Aama Tamil Movie 2020 Cast
Posted by | Vishnu Das on | May 20, 2023
Initial release
Aama, a Nepali drama film released in 2020, was helmed and written by Dipendra K. Khanal. Sharmila Pandey produced the film under the DS Digital banner.
Aama Tamil Movie Cast, Plot, Production, & Release
The lead roles were portrayed by Mithila Sharma and Surakshya Panta, accompanied by Sarita Giri, Deshbhakta Khanal, Manish Niraula, Laxmi Bhusal, Tika Pahari, Padam Prasad Poudel, Aashant Sharma, and Saroj Aryal. This heartfelt movie explores the intricate bond between a mother and daughter. Overall, Aama garnered positive reviews from critics.
Following a distressing incident that resulted in a severe head injury, Yagya Prasad Aryal (portrayed by Desh Bhakta Khanal) finds himself hospitalized in Kathmandu. With her husband requiring immediate medical attention, Yagya Prasad’s wife turns to the bustling city for help. In this unfamiliar environment, her only sources of support are her daughter Arati (played by Surakshya Panta) and her husband (portrayed by Manish Niraula).
Due to her brother’s absence in the United States, Arati is now tasked with the responsibility of caring for both her father and mother. The medical journey becomes an expensive one as Yagya Prasad undergoes a crucial surgical procedure.
Mithila Sharma
Surakshya Panta
Surakshya Panta soared to stardom following her exceptional performance in the movie “Dhanapati.” Since then, she has graced the silver screen with her remarkable talent in highly acclaimed films such as “Gopi” and “Aama.”
Sarita Giri
Sarita Giri shares a similar circumstance in her role, where both Sharma and Giri seldom find reasons to smile throughout the story.
Deshbhakta Khanal
Manish Niraula
Laxmi Bhusal
The lead roles in the film are portrayed by Laxmi Bhusal, Surakshya Panta, and Sarita Giri.
Tika Pahari
Arpan Thapa
Thapa embarked on his acting journey with the Nepali film “Sick City,” where he portrayed the lead role of Krishna. Additionally, he showcased his directorial skills in the movie “Mukhauta.”
Padam Prasad Poudel
Aashant Sharma
Saroj Aryal
The characters portrayed by Aashant Sharma, Saroj Aryal, and Asmita Khanal are thoughtfully developed and well-crafted in the film.
Actress Surakshya Panta displayed her dedication to the role by agreeing to shave her head.
Sunny Mahat from The Annapurna Express highly recommended watching “Aama,” describing it as a film that challenges norms, shatters stereotypes and showcases the presence of talented filmmakers and artists in the industry. The movie is a relatable story without theatrical embellishments.
Diwakar Pyakurel from Online Khabar praised Surakshya Panta for her outstanding performance, noting her natural portrayal of an emotionally turbulent character. The project has undoubtedly elevated her career to a higher level.
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Saroj Aryal Laxmi Bhusal (Grandmother) Eddie Edwards (Narendra) Sarita Giri Deshbhakta Khanal Manish Niraula (Arati's Husband) Tika Pahari Surakshya Panta Padam Prasad Poudel Aashant Sharma
Dipendra K. Khanal
Yagya Prasad Aryal is in an incident which caused a serious head injury. His wife admits him to a hospital in Kathmandu.
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Aama (2020)
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Aama movie review: Moving plot fails to quench Nepali film industry’s thirst for ‘newness’
But ironically, this specificity becomes problematic if you go to the cinema after watching the trailer—the nearly two-hour-long movie offers you nothing more than what you have seen in the four-minute advertisement. The development of climax and denouement seems formulaic; it is predictable and rarely surprises you.
Overall, hence, Aama is another average project. While it offers you a spellbinding story with an excellent directorship, the movie cannot quench the Nepali cinema industry’s long-awaited thirst for originality and ‘newness’.
‘Single-handed’ movie
Because it is a family story and family values play decisive roles in anyone’s life in the Nepali society, the movie easily appeals to the Nepali audience in general. Dipendra K Khanal has written an emotionally charged story incorporating three subplots that are closely interconnected. The three subplots deal with different issues of the Nepali society: from the growing exodus of the young population to the foreign land, leaving the life of old people miserable in the villages, to the woes of ‘infertile’ couples. Yet, they connect to one theme: the parent-child relationship.
Khanal seems so cautious not to ruin the vigour of his story that he has not only directed the movie, but he has held the cinematographer’s job also with himself. Apparently, his single-handedness has paid off. The camerawork is almost flawless. Many things, for example, the couple (Surakshya Panta and Manish Niraula)’s desire for a child, are told with the use of images, without saying it in words. Separate shots and scenes have been connected well. Transitions are effectively marked. For the sake of clarity, flashback scenes have not been used.
Despite having three subplots, which could have been developed into separate standalone stories, the movie communicates well. Khanal, as the writer and the director, deserves applause for this.
Realistic acting and presentation
More importantly, the characters are built well in the movie. Though the title character is apparently played by veteran Mithila Sharma, Panta is the lead in this movie. Panta has done an excellent job; she looks natural in her emotionally-turbulent role. This project has elevated her one step up in her career. Sharma’s acting is also impressive, but the character she acts is quite flat that she is not required to show any dynamism and versatility. The same condition applies to the role played by Sarita Giri. The story allows both Sharma and Giri to smile very rarely. Though in a negative role, veteran radio drama actor Laxmi Bhusal has done her job well.
Because Khanal has introduced comparatively a few characters in the story, he has not lost his control over their portrayal. As Nepali movie critics often say, some ‘star’ actors work on their own frequently depriving the director of his/her command over the movie. However, Khanal has successfully handled the issue. Even the minor characters, such as the roles played by Aashant Sharma, Saroj Aryal and Asmita Khanal are built well.
But there are some glitches. Consider two scenes as examples. When Aarati (Panta) shouts at some doctors at the first hospital the family visits to admit her dad (Desh Bhakta Khanal), the audience feels it is too early to make Panta angry. Perhaps, the director could have delayed the expression of anger. Then, in the second half, Aarati’s unnamed mother (Mithila Sharma) speaks to the ailing husband (Khanal) without waiting for his response, and her speech about how the couple raised their children in the past lasts for more than one minute. Here, the director has forgotten that his job is to show, not tell.
It seems the director deliberately wants to keep all men of the film under the women’s shadow. Not only that Khanal has been silenced, the character of Aarati’s husband, played by Manish Niraula, is also underdeveloped in the movie. His angry shouts at the wife seem made-up. While he is also a major character of the story and the way he acts out significantly affects the overall performance of the movie, Niraula’s training is below par in comparison to the performance of Surakshya Panta or Mithila Sharma.
Predictable story
Perhaps the bigger problem than the training of the actors is the story’s predictability. While the four-minute trial sums up everything that happens in the movie, a few elements of the film also enable the viewers to guess what they are expecting next. Consider, for example, the use of rainfall as a motif. Stereotypically, rainfall suggests some imminent challenges to the protagonists. As the curtains open, an ambulance is plying a serpentine road while it is raining cats and dogs. Showing the rainfall once or twice could have made the movie interesting and symbolically rich, but the audience of Aama fails to count how many times it rains after the opening scene.
So happens with Aarati’s mother’s efforts to check the time on her husband’s watch. However, the use of roasted corn as a symbol is appropriate; it tells a lot about the family’s shattered dreams.
Of course, there are a few things that the trailer does not show you clearly; for example, a Christian man’s efforts to convert people at the hospital and the hospital’s fraudulent activities. However, they do not add anything significant to the plot.
Khanal’s 2016 blockbuster Pashupati Prasad fared well in the box office because its story was unique and particular. The movie had dealt with the incidents that general people had rarely thought about. However, his latest project does not have such unique elements, except that a lady shaves her head for her parents’ funeral. That too has turned stale with its excessive exposure on the film’s posters.
Perhaps, Khanal is aware of these shortcomings; hence he has been using the name and fame of Pashupati Prasad to promote Aama. When he delivers his next project after a few years, Khanal will still need to use the Pashupati Prasad-fame to advertise that. Though emotionally appealing, Aama does not offer him anything sellable to him and anything ‘new’ to the audience.
Genre: Drama, tragedy
Run time: 110 minutes
Screenwriter/director: Dipendra K Khanal
Cast: Mithila Sharma, Surakshya Panta, Sarita Giri, Deshbhakta Khanal, Manish Niraula, Laxmi Bhusal, Tika Pahari, Padam Prasad Poudel, Aashant Sharma, Saroj Aryal, Asmita Khanal
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Pyakurel is a Kathmandu-based bilingual journalist, who worked for Onlinekhabar from April 2017 till May 2023, leading its English edition from January 2020 till May 2023. He writes on climate and environment, society and culture, art and literature, and entrepreneurship, among others.
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Directed by Dipendra K. Khanal
About the story of a family facing a medical emergency and the bureaucratic apathy of the medical institution.
Mithila Sharma Surakshya Panta
Director Director
Dipendra K. Khanal
Writer Writer
Cinematography cinematography, releases by date, 21 feb 2020, releases by country.
112 mins More at IMDb TMDb Report this page
Popular reviews
Review by Sakshat KC
Melodramatic to the point that this movie after a while simply turns into blatant tragedy porn. This is the exact kind of treatment of social realism in Nepali films that is setting us back. It's a shame that they couldn't treat the subject matter with the same kind of dignity that the cinematography of this film promises it does.
Review by Aadarsh Shrestha ★★★★½
Hospital walls have heard more prayers than any temples or churches.
'Aama' which means mother in Nepali, is a heartwrenching tale of a mother and a daughter whose husband/ father is admitted in the hospital. The film portrays the hardship that the family face while their family member is admitted in the hospital. The story is so important. An incredible drama. It depicts Nepali society as a whole. A social drama which is so so important. Mithila Sharma and Surakshya Panta was the highlight of the film. Both women spills all the emotions to the character.
Not only she is the daughter of an injured/ admitted father; she is someone's wife and someone's daughter-in-law. And she has to play the role of three person: daughter, wife and daughter-in-law.
An important watch.
https://youtu.be/jC8qrOZnEew
Review by Bibek Poudel ★★½
Better than an average Nepali movie but it has its shortcomings. The background music is average and becomes irritating after an hour. Some parts of the story were overly exaggerated and forced without context. The performance from Mithila Sharma was exceptional.
Review by rajnroll ½
I really wanted to like this film, for what it was trying to do with a Nepali story. But unfortunately, i couldn't, as melodrama, on the nose music and an overly unwarranted tragic ending stood in the way.
Review by pawan85 ★★★★
One of the best Nepali films i have seen in recent years, it certainly is very emotional with great acting and based on Nepal's sociopolitical context. For any Nepali movie lovers out there i highly recommend it.
Review by Cinephile's cinephile ★★★★½
Nepali film industry is slowly but surely maturing.
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Aame - movie review.
Film: Aame Cast: Amala Paul, Ramya Subramanian, Sriranjini, Vivek Prasanna and others Dialogues: Rajesh A Murthy Music: Pradeep Kumar Cinematography: Vijay Kartik Kannan Editor: Shafiq Art: Videsh Stunts: "Stunner" Sam Producers: Rambabu Kalluri, Vijay Moraveneni Written and directed by: Rathnakumar Release date: July 18, 2019
Amala Paul created a sensation of sorts with the teaser of ‘Aame’. Her bold act became the talk of the town. The film is finally here after getting canceled shows on its release date due to financial issues and let's find out if the film has anything interesting to showcase.
What's it about?
Kamini(Amala Paul) works in the media and is very bold by nature. She goes to any extent just to get TRP's for her shows which are made up of prank videos. But one fine day, she and her gang decide to party hard at their old premises before shifting to a new office. One of her colleague's drugs her and the next morning Kamini finds out that she is all naked in the building with absolutely no one to help her. How does she make out of such a deadly situation is the story of the film?
What catches your imagination right away is the concept of the film which is very bold. A heroine being naked in the whole film is not tried for sure to date in India. This is a completely daring attempt. But the director takes his sweet time to come to the point.
The director starts the film on an uneven note. It is only at the interval point the film takes grip when Amala Paul's naked avatar comes into force. From there, the film is interesting as the thrills showcased are genuine and create a good effect on the audience.
Amala Paul is riveting in her role and credit should go to her for even attempting something daring like this. The way she gives a tough fight in crazy situations reveals her talent. Then at the end of the film, the actual truth is revealed which is also good.
While the plot point is novel and ambitious but it drags on, which is a major drawback. There is no doubt some thrilling elements which will connect with the audience but better handling by the director in certain portions would have made matters even better.
The cinematography is excellent and BG work is decent. There is a lot of Tamil nativity in the film.
Bottom-line: ‘Aame’ is an interesting thriller to watch out for but the experience could have been even more gripping if not for the uneven narration of the director. Amala Paul's bold act will shock many and win accolades in the coming days. She has done one of the bravest roles ever.
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Review of Nepali movie "Aama"
Cast : Mithila Sharma , Surakshya Panta , Sarita Giri, Deshbhakta Khanal, Manish Niraula, Laxmi Bhusal, Tika Pahari, Padam Prasad Poudel, Aashant Sharma, Saroj Aryal
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Aamaa (ஆமா) Movie Review (தமிழ்) | Poorna | Harshavardhan Rane | Tamil review#Aamaareview#Avunureviewtamil#Poorna#Ravibabu#Aamaareviewtamil#Avunu
Aama: Directed by Dipendra K. Khanal. With Saroj Aryal, Laxmi Bhusal, Eddie Edwards, Sarita Giri. Yagya Prasad Aryal is in an incident which caused a serious head injury. His wife admits him to a hospital in Kathmandu.
Sharmila Pandey produced the film under the DS Digital banner. Aama Tamil Movie Cast, Plot, Production, & Release. ... This heartfelt movie explores the intricate bond between a mother and daughter. Overall, Aama garnered positive reviews from critics. Plot. Following a distressing incident that resulted in a severe head injury, Yagya Prasad ...
Film Movie Reviews Aama — 2020. Aama. 2020. 1h 52m. Drama. Advertisement. Cast. Saroj Aryal Laxmi Bhusal (Grandmother) Eddie Edwards (Narendra) Sarita Giri Deshbhakta Khanal Manish Niraula ...
Aamaa (2021) New Tamil Dubbed Movie Review || Aamaa 2 - Avunu Part -2 #Aamaa#AamaaReview#AamaaMovieReview#poornaTelegram Channel Linkhttps://t.me/VjthaDISCLA...
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Watched 100s of Hollywood and Bollywood movies. Nepali movies were far behind. In the last decades, some movies like Pashupati Prasad, Talakjung vs Tulke, Jatra, and Kabaddi (probably a couple more) were some top of the movies which took Nepali movies to next level. Now, Aama will be remembered as one of the finest movies in the Nepali movie ...
Let's begin it straightaway: Aama is a moving story acted out by proven artists. The movie tells a typical tale of the Nepali society. The plot is focused, restricted by the principles of necessity and probability. It must be a good watch for lovers of realism. But ironically, this specificity becomes problematic if you go […]
Review by Aadarsh Shrestha ★★★★½. Hospital walls have heard more prayers than any temples or churches. 'Aama' which means mother in Nepali, is a heartwrenching tale of a mother and a daughter whose husband/ father is admitted in the hospital. The film portrays the hardship that the family face while their family member is admitted in ...
Get all the latest Tamil movie reviews. Read what the movie critics say, give your own rating and write your take on the story, music and cast of your favourite Kollywood movies.
Aame - Movie Review Sunday, July 21, 2019 - 13:00. Aame (2019) Cast & Crew: ... There is a lot of Tamil nativity in the film. Bottom-line: 'Aame' is an interesting thriller to watch out for but the experience could have been even more gripping if not for the uneven narration of the director. Amala Paul's bold act will shock many and win ...
Sep 20, 2023, 11:11AM IST Source: YouTube. Watch the Official Trailer from Tamil movie 'Aima' starring Yunus, Evlin Juliet, Shanmugam.R, Sisera, Saji, Akhil Prabhakaran and Megha Malu Manoharan ...
Aama (Nepali: आमा, transl. Mother) is a 2020 Nepali drama film, directed and written by Dipendra K. Khanal.The film is produced by Sharmila Pandey under the banner of DS Digital. The film stars Mithila Sharma, Surakshya Panta in the lead roles and alongside Sarita Giri, Deshbhakta Khanal, Manish Niraula, Laxmi Bhusal, Tika Pahari, Padam Prasad Poudel, Aashant Sharma, Saroj Aryal.
Sep 20, 2023, 11:10AM IST Source: YouTube. Watch the Official Teaser from Tamil movie 'Aima' starring Yunus, Evlin Juliet, Shanmugam.R, Sisera, Saji, Akhil Prabhakaran and Megha Malu Manoharan ...
'Aranmanai 4' movie review: Despite lacking in finesse, Tamannaah anchors the best entry in the franchise Sundar C makes a much-needed comeback with the most intriguing addition to the ...
Aima is a 2023 Indian movie directed by Rahul Krishna starring Yunus, Evlin Juliet, Shanmugam Ramasamy and Sisera. The feature film is produced by Shanmugam Ramasamy and the music composed by K R Rahul.
Tamil Movie News - IndiaGlitz Tamil provides Movie News & cast crew details of Tamil Cinema and Tamil Movie Reviews. Get updated Latest News and information from Tamil movie industry by actress ...
Kanam Movie Review: Critics Rating: 3.5 stars, click to give your rating/review, ... Kanam is a Tamil movie released on 9 Sep, 2022. The movie is directed by Shree Karthick and featured Sharwanand ...
The movie is a family story. Yagya Prasad Aryal father of Arati(Surakshya Panta) is having a serious head injury due to some incident. Arati's mother admits him to a hospital in Kathmandu. Arati's brother who is in US cannot come so Arati, being a daughter takes care of her father and mother in absence of her brother.
Thus, this movie is a reality check on Nepal. The characters are built widely in this movie. Though the title character 'Aama' is apparently played by Sharma, Panta is the lead actor with her natural acting in her emotionally-turbulent role. Aama is a rare movie that succeeds on almost every level to show emotional attachment with family ...
Aranmanai 4 (Palace 4) is a 2024 Tamil-language comedy horror film directed by Sundar C, The film stars Sundar himself, leading an ensemble cast that includ...
Thinkal Menon, TNN, Jul 20, 2019, 01.57 PM IST Critic's Rating: 3.5/5. Story: An independent, free-spirit girl who likes to place bets finds herself naked in an abandoned building after a late ...
Aima (film) Aima. (film) Aima is a 2023 Indian Tamil -language thriller film written and directed by Rahul R Krishna. The film stars Yunus Mohammed, Shanmugam Ramasamy,Akhil Prabakaran, Elvin Mathew and Sisira Sebastian in the lead roles. [1] The film was produced by Shanmugam Ramasamy under the banners of Tamil Exotic Films.