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Thesis Project (5th Year)

South Delhi, Delhi, India

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Vishakha singla, project description, fashion hub (thesis project).

A fashion hub is a one stop solution to all the major activities related to fashion. A unique project that is developed as a dedicated area to facilitate various functions allied with the Indian Fashion Industry.

Proposed as an integrated development catering to the fashion industry's requirements of Delhi as a 'one-stop-solution' which also work as a "HUB'', the Project would be developed on an Institutional land in Maidan Garhi near IGNOU, in Delhi. The emphasis will be on the Fashion Hub as a learning & exchange center with a small percentage of related retail space for public interaction, where upcoming designers can exhibit & sell their designs .

AIM To develop a fashion hub that has a mix of fashion, business, entertainment, culture and leisure with a unique and powerful identity that ought to be internationally recognized. Also linking architecture and fashion with the major elements that define fashion through architecture.

OBJECTIVE • To understand the requirements of a Fashion Hub in a city to develop a space that is identical to fashion, a statement of time. • To successfully provide a Permanent high end hub for Indian fashion and to integrate its various aspects • To create a relationship between architecture and fashion • To understand the characteristics and spatial requirements of fashion institute  

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Published on : 14 Jan 2023

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Weave - Sustainable fashion Hub challenge

fashion hub thesis

  • Published on January 08, 2020

Fall in prices, quicker production rates and easier access to fashion (fast fashion) have meant that fashion is now more accessible to the common man than ever before.

Taking a look at Europe, for example, studies have shown that the percentage of clothing bought by a resident of the European Union has increased by 40% in just a few decades, with the current spending average of about $782 per year per capita.

But at what cost?

The clothing and textile industry is the second largest pollutant in the world (following oil) contributing to 10% of global greenhouse gas emissions.

Reasons which cause concern include

Abuse of natural resources (land, water and an increased use of chemicals and pesticides) for the production of raw materials at a faster rate. Manufacturing and finishing processes such as spinning, dyeing or giving the fabrics strength and shine are energy-intensive processes in which large amounts of water and chemicals are used. Most textile raw materials and final products are imported into the EU, which means long delivery routes. Consumer User Pattern

Can a solution to this situation be found? How do we reduce waste and keep materials within the consumption and production loop for as long as possible? How do we maximize the life cycle of products? Would redesign be a viable solution? Would the use of recyclable material help?

How do we empower second hand and reselling platforms? How do we work towards making a positive impact on the environment? And most importantly how do we ensure that their quality is second to none? Can design be used as a tool to inspire, create awareness and change perspectives?

Design an urban studio to sensitize the community about the increasingly negative effects of fast fashion, and the dire need to adopt a sustainable lifestyle.

Download the information related to this competition here.

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FASHION TECHNOLOGY PARK HATIJHEEL,DHAKA

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Related Papers

Toolika Gupta

fashion hub thesis

Elsayed Elnashar , Elsayed A H M E D Elnashar

ELSAYED AHMED ELNASHAR, Full-Professor of textiles Apparel, Kaferelsheikh University, Egypt. Born in 19 /8/1965. Have Ph.D. 2000, Msc.1995, Bsc.1989, Helwan University. Diploma1985advanced industrial textiles institute. He holds several academic administrative positions: Dean, Vice Dean, Head of Department, He has many textiles patents, Member of international scientific committees. Development of Faculties of Education, commissioned of Supreme Council of Egyptian Universities. Has design books published in Germany. Has published over 160 scientific Articles. Founder and editor two scientific journals. And Smartex Conference Egypt. Member of the editorial board of several international journals and conferences, He has made many scientific agreements with European &Africa universities

American Journal of Art and Design

Md. Tanjibul Hasan

International Journal of Fashion Studies

Dr Lipi Begum

Elsayed A H M E D Elnashar

ELSAYED AHMED ELNASHAR, Full-Professor of textiles Apparel, Kaferelsheikh University, Egypt. Born in 19 /8/1965. Have Ph.D. 2000, Msc.1995, Bsc.1989, Helwan University. Diploma1985advanced industrial textiles institute. He holds several academic administrative positions: Dean, Vice Dean, Head of Department, He has many textiles patents, Member of international scientific committees. Development of Faculties of Education, commissioned of Supreme Council of Egyptian Universities. Has design books published in Germany. Has published over 160 scientific Articles. Editorial board member & Reviewer for more 30 journal Founder and editor two scientific journals. And Smartex Conference Egypt. Member of the editorial board of several international journals and conferences, He has made many scientific agreements with European &Africa universities

Prof.Dr. ELSAYED AHMED ELNASHAR, Ph.D. Full-Professor of textiles & Apparel Faculty of Specific Education, Kafrelsheikh University, Egypt. Editor in chief “SmarTex Research Journal” Print: (2090-634x) , Online: (2090-6358) EDUCATION: Ph.D. (2000): University of Helwan, Cairo, Egypt. Ph.D. thesis entitles "Design of Database for Forecasting the Specification of Woven Fabric Design for Ladies Dresses". Msc. (1995): Faculty of applied arts, University of Helwan, Cairo, Egypt. Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi- layers woven fabric". Bsc. (1989): With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt. Diploma. (1985): of the advanced of an industrial technical five years institute, weaving department. PROFESSIONAL EXPERENCE: Vice Dean for Higher Studies and Research of faculty of Specific Education, Kaferelsheikh University, Egypt, Since August 2011 till 31July 2015. Dean & Vice Dean for Higher Studies and Research of faculty of Specific Education, Kaferelsheikh University, Egypt, since 1 August 2013 till: 16 May 2015 Vice Dean for Higher Studies and Research & Head of Home Economic Department, Faculty of Specific Education, Kafrelsheikh University, Egypt. Since August 2011 to 1 August 2013 Editor in chief “SmarTex Research Journal” Print ISSN: (2090-634X) Starting Jun 2011. Editor in chief “SmarTex Research Journal” Online ISSN: (2090-6358) starting Jun 2011 August 2010 Head of Home Economic Department, Faculty of Specific Education, Kaferelsheikh University, Egypt. 27/5/2012- present Professor of textiles & Apparel in Home Economics Department, faculty of Specific Education, Kafrelsheikh University Egypt. 27/5/2007- Associate Professor of textiles & Apparel in Home Economics Department, faculty of Specific Education, Kafrelsheikh University Egypt . 1/02-3/07 Assistant Professor Textile apparel in Home Economics Department, faculty of Specific Education, Kafrelsheikh University Egypt. 12/00-1/02Assistant Prof. Textiles in art education Department, faculty of Specific Education, Kafrelsheikh University Egypt. 1/97-12/00Assistant lecture of textiles in art education Department, faculty of Specific Education, Kafrelsheikh University Egypt.

journal of Art and Civilization of the Orient (JACO)

Journal of Art and Civilization of Orient (JACO)

Women's garment is one of the symbols of urban landscape in India. Today we can see that despite passing historical ages and colonialism of Britain and also arriving modernism in to this country, women's clothing has not been changed; this has identified and preserved the cultural landscape in India. Garment and textile industry in India have an old background. This industry is extremely money making and so many management actions have been occurred to preserve it. Although there are big malls with famous brands, we can see Indian people wear cloths which are made in their own country and also women use their traditional garments. This process is succeed by numerous management, economic and cultural practices; in parallel with government policies in India, supporting domestic industry, custom legislation for imported goods, publicity, garment export beyond country border and creativity in printing and swing technics also played a crucial role in textile industry and make Indian garment a selected option by Indian women. Now it's the question, what is the main survival secret of this garment in many passed years? What made Indian garment chosen by Indian women? This article is based on author's perception of urban landscape in India and also theoretical studies.

Elsayed Elnashar

Prof.Dr. ELSAYED AHMED ELNASHAR, Ph.D. Full-Professor of textiles & Apparel Faculty of Specific Education, Kafrelsheikh University, Egypt. EDUCATION: Ph.D. (2000): University of Helwan, Cairo, Egypt. Ph.D. thesis entitles "Design of Database for Forecasting the Specification of Woven Fabric Design for Ladies Dresses". Msc. (1995): Faculty of applied arts, University of Helwan, Cairo, Egypt. Entitle: "Effect of warp-ends densities distributions on some esthetical and physical properties of multi- layers woven fabric". Bsc. (1989): With a very good, "spinning, weaving &knitting Branch", from Helwan University, faculty of applied arts, Cairo, Egypt. Diploma. (1985): of the advanced of an industrial technical five years institute, weaving department. PROFESSIONAL EXPERENCE: Vice Dean for Higher Studies and Research of faculty of Specific Education, Kaferelsheikh University, Egypt, Since August 2011 till 31July 2015. Dean & Vice Dean for Higher Studies and Research of faculty of Specific Education, Kaferelsheikh University, Egypt, since 1 August 2013 till: 16 May 2015 Vice Dean for Higher Studies and Research & Head of Home Economic Department, Faculty of Specific Education, Kafrelsheikh University, Egypt. Since August 2011 to 1 August 2013 Editor in chief “SmarTex Research Journal” Print ISSN: (2090-634X) Starting Jun 2011. Editor in chief “SmarTex Research Journal” Online ISSN: (2090-6358) starting Jun 2011 August 2010 Head of Home Economic Department, Faculty of Specific Education, Kaferelsheikh University, Egypt. 27/5/2012- present Professor of textiles & Apparel in Home Economics Department, faculty of Specific Education, Kafrelsheikh University Egypt. 27/5/2007- Associate Professor of textiles & Apparel in Home Economics Department, faculty of Specific Education, Kafrelsheikh University Egypt . 1/02-3/07 Assistant Professor Textile apparel in Home Economics Department, faculty of Specific Education, Kafrelsheikh University Egypt. 12/00-1/02Assistant Prof. Textiles in art education Department, faculty of Specific Education, Kafrelsheikh University Egypt. 1/97-12/00Assistant lecture of textiles in art education Department, faculty of Specific Education, Kafrelsheikh University Egypt.

EDITOR IJESRR

India is a profolic of tradition and culture both in custom, art and craft. India, wrapped in mystique enhanced with romance of fable crafts has one of the finest textile traditions in the world. Since decades highly developed civilizations continue to produce remarkable, eminent and ornate textiles with its distinct patterns, designs and motifs having different placements and layouts. However, escalating demands of consumers requires modification in the fashion industry with respect to design, motifs, colour, style and technique. In design-making process, source of inspiration has a vital role, both in defining the characteristics of a new design and in informing the creation of a distinct design. The purpose of this study was to create some original and innovative designs for textiles inspired from selected Mughal monuments of Agra. Several designs were developed on Adobe Photoshop software taking inspiration from three different monuments. Thirty designs that were innovative and suitable for textile designing were screened by experts. Through this study, an attempt was made to incorporate the rich motifs and designs of the various mughal monuments into contemporary forms on textile products. The present research also contributes to documentation and digitization of the motifs of these architectural wonders. It holds incredible promise for both collections and researchers through greater access, interaction and preservation of heritage for future generations. All the developed designs were subjected to visual evaluation for ranking of best designs in each category by the panel of fifty respondents to find out the suitability of the developed designs for textile design applications.

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