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Research and Thesis

When interested in a career in research and/or a Ph.D. it may be advisable to plan on doing a thesis. Some larger companies may also prefer students with a thesis. Everyone’s path is different though and there are some exceptions to these broad rules. Your advisor will work with you to determine what the best choice will be for you. 

Research Thesis Requirements 

Master’s Thesis In order to complete the degree in a reasonable time, students should identify a topic and start work on a thesis early. Identification of a thesis topic should be done during or before the second semester in residence. It is the student’s responsibility to take the initiative to engage in activities that will lead to the identification of a thesis topic. While there is no unique sequence of steps that should be taken in order to arrive at the definition of an appropriate problem, a few suggestions may be helpful. A student may enter the graduate program with a definite interest. A student may be able to identify a thesis topic from course work or readings. Some portion of the research in which a faculty member is engaged may be developed as a thesis. Each professor has interests and ideas that may provide stimulating suggestions. Graduate students should contact faculty members; they welcome the opportunity to get acquainted with students. Other sources of stimulation and advice are discussions with other students, attendance at professional meetings, and familiarity with the relevant literature. Finally, in carrying out term paper requirements for courses, students have an opportunity to get the background understanding and information which will enable them to sense a problem that is both interesting and of reasonable scope. The master’s thesis is intended to be a focused research exercise on a manageable topic. It should be focused on a well-defined topic with restricted scope. At the same time, it must be carried out with care and rigor. Peer-reviewed publications and at least one conference paper is expected. The committee will supervise the work throughout the preparation of the thesis with the chair or co-chairs taking major responsibility. The student should consult with the chair and the committee in connection with any major problems, and keep them informed of progress. It is beneficial for all concerned that concise (monthly) reports are provided to the committee to keep them abreast of progress and any problems that need to be addressed. Regular meetings with the chair or committee are also usually very helpful. Be sure to take full advantage of workshops that are made available by The Graduate School. For instance, M.S. students should take this Electronic Theses and Dissertations workshop at the end of their first year. Once the thesis has been completed, it should be carefully edited and tentatively approved by the committee. The student may then proceed to arrange a suitable time and place for the oral examination according to the rules of the Graduate School, using MyPack Portal . All theses are submitted electronically to the Graduate School. Once the thesis is defended, it must be approved by the advisory committee with original signatures of the members of the advisory committee on the title page. Once the student has the signed title page, they can meet with the graduate thesis/dissertation editor. Before final approval, the thesis will be reviewed by the Graduate School to ensure that it conforms to the specifications prescribed in the Electronic Thesis and Dissertation Guide . The editor will give the student a date by which the thesis must be submitted electronically in order for the student to graduate in a given semester. Students should plan to provide a final copy of the thesis to each committee member, if they request it.

Master’s Thesis Defense and Oral Examination Candidates for the master’s degree must pass a comprehensive oral examination to demonstrate to the advisory committee that they possess a reasonable mastery of the subject matter of the major and supporting fields and that this knowledge can be used with promptness and accuracy. The oral examination includes an oral presentation about the thesis and questions focused on the project. Authorization to hold the examination is requested through the Graduate School. The examination may not be held until all other requirements, except completion of the course work for the final semester, are satisfied. A mutually agreeable time of no less than two hours must be scheduled for the examination. A unanimous vote of approval by the advisory committee is required for passing the oral examination. However, approval of the examination may be conditioned upon the completion of additional work to the satisfaction of the advisory committee. Failure of a student to pass the examination terminates the student’s graduate program unless otherwise unanimously recommended by the advisory committee. Oral examinations for master’s degree candidates are open to all faculty, students and staff. Discussion and decisions regarding the student’s performance are confidential to the advisory committee. Graduate School requirements for the master’s degree are outlined in the NC State University Graduate Catalog . Students are urged to review carefully the section pertaining to the degree sought.

Advisory Committee   At the master’s level, the Advisory Committee shall consist of at least: 1) two members from the TATM graduate faculty. The third committee member may be a TATM graduate faculty member or a NC State University Graduate Faculty Member.

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Home » Blog » Dissertation » Topics » Fashion » 80 Fashion and Textiles Research Topics

80 Fashion and Textiles Research Topics

FacebookXEmailWhatsAppRedditPinterestLinkedInFor students embarking on the exciting journey of academic research, selecting the perfect Fashion and Textiles research topics for your undergraduate, master’s, or doctoral thesis or dissertation is a critical first step. The world of fashion and textiles offers a vast array of avenues to explore, from historical analyses and sustainable design practices to innovative […]

For students embarking on the exciting journey of academic research, selecting the perfect Fashion and Textiles research topics for your undergraduate, master’s, or doctoral thesis or dissertation is a critical first step. The world of fashion and textiles offers a vast array of avenues to explore, from historical analyses and sustainable design practices to innovative materials and the impact of technology on the industry. Your choice of research topics will shape your academic path and contribute to the ever-evolving field of fashion and textiles.

Fashion and Textiles also known as “Apparel and Textile Sciences,” “Clothing Studies,” and “Fashion Design and Merchandising”, encompass the study of clothing, fabrics, and the broader fashion industry.

A List Of Potential Research Topics In Fashion and Textiles:

• A review of the social and environmental implications of fast fashion.
• Analyzing the changing consumer behavior and preferences in the fashion and textiles sector post-pandemic.
• Exploring the psychological motivations behind impulse fashion purchases.
• Exploring the historical evolution of fashion retail and its impact on consumer behavior.
• A comprehensive review of sustainable fashion practices and their evolution in recent years.
• Assessing the influence of fashion on urban planning and city development.
• Investigating the cultural and economic aspects of fashion tourism.
• Examining the role of fashion in preserving and reviving traditional craftsmanship.
• Assessing the use of artificial intelligence in fashion retail for personalized shopping experiences.
• Evaluating the role of fashion in promoting environmental conservation and awareness.
• Assessing the cultural significance of fashion exhibitions and museums.
• Fashion and textiles and ethics : Examining the social and environmental responsibilities of the fashion industry in textile production.
• Investigating the impact of sustainable fashion practices on consumer behavior and purchasing choices.
• Assessing the impact of intellectual property laws on fashion design and innovation.
• Exploring the utilization of blockchain technology in supply chain management for the textile industry.
• Assessing the future of fashion events and runway shows in a post-pandemic world.
• Assessing the sustainability practices and innovation in the leather industry.
• Examining the impact of the COVID-19 pandemic on the fashion and textile industry.
• Examining the role of fashion in challenging and breaking gender norms.
• Evaluating the role of fashion in promoting diversity, inclusion, and body positivity.
• Fashion and textiles and fashion art : The intersection of textile craftsmanship and artistic expression in haute couture.
• Examining the role of e-commerce and online retail in the recovery of the fashion and textiles industry post-pandemic.
• Examining the cultural appropriation controversies in the fashion industry and their consequences.
• Analyzing the influence of COVID-19 on the globalization of fashion supply chains.
• Examining the portrayal of diversity in fashion advertisements and media.
• Analyzing the use of augmented reality in enhancing the fashion shopping experience.
• Analyzing the role of London Fashion Week in promoting British fashion and talent.
• Investigating the social and environmental implications of textile waste and disposal.
• Analyzing the emergence of upcycled fashion and its contribution to sustainability.
• Investigating the sustainability practices and challenges in the post-COVID fashion and textiles industry.
• Analyzing the challenges and opportunities in establishing a circular fashion economy.
• Assessing the consumer perception of “Made in the UK” products in the fashion sector.
• Examining the post-Brexit trade relationships between the UK and the EU in the context of fashion and textiles.
• Assessing the impact of cultural diversity in the UK on fashion and textile design.
• Analyzing the ethical considerations in the use of animal-derived materials in fashion.
• Investigating the digital marketing strategies of UK fashion retailers in a post-Brexit world.
• Evaluating the influence of fashion on the global luxury market.
• Investigating the impact of fashion rental services on consumer habits and sustainability.
• Investigating the impact of Brexit on the UK fashion and textiles industry.
• Examining the environmental implications of fast fashion and the potential for circular fashion.
• Investigating the consumer perception and adoption of sustainable fashion technologies.
• Investigating the adoption of sustainable and circular fashion practices in the post-COVID era.
• Analyzing the cultural significance of traditional textiles in contemporary fashion.
• Examining the use of AI-driven fashion forecasting in design and production.
• Evaluating the influence of British fashion education and design schools on the global fashion industry.
• Analyzing the marketing strategies of eco-friendly fashion brands in the global market.
• Exploring the role of fashion technology and innovation in a post-COVID world.
• An analysis of the sustainability reporting practices of major fashion corporations.
• Assessing the implications of body scanning technology in custom-fit clothing production.
• Analyzing the influence of fashion on gender identity and expression.
• Exploring the history and revival of natural dyeing methods in textile production.
• Evaluating the representation of disability in the fashion industry and media.
• Analyzing the role of fashion in climate change awareness and advocacy.
• Assessing the sustainability of biodegradable and eco-friendly textile materials.
• Fashion and textiles and marketing and promotion : Innovative strategies for marketing sustainable textiles in the fashion industry.
• Assessing the role of fashion in building national and regional identities.
• Analyzing the influence of fashion bloggers and influencers on brand collaboration and marketing.
• Exploring the use of artificial intelligence in fashion trend analysis and forecasting.
• Analyzing the connection between fashion and the sustainability of indigenous textiles.
• Exploring the role of fashion in the expression of identity among marginalized communities.
• Investigating the impact of fashion education on the creativity and innovation of designers.
• Analyzing the role of British fashion brands in promoting sustainability and ethical practices.
• Assessing the impact of fashion in shaping political discourse and activism.
• An extensive review of global supply chain management in the fashion sector.
• An in-depth examination of the role of fashion education in shaping industry practices.
• Investigating the use of nanotechnology in textile design and production.
• Exploring the role of fashion in shaping political and cultural movements.
• Assessing the consumer perception of luxury fashion brands and sustainable practices.
• Understanding the psychological and emotional factors influencing post-COVID fashion consumption.
• Exploring the integration of wearable technology in fashion garments and accessories.
• Fashion and textiles and media studies : Analyzing the portrayal of fashion and textiles in popular media and its influence on consumer behavior.
• A review of the marketing strategies employed by fashion brands in the digital age.
• A systematic review of the impact of technology and innovation on the fashion and textiles industry.
• Examining the relationship between fashion advertising and body image dissatisfaction.
• Analyzing the role of fashion in promoting sustainable and ethical jewelry production.
• Investigating the sustainability of eco-friendly fashion packaging and branding.
• Investigating the adoption of 3D printing technology in fashion design and production.
• Investigating the consumer perception and acceptance of lab-grown and sustainable textiles.
• Investigating the history and significance of sustainable fashion movements.
• Evaluating the resilience of small and medium-sized fashion enterprises in the aftermath of the COVID-19 pandemic.
• A comprehensive overview of the circular economy and its application in the fashion sector.
• Analyzing the role of cultural appropriation in contemporary fashion design.

In conclusion, the world of Fashion and Textiles research offers a rich tapestry of exciting topics for students at all degree levels. Whether you are intrigued by the history of fashion, drawn to the possibilities of sustainable textiles, or captivated by the future of wearable technology, there’s a realm of research topics waiting to be explored. Your research journey in fashion and textiles will not only expand your knowledge but also contribute to the ongoing evolution of these dynamic fields, shaping the future of the industry and society at large. So, delve into the diverse world of Fashion and Textiles research topics and embark on your academic adventure today!

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Home > Textiles > Textiles Masters Theses

Textiles Masters Theses

Building on solid technical skills and a proficient design process, MFA candidates in Textiles engage in individual research to develop a personal vision and an understanding of design as an expression of a continually evolving culture. The program focuses on the woven, knit and print design of fabrics used for apparel and interior design applications. Geared towards those who have a background in textiles, along with experience in visual studies from an undergraduate program or professional practice, it helps students to broaden and sharpen their skills, hone their artistic identity and become well versed in the technical and creative potential of their chosen medium and its context. The program also emphasizes studies in drawing and color - along with participation in graduate seminars - as a means of building analytical and critical thinking skills.

In the final semester, MFA candidates focus on creating a comprehensive body of work under the guidance of a thesis committee. All graduate students produce a written thesis and participate in the RISD Graduate Thesis Exhibition , a large-scale public show held annually.

Graduate Program Director: Brooks Hagan

These works are licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 License .

Theses from 2023 2023

Sanctuary , Harsha Kejriwal

A Room Full of Pigeons and Three Spectators , Dina Khorchid and Dina Nazmi Khorchid

Partial Eclipse , Christopher Pak

Surface Tear , Alexandra Soiseth

Iteration One , Julian Suver

The Meaning of A Choice , Julie-Louise Zeitoun

Theses from 2022 2022

What do we stand for? , Lauren Koven

World Settings , Elizabeth Meiklejohn

Soul soiree: how “Sunday best” dressing encourages celebration of self , Olufisayo Quadri

Shifting landscapes , Zahra Tyebjee

Theses from 2021 2021

Insecurities: tracing displacement and migration , Hammad Abid

Building narratives: instilling old stories in new spaces , Sharanya Aggarwal

Dal and rice , Anushka Divecha

Out of bounds , Luciana Iwamoto

Transformers: versatile apparel for a sustainable world , Zihan Amy Peng

Textile architecture , Zoe Yates

Theses from 2020 2020

Unbound , Changrui He

Here and there: a continuous narrative , Hye Young Kim

A little more like water , Jacqueline Scott

Theses from 2019 2019

Mais fica : more for me , Gabrielle Marie Ferreira

Awe-struck , Emily Robertson

Floating , Nina Shishkina

Theses from 2018 2018

Haptic wonder : the sensation of exquisite craft , Anjuli Berstein

The evolution of ornament , Charlotte Ngaio Fairless

Summer peaches and salt-tinged fog , Carolina Jiménez

Capes make the man , Khalid Mezaina

Cosmic whatever, cement gardens, luminous shade , Winifred Vaughan

Theses from 2017 2017

I was there : irreversible view , Asma Belhamar

I trace the fold : fluidity and flux in the terrain vague , Alicia Oas

Deceptive fragility : characteristics and fabrication methods of extra thick weft-knitted spacer fabrics , Anastasia Onegina

How to become ocean? , Elaina Runge

The untold tale , Yan Zeng

Theses from 2016 2016

Li remembered , Meredith (Yue) Du

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Dissertations / Theses on the topic 'Textile Management and Technology'

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Kim, Mun Jung. "Industry Technology Roadmap for the Flushable Pre-moistened Nonwoven Wipes Industry." NCSU, 2009. http://www.lib.ncsu.edu/theses/available/etd-10012009-081723/.

Ji, Yan Ms. "Strategic Shifts in Textile Production 1994-2006." NCSU, 2006. http://www.lib.ncsu.edu/theses/available/etd-10292006-232438/.

Mohan, Abhay. "Formation and Characterization of Electrospun Nonwoven Webs." NCSU, 2003. http://www.lib.ncsu.edu/theses/available/etd-02052003-224020/.

Pechoux, Beatrice Le. "A Pattern Language Describing Apparel Design Creativity." NCSU, 2000. http://www.lib.ncsu.edu/theses/available/etd-20000404-214300.

Dodd, Erin Linnea. "U.S. Trends in Short Staple Spinning." NCSU, 2000. http://www.lib.ncsu.edu/theses/available/etd-20001116-124455.

Lee, Eun-Kyung. "Creation of Casual Index Based on Habit Stocks and General Social Behaviors." NCSU, 2001. http://www.lib.ncsu.edu/theses/available/etd-20010705-124113.

Leksrisompong, Chanatip. "Brand Congruity and Purchase Intentions of Runners." NCSU, 2010. http://www.lib.ncsu.edu/theses/available/etd-03122010-133742/.

Karpe, Yatin Surendra. "Weave-Room Performance Decision-Making Process in Textiles: Mapping An Information Engineering Methodology." NCSU, 2006. http://www.lib.ncsu.edu/theses/available/etd-08312006-095818/.

Phillips, Kristie Jo. "Stress Relaxation of Tufted Carpets and Carpet Components." NCSU, 2002. http://www.lib.ncsu.edu/theses/available/etd-10162002-173021/.

Brevik, Anna, and Elin Bäärnhielm. "Att gräva guld i textilindustrin : förutsättningar för att öka värdet på industriellt textilt restmaterial." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26588.

Kobaner, Can. "Economic Analysis of using MEMS technology for monitoring warp tension and breaks in weaving." NCSU, 2002. http://www.lib.ncsu.edu/theses/available/etd-20011219-112140.

Gahide, Severine Francoise. "Exploration of Micromachines to Textiles: Monitoring Warp Tension and Breaks during the Formation of Woven Fabrics." NCSU, 2001. http://www.lib.ncsu.edu/theses/available/etd-20010514-171836.

Jones, Jeremy. "Abrasion Characteristics of Ring-Spun and Open-End Yarns." NCSU, 2001. http://www.lib.ncsu.edu/theses/available/etd-20011115-182006.

Gahide, Severine. "COMBINATION OF HYDROENTANGLEMENT AND FOAM BONDING TECHNOLOGIES FORWOOD PULP AND POLYESTER FIBERS IN WET LAY NONWOVEN FABRICS." NCSU, 1999. http://www.lib.ncsu.edu/theses/available/etd-19990216-135019.

Kuehnen, Stefan Alexander. "Model Based Conceptual Communication Design in Coordination Systems." NCSU, 2001. http://www.lib.ncsu.edu/theses/available/etd-20010405-170340.

Konopka, Amy Elizabeth. "The Effect of Anisotropy on In-Plane liquid Distribution in Nonwoven Fabrics." NCSU, 2001. http://www.lib.ncsu.edu/theses/available/etd-20010925-125929.

Hamilton, Todd K. "Synthesis, Characterization, Application, and Evaluation of Reactive Sizes for Cotton Warps." NCSU, 2001. http://www.lib.ncsu.edu/theses/available/etd-20011205-105528.

Williams, Stephannia P. "Hydroentanglement Process as a Finishing Treatment for the Enhancement of Knitted Fabrics." NCSU, 2006. http://www.lib.ncsu.edu/theses/available/etd-04072006-140923/.

Sun, Moran Henry. "Piezoelectric response of spun polyvinylidene fluoride and high density polyethylene bicomponent fibers with carbon black." NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-01072005-112854/.

GODAWAT, PRAPHUL. "Experimental Verification of Non-Linear Behavior of Over-end Yarn Unwinding From Cylindrical Packages." NCSU, 2003. http://www.lib.ncsu.edu/theses/available/etd-05122003-023900/.

Jagannathan, Balachandar. "Modeling the Establishment of an Electronic Journal in Textiles & Apparel." NCSU, 2002. http://www.lib.ncsu.edu/theses/available/etd-06052002-122458/.

Erasmus, Leon. "The knowledge and competency level of management science techniques amongst managers in a leading South African textiles company." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/2059.

Scudder, Crescent. "South Africa's cotton supply chain from farm to retail| Applying the triple top line to sustainable apparel supply chains." Thesis, University of Delaware, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1567825.

Growing concerns over the environmental and social impacts related to the production of clothing and textiles have created a need for more discussion about supply chain practices. Currently, there are no guidelines or strategies for addressing sustainable supply chains in the apparel industry that minimize environmental impacts and uphold socially responsible practices. This exploratory case study traces an apparel supply chain, with a focus on cotton, in South Africa that is under a development strategy to create a sustainable supply chain from farm to retail. In-depth interviews were conducted across the supply chain, including cotton farmers, cotton gins, a cotton yarn manufacturer, a textile mill, an apparel manufacturer, and a retailer. The purpose of the study was to gain an understanding of the business decisions at each node of the supply chain that influence the economic, social and environmental dimensions of sustainability by applying the triple top line model (McDonough & Braungart, 2002). This study identifies strengths and weaknesses in sustainable practices that adhere to the triple top line model within each node of the supply chain. Results found economic factors were drivers for good social and environmental practices, with the latter being the smallest segment of the three. The study makes recommendations for improving practices at each node of the supply chain and recommendations for strategies for developing sustainable apparel supply chains.

Cook, Celeste Nicole. "The role of sourcing agents in global apparel supply chains : an exploratory study." Thesis, Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4159.

Marshall, Mercedes. "Productivity in Textiles: How to Correctly Measure the Impact of Mergers and Outsourcing." NCSU, 2007. http://www.lib.ncsu.edu/theses/available/etd-05072007-091242/.

Skönvall, Moa. "Exploring the Establishment of a Local Textile Supply Chain in Italy." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26594.

Harijan, Lakshmi. "New technology, management strategies and shopfloor workers : a study of textile and clothing industries in Leicester with special reference to the position of ethnic minorities." Thesis, University of Leicester, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315156.

Zaveri, Mitul Dilip. ""Absorbency characteristics of Kenaf Core particles"." NCSU, 2004. http://www.lib.ncsu.edu/theses/available/etd-05212004-012719/.

Garg, Ashwajeet. "Assessing the value of agent certification in global sourcing an exploratory study in apparel sourcing /." NCSU, 2002. http://www.lib.ncsu.edu/theses/available/etd-07092002-144057/.

Peterson, Joel. "Customisation of Fashion Products Using Complete Garment Technology." Doctoral thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-3637.

Rehbein, Marina, Johan Rosendahl, and Saeedfar Amir Reza. "The development of a process-based management system at Almedahls AB." Thesis, Högskolan i Borås, Institutionen Ingenjörshögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20225.

Betancourt, Carlos. "An Information Systems Design Theory Proposal for Knowledge Management Systems : A Business-to-Customer System in a Swedish Textile Agency." Thesis, Växjö University, School of Mathematics and Systems Engineering, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-6281.

Knowledge has become one of the most important assets for companies nowadays. Knowledge Management (KM) uses organizational knowledge as a resource to make companies more competitive. Knowledge Management Systems (KMS) are gaining popularity, however, the failure rate remains high, with many projects not achieving their goals or being shut down early. KMS are often underestimated and treated as normal systems. IS practices do not cover certain aspects specific to KMS, aspects that do not show in other IS (e.g. socio-cultural issues). There are many studies concerning the KMS failures but they just focus on the symptoms and do not provide a solution to the problem. The goal of this master’s dissertation is to generate a preventive tool that will help the KM field. With The experience gained by working in a real KMS project within a textile agency in Sweden and relevant literature, an Information Systems Design Theory (ISDT) for KMS was developed. As some authors suggest, KM needs an ISDT of it’s own. An ISDT will guide practitioners through the process by restricting practices and features of the system to a more effective set. It will also encourage the academia to work on this theory for its improvement, completion, and validation

Soler, Cassio Renato. "Tratamento de efluente de indústria têxtil por reator biológico com leito móvel." Universidade Tecnológica Federal do Paraná, 2013. http://repositorio.utfpr.edu.br/jspui/handle/1/994.

Aguilar, Johansson Ida, and Andrea Runstrand. "Obstacles in the textile upcycling chain, a case study of the communication between small-scaled upcycling actors and their processes." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23802.

EKHOLM, FANNY, and HANNA LINDEROTH. "Implementering av miljöledningssystem och textilproduktion med miljö i focus." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20169.

It is time to be environmentally conscious. For many companies today, it is important to have effective environmental work. As future textile engineers, we have learned the importance of working with the environment and environmental issues in all parts of the textile value chain. This work focuses on the environment in terms of environmental management, textile products and production to create a more ecologically sustainable future.To implement a proper management system, we realized the importance of a company to structure their approach. This is done by allocating responsibility, authority and resources. Structure leads to more efficient work by which all employees have the same vision andworking towards the same goals.The work presents the identification of a company's environmental impact which their significant environmental aspects is emphasized. Environmental and other improvement measures have been developed with suggestions on how the company can work to reducetheir environmental impact in the future.The thesis is written as part of a bachelor degree in textile technology on behalf of the company Vinga of Sweden AB. The company is located in Borås, with production all around the world. Their product range consists of gifts in the form of functional products for thehome. Vinga of Swedens costumers are profile companies, which is the trade for them out to retail.Vinga of Sweden is going to be certified for the ISO standard for quality and environmental management during 2010. Part of the purpose of this study is to prepare the company for ISO certification for environmental management according to the standard 14001:2004.

Program: Textilingenjörsutbildningen

Johansson, Frej. "Turkisk klädekonomi : En fallstudie av tillverkare i Istanbul och deras industri." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-23623.

Macias, Macias Raul. "Towards Wearable Spectroscopy Bioimpedance Applications Power Management for a Battery Driven Impedance Meter." Thesis, Högskolan i Borås, Institutionen Ingenjörshögskolan, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19428.

Bashir, Ikram, and Shazad Khan. "What is the driving strategy? creative business management, state of the art technology or smart textiles, focussing on the T&C industry of Pakistan." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-16333.

BASHIR, IKRAM, and SHAHZAD KHAN. "What is the driving strategy? creative business management, state of the art technology or smart textiles, focussing on the T&C industry of Pakistan." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17458.

Wallgren, Esther, Lisa Johansson, and Sofia Andersson. "Kommunikationen mellan produktutvecklande modeleverantörer och deras producenter." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12409.

Backe, Carin. "Enhancing textile electrode performance : Regulating moisture management through textile structure." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12389.

Worbin, Linda. "Dynamic textile patterns : using Smart textile." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20250.

Program: Designteknikerutbildningen

Uppsatsnivå: D

Elkhamy, Donia Said Ko Frank K. Li Christopher Yuren. "Processing mechanics of alternate twist ply (ATP) yarn technology /." Philadelphia, Pa. : Drexel University, 2007. http://hdl.handle.net/1860/1859.

Bridge, T. P. "Derivative spectroscopic studies on colourants used in textile technology." Thesis, Heriot-Watt University, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356304.

Jingxi, Estella Zandile. "Forward osmosis : a desalination technology for the textile industry." Thesis, Cape Peninsula University of Technology, 2017. http://hdl.handle.net/20.500.11838/2674.

Bjerstaf, Charlotte, and Anna Pehrsson. "Supply Chain Relationship Management for Textile-to-Textile Recycling : a qualitative investigation from an European perspective." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26330.

Dawson, Deborah Kim. "The origins of scientific management in the textile industry." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/29869.

El, subbaugh Shawky M. "Strategic preparation for crisis management in Egyptian textile firms." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369595.

Shin, Meong Jin. "Cultural reinvention : design management for Korean cultural textile products." Thesis, University of Leeds, 2011. http://etheses.whiterose.ac.uk/2181/.

Labay, Cédric. "Treatment of textile surfaces by plasma technology for biomedical applications." Doctoral thesis, Universitat Politècnica de Catalunya, 2014. http://hdl.handle.net/10803/277564.

Last modified June 2007

Topics in weaving, textiles, and related subjects.

Pages that contain links to documents on specific topics are listed below. Only documents primarily concerned with a topic are listed. Documents listed on a topic page may contain some material that is not related to the topic.

Some topics, like weaving, are not included in the list below because there are so many of them that a comprehensive list would be unmanageable.

The topical pages may not be complete; recent additions have been more carefully indexed than older ones. Please send notes of problems to the link at the bottom of this page.

Topic Links

ANIMALS Animals (minor) (12) Goats (19) Sheep (130) APPLIQUE (3) Basketry (91) Bibliography (7) Bleaching (21) BRAIDING Braiding (36) Plaiting (2) Chemistry (1) Carding (11) CARE/STORAGE Laundry and Dry Cleaning (32) Charts (7) Child Labor (27) Color (39) Commerce (10) COSTUME Costume and Fashion (117) Hats (49) COUNTRIES Egypt (14) Design (1) DYEING Dyeing (229) Ikat (2) Indigo (15) Ecclesiastical and Liturgical Work (6) Education (21) EMBROIDERY Cross Stitch (6) Darning (3) Embroidery (163) Embossing (2) EXHIBITS Conference and Annual Reports (2) Expositions and Fairs (58) Exhibition Catalogs and Guides (15) FABRICS Fabrics (128) Brocade (23) Calico (13) Chenille (6) Chintz (1) Corduroy (2) Crepe (1) Damask (21) Felt (16) Flannel (1) Gauze (3) Muslin (7) Satin (7) Velvet (24) FIBERS Fibers (85) Animal Alpaca (7) Cashmere (3) Hair (9) Llama (10) Mohair (10) Silk (311) Vicuna (2) Wool (240) Vegetable Cotton (444) Flax (Linen) (112) Hemp (39) Jute (21) Raffia (3) Ramie (14) Sisal (7) Manmade Rayon / Artificial Silk (38) Fiction (4) Finishing (36) Fulling (5) Fur (6) Gassing (1) Glossaries and Dictionaries (16) Knitting (72) LACE Lace (614) Bobbin (1) Crochet (46) Filet (1) History (52) Knotting (1) Macrame (6) Metal (1) Needle Lace (3) Needle (1) Sprang (2) Teneriffe (1) Tape Lace (1) Tatting (39) LINENS Linens (42) Coverlets (17) LOOMS Looms (279) Drawlooms (6) Inkle Loom Weaving (3) Jacquards (98) Plans, Loom (1) Narrow Goods (33) Newsletter Compilations (2) Tablet Weaving (20) MACHINERY Machinery, Textile (except looms) (627) Hosiery (15) Sewing Machines (38) Manuals, Equipment Catalogs and Instruction Manuals (19) MATERIALS Cane (3) Rattan (1) Mathematics (3) Microscopy (11) Mills (177) Needlework (18) Netting (8) Patchwork (1) PATENTS Patent Lists and Abstracts (44) Patents (49) Patterns (369) Photography (3) Poetry (18) Political Cartoons (13) Portfolios (10) PEOPLE Authors (6) Biography (4) Inventors (22) Obituaries (4) PLANTS Mulberry (10) Plants (minor) (15) Quilling (3) Quilting (1) Reviews (19) Rope (41) RUGS Rugs and Carpets (96) Rya (2) Sample Books (5) Shoddy (2) Spinning (162) Tapestry (82) Thread (45) TEXTILES Native American / Indian (29) Analysis, Textile (67) Ancient Textiles (39) Calculations, Textile (12) Techniques Batik (3) Painting, Textile (2) Printing, Textile (50) Weaving (3) Designs Borders (6) Charted Designs (18) Stripes (8) Tartans (6) TECHNIQUE Bronson (2) Crackle (1) Diaper (3) Dimity (1) Double Weave (39) Leno (25) Moire (1) Randomness (1) Twill (23) YARN Yarn (60) --- | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z Please report any problems to: [email protected] --> Please report any problems to: [email protected] home

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List of Textile Project Topics and Research Materials PDF Download

List of Textile Project Topics and Research Thesis Materials PDF and DOC File Download for Final Year Undergraduate and Postgraduate Students in the University and Polytechnic.

Approved Read-Made Textile Research Topics with Seminar Works for the Degree of National Diploma (ND), Higher National Diploma (HND), (BSC) Bachelor of Sciences, (MSC) Master of Science, and Ph.D. (Doctor of Philosophy).

Thesis and Dissertation Topics, Proposal Topics, Journals, Presentations, Seminar Topics, Research Papers, and Project Reports can also be gotten from this page.

All Project Materials for the Textile Department Listed on this Research Page have their Complete work from Chapters 1 to 5 which are: Title Page and the Case Study, Table Of Contents, Abstract, the Background of the Study, Statement of the Problem, Research Questions, Objectives of the Study, Research Hypothesis, Signification of the Study, the Scope of the Study, the Definition Of Terms, Organization of the Study, Literature Review (Theoretical Framework or Conceptual Framework), Research Methodology, Sources of Data Collection, the Population of the Study, Sampling and Sampling Distribution, Validation of Research Instrument, Method of Data Analysis, Data Analysis, Introduction, Summary, Conclusion, Recommendation, References/Bibliography/Citations and Questionnaire (Appendix).

The Topics below are for Nigerian Students, Ghanaian Students, and International Students. Countries like (Kenya, Liberia, Cameroon, United States, Uk, Canada, Germany, South Africa, Zambia, India e.t.c).

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Why textiles are all the rage in the art world right now

Two major exhibitions celebrate how the simple act of weaving can be filled with sophistication, beauty and meaning.

My father is a weaver. He makes tea towels, rugs, curtains, cushion covers, tapestries and tablecloths. As I write this, my feet are touching one of his rugs, which is bordered with a Greek-style meander, a pattern named for a winding river in Asia Minor.

The Style section

Dad, who taught ancient Greek and Latin, took up weaving in his 20s. He still weaves every day on a big loom he built himself. As a child, I watched, marveling (and sometimes a little bored, as kids inevitably are by their parents’ activities) as he set up the warp.

That could take days. This was in Australia, and in summer the urbane voice of the great cricket commentator Jim Maxwell would play over the radio as my dad’s feet pressed the pedals that raised and lowered the threads of the warp, according to a logic that was quite beyond me.

I’m certain Dad tried to explain how it all worked. At the time, though (much to my regret), I thought understanding cricket was achievement enough.

This much I could see: Dad would roll the shuttle back and forth between the warp’s separated threads. The shuttle deposited unspooling thread — the weft — and after each pass (left to right, then right to left) he hammered them together with two perfectly weighted bangs of a beater that hung from the frame above.

In weaving, there are two choices. The weft either goes over or under the warp, thereby concealing or revealing itself. As computer scientists know, binary systems can get very complex. In fact, the technologies of weaving — especially the miraculous punch hole system of the Jacquard loom , invented at the beginning of the 19th century — led directly into the computer technologies that have transformed our world.

Weaving, that’s to say, is not some peripheral subject, off to the side of culture. It’s one of the most extraordinary, sophisticated things humans have ever managed to do. It’s connected not just to survival tools (clothing, blankets, baskets, traps), but also to the human capacity for abstract thought, and of course to beauty and art.

Flaring recognition of this may partly explain why textiles are all the rage in the art world right now. Two fabulous exhibitions at major museums — the National Gallery of Art and the Metropolitan Museum of Art — give us occasion to dig deeper into why textiles are suddenly so in vogue. Is it just a fleeting phenomenon? Or do textiles dovetail mysteriously and unexpectedly with the zeitgeist?

There’s no question that some of the most talked about contemporary artists — Diedrick Brackens , Harmony Hammond, Igshaan Adams, Jeffrey Gibson — work with textiles. Scholars and curators are falling over themselves to establish lines of influence and contemporary thematic relevance. So for much of the past decade, overdue attention has been raining down on such previously overlooked pioneers of modernism as Anni Albers , Gunta Stölzl and Sonia Delaunay , all of whom worked with textiles.

Some scholars are making original arguments about how those underappreciated female artists related to the modernist project in general and how they feed into today’s debates about identity and politics. Art made from textiles, some claim, breaks down the divide between art (historically dominated by men) and craft (traditionally a female realm), so it’s inherently feminist. Textiles, claim others, can be pro-Indigenous, pro-queer, pro-labor and pro-environment.

Many of these claims, which take up more space in the National Gallery show than at the Met, are worth exploring. Others rest on questionable premises. Worse, they tend to reduce the works themselves to curators’ playthings. That’s a shame when so many of them are fascinating on about six levels at once.

The two exhibitions are conceived quite differently, but they feature some of the same artists. The Met show, which is smaller, is divided into two distinct sections. One displays ravishing examples of textile art from the Andes: tunics, loincloths and dresses, feathered panels, fringed bags, and khipus (devices that use twists and knots for record-keeping and storytelling). Dating from the first millennium B.C.E. to the 16th century, these objects — made from the hair of llamas and vicuñas, macaw feathers, and cotton, and miraculously preserved by the dry Andean air — all attest to a sophisticated array of weaving techniques, iconography and abstract design.

The second part of the show is devoted to four 20th-century modernist women who were influenced by Andean textiles (and who also appear in the NGA show): Albers, Sheila Hicks, Olga de Amaral and Lenore Tawney. Andean textiles became known to these women, who were all loosely tied to the fiber art movement of the 1960s and ’70s, thanks to archaeologists who brought many treasures to light in the late 19th and early 20th centuries.

Albers taught at the Bauhaus and then, after fleeing the Nazis, at Black Mountain College in North Carolina. She had first encountered Andean textiles as a teenager at the Ethnological Museum of Berlin. She was later influenced by her travels in Mexico.

She and her husband, Josef, loved the interlocking pattern known as the “ meander ,” which appears not only in ancient Greece, but also in Navajo blankets and throughout the ancient cultures of Central and South America. Her “Red Meander,” from 1969, inventively doubles the motif, resulting in a design that resembles a maze seen from above.

At Yale University, where Josef ended up teaching, Albers was a transformative influence on Hicks. After meeting Albers, Hicks was introduced to Andean textiles by two scholars, George Kubler and Junius Bird, after which she set off for South America for two years in 1957.

In my opinion, Hicks is the most accomplished living American artist never to have been granted a full-blown retrospective by a top-tier American museum. (When you consider who has been anointed by some of these institutions, her relative neglect is beyond dismaying — it’s a scandal.) So it’s exciting to see fine examples of her oftentimes spectacular, sometimes endearingly modest, and always breathtakingly inventive work in both Washington and New York.

Where Albers was under the spell of Bauhaus dictums about form following function and transparency of technique and material, Hicks was more restless. She followed artistic intuition and her own spirit of discovery into weirder places than Albers.

Paul Klee, who had been with Albers at the Bauhaus, liked to talk about the pleasures of “taking a line for a walk.” You can see his influence in Hicks’s “minimes,” a term she invented for the small, roughly rectangular weavings she began making on her trip to South America. Intimate, amusing and gorgeously intuitive, the minimes are as fresh and idiosyncratic as Klee’s paintings.

But Hicks, who talked about “the voyage of the line,” had a more capacious view. In works of dazzling freedom and inventiveness, often on a grand scale, she took preexisting assumptions about what was possible within the warp-and-weft structure of weaving and turned them on their heads.

To appreciate this, and to see how Hicks opened herself up to the influence of other cultures (not just Peruvian makers), you really have to get up close to her works. Only then do you see how they buck against inherent structures, borrow ideas and wander off into dreamy, sensuous fancies, achieving great beauty in the process.

The NGA show, which was organized by Lynne Cooke, dives deeper into the intersection of weaving and modern art. But conceptual ambition doesn’t always translate into coherent exhibition design. Where the Met show has the advantage of concision and clarity, the NGA show loses its way a little, picking up (you could say) too many loose threads, taking on too much and cloaking it all in too much academic jargon.

Still, it’s not to be missed. It’s full of great things, almost every one of which fires your curiosity about how, why and with what it was made.

Liz Collins’s insanely beautiful “Heartbeat,” made from silk and linen woven on a Jacquard loom, resembles both the digital readout of a heart monitor and open-heart surgery (the threads have been cut, revealing a kind of wound at the composition’s center).

Igshaan Adams combines plastic and stone beads with turmeric, tea and cotton twine in his sumptuous wall hanging. His piece was inspired by a fragment of cheap linoleum from a “Coloured” township in South Africa where Adams grew up, Muslim and queer. In his weaving, he uses thread to “mend” the damaged parts of the original design. His reparative actions and the overall palimpsest-like design of the textile provide a lovely metaphor for the workings of memory.

Aside from textiles per se, there are woven or grid-based sculptures in the show by the likes of Ruth Asawa (who loved the meander pattern), Martin Puryear and Yvonne Koolmatrie (working in the tradition of Australia’s Indigenous Ngarrindjeri people).

Several works make the connection between weaving and computing explicit. One of these is a hanging textile by Marilou Schultz called “Replica of a Chip.” Schultz, who grew up on a Navajo/Diné reservation, was commissioned to make this 1994 work by the Intel corporation.

Based in Silicon Valley, Intel saw affinities between Native American abstract aesthetics and its own chip designs. And in one of those ironies that resemble a hall of mirrors more than a simple inversion of meaning, the company that commissioned Schultz also employed a largely Indigenous female workforce to assemble its circuit boards in a newly built factory on Navajo/Diné land.

Nothing binary, it seems, ever stays that way.

Woven Histories: Textiles and Modern Abstraction Through July 28 at the National Gallery of Art. nga.gov .

Weaving Abstraction in Ancient and Modern Art Through June 16 at the Metropolitan Museum of Art. metmuseum.org .

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