interior design thesis proposal

Parsons School of Design MFA Interior Design Thesis

Master of Fine Arts in Interior Design | Thesis 2011

Focused design research on an aspect of the interior design field that is most significant to each individual student is the focus of graduate thesis. With the guidance of thesis faculty, research and investigation aim to advance the theoretical, technical, material and/or formal state of knowledge in the field of interior design. Thesis projects, which culminate in both a design proposal and a supportive written text, involve rigorous analytical thinking, critical questioning and coherent project development. These explorations synthesize some of the most important issues relevant to the field today. An acute understanding of environmental impact, human health, behavior and perception, social responsibility, historical precedent, theoretical understanding, material investigation and artistic methodologies are explored. Innovative methods and designs result in these first thesis projects.

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Past Thesis Titles

All M.F.A. students in Interior Architecture complete theses. Theses cover a wide range of topics within interior architecture and reflect the variety of student research interests. The thesis topic is developed by the student in concert with her/ his faculty in the first year of study. The following theses have been completed by graduate students since 1990. All IAR theses since 2005 are available online through the UNCG Library .

The Department of Interior Architecture UNC Greensboro

Physical Address: 102 Gatewood Studio Arts Building Greensboro, NC 27412

Mailing Address: P.O. Box 26170 Greensboro, NC 27402

Phone: 336.334.5320

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Winning Interior Design Proposal Examples, Templates & Tips

Discover top interior design proposal examples & templates with expert tips on how to write a winning interior design proposal to impress clients.

7 minute read

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Short answer

What is an interior design proposal?

An interior design proposal is a document that outlines a designer's vision, services, timeline, and costs for a project. It serves as a roadmap, detailing how they plan to transform a space according to a client's needs and preferences.

Your interior design proposal needs to impress and sell your vision

Picture this: You've poured your heart into a design concept, but when it's time to pitch, your proposal falls flat. The client nods, smiles, but ultimately, it's a no-go. Frustrating, right?

Here's the kicker: many talented designers struggle to translate their ideas into proposals that win clients over.

The challenge isn't just in crafting a visually stunning design; it's in effectively communicating your vision and value in a way that resonates with clients.

But don’t worry, this guide is packed with actionable examples, easy-to-use templates, and straightforward tips that cut through the noise.

I’m here to help you craft proposals that do more than just showcase your talent—they convince clients you're the right designer for the job.

Ready to turn those nods into enthusiastic yeses? Let's get started.

What should an interior design proposal include?

Your interior design proposal is your chance to make a lasting impression, blending creativity with precision to showcase your vision. Here's what you need to include to ensure your proposal is as compelling as your design.

10 essential slides of an interior design proposal:

Introduction slide: Set the stage with a brief overview of your design firm, your unique value proposition, and what sets you apart from the competition.

Client needs and objectives: Demonstrate your understanding of the client's desires and goals for the project. Showing you've listened is key to building trust.

Design concept and vision: Present your creative concept with visuals and narratives that paint a vivid picture of the potential transformation.

Mood boards and inspirations: Include mood boards to convey the aesthetic and emotional tone of your design, illustrating your vision's look and feel.

Space plans and renderings: Offer detailed floor plans and 3D renderings to give clients a clear understanding of spatial arrangements and design elements.

Material and finish selections: Detail the materials and finishes you propose, explaining why they're the best fit for the project in terms of aesthetics, durability, and budget.

Itemized budget: Provide a transparent, itemized budget that breaks down costs for materials, labor, and other expenses, ensuring no surprises down the line.

Timeline and project phases: Outline the project timeline, including key milestones and phases, to set realistic expectations for project completion.

Terms and conditions: Clarify the legalities, payment terms, and conditions to protect both parties and ensure a smooth project flow.

Next steps slide: Conclude with a clear call to action, outlining the immediate next steps the client should take to move forward with the project.

What is a request for proposal (RFP) in interior design?

A request for proposal (RFP) in interior design is a document issued by a client seeking detailed bids from designers.

It outlines project specifics, expectations, and criteria for selection, guiding designers on how to tailor their proposals to meet the client's needs.

What is the best interior design proposal format?

Let's face it, the old way of doing interior design proposals—think long, text-heavy documents—isn't cutting it anymore.

We're in a visual age where grabbing and keeping someone's attention is gold, especially when you're trying to showcase your vision for their space.

So, what's the best way to present your interior design ideas? Interactive presentations are leading the pack.

They turn your proposal into a captivating journey, complete with videos, clickable links, and stunning visuals that pull your clients right into the story you're telling.

The most popular interior design proposal formats:

Interior design proposal examples that win over clients

In a sea of competition, your interior design proposal needs to stand out, speak directly to your client's needs, and paint a vivid picture of the potential transformation.

The right proposal can be the difference between a polite "We'll be in touch" and an enthusiastic "When can we start?"

Let’s explore some interior design examples that have aced this delicate balance and what makes each of them so effective, so that you can apply the same principles to your deck.

Interior decor design proposal

This interior decor design proposal is a comprehensive presentation aimed at transforming office spaces into harmonious and aesthetically pleasing environments.

It outlines the project's scope, including bespoke design solutions, space planning, and end-to-end project management, supported by a portfolio of work, case studies, and testimonials to showcase their expertise.

What makes this interior design proposal great:

Video on the cover slide: The video on the cover slide immediately engages viewers, offering a dynamic preview of the company’s capabilities and setting the tone for the proposal.

Dynamic variables for personalization: The proposal uses dynamic variables (e.g., {{company}}) to tailor the presentation to each potential client, making it feel more personal and directly relevant to their specific needs.

Table of contents: A well-organized table of contents featuring clickable links allows clients to easily navigate through the proposal, ensuring they can quickly find the information most relevant to them.

Restaurant interior design proposal

This proposal for a restaurant interior design project is tailored to create a contemporary dining space that mirrors the client's culinary identity and enhances the dining experience.

It outlines a comprehensive approach, from conceptualization to execution, highlighting bespoke design, efficient space planning, and seamless integration of aesthetics and functionality.

Content segmented in tabs: The proposal smartly organizes information into tabs for the portfolio, case studies, and more, making it easy for clients to navigate and digest the content relevant to them.

The option to embed links or videos: It offers the capability to embed external links or play videos within the deck, providing a dynamic and interactive presentation that can effectively showcase previous projects or design concepts.

Clear cost estimate: A transparent and detailed cost estimate is provided, breaking down the expenses involved in the project. This clarity helps in setting realistic budget expectations and fosters trust between the designer and the client.

Kitchen design proposal

This kitchen interior design proposal is crafted to transform kitchen spaces into contemporary, functional, and aesthetically pleasing environments.

It emphasizes personalized design, innovative storage solutions, and the seamless blend of beauty and utility, tailored to the client's lifestyle and culinary preferences.

Use of grayed-out content: The proposal employs grayed-out content strategically to guide the reader's attention to key elements, ensuring focus on the most important aspects of the design plan.

Project timeline slide: A clear and detailed project timeline slide is included, outlining each phase of the design process from conceptualization to handover. This helps set realistic expectations and demonstrates project management expertise.

Smart CTAs: The proposal concludes with smart call-to-action (CTA) buttons, including an embedded calendar at the end. This feature makes it easy for clients to take the next step by booking a consultation directly from the proposal.

Office interior design proposal

This office design project proposal is tailored to create modern, collaborative workspaces that reflect the company's values and culture.

It focuses on enhancing employee productivity and well-being, showcasing brand identity, and optimizing space utilization and functionality through innovative design concepts and efficient space planning.

Logo placeholders: The proposal features logo placeholders that can easily be customized using the logo finder feature, allowing for a personalized touch that aligns with the client's brand identity.

Option to extract branding elements: It offers the capability to extract branding elements directly from any website, ensuring that the proposal's design seamlessly integrates with the client's existing brand aesthetics.

Accept button: Clients have the convenience of accepting the design offer directly within the deck, streamlining the process and encouraging immediate action.

Residential interior design proposal

This residential interior design proposal is designed to engage clients with a dynamic and immersive experience, showcasing how their personal style and lifestyle can be reflected in their living spaces.

It cleverly combines interactive elements, such as customizable logos and expandable text sections, with a visually appealing layout that captures the essence of the proposed design concepts.

Use of scrollytelling: The proposal employs scrollytelling, a narrative technique that guides viewers through the design concept as they scroll, making the presentation engaging and easy to follow.

Expandable text sections: To keep the main slides focused and uncluttered, additional text can be tucked under expandable text sections. This approach ensures that detailed information is accessible without overwhelming the initial presentation.

Analytics panel access: The proposal includes access to an analytics panel, allowing the design team to see how viewers interact with the deck. This feature provides valuable insights into client engagement and interest areas.

Professional interior design project proposal

This professional interior design project proposal integrates advanced features that enhance interactivity, personalization, and control.

By incorporating AI assistance, CRM integration, and smart control measures, it sets a new standard for how design proposals can be crafted and presented.

AI assistant for content generation: The proposal utilizes an AI assistant to help with generating text or images, streamlining the creation process and ensuring high-quality, relevant content.

Personalization at scale: It offers the option to personalize the proposal at scale by integrating with your CRM system. This feature allows for a tailored presentation for each client, enhancing the personal connection and relevance of the proposal.

Smart control measures: The inclusion of smart control measures, such as the ability to set an expiry date or password to protect the proposal, adds a layer of security and urgency, encouraging prompt feedback and decision-making from clients.

How to write an interior design proposal?

Crafting a successful interior design proposal is about telling a story, setting the stage for a transformation that will turn a space into a reflection of the client's personality, needs, and dreams.

Here's how you can write a proposal that not only stands out but also seals the deal.

1) Understand your client’s vision

Before you dive into the specifics of your proposal, take the time to truly understand your client's vision, needs, and preferences.

This understanding forms the foundation of a proposal that speaks directly to your client, showcasing how your design solutions align with their aspirations.

Conduct a thorough initial consultation to gather insights, and reflect these back in your proposal to demonstrate empathy and alignment with their goals.

2) Showcase your unique value proposition

Your proposal should clearly articulate what sets you apart from other designers.

Whether it's your innovative design process, your commitment to sustainability, or your knack for blending functionality with aesthetics, make sure your unique value proposition shines through.

This not only helps in establishing your brand identity but also in convincing clients why they should choose you over competitors.

3) Leverage visuals and branding

As a visual profession, interior design proposals benefit immensely from high-quality images, mood boards, and sketches. Use these elements to give your clients a glimpse of your vision.

Additionally, ensure your proposal reflects your brand's aesthetics through the use of logos, color schemes, and typography. This makes your proposal more engaging and reinforces your professional image.

4) Detail the scope of work

Clarity is key when outlining the scope of work. Be specific about what your services will include and, equally important, what they won't. This ensures expectations are clear, preventing scope creep.

Include phases of the project, deliverables, and any assumptions that underpin your proposal. A well-defined scope of work minimizes misunderstandings and builds trust.

5) Incorporate a clear pricing structure

Transparency in pricing builds trust. Break down your fees into understandable segments, whether you charge a flat rate, hourly, or a percentage of the project cost.

Be upfront about potential additional costs and how changes to the scope will affect pricing. This clarity helps clients make informed decisions and reduces the likelihood of disputes over fees.

6) Set clear terms and conditions

Your proposal should include a section on terms and conditions that cover payment terms, project timelines, and any other legalities.

This section protects both you and your client by setting out the rules of engagement, helping to avoid potential legal issues down the line.

7) Offer flexibility and options

Clients appreciate having options. Where possible, offer different packages or tiers of service that cater to various budgets and needs.

This flexibility allows clients to choose the level of service that best suits them, increasing the likelihood of them moving forward with you.

8) Highlight the benefits of working with you

End your proposal on a high note by reiterating the benefits of working with you.

Whether it's access to exclusive trade discounts, a unique design philosophy, or unparalleled customer service, make sure your clients understand the value you bring to their project.

9) Use technology for efficiency

Embrace technology to streamline the proposal process.

Tools like e-signature platforms and online proposal templates save time and enhance the client experience. They make it easier for clients to review, sign, and return proposals, speeding up the decision-making process.

Interactive interior design proposal templates

Starting from a blank slide can be a real headache. It's not just about filling in the blanks; it's about crafting a story that showcases your design vision and meets your client's needs.

Interactive interior design proposal templates provide a well-structured foundation that saves you both time and effort.

Using a template gives you the freedom to inject your unique style and ideas into a proven structure, ensuring your proposal stands out while remaining professional.

Just grab one.

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Undergraduate Thesis

• Preparing for Thesis

Elements of Thesis

• List of References
• Images and Figures
• Library Home

APA For Thesis

Browse our Thesis Finding Aid to see topics previous students researched and get inspired!

Course texts.

' CLICK TO VIEW IN LIBRARY CATALOG

See Undergraduate Thesis Coordinator Amin Espandiarimahalati

Graduate Thesis Coordinator Vuslat Demircay

Thesis - The Basics

"The starting point for any thesis has to be a critique of present circumstances, which opens up possibilities of radical and practical changes in the world."

- Zegarski / Enos (2016)

What is Thesis?

The Undergraduate Thesis Research Studio offers a unique opportunity to continue your design education at NewSchool. You will plan, develop, and execute a self-generated self-directed architectural research project. You will identify a problem based on your personal interests and propose an architectural solution by navigating and expanding on a given methodology comprised of research and design tasks. You will self-evaluate and clearly convey a critical position grounded in the learning outcomes of the architectural program at NewSchool.

"An architectural thesis should be seen as a desire to map, create, draw, or plan a certain kind of spatiality through a critical/ radical critique of a specific aspect within the process of archietctural production that is representative of everyday life within our current urbanized process of spatial production." Zegarski/ Enos (2016)

The library will only accept Thesis Books that follow the standards outlined here. Make sure you review them and include all required elements. 

Front Matter

• Copyright Page
• Thesis Abstract
• Approvals Page
• Acknowledgments (optional)
• Dedication (optional)
• Table of Contents
• Introduction
• Thesis Essay
• Research and Findings
• Design Solution
• List of Figures
• Glossary of Terms
• Vita (optional)
• Appendices (optional as needed/ appropriate)

General Thesis Timeline

Summer quarter.

• Thesis proposal and conceptual video

Fall Quarter (AR501)

• Thesis Essay, Case Studies, Programming, Site Investigation, Research Presentation

Winter Quarter (AR502)

• Project Schedule, Concept Development, Code Analysis, Site Development, Thesis Proposal Document, Design Presentation

Spring Quarter (AR503)

• Plans, Circulation, Structure, Sections, Systems, Interior Studies and Detailing, Storyboard, Final Design Presentation, Final Thesis Document

Submission Deadlines and Instructions

• Next: Preparing for Thesis >>
• Last Updated: Apr 23, 2024 7:16 PM
• URL: https://library.newschoolarch.edu/ugthesis

The University of Manitoba campuses are located on original lands of Anishinaabeg, Ininew, Anisininew, Dakota and Dene peoples, and on the National Homeland of the Red River Métis. More

Faculty of Architecture

University of manitoba.

University of Manitoba Winnipeg, Manitoba Canada, R3T 2N2

Department of Interior Design

The UM Department of Interior Design has a long established reputation for excellence, leading Canada in the development of the first Master of Interior Design program. Located in the interdisciplinary Faculty of Architecture, the department offers excellent opportunities for extending collaborative perspectives and theoretical understanding.

Image by Ashley Peebles

Graduate program: Master of Interior Design

The Master of Interior Design (MID) program trains interior designers  equipped to work nationally and internationally at the forefront of the profession. 

The First-Professional Program is for students interested in interior design practice, who have an undergraduate degree such as a Bachelor of Environmental Design. While an undergraduate degree is sufficient for accreditation in some provinces, a Master of Interior Design degree is required for professional accreditation in Manitoba. This program emphasizes the creation of human-centered and context-based design solutions that respond to the needs of contemporary life. The core curriculum focuses on professionalism and an understanding of contemporary practice. The program requires a minimum of two full years of study to complete.

The Post-Professional Program is for students who already hold a professional degree in interior design (such as a Bachelor of Interior Design) and would like to increase their education and credentials. The program has a research orientation and advances knowledge in specific areas of the discipline. The program requires a minimum of one and a half years of full-time study to complete.

In addition, the department offers a Pre-master's Program for students with degrees other than Interior/Environmental Design to prepare applicants to meet the admission requirements of the First-Professional Program. For more information on admissions and portfolio requirements read the portfolio overview (PDF) .

Accreditation

The interior design program leading to the Master of Interior Design (first-professional) degree, is accredited by the Council for Interior Design Accreditation , 206 Cesar E. Chavez Ave SW, Suite 350, Grand Rapids, MI, 49503. The CIDA-accredited program prepares students for entry-level interior design practice, for advanced study, and to apply for membership in professional interior design organizations. The Master of Interior Design (first-professional) degree granted by University of Manitoba meets the educational requirement for eligibility to sit for the National Council for Interior Design Qualification Examination (NCIDQ Exam). For more information about NCIDQ Exam eligibility visit: https://www.cidq.org/eligibility-requirements.

Pre-master Interior Design courses

• GRAD 7300: Research Integrity Tutorial (0 credit hours)
• GRAD 7500: Academic Integrity Tutorial (0 credit hours)
• EVIE 3008: Interior Environments Studio 3.1 (6 credit hours)
• EVIE 3004: Materials, Assemblies and Detailing (3 credit hours)
• EVIE 3012: Interior Light and Colour (3 credit hours)
• EVIE 3014: Human Factors & Environments (3 credit hours)
• EVIE 4002: Indoor Systems 1 (3 credit hours)
• EVIE 3010: Interior Environments Studio 3.2 (6 credit hours)
• EVIE 3002: History/Theory of Interior Design 1 (3 credit hours)
• EVIE 4004: Indoor Systems 2 (3 credit hours)
• EVIE 4008: Digital Media (3 credit hours)
• EVIE 4014: Advanced Interior Design Media (Online, 3 credit hours)

Total credit hours: 36

All students program of study will be structured in consultation with the department head. Students progress will be reviewed each semester and a third term of study may be required. Please be aware Schedules and Courses are subject to change up to and including the first week of class.

First-professional Master of Interior Design courses

• IDES 7180: Theory Seminar 1 (3 credit hours)
• IDES 7200: Master's Studio 1 (6 credit hours)
• IDES 7210: Master's Studio 2 (6 credit hours)
• IDES 7240: Sensory Technology 5 (3 credit hours)
• IDES 7280: Advanced Topics in Contemporary Design (3 credit hours)
• IDES 7290: Work Experience Program (0 credit hours)
• IDES 7170: Design Research Methods (3 credit hours)

Second year

• IDES 7000: Graduate Seminar (3 credit hours)
• IDES 7190: Theory Seminar 2 (3 credit hours)
• IDES 7220: Master's Studio 3 (6 credit hours)
• IDES 7230: Sensory Technology 4 (3 credit hours)
• IDES 7250: Professionalism and Practice (3 credit hours)
• GRAD 7030: Practicum Project (0 credit hours)

In addition to the above courses, students must take six credit hours of advisor-approved electives.

Total credit hours: 48

Post-professional Master of Interior Design courses

• GRAD 7000: Thesis (0 credit hours)

Total credit hours: 21

Fall 2023 laptop and software requirements

Department of Interior Design Fall 2023 laptop and software requirements

Student achievement

As mandated by the Council for Interior Design Accreditation (CIDA), the Department of Interior Design is required to publish information to the public regarding student achievement in our Professional Master of Interior Design Program. Data is collected using institutional records, alumni surveys and observation. 

Student retention

• 100% of students who began in the fall of 2021 returned in the fall of 2022
• 100% of students who began in the fall of 2020 returned in the fall of 2021 
• 100% of students who began in the fall of 2019 returned in the fall of 2020
• 100% of students who began in the fall of 2018 returned in the fall of 2019
• 100% of students who began in the fall of 2017 returned in the fall of 2018

Degrees granted

• 8 students graduated in the 2021-22 academic year
• 11 students graduated in the 2020-21 academic year
• 9 students graduated in the 2019-20 academic year
• 8 students graduated in the 2018-19 academic year
• 11 students graduated in the 2017-18 academic year

Professional MID graduation rates

• 31.5 months was the average time to completion for the students who graduated in 2021-22
• 36 months was the average time to completion for the students who graduated in 2020-21
• 35 months was the average time to completion for the students who graduated in 2019-20
• 35 months was the average time to completion for the students who graduated in 2018-19
• 43 months was the average time to completion for the students who graduated in 2017-18

Acceptance into the program

It is a competitive graduate program with acceptance rates of approximately 25-35%. 

Job placement rates 

• 100% of students who graduated in 2022 are employed in interior design or a related profession
• 100% of students who graduated in 2021 are employed in interior design or a related profession
• 91% of students who graduated in 2020 are employed in interior design or a related profession
• 100% of students who graduated in 2019 are employed in interior design or a related profession 
• 100% of students who graduated in 2018 are employed in interior design or a related profession

Undergraduate program: Environmental Design

For students who do not already have an undergraduate degree, the Environmental Design Program offers a four year bachelor's degree, including an Interior Environments option.

PhD program

The PhD in Design and Planning is for students wishing to make a significant contribution to knowledge in design and planning fields. The program is intended for students intending to pursue independent investigation, original research and creative scholarship.

Master of Interior Design student experience

Interior designers emerging out of the University of Manitoba have an established reputation for successful collaboration in the building industry.

They work independently or in conjunction with design teams to determine interior environments; assessing and interpreting client and user requirements for projects as diverse as hospitals, offices, restaurants, retail design and resorts. Areas of expertise in the department include universal access, cultural theory, design theory, design education, lighting, work environments, human comfort and profession-based research.

MID practicum and thesis proposal information

Proposals should be sent to [email protected] before 4:00pm on one of the following days:

• September 21, 2023
• November 9, 2023
• January 18, 2024
• April 25, 2024
• May 9, 2024
• MID thesis presentation booking form (PDF)
• First-professional practicum proposal guidelines (PDF)
• Post-professional research proposal guidelines (PDF)

MID student work

The department is proud of the high quality of design projects created by Master of Interior Design students. Their work explores issues from global warming to immigration. Explore practicum and thesis projects of recent graduates.

Our faculty and staff

The research and creative projects of our faculty and staff encompass a wide range of knowledge, including interdisciplinary creative practice.

Faculty of Architecture awards database

The Faculty of Architecture awards database offers ways to finance your studies. Search and find scholarships, bursaries and other funding opportunities.

Student experience

Enrich your MID journey by learning about studios, co-op programs, student organizations, student publications and travel opportunities within the Faculty of Architecture.

Current UM student resources

Access e-mail, Aurora and Jump accounts through the UM current student hub. Link to class schedules and grades; all the key info for campus life.

Our strong UM alumni community

The work of Interior Design graduates reflects a commitment to social, ethical and environmental responsibility, research-based outcomes and critical thinking.

Jaymie Borchardt

Year of graduation: 2016 Current Position: Interior Designer, Design Poole Inc., Winter Park, Florida

What do you do in your current job?

Since we are a small interior design firm (only four designers) I was thrown right into the heart of the design process from the start. I have the pleasure of participating on everything from interior design documentation (plans, elevations, details, IA & FF&E specifications), developing initial concepts, pulling imagery to create conceptual presentation boards, making FF&E selections and corresponding with vendors and clients. Additionally, when time permits, I meet with vendors for product presentations and manage the organization of the product library.

What are you doing right now that you are most excited about?

I am currently very excited to have been given the opportunity to be the project manager of my own small project. With the guidance of my colleagues, I developed the concept and design of a designer inspired space for the Boutique Design Trade Show in NYC (BDNY 2017). Managing this project has helped me to develop increased skills creating detailed drawing sets and 3D renderings as well as learning to confidently speak with vendors and lead conference calls between everyone involved. I have learned so much through this experience and I look forward to traveling to New York City in November to promote the firm and exhibit the design that was created.

What is your proudest achievement since graduation?

My proudest achievement since graduation was obtaining the job in Florida and having the courage to start a new life so far from home. It is definitely frightening to think about how different the experience of working in the field is compared to learning in school. In less than a year however, I have been given the opportunity to prove myself with more job responsibility than I would have ever imagined in such a short amount of time. I am very proud of what I have accomplished at the firm so far and look forward to working with this great design team for years to come.

What do you find to be the most challenging, and the most rewarding aspects of your career? 

The most challenging aspects of my career so far is having the ability to separate work life from personal life. It is so easy to get wrapped up in several projects at a time and forget how important it is to stop and take care of yourself both mentally and physically as well. The most rewarding aspects of my career however are being able to complete a deadline and be proud of the documents that you have created. There is no better feeling than flipping through a beautiful, complete set of drawings or renderings and envisioning what the space will look like when it is complete. I also enjoy being able to travel and network with so many people in the design industry.

What advice would you give to those who are considering a career in interior design?

Be prepared to work very hard. Nothing comes easy. Work hard in school to learn as much as you can, apply for as many scholarships as possible and get involved. Use the relationships that you create through networking to your advantage. Don’t be afraid to reach out to the people you have met when it comes time to find a job. I met my employer in New York City while at an event accepting a scholarship that I never thought I would be awarded. I contacted her upon completing my practicum project, and was on my way to Florida months before even graduating. But the hard work doesn’t stop there. Continue your hard work even after you’ve landed your first job. And most importantly, be humble. The learning doesn’t stop once you have your degree in hand. Listen to your colleagues and learn as much as possible from them. Real life is a completely different experience from what we are taught in school and it is a fast-paced, forever learning process. Embrace it, work hard and stay positive. It is all worth it to be able to do what you love every single day.

What drew you to interior design? What do you love most about it?

Initially, I was drawn to interior design while watching decorating shows on TLC. It was not until I was accepted into the Faculty of Architecture that I realized there is much more to interior design than the decorating depicted in these shows. I quickly lost interest in residential design and developed a passion for hospitality design. What I love most about interior design is being able to develop beautiful spaces that create an experience for everyone who visit them. Being a very detail oriented person, the processes that I love most about interior design are developing the initial concept boards for a project and creating very detailed and organized drawing sets.

What do you see as the most compelling trends in the interior design field?

To me, the most compelling trend in the interior design field (specifically the hospitality industry) is the forever changing use of colour in a space. The use of colour in design can be intimidating, especially as colour trends change from year to year. What I find most intriguing about colour is the way that designers have begun to use it in unconventional ways that bring excitement and interest to the space. It is common to see colour used as accents whether it be through a single accent wall, textiles or art, but more recent trends have shown colour being used in much more bold applications such as bright, colourful tile on the floor and ceiling, painted columns and beams and digital printed wallcovering.

How did your MID degree at UM help to prepare you for your career?

The MID degree helped to prepare me for my career by providing me with the basic technical skills necessary to work in an interior design firm and the importance of applying theory to every design. Although it did not seem so at first, the extensive process of completing a practicum project was one of the most rewarding experiences of my life. The completed practicum document sits on my desk at work and is a daily reminder of what I was able to accomplish in graduate school. I truly value everything that I learned throughout the MID program as it taught me to consider every detail of a design in order to provide a well-thought out solution for every project.

In what ways did your experience at UM contribute to your success?

I do not think I would be where I am today if I had not been so involved with the Interior Design Association of Students at the U of M. Of course the Environmental Design and MID programs provided me with the skills and design knowledge that I needed to begin a career in the industry, being involved with IDAS and all other correlating councils taught me the life skills necessary to become the person that I am today. Serving as president in my last year of the MID program, taught me about time management, leadership, independence, networking and the importance of teamwork.

What was the best part of your experience in the graduate program at UM?

The best part of my experience in the graduate program at the U of M were the life changing studio trips to both New York City and Istanbul, Turkey. I have so much appreciation for being able to travel and experience different cultures and design. Every studio course in the MID program taught me the importance of research in order to incorporate the essence of the regional culture into each design. I have learned that this is increasingly important in the hospitality industry as people who travel expect a certain type of experience in the region that they are staying. As our team at Design Poole designs projects both regionally and internationally, travel, research and experience are very important at the start of every project.

What was the most valuable lesson you learned at UM?

The most valuable lesson that I learned at the U of M is that success comes to those who work hard and believe in themselves. It is easy to let others discourage you but it is important to stay positive and give 100% at everything you do.

Year of Graduation: Fall 2014 Current Position: Project Designer, Figure 3, Toronto Ontario

I am currently a Project Designer at Figure3. I have a wide range of responsibilities that largely depend on the project team and overall scope. So far in my role at Figure3 I have administered:

• site verification (measuring and cataloguing the existing site information)
• concept development / design development
• 3D modelling
• design presentation composition
• finish selection
• permit/tender/construction drawings
• communication with project team (consultants, clients)
• construction administration (submittals, site meetings, deficiencies)

What do you find to be the most challenging?

I think for me, being fairly fresh from school, it has been wrapping my mind around the construction, and construction administration process. It's an entire world unto itself, understanding the different timelines, phases, processes, terminology, and channels of communication. So it has been tremendously eye opening to be exposed to that side of design. I am learning every day.

Understand that it is a fast-paced job environment and compensation is not tremendously high. However also understand it is incredibly rewarding to go to work every day to a job that personally utilizes your particular skill set, a job where you are affecting and shaping the physical world, and a job that you love.

I think what drew me to this profession was a series of small decisions. I knew I wanted to do something creative but also wanted something with structure. This, along with my ever present interest in design, I was lead straight to the doorstep of interior design.

It's not an easy question to answer "what do you love most", but I think the best I can describe is the ability to think big, be messy, and explore and experiment with ideas and concepts.

How did your MID degree at UM help to prepare you for your career?

The question is a little broad, so I will try and be as concise as possible. For starters the University of Manitoba is adequately equipped, as accreditation requires, with all of the courses aligned with a standard professional interior design education (design theory, studio, interior systems). However I think the most valuable take away from the program, in my experience, was the way it taught me to explore environment and space in a deeper way. In my education I was asked to think about and investigate the built environment across a number of dimensions (be it political, social or sensorial), instilling the idea that space/place/environment is inherently complex. That might sound simple or obvious, but I think it's actually extremely important because it is easy in practice to reduce design to just a process, or confine its parameters in physical or economic ways. The University of Manitoba, Master of Interior Design program helped me frame the act of interior design, not necessarily as a trade (which it can be, and is often taught as), but as a participant in positioning and conceptualizing environments.

What was the best part of your experience in the graduate program at UM?

It's hard to single out one best part of my experience at the University of Manitoba, but one of the most positive things was the culture. I have made some strong lasting friendships in the MID program that I will always be thankful for. My peers were an extremely important part of my support network throughout school, and at times were a huge part of what got me through. I would also like to point out that they were all immensely talented, which pushed me forward in my design thinking and skills.

The staff were also a big part of the reason my experience at the University of Manitoba was so positive. They are an interesting, talented, eclectic group of people. I really enjoyed working with each of them and learning from them and their unique skill sets. The staff's diverse portfolios and design ideologies together gives their students a well rounded, critical and complex entrance into design.

Natalie Rowe

Year of Graduation: Fall 2014 Current Position: Full-Time Faculty, Honours Bachelor of Interior Design Program, Faculty of Arts, Media & Design, Fanshawe College, London, Ontario

I work with students in upper and lower years in our BID, teaching Design Studio, Case Studies in Design and Design Communications. I'm actively involved in the Alliance of Canadian Educators in Interior Design ACEID / ACEDI. When not in the classroom I look for ways to disseminate my graduate research and continue to build upon my area of focus which is the future of design for Alzheimer's Care Facilities in Canada.

Disseminating my graduate research through poster presentations, speaking engagements, panel presentations and most importantly creating partnerships with like-minded individuals to potentially advance research and the approach to the design process related to Alzheimer's Care Facilities in Canada.

Be open to the many directions and career opportunities in and related to interior design. Many students come into our program with a desire to pursue one area. Make sure you are passionate, curious and unafraid to make mistakes and push boundaries along the way.

Individuals from different disciplines coming together and looking at ways to advance the built environment for 'all' end users. I'm also fascinated with the opportunities to utilize multimedia as a means of conveying stories about the design process.

As a graduate of the post-professional Master of Interior Design, it was daunting to be a student after many years in the industry. Time spent on campus with access to resources, faculty and the first professional graduate students was extremely beneficial. There were many lifelong relationships that resulted from face to face collaboration. My experience also further reinforced the value of research in interior design, and the importance of contributing to Canadian perspectives.

The value of what can be learned from your peers - sharing ideas, perspectives, and constructive criticism can shape your ability to process problems in a more dynamic way. It was exciting as a student to reach out to other researchers and esteemed professionals seeking advice and guidance, creating contacts that were valuable as a student and in my current academic practice. Being a student again made me more empathetic to my students and what they experience on a daily basis!

Heather Wagner

Year of Graduation: 2014

Current Position: Professional Interior Designer at Republic Architecture Inc. 

I am a Professional Interior Designer at Republic Architecture Inc. in Winnipeg. My current role has me working on various projects from very small, unique institutional projects to large cultural projects. The projects I work on have a team that consists of a project manager and an interior designer, and sometimes an architect if their services are required. I have a lot of autonomy over my design work, which I really enjoy and I can really push the boundaries of design and be as creative as I want. It is very satisfying.

My main goal since I graduated in 2014 was to pass the National Council for Interior Design Qualification (NCIDQ) exams and become a registered Professional Interior Designer. This spring I wrote and passed my NCIDQ exams! It was very exciting to receive my new business cards with my full title and credentials!

What advice would you give to those who are considering a career in interior design?  

To really make sure you understand that it isn't simply selecting furniture and coordinating paint colours. Interior design is much more than we often see it portrayed as on many television shows. Interior design is more than just creating a visually pleasing space, but rather, it is a way of enhancing the experience of spaces. Further, as a practitioner, it is the ability to enhance the lives of those who live, work or play in these spaces. Humans spend the vast majority of their time inside, and as a result, there is a complex formulaic response that we must follow in order to meet everyone's needs. This includes everything from programming to detailing and construction management. My advice would be to immerse yourself in everything that can help you understand and grow your spatial awareness and develop creative responses. Take a painting class and study light and shadow, understand how photography can be a powerful tool not only in capturing designs once complete, but learn how to frame an image, so you are able to understand how to better draw perspectives. Read extensively, figure out what the issues in design are that interest you most and remember, the details are often the most important part.

My aunt is an interior designer and I was always fascinated by her creative response to both simple and complex design problems. What I love most about design is problem-solving. Finding solutions that fit within certain criteria set forth by the client and how it always leads to unique and interesting solutions. I often find that the projects with the most constraints often lead me to really push the boundaries of design and "think outside the box". I also love how I am constantly being challenged by projects that I never thought I would work on, but that I find equally fascinating and challenging.

How did your MID degree at UM help to prepare you for your career? 

Research was a main focus in my design education at the U of M and it has led me to understand that it is equally important in practice. Honing my research skills has given me the tools to continue to constantly learn about design and how it affects how we feel, how we behave, what works and what doesn't work. The U of M also taught me that design is ultimately a thought process and a skill that can be used to enhance the every day of those you are working for.

Writing my practicum was definitely one of the most challenging things I have completed and looking back, was one of the most enjoyable parts of my graduate experience. I was able to completely immerse myself and focus on design in a way that I have not yet seen paralleled in my career.

Department of Interior design Faculty of Architecture 201 John A. Russell Building 84 Curry Place University of Manitoba (Fort Garry campus) Winnipeg, MB R3T 2M6

Admissions and registration enquiries

Faculty of Architecture Graduate Student Services 204-474-8769 [email protected]

How to Write an Interior Design Proposal to Win Your Clients?

14 Mins Read

January 25th, 2024

With over 11 years of experience in interior design and kitchen design, Ekta has worked on a wide range of projects from residential to commercial. She is currently leading the design team at Infinite Ideas Interiors, India.

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Interior Design Proposal

Running a business is not an easy task. You need to understand how to sell effectively without seeming aggressive or becoming a ‘yes man.’ There needs to be a balance between what you have to offer and what prospective clients desire. No business can create a need for a product or service, but you can certainly create a want.

While this requires you to possess unparalleled expertise in your field to a certain extent, you also need to understand how to package, present, and price your services, and build a winning proposal. Before deciding to work with you, clients expect to go through a process of discovery (e.g., outlining the project scope) and ultimately receive a full business proposal that outlines exactly how your services will be fulfilled to benefit them.

Currently, there is a network of over 15800 interior decorators in New York consisting of both interior design firms and freelancers. It is a tough competition but very easy to conquer if you have the right tools at your disposal.

Without a well-crafted interior design proposal template your clients might be unclear about exactly which services you can provide, how much the entire project will cost, and a realistic timeline for completion. In theory, drafting a transparent interior design contract may seem daunting, but the actual process of creating an interior design proposal to impress a client will seem much simpler by the end of this article.

Image Credit: envato.com

Today, we are about to share with you a step-by-step guide to drafting interior design proposals that outline the scope of work, marks the milestones, specifies the deliverables, defines your understanding of the expectations from potential clients, and still leaves room for contingencies.

There are lots of resources to help guide you in this step-by-step process to help produce a winning interior design proposal template. We’ll break down exactly when to prepare your proposal, the sections you should include, how to show your deliverables, top tips for your proposal creation process, and a free proposal template to get you successfully started with offering interior design services with a top-notch business proposal for prospective clients.

If you’re ready to send out an interior design contract and win your first few clients as a freelancer or an interior design firm, let’s get started!

Also, Read: 20 Best Client Presentation Tips for Interior Designers

When Should You Provide an Interior Design Proposal?

Don’t make the mistake of sending a business proposal to your client immediately after they reach out to you. Similarly, you also don’t want to provide your pricing too early. The process of earning new business can take time and patience. In most cases you’ll likely find that the path from a new contact to a converted new client looks something like this:

• A lead is referred to you or reaches out by finding your contact information somewhere.
• You schedule an introduction call with the potential client to understand their specific vision and needs.
• On this call, you are able to gather information about their new project, estimated budget, and expected timeline.
• After the call, you conduct the necessary research before drafting a business proposal.
• You set a final meeting to present the formal proposal to the prospective client and leave this document with them for reference after presenting a vague idea of the deliverables and discussing payment terms.

Although they do cover high-level concepts and summaries, business proposals also include specific details that are customized to each prospect’s needs. You will only be able to understand and address these details after spending enough time researching their unique situation.

If a prospective client pushes you to provide an interior design contract right away (especially if it’s before you’ve even had a call) then you might need to politely push back, and consider it a red flag. It’s not fair or appropriate to skip a vendor’s deliverables just because you’re in a hurry.

You can often tell how a client will treat you by how they interact during the sales process . If they just want to discuss design fees and see your design project proposal, but are unwilling to consider the pricing table, design concepts , and your team members or freelancers required to fulfil the contract, then you might be better off telling them that you’re not the right fit for the project.

It is not about catering to every client but finding the right clients who will stick with your interior design business in the long run because it benefits both parties equally.

7 Must-Haves in an Interior Design Proposal

There’s a lot of advice about how to create proposals for the real estate sales process that effectively win new interior design businesses. However, this advice doesn’t apply to every industry. Below, we’ve curated some of the most important aspects of an interior design business proposal and provided further context on why they’re important.

Skipping one of these sections might cause you to confuse a prospective client with another, or potentially miss an important piece of information. It’s critical to remember that design project proposals serve you (the provider) just as much as the client.

You can use the proposal to protect yourself against potential pitfalls like disputes about billing or project scope. Including each area below in your comprehensive proposal is simply a best practice when laying the groundwork for a mutually beneficial relationship between a new client and the interior design firm.

Lastly, note that the sections below are not listed in a particular order because you may want to strategically move them around based on an individual client or as you tweak your interior consulting proposal template to optimize its flow and layout.

You’ll likely be speaking directly from the docs when conducting a final presentation, and that will be the best time to make notifications about how well it works and what you would like to change in the future.

You may even discover potential points to alter in your final proposal letter before adding your e-signature to the letter template or signing the dotted line on the interior design contract.

Quick Read: How To Create Interior Design Packages for Your Business?

• Use the first section of the proposal to simply reiterate what you’ve heard throughout the process of discussing expectations with your client so far. Include a high-level overview of what needs to be done and the approach that will be taken. It is also appropriate to summarize your experience and expertise along with your background that makes you the best fit for the project. The summary is similar to a cover letter in the sales process to acquire a new project or business.
• It is also smart to state specific things about your client in this section. For example, mention their design preferences, constraints, budget, etc. as per your discussions. It not only shows that you paid attention and are willing to devote your time and resources but also provides a documented letter template to protect you from liabilities.
• Overall, think of your summary as the place where you’ll make sure it’s clear to the client that you fully understand what to do and what’s most important to them. The precise project details will follow in later sections.
• This is an area to be very thorough with your descriptions of what the interior design project’s conclusion will look like, and what your client should expect once you’re finished. Explicitly state exactly what will be accomplished when the workflow has come to an end, and be sure to also list what might remain done due to work that is dependent on others (or that will be completed by the client themselves).
• Use the goals section to ensure that your client is completely clear and that their expectations are realistic. If you or the client has miscommunicated then this is likely one of the main areas where differences of opinion will surface regarding design fee , workflow, payment terms, design concepts, etc. It offers an opportunity to tweak your proposal letter or make modifications to the 3D web design that depicts the expected design project.

Recommended Read: Setting Goals for Interior Design Business

3. Work examples

• Include the best samples of your interior decorator projects from your larger portfolio directly within the proposal that showcase your design process and scope of work that directly pertains to the prospective client. Go the extra mile to add a few sentences along with the before and after pictures of the layout that describe what you did for the client, what their goals were, and the outcome of your interior design services.
• Add visual details in a web design proposal and, if possible, include a direct quote from the client with their picture as a transparent testimonial on your deliverables. This web design proposal shouldn’t be a 3D model of your client’s real estate, but rather a presentation of your past projects.
• Ultimately, your potential client just wants to know that you can deliver the design concepts they’re asking for and that your interior design services will be worth the design fee. Pick your work examples carefully based on what you’ve learned about the client through the discovery process. It is important that they resonate with at least 40% of your samples in some way to come to the inevitable conclusion that your interior design firm is the only choice for their new project.
• Some professional interior design businesses also add references to their proposals, which is a great way to build trust and prove that you have a successful track record of completing interior design projects with similar clients. It also tells them that your sales process has proven validity, your pricing table is competent, your vendors are reliable, your team members put their best foot forward, and any freelancers you hire will live up to the promises made by your firm, and in extension will fulfil the expectations of new clients.

Related Read: 12 Ways To Create Best Architecture Portfolio for Designers

4. Scope of work

• Every successful engagement for an interior design project, no matter how small, will start with a properly defined scope of work . It’s imperative that you don’t skip this step in your business proposal, and that you work hard to capture and thoroughly document each relevant detail of workflow and execution.
• The scope of work will define exactly what you promise to do for the client during the course of your engagement. Throughout the design process, you can continually refer back to this scope of work as a mutual agreement about the services that would be provided, and how much time will be invested at each stage.
• You can be very detailed with estimates of hours, who is responsible for which aspects of the project and their exact tasks, workflow, key milestones, project manager expectations, which team members need to be provided notifications, the order of the steps, and more.

Quick Read: Guide To Interior Design Project Management

5. Client expectations.

• It’s entirely fair to list the type and detail of communications with the new client or for a new project with a long-time client. This section could include the mode and frequency of communication, the number of revisions offered on the web design, how long you will wait for client input before moving to the next section of a project, and every detail that could affect the project.
• Be careful not to be too lengthy or inadvertently insult the client, but you should definitely be thorough enough to let them know that you will take the design process seriously and expect the same respect from them.

Suggested Read: 10 Best Client Management Tips for Interior Designers

6. Total price

• Quoting the design fee is one of the scariest parts of any proposal! However, there is an easy way to make this whole process less intimidating. Before you get to the final price, list each itemized service.
• Breaking out each portion of the expenses in a pricing table will help the client understand each factor of the total price and how it represents a fair amount for the time, experience, tools, services, vendors, and other elements that you need to deal with in order to fulfil their expectations.

• The terms of your interior service can be concise unless you’ll be using a full legal contract (which can be sent separately). Essentially, you just want to cover your payment terms and the mode of transaction. Contactors typically set payment terms that are 15, 30, or 45 from the date that services are rendered. Additionally, you’ll want to clearly explain if you accept credit cards, ACH, checks, or other types of payment.

Suggested Read: Interior Design Client Questionnaire

Top 10 Tips for Writing a High Impact Interior Design Proposal

Now that we’ve covered exactly what you should put in each section of your interior design proposal template, let’s review a few expert tips on how to make your business proposal stand out with a superior sales process.

1. Design it well, because it’s a reflection of you and your skills as an interior decorator. Use a nice design program to add professional images, branding elements, and your interior design business logo. If you plan to use one of the many free proposal templates, make sure that you introduce your own branding (images, logos, fonts,) so that new clients can distinguish your style.

2. Use an online e-signature tool like DocuSign, PandaDoc, or Fohlio to make the process of designing, sending, signing, and receiving your proposal much easier for everyone involved.

3. Have clear descriptions of your services and packages. Make sure to enunciate the payment terms since some designers get paid as a percentage, while others prefer an hourly fee. This should be noted in the Pricing section of the proposal, and clients may legitimately pose questions about any specific portion of the pricing table or overall fee structure.

4. Understand your client well, and make sure that you’ve had a clear conversation to learn their taste, needs, preferences, and ultimate interior design goals. A proposal that speaks directly to your client’s needs will be well received and definitely stand out against that of your competitors.

5. Be specific about the details, especially if you detect red flags or contradictions during the initial communications. Having a transparently detailed business proposal signed by both parties will benefit you as well as the client.

6. Add stipulations for potential deadlines, expectations, extensions, and payment terms, or how the terms of the agreement might change with certain circumstances as a contingency.

7. If your client will be responsible for specific parts of the project, ensure that this has been clearly communicated.

8. Use a template that can be applied repeatedly with minimal changes. Don’t create a new proposal from scratch each time you have a new client or potential deal.

9. Send your proposal to friends, family, or professional colleagues for review before using it with a real client or prospect. They may be able to offer valuable feedback.

10. Continue working on your proposal over time, making adjustments and tweaks as necessary.

Related Read: How To Create A Successful Interior Design Website?

Image Credit: uicreative.net

High-Impact Interior Design Proposal Template

In the section for design project proposal below we have provided a jumpstart for creating your letter templates and consulting proposal templates by outlining each specific area you should cover and providing some verbiage that you can tweak to make your own.

Prepared for: NAME | Prepared by: NAME

We appreciate the opportunity to provide this quote for NAME, and we hope to earn your business by thoroughly demonstrating our knowledge of your needs, proving our qualifications and credibility, and providing a fair estimate of the total services to be rendered.

We take pride in helping clients turn their vision into reality on time, and on budget. We promise to bring a listening ear, a partnership mentality, and a proven process to our work together.

Recognizing that CLIENT is seeking GOAL, we hope to support the timely and professional completion of this goal.

CLIENT has stated the following as specific goals or priorities to be addressed through this project:

Work Examples

We have over X years of experience serving a variety of clients in the INDUSTRY or RESIDENTIAL space. We’re proud of our legacy that has been built through hard work, an efficient approach, smart planning, and deep industry knowledge.

The examples below were selected for their relevance to the CLIENT’s project, and show how we executed similar projects from concept to successful completion.

Throughout our years in business, we’ve built partnerships with numerous clients, and we’re happy to provide credible references listed below:

• Reference #1
• Reference #2
• Reference #3

Scope of Work

In support of CLIENT’s goals, we propose to provide the following services:

Client Expectations To ensure a mutually beneficial relationship, and one in which both parties contribute equitably, we expect that CLIENT will be able to either provide the following or find an acceptable substitute that does not place an undue burden on us.

• Expectation #1
• Expectation #2
• Expectation #3

Total Price

The following itemized list and total price represent the total sum of costs incurred by CLIENT for the services rendered (as defined in the scope of work).

• Service item #1
• Service item #2
• Service item #3
• Service item #4

We propose the following payment terms:

• 50% of the total project fee is due once the contract is signed and is due within 30 days of receipt. 
• The remaining balance is due upon the project’s completion and is also due within 30 days of receipt.

Also, Read: Profit Margins for Interior Design Businesses

Get Additional Resources for Your Interior Design Business

Need more guidance, resources, and hands-on training? Join us!

Foyr has built an entire online community to help interior designers grow their businesses through education, networking, job postings, and much more. Through our e-learning platform, you can access courses on a broad range of topics, including:

• Starting and scaling a business.
• Determining your pricing strategy.
• Finding your individual style.
• Identifying your ideal client profile.

Use the Foyr community to socially network with other interior designers by commenting, sharing content, and participating in courses.

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Home > Interior Architecture > Interior Architecture Masters Theses

Interior Architecture Masters Theses

• Master of Arts (MA) in Adaptive Reuse, a one-year+ program

• Master of Design (MDes) in Interior Studies / Adaptive Reuse, a two-year+ program

• Master of Design (MDes) in Interior Studies / Exhibition + Narrative Environments, a two-year+ program

Both programs take an innovative and progressive approach to addressing design issues intrinsic to the reuse and transformation of existing structures. US News & World Report and Design Intelligence have both ranked RISD’s Interior Architecture programs among the top in the country.

Each MA candidate produces a final project that begins with a research component in the fall and evolves into a studio/design project in the spring. MDes candidates demonstrate competency through self-directed Degree Projects that include a seminar on theory, a research component and a studio component. Each DP focuses on the transformation of an existing structure of their choice in the city of Providence. All MA and MDes candidates also participate in the RISD Graduate Thesis Exhibition , a large-scale public show held annually.

Graduate Program Director: Markus Berger

These works are licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 License .

Theses from 2023 2023

the people's food project , Grace Barrett

Kala in my Moholla - art in my neighborhood , Priyata Bosamia

Nature as Material, Time as Tool , Chuchu Chen

FROM VAULT TO PLATFORM （Democratizing Museums through the Lens of the Metaverse）） , Zhaoyang Cui

Intensifying the Experience of Contemporary Art , Wanjin Feng

Manifesto of Poor Images: Re-imagine Guggenheim in the Post-digital Age , Mengning He

Adding Subtraction: Wasting Time in Space , Daeun Kim

NEW CHAPTER , Gunju Kim

A Cloud Above , Jiwon Kim

Greening Seoul : A New Toolkit for Adaptive Reuse , Woojae Kim

A.R. Futuristic Scenario in Seun , Yookyung Lee

Eviction to Placement: Rethinking the current supportive housing systems for hidden homeless families , Fang-Min Liou

The Mobile Senior University , YOUSHURUI LI

making pla(y)ces: softening the city through play , Shivani Pinapotu

Interstice , Shravan Rao

Overlooked Modi Vivendi , Natalia Silva

Chinese tea ceremony spirit revival , Hongli Song

Nurturing Haven: A Safe Place for Single Mothers , Meng Su

A Day Stood Still , Yuting Sun

Imaginatorium for children with visual impairment , Xueyun Tang

Reconcile Liminality , Zefeng Wang

Illusion of Consumption, Architectural Rebellion: Unraveling the Maze of Consumption , Xinjie Xiang

Beyond Burial - Transforming Death: A New Ritual of Farewell and the Ecological Return of the Body to Nature , Chang Xie

Interactive Architecture - Intervention of Virtual Business on Commercial Space , Yihao George Xu

On the Power of Attainable Architecture Community Engagement and Interaction through Architecture: A New Approach to Architectural Exhibitions , Jianing Yang

Glowing Under the Bridge—A Healing Space for Wounded Souls , Ruier Zhao

Moving Narration: A journey through history , Yincheng Zhu

Finding Psychological Healing in College Settings , Dici Zou

Theses from 2022 2022

Notes in improvisation : Spatializing Black Identity through music , Esther Akintoye

Dying differently: designing a death-oriented psychedelic treatment center , Grace Caiazza

Blurred lines : Border crossing between Macau and Zhuhai , Weiwei Chen

Regenerative residences: shrinking stress levels in the sky , Peter de Lande Long

Adaptive reduce: forging architectural futures through degrowth , Erika Kane

Unfolding embodied experience: a process-driven immersive exhibition design model , Mooa Seongah Kang

Block Chain Home , Jonggun Lee

Last sunset : design to alleviate social isolation for Chinese elderly , Linghui Li

Rebuilding Collective effervescence : a "Ballroom" for post-pandemic revelry , Di Ma

Re:Connection: exercises in unplugging and mindfully reconnecting , E. J. Roseman

Dear City, give me some space; creating space for ephemeral forces in a city , Abinaya Sivaprakasam Thamilarasan

From invisible to visible: the third wave/way of intervention for Dashilar , Jiali Tian

Endless construction : occupant activism and authorship , Jiayi Wang

Beyond Spectacle : parametric design to life in space , Ding Xu

Design for designers : An incubator for young designers to grow , Jiajie Yang

The Cthulhu Journey : storytelling through an architectural immersive experience , Rui Zhang

Theses from 2021 2021

Posthuman ecologies , Christine Chang

Loneliness / Togetherness : Interiority and connection under isolation , Huaqin Chen

Space between memories: pause , Young Jae Cho

Cultural acupuncture: decentralization and deocratization in Chinese exhibition design , Ruohan Duan

Adaptive reuse as evidence of scientific progress: recontextualizing a space for growing knowledge , Kayci Gallagher

Reclaiming modern architecture: an urban visual narrative of Kuwait City , Yara Hadi

Unraveling the living: reframing cramped housing as a social living , Dong-zoo Han

Beyond pasta: understanding Italian American culinary culture in Federal Hill , Chufan He

Going back , Zhiyi Hilary He

Augmented city , Xing Huan

Woven healing: reimagining the rural health center , Mahasweta Jayachandran

Living · Sharing · Connecting : rebirth of Longchang Apartments Heritage Community , Linhong Jiang

Migrating architecture: vernacular futurism , Yichu Jiang

The second home: breaking the cycle of lonely death , Woohee Kim

Reinforcing connection within collective housing: a new vision of Red Steel City , Guangyi Niu

Ascents and descents in the 21st Century: restoring Chand Baori , Japneet Pahwa

Nossa quadra, nossa historia: the power of collaborative and communal outdoor spaces as a tool for belonging & agency , Rebecca Maria Pepl

Terminal: through the "windows" of a Tram Car Museum , Yuyi Si

Ritualizing of space in the 21st century: fostering of communal identity through celebration of Tamil culture , Mridula Swaminathan

Sensory refreshment: TCM reconsidered , Ni Tang

Remember me: how we can modify the home for people with dementia , Wenjin Wang

The retrieval of memory: holding time in the Shanghai gasometers , Liman Wei

Fostering cultural understanding: mirroring ways of living in Providence, RI, USA and Beijing, PRC , Jiarui Tina Wu

The future of Beijing urban courtyards , Zhuoqi Xu

Remembering Chinatown: a fusion of food, identity, & memory , Robert Yang

Overflowing boundaries: competition and mutualism in urban villages , Chen Zhang

Rural acupuncture: carefully introducing tourism within an underground village , Shangyun Zhou

Theses from 2020 2020

Lacunae in the urban landscape , Meriem Aiouna

Melting away - Ilha Formosa , Hao-Chun Chang

Behind appearance : hidden dimensions in the work of Wassily Kandinsky and Paul Klee , Ning Ding

Realistic utopia : utopian architecture exhibition at Arcosanti , Xiao Fang

Contextualize , Jiaai He

Community pop-up galleries : the instruction manual , Mary Iorio

Living under surveillance , Fan Jia

Urban memory : Beijing City wall ruins reconstruction & exhibition , Yuan Jin

Dialogue across time : Atlanta, 1996 and 2020 , Qianyu Liu

Exploration and autonomy : wild children in the city , Xiaojie Li

Getting closer : exploring re-contextualization in exhibition , Yiran Mu

Generating tension : memorial of sexual slavery , Mary Park

Ciudad informal : a new model for urban living , Rebeca Isabel Peña Reinoza

The milky way : agritourism on a Chinese dairy farm , Wanyue Qiao

Reactivating street life : fostering more communal interaction in Longtang , Ziyang Qiu

Banoo-Serai : an all women sanctuary , Kimia Rahnavardi

Envisioning work : an autism friendly and anxiety free office , Naixin Ren

Re-connect , Xin Ren

Creating a safe haven : a study on coastal resilience in a time of climate change & sea-level rise in the Philippines , Maria Carla Victoria M. Sebastian

Unite the divided : the transition between death and life , Qing Shi

Practicing a senior living , Siyu Shuai

Re-source : Re-source your resources , Raquel Swartz

Lived-in grassland : nomadic architecture in the nomadic community of Mongolia , Linxi Wang

Living and alive : homeless shelter design , Zixu Wang

Re-occupation : buildings, ideology and decolonization in Northeastern China , Ziyu Wei

The ultimate task of public libraries : introducing architecture as pedestal , Elaine Wu

Reality behind beauty : Hayao Miyazaki's perspective of human and nature , Tianyang Wu

Individuality : enhance living in Shenzhen's urban village , Lanting Zhong

Theses from 2019 2019

[Super] structure : expanding the network / reclaiming the path , Anna Albrecht

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Home » Blog » Dissertation » Topics » Architecture » Interior Design » 80 Interior Design Research Topics

80 Interior Design Research Topics

FacebookXEmailWhatsAppRedditPinterestLinkedInAre you a student eager to explore captivating research avenues in Interior design? Look no further, for you’re in the right spot. Our comprehensive collection of research topics in Interior Design is here to ignite your curiosity and guide you on a rewarding journey. Whether you’re pursuing an undergraduate, master’s, or doctoral degree, these thought-provoking […]

Are you a student eager to explore captivating research avenues in Interior design? Look no further, for you’re in the right spot. Our comprehensive collection of research topics in Interior Design is here to ignite your curiosity and guide you on a rewarding journey.

Whether you’re pursuing an undergraduate, master’s, or doctoral degree, these thought-provoking topics will inspire your thesis or dissertation and contribute to the dynamic realm of interior design. From innovative sustainable practices to human-centric design solutions, we’ve got you covered with diverse possibilities to enrich your academic exploration and shape the future of interior design.

A List Of Potential Research Topics In Interior Design

• Repurposing shipping containers: innovative design approaches for affordable housing.
• Resilient interior spaces: adapting homes and commercial interiors for future crises and disturbances.
• Urban farming integration in residential interior design: sustainable living.
• Revitalizing public spaces: community participation in urban interior design.
• Technological innovations in interior design: a literature review on integrating technology and intelligent solutions in interior spaces.
• Aesthetics and functionality in kitchen design: user-centred approach.
• Community-centric library design: creating inclusive and dynamic civic spaces.
• Retail store design and consumer behaviour : a study of visual merchandising techniques.
• Workplace flexibility and design: navigating remote work trends.
• The role of interior design in enhancing student learning outcomes.
• Biodegradable materials in interior design: exploring the potential for sustainable innovation.
• The impact of virtual reality technology on interior design visualization.
• Digital integration in workspace design: exploring technology integration and human-centric design principles in UK office interiors.
• Smart homes and IoT-driven interior design: evaluating the role of Internet of things (IoT) in shaping contemporary residential spaces.
• Zero-carbon homes and sustainable interior design: assessing strategies for achieving net-zero emission standards in residential spaces.
• Reimagining retail: interactive and experience-driven store environments.
• Interactive exhibition spaces: engaging visitors through immersive design.
• Ageing-friendly bathroom design: ensuring safety and comfort for elderly users.
• Historical evolution of interior design styles: tracing the development of design movements and their impact on contemporary interiors.
• Health-conscious workplace design: exploring strategies to create safe and healthy work environments in the post-pandemic era.
• Spatial configuration and human behaviour: analyzing research on how interior layouts influence user behaviour and interaction.
• Minimalism in interior design: aesthetics, functionality, and user experience.
• Reviving tradition: a modern interpretation of historic interior spaces.
• The influence of biophilic design on indoor air quality and wellbeing.
• Adaptive retail design: navigating changing consumer behaviour and expectations in the retail landscape.
• Cultural heritage preservation through adaptive reuse: reviving historic buildings.
• Colour psychology in interior design: analyzing existing literature to understand the psychological impact of colours on human emotions.
• Urban green spaces: design strategies for intimate and sustainable outdoor environments.
• Resilient design for disaster-prone areas: minimizing risk and enhancing safety.
• The psychology of waiting rooms: design strategies for patient wellbeing.
• Human-centred lighting design for elderly care facilities.
• Universal design principles in interiors: reviewing the application of inclusive design for diverse user groups and needs.
• Multi-generational living spaces: designing for harmonious coexistence.
• Adaptive interior design for healthcare facilities: flexibility and patient needs.
• Designing for ageing in place: adaptable interiors for long-term residences.
• Interior design for mental health facilities: creating therapeutic environments.
• Sustainable material selection in interior design: balancing aesthetics and eco-friendliness.
• Virtual collaboration in interior design: challenges and opportunities.
• Modern healthcare interiors: integration of technology and patient-centric design.
• Interior design for cultural institutions: showcasing heritage and art.
• Biophilic design in interior spaces: a comprehensive review of research on integrating nature and wellbeing in interior design.
• Socially inclusive public spaces: redefining urban design to foster community engagement and physical distancing.
• Playful learning environments: interior design for children’s education centres.
• Luxury residential interior design: opulence, exclusivity, and lifestyle expression.
• Spatial layout and acoustic design in educational environments.
• Hybrid learning environments: designing flexible and technology-integrated educational spaces for blended learning.
• The role of textiles in interior design: innovations and sustainability.
• Interior design for ageing retail shoppers: accessibility and user-centric layouts.
• Sustainable home offices: integrating eco-friendly design principles into remote workspaces.
• Transformative interior design: adaptive environments for people with disabilities.
• Airport terminal design and passenger experience: enhancing comfort and efficiency.
• Smart homes and interior design: integration of IoT and automation.
• We are enhancing workplace productivity through ergonomic office design.
• Wellness retreats: designing interior environments for mental and physical restoration.
• British cultural identity in interior design: examining how cultural references shape design aesthetics in UK homes.
• Virtual reality in interior design: examining the role of VR in enhancing design collaboration and visualization.
• Home wellness retreats: creating tranquil and rejuvenating residential interiors for mental and physical wellbeing.
• Residential multi-functional spaces: designing versatile and efficient homes for remote work, leisure, and fitness.
• Residential feng shui: traditional principles in modern interior design.
• Sustainability and materials in interior design: a critical review of sustainable material choices and their applications in interior spaces.
• The role of colour psychology in healthcare interior design.
• Hospitality design resilience post-pandemic: redefining hotel interiors for guest safety, comfort, and experiences.
• Retail store atmospherics and consumer behaviour: reviewing studies on how interior design elements affect customer perceptions and purchases.
• Transformative adaptive reuse: a case study of UK industrial buildings transformed into innovative and functional interior spaces.
• Reconnecting with nature: biophilic design in urban apartments.
• Inclusive design for the ageing population: investigating interior design solutions to enhance accessibility and comfort for older people.
• Sustainable kitchen design: minimizing food waste and energy consumption.
• Interior design for e-commerce warehouses: efficiency and aesthetics.
• Art integration in interior design: fostering creativity and cultural engagement.
• Waterfront development and interior design: creating vibrant coastal spaces.
• Public transportation interiors: enhancing comfort and efficiency.
• Retail pop-up stores: innovative design and temporary brand experiences.
• Inclusive design in hospitality interiors: creating accessible and welcoming spaces.
• Sustainable hotel design: strategies for eco-friendly hospitality interiors.
• Adaptive reuse of industrial spaces: transforming factories into contemporary living spaces.
• We are revitalizing urban retail design: enhancing high-street shopping experiences through innovative interior concepts.
• Eco-conscious hospitality interiors: innovations in sustainable design for hotels and accommodation.
• Home office design for remote work: comfort, productivity, and creativity.
• Cultural identity and interior design: exploring authentic expression in globalized spaces.

Exploring these Interior Design research topics across degrees leads to enriching insights. From colour psychology to sustainability integration, these subjects unveil the art and science of interior spaces. Whether pursuing undergraduate, master’s, or doctoral studies, these topics offer a profound understanding of Interior Design’s evolving landscape.

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Final Program Requirements: Graduate Project or Thesis

The graduate thesis.

Qualified students may pursue the Thesis Option (LArc 500: 7 credits), rather than the Graduate Project; or may elect to pursue the Thesis Option after they complete and defend their Graduate Project. (This option provides the student the opportunity to create a publishable journal article with the Major Professor or engage in further documentation and exploration of the Graduate Project topic.) Students must have completed an approved Research Methods course prior to beginning the their thesis.

The Thesis Proposal

The proposal for the Thesis topic is developed with the student’s Major Professor and begins with the submission of a simple one-two page document addressing the Thesis Topic, Thesis Question, Thesis Motive or Rationale, Research Methodology or Strategies and Application, Ultimately the students produces a multiple page document that also includes a Literature Search and Bibliography. Individual Major Professor’s may specify other components. (MLA students will benefit from reading Landscape Architecture Research, Inquiry, Strategy, Design , Deming and Swaffield, Wiley Press, 2011.)

University of Idaho Thesis Guidelines and Format

There are specific guidelines published by the College of Graduate Studies (Thesis Dissertation Handbook) that detail the timeline, process and final format for the Graduate Thesis. Students must conform to these if they choose the MLA Thesis Option. The following forms with instructions are available at www.uidaho.edu/cogs/forms :

• Authorization to Submit Thesis or Dissertation
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Thesis Defense

Deadlines and products for the Thesis Defense are outlined in the College of Graduate Studies Student Handbook. In addition to these requirements each student must schedule a defense of the thesis and deliver a presentation that communicates the overall thesis question, process and conclusions. Each student must also produce an “E” size poster for the purposes of display that includes at the minimum: an Abstract, Thesis Problem Statement, description of Research Methods and Process, Research Conclusions, Application and Selected Bibliography and Glossary of Terms.

The Graduate Project

Students pursuing the graduate project option must have completed at least two of the four MLA graduate studios as well as an approved Research Methods course. The Graduate Project is developed with advising from the student’s Major Professor and typically includes a design application component that demonstrates how the student’s research impacts design process and product. Often the graduate project develops from work in preceding graduate studios, addressing and researching specific issues in greater detail. Emphasis is placed not only on the theoretical framework of the project, the quality of the design project but also the effective communication of the project.

The Graduate Project Proposal

The proposal for the Graduate Project topic is developed with the student’s Major Professor and begins with the submission of a simple one-two page document addressing the project Topic, important questions and issues, rationale, methodology and design application, Ultimately the students produces a multiple page document that also includes a Literature Search and Bibliography. Individual Major Professor’s may specify other components. (MLA students will benefit from reading Landscape Architecture Research, Inquiry, Strategy, Design , Deming and Swaffield, Wiley Press, 2011.)

Graduate Project Defense and Submission

Deadlines and products for the Graduate Defense typically follow those of the Thesis Option. Individual Major Professors may require specific products or the defense of the graduate project however each student is required to schedule a defense and deliver a presentation that communicates the overall objectives of the graduate project and demonstrates successful application of the student’s research. Each student must also produce an “E” size poster for the purposes of display that includes at the minimum: an abstract, problem statement, description of research methods and process, research conclusions, design application, selected Bibliography and Glossary of Terms.

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Interior Architecture & Design Program

Interior Architecture and Design

Mailing Address: 875 Perimeter Drive MS 2451 Moscow, ID 83844-2451

Phone: 208-885-4409

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Rula Awwad Rafferty

Rula awwad-rafferty, department of design and environments chair, professor, design ui service learning fellow.

208-885-6832

[email protected]

Interior Architecture and Design Program University of Idaho 875 Perimeter Drive MS 2481 Moscow, Idaho 83844-2481

View Full Profile

I teach a range of design studios, hands-on applied and theory courses (cultural and spatial agency, universal design, etc); Junior and Senior ID studios (community based) and theory courses. Previously I also taught Junior, senior, and graduate LARC studios and theory courses, graduate studios and thesis, integrated college and university curriculum, and advise undergraduate and graduate students in the college/university.

I am an engaged university citizen. I lead and serve as on several committees across campus, community, profession and globally to address issues of access, equity, engagement, and excellence. I have served previously as the faculty adviser for the umbrella multicultural student organization on campus–UNITY. I am a member of the President's Diversity Council and serve as co-chair for the campus culture, climate and continuous improvement subcommittee.

I am a service learning fellow affiliated with center for excellence in teaching and learning, and an environmental Science-Social Science core faculty as well. I embrace a scholarship of outreach and engagement, pedagogy, and discovery; from participatory/emancipatory approach; weaving many narratives to understand the numerous authentic stories of place, identity, and people. I love working across many paradigms and disciplines, always pushing a boundary or exploring a possibility.

College of Art and Architecture

• PhD, Interdisciplinary: Arch, PolySci, Anth, ID, Washington University, 1995
• M Arch in Vernacular Architecture, University of Idaho, 1990
• B Arch, Yarmouk University, 1985
• ID 452: Interior Design VI -Capstone Studio
• IAD 451: Interior Architecture & Design V
• IAD 410: Capstone Proposal Development
• IAD 443: Universal Design
• IAD 352: Interior Design IV
• IAD 151: Introduction to Interior Architecture & Design
• ID 499 Special Topics: Community Based Design Projects
• EnvSc 599: Non-Thesis Research Environmental Science Outreach
• EnvSc 500: Master’s research & thesis
• ISEM 301 Great Issues: Informing Spatial Agency: Place, Culture, Identity & Community
• LARC 480: The Emerging Landscape
• LARC 460: Landscape Architecture
• LARC 502: DS - Bioregional Social & Environmental Problems
• LARC 357: Landscape Architecture 3.2 (team taught)
• BIOP 559: The Northern Rocky Regional Landscapes
• Arch 504: Environment and Behavior
• Core 101: Cultural Encounters:  The Latino Story

Research/Focus Areas

• Decolonizing Interior Architecture & Design Education. A CIDA Imitative/Working group. 
• Diversity, mentoring & Faculty development: The Many Lives of Faculty & Staff in Higher Education: Rituals of Repair and Renewal. Imagining America 2022 Roundtable session. Rula Awwad-Rafferty (UI), and Hala Zahalqa (Fulbright-UI). Fall 2022. New Orleans, LA. 
• Sustainability and climate change/ Place-geography-and change: Amman Trajectories of Change: The Pulse of Current and Future Jordanian Municipal Growth & Resilience of Place and People. Rula Awwad-Rafferty, Dan Cronan, Hala Baraket. EDRA 53 Greenville. May 2022.
• Environment and behavior interaction
• Factors affecting quality of life in the built environment: physical, cultural, social, and psychological
• Culture and resettlement: resettlement of cultural groups, elderly, health care applications, and military
• Adaptive reuse applications and community building
• Sense of place: place attachment and identity, conflict and place, security and place attachment
• Vernacular architecture
• Interdisciplinary design education
• Experiential approaches to understanding the physical and metaphorical parameters of interior spaces
• Studio applications

Selected Publications

• Rula Awwad-Rafferty, Tyron Yang. 0. E. Mansour. Homa Hadayat, Erin Peavy. Crossing Boundaries in Times of Uncertainty: EDR Education and Collaborations between Practice, Research and Education. EDRA 52. Summer 2021
• Awwad-Rafferty, R., El Hajj, H. In Pursuit of Authenticity, Happiness & Prosperity Spatial Agents of Change . IDEC International Conference.  Tulsa, OK. ( Refereed Paper Presentation and Publication in proceedings-Scholarship of Teaching). Spring 2020.
• Awwad-Rafferty, R.  Vessels within Vessels: Diversity, Contextual Frames and Community Engagement .  Published In  IDEC Exchange Spring 2018.
• Awwad-Rafferty, R.  Theater for the People-Revitalization and Place Remembering through Photoelicitation.  EDRA49, Oklahoma City, OK.  (Double blind Group presentation review and abstract publication in proceedings).  In Social Equity: Giving Voice to the Unrepresented through Ethnographic Photo-elicitation Participatory Design Strategies track. Summer 2018.
• Paxson, L.; Awwad-Rafferty, R., Blackgoat, G.  Voices of Place – Indigenous Placemaking: Whose Stories Matter? EDRA48 Madison, WI.  ( Double blind Group presentation review and abstract publication in proceedings).  In Voices of Culture and Globalization Track.  (Awwad-Rafferty, R.    Sharing the story and holding the door wide open.  In group presentation with  Blackgoat G  (Indigenizing Government Housing),  and Paxson, L.  (Valuing our own stories)).  Summer 2017.
• Awwad-Rafferty, R.; McCollough, M.; Andersen, A.; Albertson, E.; Johnson, M., Tanner, C.   Servicescape and Student Engagement Level: For Students, By Students .  IDEC International Conference. Chicago, IL. ( Refereed Paper Presentation and Publication in proceedings-Scholarship of Teaching).   Spring 2017.
• O’Shea, L.; Awwad-Rafferty, R.  The Designers Role in Safety and Security: The Use of Crime Prevention through Environmental Design (CPTED) Principles as Case Study Explorations in Design Studio . IDEC International Conference.  Chicago, IL. (Refereed Paper Presentation and Publication in proceedings).  Spring 2017.
• R. Awwad-Rafferty, L. O’Shea. Safety and Security: The Designer’s Role.   In:  Implications.  VOL. 11 Issue 03.  2016 . ( Translational; Research Article, more than 10,000 readership )
• Bose, M., Horrigan, P, and Awwad-Rafferty, R. Democratic Design praxis with Community. Full Theme track for International Conference.  Double Blind reviewed / Refereed Presentation, Abstract Publication in Proceedings, refereed conference submissions under track, and closing Plenary session) . EDRA45 Track. New Orleans, Louisiana. Summer 2014
• Awwad-Rafferty, R. Wicked Problems, Agency, Design Thinking, and Navigating Expertise in Design Studio: The Role of EBR. Presentation in Environmental Design Research in Design Studios:  Pedagogical Approaches and Significance in Design Learning Symposia (Nisha Fernando et al). EDRA 44 Providence.   Double Blind reviewed / Refereed Presentation and Abstract Publication in Proceedings.  May 2013.
• Awwad-Rafferty, R. Graff, E. Designing Locally with Global Vision: An Emerging Authentic "Engagement and Design" Systems Thinking Approach from Experiences in Rural America. EDRA 2012. Summer 2012. Seattle, WA.  Full paper publication and Concurrent paper presentation session .  Double Blind reviewed / Refereed Paper Presentation and FULL PAPER Publication in Proceedings) .  AIA , ASLA , IDCEC CEU  May 2012.
• Gowri Betrabet Gulwadi, Christine H. Jazwinski, Rula Awwad-Rafferty, Laurel J. Heggernes, and Joel S. Harland. Promoting an understanding of the person-environment context through reflective environmental autobiographies of university students. Summer 2012. EDRA 2012 Seattle, WA. Concurrent paper presentation session and abstract publication in Proceedings.  Double Blind reviewed / Refereed Paper Presentation and Abstract Publication in Proceedings ).  AIA , ASLA , IDCEC CEU . May 2012.
• Christine H. Jazwinski, Gowri Betrabet Gulwadi, Rula Awwad-Rafferty, Laurel J. Heggernes, and Joel S. Harland Attention to environmental context in psychology and design students: Holistic cognition, autobiographical memory and ecological attitudes. Concurrent Paper presentation session and abstract publication in Proceedings. Environmental Design research Association International Conference EDRA 42. Chicago, USA.  ( Blind reviewed / Refereed Paper presentation and abstract publication in proceedings).   May 2011.
• Awwad-Rafferty, R. Summer 2010.  Confronting Difficult Questions in Community Based Design and Research . Environmental Design Research Association International Conference EDRA 41. Washington DC.  ( Refereed Paper Presentation, AIA CEU, and abstract publication in proceedings) .  May 2010.
• Awwad-Rafferty, R., O’Shea, L. 2009. " Design & Security in the Built Environment ," Fairchild Books.
• Awwad-Rafferty, R., Essay on Service for Chapter 2 (The Nature of Interior Design Education) and on engaged learning/service learning for Chapter 5 (Studio Learning), in: The Roles of the Full-Time Academic in Interior Design: Practical Strategies for Teaching & Learning. Kathy Ankerson and Jill Pable. Fairchild Books. March 2008. (invited, and blind reviewed)
• Online Field / Engagement Report: Being in Place, of Place, in Qula. Rula Awwad-Rafferty. 2008. Published in Zochrot Activities Reports; English and Hebrew.
• Awwad-Rafferty, R. and Bronstein, E.  Qula Is/ Was/ Will Be: A Merging of Two Landscapes . Summer 2009. Environmental Design research Association International Conference EDRA 40. Kansas City, Missouri.  (Refereed Paper Presentation and abstract publication in proceedings ) .  2009.
• Alabanzer Akers, M., Amor, C., Awwad-Rafferty, R., Camargo, E., Fernando, N., Sixmith, A., Moore, G.  Cross. Cultural/International Research: Contributing to the Environment-Behavior Body of Knowledge.  Summer 2008. Environmental Design Research Association International conference EDRA 39. Vera Cruz, Mexico. ( Refereed International Connections session/intensive, workshop/intensive presentation and abstract publication in proceedings)

Selected Outreach Projects

• Interdisciplinary service learning and outreach project with Idaho  museum for International Diaspora with Arch. colleague Anne Marshall and IMID-Boise exec director and stakeholders. Fall 2020-Ongoing.
• Idaho Commission on the Blind and Visually Impaired collaboration with Alison Steven and Shane Hyde. Ongoing. 
• Countless outreach and engagement projects with local university and community groups, rural communities, tribal nations, and with global partners (details in CV)
• Rula Awwad-Rafferty.  Our Stories.   Invited keynote presentation to USDA- NRCS Idaho 2019 Diversity Day: Fostering Diversity & Inclusion in the Workplace.   Fall 2019.
• Idaho Spirit, Sculpture anchoring memory and place in a Moscow, ID downtown third place, honoring roots and continuity. Facilitation, co-authorship of design, and stewardship of fabrication and installation with Jolene Williams (stakeholder), David Mundy (fabrication and installation), Ashly Buzzini, Brooks Boyer, Hani El Hajj, Summer 2019.
• Campus Community Forum 2019:  Three community engagement projects displayed:  Liberty theater engaged design with Liberty theater Alliance group, Gritman medical center visions, and Williams Tribute.
• Rula Awwad-Rafferty, Carla Brisotto, Eleftherios Pavlides, Anthony Kim, and Shauna Mallory-Hill. Social Equity:  Giving Voice to the Unrepresented through Ethnographic Photo-elicitation.    Blind reviewed for Participatory design Strategies Pre-conference intensive.  EDRA49, Oklahoma City, OK.  Summer 2018.
• Imagining America Workshop: refereed, team developed, led by Kush Patel, Mallika Bose, Organizing Against Violence: A Community-Engaged Pedagogy and Praxis Workshop (followed by co-writing).   Development and participation, co-writing. Chicago. Fall 2018.
• Awwad-Rafferty, R.  Breaking Barriers Together: Lessons in Social Justice, Empathy, and E-B Action.   EDRA47 Raleigh, NC.   (Double blind presentation review and abstract publication in proceedings).  Summer 2016.
• The Jeff Martin Wind Sculpture Memory Garden Project direction and Design .   Moscow, ID.  Project director and design (with Josh Hail. LA graduate). Completed for Gritman Medical Center, August 2013. Funds raised, infrastructure and sculptures installed December 2014. Construction completed Summer 2015.
• Amber Eisenbraun. Alena Horowitz. Vanessa Kaminski and, Rula Awwad-Rafferty.  Design Thinking and Action as if People Mattered: It’s Greek ... It’s Community ... & ... It is Building with Change.  EDRA 45 New Orleans,  Double Blind reviewed poster presentation, EDRA 45.  Summer 2014.
• The Landscape of Accountable Care: How a Patient Focus is Changing the Industry .  EDRA Inaugural Translational Research Symposium. October 2013.  New York City, New York. Organizing Committee, and Symposium Chair/MC. 
• Reflections on Service, Outreach & Engagement:  Two personal stories. EDRA Connections (January, 2013).  Rula Awwad-Rafferty & Malika Bose.
• Rising of the Phoenix: Telling of Trauma, Symbols, and Resilience as a Shared Human Centered Experience. Rula Awwad-Rafferty. EDRA 45 New Orleans.  Double blind reviewed, EDRA 45.  EDRA Short.  Summer 2014.
• Counter-Mapping Return. Workshop report and journal publication.   Einat Manoff, Umar Alghubari, Matan Boord, Eitan Bronstein, Amir Hillel, Ismat Shbeita, Fadi Shbeita, Fat'hiyyeh Shbeita, Tal Haran, Masha Zussman, Adam Freeman, Nimrod Zin, Claire Oren, Rula Awwad-Rafferty. Published in Sedek 6: Towards return of Palestinian refugees. June 2011.
• Qula Remembering—Images in the Stones.  Summer 2010. Engagement and artistic expression/installation. Awwad-Rafferty, R., Kassab, K, Bronstein, E., Eghbarieh, O; and Gopher, U.  Art Installation. Qula. Summer, 2010.
• The “EDRA” Story Project.   Thierry Rosenheck (Dept. of State), Celeste Tell (Fair Building technology) and Rula Awwad-Rafferty (University of Idaho), Engagement and outreach/scholarship.  Videography. 2009-ongoing
• Awwad-Rafferty, R.; Drown, S; and Matanovic, M.  From Research to Policy to Action: Community-Based Design in Underserved and Rural Areas.  Summer 2010. Environmental Design research Association International Conference EDRA 41. Washington DC.  (90 minute Blind Reviewed Symposium, AIA CEU, and abstract publication in proceedings). May 2010.
• Persson, H., Laumatia, L., Awwad-Rafferty, R., Drown, S, and Ackerman, A.  Ethical Questions of Participation, Integration, and Implications in Planning and Design . Summer 2009. Environmental Design research Association International Conference EDRA 40. Kansas City, Missouri.  (Refereed workshop presentation and abstract publication in proceedings). 2009.
• Awwad-Rafferty, Rula.   Women’s Voices and Visions: Standing Together.  Summer 2009. Environmental Design research Association International Conference EDRA 40. Kansas City, Missouri.  ( Refereed interactive paper/poster presentation and abstract publication in proceedings).   2009.
• Native American Student development Conference. Participant. 2008 
• Quality of Graduate Education retreat facilitator. May 2008. University of Idaho. Moscow, ID.
• Inland Northwest Partnership --Revitalizing Your Community Through Grassroots Leadership. Exhibit and representation of BSCI. Post Falls, ID. Summer, 2008. 
• Susan Nathan visit and lecture: The other side of Israel. University wide/cross campuses with WSU initiation, team building, fund raising, coordination, and delivery. Fall 2008. 
• Idaho Green Expo, Boise, ID. Exhibit, outreach representing BSCI, BRP, MOSS, and Department of Landscape Architecture and University of Idaho. Summer 2008. 
• Learning Practice Collaborative supervision with Stites, Idaho. Student: Hanna Persson. Spring and summer 2008. 
• Community centers as a third place (in partnership with Horizons program), Spring and summer 2008. 
• The Idaho House/and The Governor’s mansion alternatives’ explorations—In progress work with Idaho First Lady Lori Otter. Spring 2008. 
• Interdisciplinary steering group --campus and community engagement-- to facilitate, coordinate, and fundraise for Greg Mortenson’s (Three Cups of Tea) visit to campus, and to sponsor building a school in Pakistan in the name of the University of Idaho community. Fall 2007 and spring 2008.

Awards and Honors

• Alumni Association Award for Faculty Excellence (more than 15 awards).
• 2020 LEIBROCK UNIVERSAL DESIGN SCHOLARSHIP Award for faculty professional development in Colorado with Cynthia Leibrock. Received Spring 2020, for experience occurring summer 2021 due to COVID-19.
• Participated in ACE Leadership Academy for Department Chairs. One of 5 University of Idaho members attending. Summer 2018.
• IDEC 2017 People’s Choice Award of Excellence on blind reviewed presentation with students “Servicescape and Student Engagement Level: For Students, By Students.”
• Virginia Wolf Distinguished Faculty Service Award, 2017
• Hermana de Apollo Award from the Beta Gamma Chapter of Sigma Lambda Beta International Fraternity. 2016
• Commencement Speaker for Multicultural Students Graduation, University of Idaho. Fall 2016
• Disability Action Center NW ’s Vital Resource Award, only one is given annually. 2015
• Inaugural Dr. Arthur Maxwell Taylor Excellence in Diversity Award-Faculty. University of Idaho.2014
• Elected to EDRA Board of Director’s 2012, served as chair elect 2012, chair 2013-2014, at large 2015, and ex officio Governance Chair 2016.
• Gritman Medical Center Board of Directors.  Trustee
• Rosa Parks Human Rights Community Award from Latah County Human Rights Taskforce LCHRTF. January 2012.
• Rotary International -International Service Chair, Moscow, ID--Participated in Rotary International Ambassadorial Scholars sponsoring counselors’ orientation/training, San Jose, CA. 2012. (Sponsoring counselor to outgoing ambassadorial Scholar Niki Lee, RI District 5080)
• The 2008 University of Idaho Excellence of Outreach Award, 2008.
• Became a University of Idaho Service Learning Fellow, 2007
• University of Idaho Dr. Martin Luther King Distinguished Service Award, 2006
• Curriculum-Vitae pdf
• Council for Interior Design Accreditation - Future Scan
• Interior Design Educators Council

• The Graduate School
• Urban Design & Planning

Phase III Dissertation

Once the student passes the General Examination, he/she is advanced to the level of doctoral candidate, and is expected to build on the critical review of the literature to develop a dissertation proposal. The dissertation proposal should demonstrate the characteristics of interdisciplinarity, relevance to urban and environmental planning and policy, and potential for contribution to scholarship.

Dissertation Proposal

A dissertation proposal should be formally presented to the Reading Committee at a scheduled defense presentation. The Reading Committee must certify that the student is prepared to undertake the proposed research, and that it meets the program requirements for scholarship.

Dissertation Defense

The final step in the Ph.D. program is the formal presentation and defense of the dissertation. This process follows the normal protocol as set by the Graduate School.

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Dogchitecture: WE Architecture Designs a Center That Challenges Traditional Animal Shelters

• Written by Ella Comberg

Copenhagen firm WE Architecture has completed a proposal for a “Dog Center” in Moscow that challenges traditional notions of animal shelters. Nestled in the countryside, the one-story pavilion will rely on a series of courtyards divided by pergolas that disappear into the landscape. The firm notes that the courtyards, which provide enclosed outdoor space for the dogs , allow the center “to avoid the 'jail-like' fencing which is often associated with dog shelters."

WE, in collaboration with MASU Planning , hopes to create a “healthy and inspiring environment for sheltered dogs and for the different people who will visit and work at the Center.” The project accomplishes its atmospheric goals by complimenting steel pillars with wooden rafters. The rafters extend to create an exterior overhang which functions as “a sun screen in summer time and as an exterior cover/hallway on rainy days.” As visitors approach the building, the green roof , which sits atop the wooden rafters, is meant to serve as a “fifth facade” that can blend in easily with its wooded surroundings. Extensive outdoor seating space bleeds into greenery, inviting both human and animal recreation.

Design Team

Project year, photographs.

News via: WE Architecture

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• Sustainability

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Russia-Ukraine war: Blinken announces $2bn in aid as Russia claims to have taken more settlements – as it happened

US secretary of state says ammunition, armoured vehicles and missiles will be rushed to frontline as Moscow says it has captured more territory

• 2d ago Closing summary
• 2d ago EU agrees to sanction pro-Russian outlet 'Voice of Europe'
• 2d ago Russian strikes injure at least 17 in Ukraine's south
• 2d ago Putin: Russian forces 'improving positions every day in all directions'
• 2d ago US does not encourage Ukraine to hit targets in Russia with US weapons but it is decision for Kyiv to make, Blinken says
• 2d ago US-Ukraine security agreement could be signed in weeks, says Blinken
• 2d ago Blinken announces additional $2bn in foreign military financing for Ukraine
• 2d ago Russian forces claim to have taken control of more settlements in Kharkiv and Zaporizhzhia region
• 2d ago Ukraine's Zelenskiy postpones foreign visits amid Russian offensive
• 2d ago Russia suspends two airports’ traffic over drone threat
• 2d ago Intensifying war increasing threat to Ukraine economy, EBRD warns
• 2d ago Volodymyr Zelenskiy cancels visit to Spain and Portugal
• 2d ago Opening summary
• 2d ago Ukraine says it has withdrawn troops in parts of Kharkiv region

Blinken announces additional $2bn in foreign military financing for Ukraine

At a press conference in Kyiv , Blinken announced an additional $2bn in foreign military financing from the US for Ukraine . He said new support from the US was coming at a “critical time”.

He was speaking at a joint press conference in Kyiv alongside Ukrainian foreign minister Dmytro Kuleba , adding that the support would be aimed at investing in Ukraine’s industrial base.

Closing summary

It has gone 6.15pm in Kyiv and in Moscow . We will be closing this blog soon, but you can stay up to date on the Guardian’s Russia and Ukraine coverage here .

Here is a recap of today’s latest developments:

At a press conference in Kyiv on Wednesday, the US secretary of state Antony Blinken announced an additional $2bn in foreign military financing for Ukraine . He said new support from the US was coming at a “critical time”. He was speaking alongside Ukrainian foreign minister Dmytro Kuleba, and added that the support would be aimed at investing in Ukraine’s industrial base.

Blinken said that the US does not encourage Ukraine to strike targets inside Russia with US-supplied weapons but believes it is a decision Kyiv should make for itself. He said the US was focused on sending Patriot missile systems and other forms of critical air defence to Ukraine. Blinken added: “We’re rushing ammunition, armoured vehicles, missiles, [and] air defences to get them to the frontlines.”

The US could sign a bilateral security agreement with Ukraine within weeks , Blinken said on Wednesday. During a press conference in Kyiv, he said that the “heavy lifting” on the deal had already been done.

The US will continue to levy sanctions against enterprises involved in China’s support for Russia’s war in Ukraine , Blinken said on Wednesday. He told the press briefing in Kyiv that the US was “deeply concerned” about China’s support for Russia’s defence industry.

Ukraine’s president Volodymyr Zelenskiy has postponed all foreign visits . “Volodymyr Zelenskiy has instructed that all international events scheduled for the coming days be postponed and new dates coordinated,” Sergii Nykyforov said on Facebook. On Wednesday morning it was announced that Zelenskiy had cancelled trips to Spain and Portugal.

EU member states on Wednesday agreed to impose a broadcast ban on online outlet Voice of Europe , accused of spreading Kremlin propaganda, diplomats said. According to Agence France-Presse (AFP), the officials, speaking on condition of anonymity, said bans would also be applied to three Russian media outlets: Izvestiya, Rossiiskaya Gazeta and Ria Novosti.

Russia on Wednesday warned the EU that if the bloc imposed restrictions on Russian media then western reporters in Russia would feel a swift, harsh and painful response from the Russian state. “If these measures are taken against the Russian media, Russian journalists, then, despite the fact that western correspondents will not want to, they will also have to feel our retaliatory measures,” Russian foreign ministry spokesperson Maria Zakharova said.

Russian airstrikes on Ukraine’s southern cities of Mykolaiv and Kherson injured at least 17 people , local officials said on Wednesday. Eleven people, including at least one teenager, received injuries when Russia struck Kherson using aviation, the regional governor said on Telegram. Separately, a Russian missile attack caused a heavy fire in a car repair service in Mykolaiv, emergency services said on Telegram. At least six people were injured.

Russian president Vladimir Putin said his regime is prepared to negotiate over the conflict in Ukraine , in an interview with Chinese media on the eve of his planned visit to Beijing. “We are open to a dialogue on Ukraine but such negotiations must take into account the interests of all countries involved in the conflict, including ours,” Putin was quoted as saying by the official Xinhua News Agency on Wednesday.

Putin said on Wednesday that the Russian leadership must do everything in its power to ensure that troops have all the necessary resources to successfully carry out their tasks in Ukraine. Putin was speaking at a meeting dedicated to the development of the Russian defence industry.

Putin also said on Wednesday that Russian forces were improving their positions every day along the front in Ukraine in all directions and that the advance was going to plan. The Russian president was at a meeting in the Kremlin with defence minister Andrei Belousov, secretary of the security council Sergei Shoigu and top generals.

Ukraine’s forces “partially pushed back” Russian forces from the town of Vovchansk in Kharkiv region on Wednesday , the Ukrainian military said. In an update on the battlefield situation it said that active combat clashes raged on in north and northwestern parts of the town and a total of 18 Russian assaults were repelled.

Russia’s defence ministry said on Wednesday that its forces had taken control of two more settlements in Ukraine’s Kharkiv region and one in the Zaporizhzhia region . The ministry said that Russian troops had captured Hlyboke and Lukiantsi in Kharkiv and Robotyne in Zaporizhzhia. Reuters could not independently verify battlefield reports. The Ukrainian military dismissed the Russian claim about Robotyne.

Ukraine pulled back troops near several villages in the north-eastern Kharkiv region , where Russian forces have been advancing and pounding settlements along the border since last week, Kyiv announced. “In some areas, around Lukyantsi and Vovchansk, in response to enemy fire and assaults from ground troops, and to save the lives of our servicemen and avoid losses, our units manoeuvred and moved to more advantageous positions,” the Ukrainian military announced overnight between Tuesday and Wednesday.

Ukrainian presidential adviser Mykhailo Podolyak dismissed Putin’s comments on possible negotiations over his war in Ukraine as “hypocritical” on Wednesday. “Once again, Putin’s hypocritical ‘negotiation’ activity … At the same time, Russia continues to burn cities in Donbas and is trying to break through in Kharkiv region, while simultaneously scaling up crimes against civilians,” he said on X.

US President Joe Biden could meet his Ukrainian counterpart Volodymyr Zelenskiy in the coming weeks, Blinken said. The US secretary of state said during the press conference in Kyiv that Washington strongly supported a planned Ukrainian peace summit in Switzerland set for next month and would be “robustly represented” there.

The Ukrainian interior ministry said that three civilians were killed in the Kharkiv region over the last 24 hours and that a Russian drone had injured two policemen.

Putin said on Wednesday that Russia’s total defence and security spending may reach a little more than 8.7% of gross domestic product in 2024 , and that the money should be used carefully and effectively.

Portugal’s new government is keen on ramping up sanctions on Russia over its invasion of Ukraine , environment and energy minister Maria da Graca Carvalho said on Wednesday.

Britain’s shadow foreign and defence ministers completed a visit to Kyiv to deliver a message that little would change when it came to British support for Ukraine if Labour won the general election expected later this year. “We wanted to come now, in the run-up to the UK election, to ensure we take politics out of the UK’s support for Ukraine,” said John Healey, the shadow defence secretary, in an interview with the Guardian in Kyiv before leaving Ukraine.

During the same visit, David Lammy, the UK’s shadow foreign secretary said he believed Putin, represented a “new fascism in Europe” and that other nations had to stand firm in defending Ukraine. Lammy and Healey met Ukraine’s defence and foreign ministers as well as Andriy Yermak, the chief of staff of the president.

Estonia’s parliament approved a proposal allowing the use of frozen Russian assets to pay compensation for war damage in Ukraine , the Baltic nation’s foreign ministry said in a statement on Wednesday. “We took a big step towards creating a precedent Europe could follow,” foreign minister Margus Tsahkna said.

Ukraine’s war-torn economy faces a renewed threat as Russia’s intensifying war takes its toll on power plants and forces Kyiv to send key workers to the frontline, the European Bank for Reconstruction and Development has warned. In its latest economic update, the EBRD cut its growth forecasts and said more than two years of fighting in Ukraine was affecting not only the warring countries but also their neighbours.

Russia said on Wednesday that a major airport near the city of Kazan, 1,000 kilometres (620 miles) from Ukraine, had been temporarily closed after the region was targeted by a Ukrainian attack drone. The defence ministry said it had downed a Ukrainian drone over the central region of Tatarstan but did not specify what was the target of the attack.

Maxim Timchenko, the CEO of DTEK, Ukraine’s largest private energy producer, described a dire situation on the ground as Russia steps up attacks. He said he hopes for a massive increase in western aid at a recovery conference in Berlin next month. I couldn’t imagine that after three attacks we can lose more than 90% of our generation capacity,” he told an online briefing from Kyiv. “That’s what’s happened after the winter season.”

EU agrees to sanction pro-Russian outlet 'Voice of Europe'

EU member states on Wednesday agreed to impose a broadcast ban on online outlet Voice of Europe , accused of spreading Kremlin propaganda, diplomats said.

Agence France-Presse (AFP) reports that the officials, speaking on condition of anonymity, said bans would also be applied to three Russian media outlets: Izvestiya , Rossiiskaya Gazeta and Ria Novosti .

The intelligence service in the Czech Republic in March busted an alleged Moscow -financed network using Prague -based outlet Voice of Europe to spread Russian propaganda.

According to AFP, Belgian authorities have also opened a probe into accusations that the outlet was used to pay European lawmakers to spread Moscow’s talking points.

The EU has already imposed broadcast bans on over a dozen Russian media outlets over the war in Ukraine .

According to AFP, diplomats said the four latest outlets should be formally added to the blacklist soon. The EU is at the same time working on a new package of sanctions against Russia over the invasion, that for the first time include targeting its liquefied natural gas sector.

Russian strikes injure at least 17 in Ukraine's south

Russian airstrikes on Ukraine ’s southern cities of Mykolaiv and Kherson injured at least 17 people, local officials said on Wednesday, according to Reuters.

Eleven people, including at least one teenager, received injuries when Russia struck Kherson using aviation, the regional governor said on Telegram. Residential buildings and an educational facility were damaged, he said.

Separately, a Russian missile attack caused a heavy fire in a car repair service in Mykolaiv, emergency services said on Telegram. At least six people were injured.

Shaun Walker is the Guardian’s central and eastern Europe correspondent.

It was an unexpected moment at the end of a long day in Kyiv for Antony Blinken , after numerous high-level meetings and serious pronouncements promising the speedy delivery of US military aid. The secretary of state picked up a guitar and performed a rendition of Neil Young ’s Rockin’ in the Free World with a Ukrainian rock band.

The images, quickly shared on social media, split opinion in Ukraine , with the performance one of the main topics of discussion in Kyiv on Wednesday. Some hailed Blinken’s turn as a welcome gesture of support, while others questioned the optics of performing in a bar while the situation at the front is so tense.

Blinken took to the stage at Barman Dictat , a well-known speakeasy-style bar in central Kyiv hidden in a basement inside a courtyard, and joined the Ukrainian band 19.99.

“Your soldiers, your citizens – particularly in the north-east, in Kharkiv – are suffering tremendously,” Blinken said before playing. “But they need to know, you need to know, the United States is with you, so much of the world is with you and they’re fighting not just for a free Ukraine , but for the free world. And the free world is with you, too.”

The band were told before the event that they would be performing with Neil Young, said one member, but were asked to keep it a secret. It was only at the last minute that they realised their guest member would be the secretary of state.

You can read Shaun Walker’s full piece here:

Russian president Vladimir Putin said on Wednesday that the Russian leadership must do everything in its power to ensure that troops have all the necessary resources to successfully carry out their tasks in Ukraine .

“We must make maximum use of all our administrative resources to ensure the main task – the successful work of our combat units on the line of contact within the framework of a special military operation,” Putin said, reports Reuters.

Putin was speaking at a meeting dedicated to the development of the Russian defence industry.

Britain ’s shadow foreign and defence ministers have completed a visit to Kyiv to deliver a message that little would change when it came to British support for Ukraine if Labour won the general election expected later this year.

“We wanted to come now, in the run-up to the UK election, to ensure we take politics out of the UK’s support for Ukraine,” said John Healey , the shadow defence secretary, in an interview with the Guardian in Kyiv before leaving Ukraine. “There’s total support for Ukraine across the full breadth of the Labour party in and outside parliament,” he added.

Healey said Labour backed all the commitments made to Ukraine by the current government, including a recent pledge to provide Kyiv with £3bn of military aid a year, which a future Labour government would continue.

He made the two-day trip to Ukraine with David Lammy , the shadow foreign secretary. The pair met Ukraine’s defence and foreign ministers as well as Andriy Yermak , the chief of staff of the president, Volodymyr Zelenskiy .

Lammy said he believed the Russian president, Vladimir Putin , represented a “new fascism in Europe” and that other nations had to stand firm in defending Ukraine.

Russian president Vladimir Putin said on Wednesday that Russian forces were improving their positions every day along the front in Ukraine in all directions and that the advance was going to plan, according to Reuters.

Putin, at a meeting in the Kremlin with defence minister Andrei Belousov , secretary of the security council Sergei Shoigu and top generals, said the work of the military was “proceeding according to the plan” approved by the general staff.

“The more effectively you work on the frontline, the more chances we have to resolve this issue peacefully,” Putin told the generals. “This is what we have always been striving for, and I have always spoken about it.”

Putin thanked Shoigu for his previous work in the role of defence minister. He said “many things were not clear before the outbreak of hostilities” and said Shoigu would help him manage the military and security sections of the state.

Speaking of Belousov, his newly appointed defence minister, Putin said he had appointed Belousov due to rising defence and security spending which he said would amount to 8.7% of gross domestic product or a little more. That is still below the Soviet level of 13% in the mid-1980s.

“This is certainly not 13%, as was the case in the Soviet Union, but it is still a solid amount, it is a large resource, and we must use it very carefully and efficiently,” Putin said.

“This relationship between the ‘cannon’ and ‘butter’ should be organically integrated into the overall development strategy of the Russian state.”

According to Reuters, Putin then praised Belousov for his economic experience and for working on the development of drones and other unmanned vehicles.

The Russian leader said there would be no changes to the army’s general staff. Chief of the general staff Valery Gerasimov attended the meeting. “I want it to be clear to everyone. This unit of combat work has developed, it functions rhythmically, operates successfully, and no changes are expected here,” Putin said of the general staff.

Estonia ’s parliament has approved a proposal allowing the use of frozen Russian assets to pay compensation for war damage in Ukraine , the Baltic nation’s foreign ministry said in a statement on Wednesday.

“We took a big step towards creating a precedent Europe could follow,” foreign minister Margus Tsahkna said, Reuters reports.

Putin: Russian forces 'improving positions every day in all directions'

Vladimir Putin said on Wednesday that Russia ’s total defence and security spending may reach a little more than 8.7% of gross domestic product in 2024, and that the money should be used carefully and effectively, Reuters reports.

The Russian president told a meeting of the defence minister and top generals that Russian forces were every day improving their positions in all directions in Ukraine .

The US will continue to levy sanctions against enterprises involved in China ’s support for Russia ’s war in Ukraine , Antony Blinken said on Wednesday.

He told the press briefing in Kyiv that the US was “deeply concerned” about China’s support for Russia’s defence industry.

Ukraine’s forces “partially pushed back” Russian forces from the town of Vovchansk in Kharkiv region on Wednesday, the Ukrainian military said. In an update on the battlefield situation it said that active combat clashes raged on in north and northwestern parts of the town and a total of 18 Russian assaults were repelled, Reuters reports.

Russian President Vladimir Putin says his regime is prepared to negotiate over the conflict in Ukraine in an interview with Chinese media on the eve of his planned visit to Beijing , the Associated Press (AP) reports. “We are open to a dialogue on Ukraine but such negotiations must take into account the interests of all countries involved in the conflict, including ours,” Putin was quoted as saying by the official Xinhua News Agency on Wednesday.

The Russian leader’s two-day trip is due to start on Thursday.

The Kremlin has said in a statement that during their talks, Putin and Chinese leader Xi Jinping will “have a detailed discussion on the entire range of issues related to the comprehensive partnership and strategic cooperation and determine the new directions for further development of cooperation between Russia and China and also have a detailed exchange of opinions on the most acute international and regional issues.”

US President Joe Biden could meet his Ukrainian counterpart Volodymyr Zelenskiy in the coming weeks, Blinken said.

Blinken added during the press conference in Kyiv that Washington strongly supported a planned Ukrainian peace summit in Switzerland set for next month and would be “robustly represented” there.

US does not encourage Ukraine to hit targets in Russia with US weapons but it is decision for Kyiv to make, Blinken says

The US does not encourage Ukraine to strike targets inside Russia with US-supplied weapons but believes it is a decision Kyiv should make for itself, secretary of state Antony Blinken said on Wednesday.

He was speaking at a press conference in Kyiv after weeks of regular missile and drone strikes across Russia that Ukraine has not officially confirmed.

The US is focused on sending Patriot missile systems and other forms of critical air defence to Ukraine , Blinken said.

US-Ukraine security agreement could be signed in weeks, says Blinken

The US could sign a bilateral security agreement with Ukraine within weeks, secretary of state Antony Blinken said on Wednesday.

He said during a press conference in Kyiv that the “heavy lifting” on the deal had already been done.

• Ukraine war live

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