grade 9 macbeth essay introduction

Miss Huttlestone's GCSE English

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‘Macbeth’ Grade 9 Example Response

Grade 9 – full mark – ‘Macbeth’ response

Starting with this extract (from act 1 scene 7), how does Shakespeare present the relationship between Macbeth and Lady Macbeth?

In Shakespeare’s eponymous tragedy ‘Macbeth’, Macbeth and Lady Macbeth’s relationship is a complex portrait of love, illustrating layers of utter devotion alongside overwhelming resentment. Though the couple begins the play unnaturally strong within their marriage, this seems to act as an early warning of their imminent and inevitable fall from grace, ending the play in an almost entirely different relationship than the one they began the play with.

In the exposition of the play, Macbeth and Lady Macbeth initially appear immensely strong within their marriage, with Macbeth describing his wife as ‘my dearest partner of greatness’ in act 1 scene 5. The emotive superlative adjective ‘dearest’ is a term of endearment, and acts as a clear depiction of how valued Lady Macbeth is by her husband. Secondly, the noun ‘partner’ creates a sense of sincere equality which, as equality within marriage would have been unusual in the Jacobean era, illustrates to a contemporary audience the positive aspects of their relationship. Furthermore the lexical choice ‘greatness’ may connote ambition, and as they are ‘partner(s)’, Shakespeare suggests that Macbeth and Lady Macbeth are equal in their desire for power and control, further confirming their compatibility but potentially hinting that said compatibility will serve as the couple’s hamartia.

However, the strength of Macbeth and Lady Macbeth’s relationship falls into a rapid downward spiral in the subsequent scenes, as a struggle for power within the marriage ensues. This is evidenced when Macbeth, in act 1 scene 7, uses the declarative statement ‘we will proceed no further in this business’. Here, Macbeth seems to exude masculinity, embracing his gender role and dictating both his and his wife’s decisions. The negation ‘no’ clearly indicates his alleged definitive attitude. However, Lady Macbeth refuses to accept her husband’s rule, stating ‘when you durst do it, then you were a man’. She attempts to emasculate him to see their plan through. The verb ‘durst’ illustrates the risk taking behaviour that Lady Macbeth is encouraging; implying an element of toxicity within their relationship, and her harsh speech makes the cracks in their relationship further visible to the audience. It is also probable that a contemporary audience would be made severely uncomfortable in the presence of Lady Macbeth’s unapologetic display of power, and it is possible that Shakespeare attempts to paint Lady Macbeth as the villain of the play, playing upon the audience’s pre-determined fears of feminine power. Though Lady Macbeth appears to be acting entirely out of self-interest, another reader may argue that she influences her husband so heavily to commit the heinous act of regicide, as she believes that he crown may as a substitute for the child or children that Shakespeare suggests she and Macbeth have lost previously, and in turn better Macbeth’s life and bring him to the same happiness that came with the child, except in another form.

As the play progresses, Shakespeare creates more and more distance between the characters, portraying the breakdown of their relationship as gradual within the play but rapid in the overall sense of time on stage. For example, Lady Macbeth requests a servant ‘say to the king’ Lady Macbeth ‘would attend his leisure/ for a few words’. Here she is reduced to the status of someone far lesser than the king, having to request to speak to her own husband. It could be interpreted that, now as king, Macbeth holds himself above all else, even his wife, perhaps due to the belief of the divine right of kings. The use of the title rather than his name plainly indicated the lack of closeness Lady Macbeth now feels with Macbeth and intensely emotionally separates them. This same idea is referenced as Shakespeare develops the characters to almost juxtapose each other in their experiences after the murder of Duncan. For example, Macbeth seems to be trapped in a permanent day, after ‘Macbeth does murder sleep’ and his guilt and paranoia render him unable to rest. In contrast, Lady Macbeth takes on an oppositional path, suffering sleepwalking and unable to wake from her nightmare; repeating the phrase ‘to bed. To bed’ as if trapped in a never-ending night. This illustrates to the audience the extreme transformation Macbeth and Lady Macbeth’s relationship undergoes, and how differently they end up experiencing the aftermath of regicide.

In conclusion, Macbeth and Lady Macbeth begin the play almost too comfortable within their marriage, which seems to invite the presence of chaos and tragedy into their relationship. Their moral compositions are opposing one another, which leads to the distancing and total breakdown of their once successful marriage and thus serves as a warning to the audience about the effects of murder, and what the deadly sin of greed can do to a person and a marriage.

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gcseenglishwithmisshuttlestone

Secondary English teacher in Herts. View all posts by gcseenglishwithmisshuttlestone

9 thoughts on “‘Macbeth’ Grade 9 Example Response”

wheres the context

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It is also probable that a contemporary audience would be made severely uncomfortable in the presence of Lady Macbeth’s unapologetic display of power, and it is possible that Shakespeare attempts to paint Lady Macbeth as the villain of the play, playing upon the audience’s pre-determined fears of feminine power.

Also ref to ‘divine right of kings’

Thank you! This is a brilliant response. Just what I needed. Could you also please include the extract in the question.

We will proceed no further in this business. He hath honored me of late, and I have bought Golden opinions from all sorts of people, Which would be worn now in their newest gloss, Not cast aside so soon.

—> until end of scene

She did (Act 1 Scene 7)

Another great resource for grade 9 Macbeth analysis https://youtu.be/bGzLDRX71bs

In order to get a grade 9 for a piece like this would you need to include a wide range of vocabulary or could you write the same thing ‘dumbed down’ and get a 9.

If the ideas were as strong then yes, but your writing must AT LEAST be ‘clear’ for a grade 6 or above.

This is really great, I’m in Year 10 doing my Mock on Thursday, a great point that i have found (because I also take history) Is the depiction of women throughout the play, during the Elizabethan era, (before the Jacobean era) many people had a changed view of women as Queen Elizabeth was such a powerful woman, glimpses of this have been shown in Jacobean plays, in this case Macbeth, Lady Macbeth is depicted as powerful although she had to be killed of to please King James (as he was a misogynist) women are also depicted as evil in the play, such as the three witches, I also found that the Witches are in three which could be a mockery to the Holy Trinity.

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Lady Macbeth as Powerful

The essay below uses this simple structure:, an introductory paragraph to summarise an answer to the question, one paragraph about the extract, one about the rest of the play, one about context., lady macbeth:, the raven himself is hoarse, that croaks the fatal entrance of duncan, under my battlements. come, you spirits, that tend on mortal thoughts, unsex me here,, and fill me from the crown to the toe top-full, of direst cruelty. make thick my blood., stop up the access and passage to remorse ,, that no compunctious visitings of nature, shake my fell purpose, nor keep peace between, the effect and it come to my woman’s breasts,, and take my milk for gall , you murd'ring ministers,, wherever in your sightless substances, you wait on nature’s mischief. come, thick night,, and pall thee in the dunnest smoke of hell,, that my keen knife see not the wound it makes,, nor heaven peep through the blanket of the dark, to cry “hold, hold”, starting with this speech, explain how far you think shakespeare presents lady macbeth as a powerful woman., write about:, how shakespeare presents lady macbeth in this speech, how shakespeare presents lady macbeth in the play as a whole., the essay below is written using a simple structure:, an introductory paragraph to summarise an answer to the question., one paragraph about the extract., one about the rest of the play., before you read the answer below, why not have a think about how you'd answer this question. i've highlighted the quotes i'd write about - do you agree or would you focus elsewhere also, which sections from the rest of the play would you focus on and what contextual factors influenced lady macbeth's presentation, most importantly, though, have a think about how you'd write that opening paragraph - answer the question in two or three simple sentences., an example answer, during the majority of the play, lady macbeth is presented as being a powerful woman who defies the expected gender stereotype of the caring, soft, gentle female. by the end of the play, however, she kills herself as she discovers that although she can order the rest of the world around, she cannot control her own guilt, right at the opening of this speech, lady macbeth makes her position known when she describes “my” battlements. the use of the possessive pronoun emphasises that she thinks of the castle walls as being her own. she follows this by calling “come you spirits.” the use of this magic spell has two effects on the audience: firstly, she is calling for dark magic to come and support her. this would have reminded the audience of the possibility that she was a witch and had all the evil powers connected with them. also, she is using an imperative here: “come you spirits.” she’s not asking them but telling them. this shows that she expects even the supernatural world to answer to her demands. one of the things she demands is that they “stop up the access and passage to remorse.” this means that lady macbeth doesn’t want to feel any regret for what she is about to do, which would make her powerful. she is no longer going to be slowed down by feelings of compassion or care in her pursuit of power. finally, she says that the spirits should “take my milk for gall.” here, she is asking that her own milk be turned to poison. this suggests that she is turning something caring and supportive into something deadly, giving her even more evil powers. also, milk is pure white and suggests innocence and purity so lady macbeth is asking that what is innocent and pure about her gets turned into something deadly. throughout this speech lady macbeth sets herself up as being someone very powerful, who is able to control even the spirits., her power continues throughout the play. lady macbeth suggests the murder and talks macbeth into it – showing that she is powerfully persuasive. she also plans the murder, showing that she is intelligent as well. she also stays calm under pressure, such as when macbeth arrives with the daggers from the murder scene but lady macbeth returns them to the scene so that they don’t get caught. she is also able to manipulate macduff when she faints in shock after they discover duncan’s body. you could easily argue that lady macbeth’s ambition was more powerful than macbeth’s, and that the murder wouldn’t have ever happened with her involvement. she is determined to become powerful and will stop at nothing to get it. at the end the play though she is caught sleepwalking, and she confesses to all that they’ve done. this is interesting, however, as while she is sleep-walking she is not in control of herself so she is not really aware of what she’s doing. it could be the case that lady macbeth herself never felt guilty, though she couldn’t hide her real feelings from her dreams. in the end, she dies. malcolm claims that she killed herself quite violently, but since it happens off-stage we cannot be sure. what is clear is that although she could push macbeth around, and trick macduff, and even order the spirits to do her bidding, she couldn’t order the blood off her own hands., shakespeare presents a very powerful female character in lady macbeth, and although this would have been quite radical for people in jacobean england there were other powerful, female role models to choose from: bloody mary or queen elizabeth are good examples. this play, however, was written for king james who had just taken the throne of england, and james was not a fan of queen elizabeth – who had killed his mother, mary queen of scots (and he might not even have been a big fan of his mum, because she married the man who killed his dad) as a result, james would have enjoyed seeing this powerful woman become such a villain and then getting punished for her crimes..

Macbeth and Violence — Example A Grade Essay

Here’s an essay on Macbeth’s violent nature that I wrote as a mock exam practice with students. Feel free to read and analyse it, use the quotes and context for your own essays too!

It’s also useful for anyone studying Macbeth in general, especially with the following exam boards: CAIE / Cambridge, Edexcel, OCR, CCEA, WJEC / Eduqas.

Thanks for reading! If you find this resource useful, you can take a look at our full online Macbeth course here . Use the code “SHAKESPEARE” to receive a 50% discount!

This course includes: 

• A full set of video lessons on each key element of the text: summary, themes, setting, characters, context, attitudes, analysis of key quotes, essay questions, essay examples
• Downloadable documents for each video lesson 
• A range of example B-A* / L7-L9 grade essays, both at GCSE (ages 14-16) and A-Level (age 16+) with teacher comments and mark scheme feedback
• A bonus Macbeth workbook designed to guide you through each scene of the play!

For more help with Macbeth and Tragedy, read our article here .

THE QUESTION

Starting with this speech, explore how far shakespeare presents macbeth as a violent character. (act 1 scene 2).

Debate: How far is Macbeth violent? (AGREE / DISAGREE)

Themes: Violence (break into different types of violence)

Focus: Character of Macbeth (what he says/does, other character’s actions towards him and speech about him)

PLAN — 6–8 mins

Thesis – Shakespeare uses Macbeth to make us question the nature of violence and whether any kind of violent behaviour is ever appropriate

Point 1 : Macbeth has an enjoyment of violence

‘Brandished steel’ ‘smoked with bloody execution’

‘Unseam’d him from the nave to’th’chops’ ‘fixed his head upon the battlements’

Context — Thou shalt not kill / Tragic hero

Point 2 : Macbeth is a violent character from the offset, but this violence is acceptable at first

‘Disdaining Fortune’ ‘valiant cousin/ worthy gentleman’

‘Worthy to be a rebel’

Context: Divine Right of Kings / James I legacy

Point 3:  The witches and Lady Macbeth manipulate that violent power

‘Fair is foul and foul is fair’ ‘so foul and fair a day I have not seen’

‘Will these hands never be clean?’ ‘incarnadine’

‘Is this a dagger I see before me?’

Context: Psychological power — Machiavelli / Demonology

(Point 4) Ultimately, Macbeth is undone by violence in the end

Hubris — ‘Macduff was from his mother’s womb untimely ripp’d’

‘Traitor’ ‘Tyrant’

‘Life is a tale told by an idiot, full of sound and fury, signifying nothing’

Context: Violence for evil means is unsustainable, political unrest equally is negative and unsustainable — support James

Macbeth is certainly portrayed as a violent character from the offset, but initially this seems a positive trait: the Captain, Ross and others herald him as a great warrior, both an ally and valuable asset to Duncan and his kingdom. Furthermore, Duncan himself is overjoyed at Macbeth’s skill in battle. Yet, as the play progresses and Macbeth embarks upon his tragic fall, Shakespeare encourages us to question the nature of violence itself, and whether any kind of violence is truly good. Ultimately, Shakespeare demonstrates that Macbeth’s enjoyment of violence works against him, as it is manipulated by the evil forces at work in the play, and it ends in destroying not only himself but his entire life’s work, reputation and legacy.

Firstly, Macbeth is established as a character who embraces violence, though he uses it as a force for good in the sense that he defends Duncan and his Kingdom against traitors and the King of Norway’s attack. In the play, it is interesting to note that Macbeth’s reputation precedes him — despite being the central focus of the tragedy, we do not meet him until Act 1 Scene 3, and so this extract occurs before we have seen the man himself. The Captain’s speech begins with the dramatic utterance ‘Doubtful it stood’, creating a sense of tension and uncertainty as he recounts the events of the battle to Duncan and the others. Yet, the tone of the speech becomes increasingly full of praise and confidence as he explains how Macbeth and Banquo overcame ‘Fortune’, the luck that went against them, and their strong willpower enabled them to defeat ‘the merciless Macdonwald’, the alliteration serving to underscore the Captain’s dislike of the man, while the adjective ‘merciless’ implies that the traitor himself was also cruel and violent. The sense that Macbeth enjoys the violence he enacts upon the traitor is conveyed through visual imagery, which is graphic and quite repellent: ‘his brandish’d steel… smoked with bloody execution’ and ‘he unseam’d [Macdonwald] from the nave to th’chops’. The dynamic verb ‘smoked’ suggests the intense action of the scene and the amount of fresh blood that had stained Macbeth’s sword. Furthermore, the verb ‘unseam’d’ suggests the skill with which Macbeth is able to kill — he does not simply stab the traitor, he delicately and expertly destroys him, almost as if he’s a butcher who takes pleasure in his profession, and indeed at the end of the play Macduff does call him by this same term: ‘the dead butcher and his fiend-like queen’. Interestingly, much of the violence that occurs in the play happens offstage, Duncan is murdered in between Acts 2.1 and 2.2., as are Banquo and Macduff’s family. Even in this early scene, the audience hear about the violence rather than experiencing it directly. This suggests perhaps that for a Jacobean audience at a time of political instability, Shakespeare wanted to discourage the idea or enjoyment of violence whilst still exploring the idea of it in human nature and psychology. Furthermore, a contemporary audience would be aware of the Biblical commandment ‘thou shall not kill’, which expressed that violence and murder of any kind was a sinful act against God. Therefore, we can see that Macbeth is established as a tragic hero from the offset, though he is a successful character and increasing his power within the feudal world, this power is built upon his capacity for and enjoyment of violence, which will ultimately cause him to fail and in turn warn the Jacobean audience against any kind of violence in their own lives.

We could also interpret Macbeth as inherently violent, but under control of his own power at the beginning of the play, an aspect of himself which degenerates under the influence of evil. Though he is physically great, he is easily manipulated by the witches and Lady Macbeth, all of whom are arguably psychologically stronger. The use of chiasmus in the opening scene — ‘fair is foul and foul is fair’ is echoed by Macbeth’s first line in Act One Scene 3: ‘so foul and fair a day I have not seen’. Delving deeper into the meaning of these lines also reveals more about Shakespeare’s opinions on the inherent nature of violence; though the language is equivocal and can be interpreted in many ways, we can assume that the witches are implying that the world has become inverted, that ugliness and evil are now ‘fair’, what is seen as right or normal in Macbeth’s violent world. Macbeth uses similar lines, but with a different meaning, he is stating that he has never seen a day so ‘foul’, so full of gore and death, that was at the same time so ‘fair’, so good in terms of outcome, and positive for the future. Shakespeare is perhaps exposing an inherent paradox in violence here, that war and murder is thought by many to be noble if it leads to a positive political outcome. Furthermore, Lady Macbeth encourages and appeals to Macbeth’s sense for violence by directly associating it with masculinity and male traits that were considered noble or desirable in the Jacobean era. She questions him just prior to Duncan’s death, stating ‘I fear thy nature is too full o’th’milk of human kindness / to catch the nearest way’, using ‘milk’ as a symbol of femininity to imply his womanly and cowardly nature, while in turn asking evil spirits to ‘unsex’ her and fill her with ‘direst cruelty’. In this sense, it could be argued that Shakespeare is commenting on the connections between nature and violence, perhaps a Jacobean audience would have understood that Macbeth fighting for the king was an acceptable outlet for his violence, whereas Macbeth using violence for personal gain and Lady Macbeth’s wish to become more masculine, and therefore more violent, are all against the perceived view of natural gender and social roles of the time. Overall, we could say that the culture itself, which encourages Machievellian disruption and political vying for power through both women and men stepping out of the social norms of their society, encourages more violence and evil to enter the world.

Alternatively, it could be argued that Shakespeare uses Macbeth’s success through violence to criticise the nature of the Early Modern world, and so it is not Macbeth’s violence itself which is at fault, but the world which embraces and encourages this in him. Duncan responds to the Captain’s speech by exclaiming ‘valiant cousin’ ‘worthy gentleman!’, demonstrating his extreme faith in Macbeth’s powers. The Captain additionally terms him ‘Brave Macbeth’, stating ‘well he deserves that name’, suggesting that the general structure of the world supports violent and potentially unstable characters such as Macbeth, enabling them to rise to power beyond their means. Interestingly the downfall of Macbeth is foreshadowed early on in this extract, as the term ‘worthy’ is also applied to the traitor in the Captain’s speech, when he states Macdonwald is ‘worthy to be a rebel’, the repetition of this adjective perhaps subtly compares Macdonwald’s position to Macbeth’s own, as Macbeth’s own death also is similar to the initial traitors, with his own head being ‘fixed…upon the battlements’ of Inverness castle. Through this repetition of staging and terminology, we realise that the world is perhaps at fault more than Macbeth himself, as it encourages a cycle of violence and political instability. Though there is a sense of positivity in extract as Duncan has succeeded in securing the throne and defeating the traitor, the violent context in which this action occurs, being set in 11th century feudal Scotland, suggests the underlying political unrest that mirrors the political instability of Shakespeare’s own time. The play was first performed in 1606, three years after James I had been made King of England (though he was already King of Scotland at this time), and in 1605 there had been a violent attempt on his life with the Gunpowder Plot from a group of secret Catholics who felt they were being underrepresented. Shakespeare’s own family were known associates of some of the perpetrators, so it is likely that he intended to clear suspicion of his own name by creating a play that strongly supported James I’s Divine Right to rule. In this sense, we can see that the concept of a cycle of violence that is created through political instability is integral to Shakespeare’s overall purpose, he is strongly conveying to the audience that not only is Macbeth’s personal violence sinful, but the way in which society encourages people to become violent is terrible and must be stopped, for the good of everyone.

In summary, Macbeth is established from the offset as a violent character, who takes pride and pleasure in fighting and killing. However, Shakespeare is careful not to make this violent action central to the enjoyment of the play (until the very end, when Macbeth himself is defeated), to force us to engage with the psychology of violence more than the physical nature of it. Though the women in the play are passive, Lady Macbeth and the witches prove to incite violence in Macbeth’s nature and lead ultimately to more evil entering the world. Finally, we can interpret the violence of the play as a criticism of the political and social instability of Jacobean times, rather than it being purely Macbeth’s fault, Shakespeare is exploring how the society itself encourages instability through the encouragement of Machiavellian ideas such as power grabbing, nepotism, greed and ambition.

If you’re studying Macbeth, you can click here to buy our full online course. Use the code “SHAKESPEARE” to receive a 50% discount!

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Mr Salles Teaches English

Kingship in Macbeth

(a grade 8 essay, improved to grade 9).

Hi again Mr Salles - I hope you are well,

Here is an essay I have written on the theme of kingship, tyranny and natural order.

If you have a spare few minutes, please let me know what mark this would get and how I can improve it to get full marks :)

Shakespeare cleverly crafts the themes of kingship/tyranny/natural order through the devolution of Macbeth. By contrasting morality and corruption within Macbeth and Banquo, Shakespeare cautions against ambition and associates it with the supernatural - a very disturbing idea for the contemporary audience, contributing to Shakespeare’s overall purpose of trying to flatter King James I and warn the nobility against rebellion.

Shakespeare constructs Banquo as a foil to Macbeth by illustrating their contrasting reactions to the same evil force - the supernatural and temptation. Banquo represents the route that Macbeth chose not to take: the path where ambition does not lead to betrayal and murder. Thus, it is Banquo’s ghost, rather than Duncan’s, that haunts Macbeth and conveys to the contemporary audience that restraint will lead to a fruition of power as Banquo’s lineage stays on the throne for the longest.

The witches’ equivocation: “ Lesser than Macbeth, and greater ” paradoxically suggests the drastic difference between Banquo and Macbeth, foreshadowing character development as the witches' prophecies come true. Banquo will never be king, but he does father a line of kings. Macbeth, on the other hand, will become the King of Scotland which is commendable in terms of the Divine Order; Macbeth’s reign of power will be one of selfishness and greed as he fulfils his cruel desire for power, eliminating all obstacles that stand in the way of his kingship.

As a result, Macbeth holds the shorter end of the stick in this paradox, facing paranoia, insomnia, guilt, and a tragic demise, therefore proving its accuracy. Here, Shakespeare is flattering King James I, as he was descendant of Banquo and Fleance, in order to gain his trust and potentially patronage for his theatre. This also helps Shakespeare later in the play when he subtly warns James I not to be repressive and tyrannical in his rule.

Shakespeare ensures Banquo isn’t perfect as he is tempted on some level by the Witches’ prophecy, but his ability to reject evil is what makes him a moral character and an antithesis to Macbeth. He is less able to resist temptation when he sleeps “ I dream’d of the three weird sisters last night ”, but instead of trying to hide this, he confesses to God and asks for help in remaining moral and virtuous.

This references the Bible as Jesus was tempted three times by the devil and resisted: perhaps Shakespeare is attempting to draw parallels between Banquo and Jesus which would have been largely impactful to a Christian contemporary audience, further warning about the devastating consequences of temptation and tyranny by contrasting this with the holy and biblical ideas associated with resistance to temptation and ambition.

Shakespeare demonstrates how the acquisition of power invokes an irreversible change in character, subverting the audience’s expectations as he implies that a person’s poor qualities are amplified by the crown and personal desire - Macbeth becomes paranoid.

In the beginning of the play, Macbeth is conveyed as the epitome of a loyal and quintessential Scottish soldier when the captain recalls Macbeth’s noble actions as he “ carv’d the passage ” of the traitor Macdonwald. Specifically, the emotive verb “ carv’d ” carries strong connotations of combative expertise and nobility. Alternatively, it could allude to him carving his name famously in the beginning of the play and eventually notoriously at the end of the play, foreshadowing his drastic moral decline. The stark contrast between Macbeth murdering an enemy of the king (which would be seen as an enemy to God due to the Divine Right of Kings believed by the contemporary audience) and when he commits regicide - the ultimate sin.

Shakespeare explores the consequences of usurpation - for the nation it is a nightmare; an illegitimate king can only become a tyrant, using ever greater acts of violence to maintain his rule. However, Shakespeare is careful to emphasise how the tyrant himself suffers at his own hands - violence traumatises the violent person as well as the victims. Macbeth ‘ fixed [Macdonwald’s] head upon our battlements ’. The head is symbolic as a motif of Macbeth’s declining heroism. First he is at his moral peak as he beheads the King’s enemy, effectively God’s enemy in the eyes of the contemporary audience, then after having his moral endurance tested in the form of ‘ supernatural soliciting ’ he goes out to commit regicide, losing all virtue. Finally, Shakespeare uses this motif to highlight the negative consequences to his audience as the ‘head’ foreshadows Macbeth’s later disgrace as his own head becomes described as ‘ the usurper’s cursed head’ that is reminiscent of his previous morality before he was corrupted by ambition and the witches’ prophecies.

Supernatural

Shakespeare forces his audience to question whether the unlawful act of treason has a supernatural urge, whether there are malign witches and demonic forces working against the moral bonds of mankind. Macbeth’s growing inclination towards ‘supernatural soliciting’ leaves him in a perplexed self-questioning state " why hath it given me earnestness of success/commencing in a truth ?” Linguistically, the sibilance of ‘ supernatural soliciting’ is deliberately used by Shakespeare to raise his audience’s alarm, given the satanic connotations and reference to devastating sorcery in the form of ‘soliciting’.

Likewise, Macbeth’s rhetorical question is used by Shakespeare to create a self-doubting, unstable and malevolent fallacy created by the engagement with the ‘agents of the dark’.

This repeated motif of the supernatural was especially significant to a contemporary Christian audience as witches were believed to be women who made a pact with the Devil, but it also would have especially attracted the interests of King James I - Macbeth was first performed to him and his courtiers. James I hated witchcraft and wrote Daemonologie - a book about the supernatural. Here, Shakespeare is flattering the king by incorporating his interests into his play and is also warning the nobility who were unhappy with James as king at the time by suggesting their desire to overthrow James I was manipulated into existence by the supernatural and witches.

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This is a very ambitious title – normally you would have just kingship or tyranny set as the question. And then you are going to make it even more ambitious by introducing the supernatural!

This has led to a very convoluted thesis – having at least 3 ideas is excellent, but it has to make sense. You could simplify this:

Shakespeare contrasts the characters of Macbeth and Banquo to caution against ambition. Unchecked ambition is associated with the supernatural, which allows Shakespeare characterise ambition as inherently evil. Macbeth becomes a tyrannical king because he welcomes “supernatural soliciting.” The focus on the supernatural also contributes to Shakespeare’s overall purpose of trying to flatter King James I and warn the nobility against rebellion.

Notice how I have structured this differently in order to make one point at a time.

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FULL MARK & Grade 9 2019 English Lit AQA GCSE examples

Subject: English

Age range: 14-16

Resource type: Unit of work

Last updated

22 February 2024

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I will (soon) be a univeristy student. These are my essays from Summer 2019 when I sat my English Lit GCSE. Overall I achieved 97% and several full mark answers.

Macbeth - 27 Marks Jekyll and Hyde - 30 Marks Inspector Calls - 30 Marks Poetry P&C - 28 Marks

Sorry if the questions on the essays aren’t the exact ones on the exam paper - I can’t quite remember them word for word.

If you download for free I don’t think all the essays are there so you would need to purchase them for all the completed essays.

Any money made is going towards my university expenses (and maybe even a takeaway once in a while!).

AQA have released the papers on their website and the essays are my own.

Tes paid licence How can I reuse this?

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i have not received the work on an inspector calls

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Did you purchase it?

Empty reply does not make any sense for the end user

Hi<br /> I couldn’t download the inspector call and poetry

Sorry you’re having trouble. I’m not sure how to get around that. Did you purchase it or download (I think watermarked?) version? :)

greatplanet

Gachareroll570.

I seem to be missing the completed version of the Inspector Calls Essay. Is the one in the preview finished or is there more?

Hi, it is completed - it was when I uploaded and I haven’t heard anything from people who have used this resource.

are you saying that these arent the questions that are on the english literature gcse?<br />

Sorry I’m not quite sure what you mean, but these are the questions that I answered when I sat my English Literature GCSE :)

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