creative writing figure of speech

20 Types of Figures of Speech, With Definitions and Examples

Writing is a craft. If you think of yourself as a craftsperson, then words are your raw materials, and figures of speech are one of your tools. A figure of speech is a creative use of language to generate an effect. Some figures of speech, like metaphor, simile, and metonymy, are found in everyday language. Others, like antithesis, circumlocution, and puns take more practice to implement in writing. Below are some common figures of speech with examples, so you can recognize them and use them in your writing.

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What is a figure of speech?

Language that uses figures of speech is known collectively as figurative language . You will find examples of figurative language in novels, poems, essays, and plays. The opposite of figurative language is literal language . Literal language is the type of straightforward writing you’ll find on road signs, in office memos , and in research papers .

20 types of figures of speech

1 alliteration.

Alliteration is the repeating of consonant sounds right next to each other, which creates a memorable or melodic effect.

Example: She sells seashells by the seashore.

2 Antithesis

Antithesis is a literary technique that places opposite things or ideas next to one another in order to draw out their contrast.

Example: “It was the best of times, it was the worst of times . . .” —Charles Dickens, A Tale of Two Cities

3  Apostrophe

Apostrophe as a figure of speech is when a character addresses someone or something that isn’t present or cannot respond. The character might speak to someone deceased, an inanimate object, or a concept.

Example: “O Romeo, Romeo, wherefore art thou Romeo?” — William Shakespeare, Romeo and Juliet

4  Circumlocution

Circumlocution is the use of a purposely wordy description. You can think of it as talking in circles.

Example: In the Harry Potter series, most characters don’t say Lord Voldemort’s name; instead, they use this circumlocution: “He Who Must Not Be Named.”

An epigram is a clever and memorable statement. You will find epigrams in speeches , poetry , and at the front of a book.

Example: “No one can make you feel inferior without your consent.” —Eleanor Roosevelt

6 Euphemism

A euphemism is a way to say something in an understated manner, often to avoid difficult topics—like money, death, or sex.

Example: Death can be an uncomfortable subject, so we’ve developed many euphemisms to avoid confronting it head-on. Rather than telling a friend that a relative died, you might say they “kicked the bucket,” “passed away,” or are “no longer with us.”

7 Hyperbole

Hyperbole is a deliberate exaggeration that adds emphasis, urgency, or excitement to a statement.

Example: If I don’t eat soon, I’m going to die of hunger.

Irony is a situation that subverts a reader’s expectations.

Example: One of the characters in your story is a hypochondriac, always convinced that they have an exotic and uncurable disease. An ironic ending for that character would be if they died of a common cold.

Litotes use a double negative to create a positive.

Example: You’re not wrong.

10 Metaphor

A metaphor is the direct comparison of dissimilar things to create more vivid imagery or understanding.

Example: He was an onion; to understand him, she had to peel back the layers.

11 Metonymy

Metonymy is a literary device in which a word or object stands in for a closely related word or object. Metonymy gives a writer more variability with descriptions.

Example: I thought his movies were better when they weren’t so Hollywood.

12 Onomatopoeia

Onomatopoeia is a word that sounds like what it means.

Example: When a character is exasperated, they might exclaim, “Sheesh!” That’s both a word to show exasperation and a sound that happens when you sigh loudly.

13 Oxymoron

An oxymoron is a phrase that uses two contradictory words to create a new meaning.

Example: That strawberry cake was awfully good.

A paradox is a statement that appears to contradict itself but contains some truth, theme, or humor.

Example: “All animals are equal, but some animals are more equal than others.” —George Orwell, Animal Farm

15 Personification

Personification is assigning human attributes to nonhuman things.

Example: The floorboards groaned under the weight of each step.

16 Pleonasm

Pleonasm is the use of more words than necessary to convey meaning. A writer might use pleonasm for humor or emphasis, or they might not realize they’re using extra words at all.

Example: The burning fire warmed the whole house.

A pun is a form of wordplay that purposely substitutes words that sound similar but have different meanings.

Example: “‘Mine is a long and a sad tale!’ said the Mouse, turning to Alice and sighing. ‘It is a long tail, certainly,’ said Alice, looking down with wonder at the Mouse’s tail; ‘but why do you call it sad?’” —Lewis Carroll, Alice’s Adventures in Wonderland

A  simile compares two dissimilar things using “like” or “as.” The goal of simile is to give the reader a more vivid understanding of something.

Example: It was the first real day of summer, and by the time she came back indoors, she was as red as a tomato.

19  Synecdoche

Synecdoche is when a smaller unit is used to signify a larger unit or vice versa.

Example: New England won the game by a touchdown. (Here, New England means New England’s football team.)

20 Understatement

Understatement is the intentional downplaying of a situation. This can create a humorous or deadpan effect in writing.

Example: “I have to have this operation. It isn’t very serious. I have this tiny little tumor on the brain.” —J.D. Salinger, The Catcher in the Rye

Figures of speech examples in literature

Figures of speech are around us all the time (and that’s not hyperbole!), but it’s the deliberate deployment of them that makes writing stand out (did you catch that alliteration?). Below are examples of figures of speech in literature and poetry.

Metaphor in “Caged Bird” by Maya Angelou

The caged bird sings

with a fearful trill

of things unknown

but longed for still

and his tune is heard

on the distant hill

for the caged bird

sings of freedom

In her poem “Caged Bird,” Maya Angelou uses the extended metaphor of caged and free birds to display the difference between Black and White Americans.

Antithesis in Beloved by Toni Morrison

“Sethe,” he says, “me and you, we got more yesterday than anybody. We need some kind of tomorrow.”

In this passage, Paul D. speaks to Sethe and insists she quit dwelling on her past. Morrison uses antithesis to contrast yesterday and tomorrow, which is much more effective than simply saying Sethe should stop focusing on the past.

Personification in “Because I Could Not Stop for Death” by Emily Dickinson

Because I could not stop for Death

He kindly stopped for me.

By writing that death “kindly stopped” for her, Emily Dickinson uses personification to make the concept of death more vivid and tangible. The thought of death stopping by gives it an ominous but cordial tone, as if Dickinson treats it as an acquaintance.

Figures of speech FAQs

A figure of speech is a deliberate manipulation of ordinary language in order to create a literary effect.

What are the different kinds of figures of speech?

There are hundreds of figures of speech, which can be divided into schemes and tropes . Schemes are figures of speech that rearrange word order for a certain effect, while tropes use words in a way that differs from their literal meaning.

How are figures of speech used in writing?

Figures of speech are used in every type of writing to achieve different effects. Which figure of speech you use depends on what effect you want to have on the reader. For example, if you want to create more vivid imagery, you might use simile, metaphor, or antithesis. If you want to give them a laugh, you might try using a pun.

Figure of Speech

Definition of figure of speech.

A figure of speech is a word or phrase that is used in a non-literal way to create an effect. This effect may be rhetorical as in the deliberate arrangement of words to achieve something poetic, or imagery as in the use of language to suggest a visual picture or make an idea more vivid. Overall, figures of speech function as literary devices because of their expressive use of language. Words are used in other ways than their literal meanings or typical manner of application.

For example, Margaret Atwood utilizes figures of speech in her poem “ you fit into me ” as a means of achieving poetic meaning and creating a vivid picture for the reader.

you fit into me like a hook into an eye a fish hook an open eye

The simile in the first two lines sets forth a comparison between the way “you” fits into the poet like a hook and eye closure for perhaps a garment. This is an example of rhetorical effect in that the wording carefully achieves the idea of two things meant to connect to each other. In the second two lines, the wording is clarified by adding “fish” to “hook” and “open” to “eye,” which calls forth an unpleasant and even violent image. The poet’s descriptions of hooks and eyes are not meant literally in the poem. Yet the use of figurative language allows the poet to express two very different meanings and images that enhance the interpretation of the poem through contrast .

Types of Figures of Speech

The term  figure of speech covers a wide range of literary devices, techniques, and other forms of figurative language, a few of which include:

Personification

Understatement.

• Alliteration
• Onomatopoeia
• Circumlocution

Common Examples of Figures of Speech Used in Conversation

Many people use figures of speech in conversation as a way of clarifying or emphasizing what they mean. Here are some common examples of conversational figures of speech:

Hyperbole is a figure of speech that utilizes extreme exaggeration to emphasize a certain quality or feature.

• I have a million things to do.
• This suitcase weighs a ton.
• This room is an ice-box.
• I’ll die if he doesn’t ask me on a date.
• I’m too poor to pay attention.

Understatement is a figure of speech that invokes less emotion than would be expected in reaction to something. This downplaying of reaction is a surprise for the reader and generally has the effect of showing irony .

• I heard she has cancer, but it’s not a big deal.
• Joe got his dream job, so that’s not too bad.
• Sue won the lottery, so she’s a bit excited.
• That condemned house just needs a coat of paint.
• The hurricane brought a couple of rain showers with it.

A paradox is a figure of speech that appears to be self-contradictory but actually reveals something truthful.

• You have to spend money to save it.
• What I’ve learned is that I know nothing.
• You have to be cruel to be kind.
• Things get worse before they get better.
• The only rule is to ignore all rules.

A pun is a figure of speech that contains a “ play ” on words, such as using words that mean one thing to mean something else or words that sound alike in as a means of changing meaning.

• A sleeping bull is called a bull-dozer.
• Baseball players eat on home plates.
• Polar bears vote at the North Poll.
• Fish are smart because they travel in schools.
• One bear told another that life without them would be grizzly.

An oxymoron is a figure of speech that connects two opposing ideas, usually in two-word phrases, to create a contradictory effect.

• open secret
• Alone together
• controlled chaos
• pretty ugly

Common Examples of Figure of Speech in Writing

Writers also use figures of speech in their work as a means of description or developing meaning. Here are some common examples of figures of speech used in writing:

Simile is a figure of speech in which two dissimilar things are compared to each other using the terms “like” or “as.”

• She’s as pretty as a picture.
• I’m pleased as punch.
• He’s strong like an ox.
• You are sly like a fox.
• I’m happy as a clam.

A metaphor is a figure of speech that compares two different things without the use of the terms “like” or “as.”

• He is a fish out of water.
• She is a star in the sky.
• My grandchildren are the flowers of my garden.
• That story is music to my ears.
• Your words are a broken record.

Euphemism is a figure of speech that refers to figurative language designed to replace words or phrases that would otherwise be considered harsh, impolite, or unpleasant.

• Last night , Joe’s grandfather passed away (died).
• She was starting to feel over the hill (old).
• Young adults are curious about the birds and bees (sex).
• I need to powder my nose (go to the bathroom).
• Our company has decided to let you go (fire you).

Personification is a figure of speech that attributes human characteristics to something that is not human.

• I heard the wind whistling.
• The water danced across my window.
• My dog is telling me to start dinner.
• The moon is smiling at me.
• Her alarm hummed in the background.

Writing Figure of Speech

As a literary device, figures of speech enhance the meaning of written and spoken words. In oral communication, figures of speech can clarify, enhance description, and create interesting use of language. In writing, when figures of speech are used effectively, these devices enhance the writer’s ability for description and expression so that readers have a better understanding of what is being conveyed.

It’s important that writers construct effective figures of speech so that the meaning is not lost for the reader. In other words, simple rearrangement or juxtaposition of words is not effective in the way that deliberate wording and phrasing are. For example, the hyperbole “I could eat a horse” is effective in showing great hunger by using figurative language. If a writer tried the hyperbole “I could eat a barn made of licorice,” the figurative language is ineffective and the meaning would be lost for most readers.

Here are some ways that writers benefit from incorporating figures of speech into their work:

Figure of Speech as Artistic Use of Language

Effective use of figures of speech is one of the greatest demonstrations of artistic use of language. Being able to create poetic meaning, comparisons, and expressions with these literary devices is how writers form art with words.

Figure of Speech as Entertainment for Reader

Effective figures of speech often elevate the entertainment value of a literary work for the reader. Many figures of speech invoke humor or provide a sense of irony in ways that literal expressions do not. This can create a greater sense of engagement for the reader when it comes to a literary work.

Figure of Speech as Memorable Experience for Reader

By using effective figures of speech to enhance description and meaning, writers make their works more memorable for readers as an experience. Writers can often share a difficult truth or convey a particular concept through figurative language so that the reader has a greater understanding of the material and one that lasts in memory.

Examples of Figure of Speech in Literature

Works of literature feature innumerable figures of speech that are used as literary devices. These figures of speech add meaning to literature and showcase the power and beauty of figurative language. Here are some examples of figures of speech in well-known literary works:

Example 1:  The Great Gatsby  (F. Scott Fitzgerald)

In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars.

Fitzgerald makes use of simile here as a figure of speech to compare Gatsby’s party guests to moths. The imagery used by Fitzgerald is one of delicacy and beauty, and creates an ephemeral atmosphere . However, the likening of Gatsby’s guests to moths also reinforces the idea that they are only attracted to the sensation of the parties and that they will depart without having made any true impact or connection. This simile, as a figure of speech, underscores the themes of superficiality and transience in the novel .

Example 2:  One Hundred Years of Solitude (Gabriel Garcia Marquez)

Both described at the same time how it was always March there and always Monday, and then they understood that José Arcadio Buendía was not as crazy as the family said, but that he was the only one who had enough lucidity to sense the truth of the fact that time also stumbled and had accidents and could therefore splinter and leave an eternalized fragment in a room.

In this passage, Garcia Marquez utilizes personification as a figure of speech. Time is personified as an entity that “stumbled” and “had accidents.” This is an effective use of figurative language in that this personification of time indicates a level of human frailty that is rarely associated with something so measured. In addition, this is effective in the novel as a figure of speech because time has a great deal of influence on the plot and characters of the story. Personified in this way, the meaning of time in the novel is enhanced to the point that it is a character in and of itself.

Example 3:  Fahrenheit 451 (Ray Bradbury)

A book is a loaded gun in the house next door…Who knows who might be the target of the well-read man?

In this passage, Bradbury utilizes metaphor as a figure of speech to compare a book to a loaded gun. This is an effective literary device for this novel because, in the story, books are considered weapons of free thought and possession of them is illegal. Of course, Bradbury is only stating that a book is a loaded gun as a means of figurative, not literal meaning. This metaphor is particularly powerful because the comparison is so unlikely; books are generally not considered to be dangerous weapons. However, the comparison does have a level of logic in the context of the story in which the pursuit of knowledge is weaponized and criminalized.

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4.17: Lesson 12: Figures of Speech in Poetry

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The meaning of language can be literal or figurative. Literal language states exactly what something is. On the other hand, figurative language creates meaning by comparing one thing to another thing. Poets use figures of speech in their poems. Several types of figures of speech exist for them to choose from. Five common ones are simile, metaphor, personification, hypberbole, and understatement.

Simile 

A simile compares one thing to another by using the words  like or  as.  Read Shakespeare’s poem “Sonnet 130.”

Sonnet 130 Author : William Shakespeare © 1598

My mistress’ eyes are nothing like the sun; Coral is far more red, than her lips red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask’d, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound: I grant I never saw a goddess go,— My mistress, when she walks, treads on the ground:

And yet by heaven, I think my love as rare, as any she belied with false compare.

In this sonnet, Shakespeare’s simile in the first line is a contrast where one thing is not like or as something else. He wrote, “My mistress’ eyes are nothing like the sun.”

A metaphor compares one to another by saying one thing  is  another. Read Emily Dickinson’s poem “Hope Is the Thing with Feathers.”

Hope Is the Thing with Feathers Author : Emily Dickinson

“Hope” is the thing with feathers That perches in the soul And sings the tune without the words And never stops at all

And sweetest in the Gale is heard And sore must be the storm — That could abash the little Bird That kept so many warm —

I’ve heard it in the chillest land — And on the strangest Sea — Yet, never, in Extremity, It asked a crumb — of Me.

Notice that Emily Dickinson compared hope to a bird–the thing with feathers. Because there are bird images throughout the poem, it is called an extended metaphor poem.

Personification

A personification involves giving a non-human, inanimate object the qualities of a person. Robert Frost did that in his poem “Storm Fear.”

Storm Fear Author : Robert Frost ©1913

When the wind works against us in the dark, And pelts with snow The lower chamber window on the east, And whispers with a sort of stifled bark, The beast, ‘Come out! Come out!— It costs no inward struggle not to go, Ah, no! I count our strength, Two and a child, Those of us not asleep subdued to mark How the cold creeps as the fire dies at length,— How drifts are piled, Dooryard and road ungraded, Till even the comforting barn grows far away And my heart owns a doubt Whether ’tis in us to arise with day And save ourselves unaided.

Look specifically at the strong action verbs to find the human traits that are attributed to the wind and storm.

A hyperbole is an exaggeration of the truth in order to create an effect. Sometimes that’s done in a single statement. Other times it can happen with repetition like in Robert Frost’s famous poem “Stopping by Woods on a Snowy Evening.” Read the poem aloud. Notice the effect of the last two lines. The reader feels the tiredness of the weary traveler.

Stopping by Woods on a Snowy Evening Author : Robert Frost ©1923

Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow.

My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.

He gives his harness bells a shake To ask if there is some mistake. The only other sound’s the sweep Of easy wind and downy flake.

The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

Understatement

Understatement is the exact opposite of a hyperbole. The writer deliberately chooses to downplay the significance or seriousness of a situation or an event. This is evident in Mary Howitt’s Poem ” The Spider and the Fly.”

The Spider and the Fly Author : Mary Howitt ©1853

Will you walk into my parlour, said a Spider to a Fly; ‘Tis the prettiest little parlour that ever you did spy. The way into my parlour is up a winding stair, And I have many pretty things to shew when you get there. Oh, no, no! said the little Fly; to ask me is in vain: For who goes up that winding stair shall ne’er come down again.

Said the cunning Spider to the Fly, Dear friend, what can I do To prove the warm affection I have ever felt tor you? I have within my parlour great store of all that’s nice: I’m sure you’re very welcome; will you please to take a slice! Oh, no, no! said the little Fly; kind sir, that cannot be; For I know what’s in your pantry, and I do not wish to see.

Sweet creature, said the Spider, you’re witty and you’re wise; How handsome are your gaudy wings, how brilliant are your eyes! I have a little looking-glass upon my parlour-shelf; If you’ll step in one moment, dear, you shall behold yourself. Oh, thank you, gentle sir, she said, for what you’re pleased to say; And wishing you good morning now, I’ll call another day.

The Spider turn’d him round again, and went into his den, For well he knew that silly Fly would soon come back again. And then he wore a tiny web, in a little corner sly, And set his table ready for to dine upon the Fly; And went out to his door again, and merrily did sing, Come hither, pretty little Fly, with the gold and silver wing.

Alas, alas! how very soon this silly little Fly, Hearing his wily flattering words, came slowly fluttering by. With humming wings she hung aloft, then nearer and nearer drew. Thinking only of her crested head and gold and purple hue: Thinking only of her brilliant wings, poor silly thing! at last, Up jump’d the cruel Spider, and firmly held her fast!

He dragg’d her up his winding stair, into his dismal den, Within his little parlour; but she ne’er came down again. And now, my pretty maidens, who may this story hear, To silly, idle, flattering words, I pray you ne’er give ear; Unto an evil counsellor close heart, and ear, and eye, And learn a lesson from this tale of the Spider and the Fly.

• Lesson 12: Figures of Speech in Poetry. Authored by : Linda Frances Lein, M.F.A. License : CC BY: Attribution
• Sonnet 130. Authored by : William Shakespeare. Provided by : Wikisource. Located at : https://en.wikisource.org/wiki/Sonnet_130_(Shakespeare) . License : CC BY-SA: Attribution-ShareAlike
• Hope Is the Thing with Feathers. Authored by : Emily Dickinson. Provided by : Wikisource. Located at : https://en.wikisource.org/wiki/%22Hope%22_is_the_thing_with_feathers_u2014 . License : CC BY-SA: Attribution-ShareAlike
• Storm Fear. Authored by : Robert Frost. Provided by : Wikisource. Located at : https://en.wikisource.org/wiki/A_Boy%27s_Will/Storm_Fear . License : CC BY-SA: Attribution-ShareAlike
• Stopping by Woods on a Snowy Evening. Authored by : Robert Frost. Provided by : Wikisource. Located at : https://en.wikisource.org/wiki/Stopping_by_Woods_on_a_Snowy_Evening . License : CC BY-SA: Attribution-ShareAlike
• The Spider and the Fly. Authored by : Mary Howitt. Provided by : Wikisource. Located at : https://en.wikisource.org/wiki/A_First_Series_of_Hymns_and_Songs/Descriptive_Songs/The_Spider_and_the_Fly . License : CC BY-SA: Attribution-ShareAlike

• Literary Terms
• Figures of Speech
• Definition & Examples
• When & How to Use Figures of Speech

I. What are Figures of Speech?

A figure of speech is a word or phrase using figurative language—language that has other meaning than its normal definition. In other words, figures of speeches rely on implied or suggested meaning, rather than a dictionary definition.  We express and develop them through hundreds of different rhetorical techniques, from specific types like metaphors and similes , to more general forms like sarcasm and slang.

Figures of speech make up a huge portion of the English language, making it more creative, more expressive, and just more interesting! Many have been around for hundreds of years—some even thousands—and more are added to our language essentially every day. This article will focus on a few key forms of figures of speech, but remember, the types are nearly endless!

III. Types of Figure of Speech

There are countless figures of speech in every language, and they fall into hundreds of categories. Here, though, is a short list of some of the most common types of figure of speech:

A. Metaphor

Many common figures of speech are metaphors. That is, they use words in a manner other than their literal meaning. However, metaphors use figurative language to make comparisons between unrelated things or ideas. The “peak of her career,” for example, is a metaphor, since a career is not a literal mountain with a peak , but the metaphor represents the idea of arriving at the highest point of one’s career.

An idiom is a common phrase with a figurative meaning. Idioms are different from other figures of speech in that their figurative meanings are mostly known within a particular language, culture, or group of people. In fact, the English language alone has about 25,000 idioms. Some examples include “it’s raining cats and dogs” when it is raining hard, or “break a leg” when wishing someone good luck.

This sentence uses an idiom to make it more interesting:

There’s a supermarket and a pharmacy in the mall, so if we go there, we can kill two birds with one stone.

The idiom is a common way of saying that two tasks can be completed in the same amount of time or same place.

A proverb is a short, commonplace saying that is universally understood in today’s language and used to express general truths. “Don’t cry over spilt milk” is a popular example. Most proverbs employ metaphors (e.g. the proverb about milk isn’t  literally  about milk).

This example uses a proverb to emphasize the situation:

I know you think you’re going to sell all of those cookies, but don’t count your chickens before they hatch!

Here, “don’t count your chickens before they hatch” means that you shouldn’t act like something has happened before it actually does.

A simile is a very common figure of speech that uses the words “like” and “as” to compare two things that are not related by definition. For example, “he is as tall as a mountain,” doesn’t mean he was actually 1,000 feet tall, it just means he was really tall.

This example uses a simile for comparison:

The internet is like a window to the world —you can learn about everything online!

The common phrase “window to the world” refers to a hypothetical window that lets you see the whole world from it. So, saying the internet is like a window to the world implies that it lets you see anything and everything.

E. Oxymoron

An oxymoron is when you use two words together that have contradictory meanings. Some common examples include s mall crowd, definitely possible, old news, little giant , and so on.

A metonym is a word or phrase that is used to represent something related to bigger meaning. For example, fleets are sometimes described as being “thirty sails strong,” meaning thirty (curiously, this metonym survives in some places, even when the ships in question are not sail-powered!) Similarly, the crew on board those ships may be described as “hands” rather than people.

Irony is when a word or phrase’s literal meaning is the opposite of its figurative meaning. Many times (but not always), irony is expressed with sarcasm (see Related Terms). For example, maybe you eat a really bad cookie, and then say “Wow, that was the best cookie I ever had”—of course, what you really mean is that it’s the worst cookie you ever had, but being ironic actually emphasizes just how bad it was!

IV. The Importance of Figures of Speech

In general, the purpose of a figure of speech is to lend texture and color to your writing. (This is itself a figure of speech, since figures of speech don’t actually change the colors or textures on the page!) For instance, metaphors allow you to add key details that make the writing more lively and relatable. Slang and verbal irony, on the other hand, make the writing seem much more informal and youthful (although they can have the opposite effect when misused!) Finally, other figures of speech, like idioms and proverbs, allows a writer to draw on a rich cultural tradition and express complex ideas in a short space.

V. Examples of Figures of Speech in Literature

“All the world’s a stage, and all the men and women merely players. They have their exits and their entrances, and one man in his time plays many parts.” (William Shakespeare, As You Like It)

This is one of the most famous metaphors ever crafted in the English language. Shakespeare uses his extended metaphor to persuade the audience of the similarities between the stage and real life. But rather than making his play seem more like life, he suggests that life is more like a play. His metaphor calls attention to the performative, creative, and fictional aspects of human life.

“Our words are b ut crumbs that fall down from the feast o f the mind.” (Khalil Gibran, Sand & Foam )

Gibran’s timeless metaphor succeeds for a number of reasons. For one thing, it is not a cliché – had Gibran said “words are just the tip of the iceberg ,” he would have been making roughly the same point, but in a much more clichéd way. But the feast of the mind is a highly original metaphor. In addition, it’s a successful double metaphor. The crumbs and the feast are two parts of the same image, but they work together rather than being “mixed” (see How to Use Figures of Speech ).

“If you chase two rabbits, you will lose them both.” (Russian Proverb)

Like many proverbs, this one draws on a simple metaphor of chasing rabbits. The rabbits can stand in for all sorts of objectives, from jobs to relationships, but the coded message is quite clear – focus your energy on a single objective, or you will likely fail. This literal statement, though, is quite dry and not terribly memorable, which shows the power of figures of speech.

VI. Examples of Figures of Speech in Pop Culture

The chorus to Sean Kingston’s Fire Burning contains a couple of figures of speech. First of all, there’s the word “shorty” used as a slang term (see Related Terms ) for a young woman. She may or may not be literally short, but the figure of speech applies either way (though it could easily be taken as belittling and derogatory). Second, Kingston sings the metaphor: “she’s fire, burning on the dance floor.” Hopefully this is a figure of speech and not a literal statement; otherwise, Kingston and everyone else in the club are in mortal danger!

“Oh, thanks! This is much better!” (Townspeople, South Park )

This is an example of irony. In the aftermath of Hurricane Katrina, South Park satirized the government’s response to the disaster by writing about a similar disaster in South Park. In a bumbling effort to rescue people from the floods, the authorities accidentally spill oil on the flood waters and set it on fire, making the situation far more dangerous. In response, they ironically “thank” the people responsible—their meaning is obviously the opposite of their words!

Years of talks between Washington and Havana resulted in Obama’s historic visit to Cuba on March 21st. (Patreon 2016)

This is a common form of metonym in foreign policy and news media. The capital city of a country is used as a metonym for the national government. The talks, of course, are not literally between these two cities, but between the leaders and government officials of the two countries (US and Cuba).

VII. Related Terms

Literal and figurative language.

Language is generally divided into two categories: literal, and figurative. Literal language relies on the real definition of words and phrases, or their literal meanings. Figurative language, on the other hand, relies on implied meanings, which can be understood differently depending on the location or who is using it. For example, “the sky is blue” relies on the literal definition of the word “blue,” while “I am feeling blue” relies on the figurative definition. All figures of speech rely on the use of figurative language for their meaning.

Sarcasm is mocking or bitter language that we use to express different meaning than what we say; often the exact opposite. When your intended meaning is the opposite of the literal meaning, that’s irony (another type of figure of speech), which includes common phrases like “Oh, great…” when you really mean something is bad.

Slang is language that uses atypical words and phrases to express specific meanings. It varies greatly by region, demographic, and language—for example, you would find different slang in the U.S. and in the U.K. even though they are both English speaking countries. Likewise, teenagers and the elderly will use different slang terms, as would Spanish and English. Many slang terms are figures of speech. For example, “bro” could be used to describe a friend rather than an actual brother; this would be using the word as a figure of speech.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

Figure of Speech

Figure of Speech Definition

What is a figure of speech? Here’s a quick and simple definition:

A figure of speech is a literary device in which language is used in an unusual—or "figured"—way in order to produce a stylistic effect. Figures of speech can be broken into two main groups: figures of speech that play with the ordinary meaning of words (such as metaphor , simile , and hyperbole ), and figures of speech that play with the ordinary arrangement or pattern in which words are written (such as alliteration , ellipsis , and antithesis ).

Some additional key details about figures of speech:

• The ancient Greeks and Romans exhaustively listed, defined, and categorized figures of speech in order to better understand how to effectively use language. The names of most figures of speech derive from the original Greek or Latin.
• Figures of speech that play with the literal meaning of words are called tropes , while figures of speech that play with the order or pattern of words are called schemes .
• Figures of speech can take many forms. A figure of speech can involve a single word, a phrase, an omission of a word or phrase, a repetition of words or sounds, or specific sentence structures.

Figure of Speech Pronunciation

Here's how to pronounce figure of speech: fig -yer of speech

Figures of Speech vs. Figurative Language

There's a lot of confusion about the difference between the terms "figures of speech" and " figurative language ." Most of the confusion stems from the fact that different people often use "figurative language" to mean slightly different things. The two most common (and most acceptable) definitions of figurative language are:

• Figurative language refers to any language that contains figures of speech. According to this definition, figurative language and figures of speech are not quite the same thing, but it's pretty darn close. The only difference is that figures of speech refer to each specific type of a figure of speech, while figurative language refers more generally to any language that contains any kind of figures of speech.
• Figurative language refers to words or expressions that have non-literal meanings : This definition associates figurative language only with the category of figures of speech called tropes (which are figures of speech that play with the literal meaning of words). So according to this definition, figurative language would be any language that contains tropes, but not language that contains the figures of speech called schemes.

You might encounter people using figurative speech to mean either of the above, and it's not really possible to say which is correct. But if you know about these two different ways of relating figurative language and figures of speech, you'll be in pretty good shape.

Figures of Speech, Tropes, and Schemes

The oldest and still most common way to organize figures of speech is to split them into two main groups: tropes and schemes.

• Tropes are figures of speech that involve a deviation from the expected and literal meaning of words.
• Schemes are figures of speech that involve a deviation from the typical mechanics of a sentence, such as the order, pattern, or arrangement of words.

The scheme/trope classification system is by no means the only way to organize figures of speech (if you're interested, you can find all sorts of different categorization methods for figures of speech here ). But it is the most common method, and is both simple and structured enough to help you understand figures of speech.

Generally, a trope uses comparison, association, or wordplay to play with the literal meaning of words or to layer another meaning on top of a word's literal meaning. Some of the most commonly used tropes are explained briefly below, though you can get even more detail on each from its specific LitCharts entry.

• Metaphor : A metaphor is a figure of speech that makes a comparison between two unrelated things by stating that one thing is another thing, even though this isn't literally true. For example, if someone says "it's raining cats and dogs," this obviously doesn't literally mean what it says—it's a metaphor that makes a comparison between the weight of "cats and dogs" and heavy rain. Metaphors are tropes because their effect relies not on the mechanics of the sentence, but rather on the association created by the use of the phrase "cats and dogs" in a non-literal manner.
• Simile : A simile, like a metaphor, makes a comparison between two unrelated things. However, instead of stating that one thing is another thing (as in metaphor), a simile states that one thing is like another thing. To stick with cats and dogs, an example of a simile would be to say "they fought like cats and dogs."
• Oxymoron : An oxymoron pairs contradictory words in order to express new or complex meanings. In the phrase "parting is such sweet sorrow" from Romeo and Juliet , "sweet sorrow" is an oxymoron that captures the complex and simultaneous feelings of pain and pleasure associated with passionate love. Oxymorons are tropes because their effect comes from a combination of the two words that goes beyond the literal meanings of those words.
• Hyperbole : A hyperbole is an intentional exaggeration of the truth, used to emphasize the importance of something or to create a comic effect. An example of a hyperbole is to say that a backpack "weighs a ton." No backpack literally weighs a ton, but to say "my backpack weighs ten pounds" doesn't effectively communicate how burdensome a heavy backpack feels. Once again, this is a trope because its effect comes from understanding that the words mean something different from what they literally say.

Other Common Tropes

• Antanaclasis
• Onomatopoeia
• Personification
• Periphrasis
• Rhetorical Question

Schemes are mechanical—they're figures of speech that tinker with words, sounds, and structures (as opposed to meanings) in order to achieve an effect. Schemes can themselves be broken down in helpful ways that define the sort of tinkering they employ.

• Repetition: Repeating words, phrases, or even sounds in a particular way.
• Omission: Leaving out certain words or punctuation that would normally be expected.
• Changes of word order: Shifting around words or phrases in atypical ways.
• Balance: Creating sentences or phrases with equal parts, often through the use of identical grammatical structures.

Some of the most commonly used schemes are explained briefly below, though you can get even more detail on each from its specific LitCharts entry.

• Alliteration : In alliteration, the same sound repeats in a group of words, such as the “b” sound in: “ B ob b rought the b ox of b ricks to the b asement.” Alliteration uses repetition to create a musical effect that helps phrases to stand out from the language around them.
• Assonance : A scheme in which vowel sounds repeat in nearby words, such as the "ee" sound in the proverb: "the squ ea ky wh ee l gets the gr ea se." Like alliteration, assonance uses repeated sounds to create a musical effect in which words echo one another—it's a scheme because this effect is achieved through repetition of words with certain sounds, not by playing with the meaning of words.
• Ellipsis : The deliberate omission of one or more words from a sentence because their meaning is already implied. In the example, "Should I call you, or you me?" the second clause uses ellipsis. While its implication is "or should you call me," the context of the sentence allows for the omission of "should" and "call." Ellipsis is a scheme because it involves an uncommon usage of language.
• Parallelism : The repetition of sentence structure for emphasis and balance. This can occur in a single sentence, such as "a penny saved is a penny earned," and it can also occur over the course of a speech, poem, or other text. Parallelism is a scheme because it creates emphasis through the mechanics of sentence structure, rather than by playing with the actual meanings of words.

Other Common Schemes

• Anadiplosis
• Antimetabole
• Brachylogia
• Epanalepsis
• Parenthesis
• Polysyndeton

Figure of Speech Examples

Figures of speech can make language more inventive, more beautiful, more rhythmic, more memorable, and more meaningful. It shouldn't be a surprise, then, that figures of speech are plentiful in all sorts of written language. The examples below show a variety of different types of figures of speech. You can see many more examples of each type at their own specific LitChart entries.

Figures of Speech Examples in Literature

Literature is riddled with figures of speech because figures of speech make language colorful and complex.

Metaphor in Daphne du Maurier's Rebecca

On and on, now east now west, wound the poor thread that once had been our drive. Sometimes I thought it lost, but it appeared again, beneath a fallen tree perhaps, or struggling on the other side of a muddied ditch created by the winter rains.

In this quote from Rebecca , Daphne du Maurier refers to a washed-out road as "the poor thread." This is a metaphor —and a trope—because the writer indirectly compares the thread to the road and expects that readers will understand that "thread" is not used literally.

Parallelism in Charles Dickens' A Tale of Two Cities

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way.

In the famous opening line of A Tale of Two Cities , Dickens uses parallelism —a scheme in which parts of a sentence repeat—in order to emphasize the contradictions of the time in which the book is set. Dickens has manipulated his sentence structure so that the parallel clauses emphasize the oppositional nature of his words ("it was the best of times, it was the worst of times"). The figure of speech doesn't play with the meaning of words, it emphasizes them through structure and repetition, which is why it is a scheme.

Alliteration in Nathaniel Hawthorne's "The Birthmark"

In this manner, s electing it as the s ymbol of his wife's liability to s in, s orrow, d ecay, and d eath, Aylmer's s ombre imagination was not long in rendering the birthmark a frightful object, causing him more trouble and horror than ever Georgiana's beauty, whether of s oul or s ense, had given him delight.

This passage from " The Birthmark " uses alliteration to tie together all of the things that Georgiana's birthmark is supposed to symbolize. By using words that alliterate—"sin and sorrow" and "decay and death," for example—Hawthorne is making the reader feel that these ideas are connected, rather than simply stating that they are connected. Alliteration is a figure of speech—a scheme—because it uses the mechanics of language to emphasize meaning.

Verbal Irony in Shakespeare's Julius Caesar

For Brutus is an honorable man; So are they all, all honorable men,

This quote from Julius Caesar comes from Marc Antony's speech at Caesar's funeral. Antony needs to hold Brutus and his conspirators accountable for Caesar's death without contradicting the crowd's positive impression of Brutus, so Antony uses verbal irony to simultaneously please and trouble the crowd. On the surface, Antony says what the audience wants to hear (that Brutus is honorable), but it becomes clear over the course of his speech that he means the opposite of what he says (and over time he convinces the audience to believe this opposite meaning as well). This is a figure of speech (a trope) because it's based on a play on the meaning of Antony's words.

Figures of Speech Examples in Music

Figures of speech are also common in music. Schemes fit naturally with songs because both schemes and songs manipulate sound and rhythm to enhance the meanings of words. Music also uses many tropes, because using words that have meanings beyond their literal ones makes language more interesting, and it allows songwriters to create music that uses just a few words to imply a complex meaning.

Assonance and Metaphor in Rihanna's "Diamonds"

So sh ine br igh t ton igh t, you and I We're beautiful l i ke d i amonds in the sk y Eye to eye , so al i ve We're beautiful l i ke d i amonds in the sk y

Rihanna uses assonance when she repeats the " eye " sound throughout the chorus of "Diamonds." This make the words echo one another, which emphasizes the similarity between the singer, the person she's talking about, and the "diamonds in the sky" to which she's comparing them both. Assonance is a scheme because it's using the sound of words—not their meaning—to draw a parallel between different things.

Rihanna also uses the phrase "Diamonds in the sky" as a metaphor for stars. This is a trope—a phrase that means something other than what it literally says—as Rihanna obviously doesn't think that there are actually diamonds in the sky. This verse is a good example of how figures of speech can often work together and overlap. In this case, the metaphor that allows her to use "diamonds" instead of "stars" also fits into her use of assonance (because "stars" lacks the "eye" sound).

Personification in Green Day's "Good Riddance"

Another turning point, a fork stuck in the road Time grabs you by the wrist, directs you where to go

While the first line of this song uses "a fork stuck in the road" as a metaphor for a choice, the more arresting figure of speech at work here is the personification of time in the second line. By giving "time" human characteristics—the ability to grab a person and tell them where to go—Green Day is helping listeners to make sense of the power that time has over people. This is a trope because the line doesn't mean what it literally says; instead, it's asking listeners to make a comparison between the characteristics of time and the characteristics of a person.

Anastrophe in Public Enemy's "Fight the Power"

Straight up racist that sucker was Simple and plain

In the line "Straight up racist that sucker was," Public Enemy uses anastrophe (which is the inversion of typical word order) to preserve the rhythm of the verse. Instead of saying "That sucker was straight up racist," Public Enemy chooses an odd phrasing that has one stressed syllable followed by two unstressed syllables— " ra cist that su cker was/ Sim ple and plain ." This way, the beat falls more regularly across those two lines, which allows the rapper to make his point (that Elvis was racist) without the flow sounding awkward. Since anastrophe manipulates the order of words in order to achieve a rhythmic effect, it's a scheme.

Why Do Writers Use Figures of Speech?

Figures of speech is a category that encompasses a broad variety of literary terms, so it's difficult to give one answer to this question. Writers use different figures of speech to achieve different effects.

Schemes (figures of speech that manipulate sound, syntax, and word order) can make language more beautiful, persuasive, or memorable. Writers can use schemes to draw attention to an important passage, to create a sound that mirrors (or contrasts with) the meaning of words, or to give language a rhythm that draws the reader in. As schemes tend to work through sound and rhythm, they generally produce a visceral effect, or an effect felt in the body—broadly speaking, schemes are more sensory than intellectual.

In contrast, writers use tropes to grab the reader intellectually by adding complexity or ambiguity to an otherwise simple word or phrase. Tropes can ask the reader to make a comparison between two unlike things, they can impose human qualities on nonhumans, and they can mean the opposite of what they say. Tropes engage the intellect because the reader has to be alert to the fact that tropes do not use language at face value—a trope never means what it literally says.

All figures of speech help a writer to communicate ideas that are difficult to say in words or that are more effectively communicated non-verbally. This could be by repeating harsh consonants to create a scary atmosphere, or by using a metaphor to impose the qualities of something concrete (say, a rose) onto something more difficult to define (say, love). In general, figures of speech attempt to bring out a reader's emotion and to capture their attention by making language more colorful, surprising, and complex.

Other Helpful Figure of Speech Resources

• Silva Rhetoricae on Figures of Speech : An excellent reference from BYU that explains the various ways that figures of speech have been categorized over history, including into schemes and tropes.
• Silva Rhetoricae on schemes and tropes :
• The Oxford Reference Page for Figure of Speech : A helpful definition of figures of speech in the context of the ancient study of rhetoric (did you know that the Roman rhetorician Quintillian defined "figure of speech" in 95 AD?)
• What Are Tropes in Language? Skip to the "Distinction Between Figures and Tropes" section and read to the end—full of informative and thought-provoking discussion about tropes.
• A YouTube video about tropes and schemes with pop culture examples.

• PDFs for all 136 Lit Terms we cover
• Downloads of 1908 LitCharts Lit Guides
• Teacher Editions for every Lit Guide
• Explanations and citation info for 40,181 quotes across 1908 books
• Downloadable (PDF) line-by-line translations of every Shakespeare play
• Alliteration
• Climax (Figure of Speech)
• Figurative Language
• Parallelism
• Verbal Irony
• Red Herring
• Deus Ex Machina
• Foreshadowing
• Static Character
• Connotation
• Extended Metaphor
• Stream of Consciousness
• Slant Rhyme
• Understatement

Want to adapt books like this? Learn more about how Pressbooks supports open practices.

Write a poem that incorporates a figure of speech: simile, metaphor, personification, hyperbole, or understatement. You may write it in first-person point of view (I, me, my, we, us, etc.) or third-person point of view (he, she, it, they, etc.) Here is a list of poem suggestions:

• Write a nature poem using a simile like Carl Sandburg did in “Fog.” Be sure to use the word  like or  as .
• Choose an abstract noun (peace, hate, joy, etc.) and write a poem using an extended metaphor like Emily Dickinson did in “Hope is the Thing with Feathers.” Be sure the abstract noun is compared to a concrete noun (something the reader can visualize) by using the word  is.
• Choose an inanimate object and personify it like Robert Frost did in “Storm Fear.”
• Create an original hyperbole and use the line in a poem like Robert Frost did in “Stopping by Woods on a Snowy Evening.”
• Write a narrative poem that shows understatement like Mary Howitt’s poem “The Spider and the Fly.”

You get the idea, right? Brainstorm a list of your own ideas, avariation of one of the above, or use one of the above ideas.

Show Don’t Tell

Remember to use specific nouns and strong action verbs. Remember to use your senses: sight, sound, taste, touch, smell. Of course, poets use less words than fictional writers, too.

Line Breaks

Follow the traditional line breaks and format that most free-verse poets use. Make the line breaks where there is punctuation, an end of a phrase, or the end of a sentence.

Final Draft Instructions

Follow these instructions for typing the final draft:

• The poem must be typed in a Microsoft Word file (.docx).
• It must have one-inch margins, be single-spaced, and typed in a 12 pt. readable font like Times New Roman, Calibri, or Arial.
• Don’t allow the auto-correct in Microsoft Word to capitalize the first line of each poem. Use conventional English rules to write your lines.
• In the upper left-hand corner of page 1, type your first and last name, the name of the class, the date the assignment is due, and the assignment name. Example:

Jane Doe ENGL 1465–Creative Writing Due Date: Writing Assignment: Figure of Speech Poem

• Be sure to give your poem a title. Do not bold, enlarge, or punctuate the title. Capitalize the first word and each important word in the title.

Introduction to Creative Writing by Lumen Learning is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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Figures of Speech, Creative Writing Lesson

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• 1. Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d; And every fair from fair sometime declines, By chance or nature’s changing course, untrimm’d; But thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander’st in his shade, When in eternal lines to time thou growest; So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. Sonnet 18, William Shakespeare What does this poem imply? What symbolisms does this poem entail?Presented by: Ehlie Rose G. Baguinaon
• 2. Literary Devices Figure of Speech Presented by: Ehlie Rose G. Baguinaon
• 3. It gives extra dimension to language by stimulating the imagination and evoking visual, sensual imagery; such language paints a mental picture in words. It expresses an idea, thought, or image with words which carry meanings beyond their literal ones. Figure of Speech Presented by: Ehlie Rose G. Baguinaon
• 4. Metaph or compares two unlike things or ideas without using as or like  all figures of speech are metaphors God is transparent blue – the color Which makes our souls visible. Is it the Kingfisher?, Marjorie Evasco The World is an Apple AlbertoS.Florentino Alec Stafford has a heart of stone – so cold. Lady Althea Morecombe is a night owl. She knows everything of that night! She is an ogre when angry. Presented by: Ehlie Rose G. Baguinaon
• 5. Simil e comparison between two unlike things using the words "like" or "as” I wandered lonely as a cloud That floats on high o’er vales and hills, I Wandered Lonely as a Cloud, William Wordsworth I never saw his as dark as night! My grandmother is as wise as an owl. Dudley eats like a pig. Presented by: Ehlie Rose G. Baguinaon
• 6. Personificat ion And frogs in the pools singing at night, And wild plum trees in tremulous white, Robins will wear their feathery fire Whistling their whims on low fence-wire; There Will Come Soft Rains, Sara Teasdale  giving human qualities to non-living things or ideas Time drives the flocks from field to fold, When rivers rage and rocks grow cold: The Nymph’s Reply to the Shepherd, Sir Walter Raleigh The wind howled. Snowflakes danced. The flowers nodded at me. Presented by: Ehlie Rose G. Baguinaon
• 7. Hyperb ole Of Humber would complain, I would Love you ten years before the Flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow: To His Coy Mistress, Andrew Marvell  uses exaggeration for emphasis or effect. And I will make thee bed of roses And a thousand fragrant posies, A cap of flower, and a kirtle Embroidered all with leaves of myrtle: The Passionate Shepherd to His Love, Christopher Marlowe I have told you a hundred times. It costs a billion dollars. Everyone knows that. She is older than a dirt. Presented by: Ehlie Rose G. Baguinaon
• 8. Irony It is visible when there is a contrast between what is said and what is meant, or between appearance and reality Verba l Situation al Dramati c “How nice!” she said, when I told her I had to work all weekend. A traffic cop gets suspended for not paying his parking tickets The audience knows the killer is hiding in a closet in a scary movie but the actors do not. The Titanic was said to be unsinkable but sank on its first voyage. Presented by: Ehlie Rose G. Baguinaon
• 9. Oxymor on Two contradictory terms used together. Justin and Marianne’s relationship is bittersweet. Jane Austen’s life is an open secret only known to a few. The characters in Ang Huling El Bimbo musical are acting naturally which amaze the audience. “Teachers are always on working vacation, don’t you think?” Presented by: Ehlie Rose G. Baguinaon
• 10. a statement which seems to contradict itself but which contains a deeper truth. Paradoxes are similar to oxymorons, but where an oxymoron puts opposite words together, a paradox puts opposite ideas together.Paradox The child is father of the man. The Rainbow, William Wordsworth Cowards die many times before their death. Shakespeare, Julius Caesar Everything I say is a lie. Presented by: Ehlie Rose G. Baguinaon
• 11. Allusion It is a reference, either direct or indirect, to a well-known person, place or event. In the room the women come and go Talking of Michaelangelo The Love Song of J Alfred Prufrock, T.S Elliot I violated the Noah rule: predicting rain doesn't count; building arks does. Warren Buffett As for old Mr. Burns, he was visited by three ghosts during the night and agreed to fund the school with some money he found in his tuxedo pants. The Simpsons Charles Dickens’ A Christmas Carol Indirect Direct Presented by: Ehlie Rose G. Baguinaon
• 12. Apostrop he O Death, where is thy sting? O grave, where is thy victory? The Bible, 1 Corinthians 15:54–55 addressing an object or an idea as if it were a person Presented by: Ehlie Rose G. Baguinaon
• 13. Synecdoc he  when a part represents the whole or the whole is represented by a part Alexandra Ward is so excited fro the new wheels her parents bought from Paris. I want a Coke, Miss. The police wants her bag to be inspected. Wheels means car The police means one policeman Coke means any coca-cola drink Presented by: Ehlie Rose G. Baguinaon
• 14. Onomatop oeia a word that sounds like what it is describing The water whoosh in the river. Buzz, buzz – the bees buzz. The knob clicks at the sight of the key. Oink! Oh, the pig oinks! Presented by: Ehlie Rose G. Baguinaon
• 15. Alliteration The repetition of the beginning sounds of neighboring words She sells seashells in the seashore. Walter wondered where Winnie was. Nick needed new notebooks. Fred fried frogs. Presented by: Ehlie Rose G. Baguinaon
• 16. Literary Devices Imagery Presented by: Ehlie Rose G. Baguinaon
• 17. Sensory Images or imagery are important in any literary texts for they make the texts’ situations come alive for the readers. the use of vivid detailed descriptions that evoke sensory images. Imagery is employed to give the reader the sense that he or she can see, hear, feel, smell, or otherwise experience what is being described. Presented by: Ehlie Rose G. Baguinaon
• 18. “I heard a Fly buzz – when I died The Stillness in the Room Was like the Stillness in the Air – Between the Heaves of Storm.” I heard a Fly buzz, Emily Dickinson The sound imagery of the solitary buzzing in otherwise complete stillness contributes to the poem’s theme of death. Presented by: Ehlie Rose G. Baguinaon
• 19. I ask for a moment’s indulgence to sit by thy side. The works that I have in hand I will finish afterwards. Away from the sight of thy face my heart knows no rest nor respite, and my work becomes an endless toil in a shoreless seas of toil. Today the summer has come to my window with its sighs and murmurs; and the bees are plying their minstrelsy at the court of the flowering grove. Now it is time to sit quiet, face to face with thee, and to sing dedication of life in this life and overflowing leisure. A Moments Indulgence, Rabindranath Tagore The colored lines are sufficient to show what the author of the selection wants to appeal to reader’s senses. Presented by: Ehlie Rose G. Baguinaon
• 20. The quiz and activity for this lesson is file named as CW Literary Devices Quiz and Activity. Check this out. Presented by: Ehlie Rose G. Baguinaon

Creative Writing- Figures of Speech (Simple Multiple Choice)

Quiz   by Frances Therese D. San Juan

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• Q 1 / 5 Score 0 She is the light of my life. What figure of speech is used in this sentence? 29 Personification Metaphor Oxymoron Simile

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• Q 1 She is the light of my life. What figure of speech is used in this sentence? Personification Metaphor Oxymoron Simile 30 s HUMSS_CW/MP11/12- Ia-b-4
• Q 2 Trees wave and bow to greet everyone passing by. Which words in the sentence give humanlike attributes to the trees? by bow everyone greet passing wave 30 s HUMSS_CW/MP11/12- Ia-b-4
• Q 3 Two heads are better than one. What figure of speech is used? Synecdoche Apostrophe Metonymy Understatement 30 s HUMSS_CW/MP11/12- Ia-b-4

• Q 5 Which figure of speech compares two unlike things or persons using the words "as" or "like"? Simile Personification Hyperbole Metaphor 30 s HUMSS_CW/MP11/12- Ia-b-4

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