common themes of essays

What is Theme? A Look at 20 Common Themes in Literature

Sean Glatch  |  May 7, 2024  |  18 Comments

When someone asks you “What is this book about?” , there are a few ways you can answer. There’s “ plot ,” which refers to the literal events in the book, and there’s “character,” which refers to the people in the book and the struggles they overcome. Finally, there are themes in literature that correspond with the work’s topic and message. But what is theme in literature?

The theme of a story or poem refers to the deeper meaning of that story or poem. All works of literature contend with certain complex ideas, and theme is how a story or poem approaches these ideas.

There are countless ways to approach the theme of a story or poem, so let’s take a look at some theme examples and a list of themes in literature. We’ll discuss the differences between theme and other devices, like theme vs moral and theme vs topic. Finally, we’ll examine why theme is so essential to any work of literature, including to your own writing.

But first, what is theme? Let’s explore what theme is—and what theme isn’t.

Common Themes in Literature: Contents

• Theme Definition

20 Common Themes in Literature

• Theme Examples

Themes in Literature: A Hierarchy of Ideas

Why themes in literature matter.

• Should I Decide the Themes of a Story in Advance?

Theme Definition: What is Theme?

Theme describes the central idea(s) that a piece of writing explores. Rather than stating this theme directly, the author will look at theme using the set of literary tools at their disposal. The theme of a story or poem will be explored through elements like characters , plot, settings , conflict, and even word choice and literary devices .

Theme definition: the central idea(s) that a piece of writing explores.

That said, theme is more than just an idea. It is also the work’s specific vantage point on that idea. In other words, a theme is an idea plus an opinion: it is the author’s specific views regarding the central ideas of the work. 

All works of literature have these central ideas and opinions, even if those ideas and opinions aren’t immediate to the reader.

Justice, for example, is a literary theme that shows up in a lot of classical works. To Kill a Mockingbird contends with racial justice, especially at a time when the U.S. justice system was exceedingly stacked against African Americans. How can a nation call itself just when justice is used as a weapon?

By contrast, the play Hamlet is about the son of a recently-executed king. Hamlet seeks justice for his father and vows to kill Claudius—his father’s killer—but routinely encounters the paradox of revenge. Can justice really be found through more bloodshed?

What is theme? An idea + an opinion.

Clearly, these two works contend with justice in unrelated ways. All themes in literature are broad and open-ended, allowing writers to explore their own ideas about these complex topics.

Let’s look at some common themes in literature. The ideas presented within this list of themes in literature show up in novels, memoirs, poems, and stories throughout history.

Theme Examples in Literature

Let’s take a closer look at how writers approach and execute theme. Themes in literature are conveyed throughout the work, so while you might not have read the books in the following theme examples, we’ve provided plot synopses and other relevant details where necessary. We analyze the following:

• Power and Corruption in the novel Animal Farm
• Loneliness in the short story “A Clean, Well-Lighted Place”
• Love in the poem “How Do I Love Thee”

Theme Examples: Power and Corruption in the Novel Animal Farm

At its simplest, the novel Animal Farm by George Orwell is an allegory that represents the rise and moral decline of Communism in Russia. Specifically, the novel uncovers how power corrupts the leaders of populist uprisings, turning philosophical ideals into authoritarian regimes.

Most of the characters in Animal Farm represent key figures during and after the Russian Revolution. On an ailing farm that’s run by the negligent farmer Mr. Jones (Tsar Nicholas II), the livestock are ready to seize control of the land. The livestock’s discontent is ripened by Old Major (Karl Marx/Lenin), who advocates for the overthrow of the ruling elite and the seizure of private land for public benefit.

After Old Major dies, the pigs Napoleon (Joseph Stalin) and Snowball (Leon Trotsky) stage a revolt. Mr. Jones is chased off the land, which parallels the Russian Revolution in 1917. The pigs then instill “Animalism”—a system of government that advocates for the rights of the common animal. At the core of this philosophy is the idea that “all animals are equal”—an ideal that, briefly, every animal upholds.

Initially, the Animalist Revolution brings peace and prosperity to the farm. Every animal is well-fed, learns how to read, and works for the betterment of the community. However, when Snowball starts implementing a plan to build a windmill, Napoleon drives Snowball off of the farm, effectively assuming leadership over the whole farm. (In real life, Stalin forced Trotsky into exile, and Trotsky spent the rest of his life critiquing the Stalin regime until he was assassinated in 1940.)

Napoleon’s leadership quickly devolves into demagoguery, demonstrating the corrupting influence of power and the ways that ideology can breed authoritarianism. Napoleon uses Snowball as a scapegoat for whenever the farm has a setback, while using Squealer (Vyacheslav Molotov) as his private informant and public orator.

Eventually, Napoleon changes the tenets of Animalism, starts walking on two legs, and acquires other traits and characteristics of humans. At the end of the novel, and after several more conflicts , purges, and rule changes, the livestock can no longer tell the difference between the pigs and humans.

Themes in Literature: Power and Corruption in Animal Farm

So, how does Animal Farm explore the theme of “Power and Corruption”? Let’s analyze a few key elements of the novel.

Plot: The novel’s major plot points each relate to power struggles among the livestock. First, the livestock wrest control of the farm from Mr. Jones; then, Napoleon ostracizes Snowball and turns him into a scapegoat. By seizing leadership of the farm for himself, Napoleon grants himself massive power over the land, abusing this power for his own benefit. His leadership brings about purges, rule changes, and the return of inequality among the livestock, while Napoleon himself starts to look more and more like a human—in other words, he resembles the demagoguery of Mr. Jones and the abuse that preceded the Animalist revolution.

Thus, each plot point revolves around power and how power is wielded by corrupt leadership. At its center, the novel warns the reader of unchecked power, and how corrupt leaders will create echo chambers and private militaries in order to preserve that power.

Characters: The novel’s characters reinforce this message of power by resembling real life events. Most of these characters represent real life figures from the Russian Revolution, including the ideologies behind that revolution. By creating an allegory around Lenin, Trotsky, Stalin, and the other leading figures of Communist Russia’s rise and fall, the novel reminds us that unchecked power foments disaster in the real world.

Literary Devices: There are a few key literary devices that support the theme of Power and Corruption. First, the novel itself is a “satirical allegory.” “ Satire ” means that the novel is ridiculing the behaviors of certain people—namely Stalin, who instilled far-more-dangerous laws and abuses that created further inequality in Russia/the U.S.S.R. While Lenin and Trotsky had admirable goals for the Russian nation, Stalin is, quite literally, a pig.

Meanwhile, “allegory” means that the story bears symbolic resemblance to real life, often to teach a moral. The characters and events in this story resemble the Russian Revolution and its aftermath, with the purpose of warning the reader about unchecked power.

Finally, an important literary device in Animal Farm is symbolism . When Napoleon (Stalin) begins to resemble a human, the novel suggests that he has become as evil and negligent as Mr. Jones (Tsar Nicholas II). Since the Russian Revolution was a rejection of the Russian monarchy, equating Stalin to the monarchy reinforces the corrupting influence of power, and the need to elect moral individuals to posts of national leadership.

Theme Examples: Loneliness in “A Clean, Well-Lighted Place”

Ernest Hemingway’s short story “A Clean, Well-Lighted Place” is concerned with the theme of loneliness. You can read this short story here . Content warning for mentions of suicide.

There are very few plot points in Hemingway’s story, so most of the story’s theme is expressed through dialogue and description. In the story, an old man stays up late drinking at a cafe. The old man has no wife—only a niece that stays with him—and he attempted suicide the previous week. Two waiters observe him: a younger waiter wants the old man to leave so they can close the cafe, while an older waiter sympathizes with the old man. None of these characters have names.

The younger waiter kicks out the old man and closes the cafe. The older waiter walks to a different cafe and ruminates on the importance of “a clean, well-lighted place” like the cafe he works at.

Themes in Literature: Loneliness in “A Clean, Well-Lighted Place”

Hemingway doesn’t tell us what to think about the old man’s loneliness, but he does provide two opposing viewpoints through the dialogue of the waiters.

The younger waiter has the hallmarks of a happy life: youth, confidence, and a wife to come home to. While he acknowledges that the old man is unhappy, he also admits “I don’t want to look at him,” complaining that the old man has “no regard for those who must work.” The younger waiter “did not wish to be unjust,” he simply wanted to return home.

The older waiter doesn’t have the privilege of turning away: like the old man, he has a house but not a home to return to, and he knows that someone may need the comfort of “a clean and pleasant cafe.”

The older waiter, like Hemingway, empathizes with the plight of the old man. When your place of rest isn’t a home, the world can feel like a prison, so having access to a space that counteracts this feeling is crucial. What kind of a place is that? The older waiter surmises that “the light of course” matters, but the place must be “clean and pleasant” too. Additionally, the place should not have music or be a bar: it must let you preserve the quiet dignity of yourself.

Lastly, the older waiter’s musings about God clue the reader into his shared loneliness with the old man. In a stream of consciousness, the older waiter recites traditional Christian prayers with “nada” in place of “God,” “Father,” “Heaven,” and other symbols of divinity. A bartender describes the waiter as “otro locos mas” (translation: another crazy), and the waiter concludes that his plight must be insomnia.

This belies the irony of loneliness: only the lonely recognize it. The older waiter lacks confidence, youth, and belief in a greater good. He recognizes these traits in the old man, as they both share a need for a clean, well-lighted place long after most people fall asleep. Yet, the younger waiter and the bartender don’t recognize these traits as loneliness, just the ramblings and shortcomings of crazy people.

Does loneliness beget craziness? Perhaps. But to call the waiter and old man crazy would dismiss their feelings and experiences, further deepening their loneliness.

Loneliness is only mentioned once in the story, when the young waiter says “He’s [the old man] lonely. I’m not lonely. I have a wife waiting in bed for me.” Nonetheless, loneliness consumes this short story and its older characters, revealing a plight that, ironically, only the lonely understand.

Theme Examples: Love in the Poem “How Do I Love Thee”

Let’s turn towards brighter themes in literature: namely, love in poetry . Elizabeth Barrett Browning’s poem “ How Do I Love Thee ” is all about the theme of love.

Themes in Literature: Love in “How Do I Love Thee”

Browning’s poem is a sonnet , which is a 14-line poem that often centers around love and relationships. Sonnets have different requirements depending on their form, but between lines 6-8, they all have a volta —a surprising line that twists and expands the poem’s meaning.

Let’s analyze three things related to the poem’s theme: its word choice, its use of simile and metaphor , and its volta.

Word Choice: Take a look at the words used to describe love. What do those words mean? What are their connotations? Here’s a brief list: “soul,” “ideal grace,” “quiet need,” “sun and candle-light,” “strive for right,” “passion,” “childhood’s faith,” “the breath, smiles, tears, of all my life,” “God,” “love thee better after death.”

These words and phrases all bear positive connotations, and many of them evoke images of warmth, safety, and the hearth. Even phrases that are morose, such as “lost saints” and “death,” are used as contrasts to further highlight the speaker’s wholehearted rejoicing of love. This word choice suggests an endless, benevolent, holistic, all-consuming love.

Simile and Metaphor: Similes and metaphors are comparison statements, and the poem routinely compares love to different objects and ideas. Here’s a list of those comparisons:

The speaker loves thee:

• To the depths of her soul.
• By sun and candle light—by day and night.
• As men strive to do the right thing (freely).
• As men turn from praise (purely).
• With the passion of both grief and faith.
• With the breath, smiles, and tears of her entire life.
• Now in life, and perhaps even more after death.

The speaker’s love seems to have infinite reach, flooding every aspect of her life. It consumes her soul, her everyday activities, her every emotion, her sense of justice and humility, and perhaps her afterlife, too. For the speaker, this love is not just an emotion, an activity, or an ideology: it’s her existence.

Volta: The volta of a sonnet occurs in the poem’s center. In this case, the volta is the lines “I love thee freely, as men strive for right. / I love thee purely, as they turn from praise.”

What surprising, unexpected comparisons! To the speaker, love is freedom and the search for a greater good; it is also as pure as humility. By comparing love to other concepts, the speaker reinforces the fact that love isn’t just an ideology, it’s an ideal that she strives for in every word, thought, and action.

“Theme” is part of a broader hierarchy of ideas. While the theme of a story encompasses its central ideas, the writer also expresses these ideas through different devices.

You may have heard of some of these devices: motif, moral, topic, etc. What is motif vs theme? What is theme vs moral? These ideas interact with each other in different ways, which we’ve mapped out below.

Theme vs Topic

The “topic” of a piece of literature answers the question: What is this piece about? In other words, “topic” is what actually happens in the story or poem.

You’ll find a lot of overlap between topic and theme examples. Love, for instance, is both the topic and the theme of Elizabeth Barrett Browning’s poem “How Do I Love Thee.”

The difference between theme vs topic is: topic describes the surface level content matter of the piece, whereas theme encompasses the work’s apparent argument about the topic.

Topic describes the surface level content matter of the piece, whereas theme encompasses the work’s apparent argument about the topic.

So, the topic of Browning’s poem is love, while the theme is the speaker’s belief that her love is endless, pure, and all-consuming.

Additionally, the topic of a piece of literature is definitive, whereas the theme of a story or poem is interpretive. Every reader can agree on the topic, but many readers will have different interpretations of the theme. If the theme weren’t open-ended, it would simply be a topic.

Theme vs Motif

A motif is an idea that occurs throughout a literary work. Think of the motif as a facet of the theme: it explains, expands, and contributes to themes in literature. Motif develops a central idea without being the central idea itself .

Motif develops a central idea without being the central idea itself.

In Animal Farm , for example, we encounter motif when Napoleon the pig starts walking like a human. This represents the corrupting force of power, because Napoleon has become as much of a despot as Mr. Jones, the previous owner of the farm. Napoleon’s anthropomorphization is not the only example of power and corruption, but it is a compelling motif about the dangers of unchecked power.

Theme vs Moral

The moral of a story refers to the story’s message or takeaway. What can we learn from thinking about a specific piece of literature?

The moral is interpreted from the theme of a story or poem. Like theme, there is no single correct interpretation of a story’s moral: the reader is left to decide how to interpret the story’s meaning and message.

For example, in Hemingway’s “A Clean, Well-Lighted Place,” the theme is loneliness, but the moral isn’t quite so clear—that’s for the reader to decide. My interpretation is that we should be much more sympathetic towards the lonely, since loneliness is a quiet affliction that many lonely people cannot express.

Great literature does not tell us what to think, it gives us stories to think about.

However, my interpretation could be miles away from yours, and that’s wonderful! Great literature does not tell us what to think, it gives us stories to think about, and the more we discuss our thoughts and interpretations, the more we learn from each other.

The theme of a story affects everything else: the decisions that characters make, the mood that words and images build, the moral that readers interpret, etc. Recognizing how writers utilize various themes in literature will help you craft stronger, more nuanced works of prose and poetry .

“To produce a mighty book, you must choose a mighty theme.” —Herman Melville

Whether a writer consciously or unconsciously decides the themes of their work, theme in literature acts as an organizing principle for the work as a whole. For writers, theme is especially useful to think about in the process of revision: if some element of your poem or story doesn’t point towards a central idea, it’s a sign that the work is not yet finished. 

Moreover, literary themes give the work  stakes . They make the work stand for something. Remember that our theme definition is an idea plus an opinion. Without that opinion element, a work of literature simply won’t stand for anything, because it is presenting ideas in the abstract without giving you something to react to. The theme of a story or poem is never just “love” or “justice,” it’s the author’s particular spin and insight on those themes. This is what makes a work of literature compelling or evocative. Without theme, literature has no center of gravity, and all the words and characters and plot points are just floating in the ether. 

Should I Decide the Theme of a Story or Poem in Advance?

You can, though of course it depends on the actual story you want to tell. Some writers certainly start with a theme. You might decide you want to write a story about themes like love, family, justice, gender roles, the environment, or the pursuit of revenge.

From there, you can build everything else: plot points, characters, conflicts, etc. Examining themes in literature can help you generate some strong story ideas !

Nonetheless, theme is not the only way to approach a creative writing project. Some writers start with plot, others with character, others with conflicts, and still others with just a vague notion of what the story might be about. You might not even realize the themes in your work until after you finish writing it.

You certainly want your work to have a message, but deciding what that message is in advance might actually hinder your writing process. Many writers use their poems and stories as opportunities to explore tough questions, or to arrive at a deeper insight on a topic. In other words, you can start your work with ideas, and even opinions on those ideas, but don’t try to shoehorn a story or poem into your literary themes. Let the work explore those themes. If you can surprise yourself or learn something new from the writing process, your readers will certainly be moved as well. 

So, experiment with ideas and try different ways of writing. You don’t have think about the theme of a story right away—but definitely give it some thought when you start revising your work!

Develop Great Themes at Writers.com

As writers, it’s hard to know how our work will be viewed and interpreted. Writing in a community can help. Whether you join our Facebook group or enroll in one of our upcoming courses , we have the tools and resources to sharpen your writing.

Sean Glatch

18 comments.

Sean Glatch,Thank you very much for your discussion on themes. It was enlightening and brought clarity to an abstract and sometimes difficult concept to explain and illustrate. The sample stories and poem were appreciated too as they are familiar to me. High School Language Arts Teacher

Hi Stephanie, I’m so glad this was helpful! Happy teaching 🙂

Wow!!! This is the best resource on the subject of themes that I have ever encountered and read on the internet. I just bookmarked it and plan to use it as a resource for my teaching. Thank you very much for publishing this valuable resource.

Hi Marisol,

Thank you for the kind words! I’m glad to hear this article will be a useful resource. Happy teaching!

Warmest, Sean

builders beams bristol

What is Theme? A Look at 20 Common Themes in Literature | writers.com

Hello! This is a very informative resource. Thank you for sharing.

farrow and ball pigeon

This presentation is excellent and of great educational value. I will employ it already in my thesis research studies.

John Never before communicated with you!

Brilliant! Thank you.

[…] THE MOST COMMON THEMES IN LITERATURE […]

marvellous. thumbs up

Thank you. Very useful information.

found everything in themes. thanks. so much

In college I avoided writing classes and even quit a class that would focus on ‘Huck Finn’ for the entire semester. My idea of hell. However, I’ve been reading and learning from the writers.com articles, and I want to especially thank Sean Glatch who writes in a way that is useful to aspiring writers like myself.

You are very welcome, Anne! I’m glad that these resources have been useful on your writing journey.

Thank you very much for this clear and very easy to understand teaching resources.

Hello there. I have a particular question.

Can you describe the exact difference of theme, issue and subject?

I get confused about these.

I love how helpful this is i will tell my class about it!

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A Huge List of Common Themes

Themes in literature are often varied and hidden. Sometimes you can get through an entire book and not realize what the author meant. However, this is a good basic list that you can build from. Remember that some books have multiple themes.

• Beauty of simplicity
• Capitalism – effect on the individual
• Change of power – necessity
• Change versus tradition
• Chaos and order
• Character – destruction, building up
• Circle of life
• Coming of age
• Communication – verbal and nonverbal
• Companionship as salvation
• Convention and rebellion
• Dangers of ignorance
• Darkness and light
• Death – inevitable or tragedy
• Desire to escape
• Destruction of beauty
• Disillusionment and dreams
• Displacement
• Empowerment
• Emptiness of attaining false dream
• Everlasting love
• Evils of racism
• Facing darkness
• Facing reality
• Fading beauty
• Faith versus doubt
• Family – blessing or curse
• Fate and free will
• Fear of failure
• Female roles
• Fulfillment
• Good versus bad
• Greed as downfall
• Growing up – pain or pleasure
• Hazards of passing judgment
• Heartbreak of betrayal
• Heroism – real and perceived
• Hierarchy in nature
• Identity crisis
• Illusion of power
• Immortality
• Individual versus society
• Inner versus outer strength
• Isolationism – hazards
• Knowledge versus ignorance
• Loneliness as destructive force
• Losing hope
• Loss of innocence
• Love and sacrifice
• Man against nature
• Manipulation
• Materialism as downfall
• Names – power and significance
• Nationalism – complications
• Nature as beauty
• Necessity of work
• Oppression of women
• Optimism – power or folly
• Overcoming – fear, weakness, vice
• Patriotism – positive side or complications
• Power and corruption
• Power of silence
• Power of tradition
• Power of wealth
• Power of words
• Pride and downfall
• Progress – real or illusion
• Quest for discovery
• Quest for power
• Role of men
• Role of Religion – virtue or hypocrisy
• Role of women
• Self – inner and outer
• Self-awareness
• Self-preservation
• Self-reliance
• Social mobility
• Technology in society – good or bad
• Temporary nature of physical beauty
• Temptation and destruction
• Totalitarianism
• Vanity as downfall
• Vulnerability of the meek
• Vulnerability of the strong
• War – glory, necessity, pain, tragedy
• Will to survive
• Wisdom of experience
• Working class struggles
• Youth and beauty

Movies generally have one or two themes, but not many more. The themes in movies are often said outright instead of hinted at. Some of the popular themes from movies today include:

• Abuse of power
• Beating the odds
• Celebration
• Common Sense
• Conservation
• Darkness and lightness
• Disillusionment
• Effects from the past
• Evils by humanity
• Gay, Lesbian, Bisexual, and Transgender rights
• Good vs Evil
• Human Nature
• Individuality
• Inner peace
• Man vs nature
• Man vs self
• Man vs machine
• Nationalism
• Opportunity
• Peer pressure
• Perseverance
• Segregation
• Self-discipline
• Social Construct
• Unselfishness
• Winning and losing

Themes in poetry are often quite apparent, but that isn’t always the case. Sometimes the theme doesn’t make itself apparent and is instead up to the reader. Reading a poem aloud often helps with understanding the theme. Here are some examples:

• Comfort after death
• Encouraging
• Forgiveness
• Imagination
• Impossibility
• Inner Peace
• Inspiration
• Life – purpose of
• Not Giving Up
• Unconditional love

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• 10 Different Themes in Taylor Swift Songs
• Examples of Themes in Popular Songs
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• Lord of the Flies Themes
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• Common Noun
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• Hamlet Themes
• 1984 Themes
• The Crucible Themes
• Frankenstein Themes
• Oedipus Rex Themes
• The Metamorphosis Themes
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• Beloved Themes
• Slaughterhouse-Five Themes
• Antigone Themes
• Inferno Themes
• Fahrenheit 451 Themes
• Into the Wild Themes
• The Alchemist Themes
• Night Themes
• Life of Pi Themes
• The Invisible Man Themes
• The Tempest Themes
• The Iliad Themes
• The Jungle Themes
• Siddhartha Themes
• The Stranger Themes
• The Aeneid Themes
• Dracula Themes
• Themes in The Bible
• To Kill a Mockingbird Themes
• The Scarlet Letter Themes
• The Canterbury Tales Themes
• Heart of Darkness Themes
• Brave New World Themes
• Death of a Salesman Themes
• Things Fall Apart Themes
• A Tale of Two Cities Themes
• A Doll’s House Themes
• The Grapes of Wrath Themes
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• Crime and Punishment Themes
• Their Eyes Were Watching God Themes
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• The Kite Runner Themes
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The 25 Most Common Themes in Literature and Why They Matter

by Sue Weems | 0 comments

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If you've ever survived a high school English class, you've likely been asked to consider the most common themes in literature. What are they and why do they matter for readers and writers? Let's take a look.

Literature's first job is to entertain. But at the same time every novel has a kernel of truth in it, or perhaps several kernels, ideas about how life works or philosophies on the best way to live or some gesture to the broader meaning of life. 

Taken together, these ideas may combine into a “theme.” 

I say “may” because theme is more a tool of interpretation than creativity. The writer may come into the story with an idea of what their story is about. This understanding of what their story is “about ” may even help add focus and depth to their story.

Once a book is published, though, the audience owns theme, and they may depart with a totally different message than the author intended.

Which is all to say, as a writer, theme may or may not be helpful to you. 

As a reader, though, you can use theme to unlock the deeper truths both in the story and in life. Let's look at what theme is, why it matters for readers and writers, how to identify them, and some common examples of theme in literature. 

Why trust Sue on theme? I'm one of those annoying English teachers who helps students analyze literature. Students ask me why we do it, and I'll tell you the secrets I share with them: analyzing literature helps us understand our humanity and world– from the misuse of power to the meaning of life.

Secondly, learning to look at a part of something and understand how it functions in the whole (AKA analysis) is a skill that transcends literature. It's a low-stakes way to practice life skills. 

Want to skip ahead? Click on the topic that best answers your question. 

Table of Contents

What is a literary theme? Why does theme matter for a reader? How do you identify theme in a story? Types of story: a shortcut to theme Common themes in literature with examples Why theme matters for writers Practice  

What is a literary theme?

A literary theme is a universal concept, idea or message explored in a story or poem. It's often a moral, lesson, or belief that the writer wants to convey to readers.

Think of theme as the underlying message that shapes the story. It’s not always obvious at first glance – sometimes it takes some close reading and analysis to identify what’s going on beneath the surface.

A universal theme is one that transcends time and place. For example, the popular theme “love conquers all” shows up in old romances such as The Epheseian Tale from 2-50 AD to Disney's Robin Hood from 1973 to Nicholas Sparks' novel The Notebook from 2004. 

Why does theme matter for a reader?

You can certainly enjoy a story without knowing the theme explicitly, but most stories are about something beyond the character's actions. And we want them to be about something more. 

Stories are the way we build meaning—the way we understand human life, the way we process and confront controversial ideas, the way we sometimes relate to each other on a universal level. 

When someone asks you what a book you're reading is about, you likely give a sentence or two about the character, their goal, and the conflict, but you're just as likely to identify an abstract idea that the book is about. That idea is a touchpoint for our humanness. 

I may not be into a book about a boy wizard who is swept into a world where he must overcome his fears and insignificance to defeat a formidable foe, but I can certainly understand what it means to belong, what it means to find your way through inadequacy, what it means to defeat your fears. 

That's the power of theme. It points to deeper meaning, connecting me to a story and to other readers like me.

How do you identify theme in a story?

If you are a student or a writer trying to identify theme, it sometimes feels like trying to crack a secret English major code. But here's a trick I teach my students. 

1. Find the big idea

First, ask yourself about the big ideas or concepts that seem important throughout the entire story. These may feel abstract, such as love, beauty, despair, justice, or art. Sometimes the main character has very defined beliefs (or misbeliefs!) about the idea. 

2. Ask what the story suggests about the idea

Once you have one or two overarching central ideas that seem important for the story, then ask yourself this question: What does the story seem to say about this idea?

For example, if I'm reading Shirley Jackson's chilling short story “The Lottery,” I might identify that the story is about community and tradition. If I wanted to be a little more specific I'd say tradition in the vein of conformity. 

Quick summary of the story (spoiler alert!): The story opens on a summer day when an entire community participates in their annual lottery. Each family in town draws a paper until a single community member has been selected. The end of the story shows the town stoning the “winner” in a barbarous act of solidarity to maintain community traditions.

Now, to identify the central theme, I'd ask myself, what does Jackson's story seem to say about community or tradition or conformity? 

Some communities are willing to maintain their traditions (or conformity) at any cost.

3. Support the theme or message with examples

If I wanted to support the central theme I identified, I would pull quotes or examples from the story that support it. In this case, I could look at the children who are willing to participate, the contrast of the summer day and the dark deed, the insistence that the stoning will keep them prosperous, even though there is no evidence of such. 

Are there other possible themes? Sure. There are no wrong answers, only themes that can be defended from the texts and those that don't have enough support. It takes a little practice, but try this technique and see if it doesn't help. 

Types of Story: a shortcut to finding theme in a story

As a part of his book The Write Structure , Joe has identified several types of story that help writers plan and execute their books. The detailed post is here. 

In short, Joe argues that all stories are built on six values frameworks, regardless of genre. The values are directly related to the human condition and identify base needs we have for moving through the world. 

Knowing your story types and the value scale can be a short cut to identifying themes in books and stories, because those universal ideas are tucked inside the values. 

Here are the values in each type of story:

• Survival from Nature > Life vs. Death
• Survival from Others > Life vs. Fate Worse than Death
• Love/Community > Love vs. Hate
• Esteem > Accomplishment vs. Failure
• Personal Growth > Maturity vs. Immaturity
• Transcendence > Right vs. Wrong

The types can help you identify the central ideas that the story speaks into because you know that the values will be key. Your question then is what does the story seem to say about this value? Or more specifically, what does the story seem to say about the way this particular character pursues this value? 

For example: If you are reading a Jack London short story or novel, you know that the protagonist is going to be facing survival from nature. The value is life versus death. So to determine the theme we ask what does the story say about life vs death or survival?

In Jack London's short story “To Build a Fire,” an arrogant man trying to survive the Yukon wilderness makes a series of novice mistakes from traveling alone to getting wet with no way to get warm and dry. Spoiler alert, he dies. 

What is the theme of this story? My students usually shout out something like, “Don't be a dummy and travel alone with no way to make a fire!” And they're not wrong. The ideas here are life, death, nature, and humanity. Here are a number of ways you could frame the theme with specific support from the story:

• Nature is indifferent to human suffering. 
• Human arrogance leads to death.
• There are limits to self-reliance. 

As you can see, the theme is what the story suggests about the story value. 

Common themes in literature with examples

James Clear collected a list of the best-selling books of all time on his website . Let's start with some of those fiction titles.

Disclaimer: I know many of these summaries and themes are vastly oversimplified and most could be fleshed out in long, complicated papers and books. But for the sake of time, let's imagine my list as limited examples of theme among many that could be argued. 

Disclaimer 2: I tried to get ChatGPT to help me write the one sentence summaries for these titles even though I've read all but two of the listed books. The summaries ChatGPT wrote were weak or too general for our purposes. So if there are errors below, they are all mine—I can't blame the bots today. Let's look at the list: 

1. Don Quixote by Miguel de Cervantes (1605) summary: Aging nobleman Don Quixote deludes himself into thinking he's a knight and takes on a satirical quest to prove his honor by defending the helpless and defeating the wicked. 

theme: Being born a nobleman (or any class) does not automatically determine your worth. 

2. Tale of Two Cities by Charles Dickens (1859) summary: In this sprawling novel of swapped (or reconstructed) identities and class warfare during the French Revolution, characters navigate the nature of love, betrayal, justice, and the possibility of transformation. 

theme: Transformation is possible for enlightened individuals and societies.

3. The Lord of the Rings by J.R.R. Tolkien (1954) summary: An unlikely hobbit and his diverse team set out to find and destroy a powerful ring to save Middle-earth and defeat the dark lord Sauron. 

theme: Good can defeat evil when people (or creatures) are willing to sacrifice for the common good. 

4. The Little Prince by Antoine de Saint-Exupery (1943) summary: A prince visits various planets and discovers the importance of curiosity and openness to emotion.

theme: The most important things in life can't be seen with the eyes but with the heart. 

5. Harry Potter and the Sorcerer's Stone by J.K. Rowling (1997) summary: An unsuspecting orphan attends a wizard school where he discovers his true identity, a dark foe, and the belonging he craves. 

theme: Love and friendship transcend time and space. 

6. And Then There Were None by Agatha Christie (1939) summary: Seven guests gather at a house on an island where they are killed off one-by-one as they try to discover the murderer. 

theme: Death is inevitable, justice is not.  

7. The Dream of the Red Chamber by Cat Xueqin (1791) summary: In this complex family drama, a nobleman's son is born with a magic jade in his mouth, and he rebels against social norms and his father resulting in an attempted arranged wedding and illness rather than reinforce oppression.

theme: Social hierarchies maintained by oppression will eventually fall. 

8. The Hobbit by J.R.R. Tolkien (1937) summary: Timid hobbit Bilbo Baggins is called by a wizard to help a band of dwarves reclaim their land from a terrible dragon, Smaug.

theme: Bravery can be found in the most unlikely places.

9. She: A History of Adventure by H. Rider Haggard (1886) summary: An professor and his ward seek out a lost kingdom in Africa to find a supernatural queen.

theme: Considering the imperialism of the time as well as worry about female empowerment, the themes here are varied and problematic, but perhaps one theme might resonate: Be careful what you seek, for you may find it. 

10. The Lion, the Witch, and the Wardrobe by C.S. Lewis (1950) summary: Four children venture through a wardrobe into a magical kingdom where they must work together to save Narnia, meet Aslan, and defeat the White Witch. 

theme: Evil is overwhelmingly tempting and can only be defeated through sacrifice. 

11. The Catcher in the Rye by J.D. Salinger (1951) summary: An expelled prep school student, Holden Caulfield, has a number of coming-of-age misadventures on his way home for the holiday break.

theme: Innocence can only be protected from the risks of growing up for so long. 

12. The Alchemist by Paolo Coelho (1988) summary: A Spanish shepherd named Santiago travels to Egypt searching for treasure he saw in a dream. 

theme: Anyone can make the world better if we are willing and courageous.

13. One Hundred Years of Solitude by Gabriel Garcia Marquez (1967) summary: This circle of life novel covers seven generations of the Buendia family as they build a small dysfunctional utopia in a swamp amidst a changing political and social Latin American landscape.

theme: Solitude is an inevitability for humankind. 

14. Anne of Green Gables by Lucy Maud Montgomery (1908) summary: An orphan finds her place with the Cuthbert siblings, and she brings her peculiar and delightful blend of imagination and optimism to their lives and community.

theme: Every human desires and deserves belonging. 

15. Charlotte's Web by E.B. White (1952) summary: Wilbur the pig and his unconventional spider friend Charlotte join forces to save Wilbur's life from the slaughterhouse. 

theme: Friendship can be found in the most unlikely places.

And let's throw in a few additional well-known stories and notable examples to see how their themes stack up:

16. Romeo and Juliet by William Shakespeare (1597) summary: Two teens from warring families fall in love and die rather than be kept apart from their families feud. 

theme: Passion is costly.

17. Frankenstein by Mary Shelley (1818) summary: An ambitious scientist creates a monster without considering the larger implications. Chaos ensues.

theme: Knowledge can be dangerous when coupled with unbridled ambition.

18. Beloved by Toni Morrison (1987) summary: Formerly enslaved mother Sethe and her daugher Denver are haunted by the ghost of Sethe's oldest daughter who died when she was two-years-old. 

theme: The physical and psychological effects of slavery are damaging and long-lasting. 

19. Never Let Me Go by Kazuo Ishiguro (2005) summary: In this dystopian novel, people are cloned and held in preparation to be life-long organ donors for others. 

theme: Freedom is a basic human desire. 

20. Raisin in the Sun by Lorraine Hansberry (1959) summary: The Younger family grapples with identity and dreams in the wake of the death of their patriarch. 

theme: Dignity and family are worth more than money. 

The 5 most common themes in literature

You may have been asked to define universal themes as a part of a school assignment. Universal themes are those that transcend time and cultures, meaning they are often found to be true in real life no matter who you are or where you live. 

Granted, I haven't read all the books across time and space (yet), but there's a pretty good bet that one of these major themes might apply to what you're reading regardless of time period, genre, or culture: 

• Love conquers all.
• Things are not always what they seem.
• Good triumphs over evil.
• Beauty is in the eye of the beholder. 
• Blood (family) is thicker than water. 

Which other larger themes would you list here as some of the most common in literature? Share your theme examples in the comments . 

Why theme matters for writers

Why do themes matter for writers though? After all, isn't it enough to write an entertaining story? It can be, but exploring universal themes can help take your work to the next level. You don't have to identify a theme for your story and write everything to that end—in fact that might work against you. But when done well, it can enhance your story.

Here are a few reasons you may want to think about theme in your writing:

1. Coherence

Theme can bring together the various parts of a story, including plot and subplot, characters, symbols, and motifs. Readers can feel the variations on a theme laced throughout your story and done well, it's engaging and satisfying.

If your theme is love conquers all, then you likely have two people who over come incredible odds to be together. What are the other elements that subtly underscore it? Maybe there's a house that was built with love in the setting or maybe a secondary character is failing at love because they keep putting their work first. If it's subtle, those small details reinforce the main storyline.  

2. Significance

As we discussed, universal themes will resonate with readers, even when they haven't experienced the same events. Many of the works we've listed above are remembered and revered due in part to their lasting themes about human experience.

3. Expression

Theme is an opportunity to weave together your world view, experiences, perspective, and beliefs with artistic and creative possibilities. Theme serves as a unifying element as you express your vision. Try playing with theme in a story or other creative work to see how it pushes boundaries or got beyond the expected. 

In summary, theme can serve as the backbone of a story, giving it structure, depth, and resonance. It can help convey the writer's intended message and engage readers on multiple levels, making it a crucial element of literary and creative expression. 

Which other larger themes would you list as the most common in literature? Share your theme examples in the comments .

Set your timer for 15 minutes . Choose one of the common themes above and create a character who has strong beliefs about that theme. Now, write a scene where an event or person challenges that belief. How will the character react? Will they double-down and insist on their worldview? Or will they soften and consider alternatives? Will shock at the challenge plunge them into despair? Play with their reaction. 

Once you've written for 15 minutes, post your practice in the Pro Practice Workshop and leave feedback for a few other writers. 

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Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

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200 Common Themes in Literature

Sarah Oakley

Table of Contents

What is the theme of a story, common themes in literature, universal themes in literature, full list of themes in literature, theme examples in popular novels.

The theme of a novel is the main point of the story and what it’s really about. As a writer, it’s important to identify the theme of your story before you write it.

Themes are not unique to each novel because a theme addresses a common feeling or experience your readers can relate to. If you’re aware of what the common themes are, you’ll have a good idea of what your readers are expecting from your novel .

In this article, we’ll explain what a theme is, and we’ll explore common themes in literature.

The theme of a story is the underlying message or central idea the writer is trying to show through the actions of the main characters. A theme is usually something the reader can relate to, such as love, death, and power.

Your story can have more than one theme, as it might have core themes and minor themes that become more apparent later in the story. A romance novel can have the central theme of love, but the protagonist might have to overcome some self-esteem issues, which present the theme of identity.

Themes are great for adding conflict to your story because each theme presents different issues you could use to develop your characters. For example, a novel with the theme of survival will show the main character facing tough decisions about their own will to survive, potentially at the detriment of someone else they care about.

Sometimes a secondary character will represent the theme in the way they are characterized and the actions they take. Their role is to challenge the protagonist to learn what the story is trying to say about the theme. For example, in a novel about the fear of failure, the antagonist might be a rival in a competition who challenges the protagonist to overcome their fear so they can succeed against them.  

It’s important to remember that a theme is not the same as a story’s moral message. A moral is a specific lesson you can teach your readers, whereas a story’s theme is an idea or concept your readers interpret in a way that relates to them.

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Common literary themes are concepts and central ideas that are relatable to most readers. Therefore, it’s a good idea to use a common theme if you want your novel to appeal to a wide range of readers.  

Here’s our list of common themes in literature:

Love : the theme of love appears in novels within many genres, as it can discuss the love of people, pets, objects, and life. Love is a complex concept, so there are still unique takes on this theme being published every day.

Death/Grief : the theme of death can focus on the concept of mortality or how death affects people and how everyone processes grief in their own way.

Power : there are many books in the speculative fiction genres that focus on the theme of power. For example, a fantasy story could center on a ruling family and their internal problems and external pressures, which makes it difficult for them to stay in power. 

Faith : the common theme of faith appears in stories where the events test a character’s resolve or beliefs. The character could be religious or the story could be about a character’s faith in their own ability to succeed.

Beauty : the theme of beauty is good for highlighting places where beauty is mostly overlooked by society, such as inner beauty or hard work that goes unnoticed. Some novels also use the theme of beauty to show how much we take beauty for granted.

Survival : we can see the theme of survival in many genres, such as horror, thriller, and dystopian, where the book is about characters who have to survive life-threatening situations.

Identity : there are so many novels that focus on the common theme of identity because it’s something that matters to a lot of readers. Everyone wants to know who they are and where they fit in the world.

Family : the theme of family is popular because families are ripe with opportunities for conflict. The theme of family affects everyone, whether they have one or not, so it’s a relatable theme to use in your story.

Universal themes are simply concepts and ideas that almost all cultures and countries can understand and interpret. Therefore, a universal theme is great for books that are published in several languages.

If you want to write a story you can export to readers all over the world, aim to use a universal theme. The common themes mentioned previously are all universal literary themes, but there are several more you could choose for your story.

Here are some more universal literary themes:

Human nature

Self-awareness

Coming of age

Not all themes are universal or common, but that shouldn’t put you off from using them. If you believe there is something to be said about a particular theme, your book could be the one to say it.

Your book could become popular if the theme of your book addresses a current issue. For example, a theme of art is not as common as love, but in a time when AI developments are making people talk about how AI affects art, it’s a theme people will probably appreciate.

Here’s a full list of themes you can use in your writing:

Abuse of power

American dream

Celebration

Change versus tradition

Chaos and order

Circle of life

Climate change

Colonialism

Common sense

Communication

Companionship

Conservation

Convention and rebellion

Darkness and light

Disappointment

Disillusionment

Displacement

Empowerment

Everlasting love

Forbidden love

Forgiveness

Fulfillment

Gay, lesbian, bisexual, and transgender rights

Good vs evil

Imagination

Immortality

Imperialism

Impossibility

Individuality

Inspiration

Manipulation

Materialism

Nationalism

Not giving up

Opportunity

Peer pressure

Perseverance

Personal development

Relationship

Self-discipline

Self-reliance

Self-preservation

Subjectivity

Surveillance

Totalitarianism

Unconditional love

Unrequited love

Unselfishness

Winning and losing

Working class struggles

If you’ve decided on a literary theme but you’re not sure how to present it in your novel, it’s a good idea to check out how other writers have incorporated it into their novels. We’ve found some examples of themes within popular novels that could help you get started.

The Great Gatsby by F. Scott Fitzgerald

The Great Gatsby is famous for the theme of the American dream, but it also includes themes of gender, race, social class, and identity. We experience the themes of the novel through the eyes of the narrator, Nick Carraway, who gradually loses his optimism for the American dream as the narrative progresses.

Romeo and Juliet by William Shakespeare

It’s well known that Shakespeare was a connoisseur of the theme of tragedy in his plays, and Romeo and Juliet certainly features tragedy. However, forbidden love and family are the main themes.

Charlotte’s Web by E. B. White

Charlotte’s Web is a classic children’s book that features the themes of death and mortality. From the beginning of the book, the main characters have to come to terms with their own mortality. Charlotte, the spider, does what she can to prevent the slaughter of Wilbur, the pig.

Nineteen Eighty-Four by George Orwell

George Orwell’s novel, Nineteen Eighty-Four , focuses on themes of totalitarianism, repression, censorship, and surveillance. The novel is famous for introducing the concept of Big Brother, which has become synonymous with the themes of surveillance and abuse of power.

A Game of Thrones by George R. R. Martin

The fantasy novel, A Game of Thrones , is popular for its complex storylines that present themes of family, power, love, and death. The novel has multiple points of view, which give an insight into how each main character experiences the multiple themes of the story.

The Hunger Games by Suzanne Collins

The Hunger Games is a popular teen novel that focuses on themes of poverty, rebellion, survival, friendship, power, and social class. The novel highlights the horrifying consequences of rebellion, as the teenage competitors have to survive the Hunger Games pageant.

Wolf Hall by Hilary Mantel

Wolf Hall features themes of power, family, faith, and a sense of duty. It’s a historical novel about the life of Oliver Cromwell and how he became the most powerful minister in King Henry VIII’s council.

As you can see, the literary theme of a novel is one of the most important parts, as it gives the reader an instant understanding of what the story is about. Your readers will connect with your novel if you have a theme that is relatable to them.

Some themes are more popular than others, but some gain popularity based on events that are happening in the world. It’s important to consider how relevant your literary theme is to your readers at the time you intend to publish your book.

We hope this list of common themes in literature will help you with your novel writing.

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25 Common Themes in Literature, with Examples

by Holly Riddle

Theme is one of those elements of literature that everyone pretends to understand, but that can be a little difficult to wrap your head around.

Theme is present in all mediums of artistic expression—short stories, poems, novels, plays, even visual art. If you ask a group of people what the theme of a particular work is, they might all give you different answers. Theme is personal, open to interpretation, and is what, in many ways, makes art meaningful.

Here’s everything you need to know about common themes in literature, including theme examples.

What is theme in literature?

In creative writing, theme is the core underlying idea or message that the writer wants to communicate to the reader. For example, “the power of social status,” “the destructive nature of love,” or “the fallibility of the human condition” are all common themes. Theme can be expressed through every element of a literary work , including plot , characters , and setting .

Your story’s central idea is what makes your work matter to your readers, and why storytelling has the power to affect real change.

Because most themes are fairly straightforward, they’re often considered universal. “Universal themes” refer to common themes in literature that most people can relate to, regardless of age, gender, or cultural background. For example, most people can understand the hope that comes with new love, or the importance of a strong family.

Beyond overarching major themes, a work may additionally contain smaller, different themes that apply only to certain relationships, specific characters, or particular scenes. You can use literary devices like symbolism and metaphor to help the reader understand these themes on a deeper level.

For example, a story’s theme might be the importance of family, but one character’s arc might also explore the theme of tradition vs. independence.

Remember that literary theme can also be very personal. Even when an author approaches a story with a specific theme in mind, readers may interpret it differently depending on what they need or what they’re experiencing in that moment. Because themes are universal, they allow us to interpret them in ways that are most relevant to our own lived experience.

Common themes in literature

Let’s explore themes found in some of the most recognizable works of literature. In these well known examples, you’ll see how each writer explores popular themes that resonate with the human spirit.

1. Good versus evil

One of the most pervasive themes in literature, the good versus evil theme pits a good character against an evil character in a classic battle of moral dilemmas.

It’s not always a living character , though, that’s the evil or good one. This theme can use any clearly good or bad force , but the message is always the same—good and evil cannot coexist and there will always be a war between the two.

The Harry Potter series by J.K. Rowling

In each book of this bestselling series, the work’s theme is consistent—Harry and his friends are up against the evil forces actively launching attacks against the good and innocent. This theme is unquestionable due to the way Rowling uses the story’s key conflicts to juxtapose the “good” characters in her story against the “bad” characters in her story.

In this world, the good is very, very good and the bad is very, very bad.

2. Forbidden love

Forbidden love happens when two people are in love, but shouldn’t be.

It might be someone like a parent that verbally forbids the two individuals from being together, but it can also be society, class structure, or other forces that “forbid” the relationship.

Romeo and Juliet by William Shakespeare

The pervasive theme of forbidden love is most notably found in Shakespeare’s Romeo and Juliet . In the play, every single decision that our titular characters make is connected to their forbidden love. Without the forbidden love, there would be no story.

In Romeo and Juliet , love is both destructive and healing. The love ultimately leads to the tragic undoing of the protagonists, but it also heals the rift between their families.

3. Fated love

Fated love is very similar and this theme can be applied to Romeo and Juliet as well, as one might argue that the two were fated to be with one another regardless of the circumstances. Within works that display this theme, the couple is always drawn back together, even though the odds are seemingly impossible.

Outlander by Diana Gabaldon

Diana Gabaldon’s Outlander displays a theme of fated love, with the two main characters of the series, Jamie and Claire, always making their way back to one another and getting their happily ever after, regardless of the circumstances.

This couple is up against some serious odds. In some instances, they’re literally separated by hundreds of years of time, and only one of them can time travel (and the time travel isn’t exactly reliable). In other instances, they’re separated by oceans, and the threats against their happily ever after range from nefarious villains to illness to politics.

4. Sacrificial love

The sacrificial love theme makes the argument that true love always requires a sacrifice. In order to be happy and in order to give your true love happiness, you must make some sort of sacrificial offering, whether large or small.

“The Gift of the Magi” by O. Henry

This classic short story published in the early 1900s is a Christmas-set story that follows a young married couple. The two are relatively poor, but still want to give one another a nice Christmas, and so they each, in secret, sell the two things dearest to them in order to buy something for the other person.

However (spoiler!), they eventually discover that, in doing so, they’ve ruined the other’s present. Despite this ironic ending, there’s a happily ever after and the general idea that this is a couple that will do whatever it takes to guarantee each other’s happiness in life.

5. Unrequited love

In this theme, it’s a tragic one-sided love that drives the plot. One person loves another, but those feelings are not returned—which often leads to a series of decisions that set the broader story in motion.

A great example of the unrequited love theme can be found in Great Expectations by Charles Dickens.

Great Expectations by Charles Dickens

Great Expectations contains multiple themes, and one of those is unrequited love. There are several characters that experience this within the book, and while the protagonist Pip, does fall in love, the majority of the book’s plot hinges on the broken heart of the secondary character Miss Havisham.

6. Coming of age

As one of the most universal human experiences, the coming-of-age literary theme centers around a character who is growing up in some manner. Sometimes, they’re literally growing from a child into an adult.

Other times they may already be an adult, and are just growing into the next stage of their life and maturing in some way. This common theme explores self discovery, change, and growth, ultimately leading to a character’s inner metamorphosis.

A coming-of-age story always shows how the protagonist overcomes internal conflict, so careful attention to characters’ personal development is critical when writing about this literary theme.

Jane Eyre by Charlotte Brontë

Jane Eyre is one of those classic coming-of-age stories, following Jane’s life from childhood to her eventual marriage. However, Jane doesn’t just grow physically over the course of the story. She also grows emotionally and internally as she discovers her own self-worth, confidence, and independence.

7. Righteous justice

In stories about justice, you have a character who’s entirely driven by getting the justice they think they deserve. In the righteous justice theme, most readers can agree that the character in question is in the right and feel a sense of satisfaction when (if) the character obtains it.

To Kill a Mockingbird by Harper Lee

To Kill a Mockingbird by Harper Lee is a coming-of-age novel that also features a strong justice theme, as it follows the main character’s father’s quest for justice in the face of a broken, racist system and community.

8. Unrighteous justice

In stories about themes of unrighteous justice, also sometimes called the revenge theme, the character intent on getting their due is either inarguably in the wrong, or they’re going after their justice or revenge in a morally questionable manner.

The character Heathcliff in Wuthering Heights is one example of a character that’s intent on getting their justice, but his behavior as he pursues this justice is often cruel.

Wuthering Heights by Emily Brontë

Wuthering Heights certainly has its love themes, but it also can be considered a justice novel. Heathcliff demands the retribution he feels he deserves after his true love marries another person. He begins enacting a long plot to get his revenge, hurting everyone around him, including himself, in the process.

9. Corruption

The corruption theme shows how an external influence changes a character over the course of a story, and serves as a warning to the reader that they, too, could become corrupted if they’re not self aware.

Lord of the Flies by William Golding

In Lord of the Flies , a group of boys find themselves alone, self-governing on an island, where chaos and violence quickly ensue. Although it’s written as a boys’ adventure story, it has a deeper meaning: the story shows how humans, when given enough free rein and their own power, are apt to turn evil.

10. The American dream

Independence, wealth, the nuclear family. The American Dream is hyped up to an extreme degree, and often literary works that use this theme attempt to reveal the complexity behind the whitewashed exterior.

This main idea will most resonate with Americans, but the contrast of expectation and reality can exist anywhere.

The Great Gatsby by F. Scott Fitzgerald

One of the most notable examples of a literary work with this central theme is the jazz-age novel The Great Gatsby .

The titular character has seemingly everything he could want, as do all of his friends around him, living a life of extravagant wealth and freedom. However, our narrator—who is not quite so fortunate in life—reveals that these characters are, in many ways, as emotionally bankrupt as they are physically rich… which leads to their lives falling apart.

11. The circle of life

There are several types of literary themes that deal with life and death, or mortality, and for good reason. Mortality is the one thing that every single human being has in common. As such, these mortality-related themes ask (always) and answer (sometimes) big questions, like, how do humans respond to death? Why do we respond the way we do? What does trying to run from our own mortality do? What’s the purpose of death?

The circle of life theme in particular often paints the inevitability of death in a positive or neutral manner. While death is inescapable, it’s not something to be feared and part of the natural process.

Charlotte’s Web by E.B. White

In Charlotte’s Web , death is presented as a natural part of living. The story begins and ends with death, with Wilbur escaping death at the start of the book, kicking off a series of events that all ends up leading to the death of the spider Charlotte.

12. The inevitability of death

In this theme, the take on mortality is often one that strikes fear and anxiety. Death is an all-powerful, antagonistic force that the characters spend most of their time trying to avoid at all costs, often going to great lengths to escape death’s clutches.

The Picture of Dorian Gray by Oscar Wilde

In this classic example , Dorian spends all his efforts attempting to escape death and aging, going to extreme lengths. But even then, he can’t escape his ultimate fate.

13. Family dynamics

Family themes in literature often ask readers to look beyond blood ties and to analyze what the true meaning of family is. Characters may lose their biological family in some manner and then discover a new one, either with another literal blood family or with a group of friends. Or, a character’s biological family may become threatened in some way.

Whatever the case may be, a family unit is always a prominent part of the story and guides the plot points and conflict. Interpersonal relationships and character development should be at the forefront for anyone writing a story with these recurring themes.

In the family dynamics theme, the story examines how family members interact with one another, and how those dynamics are capable of driving a plot.

Anna Karenina by Leo Tolstoy

Anna Karenina deals with family complexities and looks at three different families that are all experiencing different degrees of success in their interpersonal relationships. This book shows how the family theme doesn’t always need to trend positive.

14. The power of family

In contrast to the above example, the power of family theme is always positive. These stories show how family is a powerful force that can help a character overcome challenges, both internal and external.

Little Women by Louisa May Alcott

In Little Women , the story reaches its happy ending all because the main characters rely on one another and their family unit, supporting each other through times of hardship.

Think of the hubris theme as the central character saying, “I’m great, am smarter than everyone else, and will do whatever I want because of it.” One of the most tragic themes in literature, this theme is designed to teach the reader a lesson about the limitations of human nature.

In books with this underlying focus, you’ll always have a character who plows forward into whatever they think is best, to disastrous consequences—because, of course, pride always comes before the fall.

Frankenstein by Mary Shelley

A well-known example is Frankenstein , in which Victor Frankenstein feels he can channel the power of God by creating life. When his little experiment goes awry, he digs his heels in and continues to think of himself as blameless and worthy of admiration—which ends up being his downfall.

Faith might refer to religious belief, or a belief in another spiritual entity, people around them, a political system, or a culture. A character might lose their faith, or develop a new one.

The Poisonwood Bible by Barbara Kingsolver

The Poisonwood Bible explores the great lengths we’ll go to when we have faith in something, and what happens when we lose it. A family follows their missionary father to Africa, where he intends to convert the locals and blindly digs in his heels at every challenge. However, as the challenges increase, his family begins losing their faith in both his message and him.

17. Fate vs. Free will

Are you really in control of your own actions? Or has fate determined the course of your life? Those are the questions that these stories ask, and they can be answered in limitless ways.

Oedipus Rex by Sophocles

The Greek tragedy Oedipus Rex explores what happens when you try to outwit fate. Oedipus gets into his horrible situation (marrying his mother and murdering his father) because he tried to outrun his destiny, which only brought him closer to it.

18. Self-identity

Most of us have an idea of who we are or, if we don’t, it’s a question we’re trying to figure out. Since this is such a universal experience, it should come as no surprise that this is also a theme you’ll see in a range of literature and other art mediums.

The self-identity theme follows a character who is asking: Who am I?

Jane Eyre is a coming-of-age novel that also explores the theme of self-identity. These themes often overlap because coming of age is about discovering ourselves. Jane, through the various difficulties and challenges she faces over her life, learns who she is and isn’t, who she wants to be, and how to be it.

19. Isolation

Extended isolation can do a lot to a person. Being removed from other humans can impact our mental health and cause us to think or act in ways we might not normally. In some instances, we may feel more free to act like our true selves. In others, we might behave rather poorly. The isolation theme explores these possibilities.

“The Yellow Wallpaper” by Charlotte Perkins Gilman

In this classic short story , we see how isolation impacts our protagonist in a negative manner. The main character is isolated at home, in a single room, and eventually that isolation drives her to madness. As a result, the story brings up questions regarding mental health, gender, and domesticity, and how isolation interplays with all three.

20. The power of nature

In this theme, it’s typically the case that your hero is up against the power of nature in some way.

Nature may serve as the antagonist within the story. If not the story’s central conflict , nature may play a role in moving the plot along, forcing your character to make decisions that they might not otherwise. Nature is all-powerful and your characters are powerless in contrast.

This is not to say that a power of nature-themed book or story always has an unhappy ending. Sometimes, characters learn to live with nature, adapt to it and survive—but nature always wins.

Hatchet by Gary Paulsen

This classic childhood favorite about a boy who survives a plane crash and finds himself stranded in the wilderness is a good example of how a “power of nature” story can provide plenty of conflict without ending unhappily. Over the course of the story, the protagonist must overcome various challenges within his natural surroundings, but he eventually learns to overcome and survive.

21. The influence of the mob

Similarly to the power of nature theme, the mob mentality theme forces characters to face group dynamics that pose a large-scale problem. Maybe the social order is a threat to a character’s life. Maybe the social order is harming everyone around them, but other characters are just too blind to see it.

The message in these stories is that, under the right circumstances, a group or society’s strength can become too powerful for the group’s own good. Man becomes corrupted and that corruption is even stronger when it pervades an entire group.

“The Lottery” by Shirley Jackson

“ The Lottery ” says quite a lot about the universal human condition, and maybe that’s why so many first readers of this early horror story found it to be so disturbing. One of its main themes is how a group of people can become so blind to their own problems that there are fatal consequences.

22. Self destruction

This theme explores another relatable universal truth—sometimes, you’re just your own worst enemy. Sometimes, all of the problems around you, all of the worst things happening to you, can all be traced back to you and you alone.

Stories with these literary themes can be tragic, or they can be learning experiences.

Emma by Jane Austen

While this classic novel is a lighthearted romantic tale following our titular character’s matchmaking mishaps, Emma soon learns that all of her problems are her own fault. She has to do some soul searching before her problems can be solved and before the book can come to a satisfying conclusion.

23. Survival

The survival theme intersects with many other popular themes on our list. For example, you might have a survival theme story that’s also a power of nature story or a power of the group story. In these stories, your main characters are fighting for survival throughout the course of the book, and that continued survival is the entire focus of the plot.

The Hunger Games by Suzanne Collins

In this popular young adult novel, our main character Katniss spends nearly the entirety of the book trying to ensure her own survival, as well as the survival of those she cares about. The book also weaves in other themes, such as mob mentality and corruption, as Katniss wouldn’t need to be so focused on her own survival if her society hadn’t become so corrupt.

24. Heroism

In the heroism theme, our story’s hero is courageous, they make sacrifices, they’re saving someone or something. The heroism theme shows that sometimes life calls you to discover extraordinary strength in order to save something worth fighting for.

The Lord of the Rings series by J. R. R. Tolkien

In this book and series, as well as in many high fantasy books , a large number of characters act as heroes. They bravely walk into dangerous situations to fight for what they feel is right.

25. Redemption

The redemption theme is a hopeful one that shows how, even when our main characters behave poorly, there is often always a chance of redemption. These stories might follow a character seeking redemption throughout the entire plot, or it might follow a character’s downfall before their chance at redemption in the end.

Atonement by Ian McEwan

Atonement is often considered a coming-of-age story, but, as the title suggests, it also offer a redemptive literary theme. One of the main characters makes a tragic mistake as a child and then spends the rest of their life dealing with the fallout of that mistake, trying to find redemption in their old age.

What’s your story’s literary theme?

When it comes to theme in your fiction writing, your options are near-endless. There will always be an abundance of central ideas, experiences, and emotions that remain universal throughout time and across cultures.

The next time you pick up a novel or a book of short stories, pay special attention to the major themes and how the author weaves their message into each plot point. They can help you learn how to apply story elements like character development or conflict to create and enforce that underlying message.

What’s the theme of your current work in progress or the last thing you wrote? Can you amplify it with some attention to detail?

Once a theme emerges from your plot, taking care to weave that theme into every aspect of your work will result in a story that’s more impactful and universally appealing.

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Posted on Jun 30, 2021

12 Common Themes in Literature Everyone Must Know

By nature, literary themes are broad and universal. It’s no wonder, then, that certain themes come up again and again across the spectrum of literature, from novels and short stories to poetry and creative nonfiction . That’s not to say that works which share a common theme tackle it in the same way — indeed, the beauty of themes in literature is that they can be approached from multiple perspectives that offer different thematic statements (in other words opinions on said themes).

Here, we’ll be focusing on broader thematic concepts, with some examples of how themes are being used. Whether you’re looking to identify common themes or searching for the right kind of inspiration for your next writing project, this list is just what you need. 

Like you might see anytime you turn on the news, power (or the desire for it) makes people do crazy things. This is naturally reflected in fiction. From dystopias (Suzanne Collins’s The Hunger Games trilogy, for example) to fantasy (like that other famous trilogy The Lord of the Rings , or that little-known series by George R. R. Martin called A Song of Ice and Fire ) and classics like George Orwell’s Animal Farm , the concept of power has fueled countless literary projects. Sometimes the focus is power’s corruptive abilities, sometimes it’s the exchange of power between oppressive states and individuals, sometimes it’s simply the power of dreams. Regardless, the element of power remains central.

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Family relationships and dynamics make for the most interesting and complex sources of conflict in literature . From intergenerational epics like Min Jin Lee’s Pachinko and Gabriel García Márquez’s 100 Years of Solitude to contemporary novels like Karen Joy Fowler’s We Are All Completely Beside Ourselves , books have always asked what the meaning of a family is, and will continue to highlight both the dysfunctional and wholesome relationships within them. 

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3. Identity 

Questions of identity and the labels that come with them are powerful animating forces in much of literature. From representing one’s ethnic or racial identity (Brit Bennet’s The Vanishing Half and Jhumpa Lahiri’s The Namesake , for example) to gender identity (e.g. George by Alex Gino) and mental health diagnoses like in Sylvia Plath’s The Bell Jar , who we are is one of the fundamental questions we must face. For some writers, literature is a place to try and answer that question for themselves or the group they identify with; for others, it’s a place to dismiss the need for labels and embrace a self that exists at the intersections of various groups. This is also a theme connected to the way society impacts the way we perceive ourselves and others. 

🏳️‍🌈 Check out some more book recommendations about queer identity over on our list of the best LGBT books !

4. Loneliness 

Is there anything more writerly (or typically associated with writerliness, anyway) than the image of a lone, isolated scribe visible inside a lit window at night, typing away into the dark? Or (let’s face it) the loner in school, symbol of misfits all over? From the famous alienated high schoolers in The Perks of Being a Wallflower and Catcher in the Rye to more recent bestsellers like Eleanor Oliphant is Completely Fine , there’s no shortage of loners, isolated misfits, or content-to-be-alone introverts in literature. Whether the theme is used to show that human nature is inherently lonely, to criticize dependence, or to argue that loneliness is a societal privilege ( A Room of One’s Own -style), these are stories that never fail to be deeply affecting.

5. Friendship 

Friends, it’s often said, are the family we choose for ourselves — and the bonds we have with them are just as complex, potentially tense, or heart-warming as familial bonds. Childhood friends are often at the heart of children’s classics like The Secret Garden or Charlotte’s Web . In books for young readers, friendship is commonly praised for its selflessness and camaraderie. It remains a common theme for books that deal with young adulthood, coming-of-age narratives, and even later life, as titles like Teddy Wayne’s Apartment , Zadie Smith’s Swing Time , Hanya Yanagihara’s A Little Life and Carolina de Robertis’ Cantoras show. In such stories, friendship is also thematized for its absence, its tensions, shortfalls, and failings. No single friendship is the same, and the same is true of their literary representations.

🎉 To discover more books, head to Reedsy Discovery , our dedicated platform for readers and reviewers!

6. Free will vs. Fate

A common type of conflict as well as a literary theme, the friction between one’s ability to determine their own future and their externally determined fate can be found in many enduring classics, especially plays! From the ancient Greek play Oedipus Rex , Shakespeare’s Macbeth and Christopher Marlowe’s Doctor Faustus to beloved children’s series Harry Potter and Haruki Murakami’s Kafka on the Shore , the tension arising from the sense of external expectations and pressures and the notion of self-fulfilling prophecies is, ahem, fated to be a part of literature forever.

Fate is often what knocks at the door of the hero in the first act of a novel. Learn about the 3-act story structure in our free course. 

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Hope springs in the most unlikely places — and for books, that often means stories of loss, despair, or disaster. Memoirs of suffering or hardship, like Paul Kalanithi’s When Breath Becomes Air , tend to end on a note of hope, whereas stories about social issues like racism or climate change also tend to locate reasons for optimism. Examples here include Angie Thomas’s The Hate U Give , Richard Powers’ The Overstory , and Ruth Ozeki’s A Tale for the Time Being .

📚 Our list of the best memoirs is sure to find you some more hopeful books to read.

* Sighs in lovestruck ❤️ * Ah, yes. Romance is yet another of those undying forces that has sustained works of literature since the beginning of time, and it’s not about to stop. From literary fiction and classics like Romeo and Juliet to YA heartwarmers like Rainbow Rowell’s Eleanor and Park and Casey McQuiston’s Red, White, and Royal Blue and epic historical fiction like Diana Gabaldon’s Outlander , romantic love (or the heartbreak resulting from the lack of it) lies at the center of books from more genres than just romance. Some authors use this theme to write delightfully comforting works that offer readers an escape from their routine, while others ask what it means to be dependent on another person, or observe the changing dynamics within a relationship. Whatever the overarching opinion, stories that focus on love promise to be deeply emotionally resonant.

From war poets like Siegfried Sassoon and Wilfred Owen who wrote about the toll of World War I to modern novels exploring its emotional and social consequences (e.g. Pat Barker’s Regeneration trilogy and Chimamanda Ngozi Adichie’s Half of a Yellow Sun ), violence and conflict works could constitute an entire genre of fiction in themselves. 

10. Childhood

Our childhood years might not necessarily define us, but they’re still pretty integral in terms of changing who we want to be. So whether it’s to look back at our childhoods with nostalgia, to acknowledge the bitter realizations that followed it, or to simply consider the point of view of a child, childhood keeps coming back as a prevalent theme in literature — and three examples that do just these things are Little Women by Louisa May Alcott, The Red Pony by John Steinbeck, and Room by Emma Donoghue.

11. Coming of age

Entering adulthood is another period that brings many changes, and so the time during which people come of age tends to be a common theme. In books as varied as Jane Austen’s Emma , Jeffrey Eugenides’ Middlesex , and Elena Ferrante’s My Brilliant Friend , growing up, maturing, and coming into your own are thematized to show the uncertainty and empowerment that comes with this stage of life. 

💡 Head to our list of the 70 best coming-of-age books for more examples!

12. Environment and climate change

Unfortunately, the planet is warming up. And as the planet’s temperature grows, so do concerns about our future as a species — which leads to an increased prevalence of the environment or climate change appearing as core themes in literature. Now that ecofiction and “cli-fi” are becoming more popular, books like Barbara Kingsolver’s Flight Behavior , John Lanchester’s The Wall , and Dr Seuss’s The Lorax will see their themes discussed more than ever. 

Test your theme-detecting skills!

See if you can identify five themes from five questions. Takes 30 seconds!

We hope this list has been handy! Remember that your own book doesn’t need to tackle a new-found, unbelievably novel theme to have merit: as long as you approach a theme in a fresh way, it’s completely natural for others to have discussed it before you. 

If you're a writer who wants to start working themes into your stories, be sure to check out the final section of this guide.

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Theme Definition

What is theme? Here’s a quick and simple definition:

A theme is a universal idea, lesson, or message explored throughout a work of literature. One key characteristic of literary themes is their universality, which is to say that themes are ideas that not only apply to the specific characters and events of a book or play, but also express broader truths about human experience that readers can apply to their own lives. For instance, John Steinbeck's The Grapes of Wrath (about a family of tenant farmers who are displaced from their land in Oklahoma) is a book whose themes might be said to include the inhumanity of capitalism, as well as the vitality and necessity of family and friendship.

Some additional key details about theme:

• All works of literature have themes. The same work can have multiple themes, and many different works explore the same or similar themes.
• Themes are sometimes divided into thematic concepts and thematic statements . A work's thematic concept is the broader topic it touches upon (love, forgiveness, pain, etc.) while its thematic statement is what the work says about that topic. For example, the thematic concept of a romance novel might be love, and, depending on what happens in the story, its thematic statement might be that "Love is blind," or that "You can't buy love . "
• Themes are almost never stated explicitly. Oftentimes you can identify a work's themes by looking for a repeating symbol , motif , or phrase that appears again and again throughout a story, since it often signals a recurring concept or idea.

Theme Pronunciation

Here's how to pronounce theme: theem

Identifying Themes

Every work of literature—whether it's an essay, a novel, a poem, or something else—has at least one theme. Therefore, when analyzing a given work, it's always possible to discuss what the work is "about" on two separate levels: the more concrete level of the plot (i.e., what literally happens in the work), as well as the more abstract level of the theme (i.e., the concepts that the work deals with). Understanding the themes of a work is vital to understanding the work's significance—which is why, for example, every LitCharts Literature Guide uses a specific set of themes to help analyze the text.

Although some writers set out to explore certain themes in their work before they've even begun writing, many writers begin to write without a preconceived idea of the themes they want to explore—they simply allow the themes to emerge naturally through the writing process. But even when writers do set out to investigate a particular theme, they usually don't identify that theme explicitly in the work itself. Instead, each reader must come to their own conclusions about what themes are at play in a given work, and each reader will likely come away with a unique thematic interpretation or understanding of the work.

Symbol, Motif, and Leitwortstil

Writers often use three literary devices in particular—known as symbol , motif , and leitwortstil —to emphasize or hint at a work's underlying themes. Spotting these elements at work in a text can help you know where to look for its main themes.

• Near the beginning of Romeo and Juliet , Benvolio promises to make Romeo feel better about Rosaline's rejection of him by introducing him to more beautiful women, saying "Compare [Rosaline's] face with some that I shall show….and I will make thee think thy swan a crow." Here, the swan is a symbol for how Rosaline appears to the adoring Romeo, while the crow is a symbol for how she will soon appear to him, after he has seen other, more beautiful women.
• Symbols might occur once or twice in a book or play to represent an emotion, and in that case aren't necessarily related to a theme. However, if you start to see clusters of similar symbols appearing in a story, this may mean that the symbols are part of an overarching motif, in which case they very likely are related to a theme.
• For example, Shakespeare uses the motif of "dark vs. light" in Romeo and Juliet to emphasize one of the play's main themes: the contradictory nature of love. To develop this theme, Shakespeare describes the experience of love by pairing contradictory, opposite symbols next to each other throughout the play: not only crows and swans, but also night and day, moon and sun. These paired symbols all fall into the overall pattern of "dark vs. light," and that overall pattern is called a motif.
• A famous example is Kurt Vonnegut's repetition of the phrase "So it goes" throughout his novel Slaughterhouse Five , a novel which centers around the events of World War II. Vonnegut's narrator repeats the phrase each time he recounts a tragic story from the war, an effective demonstration of how the horrors of war have become normalized for the narrator. The constant repetition of the phrase emphasizes the novel's primary themes: the death and destruction of war, and the futility of trying to prevent or escape such destruction, and both of those things coupled with the author's skepticism that any of the destruction is necessary and that war-time tragedies "can't be helped."

Symbol, motif and leitwortstil are simply techniques that authors use to emphasize themes, and should not be confused with the actual thematic content at which they hint. That said, spotting these tools and patterns can give you valuable clues as to what might be the underlying themes of a work.

Thematic Concepts vs. Thematic Statements

A work's thematic concept is the broader topic it touches upon—for instance:

• Forgiveness

while its thematic statement is the particular argument the writer makes about that topic through his or her work, such as:

• Human judgement is imperfect.
• Love cannot be bought.
• Getting revenge on someone else will not fix your problems.
• Learning to forgive is part of becoming an adult.

Should You Use Thematic Concepts or Thematic Statements?

Some people argue that when describing a theme in a work that simply writing a thematic concept is insufficient, and that instead the theme must be described in a full sentence as a thematic statement. Other people argue that a thematic statement, being a single sentence, usually creates an artificially simplistic description of a theme in a work and is therefore can actually be more misleading than helpful. There isn't really a right answer in this debate.

In our LitCharts literature study guides , we usually identify themes in headings as thematic concepts, and then explain the theme more fully in a few paragraphs. We find thematic statements limiting in fully exploring or explaining a the theme, and so we don't use them. Please note that this doesn't mean we only rely on thematic concepts—we spend paragraphs explaining a theme after we first identify a thematic concept. If you are asked to describe a theme in a text, you probably should usually try to at least develop a thematic statement about the text if you're not given the time or space to describe it more fully. For example, a statement that a book is about "the senselessness of violence" is a lot stronger and more compelling than just saying that the book is about "violence."

Identifying Thematic Statements

One way to try to to identify or describe the thematic statement within a particular work is to think through the following aspects of the text:

• Plot: What are the main plot elements in the work, including the arc of the story, setting, and characters. What are the most important moments in the story? How does it end? How is the central conflict resolved?
• Protagonist: Who is the main character, and what happens to him or her? How does he or she develop as a person over the course of the story?
• Prominent symbols and motifs: Are there any motifs or symbols that are featured prominently in the work—for example, in the title, or recurring at important moments in the story—that might mirror some of the main themes?

After you've thought through these different parts of the text, consider what their answers might tell you about the thematic statement the text might be trying to make about any given thematic concept. The checklist above shouldn't be thought of as a precise formula for theme-finding, but rather as a set of guidelines, which will help you ask the right questions and arrive at an interesting thematic interpretation.

Theme Examples

The following examples not only illustrate how themes develop over the course of a work of literature, but they also demonstrate how paying careful attention to detail as you read will enable you to come to more compelling conclusions about those themes.

Themes in F. Scott Fitzgerald's The Great Gatsby

Fitzgerald explores many themes in The Great Gatsby , among them the corruption of the American Dream .

• The story's narrator is Minnesota-born Nick Caraway, a New York bonds salesman. Nick befriends Jay Gatsby, the protagonist, who is a wealthy man who throws extravagant parties at his mansion.
• The central conflict of the novel is Gatsby's pursuit of Daisy, whom he met and fell in love with as a young man, but parted from during World War I.
• He makes a fortune illegally by bootlegging alcohol, to become the sort of wealthy man he believes Daisy is attracted to, then buys a house near her home, where she lives with her husband.
• While he does manage to re-enter Daisy's life, she ultimately abandons him and he dies as a result of her reckless, selfish behavior.
• Gatsby's house is on the water, and he stares longingly across the water at a green light that hangs at the edge of a dock at Daisy's house which sits across a the bay. The symbol of the light appears multiple times in the novel—during the early stages of Gatsby's longing for Daisy, during his pursuit of her, and after he dies without winning her love. It symbolizes both his longing for daisy and the distance between them (the distance of space and time) that he believes (incorrectly) that he can bridge. 
• In addition to the green light, the color green appears regularly in the novel. This motif of green broadens and shapes the symbolism of the green light and also influences the novel's themes. While green always remains associated with Gatsby's yearning for Daisy and the past, and also his ambitious striving to regain Daisy, it also through the motif of repeated green becomes associated with money, hypocrisy, and destruction. Gatsby's yearning for Daisy, which is idealistic in some ways, also becomes clearly corrupt in others, which more generally impacts what the novel is saying about dreams more generally and the American Dream in particular. 

Gatsby pursues the American Dream, driven by the idea that hard work can lead anyone from poverty to wealth, and he does so for a single reason: he's in love with Daisy. However, he pursues the dream dishonestly, making a fortune by illegal means, and ultimately fails to achieve his goal of winning Daisy's heart. Furthermore, when he actually gets close to winning Daisy's heart, she brings about his downfall. Through the story of Gatsby and Daisy, Fitzgerald expresses the point of view that the American Dream carries at its core an inherent corruption. You can read more about the theme of The American Dream in The Great Gatsby here .

Themes in Chinua Achebe's Things Fall Apart

In Things Fall Apart , Chinua Achebe explores the theme of the dangers of rigidly following tradition .

• Okonkwo is obsessed with embodying the masculine ideals of traditional Igbo warrior culture.
• Okonkwo's dedication to his clan's traditions is so extreme that it even alienates members of his own family, one of whom joins the Christians.
• The central conflict: Okonkwo's community adapts to colonization in order to survive, becoming less warlike and allowing the minor injustices that the colonists inflict upon them to go unchallenged. Okonkwo, however, refuses to adapt.
• At the end of the novel, Okonkwo impulsively kills a Christian out of anger. Recognizing that his community does not support his crime, Okonkwo kills himself in despair.
• Clanswomen who give birth to twins abandon the babies in the forest to die, according to traditional beliefs that twins are evil.
• Okonkwo kills his beloved adopted son, a prisoner of war, according to the clan's traditions.
• Okonkwo sacrifices a goat in repentence, after severely beating his wife during the clan's holy week.

Through the tragic story of Okonkwo, Achebe is clearly dealing with the theme of tradition, but a close examination of the text reveals that he's also making a clear thematic statement that following traditions too rigidly leads people to the greatest sacrifice of all: that of personal agency . You can read more about this theme in Things Fall Apart   here .

Themes in Robert Frost's The Road Not Taken

Poem's have themes just as plot-driven narratives do. One theme that Robert Frost explores in this famous poem,  The Road Not Taken ,  is the illusory nature of free will .

• The poem's speaker stands at a fork in the road, in a "yellow wood."
• He (or she) looks down one path as far as possible, then takes the other, which seems less worn.
• The speaker then admits that the paths are about equally worn—there's really no way to tell the difference—and that a layer of leaves covers both of the paths, indicating that neither has been traveled recently.
• After taking the second path, the speaker finds comfort in the idea of taking the first path sometime in the future, but acknowledges that he or she is unlikely to ever return to that particular fork in the woods.
• The speaker imagines how, "with a sigh" she will tell someone in the future, "I took the road less travelled—and that has made all the difference."
• By wryly predicting his or her own need to romanticize, and retroactively justify, the chosen path, the speaker injects the poem with an unmistakeable hint of irony .
• The speaker's journey is a symbol for life, and the two paths symbolize different life paths, with the road "less-travelled" representing the path of an individualist or lone-wolf. The fork where the two roads diverge represents an important life choice. The road "not taken" represents the life path that the speaker would have pursued had he or she had made different choices.

Frost's speaker has reached a fork in the road, which—according to the symbolic language of the poem—means that he or she must make an important life decision. However, the speaker doesn't really know anything about the choice at hand: the paths appear to be the same from the speaker's vantage point, and there's no way he or she can know where the path will lead in the long term. By showing that the only truly informed choice the speaker makes is how he or she explains their decision after they have already made it , Frost suggests that although we pretend to make our own choices, our lives are actually governed by chance.

What's the Function of Theme in Literature?

Themes are a huge part of what readers ultimately take away from a work of literature when they're done reading it. They're the universal lessons and ideas that we draw from our experiences of works of art: in other words, they're part of the whole reason anyone would want to pick up a book in the first place!

It would be difficult to write any sort of narrative that did not include any kind of theme. The narrative itself would have to be almost completely incoherent in order to seem theme-less, and even then readers would discern a theme about incoherence and meaninglessness. So themes are in that sense an intrinsic part of nearly all writing. At the same time, the themes that a writer is interested in exploring will significantly impact nearly all aspects of how a writer chooses to write a text. Some writers might know the themes they want to explore from the beginning of their writing process, and proceed from there. Others might have only a glimmer of an idea, or have new ideas as they write, and so the themes they address might shift and change as they write. In either case, though, the writer's ideas about his or her themes will influence how they write. 

One additional key detail about themes and how they work is that the process of identifying and interpreting them is often very personal and subjective. The subjective experience that readers bring to interpreting a work's themes is part of what makes literature so powerful: reading a book isn't simply a one-directional experience, in which the writer imparts their thoughts on life to the reader, already distilled into clear thematic statements. Rather, the process of reading and interpreting a work to discover its themes is an exchange in which readers parse the text to tease out the themes they find most relevant to their personal experience and interests.

Other Helpful Theme Resources

• The Wikipedia Page on Theme: An in-depth explanation of theme that also breaks down the difference between thematic concepts and thematic statements.
• The Dictionary Definition of Theme: A basic definition and etymology of the term.
• In this instructional video , a teacher explains her process for helping students identify themes.

• PDFs for all 136 Lit Terms we cover
• Downloads of 1924 LitCharts Lit Guides
• Teacher Editions for every Lit Guide
• Explanations and citation info for 40,556 quotes across 1924 books
• Downloadable (PDF) line-by-line translations of every Shakespeare play
• Colloquialism
• Static Character
• Anthropomorphism
• Antanaclasis
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• Common Meter

common themes in literature

Understanding & identifying popular literary themes.

We all love a good story, and when we find a new favorite, we can't wait to tell our friends about it. When we explain why we love it and get beyond the basics of narrative, we often touch on the concept of literary themes. Setting tells where a story happens, characters tell who the story's action happens to, and plot tells what happens. A work's theme, however, doesn't just describe parts of what make up a story, but instead gets to the why of that story—its purpose. 

There are almost always themes—often several—in poetry, drama, and nonfiction, as well as novels and stories. Themes help us understand why a work is significant, how it relates to others, and illuminates ideas about identity, culture, and history. 

Let's take a deeper look at why literary themes matter and review some of the most common one you’ll find in literature.  

What Is a Theme in Literature?

“Theme" refers to a literary work's subject beyond the circumstances it describes, projecting an underlying meaning to readers. For example, while Homer's ancient Greek epic poem The Illiad is "about" the battle between Greeks and Trojans during the Trojan War, one of its key themes is revenge. This is because much of the epic centers on the Greek warrior Achilles' attempt to avenge the death of his companion Patroclus. When we read The Illiad, we naturally think about what role revenge plays in our own lives.

What Themes Help Us Understand About Literature

Literary themes help us understand literature on a deeper level by highlighting connections and commonalities between literary works. For instance, when we consider a novel like Suzanne Collins' The Hunger Games in terms of the subject of dystopian societies, we can compare it to works like Aldous Huxley's Brave New World or Octavia Butler's Parable of the Sower.  

Because of this, themes help us discover broad ideas within a body of literature, a time period, a culture, a genre, and so on. We can view Charlotte Bronte's Jane Eyre in relation to the subjects of coming of age and gender, which in turn can be a window into thinking about the role of women and the possibilities available to them in 19th-century British society. By considering broad ideas through universal themes, we can also see how literature matters to our own lives. 

Why Authors Use Literary Themes

Themes help readers define and discuss the basic message of a literary work. On the other hand, when authors think of their works in these terms, it helps them focus on what they want readers to take away from their text. In this way, theme functions as a powerful literary element or device. Of course, the greatest works of literature are rich and complex and can involve many layers of meaning and multiple themes, including those that the author might not have even thought about.

Common Themes in Literature

When you think about your favorite stories, they probably "speak" to you in some way. Perhaps there’s a character's struggle that you strongly identify with or a focus on a topic that matters to you, like identity, family, or politics. Authors focus on many of the same popular themes across cultures and history because they speak to the common human experience and human nature. The most familiar themes tend to be ones that many people can identify with in some way. 

Let's look at some examples of significant themes in English literature. 

Coming of Age

Some of the most gripping stories describe the personal development of a character over time. Coming of age stories, as they are known, share how a character faces and grows from challenging experiences. Coming of age stories are common across cultures, genres, and history because so many people experience the struggle to discover their "real" selves and to assert their own independent identities.

For instance, James Baldwin's novel Go Tell It on the Mountain tells the story of John Grimes, a young man who was raised in a strictly religious household. Over the course of the novel, we learn how Grimes comes to confront the impact of his overbearing household, his religious upbringing, his identity as a Black man , and his emerging sexuality as he attempts to realize his identity as an adult and come to terms with his past. 

Stories exploring the theme of courage are often exciting and dramatic because they depict characters displaying heroism in the face of dangerous, fearsome, or complex obstacles.

J.R.R. Tolkein's stories of Middle Earth, such as The Hobbit and the Lord of the Rings trilogy, are well-known examples depicting courage. In The Hobbit , for example, the hobbit Bilbo Baggins, the wizard Gandalf, and a band of dwarves are on a quest to recover the vast treasure guarded by the fearsome dragon Smaug. While the obstacle in this case might be larger than life, the universal significance of the theme is clear: Literary works like The Hobbit express the main idea that even when problems seem insurmountable, humans can muster the courage to succeed.

Good Versus Evil

This theme uses the classic dramatic scenario of a good character pitted against an evil character or dark force that they must overcome. Good versus evil raises powerful questions about truth, justice, and the ability to overcome wrongdoing. Often characterized by larger-than-life representations of evil—monsters, villains, and the like—the theme speaks symbolically to the more everyday manifestations of evil we encounter every day. 

It is evident in works as familiar as the Harry Potter series, which depicts Harry and his close wizarding friends in their attempt to stop the evil wizard Voldemort. Another classic example of the good versus evil theme in literature is Robert Louis Stevenson's novel The Strange Case of Dr. Jekyll and Mr. Hyde . Dr. Jekyll, who has developed a way to split his personality into two distinct personalities (one good and one evil), must try to overcome his evil alter ego, Mr. Hyde, who becomes increasingly powerful. In this way, the novel explores the idea of good versus evil to consider the darkness inside people that may be present alongside the good. 

Humans Versus Society 

Sometimes the conflicts represented in creative writing aren't between one character and another, but rather between a character or group of people against society as a whole. History shows that individuals sometimes have to struggle against the political, legal, domestic, and other constraints that might restrict freedom. Writers explore these real-life challenges in many works of literature. 

In Margaret Atwood's The Handmaid's Tale , for instance , the protagonist Offred and other women fight to find identity and overcome oppression in a radically restructured society in which the majority of women are forced to become the property, servants, and reproductive surrogates for a small ruling class. Works exemplifying the theme of humans versus society speak to us because they provide an opportunity to consider these kinds of problems and how we would react to or prevent them. 

Humans Versus Nature

Humans are often at conflict with themselves, but often stories can describe the struggles presented by the awesome and sometimes terrifying forces of nature. Jack London's classic short story " To Build a Fire " is a powerful exploration of this common theme. In London's story, the unnamed narrator is traveling alone in Alaska during a harsh winter, accompanied only by his husky dog. Facing severe cold and frostbite in the wilderness, the narrator attempts to build a fire but fails, ultimately dying in the wilderness.

Nature can be destructive, and some stories provide a way to reflect on how humans attempt to survive nature's threats. Other, more ecologically minded literary works take this in another direction, urging us to think about how human society can be at odds with or destructive to nature and what we can do to live in harmony with the Earth. 

One of the most celebrated themes in literature involves the bonds between people and the romantic attraction they feel for each other. Love poems , romance novels, and similar works provide an opportunity to think about the wonder of feeling passion for another person. Other works explore the heartaches that can result when love goes wrong, as in the unrequited love of Heathcliff for Catherine Earnshaw in Emily Bronte's Wuthering Heights or the doomed star-crossed lovers in William Shakespeare's Romeo and Juliet . Love poems like Elizabeth Barret Browning's Sonnet 43 ("How do I love thee") are also excellent examples of the theme of love in literature. Browning's sonnet begins "How do I love thee? Let me count the ways," and then it lists a range of things the speaker loves about the addressee of the poem. 

The complexities of relationships within families, as well as the potential strength of its bonds, make this one of the most compelling and relatable themes in literature. Some literary works explore the impact that familial relations can have on individuals. As Leo Tolstoy's novel Anna Karenina famously begins , "Happy families are all alike; every unhappy family is unhappy in its own way."

Other works concentrate on showing how the bonds of families can both endure and evolve over time. Yaa Gyasi's novel Homegoing tells the story of an Akan family across seven generations, tracing its roots in Africa through the slave trade to the 20th century civil rights movement in America. Homegoing depicts a family that is split on account of the trauma of slave trade, but also how members of the family in Africa and those in America rediscover each other and reflect on their long separation and shared trauma. 

Power and Corruption

Some works of literature will examine political ideas, whether to meditate on historical events or to think about the possibilities of the future. Literature can use its imaginative qualities to consider what can happen when political ideas go well—or horribly wrong. 

For example, George Orwell's novel Animal Farm is an excellent example of a central theme of power and corruption at work. This work, centered around a group of anthropomorphic animals, begins with the animals having the noble intentions of overthrowing the cruel farmer who owns them and establishing their own society in which animals are treated as equals. Once the animals have the power over the farm, however, their good intentions give way to greed, arguments, and violence. Ultimately, a dictator pig, Napoleon, takes over. Orwell's novel makes the point that unfettered access to power can lead to corruption.

Works of literature can offer a powerful way to explore questions of identity, including race, gender, sexuality, class, ethnicity, religious belief, and much more—as well as intersections of any of these. There is a strong history of literature that considers the theme of gender, whether to examine the position and possibilities of gender within society or to consider the very idea of gender itself. 

Ursula K. Le Guin's science fiction novel The Left Hand of Darkness , for instance, presents a hypothetical situation in which characters have a biology by which they may shift back and forth between genders while keeping other aspects of their identity. In this way, the novel prompts readers to consider how ideas about gender impact the ways that gender is perceived within culture, as well as the ways in which ideas about gender impact culture. 

The idea of a character who has fallen because of a mistake, curse, loss, or other woe pulling through challenges to emerge redeemed is a compelling literary theme centered on the idea of hope. Since we're all imperfect, literary works exploring the theme of redemption convey an idea that can really resonate: We all have the chance to make up for our mistakes or failures and live a renewed life. 

The theme of redemption is evident in a story as familiar as Charles Dickens' " A Christmas Carol ," in which the greedy, spiteful Ebeneezer Scrooge transforms into a generous, caring person after meeting spirits that cause him to reflect on his past, present, and future. Likewise, Fyodor Dostoevsky's novel Crime and Punishment famously shows the young student Raskolnikov go from senselessly murdering an old woman for money to becoming a repentant, renewed man after being plagued by guilt and then confessing his crime. 

Other Examples of Themes in Literature

Those are just a few common literary themes. Some others include:

• Change versus tradition 
• The circle of life
• Colonialism
• Courage and perseverance 
• Disillusionment  
• Environment
• Faith versus doubt 
• Fate versus free will 
• Female roles 
• Friendship 
• Humans versus the self
• Immortality 
• Knowledge and ignorance
• Loneliness 
• Loss of innocence 
• Motherhood 
• Nationalism 
• Nature 
• Overcoming 
• Poverty 
• Rebellion 
• Revenge 
• Rural versus city life
• Self-awareness 
• Social class
• Social mobility 
• Survival 
• Technology 
• The will to survive 
• Totalitarianism 
• Tragedy 

Other Resources for Themes in Literature

Of course, this is just scratching the surface when it comes to the wide range of literary themes. SuperSummary's large library of related articles, Literary Devices and Genre Resources , can help you discover more about major themes in literature and how they inform our understanding of literary works.

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Student Opinion

100-Plus Writing Prompts to Explore Common Themes in Literature and Life

By The Learning Network

• Jan. 31, 2019

Update, Feb. 15, 2019: Learn more about how to use our 1000s of writing prompts by watching our free on-demand webinar: “ Give Them Something to Write About: Teach Across the Curriculum With New York Times-Inspired Daily Prompts. ”

Every day since 2009 we’ve been asking students a question inspired by an article, essay, video or feature in The New York Times.

Periodically, we sort those questions into lists to make finding what you need easier, like these previous lists of prompts for personal or narrative writing and for argumentative writing , or like this monster list of more than 1,000 prompts , all categorized by subject.

This time, however, we’re making a list to help your students more easily connect the literature they’re reading to the world around them — and to help teachers find great works of nonfiction that can echo common literary themes.

Below, we’ve chosen the best prompts — those that ask the most relevant questions and link to the richest Times materials — from our Student Opinion collection that address every stage of life, from coming-of-age and wrestling with one’s identity to understanding one’s role in a family; making friends; getting an education; falling in love; working; and experiencing old age. We hope they can provide jumping-off points for discussion and writing, and inspiration for further reading.

Most teachers know that our Student Opinion questions are free and outside The Times’s digital subscription service, but what you may not realize is that if you access the Times articles we link to from those questions via our site, the articles are also free. So in this list we hope we’re not just suggesting 100-plus interesting questions, we hope we’ve also helped you find 100-plus great works of nonfiction that can speak to the literature your students are reading.

So whether you’re taking on classic works like “The Catcher in the Rye,” “Romeo and Juliet” or “1984,” or whether you’re teaching more contemporary literature like “The Poet X,” “Speak,” “Refugee” or “There There,” we hope there are more than a few items on this list that will resonate.

Please note: All our recent questions, from late 2016 on, are still open to comment on our site. While questions published on an older version of The Learning Network are no longer open to comment, both the questions and the related Times materials are still available via the link.

I. Coming-of-Age

1. What Rites of Passage Mark the Transition to Adulthood in Your Community? 2. When Have You Reinvented Yourself? 3. Is It Harder to Grow Up in the 21st Century Than It Was in the Past? 4. Have You Ever Felt Pressured by Family or Others in Making an Important Decision About Your Future? 5. What Do Older Generations Misunderstand About Teenagers Today? 6. Are You Too Hard on Yourself? 7. What Childhood Rules Did You Break? 8. What Have You Learned in Your Teens? 9. Do You Think Anxiety Is a Serious Problem Among Young People? 10. Does Suffering Make Us Stronger and Lead to Success? 11. Do We Give Children Too Many Trophies? 12. Do You Have ‘Emerging Adult’ Skills? 13. Is Childhood Today Too Risk-Free? 14. How Young Is Too Young to Use Social Media? 15. What Are Your Secret Survival Strategies? 16. What Have You Learned From a Younger Person — and What Have You Taught an Older Person? 17. Do You Think Teenagers Can Make a Difference in the World?

II. Identity

1. Are You the Same Person on Social Media as You Are in Real Life? 2. How Much Does Your Neighborhood Define Who You Are? 3. Have You Ever Taken a Stand That Isolated You From Your Peers? 4. What’s the Story Behind Your Name? 5. Are You Being Raised to Pursue Your Dreams? 6. Have You Ever Been Told You Couldn’t Do Something Because of Your Gender? 7. Do You Feel Constricted by Gender Norms? 8. What Messages About Gender Have You Gotten From Music? 9. Why Is Race So Hard to Talk About? 10. Is America ‘Backsliding’ on Race? 11. What Is the Role of Religion or Spirituality in Your Life? 12. How Often Do You Start Conversations About Faith or Spirituality? 13. What Is Your Earliest Memory? 14. How Resilient Are You? 15. Are You a Patient Person? 16. What Role Does Envy Play in Your Life? 17. How Do You Handle Fear? 18. How Much Control Do You Think You Have Over Your Fate? 19. What Are You Grateful For? 20. How Often Do You Leave Your ‘Comfort Zone’? 21. When Was the Last Time You Did Something That Scared or Challenged You? 22. Does What You Wear Say Anything About You as a Person?

III. Being Part of a Family

1. Who Is Your Family? 2. How Are You and Your Parents Alike and Different? 3. How Much Freedom Have Your Parents Given You? 4. Will You Follow in Your Parents’ Footsteps? 5. How Much Do You Know About Your Family’s History? 6. How Often Do You Fight With Your Parents? 7. Do You Have Helicopter Parents? 8. Do Your Parents Spy on You? 9. Should Parents Track Their Teenager’s Location? 10. How Do You Make Parenting Difficult for Your Parents? 11. What Good Can Come From Disagreements? 12. What Advice Would You Give to Your Mom, Dad or Guardian on How to Be a Better Parent? 13. How Do You Get What You Want From Your Parents? 14. Should Parents Bribe Their Children? 15. Do Your Parents Yell at You? 16. What’s the Best Way to Discipline Children? 17. How Should Parents Teach Their Children About Race and Racism? 18. Do the Adults in Your Life Follow You on Social Media? 19. What Advice Do You Have for Teenagers and Their Parents? 20. What Messages About Food and Eating Have You Learned From Your Family?

IV. Making Friends, IRL and Online

1. Do You Ever Feel Lonely? (video) 2. How Good a Friend Are You? 3. Do You Find It Easier to Make New Friends Online or in Person? 4. How Alike Are You and Your Friends? 5. Do You Have Any Unlikely Friendships? 6. What Does the World Need to Know About an Important Person in Your Life? 7. Does Technology Make Us More Alone? (video) 8. How Often Do You Spend One-on-One Time With Your Closest Friends? 9. Is Your Phone Love Hurting Your Relationships? (quiz) 10. Do You Spend Enough Time With Other People? 11. How Do You Feel About Introducing Friends From Different Parts of Your Life? 12. Do You Like Your Friends? 13. Do You Consider Your Siblings Friends? 14. How Have You Helped a Friend in a Time of Need? 15. Do You Take More Risks When You Are Around Your Friends? 16. Who Outside Your Family Has Made a Difference in Your Life? 17. Do You Ever Talk About Issues of Race and Class With Your Friends? 18. Is Your Online World Just a ‘Filter Bubble’ of People With the Same Opinions?

V. Getting an Education

1. What Do You Wish Your Teachers Knew About You? 2. Is School a Place for Self-Expression? 3. Are You Stressed About School? 4. Are Straight A’s Always a Good Thing? 5. How Well Do Rewards and Incentives Work to Motivate You? 6. Are High School Students Being Worked Too Hard? 7. When Has a Teacher Inspired You? (video) 8. Has a Teacher Ever Changed Your Mind-Set? 9. Does Your Teacher’s Identity Affect Your Learning? 10. Should Schools Teach You How to Be Happy? 11. Do You Feel Your School and Teachers Welcome Both Conservative and Liberal Points of View? 12. Have You Experienced Racism or Other Kinds of Discrimination in School? 13. Do Teachers Assign Too Much Homework? 14. How Should Schools Address Cyberbullying? (video) 15. Has a Novel Ever Helped You Understand Yourself or Your World Better? 16. Is Your School’s Dress Code Too Strict? 17. What Worries Do You Have About College? 18. Do Other People Care Too Much About Your Post-High School Plans? 19. Is the College Admissions Process Fair? 20. Should Everyone Go to College? 21. How Prepared Are You for College? How Well Do You Think You’ll Do? 22. How Well Do You Think Standardized Tests Measure Your Abilities? 23. Can Students at Your School Talk Openly About Their Mental Health Issues? 24. Is Live-Streaming Classrooms a Good Idea?

VI. Learning About Love (and Sex)

1. Have You Ever Been in Love? 2. Should Your Significant Other Be Your Best Friend? 3. What Are the Basic ‘Rules’ for Handling Breakups? 4. What’s the Best Way to Heal a Broken Heart? 5. How Important Do You Think It Is to Marry Someone With the Same Religion? 6. How Do You Think Technology Affects Dating? 7. Is Dating a Thing of the Past? 8. Is Hookup Culture Leaving Your Generation Unhappy and Unprepared for Love? 9. Could Following These Directions Make You Fall in Love With a Stranger? 10. What Constitutes Sexual Consent? 11. Do You Find It Hard to Say ‘I Love You’?

VII. Working and Finding Your Purpose

1. What Do You Want to Be When You Grow Up? 2. Do You Think You Will Have a Career That You Love? 3. Would You Pursue a Career If You Knew You Likely Would Not Make Much Money? 4. Does Achieving Success Always Include Being Happy? 5. How Do You Express Yourself Creatively? 6. What Are Your Thoughts on ‘Hustle Culture’? 7. Is Struggle Essential to Happiness? 8. Does Achieving Success Always Include Being Happy? 9. Do You Give Yourself Enough Credit for Your Own Successes? 10. How Important a Role Has Money, Work or Social Class Played in Your Life? 11. When Have You Failed? What Did You Learn From It? 12. What Challenges Have You Overcome? 13. What Are Your Expectations About Earning, Saving and Spending Money? 14. What Choices Do You Make About Money Every Day? 15. Do You Perform Better When You’re Competing or When You’re Collaborating? 16. What Activities Make You Feel Most Alive? 17. Where Do You Think You Will Live When You Are an Adult?

VIII. Experiencing Old Age and Confronting Death

1. Do You Look Forward to Old Age? 2. Would You Want to Live Forever? 3. What Do You Want to Be Known for After Your Death? 4. If the World Was Ending, What Would You Want to Say? 5. Would You Like to Be Cryogenically Preserved (Frozen!) Upon Your Death? 6. Do You Believe That Everything Happens for a Reason?

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How to Write a Theme Essay

Last Updated: January 4, 2024 Fact Checked

This article was co-authored by Jake Adams . Jake Adams is an academic tutor and the owner of Simplifi EDU, a Santa Monica, California based online tutoring business offering learning resources and online tutors for academic subjects K-College, SAT & ACT prep, and college admissions applications. With over 14 years of professional tutoring experience, Jake is dedicated to providing his clients the very best online tutoring experience and access to a network of excellent undergraduate and graduate-level tutors from top colleges all over the nation. Jake holds a BS in International Business and Marketing from Pepperdine University. There are 9 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 207,134 times.

Starting the Essay

• For example, an essay prompt may ask you to reflect on the theme of good versus evil in John Steinbeck's East of Eden .

• Make a list of everything you know about the topic. This can be information you learned in class, as well as information you found on your own.
• Write down keywords or key scenes in the text that respond to the essay prompt. Think about what words or scenes from the text come to mind when you think of a specific theme.
• For example, when you brainstorm ideas on East of Eden , you may write down any moments in the text that seem to speak to the theme of good and evil.

• Your thesis statement will need to address the theme, your primary example or examples, and the stance you will take on the topic.
• For example, your thesis might be: "In East of Eden , John Steinbeck rejects the Biblical idea of good and evil and instead focuses on the contradictions and complications found in good and evil."

• Introduction: Discuss landscape as metaphor, include thesis statement.
• Body: Describe mountains in opening scene, elaborate on how they symbolize good vs. evil, state how characters live between the mountains, showing how people are caught between good and evil.
• Conclusion: Restate thesis statement, return to landscape as metaphor.

Writing Your Essay

• Questions can make fun hooks for the reader. Ask a rhetorical question that relates to the theme of the essay, such as "How does one decide what is good and what is evil?"
• You can also use a quote from the text as the hook. Find a quote in the text that explores the themes and ideas you'll be discussing in your essay.

• For example, you may introduce the role of nature plays in the text to discuss the theme of good and evil. The first sentence of your body paragraph should discuss the role of nature. This will set up the paragraph and let the reader know what the focus of the paragraph will be.

• For example, you may discuss the use of nature in the text in one paragraph. The body of the paragraph should then use quotes and scenes in the text to support this idea.
• You might write,"The descriptions of the Gabilan Mountains in the text symbolize good and evil. The characters in the story live in the Salinas Valley, trapped in a gray area between these two extremes."

• Ask yourself, "What do I want my readers to have learned through this essay?"
• Remind readers about the essay's theme. Reference some of the arguments you made in the body of your essay, reinforcing how they support your original point.

Revising Your Essay

• Check that there are transitions between paragraphs. Look at the beginning of each paragraph to make sure they all flow well together.

• Print out your paper and proofread it. Oftentimes, errors are easier to catch on paper. If you can't print out your paper, try changing the size or type of the font. Anything that alters how the work looked when you wrote it can help alert you to errors. [13] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source

• Be open to constructive feedback from friends and peers. This will only improve the essay and ensure it is at its best when you turn it in.

Expert Q&A

You Might Also Like

• ↑ Jake Adams. Academic Tutor & Test Prep Specialist. Expert Interview. 20 May 2020.
• ↑ https://penandthepad.com/write-essay-theme-book-2200.html
• ↑ https://wts.indiana.edu/writing-guides/how-to-write-a-thesis-statement.html
• ↑ https://www.grammarly.com/blog/essay-outline/
• ↑ https://www.grammarly.com/blog/how-to-write-a-hook/
• ↑ https://libguides.newcastle.edu.au/how-to-write-an-essay/conclusion
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/steps_for_revising.html
• ↑ https://owl.purdue.edu/owl/general_writing/the_writing_process/proofreading/proofreading_suggestions.html
• ↑ https://writingcenter.unc.edu/tips-and-tools/editing-and-proofreading/

About This Article

When writing a theme essay, you’ll need to explore a given theme in the text you’re studying. Before you start your essay, brainstorm some notes about your theme, which you can then build your essay from. For example, if you have the theme of good and evil, think about which characters are mostly good or evil, any good or evil actions they take, description that uses light and darkness, and any religious context. In your intro, state your thesis, which should summarize your essay’s main argument. Then, choose 4 or 5 examples of your theme and write a paragraph exploring each one. Make sure you support your points with quotes from the text. In your conclusion, link your ideas back to your thesis statement. For more tips from our English co-author, including how to revise your essay to polish it up, read on! Did this summary help you? Yes No

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Exploring Themes in Modern Literature: A Comprehensive Guide

What are themes in literature, how to identify themes in literature, themes of modern literature, analyzing themes in literature, theme vs. motif vs. subject.

• Examples of themes in modern literature

Themes in Plays vs. Novels

• Why themes matter in literature
• Common misconceptions about themes
• How to write about themes

Diving into a book can feel like getting lost in another world. That's the magic of literature. But have you ever wondered what makes these stories so compelling, so relatable, and so timeless? Often, it's the themes woven into the narrative. This blog will guide you through the exciting journey of theme exploration in modern literature. So, let's turn the page and start our adventure.

When we talk about themes in literature, we're not referring to the plot, the characters, or the setting. Instead, we're talking about the big ideas, the universal truths, and the life lessons that the author wants to share with us.

Think of themes as the soul of the book—they are the messages that the author wants you to take away after you've closed the book and moved on. They're the reason why stories stay with us long after we've read them, because they make us think, question, and reflect on our own lives and the world around us.

For example, let's take the popular Harry Potter series. Sure, it's a thrilling tale of magic and adventure, but when you dig deeper, you'll find themes of love, sacrifice, friendship, and the struggle between good and evil. These themes are what make Harry Potter more than just a children's book—they make it a piece of literature that people of all ages can relate to and learn from.

But theme exploration in modern literature can sometimes be a tricky task. Themes are often subtle and require a bit of detective work to uncover. That's why we'll also be discussing how to identify themes in literature, the common themes in modern literature, and how to analyze them. So, are you ready to play detective?

Let's begin by understanding the difference between themes, motifs, and subjects in literature. This will help you in your theme exploration journey. Remember, understanding the theme can provide a deeper understanding of the work and its author's intentions, making the reading experience more meaningful and enjoyable. So, let's dive in!

So, how do we go about finding these elusive themes in our books? It's a bit like going on a treasure hunt. You need to be observant, patient, and willing to dig deeper. Here are some steps you could follow for successful theme exploration in modern literature.

1. Understand the Plot: The first step is to understand the story. What is it about? Who are the characters? What are their motivations? What conflicts do they face? This gives you a basic understanding of the narrative.

2. Look for Patterns: Next, look for patterns or recurring ideas in the story. Do certain elements or events keep appearing? These could be clues to the underlying themes.

3. Reflect on the Characters' Journey: Pay attention to what the characters learn or how they change over the course of the story. This character growth often ties directly into the themes of the book.

4. Consider the Title: Sometimes, the title of the book can give you a hint about its themes. For example, in "To Kill a Mockingbird," the mockingbird symbolizes innocence, and the title suggests the theme of the destruction of innocence.

5. Think About Your Reaction: Finally, think about your emotional reaction to the story. Did it make you think about a particular idea or issue? Often, your response to a book can point you towards its themes.

Remember, there's no right or wrong answer when it comes to theme exploration in modern literature. Different readers may identify different themes in the same book, and that's okay. The important thing is to support your ideas with evidence from the text. So, don't be afraid to put on your detective hat and start digging for those literary treasures!

Now that we've got our detective hats on and we know how to search, what themes should we expect to find in modern literature? Let's take a look at some of the common ones:

1. The Individual vs. Society: This is a big one. Many modern books explore the tension between the individual and societal expectations. Characters often struggle to find their place in the world or to reconcile their personal desires with the demands of their community.

2. Identity and Self-Discovery: Modern literature loves to dive into the inner workings of the human mind. Many books focus on characters who are trying to figure out who they are, grappling with questions of identity, self-worth, and purpose.

3. Love and Relationships: The quest for love and the complexities of relationships are timeless themes that continue to be explored in modern literature.

4. Power and Corruption: As the saying goes, power tends to corrupt. Modern literature often examines how people are affected by power, whether they're struggling to attain it, misusing it, or fighting against it.

5. The Human Condition: Life, death, joy, sorrow, fear—modern literature doesn't shy away from the big questions of what it means to be human.

Remember, these are just some of the themes you might encounter during your theme exploration in modern literature. Each book is a unique blend of themes, woven together to create a rich and complex tapestry of meaning. So, keep your eyes open and your mind ready to explore!

Alright, so now we know what themes are and some of the common ones found in modern literature. But how do we go about analyzing them? Don't worry, it's not as complicated as it may sound!

First, you need to identify the theme. This involves paying attention to the major ideas or subjects that keep popping up as you read. Remember, a theme is a broad idea, like love, power, or identity.

Once you've identified a potential theme, it's time to support it. Look for specific events, dialogues, descriptions, or character actions in the text that illustrate this theme. These are your evidence and they help to reinforce the presence of the theme.

Next, you need to interpret the theme. What is the author trying to say about this theme? Are they presenting it in a positive, negative, or neutral light? How does the theme tie into the overall message or purpose of the book?

Finally, you need to connect the theme. How does this theme relate to the world outside the book? Can you see echoes of it in your own life, in history, or in current events? This helps to give the theme context and relevance.

By following these steps, you can deepen your understanding and appreciation of the books you read. Remember, theme exploration in modern literature is not just about identifying the themes, but also about understanding their significance and relevance. So, are you ready to put on your detective hat and start analyzing?

If you're venturing into the world of theme exploration in modern literature, you might have come across the terms "motif" and "subject" too. They sound pretty similar, right? But they're not the same thing as "theme". Let's clear up the confusion.

First up, the subject . This is the main topic that the book deals with. It's usually a noun, like "war," "family," or "friendship." You can think of it as the who or what of the story.

Next, we have the theme . This is a deeper, broader idea that the book explores. It's not just the what, but the why and how. For example, a book might have "war" as its subject, but its theme could be "the futility of war" or "the human cost of conflict."

Lastly, there's the motif . This is a recurring element or idea in a story that supports the theme. For instance, in a book exploring the theme of "the human cost of conflict," a motif might be images of broken homes and families.

So, remember: the subject is the main topic, the theme is the deeper idea, and the motif is the recurring element. Each plays a different role in the story, and understanding these differences can enhance your theme exploration in modern literature. Ready to dive deeper?

Examples of Themes in Modern Literature

Now that we've got the basics down, let's apply what we've learned to some real-world examples. We'll be looking at some popular books from recent years to demonstrate theme exploration in modern literature.

First up is "The Hunger Games" by Suzanne Collins. The subject? A dystopian society where children are forced to fight to the death. The theme? The dehumanizing effects of violence and the power of personal sacrifice. And the motif? Well, there are a few, but one of the most notable is the mockingjay - a symbol of rebellion and hope.

Next, we have "The Fault in Our Stars" by John Green. The subject is a little clearer here: two teenagers with cancer falling in love. But what about the theme? This story explores the idea that life is short and unpredictable, and yet, love can make it meaningful. As for the motif, consider the metaphor of "the fault in our stars" - it reinforces the theme by highlighting the role of fate and chance in our lives.

Finally, let's take a look at "The Help" by Kathryn Stockett. The subject is the relationship between African American maids and their white employers in the 1960s. The theme, however, extends beyond this to address social injustice and the power of unity. The motif? Moments of storytelling, which give voice to those who are often unheard.

These examples should give you an idea of how theme exploration in modern literature works. It's about looking beyond the surface of the story and delving into the deeper ideas that the author is trying to convey. So, what will you uncover in your next read?

Let's think about theme exploration in modern literature by comparing two types of writing: plays and novels. It might seem like they're essentially the same—after all, they both tell stories. But when it comes to themes, they often handle things in slightly different ways.

Plays are usually about action. They're written to be performed on stage, which means they rely heavily on dialogue and character interaction to convey their themes. Take Arthur Miller's "Death of a Salesman," for example. The theme of the American Dream and its fallibility is not spelled out in a long narrative description, but rather shown through the characters' words and actions.

Novels, on the other hand, have more room to explore. They can delve into a character's innermost thoughts, describe settings in vivid detail, and span across time and space. This allows for a deeper exploration of themes. In "To Kill a Mockingbird" by Harper Lee, the theme of racial injustice is explored not just through the trial of Tom Robinson, but also through Scout's growing understanding of the world around her.

So, plays and novels each have their own ways of exploring themes. It's like comparing a photograph to a painting: both can depict the same subject, but they do so in very different ways. And it's this variety that makes theme exploration in modern literature such an exciting field!

Why Themes Matter in Literature

Why do we bother with theme exploration in modern literature? Why is it important?

Well, to put it simply, themes are the heart of any story. They're the big ideas that give a story meaning and depth beyond the surface events. When you read a book or watch a play, it's the themes that stick with you, that make you think, and that connect the story to your own life.

Take J.K. Rowling's "Harry Potter" series, for example. Yes, it's a story about a boy wizard who fights against a dark lord. But it's also about friendship, about standing up for what's right, about growing up and finding your place in the world. These themes resonate with readers of all ages, and they're a big part of why the series has become so beloved.

So, theme exploration in modern literature is not just an academic exercise. It's a way to better understand the stories we love and the world around us. After all, the best stories are the ones that make us see the world in a new light, and it's the themes that make that possible.

Common Misconceptions about Themes

Don't worry, you're not the first person to feel a little confused about theme exploration in modern literature. There are a bunch of misconceptions out there that can make the whole thing seem a lot more complicated than it really is. Let's clear some of those up, shall we?

First off, a theme isn't the same as a plot or a subject. It's not about what happens in the story, but rather what the story is trying to say. For example, "Moby Dick" by Herman Melville isn't just about a guy trying to catch a whale. It explores themes of obsession, mortality, and the human struggle against nature.

Another common misconception is that a story can only have one theme. But that's not the case at all! Most stories have multiple themes, and they can often be interpreted in many different ways. So don't feel like you have to find the "right" theme. It's all about your own interpretation.

Finally, some people think that themes are only for "serious" literature. But themes can be found in all kinds of stories, from comic books to romance novels. Even a simple children's book can explore deep and meaningful themes. So don't let anyone tell you that theme exploration in modern literature is only for the highbrow crowd.

Remember, understanding themes isn't about proving you're a literary genius. It's about enriching your reading experience and connecting with the stories you love on a deeper level.

How to Write about Themes

So, you've got a handle on what themes are and how to spot them in your favorite books. But how do you go about writing about these themes? It might seem a little daunting at first, especially if you're doing it for a school assignment. But don't worry—I've got some tips that will make theme exploration in modern literature a breeze.

First and foremost, start with your own reactions and thoughts. What did the story make you think about? What feelings did it bring up? This is often a good starting point for identifying themes. For instance, if you read "The Hunger Games" and found yourself thinking a lot about power, control, and rebellion, then you've already started your theme exploration.

Next, look for patterns and connections. Themes often emerge through repeated symbols, character development, or recurring events. In "The Catcher in the Rye", the main character's recurring thoughts about innocence and 'phoniness' help us explore the theme of adolescence and growing up.

Finally, write it all down. Start by simply stating what you believe is a theme of the book. Then, back up your statement with evidence from the text. Don't be shy about quoting directly from the book—it shows you've done your homework! And remember, there's no 'right' or 'wrong' answer when it comes to theme exploration in modern literature. It's all about your perspective and interpretation.

So there you have it! With a bit of practice, you'll be a pro at theme exploration in no time. Happy reading (and writing)!

If you're eager to delve deeper into the world of modern literature and its themes, we highly recommend checking out the workshop ' Navigating Life VI ' by Rabih Salloum. This workshop will provide you with a thorough understanding of contemporary literary themes and help you further appreciate the richness of modern literature.

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Themes in Literature: Definition & Examples of Central Ideas

Have you ever asked yourself why some books are so compelling that you keep thinking about them even after you have finished reading? Well, of course, it can be because of a unique plotline or complex characters. However, most of the time, it is the theme that compels you.

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A literary theme is a central or underlying idea of the story. This article by our custom writing team will explain what a theme is, introduce some common theme types, and give examples of main ideas from literature.

• 🤔 Theme in Literature: Definition

🎭 Common Theme Types

• 📚 Examples of Central Ideas
• 📖 Articles on Themes

🤔 What Is a Theme in Literature: Central Idea Definition

A central idea or theme can be defined as a universal truth or dominant impression of a story. It ties together all elements of fiction that the author uses to narrate the events of the book.

Here are some essential features associated with themes:

• They are often related to the human condition .
• They often deal with a specific group of people.
• They usually deal with abstract concepts and ideas.
• They tend to be universal .
• They don’t have to hold true outside the story.
• They unfold through characters’ personalities or actions .
• There is usually more than one theme in every story.

Theme Is Not…

A lot of time, a theme can be confused with similar notions. Here is the list of what a theme is not:

• the purpose of a literary work;
• the story’s moral;
• something that can be expressed in one word;
• the conflict in the story.

Theme vs. Moral

Even though the theme and the moral are overlapping concepts, they are still two different things. While the theme is the story’s main idea, the moral is the teaching that is conveyed through the story’s elements.

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For example, in Francis Scott Fitzgerald’s The Great Gatsby , the moral is that the American Dream is unattainable. The story’s central idea is a materialistic, money-driven society and its effect on people’s lives.

Theme vs. Message

The theme is also often confused with the message of the story. The main difference between the two is that the message illustrates a specific situation while the theme refers to a larger context. In other words, the message is the story’s theme in action.

For example, in The Great Gatsby , the message would be that a chase after money and the desire to be accepted by society will not bring love or happiness.

Theme vs. Plot

The main difference between the plot and the theme is that the plot is the order of events , whereas the theme is the story’s central idea. The plot is synonymous with the storyline. It tells what happens in the story from the begging to the end.

For instance, the plot of The Great Gatsby is all the events described in the book, including Jay Gatsby’s tragic fate.

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Themes vs. Topics

The terms “ topic ” and “theme” can be confused as well. Yet, they are different concepts. A theme is the central meaning of the story, and you can understand it only after reading the whole work. A topic explains what the story is about. It is more specific than the theme.

So, in case the theme of The Great Gatsby is how materialistic society affects people’s lives, the topic is the chase after money and love.

Why Are Themes Important?

Now, let’s talk about the significance of a theme in a story. Here are some of its essential functions:

• It unites all the elements, such as plot and character development.
• It regulates and gives meaning to story elements.
• It helps to make a story relatable to the reader.

Note that the protagonist’s internal journey is also closely connected to a theme. When we see character’s growth and learn about their motivation, we begin to relate to them and their struggles. At the same time, the story itself becomes more compelling.

How to Find the Theme of a Story

To identify a theme, first make sure you are familiar with the plot, the main conflicts in the story, and the way it uses characterization. You can identify a theme easily by asking the right questions:

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Now we are going to talk about common theme types. We’ll start with major and minor themes and the difference between them:

• A major theme is expressed repeatedly and is central in a literary work.
• A minor theme only briefly appears in the text. It may or may not give way to other minor themes.

Implied Theme

The author may choose how to present their ideas in the text. If the author uses implied or implicit themes in the story, the message is not expressed directly but conveyed through circumstances and the characters’ emotions.

Stated Theme

A stated theme is an opposite of an implicit one. If a theme is stated, it means that the author chooses to express it directly. For example, the theme of Pride and Prejudice is stated in the title . There is no need to determine it through the context.

Universal Themes

Universal themes are ideas that can be understood by anyone regardless of their culture or geographical location . They often deal with the human condition and fundamental human concerns. Such themes as man vs. nature or life vs. death are good examples.

Recurring Theme

A recurring theme or a motif is a unifying idea that recurs throughout the story and has a symbolic meaning. It often helps to reinforce the overall message of the book. This type of theme is conveyed in multiple ways throughout the literary work.

📚 Examples of Central Ideas in Literature

There are, of course, countless books on numerous different topics. Every author chooses what to write about and how to express their ideas in writing. However, we can try and single out some common themes. Now, let’s look at the example of some central ideas that appear in literature a lot:

Themes in American Literature

American literature combines the ideas of the past and hopes for the future; it embodies the worldview of the American people. Because of the county’s unique historical background, some themes are especially prominent in American literature. Here are some examples:

Themes in English Literature

Compared to American literature that emerged in the early 17 th century, English literature has a long history. It is known for its wit, depiction of manners, and criticism of the disparity between classes. Here are some examples of common themes in English literature:

Thanks for reading through our article! We hope you found it helpful. If you did, don’t hesitate to share it with your friends. You may also want to check our articles dedicated to themes in specific books.

📖 Themes in Literature Articles

A Good Man Is Hard to Find: Themes

From this article, you will learn about the story’s core themes, such as good vs. evil, religion, and death.

Barn Burning: Themes

Read about the themes related to the story’s main characters: loyalty & morality and resentment & racism.

Death of a Salesman: Themes

This article explains the key themes of Arthur Miller’s play: the American dream, family, and betrayal & abandonment.

Mary Shelley’s Frankenstein: Themes

Read this article if you want to learn about the core themes in Frankenstein : dangerous knowledge, nature, isolation, monstrosity, and revenge.

Hamlet: Themes

William Shakespeare’s timeless play deals with themes such as death, revenge, corruption, and appearance vs. reality.

Night by Elie Wiesel: Themes

The novel’s themes are related to critical issues that were prominent during World War II: faith and dehumanization.

Othello: Themes

This article explores how the themes of appearance vs. reality, jealousy, racism, and women are treated in the play.

Pride & Prejudice: Themes & Ideas

The themes in Jane Austen’s brilliant novel include love & marriage, social class, and reputation.

Sir Gawain and the Green Knight: Themes

There are many themes in Sir Gawain and the Green Knight, but chivalry and honor are especially prominent.

The Canterbury Tales’ Themes: Estates Satire & Deceit

This article will help you dig deeper into The Canterbury Tales’ themes of satire and deceit.

Great Gatsby: Themes

The novel’s numerous themes include the American dream, money, social class, love, morality, and time.

The Lottery: Analysis

The story’s central idea is the presence of a dominant tradition that overwhelms the villagers’ rationality.

The Metamorphosis: Themes

This article will show you how the themes of transformation and alienation unfold within the story.

The Necklace: Themes

Read about the two central ideas of Maupassant’s sensational story: appearance vs. reality and greed.

The Odyssey: Themes

The epic poem raises numerous issues that remain relevant, such as loyalty & perseverance and hospitality.

The Yellow Wallpaper: Themes

Read this article and discover the story’s central themes of gender, mental illness, and freedom.

Wuthering Heights: Analysis

Emily Bronte’s novel is multifaceted, but it’s primarily built around the ideas of tragic love and revenge.

🔍 References

• Identifying Themes and Literary Analysis: Bucks County Community College
• Central Idea in Literature: Austin Community College District
• What Is the Theme? Why Do We Need It?: SUNY Geneseo
• Literary Theme Analysis: Jefferson State Community College
• General Guide to Asking Complex Literary Analysis Questions: Vanderbilt University
• The Literary Element of Theme: Read Write Think
• Writing a Literary Analysis Paper: Germanna Community College
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10 Common Themes in Literature

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• M.Ed., Education Administration, University of Georgia
• B.A., History, Armstrong State University

When we refer to the theme of a book , we are talking about a universal idea, lesson, or message that stretches through the entire story. Every book has a theme and we often see the same theme in many books. It's also common for a book to have many themes.

A theme may show up in a pattern such as reoccurring examples of beauty in simplicity. A theme may come also through as the result of a buildup like the gradual realization that war is tragic  and not noble. It is often a lesson that we learn about life or people.

We can better understand book themes when we think about the stories we know from childhood. In "The Three Little Pigs," for example, we learn that it's not wise to cut corners (by building a straw house).

How Can You Find a Theme in Books?

Finding the theme of a book can be difficult for some students because the theme is something you determine on your own. It is not something you find stated in plain words. The theme is a message that you take away from the book, and it is defined by  the symbols or a motif that keeps appearing and reappearing throughout the work.

To determine the theme of a book, select a word that expresses the subject of your book. Try to expand that word into a message about life. 

10 of the Most Common Book Themes

While there are countless themes in books, a few are the most common. These universal themes are popular among authors and readers alike because they are experiences we can relate to.

To give you some ideas on finding a book's theme, explore some of the most popular and discover examples of those themes in well-known writings. Remember, however, that the messages in any piece of literature can go much deeper than this, but it will at least give you a good starting point.

• Judgment: Possibly one of the most common themes is judgment. In these books, a character is judged for being different or doing wrong, whether the infraction is real or just perceived as wrongdoing by others. Among classic novels, you can see this in " The Scarlet Letter ," "The Hunchback of Notre Dame," and " To Kill a Mockingbird ." As these tales prove, judgment does not always equal justice.
• Survival: There is something captivating about a good survival story, one in which the main characters must overcome countless odds just to live another day. Almost any book by Jack London falls into this category because his characters often battle nature. " Lord of the Flies " is another in which life and death are important parts of the story. Michael Crichton 's "Congo" and "Jurassic Park" certainly follow this theme.
• Peace and war : The contradiction between peace and war is a popular topic for authors. Quite often, the characters are gripped in the turmoil of conflict while hoping for days of peace to come or reminiscing about the good life before the war. Books such as " Gone With the Wind " show the before, during, and after of war, while others focus on the time of war itself. Just a few examples include " All Quiet on the Western Front ," "The Boy in the Striped Pajamas," and " For Whom the Bell Tolls " by Ernest Hemingway .
• Love: The universal truth of love is a very common theme in literature, and you will find countless examples of it. They go beyond those sultry romance novels, too. Sometimes, it is even intertwined with other themes. Think of books like Jane Austen 's " Pride and Prejudice " or Emily Bronte 's " Wuthering Heights ." For a modern example, just look at Stephenie Meyer's "Twilight" series.
• Heroism: Whether it is false heroism or true heroic acts, you will often find conflicting values in books with this theme. We see it quite often in classical literature from the Greeks, with Homer 's " The Odyssey " serving as a perfect example. You can also find it in more recent stories such as " The Three Musketeers" and " The Hobbit ." 
• Good and evil : The coexistence of good and evil is another popular theme. It is often found alongside many of these other themes such as war, judgment, and even love. Books such as the "Harry Potter" and "Lord of the Rings" series use this as the central theme. Another classic example is "The Lion, the Witch and the Wardrobe."
• Circle of life : The notion that life begins with birth and ends with death is nothing new to authors—many incorporate this into the themes of their books. Some may explore immortality such as in " The Picture of Dorian Gray. " Others, such as Leo Tolstoy 's "The Death of Ivan Ilych," shock a character into realizing that death is inevitable. In a story like F. Scott Fitzgerald 's "The Curious Case of Benjamin Button," the circle of life theme is turned completely upside down.
• Suffering: There is physical suffering and internal suffering, and both are popular themes, often intertwined with others. A book such as Fyodor Dostoevsky's " Crime and Punishment " is filled with suffering as well as guilt. One like Charles Dickens ' " Oliver Twist " looks more at the physical suffering of impoverished children, though there is plenty of both. 
• Deception: This theme can also take on many faces. Deception can be physical or social and it's all about keeping secrets from others. For instance, we see many lies in " The Adventures of Huckleberry Finn ," and many of William Shakespeare 's plays are centered on deception at some level. Any mystery novel has some sort of deception as well.
• Coming of age : Growing up is not easy, which is why so many books rely on a "coming of age" theme. This is one in which children or young adults mature through various events and learn valuable life lessons in the process. Books such as "The Outsiders" and " The Catcher in the Rye " use this theme very well.
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Book Guides

Need to write about a theme for a Great Gatsby assignment or just curious about what exactly a theme is? Not sure where to start? Learn here what a theme is, what the main themes in The Great Gatsby are, and what the best tips for writing about themes for your English/Language Arts class essays are.

We will also link to our specific articles on each theme so you can learn even more in-depth about themes central to Gatsby .

What Is a Theme? Why Should You Care?

First things first: what exactly is a theme? In literature, a theme is a central topic a book deals with. This central topic is revealed through plot events, the actions and dialogue of the characters, and even the narrator's tone. Themes can be very broad, like love, money, or death, or more specific, like people versus technology, racial discrimination, or the American Dream.

In short, a book's theme can usually answer the question, "what's the point of this book?". They're the "so what?" of literary analysis. Also, note that books can definitely have more than one major theme —in Gatsby we identify seven!

Knowing a book's major theme(s) is crucial to writing essays, since many assignments want you to connect your argument to a book's theme. For example, you might be asked to write an essay about a prompt like this: "How does the life of Jay Gatsby exemplify (or deconstruct) the idea of the American Dream?" This prompt has you connect specific details in Jay Gatsby's life to the larger theme of the American Dream. This is why many teachers love theme essays: because they encourage you to connect small details to big ideas!

Furthermore, the AP English Literature test always has an essay question that has you analyze some aspect of a book and then "compare it to the theme of the work as a whole." (If you want specific examples you can access the last 15 years of AP English Literature free response questions here , using your College Board account.) So this skill won't just help you in your English classes, it will also help you pass the AP English Literature test if you're taking it!

So keep reading to learn about the major themes in Gatsby and how they are revealed in the book, and also to get links to our in-depth articles about each theme.

Overview of Key Themes in The Great Gatsby

Before we introduce our seven main themes, we'll briefly describe how the story and characters suggest the major Great Gatsby themes. Remember that the story is set in the 1920s, a period when America's economy was booming, and takes place in New York: specifically the wealthy Long Island towns of West Egg and East Egg, as well as Manhattan and Queens.

As you should know from the book ( check out our summary if you're still hazy on the details!), The Great Gatsby tells the story of James Gatz , a poor farm boy who manages to reinvent himself as the fabulously rich Jay Gatsby, only to be killed after an attempt to win over his old love Daisy Buchanan . Daisy is married to Tom Buchanan , and they're both from old money, causing them to look down Gatsby's newly rich crowd (and for Tom to look down at Gatsby himself).

Meanwhile, Tom is having an affair with Myrtle Wilson , the wife of mechanic George Wilson . Through the Wilsons, we see the struggles of the working class in dismal Queens , NY. As if they didn't already have it hard enough, Myrtle is killed in a hit-and-run accident (caused by Daisy Buchanan), and George, who's manipulated by Tom to believe that Jay Gatsby was both his wife's lover and her murderer, ends up shooting Gatsby and then himself.

The whole story is told by Nick Carraway , a second cousin of Daisy's and classmate of Tom's who moves in next to Gatsby's mansion and eventually befriends Jay -- and then comes to deeply admire him, despite or perhaps because of Jay's fervent desire to repeat his past with Daisy. The tragic chain of events at the novel's climax, along with the fact that both the Buchanans can easily retreat from the damage they caused, causes Nick to become disillusioned with life in New York and retreat back to his hometown in the Midwest.

Aside from having a very unhappy ending, the novel might just ruin swimming pools for you as well.

The fact that the major characters come from three distinct class backgrounds (working class, newly rich, and old money) suggests that class is a major theme. But the rampant materialism and the sheer amount of money spent by Gatsby himself is a huge issue and its own theme. Related to money and class, the fact that both Gatsby and the Wilsons strive to improve their positions in American society, only to end up dead, also suggests that the American Dream -- and specifically its hollowness -- is a key theme in the book as well.

But there are other themes at play here, too. Every major character is involved in at least one romantic relationship , revealing that they are all driven by love, sex, and desire -- a major theme. Also, the rampant bad behavior (crime, cheating, and finally murder) and lack of real justice makes ethics and morality a key theme. Death also looms large over the novel's plot, alongside the threat of failure.

And finally, a strong undercurrent to all of these themes is identity itself: can James Gatz really become Jay Gatsby, or was he doomed from the start? Can someone who is not from old money ever blend in with that crowd? Could Gatsby really aspire to repeat his past with Daisy, or is that past self gone forever?

In short, just by looking at the novel's plot, characters, and ending, we can already get a strong sense of Gatsby's major themes. Let's now look at each of those themes one by one (and be sure to check out the links to our full theme breakdowns!).

The 7 Major Great Gatsby Themes

Money and Materialism : Everyone in the novel is money-obsessed, whether they were born with money (Tom, Daisy, Jordan, and Nick to a lesser extent), whether they made a fortune (Gatsby), or whether they're eager for more (Myrtle and George). So why are the characters so materialistic? How does their materialism affect their choices? Get a guide to each of the characters' material motivations and how they shape the novel.

Society and Class: Building on the money and materialism theme, the novel draws clear distinctions between the kind of money you have: old money (inherited) or new money (earned). And there is also a clear difference between the lifestyles of the wealthy, who live on Long Island and commute freely to Manhattan, and the working class people stuck in between, mired in Queens. By the end of the novel, our main characters who are not old money (Gatsby, Myrtle, and George) are all dead, while the inherited-money club is still alive. What does this say about class in Gatsby? Why is their society so rigidly classist? Learn more about the various social classes in Gatsby and how they affect the novel's outcome.

The American Dream : The American Dream is the idea anyone can make it in America (e.g. gain fame, fortune, and success) through enough hard work and determination. So is Jay Gatsby an example of the dream? Or does his involvement in crime suggest the Dream isn't actually real? And where does this leave the Wilsons, who are also eager to improve their lot in life but don't make it out of the novel alive? Finally, do the closing pages of the novel endorse the American Dream or write it off as a fantasy? Learn what the American Dream is and how the novel sometimes believes in it, and sometimes sees it as a reckless fantasy.

Love, Desire, and Relationships : All of the major characters are driven by love, desire, or both, but only Tom and Daisy's marriage lasts out of the novel's five major relationships and affairs. So is love an inherently unstable force? Or do the characters just experience it in the wrong way? Get an in-depth guide to each of Gatsby's major relationships.

Death and Failure: Nick narrates Gatsby two years after the events in question, and since he's obviously aware of the tragedy awaiting not only Gatsby but Myrtle and George as well, the novel has a sad, reflective, even mournful tone. Is the novel saying that ambition is inherently dangerous (especially in a classist society like 1920s America), or is it more concerned with the danger of Gatsby's intense desire to reclaim the past? Explore those questions here.

Morality and Ethics: The novel is full of bad behavior: lying, cheating, physical abuse, crime, and finally murder. Yet none of the characters ever answer to the law, and God is only mentioned as an exclamation, or briefly projected onto an advertisement . Does the novel push for the need to fix this lack of morality, or does it accept it as the normal state of affairs in the "wild, wild East"?

The Mutability of Identity: Mutability just means "subject to change," so this theme is about how changeable (or not!) personal identity is. Do people really change? Or are our past selves always with us? And how would this shape our desire to reclaim parts of our past? Gatsby wants to have it both ways: to change himself from James Gatz into the sophisticated, wealthy Jay Gatsby, but also to preserve his past with Daisy. Does he fail because it's impossible to change? Because it's impossible to repeat the past? Or both?

How to Write About The Great Gatsby Themes

So now that you know about the major themes of The Great Gatsby , how can you go about writing about them? First up: look closely at your prompt.

Sometimes an essay prompt will come right out and ask you to write about a theme , for example "is The American Dream in Gatsby alive or dead?" or "Write about the relationships in Gatsby. What is the novel saying about the nature of love and desire?" For those essays, you will obviously be writing about one of the novel's major themes. But even though those prompts have big-picture questions, make sure to find small supporting details to help make your argument.

For example, if you're discussing the American Dream and arguing it's dead in the novel, don't just make that claim and be done with it. Instead, you can explore Gatsby's past as James Gatz, George Wilson's exhausted complacency, and Myrtle's treatment at the hands of Tom as examples of how the American Dream is treated in the novel. Obviously those examples are far from exhaustive, but hopefully you get the idea: find smaller details to support the larger argument.

On the other hand, many essay prompts about Gatsby will look like a question about something specific, like a character or symbol:

• Explore Tom and Daisy as people who 'retreat into their money.'
• What does the green light at the end of Daisy's dock represent? How does its meaning change throughout the novel?
• Show how Fitzgerald uses clothing (and the changing of costumes) to tell the reader more about the characters and/or express theme(s).

These prompts are actually a chance for you to take that detailed analysis and connect it to one of the larger themes—in other words, even though the prompt doesn't state it explicitly, you should still be connecting those more focused topics to one of the big-picture themes.

For example, if you talk about Tom and Daisy Buchanan, you will definitely end up talking about society and class. If you talk about the green light, you will end up talking about dreams and goals, specifically the American Dream. And if you discuss clothing to talk about the characters, you will definitely touch on money and materialism, as well as society and class (like how Gatsby's pink suit makes him stand out as new money to Tom Buchanan, or how Myrtle adopts a different dress to play at being wealthy and sophisticated).

In short, for these more specific prompts, you start from the ground (small details and observations) and build up to discussing the larger themes, even if the prompt doesn't say to do so explicitly!

What's Next?

Now you're an expert on themes, but what about symbols? If you need to write about the important symbols in The Great Gatsby, check out our symbols overview for a complete guide.

Want a full analysis of Jay Gatsby and his backstory? Not sure how his story connects with the American Dream? Get the details here .

Want to go back to square one? Get started with Chapter 1 of our Great Gatsby plot summary.

Halle Edwards graduated from Stanford University with honors. In high school, she earned 99th percentile ACT scores as well as 99th percentile scores on SAT subject tests. She also took nine AP classes, earning a perfect score of 5 on seven AP tests. As a graduate of a large public high school who tackled the college admission process largely on her own, she is passionate about helping high school students from different backgrounds get the knowledge they need to be successful in the college admissions process.

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Story themes list: 100+ ideas to explore in your novel

Not sure what your story is about? Try this list of themes.

Themes are the universal ideas or topics your story explores.

And there are a lot of them. So many, in fact, the novel or story you’re working on probably already has a few, whether you realize it or not.

But that doesn’t mean your work is done.

Even though your story already has themes, you still need to identify and nurture them into something that resonates with your readers. Otherwise they’ll just sit there beneath the surface — stale, inert, unrealized.

That’s why I put together this story themes list, to help you:

• See and identify themes that might already be in your story, and
• Get a taste of just how many different kinds of themes are out there (because even this long list only scratches the surface).

How to use the list

Before you jump in, there’s something I want to point out.

The themes I included below are subjects and not messages . I explain the difference in my post that answered what is the theme of a story , but to quickly summarize, a subject is the broad topic you explore, while the message is what you’re trying to say about that subject. (Some call this the “thematic concept” and “thematic statement,” respectively.)

For example, “love” might be the subject of your story, but “love is difficult yet worthwhile” might be the message you want to share about the subject.

I didn’t provide messages, because I want you to feel empowered to use your own beliefs to fuel your handling of these themes.

That being said, your story doesn’t need a message if you don’t want it to. Stories can thrive on subjects alone. But as you look through this list and identify the themes that might be in your writing, you should also think about whether there’s anything you want to say about those topics.

All right, that’s all I have to say. Jump on in!

List of 100+ themes worth exploring

Experiences.

• Coming of Age
• Disillusionment
• Loss of Innocence
• Overcoming Adversity
• Self-discovery

Gender & Sexuality

• Gender Identity
• Masculinity

Human Perception

• Perception vs. Reality
• Subjectivity

Mental Health & Neurodiversity

• Obsessive Compulsive Disorder

Natural Forces

• Passage of Time

Politics & Economics

• Conservation
• Nationalism

Religion & Philosophy

• Determinism
• Good vs. Evil
• Metaphysics
• Nature vs. Nurture
• Soul / Consciousness

Social Issues

• Abuse of Power
• Immigration
• Progress & Regress
• Rights of the Oppressed
• Transphobia
• Working Class Struggles

Society & Culture

• Familial Obligations
• Individualism
• Responsibility

Technology & Science

• Artificial Intelligence
• Augmented Reality
• Genetic Engineering
• Human Integration with Technology
• Information Privacy
• Weapons of Mass Destruction

Virtues & Vices

• Forgiveness

Want help identifying themes?

If you’re struggling with the concept of theme or how to identify and highlight them in your story, feel free to reach out in the comments below! I’m happy to help.

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2 thoughts on “ story themes list: 100+ ideas to explore in your novel ”.

This is a nice list to get inspired! There are so many stories to write about all of these ideas!

Thanks! The crazy thing is this list still only scratches the surface of all the different themes out there. It’s both daunting and liberating to know!

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21 Stellar Common App Essay Examples to Inspire Your College Essay

What’s covered:, what makes a good common app essay, is your common app essay strong enough.

When you begin writing your Common App essay, having an example to look at can help you understand how to effectively write your college essay so that it stands apart from others. 

These Common App essay examples demonstrate a strong writing ability and answer the prompt in a way that shows admissions officers something unique about the student. Once you’ve read some examples and are ready to get started, read our step-by-step guide for how to write a strong Common App essay.  

Please note: Looking at examples of real essays students have submitted to colleges can be very beneficial to get inspiration for your essays. You should never copy or plagiarize from these examples when writing your own essays. Colleges can tell when an essay isn’t genuine and will not view students favorably if they plagiarized. 

Read our Common App essay breakdown to get a comprehensive overview of this year’s supplemental prompts.

It’s Personal

The point of the Common App essay is to humanize yourself to a college admissions committee. The ultimate goal is to get them to choose you over someone else! You will have a better chance of achieving this goal if the admissions committee feels personally connected to you or invested in your story. When writing your Common App essay, you should explore your feelings, worldview, values, desires, and anything else that makes you uniquely you.

It’s Not Cliché

It is pretty easy to resort to clichés in college essays. This should be actively avoided! CollegeVine has identified the immigrant’s journey, sports injuries, and overcoming a challenging course as cliché topics . If you write about one of these topics, you have to work harder to stand out, so working with a more nuanced topic is often safer and easier.

It’s Well-Done

Colleges want good writers. They want students who can articulate their thoughts clearly and concisely (and creatively!). You should be writing and rewriting your essays, perfecting them as you go. Of course, make sure that your grammar and spelling are impeccable, but also put in time crafting your tone and finding your voice. This will also make your essay more personal and will make your reader feel more connected to you!

It’s Cohesive

Compelling Common App essays tell a cohesive story. Cohesion is primarily achieved through effective introductions and conclusions , which often contribute to the establishment of a clear theme or topic. Make sure that it is clear what you are getting at, but also don’t explicitly state what you are getting at—a successful essay speaks for itself.

Common App Essay Examples

Here are the current Common App prompts. Click the links to jump to the examples for a specific prompt, or keep reading to review the examples for all the prompts.

Prompt #1 :  Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Prompt #2 :  The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Prompt #3 :  Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

Prompt #4 : Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you? (NOTE: We only have an example for the old prompt #4 about solving a problem, not this current one)

Prompt #5 :  Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Prompt #6 :  Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Prompt #7 :  Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

Note: Names have been changed to protect the identity of the author and subjects.

Prompt #1: Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

Prompt #1, example #1.

The room was silent except for the thoughts racing through my head. I led a spade from my hand and my opponent paused for a second, then played a heart. The numbers ran through my mind as I tried to consider every combination, calculating my next move. Finally, I played the ace of spades from the dummy and the rest of my clubs, securing the contract and 620 points when my partner ruffed at trick five. Next board.

It was the final of the 2015 United States Bridge Federation Under-26 Women’s Championship. The winning team would be selected to represent the United States in the world championship and my team was still in the running.

Contract bridge is a strategic and stochastic card game. Players from around the world gather at local clubs, regional events, and, in this case, national tournaments.

Going into the tournament, my team was excited; all the hours we had put into the game, from the lengthy midnight Skype sessions spent discussing boards to the coffee shop meetings spent memorizing conventions together, were about to pay off.

Halfway through, our spirits were still high, as we were only down by fourteen international match points which, out of the final total of about four hundred points, was virtually nothing and it was very feasible to catch up. Our excitement was short-lived, however, as sixty boards later, we found that we had lost the match and would not be chosen as the national team.

Initially, we were devastated. We had come so close and it seemed as if all the hours we had devoted to training had been utterly wasted. Yet as our team spent some time together reflecting upon the results, we gradually realized that the true value that we had gained wasn’t only the prospect of winning the national title, but also the time we had spent together exploring our shared passion. I chatted with the winning team and even befriended a few of them who offered us encouragement and advice.

Throughout my bridge career, although I’ve gained a respectable amount of masterpoints and awards, I’ve realized that the real reward comes from the extraordinary people I have met. I don’t need to travel cross-country to learn; every time I sit down at a table whether it be during a simple club game, a regional tournament or a national event, I find I’m always learning. 

I nod at the pair that’s always yelling at each other. They teach me the importance of sportsmanship and forgiveness.

I greet the legally blind man who can defeat most of the seeing players. He reminds me not to make excuses.

I chat with the friendly, elderly couple who, at ages ninety and ninety-two, have just gotten married two weeks ago. They teach me that it’s never too late to start anything.

I talk to the boy who’s attending Harvard and the girl who forewent college to start her own company. They show me that there is more than one path to success.

I congratulate the little kid running to his dad, excited to have won his very first masterpoints. He reminds me of the thrill of every first time and to never stop trying new things.

Just as much as I have benefitted from these life lessons, I aspire to give back to my bridge community as much as it has given me. I aspire to teach people how to play this complicated yet equally as exciting game. I aspire to never stop improving myself, both at and away from the bridge table.

Bridge has given me my roots and dared me to dream. What started as merely a hobby has become a community, a passion, a part of my identity. I aspire to live selflessly and help others reach their goals. I seek to take risks, embrace all results, even failure, and live unfettered from my own doubt.

This student draws readers in with a strong introduction. The essay starts ambiguous—“I led with a spade”—then intrigues readers by gradually revealing more information and details. This makes the reader want to keep reading (which is super important!) As the writer continues, there is a rather abrupt tone shift from suspenseful to explanatory with statements like “It was the final of the 2015 United States Bridge Federation Under-26 Women’s Championship” and “Contract bridge is a strategic and stochastic card game.” If you plan to start with an imagery-heavy, emotional, suspenseful, or dramatic introduction, you will need to transition to the content of your essay in a way that does not feel abrupt. 

You will often hear that essays need to “show, not tell.” This essay actually does both. First, the student tells readers the importance of bridge, saying “we gradually realized that the true value that we had gained wasn’t only the prospect of winning the national title, but also the time we had spent together exploring our shared passion” and “I’ve realized that the real reward comes from the extraordinary people I have met.” Then, the student shows the lessons they have learned from bridge through a series of parallel sentences: “I nod… sportsmanship and forgiveness” “I greet… not to make excuses” “I chat… it’s never too late to start anything” and so on. This latter strategy is much more effective than the former and is watered down because the student has already told us what we are supposed to get out of these sentences. Remember that your readers are intelligent and can draw their own conclusions. Avoid summarizing the moral of your story for them!

Overall, this essay is interesting and answers the prompt. We learn the importance of bridge to this student. The student has a solid grasp of language, a high-level vocabulary, and a valuable message, though they would be better off if they avoided summarizing their point and created more seamless transitions. 

Prompt #1, Example #2

Growing up, I always wanted to eat, play, visit, watch, and be it all: sloppy joes and spaetzle, Beanie Babies and Steiff, Cape Cod and the Baltic Sea, football and fussball, American and German.

My American parents relocated our young family to Berlin when I was three years old. My exposure to America was limited to holidays spent stateside and awfully dubbed Disney Channel broadcasts. As the few memories I had of living in the US faded, my affinity for Germany grew. I began to identify as “Germerican,” an ideal marriage of the two cultures. As a child, I viewed my biculturalism as a blessing. I possessed a native fluency in “Denglisch” and my family’s Halloween parties were legendary at a time when the holiday was just starting to gain popularity outside of the American Sector.

Insidiously, the magic I once felt in loving two homes was replaced by a deep-­rooted sense of rootlessness. I stopped feeling American when, while discussing World War II with my grandmother, I said “the US won.” She corrected me, insisting I use “we” when referring to the US’s actions. Before then, I hadn’t realized how directly people associated themselves with their countries. I stopped feeling German during the World Cup when my friends labeled me a “bandwagon fan” for rooting for Germany. Until that moment, my cheers had felt sincere. I wasn’t part of the “we” who won World Wars or World Cups. Caught in a twilight of foreign and familiar, I felt emotionally and psychologically disconnected from the two cultures most familiar to me.

After moving from Berlin to New York at age fifteen, my feelings of cultural homelessness thrived in my new environment. Looking and sounding American furthered my feelings of dislocation. Border patrol agents, teachers, classmates, neighbors, and relatives all “welcomed me home” to a land they could not understand was foreign to me. Americans confused me as I relied on Urban Dictionary to understand my peers, the Pledge of Allegiance seemed nationalistic, and the only thing familiar about Fahrenheit was the German after whom it was named. Too German for America and too American for Germany, I felt alienated from both. I wanted desperately to be a member of one, if not both, cultures.

During my first weeks in Scarsdale, I spent my free time googling “Berlin Family Seeks Teen” and “New Americans in Scarsdale.” The latter search proved most fruitful: I discovered Horizons, a nonprofit that empowers resettled refugees, or “New Americans,” to thrive. I started volunteering with Horizon’s children’s programs, playing with and tutoring young refugees.

It was there that I met Emily, a twelve­-year-­old Iraqi girl who lived next to Horizons. In between games and snacks, Emily would ask me questions about American life, touching on everything from Halloween to President Obama. Gradually, my confidence in my American identity grew as I recognized my ability to answer most of her questions. American culture was no longer completely foreign to me. I found myself especially qualified to work with young refugees; my experience growing up in a country other than that of my parents’ was similar enough to that of the refugee children Horizons served that I could empathize with them and offer advice. Together, we worked through conflicting allegiances, homesickness, and stretched belonging.

Forging a special, personal bond with young refugees proved a cathartic outlet for my insecurities as it taught me to value my past. My transculturalism allowed me to help young refugees integrate into American life, and, in doing so, I was able to adjust myself. Now, I have an appreciation of myself that I never felt before. “Home” isn’t the digits in a passport or ZIP code but a sense of contentedness. By helping a young refugee find comfort, happiness, and home in America, I was finally able to find those same things for myself.

Due to their endearing (and creative) use of language—with early phrases like “sloppy joes and spaetzle” as well as  “Germerican” and “Denglisch”—readers are inclined to like this writer from the get-go. Though the essay shifts from this lighthearted introduction to more serious subject matter around the third paragraph, the shift is not abrupt or jarring. This is because the student invites readers to feel the transition with them through their inclusion of various anecdotes that inspired their “feelings of cultural homelessness.” And our journey does not end there—we go back to America with the student and see how their former struggles become strengths.

Ultimately, this essay is successful due to its satisfying ending. Because readers experience the student’s struggles with them, we also feel the resolution. The conclusion of this essay is a prime example of the “Same, but Different” technique described in our article on How to End Your College Essay . As the student describes how, in the end, their complicated cultural identity still exists but transitions to a source of strength, readers are left feeling happy for the student. This means that they have formed a connection with the student, which is the ultimate goal!

Prompt #1, Example #3

“1…2…3…4 pirouettes ! New record!” My friends cheered as I landed my turns. Pleased with my progress, I gazed down at my worn-out pointe shoes. The sweltering blisters, numbing ice-baths, and draining late-night practices did not seem so bad after all. Next goal: five turns.

For as long as I can remember, ballet, in all its finesse and glamor, had kept me driven day to day. As a child, the lithe ballerinas, donning ethereal costumes as they floated across the stage, were my motivation. While others admired Messi and Adele, I idolized Carlos Acosta, principal dancer of the Royal Ballet. 

As I devoted more time and energy towards my craft, I became obsessed with improving my technique. I would stretch for hours after class, forcing my leg one inch higher in an effort to mirror the Dance Magazine cover girls . I injured my feet and ruined pair after pair of pointe shoes, turning on wood, cement, and even grass to improve my balance as I spun. At competitions, the dancers with the 180-degree leg extensions, endless turns, and soaring leaps—the ones who received “Bravos!” from the roaring audience—further pushed me to refine my skills and perfect my form. I believed that, with enough determination, I would one day attain their level of perfection. Reaching the quadruple- pirouette milestone only intensified my desire to accomplish even more. 

My efforts seemed to have come to fruition two summers ago when I was accepted to dance with Moscow’s Bolshoi Ballet at their renowned New York City summer intensive. I walked into my first session eager to learn from distinguished ballet masters and worldly dancers, already anticipating my improvement. Yet, as I danced alongside the accomplished ballerinas, I felt out of place. Despite their clean technique and professional training, they did not aim for glorious leg extensions or prodigious leaps. When they performed their turn combinations, most of them only executed two turns as I attempted four. 

“Dancers, double- pirouettes only.” 

Taken aback and confused, I wondered why our teacher expected so little from us. The other ballerinas seemed content, gracing the studio with their simple movements. 

As I grew closer with my Moscow roommates, I gradually learned that their training emphasized the history of the art form instead of stylistic tricks. Rather than show off their physical ability, their performances aimed to convey a story, one that embodied the rich culture of ballet and captured both the legacy of the dancers before them and their own artistry. As I observed my friends more intently in repertoire class, I felt the pain of the grief-stricken white swan from Swan Lake , the sass of the flirtatious Kitri from Don Quijote, and I gradually saw what I had overlooked before. My definition of talent had been molded by crowd-pleasing elements—whirring pirouettes , gravity-defying leaps, and mind-blowing leg extensions. This mindset slowly stripped me from the roots of my passion and my personal connection with ballet. 

With the Bolshoi, I learned to step back and explore the meaning behind each step and the people behind the scenes. Ballet carries history in its movements, from the societal values of the era to each choreographer’s unique flair. As I uncovered the messages behind each pirouette, kick, and jump, my appreciation for ballet grew beyond my obsession with raw athleticism and developed into a love for the art form’s emotive abilities in bridging the dancers with the audience. My journey as an artist has allowed me to see how technical execution is only the means to a greater understanding between dancer and spectator, between storyteller and listener. The elegance and complexity of ballet does not revolve around astonishing stunts but rather the evocative strength and artistry manifested in the dancer, in me. It is the combination of sentiments, history, tradition, and passion that has allowed ballet and its lessons of human connection to become my lifestyle both on and off stage.

The primary strength of this essay is the honesty and authenticity of the student’s writing. It is purposefully reflective. Intentional language creates a clear character arc that begins with an eager young ballerina and ends with the student reflecting on their past. 

Readers are easily able to picture the passion and intensity of the young dancer through the writer’s engagement with words like “obsessed,” “forcing,” and “ruined” in the second paragraph. Then, we see how intensity becomes pride as they “wondered why our teacher expected so little from us.” And ultimately, we see the writer humbled as they are exposed to the deeper meaning behind what they have worked so hard for. This arc is outstanding, and the student’s musings about ballet in the concl usion position them as vulnerable and reflective (and thus, appealing to admissions officers!)

The main weakness of this essay (though this is a stellar essay) is its formulaic beginning. While dialogue can be an effective tool for starting your essay, this student’s introduction feels a bit stilted as the dialogue does not match the overall reflective tone of the essay. Perhaps, in place of “Next goal: five turns,” the student could have posed a question or foreshadowed the growth they ultimately describe.

Prompt #1, Example #4

My paintbrush dragged a flurry of acrylic, the rich colors attaching to each groove in my canvas’s texture. The feeling was euphoric.

From a young age, painting has been my solace. Between the stress of my packed high school days filled with classes and extracurriculars, the glide of my paintbrush was my emotional outlet.

I opened a fresh canvas and began. The amalgamation of assorted colors in my palette melded harmoniously: dark and light, cool and warm, brilliant and dull. They conjoined, forming shades and surfaces sharp, smooth, and ridged. The textures of my paint strokes — powdery, glossy, jagged — gave my painting a tone, as if it had a voice of its own, sometimes shrieking, sometimes whispering.

Rough indigo blue. The repetitive upward pulls of my brush formed layers on my canvas. Staring into the deep blue, I felt transported to the bottom of the pool I swim in daily. I looked upward to see a layer of dense water between myself and the person I aspire to be, an ideal blurred by filmy ripples. Rough blue encapsulates my amorphous, conflicting identity, catalyzed by words spewed by my peers about my “oily hair” and “smelly food”. They caused my ever present disdain toward cultural assemblies; the lehenga I wore felt burdensome. My identity quivers like the indigo storm I painted — a duel between my self-deprecating, validation-seeking self, and the proud self I desire to be. My haphazard paint strokes released my internal turbulence.

Smooth orange-hued green. I laid the color in melodious strokes, forming my figure. The warmer green transitions from the rough blue — while they share elements, they also diverge. My firm brushstrokes felt like the way I felt on my first day as a media intern at KBOO, my local volunteer-driven radio station, committed to the voices of the marginalized. As a naturally introverted speaker, I was forced out of my comfort zone when tasked with documenting a KBOO art exhibition for social media, speaking with hosts to share their diverse, underrepresented backgrounds and inspirations. A rhythmic green strength soon shoved me past internal blue turbulence. My communication skills which were built by two years of Speech and Debate unleashed — I recognized that making a social change through media required amplifying unique voices and perspectives, both my own and others. The powerful green strokes that fill my canvas entrench my growth.

Bright, voluminous coral, hinted with magenta and yellow. I dabbed the color over my figure, giving my painting dimension. The paint, speckled, added depth on every inch it coated. As I moved the color in random but purposeful movements, the vitality ushered into my painting brought a smile across my face. It reminded me of the encounters I had with my cubicle-mate in my sophomore year academic autism research internship, seemingly insignificant moments in my lifelong journey that, in retrospect, wove unique threads into my tapestry. The kindness she brought into work inspired my compassion, while her stories of struggling with ADHD in the workplace bolstered my empathy towards different experiences. Our conversations added blobs of a nonuniform bright color in my painting, binding a new perspective in me.

I added in my final strokes, each contributing an element to my piece. As I scanned my canvas, I observed these elements. Detail added nuance into smaller pictures; they embodied complexities within color, texture, and hue, each individually delivering a narrative. But together, they formed a piece of art— art that could be interpreted as a whole or broken apart but still delivering as a means of communication.

I find beauty in media because of this. I can adapt a complex narrative to be deliverable, each component telling a story. Appreciating these nuances — the light, dark, smooth, and rough — has cultivated my growth mindset. My life-long painting never finishes. It is ever-expanding, absorbing the novel textures and colors I encounter daily.

This essay is distinct from others due to its melodic, lyrical form. This is primarily achieved because the student’s form follows the movements of the paintbrush that they use to scaffold their essay. As readers, we simply flow through the essay, occasionally picking up bits of information about its creator. Without even realizing it, by the end of the essay, admissions officers will know that this student is a swimmer, was in Speech and Debate, is Indian, and has had multiple internships.

A major strength of this essay is the command of language that the student demonstrates. This essay was not simply written, it was crafted. Universities are, of course, interested in the talents, goals, and interests of applicants, but an essay being well-written can be equally important. Writing skills are important because your reader will not learn about your talents, goals, and interests if they aren’t engaged in your essay, but they are also important because admissions officers know that being able to articulate your thoughts is important for success in all future careers.

While this essay is well-written, there are a few moments where it falls out of the flow and feels more like a student advertising their successes. For example, the phrases “media intern at KBOO” and “autism research internship” work better on a resume than they do in this essay. Admissions officers have a copy of your resume and can check your internship experiences after reading your essay! If you are going to use a unique writing style or narrative form, lean into it; don’t try to hybridize it with the standard college essay form. Your boldness will be attractive to admissions officers.

Readers are easily able to picture the passion and intensity of the young dancer through the writer’s engagement with words like “obsessed,” “forcing,” and “ruined” in the second paragraph. Then, we see how intensity becomes pride as they “wondered why our teacher expected so little from us.” And ultimately, we see the writer humbled as they are exposed to the deeper meaning behind what they have worked so hard for. This arc is outstanding, and the student’s musings about ballet in the conclusion position them as vulnerable and reflective (and thus, appealing to admissions officers!)

Prompt #2: The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

Prompt #2, example #1.

“You ruined my life!” After months of quiet anger, my brother finally confronted me. To my shame, I had been appallingly ignorant of his pain.

Despite being twins, Max and I are profoundly different. Having intellectual interests from a young age that, well, interested very few of my peers, I often felt out of step in comparison with my highly-social brother. Everything appeared to come effortlessly for Max and, while we share an extremely tight bond, his frequent time away with friends left me feeling more and more alone as we grew older.

When my parents learned about The Green Academy, we hoped it would be an opportunity for me to find not only an academically challenging environment, but also – perhaps more importantly – a community. This meant transferring the family from Drumfield to Kingston. And while there was concern about Max, we all believed that given his sociable nature, moving would be far less impactful on him than staying put might be on me.

As it turned out, Green Academy was everything I’d hoped for. I was ecstatic to discover a group of students with whom I shared interests and could truly engage. Preoccupied with new friends and a rigorous course load, I failed to notice that the tables had turned. Max, lost in the fray and grappling with how to make connections in his enormous new high school, had become withdrawn and lonely. It took me until Christmas time – and a massive argument – to recognize how difficult the transition had been for my brother, let alone that he blamed me for it.

Through my own journey of searching for academic peers, in addition to coming out as gay when I was 12, I had developed deep empathy for those who had trouble fitting in. It was a pain I knew well and could easily relate to. Yet after Max’s outburst, my first response was to protest that our parents – not I – had chosen to move us here. In my heart, though, I knew that regardless of who had made the decision, we ended up in Kingston for my benefit. I was ashamed that, while I saw myself as genuinely compassionate, I had been oblivious to the heartache of the person closest to me. I could no longer ignore it – and I didn’t want to.

We stayed up half the night talking, and the conversation took an unexpected turn. Max opened up and shared that it wasn’t just about the move. He told me how challenging school had always been for him, due to his dyslexia, and that the ever-present comparison to me had only deepened his pain.

We had been in parallel battles the whole time and, yet, I only saw that Max was in distress once he experienced problems with which I directly identified. I’d long thought Max had it so easy – all because he had friends. The truth was, he didn’t need to experience my personal brand of sorrow in order for me to relate – he had felt plenty of his own.

My failure to recognize Max’s suffering brought home for me the profound universality and diversity of personal struggle; everyone has insecurities, everyone has woes, and everyone – most certainly – has pain. I am acutely grateful for the conversations he and I shared around all of this, because I believe our relationship has been fundamentally strengthened by a deeper understanding of one another. Further, this experience has reinforced the value of constantly striving for deeper sensitivity to the hidden struggles of those around me. I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story.

Here is a prime example that you don’t have to have fabulous imagery or flowery prose to write a successful Common App essay. You just have to be clear and say something that matters. This essay is simple and beautiful. It almost feels like having a conversation with a friend and learning that they are an even better person than you already thought they were.

Through this narrative, readers learn a lot about the writer—where they’re from, what their family life is like, what their challenges were as a kid, and even their sexuality. We also learn a lot about their values—notably, the value they place on awareness, improvement, and consideration of others. Though they never explicitly state it (which is great because it is still crystal clear!), this student’s ending of “I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story” shows that they are constantly striving for improvement and finding lessons anywhere they can get them in life.

The only part of this essay that could use a bit of work is the introduction. A short introduction can be effective, but this short first paragraph feels thrown in at the last minute and like it is missing its second half. If you are keeping your introduction short, make it matter.

Prompt #2, Example #2

Was I no longer the beloved daughter of nature, whisperer of trees? Knee-high rubber boots, camouflage, bug spray—I wore the garb and perfume of a proud wild woman, yet there I was, hunched over the pathetic pile of stubborn sticks, utterly stumped, on the verge of tears. As a child, I had considered myself a kind of rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free. I knew the cracks of the earth like the scars on my own rough palms. Yet here I was, ten years later, incapable of performing the most fundamental outdoor task: I could not, for the life of me, start a fire. 

Furiously I rubbed the twigs together—rubbed and rubbed until shreds of skin flaked from my fingers. No smoke. The twigs were too young, too sticky-green; I tossed them away with a shower of curses, and began tearing through the underbrush in search of a more flammable collection. My efforts were fruitless. Livid, I bit a rejected twig, determined to prove that the forest had spurned me, offering only young, wet bones that would never burn. But the wood cracked like carrots between my teeth—old, brittle, and bitter. Roaring and nursing my aching palms, I retreated to the tent, where I sulked and awaited the jeers of my family. 

Rattling their empty worm cans and reeking of fat fish, my brother and cousins swaggered into the campsite. Immediately, they noticed the minor stick massacre by the fire pit and called to me, their deep voices already sharp with contempt. 

“Where’s the fire, Princess Clara?” they taunted. “Having some trouble?” They prodded me with the ends of the chewed branches and, with a few effortless scrapes of wood on rock, sparked a red and roaring flame. My face burned long after I left the fire pit. The camp stank of salmon and shame. 

In the tent, I pondered my failure. Was I so dainty? Was I that incapable? I thought of my hands, how calloused and capable they had been, how tender and smooth they had become. It had been years since I’d kneaded mud between my fingers; instead of scaling a white pine, I’d practiced scales on my piano, my hands softening into those of a musician—fleshy and sensitive. And I’d gotten glasses, having grown horrifically nearsighted; long nights of dim lighting and thick books had done this. I couldn’t remember the last time I had lain down on a hill, barefaced, and seen the stars without having to squint. Crawling along the edge of the tent, a spider confirmed my transformation—he disgusted me, and I felt an overwhelming urge to squash him. 

Yet, I realized I hadn’t really changed—I had only shifted perspective. I still eagerly explored new worlds, but through poems and prose rather than pastures and puddles. I’d grown to prefer the boom of a bass over that of a bullfrog, learned to coax a different kind of fire from wood, having developed a burn for writing rhymes and scrawling hypotheses. 

That night, I stayed up late with my journal and wrote about the spider I had decided not to kill. I had tolerated him just barely, only shrieking when he jumped—it helped to watch him decorate the corners of the tent with his delicate webs, knowing that he couldn’t start fires, either. When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.

This Common App essay is well-written. The student is showing the admissions officers their ability to articulate their points beautifully and creatively. It starts with vivid images like that of the “rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free.” And because the prose is flowery, the writer can get away with metaphors like “I knew the cracks of the earth like the scars on my own rough palms” that might sound cheesy without the clear command of the English language that the writer quickly establishes.

In addition to being well-written, this essay is thematically cohesive. It begins with the simple introduction “Fire!” and ends with the following image: “When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.” This full-circle approach leaves readers satisfied and impressed.

While dialogue often comes off as cliche or trite, this student effectively incorporates their family members saying “Where’s the fire, Princess Clara?” This is achieved through the apt use of the verb “taunted” to characterize the questioning and through the question’s thematic connection to the earlier image of the student as a rustic princess. Similarly, rhetorical questions can feel randomly placed in essays, but this student’s inclusion of the questions “Was I so dainty?” and “Was I that incapable?” feels perfectly justified after they establish that they were pondering their failure.

Quite simply, this essay shows how quality writing can make a simple story outstandingly compelling.

Prompt #2, Example #3

The muffled voices behind thin walls heralded trouble.

They were fighting about money.

It wasn’t the first time this had happened and it wasn’t going to be the last. It was one of those countless nights I had to spend curled up under the blanket while pretending to be asleep. My father had been unemployed for five years now, and my mother, a local kindergarten teacher, was struggling to support the family alone. Our situation was bleak: Savings had run out and my parents could no longer hide our lack of money from me. To make matters worse, I was a few weeks away from starting high school, which would inevitably lead to college, yet another financial stressor for my family.

The argument didn’t sound like it would end soon.

“Why did you spend money on that?” my mother said, with an elongated sigh.

“I had to,” my father said, decidedly.

Every fight over the years had left me in despair and the idea of going through another fight daunted me. I had looked forward to my teen years all my life, an age that allows, for the first time, more responsibility. Indeed, after this fateful night, after my fourteenth birthday, I felt a mounting responsibility to help my family, and started brainstorming.

Always being fascinated by computers, I spent my childhood burying myself under computer cabinets, experimenting with computer parts. Naturally, I wondered if my skills in this area might be marketable.

The next morning, my friend, Naba, mentioned that her computer wasn’t working. A tuk-tuk ride later, and I was at her doorstep, and her mother was leading me to her room. I was off to work: I began examining her computer, like a surgeon carefully manages his scalpels and tools. A proper diagnosis was not far from reach, as I realized a broken pin in her computer’s SATA slot. After an hour of work, and a short trip to the hardware store, I successfully fixed the computer. To my pleasant surprise, Naba’s mother drew out two fresh 500 Rupee notes. One covered the cost of the parts I bought and the other was a token of appreciation. Bidding her goodbye, I went straight back home and put one of the 500 Rupee notes inside my family’s “savings-jar.”

Later that day, I devised a plan. I told my friends to spread the word that I was available to fix computers. At first, I got only one or two calls per week. I would pick up the computer from my client’s home, fix it quickly, and return it, thus earning myself a commission. While I couldn’t market my services at a competitive price, because I wasn’t able to buy the parts wholesale, I compensated by providing convenience. All my clients had to do was call me once and the rest was taken care of. Thus, my business had the best customer service in town.

At the beginning of my junior year, after two years of expanding my business through various avenues, I started buying computer parts from hardware suppliers in bulk at a cheaper rate. My business grew exponentially after that. 

Before long, I was my town’s go-to tech person. In this journey throughout high school, I started realizing that I had to create my own opportunities and not just curl up under a blanket, seeking only comfort, as I used to. Interacting with people from all walks of life became my forte and a sense of work ethic developed in me. My business required me to be an all-rounder– have the technical skills, be an easily approachable person, and manage cash flow. Slowly becoming better at this, I even managed to sway admins of a local institution to outsource their computer hardware purchases and repairs through me. As my business upsized throughout the years, I went from being helpless to autonomous – the teenager I always aspired to be.

This essay truly feels like a story—almost making you forget you are reading a college essay. The student’s voice is strong throughout the entire essay and they are able to give us insight into their thoughts, feelings, and motivations at every step of the story. Letting the reader into personal challenges like financial struggles can be daunting in a college essay, but the way this student used that setback to establish an emotional ethos to their narrative was well done.

Because the essay is essentially just telling a story, there’s a very natural flow that makes it enjoyable and easy to read. The student establishes the conflict at the beginning, then describes their solution and how they implemented it, and finally concludes with the lessons they took away from this experience. Transitions at the beginning of paragraphs effortlessly show the passage of time and how the student has progressed through the story.

Another reason this essay is so successful is because of the abundance of details. The reader truly feels like they are hiding in the room with the student as their parents yell because of the inclusion of quotes from the argument. We understand the precision and care they have for fixing computers because of the allusion to a surgeon with their scalpel. Not only does this imagery make the story more enticing, it also helps the reader gain a deeper appreciation for the type of person this student is and the adversity they have overcome.

If there were one thing this essay could do to improve, it would be to include a resolution to the conflict from the beginning. The student tells us how this business helped them grow as a person, but we don’t ever get to find out if they were able to lessen the financial burden on their parents or if they continued to struggle despite the student working hard. It doesn’t have to be a happy ending, but it would be nice to return to the conflict and acknowledge the effect they had on it, especially since this prompt is all about facing challenges.

Prompt #3: Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

Prompt #3, example #1.

When I was younger, I was adamant that no two foods on my plate touch. As a result, I often used a second plate to prevent such an atrocity. In many ways, I learned to separate different things this way from my older brothers, Nate and Rob. Growing up, I idolized both of them. Nate was a performer, and I insisted on arriving early to his shows to secure front row seats, refusing to budge during intermission for fear of missing anything. Rob was a three-sport athlete, and I attended his games religiously, waving worn-out foam cougar paws and cheering until my voice was hoarse. My brothers were my role models. However, while each was talented, neither was interested in the other’s passion. To me, they represented two contrasting ideals of what I could become: artist or athlete. I believed I had to choose.

And for a long time, I chose athlete. I played soccer, basketball, and lacrosse and viewed myself exclusively as an athlete, believing the arts were not for me. I conveniently overlooked that since the age of five, I had been composing stories for my family for Christmas, gifts that were as much for me as them, as I loved writing. So when in tenth grade, I had the option of taking a creative writing class, I was faced with a question: could I be an athlete and a writer? After much debate, I enrolled in the class, feeling both apprehensive and excited. When I arrived on the first day of school, my teacher, Ms. Jenkins, asked us to write down our expectations for the class. After a few minutes, eraser shavings stubbornly sunbathing on my now-smudged paper, I finally wrote, “I do not expect to become a published writer from this class. I just want this to be a place where I can write freely.”

Although the purpose of the class never changed for me, on the third “submission day,” – our time to submit writing to upcoming contests and literary magazines – I faced a predicament. For the first two submission days, I had passed the time editing earlier pieces, eventually (pretty quickly) resorting to screen snake when hopelessness made the words look like hieroglyphics. I must not have been as subtle as I thought, as on the third of these days, Ms. Jenkins approached me. After shifting from excuse to excuse as to why I did not submit my writing, I finally recognized the real reason I had withheld my work: I was scared. I did not want to be different, and I did not want to challenge not only others’ perceptions of me, but also my own. I yielded to Ms. Jenkin’s pleas and sent one of my pieces to an upcoming contest.

By the time the letter came, I had already forgotten about the contest. When the flimsy white envelope arrived in the mail, I was shocked and ecstatic to learn that I had received 2nd place in a nationwide writing competition. The next morning, however, I discovered Ms. Jenkins would make an announcement to the whole school exposing me as a poet. I decided to own this identity and embrace my friends’ jokes and playful digs, and over time, they have learned to accept and respect this part of me. I have since seen more boys at my school identifying themselves as writers or artists.

I no longer see myself as an athlete and a poet independently, but rather I see these two aspects forming a single inseparable identity – me. Despite their apparent differences, these two disciplines are quite similar, as each requires creativity and devotion. I am still a poet when I am lacing up my cleats for soccer practice and still an athlete when I am building metaphors in the back of my mind – and I have realized ice cream and gummy bears taste pretty good together.

This essay is cohesive as it centers around the theme of identity and the ability for two identities to coexist simultaneously (an interesting theme!). It uses the Full Circle ending strategy as it starts with a metaphor about food touching and ends with “I have realized ice cream and gummy bears taste pretty good together.”

The main issue with this essay is that it could come off as cliché, which could be irritating for admissions officers. The story described is notably similar to High School Musical (“I decided to own this identity and embrace my friends’ jokes and playful digs, and over time, they have learned to accept and respect this part of me”) and feels slightly overstated. 

At times, this essay is also confusing. In the first paragraph, it feels like the narrative is actually going to be about separating your food (and is somehow going to relate to the older brothers?). It is not entirely clear that this is a metaphor. Also, when the writer references the third submission day and then works backward to explain what a submission day is and that there are multiple throughout the semester, the timeline gets unnecessarily confusing. Reworking the way this paragraph unfolded would have been more compelling and less distracting.

Overall, this essay was interesting but could have been more polished to be more effective.

Prompt #3, Example #2

I walked into my middle school English class, and noticed a stranger behind my teacher’s desk. “Hello,” she said. “Today I will be your substitute teacher.” I groaned internally. “Let me start off by calling roll. Ally?” “Here!” exclaimed Ally. “Jack?” “Here.” “Rachel?” “Here.” “Freddie?” “Present.” And then– “…?” The awkward pause was my cue. “It’s Jasina,” I started. “You can just call me Jas. Here.” “Oh, Jasina. That’s unique.” The word “unique” made me cringe. I slumped back in my seat. The substitute continued calling roll, and class continued as if nothing had happened. Nothing had happened. Just a typical moment in a middle school, but I hated every second of it.

My name is not impossible to pronounce. It appears challenging initially, but once you hear it, “Jas-een-a”, then you can manage it. My nickname, Jas (pronounced “Jazz”), is what most people call me anyway, so I don’t have to deal with mispronunciation often. I am thankful that my parents named me Jasina (a Hebrew name), but whenever someone hears my name for the first time, they comment, and I assume they’re making assumptions about me. “Wow, Jas is a cool name.” She must be pretty cool.“I’ve never heard the name Jasina before.” She must be from somewhere exotic. “Jas, like Jazz?” She must be musical and artsy. None of these assumptions are bad, but they all add up to the same thing: She must be unique. 

When I was little, these sentiments felt more like commands than assumptions. I thought I had to be the most unique child of all time, which was a daunting task, but I tried. I was the only kid in the second grade to color the sun red. I knew it was really yellow, but you could always tell which drawings were mine. During snack time, we could choose between apple juice and grape juice. I liked apple juice more, but if everyone else was choosing apple, then I had to choose grape. This was how I lived my life, and it was exhausting. I tried to continue this habit into middle school, but it backfired. When everyone became obsessed with things like skinny jeans and Justin Bieber and blue mascara (that was a weird trend), my resistance of the norm made me socially awkward. I couldn’t talk to people about anything because we had nothing in common. I was too different. 

After 8th grade, I moved to Georgia, and I was dreading being the odd one out among kids who had grown up together. Then I discovered that my freshman year would be Cambridge High School’s inaugural year. Since there were students coming in from 5 different schools, there was no real sense of “normal”. I panicked. If there was no normal, then how could I be unique? That’s when I realized that I had spent so much energy going against the grain that I had no idea what my true interests were or what I really cared about. 

It was time to find out. I stopped concentrating on what everyone else was doing and started to focus on myself. I joined the basketball team, I performed in the school musical, and I enrolled in Chorus, all of which were firsts for me. I took art classes, joined clubs, and did whatever I thought would make me happy. And it paid off. I was no longer socially awkward. In fact, because I was involved in so many unrelated activities, I was socially flexible. My friends and I had things in common, but there was no one who could say that I was exactly like anyone else. I had finally become my own person.

My father named me Jasina because he wanted my nickname to be “Jazz.” According to Webster, “jazz” is “music characterized by syncopated rhythms, improvisation, and deliberate distortions of pitch.” Basically, jazz is music that is off-beat and unpredictable. It cannot be strictly defined. 

That sounds about right. 

Right off the bat, this essay starts extremely strong. The description of attendance in a class with ample quotes, awkward pauses, and the student’s internal dialogue immediately puts us in the middle of the action and establishes a lot of sympathy for this student before we’ve learned anything else. 

The strength of this essay continues into the second paragraph where the use of quotes, italics, and interjections from the student continues. All of these literary tools help the student express her voice and allow the reader to understand what this student goes through on a daily basis. Rather than just telling the reader people make assumptions about her name, she shows us what these assumptions look and sound like, and exactly how they make her feel.

The essay further shows us how the student approached her name by providing concrete examples of times she’s been intentionally unique throughout her life. Describing her drawing red suns and choosing grape juice bring her personality to life and allow her to express her deviance from the “norm” in a much more engaging and visual way than simply telling the reader she would go against the grain to be different on purpose.

One part of the essay that was a bit weaker than the others was the paragraph about her in high school. Although it was still well written and did a nice job of demonstrating how she got involved in multiple groups to find her new identity, it lacked the same level of showing employed in previous paragraphs. It would have been nice to see what “socially flexible” means either through a conversation she had with her friends or an example of a time she combined her interests from different groups in a way that was uniquely her.

The essay finishes off how it started: extremely strong. Taking a step back to fully explain the origin of her name neatly brings together everything mentioned in this essay. This ending is especially successful because she never explicitly states that her personality aligns with the definition of jazz. Instead, she relies on the points she has made throughout the essay to stick in the reader’s memory so they are able to draw the connection themselves, making for a much more satisfying ending for the reader.

Prompt #4 (OLD PROMPT; NOT THE CURRENT PROMPT): Describe a problem you’ve solved or a problem you’d like to solve. It can be an intellectual challenge, a research query, an ethical dilemma – anything that is of personal importance, no matter the scale. Explain its significance to you and what steps you took or could be taken to identify a solution.

Prompt #4, example #1.

“Advanced females ages 13 to 14 please proceed to staging with your coaches at this time.” 

Skittering around the room, eyes wide and pleading, I frantically explained my situation to nearby coaches. The seconds ticked away in my head; every polite refusal increased my desperation. 

Despair weighed me down. I sank to my knees as a stream of competitors, coaches, and officials flowed around me. My dojang had no coach, and the tournament rules prohibited me from competing without one. 

Although I wanted to remain strong, doubts began to cloud my mind. I could not help wondering: what was the point of perfecting my skills if I would never even compete? The other members of my team, who had found coaches minutes earlier, attempted to comfort me, but I barely heard their words. They couldn’t understand my despair at being left on the outside, and I never wanted them to understand. 

Since my first lesson 12 years ago, the members of my dojang have become family. I have watched them grow up, finding my own happiness in theirs. Together, we have honed our kicks, blocks, and strikes. We have pushed one another to aim higher and become better martial artists. Although my dojang had searched for a reliable coach for years, we had not found one. When we attended competitions in the past, my teammates and I had always gotten lucky and found a sympathetic coach. Now, I knew this practice was unsustainable. It would devastate me to see the other members of my dojang in my situation, unable to compete and losing hope as a result. My dojang needed a coach, and I decided it was up to me to find one. 

I first approached the adults in the dojang – both instructors and members’ parents. However, these attempts only reacquainted me with polite refusals. Everyone I asked told me they couldn’t devote multiple weekends per year to competitions. I soon realized that I would have become the coach myself. 

At first, the inner workings of tournaments were a mystery to me. To prepare myself for success as a coach, I spent the next year as an official and took coaching classes on the side. I learned everything from motivational strategies to technical, behind-the-scenes components of Taekwondo competitions. Though I emerged with new knowledge and confidence in my capabilities, others did not share this faith. 

Parents threw me disbelieving looks when they learned that their children’s coach was only a child herself. My self-confidence was my armor, deflecting their surly glances. Every armor is penetrable, however, and as the relentless barrage of doubts pounded my resilience, it began to wear down. I grew unsure of my own abilities. 

Despite the attack, I refused to give up. When I saw the shining eyes of the youngest students preparing for their first competition, I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was. The knowledge that I could solve my dojang’s longtime problem motivated me to overcome my apprehension. 

Now that my dojang flourishes at competitions, the attacks on me have weakened, but not ended. I may never win the approval of every parent; at times, I am still tormented by doubts, but I find solace in the fact that members of my dojang now only worry about competing to the best of their abilities. 

Now, as I arrive at a tournament with my students, I close my eyes and remember the past. I visualize the frantic search for a coach and the chaos amongst my teammates as we competed with one another to find coaches before the staging calls for our respective divisions. I open my eyes to the exact opposite scene. Lacking a coach hurt my ability to compete, but I am proud to know that no member of my dojang will have to face that problem again.

This essay is great because it has a strong introduction and a strong conclusion. The introduction is notably suspenseful and draws readers into the story. Because we know it is a college essay, we can assume that the student is one of the competitors, but at the same time, this introduction feels intentionally ambiguous as if the writer could be a competitor, a coach, a sibling of a competitor, or anyone else in the situation.

As we continue reading the essay, we learn that the writer is, in fact, the competitor. Readers also learn a lot about the student’s values as we hear their thoughts: “I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was.” Ultimately, the conflict and inner and outer turmoil is resolved through the “Same, but Different” ending technique as the student places themself in the same environment that we saw in the intro, but experiencing it differently due to their actions throughout the narrative. This is a very compelling strategy!

The main weakness of this essay is that it is slightly confusing at times—how the other students found coaches feels unintentionally under-explained (a simple phrase like “through pleading and attracting sympathy” in the fourth paragraph could have served the writer well) and a dojang is never defined. Additionally, the turn of the essay or “volta” could’ve packed a bigger punch. It is put quite simply with “I soon realized that I would have become the coach myself.” A more suspenseful reveal could’ve served the author well because more drama did come later.

Prompt #5: Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

Prompt #5, example #1.

Tears streamed down my face and my mind was paralyzed with fear. Sirens blared, but the silent panic in my own head was deafening. I was muted by shock. A few hours earlier, I had anticipated a vacation in Washington, D.C., but unexpectedly, I was rushing to the hospital behind an ambulance carrying my mother. As a fourteen-year-old from a single mother household, without a driver’s license, and seven hours from home, I was distraught over the prospect of losing the only parent I had. My fear turned into action as I made some of the bravest decisions of my life. 

Three blood transfusions later, my mother’s condition was stable, but we were still states away from home, so I coordinated with my mother’s doctors in North Carolina to schedule the emergency operation that would save her life. Throughout her surgery, I anxiously awaited any word from her surgeon, but each time I asked, I was told that there had been another complication or delay. Relying on my faith and positive attitude, I remained optimistic that my mother would survive and that I could embrace new responsibilities.

My mother had been a source of strength for me, and now I would be strong for her through her long recovery ahead. As I started high school, everyone thought the crisis was over, but it had really just started to impact my life. My mother was often fatigued, so I assumed more responsibility, juggling family duties, school, athletics, and work. I made countless trips to the neighborhood pharmacy, cooked dinner, biked to the grocery store, supported my concerned sister, and provided the loving care my mother needed to recover. I didn’t know I was capable of such maturity and resourcefulness until it was called upon. Each day was a stage in my gradual transformation from dependence to relative independence.

Throughout my mother’s health crisis, I matured by learning to put others’ needs before my own. As I worried about my mother’s health, I took nothing for granted, cherished what I had, and used my daily activities as motivation to move forward. I now take ownership over small decisions such as scheduling daily appointments and managing my time but also over major decisions involving my future, including the college admissions process. Although I have become more independent, my mother and I are inseparably close, and the realization that I almost lost her affects me daily. Each morning, I wake up ten minutes early simply to eat breakfast with my mother and spend time with her before our busy days begin. I am aware of how quickly life can change. My mother remains a guiding force in my life, but the feeling of empowerment I discovered within myself is the ultimate form of my independence. Though I thought the summer before my freshman year would be a transition from middle school to high school, it was a transformation from childhood to adulthood.

This essay feels real and tells readers a lot about the writer. To start at the beginning, the intro is 10/10. It has drama, it has emotions, and it has the reader wanting more.

And, when you keep going, you get to learn a lot about a very resilient and mature student. Through sentences like “I made countless trips to the neighborhood pharmacy, cooked dinner, biked to the grocery store, supported my concerned sister, and provided the loving care my mother needed to recover” and “Relying on my faith and positive attitude, I remained optimistic that my mother would survive and that I could embrace new responsibilities,” the reader shows us that they are aware of their resilience and maturity, but are not arrogant about it. It is simply a fact that they have proven!

Sometimes writing about adversity can feel exploitative or oddly braggy. This student backs up everything they say with anecdotes that prove and show their strength and resilience, rather than just claiming their strengths. When I read this essay, I want to cheer for its writer! And I want to be able to continue cheering for them (perhaps, if I were an admissions officer, that would make me want them at my school!).

Prompt #5, Example #2

Armed with a red pen, I slowly walked across the room to a small, isolated table with pink stools. Swinging her legs, my young student beamed and giggled at me, slamming her pencil bag on the table and bending over to pick up one of her toys. Natalie always brought some new toy with her to lessons—toys which I would sternly take away from her and place under the table until she finished her work. At the tutoring center where I work, a strict emphasis on discipline leaves no room for paper crowns or rubber chickens. 

Today, she had with her a large stuffed eagle from a museum. As she pulled out her papers, I slid the eagle to the other side of the table. She looked eagerly around, attempting to chat with other students as I impatiently called her attention to her papers. “I should name my eagle,” she chimed, waving her pencil in the air. I cringed—there was no wondering why Natalie always had to sit by herself. She was the antithesis of my academic values, and undoubtedly the greatest adversary of my teaching style.  

As the lesson progressed, Natalie became more fitful; she refused to release her feathered friend, and kept addressing the bird for help with difficult problems. We both grew increasingly more frustrated. Determined to tame this wryly, wiggling student, I stood my ground, set on converting this disobedient child to my calm, measured ways of study.  

As time slowly crept by, I noticed that despite Natalie’s cheerful tone and bright smile, the stuffed eagle was troublesomely quiet and stern-faced. Much like myself. Both the eagle and I were getting nowhere in this lesson—so we hatched a quick plan. Lifting the eagle up in the air, I started reading in my best impersonation of an eagle, squawking my way through a spelling packet. The result provided a sense of instant gratification I never knew I needed. She sang out every letter, clapped her hands at every page, and followed along with the eagle, stopping at every few letters to declare that “E is for eagle” and pet her teacher fondly on the beak.  

Despite my ostensibly dissatisfied attitude toward my students, I did not join the tutoring center simply to earn money. I had always aspired to help others achieve their fullest potential. As a young adult, I felt that it was time for me to step out of the role of a pupil and into the influential role of a teacher, naively believing that I had the maturity and skill to adapt to any situation and help these students reach their highest achievements academically. For the most part, the role of a stern-faced, strict instructor helped me get by in the workplace, and while my students never truly looked happy, I felt that it was part of the process of conditioning a child to learn. 

Ironically, my transition to adulthood was the result of a stuffed animal. It was indisputable that I always had the skill to instruct others; the only thing needed to instruct someone is knowledge of the subject. However, it was only upon being introduced to a stuffed bird in which I realized that students receive the most help not from instructors, but teachers. While almost anyone can learn material and spit it back out for someone, it takes the maturity and passion of a teacher not only to help students improve in their students, but also to motivate them and develop them into better citizens. From my young pupil and her little bird, I have undergone a change in attitude which reflects a growth in maturity and ability to improve the lives of others that I hope to implement in my future role as a student, activist, and physician. My newfound maturity taught me that the letter “e” stands for many things: empathy, experience, enthusiasm, and eagle.

In this essay, the student effectively explores their values (and how they learned them!) then identifies these values through a reflective conclusion. While the writer humbly recognizes the initial faults in their teaching style, they do not position their initial discipline or rigidity as mean or poorly intentioned—simply ineffective. This is important because, when you are discussing a transition like this, you don’t want admissions officers to think of you as having been a bad person. 

My favorite part about this essay is its subtlety. The major shift in the essay comes through the simple sentence “The result provided a sense of instant gratification I never knew I needed.” The facts of this narrative are not too complicated. Simply put, the writer was strict then learned that it’s sometimes more effective not to be strict. The complexity of this narrative comes through reflection. Notably, through the ending, the student identifies their values (which they hadn’t given a name to before): “it takes the maturity and passion of a teacher not only to help students improve in their students, but also to motivate them and develop them into better citizens.” 

The final sentence of this essay ties things up very nicely. Readers are left satisfied with the essay and convinced that its writer is a kind human with a large capacity for reflection and consideration. That is a great image to paint of yourself!

Prompt #5, Example #3

When it’s quiet, I can still hear the Friday night gossip and giggles of my friends. It’s a stark contrast from the environment I’ve known all my life, my home. My family has always been one to keep to themselves; introverts with a hard-working mentality—my father especially. He spent most of his time at work and growing up without him around, I came to be at peace with the fact that I’d probably never really get to know him. The thought didn’t bother me at the time because I felt that we were very different. He was stoic and traditional; I was trying to figure out who I was and explore my interests. His disapproval of the American music I listened to and my penchant for wearing hand-me-downs made me see him as someone who wanted to restrain my individuality. That explains why I relied heavily on my friends throughout middle and high school; they liked me for who I was. I figured I would get lonely without my friends during quarantine, but these last few months stuck at home gave me the time to make a new friend: my father. 

It was June. I had the habit of sleeping with my windows open so I wouldn’t need to set an alarm; the warmth of the sun and the sounds of the neighborhood children playing outside would wake me. One morning, however, it was not the chirping of birds or the laughter of children I awoke to, but the shrill of a saw. Through the window screen, on the grass below, my father stood cutting planks of wood. I was confused but didn’t question him—what he did with his time was none of my business. It was not until the next day, when I was attempting to work on a sculpture for an art class, that the sounds of hammering and drills became too much to ignore. Seeking answers, I trudged across my backyard towards the corner he was in. On that day, all there was to see was the foundation of what he was building; a shed. My intrigue was replaced with awe; I was impressed by the precision of his craft. Sharp corners, leveled and sturdy, I could imagine what it would look like when the walls were up and the inside filled with the tools he had spread around the yard. 

Throughout the week, when I was trying to finish my sculpture for art class—thinking about its shape and composition—I could not help but think of my father. Art has always been a creative outlet for me, an opportunity to express myself at home. For my dad, his craftsmanship was his art. I realized we were not as different as I had thought; he was an artist like me. My glue and paper were his wood and nails.

That summer, I tried to spend more time with my dad than I have in all my 18 years of life. Waking up earlier than usual so we could have our morning coffees together and pretending to like his favorite band so he’d talk to me about it, I took advantage of every opportunity I had to speak with him. In getting to know him, I’ve recognized that I get my artistry from him. 

Reflecting on past relationships, I feel I am now more open to reconnecting with people I’ve perhaps misjudged. In reconciling, I’ve realized I held some bitterness towards him all these years, and in letting that go, my heart is lighter. Our reunion has changed my perspective; instead of vilifying him for spending so much time at work, I can appreciate how hard he works to provide for our family. When I hear him tinkering away at another home project, I can smile and look forward to asking him about it later.

This is an outstanding example of the great things that can be articulated through a reflective essay. As we read the essay, we are simply thinking alongside its author—thinking about their past relationship with their father, about their time in quarantine, about aspects of themselves they think could use attention and growth. 

While we reflect, we are also centered by the student’s anecdote about the sculpture and the shed during quarantine. By centering us in real-time, the student keeps us engaged in the reflection.

The main strength here is the maturity we see on the part of its writer. The student doesn’t say “and I realized my father was the best dad in the world;” they say “and I realized my father didn’t have to be the best dad in the world for me to give him a chance.” Lots of students show themselves as motivated, curious, or compassionate in their college essays, but a reflective essay that ends with a discussion of resentment and forgiveness shows true maturity.

Prompt #5, Example #4

As a wide-eyed, naive seven-year-old, I watched my grandmother’s rough, wrinkled hands pull and knead mercilessly at white dough until the countertop was dusted in flour. She steamed small buns in bamboo baskets, and a light sweetness lingered in the air. Although the mantou looked delicious, their papery, flat taste was always an unpleasant surprise. My grandmother scolded me for failing to finish even one, and when I complained about the lack of flavor she would simply say that I would find it as I grew older. How did my adult relatives seem to enjoy this Taiwanese culinary delight while I found it so plain?

During my journey to discover the essence of mantou, I began to see myself the same way I saw the steamed bun. I believed that my writing would never evolve beyond a hobby and that my quiet nature crippled my ambitions. Ultimately, I thought I had little to offer the world. In middle school, it was easy for me to hide behind the large personalities of my friends, blending into the background and keeping my thoughts company. Although writing had become my emotional outlet, no matter how well I wrote essays, poetry, or fiction, I could not stand out in a sea of talented students. When I finally gained the confidence to submit my poetry to literary journals but was promptly rejected, I stepped back from my work to begin reading from Whitman to Dickinson, Li-Young Lee to Ocean Vuong. It was then that I realized I had been holding back a crucial ingredient–my distinct voice. 

Over time, my taste buds began to mature, as did I. Mantou can be flavored with pork and eggplant, sweetened in condensed milk, and moistened or dried by the steam’s temperature. After I ate the mantou with each of these factors in mind, I noticed its environment enhanced a delicately woven strand of sweetness beneath the taste of side dishes: the sugar I had often watched my grandmother sift into the flour. The taste was nearly untraceable, but once I grasped it I could truly begin to cherish mantou. In the same way the taste had been lost to me for years, my writer’s voice had struggled to shine through because of my self-doubt and fear of vulnerability.

As I acquired a taste for mantou, I also began to strengthen my voice through my surrounding environment. With the support of my parents, peer poets, and the guidance of Amy Tan and the Brontё sisters, I worked tirelessly to uncover my voice: a subtle strand of sweetness. Once I stopped trying to fit into a publishing material mold and infused my uninhibited passion for my Taiwanese heritage into my writing, my poem was published in a literary journal. I wrote about the blatant racism Asians endured during coronavirus, and the editor of Skipping Stones Magazine was touched by both my poem and my heartfelt letter. I opened up about being ridiculed for bringing Asian food to school at Youth Leadership Forum, providing support to younger Asian-American students who reached out with the relief of finding someone they could relate to. I embraced writing as a way to convey my struggle with cultural identity. I joined the school’s creative writing club and read my pieces in front of an audience, honing my voice into one that flourishes out loud as well.

Now, I write and speak unapologetically, falling in love with a voice that I never knew I had. It inspires passion within my communities and imparts tenacity to Asian-American youth, rooting itself deeply into everything I write. Today, my grandmother would say that I have finally unearthed the taste of mantou as I savor every bite with a newfound appreciation. I can imagine her hands shaping the dough that has become my voice, and I am eager to share it with the world.

This essay is structurally-sound, with the student’s journey learning to savor mantou and their journey trying to find their voice serving as outstanding parallels. Additionally, as they describe the journey to find a voice in their writing, they definitely show off their voice! The clear introduction provides a great image and draws us in with an intriguing question. Additionally, their little inserts like “a strand of sweetness” and “falling in love with a voice that I never knew I had” work very well.

When the student describes their first published poem, however, their writing gets a little more stilted. This is a common error students make when writing about their achievements. If this student is writing about the craft that goes into writing, we should hear the details of the craft that went into the poem, instead of simply learning that they “opened up about being ridiculed for bringing Asian food to school at Youth Leadership Forum.” This is interesting information but would be stronger if it were supplemented by descriptions of the voice they created, comparisons to the styles of other poets, and analysis of their stylistic choices. This would make the essay feel more cohesive, centering entirely around concepts of voice and style.

Prompt #6: Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

Note: We don’t have a stellar example for this prompt, so instead, we’re sharing a couple examples that need improvement, and what can be done to make the essays more engaging. 

Prompt #6, Example #1

What factors shape the depth and allure of a literary character? This is the exact question I asked myself as my eyes riveted on the white pages covered with little black letters.

I was reading my old novels. I’ve written three novels and many short stories. Each of them repetitively portrayed the hero as intelligent and funny, and the antagonists as cold and manipulative. I came to the appalling realization that my characters were flat, neither exciting nor original. They just didn’t stand out! 

As Oscar Wilde said, ‘Vice and virtue are to the artist material to an art.’ Their mixing makes a novel addictive because its plot is rich with turnarounds and its characters more engaging. In his famous work The Picture of Dorian Gray , Wilde deconstructs the psyche of his characters. He brilliantly plays with the protagonist’s youthful appearance and the decaying portrait to build a truly unique idiosyncratic identity. The persona of Dorian Gray is so complicated a psychologist could analyze it for hours on end!

Inspired by this character, It was my turn to explore good and evil into characters to make my stories more enthralling. I skillfully played with vice and virtue, separating, merging them… My latest novel is the fruit of this exercise. I chose to set it in 20th century London. Its opium dens and exclusive salons; middle-class workers, peasants and politicians breathed the same newly industrialized air; modernity in Blackfriars bridge and tradition in St Paul’s Cathedral; all of these contrasts set the perfect environment for my characters to grow. Following Laclos’ Valmont, Maupassant’s Georges Duroy and Duffy’s Myra Hindley, I played with those contrasts to present an intricate character, truly creative – unlike my previous ones. Insanity, religion, depravity and love are merged into each character, reflecting Edwardian London. As I reflected on my work, I realized vice and virtue altogether made them more human and credible. These characters stood out, they were interesting, I even wanted to know more about them! 

After rewriting, erasing, typing, and thinking countless times, I realized writing is a unique exercise. Nothing is definite when you are holding a fountain pen, hearing its screeching sound on the white paper and watching the ebony ink forming letters. When I wasn’t too happy about a change I made in my story, I simply erased and rewrote it. Everything I imagined could happen: white pages are the only place the mouse eats the cat or the world is taken by a zombie attack! 

This exact exercise of diversifying my characters satisfied my relentless curiosity. Asking myself ‘how could this character be if she had lost her parents in a maritime tragedy?’ allowed me to view the world from different perspectives (some very dissimilar to my own) and considering how each character would react to different situations brought them to life. As I was writing, I was aiming to change the usual narratives I had previously traversed. I loved experimenting with countless personality traits in my characters – minutes flowing, my hand dancing on the paper as my mind was singing words coming alive….

There were times where my hand just stopped writing and my mind stopped raging. I tried thinking differently, changing a character’s background, the story, the setting. I was inspired by Zola, A.Carter, Fitzgerald, the Brontë sisters… I could observe the different reactions of their characters, and reflect on mine theoretically. But it was only part one of the work: I then had to write, sometimes aimlessly, sometimes frantically, always leading to fresh ideas – I was exploring the practical, trying, erasing and rewriting. Both theory and practice are required to gain intellectual independence and experience, in writing and more globally: before I can change a character, I have to understand it. Before we can change the world, we have to understand it.

The main strength of this essay is the authenticity of the topic the student chose. They aren’t making anything up or stretching the truth. Writing is something that captivates them, and that captivation shines through—particularly through their fourth paragraph (where they geek out over specific plots and characters) and their fifth paragraph (where they joyfully describe how writing has no limitations). Admissions officers want to see this passion and intensity in applicants! The fact that this student has already written three novels also shows dedication and is impressive.

The main weakness of this essay is its structure. Ironically, it is not super captivating. The essay would have been more compelling if the student utilized a “anecdote – answer – reflection” structure. This student’s current introduction involves a reflective question, citations about their past writing experience, then their thoughts on Oscar Wilde’s Dorian Gray. Instead, this student could’ve provided one cohesive (and powerful!) image of them being frustrated with their own writing then being inspired by Dorian Gray. This would look something like:

“I stayed up three nights in a row studying my own writing—bored by my own writing. The only thing more painful than seeing failure in the fruits of your labor is not seeing a path for improvement. I had written three novels and numerous short stories, and all I could come up with was funny and intelligent heroes going up against cold and manipulative villains. What kind of writer was so consistently cliche? On the third night, I wandered over to my bookshelf. Mrs. Dalloway caught my eye (it has such a beautiful cover). I flipped through. Then, I grabbed Giovanni’s Room . I was so obsessed with my shortcomings that I couldn’t even focus long enough to see what these authors were doing right. I picked up The Picture of Dorian Gray and decided to just start reading. By the end of the night, I was captivated.”

An introduction like this would flow nicely into the student describing their experience with Dorian Gray then, because of that experience, describing how they have altered their approach to writing. The conclusion of this essay would then be this student’s time for reflection. Instead of repeating content about their passion—“I then had to write, sometimes aimlessly, sometimes frantically” and “I was exploring the practical, trying, erasing and rewriting”—, the student could dedicate their conclusion to reflecting on the reasons that writing is so captivating or the ways that (until the day they die) writers will always be perfecting their craft.

This essay is a great example of how important it is to pick a topic that truly excites you. It also illustrates how important it is to effectively structure that excitement.

Prompt #6, Example #2

Astonished by the crashing sound of waves in my ear, I was convinced this magical shell actually held the sound of the big blue sea — my six-year-old self was heartbroken when I couldn’t take the thirty-dollar artificial shell from SeaWorld’s gift shop . It distinctly reminded me of the awestruck feeling I had when I witnessed the churning waves of a windy night by the ocean the previous weekend; I lost track of time gazing at the distant moonlit border dividing our world from the ever-growing black void. Turning to my mom, I inquired curiously, “Can we go to the place where the water ends one day?”

She explained to me I could never reach the end of the ocean because the harsh line I had seen was actually an illusion called the horizon —  there was no material end to the ocean. For a mind as young as mine was, the idea of infinity was incomprehensible. As my infatuation with the ocean continued to grow, I finally understood that regardless of how far I travel, the horizon is unattainable because it’s not a physical limit. This idea is why the ocean captivates me — no matter how much you discover, there is always more to explore. 

Learning about and exploring the ocean provided an escape from one reality into another; though we are on the same planet, it’s an entirely separate world. Through elementary and middle school, I devoted vast amounts of my free time to learning about simpler concepts like a dolphin’s ability to echolocate and coral reef ecosystems. I rented countless documentaries and constantly checked out books from my local library — my all-time favorite was an episode of the television series Cosmos: A Spacetime Odyssey titled “The Lost Worlds of Planet Earth.” This episode remained memorable because it was centered around the impacts of fossil fuels on marine animals; it was the first time I’d learned about the impending crisis we are faced with due to the human mistreatment of our planet.

Prior to viewing that episode, I relied on the ocean as an outlet — I fueled all of my emotions into studying marine organisms. Once I learned of its grave future, I delved into the world of environmental activism. This path was much more disheartening than studying echolocation — inevitable death due to climate change took a toll on my mental health. I attended two climate strikes in November of my sophomore year. Following the strikes, I joined Sunrise Movement Sacramento, a youth-led climate justice organization advocating for the Green New Deal. While analyzing legislation and organizing protests were significant takeaways from my experience with climate activism, they were not the most important. I became an organizer because of my love for the ocean and I remain an organizer because of my passion for dissolving the disproportionalities marginalized groups face due to the sacrificing of people’s livelihood for the sake of profit. The more I learned about our modern society, the more hopeless I grew that I could see any significant change within my lifetime.

However, this hopelessness comes in waves; every day, I remind myself of the moment I discovered the horizon. Or the moment I first dove into the beautiful waters of the Hawaiian coast and immediately was surrounded by breathtaking seas of magnificent creatures and coral gardens — life felt ethereal and beautiful. I remind myself that like the ocean, the vast majority of the universe has yet to be discovered; that distant border holds infinite opportunity to learn. In a universe as vast as ours, and life as rare as ours, individuals still choose to prioritize avarice over our planet. Despite this grave individualism, the ocean reminds me every day there is hope in the fight for a better world. Though I will never discover every inch of the ocean’s floor, I will forever envision and reach for new horizons.

Sometimes the path to a great essay is taking something normal and using it to show admissions officers who you are and what you value—that is precisely this student’s approach! Finding the ocean fascinating is not unique to this student. Tons of kids (and adults, too!) are obsessed with the ocean. What this student does is take things a step further as they explain their curiosity about the ocean in relation to their pain about the destruction of the environment. This capacity for reflection is great!

This student shows a good control of language through their thematic centering on ocean and horizons that carries through their essay—with ”this hopelessness comes in waves” and “I will forever envision and reach for new horizons.” The details provided throughout are also effective at keeping readers engaged—things like “ my six-year-old self was heartbroken when I couldn’t take the thirty-dollar artificial shell from SeaWorld’s gift shop” and “ my all-time favorite was an episode of the television series Cosmos: A Spacetime Odyssey titled “The Lost Worlds of Planet Earth.”

The main weakness of this essay is the lack of reflection when the student discusses environmental activism. There’s reflection on the student’s connection to the ocean and horizons at the beginning and at the end, but when the student discusses activism, the tone shifts from focusing on their internal thoughts to their external actions. Remember, a lot of students write about environmental activism, but not a lot of students write about an emotional connection to the ocean as an impetus for environmental activism. This student would stand out more to admissions officers if they had dug into questions of what the ocean means to them (and says about them) in the paragraphs beginning “Learning about and exploring the ocean…” and “Prior to viewing that episode.”

Prompt #7: Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

Prompt #7, example #1.

Scalding hot water cascades over me, crashing to the ground in a familiar, soothing rhythm. Steam rises to the ceiling as dried sweat and soap suds swirl down the drain. The water hisses as it hits my skin, far above the safe temperature for a shower. The pressure is perfect on my tired muscles, easing the aches and bruises from a rough bout of sparring and the tension from a long, stressful day. The noise from my overactive mind dies away, fading into music, lyrics floating through my head. Black streaks stripe the inside of my left arm, remnants of the penned reminders of homework, money owed and forms due. 

It lacks the same dynamism and controlled intensity of sparring on the mat at taekwondo or the warm tenderness of a tight hug from my father, but it’s still a cocoon of safety as the water washes away the day’s burdens. As long as the hot water is running, the rest of the world ceases to exist, shrinking to me, myself and I. The shower curtain closes me off from the hectic world spinning around me. 

Much like the baths of Blanche DuBois, my hot showers are a means of cleansing and purifying (though I’m mostly just ridding myself of the germs from children at work sneezing on me). In the midst of a hot shower, there is no impending exam to study for, no newspaper deadline to meet, no paycheck to deposit. It is simply complete and utter peace, a safe haven. The steam clears my mind even as it clouds my mirror. 

Creativity thrives in the tub, breathing life into tales of dragons and warrior princesses that evolve only in my head, never making their way to paper but appeasing the childlike dreamer and wannabe author in me all the same. That one calculus problem that has seemed unsolvable since second period clicks into place as I realize the obvious solution. The perfect concluding sentence to my literary analysis essay writes itself (causing me to abruptly end my shower in a mad dash to the computer before I forget it entirely).  

Ever since I was old enough to start taking showers unaided, I began hogging all the hot water in the house, a source of great frustration to my parents. Many of my early showers were rudely cut short by an unholy banging on the bathroom door and an order to “stop wasting water and come eat dinner before it gets cold.” After a decade of trudging up the stairs every evening to put an end to my water-wasting, my parents finally gave in, leaving me to my (expensive) showers. I imagine someday, when paying the water bill is in my hands, my showers will be shorter, but today is not that day (nor, hopefully, will the next four years be that day). 

Showers are better than any ibuprofen, the perfect panacea for life’s daily ailments. Headaches magically disappear as long as the water runs, though they typically return in full force afterward. The runny nose and itchy eyes courtesy of summertime allergies recede. Showers alleviate even the stomachache from a guacamole-induced lack of self-control. 

Honestly though, the best part about a hot shower is neither its medicinal abilities nor its blissful temporary isolation or even the heavenly warmth seeped deep into my bones. The best part is that these little moments of pure, uninhibited contentedness are a daily occurrence. No matter how stressful the day, showers ensure I always have something to look forward to. They are small moments, true, but important nonetheless, because it is the little things in life that matter; the big moments are too rare, too fleeting to make anyone truly happy. Wherever I am in the world, whatever fate chooses to throw at me, I know I can always find my peace at the end of the day behind the shower curtain.

This essay is relatable yet personal! The writer makes themself supremely human through discussing the universal subject of showering. That being said, an essay about showering could easily turn boring while still being relatable. This writer keeps its relatable moments interesting and fun through vivid descriptions of common feelings including “causing me to abruptly end my shower in a mad dash to the computer before I forget it entirely” and “the stomachache from a guacamole-induced lack of self-control.”

While describing a universal feeling, this student also cleverly and intentionally mentions small facts about their life through simple phrases like “I’m mostly just ridding myself of the germs from children at work sneezing on me” and “the childlike dreamer and wannabe author in me.” To put it simply, though we are talking about a shower, we learn about so much more!

And, at the end, the student lets us know that that is exactly why they love showers. Showers are more than meets the eye! With this insightful and reflective ending (“the big moments are too rare, too fleeting to make anyone truly happy”), readers learn about this student’s capacity for reflection, which is an important capacity as you enter college.

The one major error that this writer commits is that of using a trite transition. The inclusion of “Honestly though” at the beginning of this student’s ending detracts from what they are trying to say and sticks out in their writing.

Prompt #7, Example #2

Steam whooshed from the pot as I unveiled my newest creation: duck-peppercorn-chestnut dumplings. The spicy, hearty aroma swirled into the kitchen, mingling with the smell of fresh dough. Grinning, I grabbed a plump dumpling with chopsticks, blew carefully, and fed it into the waiting mouth of my little sister. Her eyes widening, she vigorously nodded and held up five stubby fingers. I did a little happy dance in celebration and pulled my notebook out of my apron pocket. Duck-peppercorn-chestnut: five stars.

In my household, dumplings are a far cry from the classic pork and cabbage. Our menu boasts everything from the savory lamb-bamboo shoot-watercress to the sweet and crispy apple-cinnamon-date. A few years ago, my sister claimed she was sick of eating the same flavors over and over. Refusing to let her disavow our family staple, I took her complaint as a challenge to make the tastiest and most unconventional dumplings to satisfy her. With her as my taste tester and Mum in charge of dough, I spent months experimenting with dozens of odd ingredient combinations. 

During those days spent covered in flour, my dumplings often reminded me of myself—a hybrid of ingredients that don’t usually go together. I am the product of three distinct worlds: the suburbs of Boston, the rural Chinese village of [location removed], and the coastal city of [location removed]. At school, I am both the STEM nerd with lightning-fast mental math and the artistic plant mom obsessed with funky earrings. I love all that is elegant, from Chinese calligraphy to the rolling notes of the Gourd flute, yet I can be very not elegant, like when my sister and I make homemade slime. When I’m on the streets, marching for women’s rights and climate action, I’m loud, bellowing from the bottom of my gut. In the painting studio, though, I don’t speak unless spoken to, and hours can slip by like minutes. I’m loud and quiet. Elegant and messy. Nerdy and artistic. Suburban, rustic, and metropolitan.

While I’m full of odd combinations, they are only seemingly contradictory. Just as barbeque pork and pineapple can combine beautifully in a dumpling wrapper, different facets of my identity also converge. After my tenth-grade summer, when I spent six weeks studying design at art school and another three researching the brain at Harvard Med, I began asking myself: What if I mixed art and neuroscience together? That fall, I collaborated with my school’s art museum for an independent research project, exploring two questions: How are aesthetic experiences processed in the brain? And how can neuroscience help museums design exhibits that maximize visitor engagement? I combed through studies with results from tightly controlled experiments, and I spent days gathering my own qualitative data by observing museum visitors and asking them questions. With the help of my artistic skills, I could identify the visual and spatial elements of the exhibits that best held visitors’ attention. 

By synergizing two of the ingredients that make me who I am—art and neuroscience—I realized I shouldn’t see the different sides of myself as separate. I learned to instead seek the intersections between aspects of my identity. Since then, I have mixed art with activism to voice my opinions nonverbally, created Spotify playlists with both Chinese and western pop, and written flute compositions using music theory and math. In the future, by continuing to combine my interests, I want to find my niche in the world. I can make a positive impact on society without having to choose just one passion. As of now, my dream is to be a neuroscientist who designs art therapy treatments for mental health patients. Who knows though? Maybe my calling is to be a dim sum chef who teaches pottery on the side. I don’t know where I’ll go, but one thing’s for sure—being a standard pork and cabbage dumpling is definitely not my style.

This essay is outstanding because the student seems likable and authentic. With the first image of the student’s little sister vigorously nodding and holding up “five stubby fingers,” we find ourselves intrigued by the student’s daily life. They additionally show the importance of family, culture, and creativity in their life—these are great things to highlight in your essay!

After the introduction, the student uses their weird dumpling anecdote to transition to a discussion of their unique intersections. This is achieved smoothly because weirdness/uniqueness is the focus of both of these topics. Additionally, the comparison is not awkward because dumplings are used as more than just a transition, but rather are the through-line of the essay—the student weaves in little phrases like “Just as barbeque pork and pineapple can combine beautifully in a dumpling wrapper,” “By synergizing two of the ingredients that make me who I am,” and “being a standard pork and cabbage dumpling is definitely not my style.” This gives the essay its cohesive feel.

Authenticity comes through in this essay as the student recognizes that they don’t know what the future holds. They just know what kind of a person they are—a passionate one! 

One change that would improve this student’s essay would be focusing on fewer intersections in their third and last paragraph. The student mentions STEM, music, family activities, activism, and painting, which makes it feel like a distraction in middle of the essay. Focus on the most important things you want to show admissions officers—you can sit at intersections, but you can’t be interested in everything.

Prompt #7, Example #3

“Everyone follow me!” I smiled at five wide-eyed skaters before pushing off into a spiral. I glanced behind me hopefully, only to see my students standing frozen like statues, the fear in their eyes as clear as the ice they swayed on. “Come on!” I said encouragingly, but the only response I elicited was the slow shake of their heads. My first day as a Learn-to-Skate coach was not going as planned. 

But amid my frustration, I was struck by how much my students reminded me of myself as a young skater. At seven, I had been fascinated by Olympic performers who executed thrilling high jumps and dizzying spins with apparent ease, and I dreamed to one day do the same. My first few months on skates, however, sent these hopes crashing down: my attempts at slaloms and toe-loops were shadowed by a stubborn fear of falling, which even the helmet, elbow pads, and two pairs of mittens I had armed myself with couldn’t mitigate. Nonetheless, my coach remained unfailingly optimistic, motivating me through my worst spills and teaching me to find opportunities in failures. With his encouragement, I learned to push aside my fears and attack each jump with calm and confidence; it’s the hope that I can help others do the same that now inspires me to coach. 

I remember the day a frustrated staff member directed Oliver, a particularly hesitant young skater, toward me, hoping that my patience and steady encouragement might help him improve. Having stood in Oliver’s skates not much earlier myself, I completely empathized with his worries but also saw within him the potential to overcome his fears and succeed. 

To alleviate his anxiety, I held Oliver’s hand as we inched around the rink, cheering him on at every turn. I soon found though, that this only increased his fear of gliding on his own, so I changed my approach, making lessons as exciting as possible in hopes that he would catch the skating bug and take off. In the weeks that followed, we held relay races, played “freeze-skate” and “ice-potato”, and raced through obstacle courses; gradually, with each slip and subsequent success, his fear began to abate. I watched Oliver’s eyes widen in excitement with every skill he learned, and not long after, he earned his first skating badge. Together we celebrated this milestone, his ecstasy fueling my excitement and his pride mirroring my own. At that moment, I was both teacher and student, his progress instilling in me the importance of patience and a positive attitude. 

It’s been more than ten years since I bundled up and stepped onto the ice for the first time. Since then, my tolerance for the cold has remained stubbornly low, but the rest of me has certainly changed. In sharing my passion for skating, I have found a wonderful community of eager athletes, loving parents, and dedicated coaches from whom I have learned invaluable lessons and wisdom. My fellow staffers have been with me, both as friends and colleagues, and the relationships I’ve formed have given me far more poise, confidence, and appreciation for others. Likewise, my relationships with parents have given me an even greater gratitude for the role they play: no one goes to the rink without a parent behind the wheel! 

Since that first lesson, I have mentored dozens of children, and over the years, witnessed tentative steps transform into powerful glides and tears give way to delighted grins. What I have shared with my students has been among the greatest joys of my life, something I will cherish forever. It’s funny: when I began skating, what pushed me through the early morning practices was the prospect of winning an Olympic medal. Now, what excites me is the chance to work with my students, to help them grow, and to give back to the sport that has brought me so much happiness. 

A major strength of this essay comes in its narrative organization. When reading this first paragraph, we feel for the young skaters and understand their fear—skating sounds scary! Then, because the writer sets us up to feel this empathy, the transition to the second paragraph where the student describes their empathy for the young skaters is particularly powerful. It’s like we are all in it together! The student’s empathy for the young skaters also serves as an outstanding, seamless transition to the applicant discussing their personal journey with skating: “I was struck by how much my students reminded me of myself as a young skater.”

This essay positions the applicant as a grounded and caring individual. They are caring towards the young skaters—changing their teaching style to try to help the young skaters and feeling the young skaters’ emotions with them—but they are also appreciative to those who helped them as they reference their fellow staffers and parents. This shows great maturity—a favorable quality in the eyes of an admissions officer.

At the end of the essay, we know a lot about this student and are convinced that they would be a good addition to a college campus!

Prompt #7, Example #4

Flipping past dozens of colorful entries in my journal, I arrive at the final blank sheet. I press my pen lightly to the page, barely scratching its surface to create a series of loops stringing together into sentences. Emotions spill out, and with their release, I feel lightness in my chest. The stream of thoughts slows as I reach the bottom of the page, and I gently close the cover of the worn book: another journal finished.

I add the journal to the stack of eleven books on my nightstand. Struck by the bittersweet sensation of closing a chapter of my life, I grab the notebook at the bottom of the pile to reminisce.

“I want to make a flying mushen to fly in space and your in it” – October 2008

Pulling back the cover of my first Tinkerbell-themed diary, the prompt “My Hopes and Dreams” captures my attention. Though “machine” is misspelled in my scribbled response, I see the beginnings of my past obsession with outer space. At the age of five, I tore through novels about the solar system, experimented with rockets built from plastic straws, and rented Space Shuttle films from Blockbuster to satisfy my curiosities. While I chased down answers to questions as limitless as the universe, I fell in love with learning. Eight journals later, the same relentless curiosity brought me to an airplane descending on San Francisco Bay.

“I wish I had infinite sunsets” – July 2019

I reach for the charcoal notepad near the top of the pile and open to the first page: my flight to the Stanford Pre-Collegiate Summer Institutes. While I was excited to explore bioengineering, anxiety twisted in my stomach as I imagined my destination, unsure of whether I could overcome my shyness and connect with others.

With each new conversation, the sweat on my palms became less noticeable, and I met students from 23 different countries. Many of the moments where I challenged myself socially revolved around the third story deck of the Jerry house. A strange medley of English, Arabic, and Mandarin filled the summer air as my friends and I gathered there every evening, and dialogues at sunset soon became moments of bliss. In our conversations about cultural differences, the possibility of an afterlife, and the plausibility of far-fetched conspiracy theories, I learned to voice my opinion. As I was introduced to different viewpoints, these moments challenged my understanding of the world around me. In my final entries from California, I find excitement to learn from others and increased confidence, a tool that would later allow me to impact my community.

“The beauty in a tower of cans” – June 2020

Returning my gaze to the stack of journals, I stretch to take the floral-patterned book sitting on top. I flip through, eventually finding the beginnings of the organization I created during the outbreak of COVID-19. Since then, Door-to-Door Deliveries has woven its way through my entries and into reality, allowing me to aid high-risk populations through free grocery delivery.

With the confidence I gained the summer before, I took action when seeing others in need rather than letting my shyness hold me back. I reached out to local churches and senior centers to spread word of our services and interacted with customers through our website and social media pages. To further expand our impact, we held two food drives, and I mustered the courage to ask for donations door-to-door. In a tower of canned donations, I saw the value of reaching out to help others and realized my own potential to impact the world around me.

I delicately close the journal in my hands, smiling softly as the memories reappear, one after another. Reaching under my bed, I pull out a fresh notebook and open to its first sheet. I lightly press my pen to the page, “And so begins the next chapter…”

The structuring of this essay makes it easy and enjoyable to read. The student effectively organizes their various life experiences around their tower of journals, which centers the reader and makes the different stories easy to follow. Additionally, the student engages quotes from their journals—and unique formatting of the quotes—to signal that they are moving in time and show us which memory we should follow them to.

Thematically, the student uses the idea of shyness to connect the different memories they draw out of their journals. As the student describes their experiences overcoming shyness at the Stanford Pre-Collegiate Summer Institutes and Door-to-Door Deliveries, this essay can be read as an Overcoming Obstacles essay.

At the end of this essay, readers are fully convinced that this student is dedicated (they have committed to journaling every day), thoughtful (journaling is a thoughtful process and, in the essay, the student reflects thoughtfully on the past), and motivated (they flew across the country for a summer program and started a business). These are definitely qualities admissions officers are looking for in applicants!

Prompt #7, Example #5

“We’re ready for take-off!” 

The tires hit the tarmac and began to accelerate, and I just realized what I had signed up for. For 24 hours straight, I strapped myself into a broken-down SUV whereas others chose the luxury of soaring through the skies for a mere two hours. Especially with my motion sickness and driving anxiety, I would call myself crazy too.

To say I have always remained in my comfort zone is an understatement. Did I always order chicken fingers and fries at a restaurant? Yup! Sounds like me. Did I always create a color-coded itinerary just for a day trip? Guilty as charged. Did I always carry a first-aid kit at all times? Of course! I would make even an ambulance look unprepared. And yet here I was, choosing 1,000 miles of misery from Las Vegas to Seattle despite every bone in my body telling me not to.

The sunlight blinded my eyes and a wave of nausea swept over me. Was it too late to say I forgot my calculator? It was only ten minutes in, and I was certain that the trip was going to be a disaster. I simply hoped that our pre-drive prayer was not stuck in God’s voicemail box. 

All of a sudden, I noticed brightly colored rocks in the distance, ones I had been dying to see for years. Their fluorescence popped amongst the magnificent winding hills as the sunset became romantic in hue. The desert glistened with mirages of deep blue water unlike anything I had ever seen. Nevada was home, but home always seemed to be just desert and casinos. For once, I looked forward to endless desert outside my window rather than a sea of clouds.

I never realized how little I discovered of the world beyond home. For years I complained about how there was nothing to do or discover outside. Not once did I set out to prove myself wrong. Instead, I chose a daily routine of homework at the kitchen table and late-night TV. However, as summer vacation ended, I decided to set my stubbornness aside and finally give this drive back home a chance. Little did I know that it would turn out to be my favorite trip of all time. 

As we drove along, the world chose to prove me wrong when I discovered Heaven on Earth along Shasta Lake. I stood out of the sunroof, surrounded by lush green mountains and fog. I extended my arms out and felt a sense of flight that no plane could ever take me on. As the water vapor kissed my face, I floated into a dreamland I never wanted to leave. I didn’t have to go to great lengths to discover the beauty of the world; it was right in front of me.  From this moment on, comfort and convenience would no longer be my best friends. Rather than only looking for famous travel destinations or following carefully mapped-out routes, I would let curiosity lead the way. 

Since then, my daily life has been anything but routine. I’m proud to boast of my family’s homemade kombucha attempts, of flights purchased and taken in one day, and of a home flooded with knick-knacks from thrifting trips. Every day I set out to try something new, see a different perspective, and go beyond normal. Whether it is by trying a new recipe using taro, making a risky fashion choice with wide-legged pants, or listening to a new music genre in Spanish, I always act with curiosity first.

Over the years, I have devoted my time towards learning Swedish, building computers, and swimming. Although my accent is horrid, some computers almost broke, and even a starfish would outswim me, I continue to enjoy activities I once criticized. For me, there is no enjoyment without some risk. Nobody I know is a kazoo-playing, boogie-board loving, boba connoisseur like me.

This essay is an Overcoming Challenges story that centers around a single anecdote. The structure works nicely as the student describes what they were like before their road trip, what happened on the road trip, and what they were like after. 

The most major improvement that this essay needs is better-communicated authenticity. At the beginning, it feels a bit gimmicky. The student describes their preparedness, particularly the fact that they always carry a first aid kit, and it’s not super believable. Then, when they write “Was it too late to say I forgot my calculator?” it feels like we are in a sitcom and the student is that funny obsessive kid. Sitcom characters don’t feel real and you want to make yourself appear profoundly real.

On a similar note, the narrative arc of this essay isn’t entirely believable. The student describes a large personality and value shift but doesn’t describe any struggles that accompany the shift. A quick shift like that is far from easy. On the other hand, if the immediacy of the shift was easy, they could write about moments after their shift in mindset when they have felt troubled by residual desires to stay in their comfort zone, instead of writing “I always act with curiosity first.”

The greatest strength of this essay is the paragraphs beginning “I never realized how little…” and “As we drove along…” The fixation on comfort seems much more believable when it involves “homework at the kitchen table and late-night TV.” The descriptions of the drive provide beautiful, evocative imagery. And it’s topped off with some nice reflection! Digging into this great portion of the essay would make this an even stronger essay!

Want to see more examples? Check out this post with 16 strong essay examples from top schools , including common supplemental essay questions.

At selective schools, your essays account for around 25% of your admissions decision. That’s more than grades (20%) and test scores (15%), and almost as much as extracurriculars (30%). Why is this? Most students applying to top schools will have stellar academics and extracurriculars. Your essays are your chance to stand out and humanize your application.

That’s why it’s vital that your essays are engaging, and present you as someone who would enrich the campus community.

Before submitting your application, you should have someone else review your essays. It’s even better if that person doesn’t know you personally, as they can best tell whether your personality shines through your essay. 

That’s why we created our free Peer Essay Review tool , where you can get a free review of your essay from another student. You can also improve your own writing skills by reviewing other students’ essays. 

If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!

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