Poetry

One of the important themes of the poetry of Robert Brown is the isolation of man in the universe and his feeling of alienation from nature. The Majority of his poems deal with the feeling of loneliness and sense of isolation. These themes are also influenced by Frost’s personal experiences. Frost’s sister Jeanie has been mentally ill for a long period due to which she became completely alienated from the world. Jeanie was not able to cope with the stiffness and cruelty of existence. For her, the reality of love, birth, and death was conflicting. The ideal world of Jeanie never reconciled with her real world.

In the poem “Home Burial,” the plight of the husband is similar to the plight of Frost in being powerless to deter her sister from the view of the world. The woman in the poem is unable to accept the reality of the situation, just like Jeanie. The woman is unable to reconcile herself to the death of her child and becomes totally alienated from the world.

Similarly, in the poem “An Old Man’s Winter Night” is about an old man roaming alone in the empty house on a winter night and then goes to the store and sleep beside it. The poem efficiently portrays the loneliness of old age and shows deep hostility of life counter to death.

“One Aged Man—-One Man—Can’t Keep A House,

  A Farm, A Countryside, Or If He Can,

  It’s Thus He Does It Of A Winter Night.”

The Portrayal of Characters and Psychoanalysis

Frost’s poems also depict the characters with a psychoanalytical approach. The psychoanalytical approach shows the features of modernism in Frost’s poetry. In these poems, Frost explores the unconscious mind of his characters, although Frost does not seem to be directly influenced by Sigmund Freud. His poetry also focuses on abnormal psychology, dealing with morbid and unconventional behavior of humans. In these poems, the characters are lonely and neurotic. For example, in the poem Home Burial , there is an over-wrought mother who is outrageous in the grief of the death of her child.

Similarly, in “The Death of Hired Man,” the decaying Silas is adhering through carelessness and failure to his need for self-respect. The characters of Robert Frost are full of blood and flesh; he enters into their mind with intense awareness and brings into reality their movements, actions, and speeches with psychoanalytical power.

Narrative and Dramatic Quality of Frost’s poetry

Robert Frost’s poetry is essentially dramatic, no matter what the theme is. He dramatizes his poetry for his readers by creating full scenes of situations and a realistic atmosphere. The dramatic quality is at the peak in the poem at denouement when the fact of the world in the poem attains its metaphysical significance.

For example, in the poem “Home Burial” and “The Death of Hired Man” characters, scenes, and dialogues are shown with full narrative skills like a stage drama.

Fancy and Fact in Frost’s Poetry

The poetry of Robert Frost is beautifully blended of fancy and fact. He inculcates everything in his observation. In the poem “Stopping by Woods,” Frost blends the fancy and facts through the feeling of enjoying the scene of beautiful wood and trying to escape from reality. The speaker is captivated in a lovely scene, but at the same time, he realizes his social obligations of the real and practical life.

Conversational and colloquial Style of Robert Frost

Robert Frost mastered the colloquial and conversational style. He uses sober, quire, and bewitching sort of words. His dialogues are homely, such as in Poem “Home Burial” and “Death of The Hired Man.” His poetry has actual speech rhythm and employed it with mastery. One of his distinguishing features includes the movement of blank verse. The diction he uses is also simple and colloquial. Just like Wordsworth, he employed the language really used by the common man.

Poet of Nature

One of the dominant subjects of Frost’s poetry is Nature; however, he is not nature-poet like that of Thomas Hardy and Wordsworth. His poetry focuses on a man in nature, whereas the poetry of Wordsworth deals with the prospect of the natural world. He perceives no infusing essence in the natural objective and hardhearted. For Frost, nature provides comfort as well as a threat. 

Philosophy, Moral Didacticism, and Aphorism

The wisdom that develops by tolerance, understanding, and observation is preferred by Frost. He is a philosophical poet, and his philosophical value lies in the incentive of intelligence which assists human actions in everyday life. The main characteristics of Frost’s poetry are: it is philosophical, didactic, and aphoristic. The aphoristic verses in the poem provide philosophical and didactic quality. The Following are the examples of his aphoristic lines from different poems.

“A Home is a place where, when you have to go there, they have to take you in” from the poem “Death of Hired Man.”

“Something there is that doesn’t love a wall” From the poem “Mending Wall.”

“Earth’s right place for love

I do not know where it’s likely to go better ” From the poem “Birches.”

“But I have promises to keep,

And miles to go before I sleep” from the poem “Stopping by Wood.”

Though the poems of Frost have a moral purpose, however, the moral lesson is given through either an argument moving the lyric or in a dramatic situation. The moral lesson is not explicit and obvious. Similarly, he deals with the notions of life, birth, truth, and death to make his poem philosophical.

Lyrical Quality

In his poetry, Frost employs the oldest way to make a new and distinctive lyrical form of poetry. Musicality is an essential feature of a lyrical poem, and musicality in the verses is achieved by rhyme, meter, and traditional patterns of stanzas. Frost’s main reputation is based on the lyrical quality of his poetry. For example, in the poem “Stopping by Wood” and “The Road Not Taken” is full of lyricism. In his poetry, Frost not only renews the subject of lyricism in poetry but also brought originality and astonishing sophistication to it. Frost focuses much on the tune and sound of his poem.

Fusion or Integration in Frost’s Poetry

In Frost’s poetry, heterogeneous ideas and elements are fused together in a single independent unit. The main problem is to achieve fusion and integration. Once the integration is achieved, wonder, mystery, and magic are observed in the poetry. According to Frost, a variety of poetry lies not in its uniqueness of form but in the uniqueness of its subject matter. The two ideas fused together in a poem may be difficult to separate from each other. In Frost, poetry, two different subjects are happily united, not forcefully.

Metaphysical Elements in Frost’s Poetry

Just Emerson and Emily Dickenson, Frost is also a metaphysical poet. His metaphysical quality permits him to see beyond the ordinary. Throughout the poems of Frost, like other great metaphysical poems, there is an increased tension created between the simple feet and the mystery revolving around it. The conflict is resolved at the end of the poem with a moral lesson. 

The Irony in Robert Frost’s Poetry

In “Two Ways of Looking at Robert Frost, Randel Jarrell writes: “At its best, Frost’s irony is the sharpest of poetic weapons; at its worst, it is the forgivable pun of a wise old duffer.”

There are two personalities of Robert Frost. The one that everyone knows and the one nobody really knows it or talks about it. The personality of Frost that everyone knows is the one who writes poetry with good puns, and these puns are easily understood by the common readers. For academic writers, the easy side is very attractive, and it is this side that the other personality of the poet is neglected. Similarly, the poetry of Frost has two sides: simple and ironic. The irony is hardly understood by anyone. 

Works Of Robert Frost

• The Road Not Taken
• Mending Wall