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Oral presentation

Giving an oral presentation as part of a speaking exam can be quite scary, but we're here to help you. Watch two students giving presentations and then read the tips carefully. Which tips do they follow? Which ones don’t they follow?

Instructions

Watch the video of two students doing an oral presentation as part of a speaking exam. Then read the tips below.

Melissa: Hi, everyone! Today I would like to talk about how to become the most popular teen in school.

Firstly, I think getting good academic results is the first factor to make you become popular since, having a good academic result, your teacher will award you in front of your schoolmates. Then, your schoolmates will know who you are and maybe they would like to get to know you because they want to learn something good from you.

Secondly, I think participating in school clubs and student unions can help to make you become popular, since after participating in these school clubs or student union, people will know who you are and it can help you to make friends all around the school, no matter senior forms or junior forms.

In conclusion, I think to become the most popular teen in school we need to have good academic results and also participate in school clubs and student union. Thank you!

Kelvin: Good evening, everyone! So, today I want to talk about whether the sale of cigarettes should be made illegal.

As we all know, cigarettes are not good for our health, not only oneself but also other people around. Moreover, many people die of lung cancer every year because of smoking cigarettes.

But, should the government make it illegal? I don’t think so, because Hong Kong is a place where people can enjoy lots of freedom and if the government banned the sale of cigarettes, many people would disagree with this and stand up to fight for their freedom.

Moreover, Hong Kong is a free market. If there's such a huge government intervention, I think it’s not good for Hong Kong’s economy.

So, if the government wants people to stop smoking cigarettes, what should it do? I think the government can use other administrative ways to do so, for example education and increasing the tax on cigarettes. Also, the government can ban the smokers smoking in public areas. So, this is the end of my presentation. Thank you.

It’s not easy to give a good oral presentation but these tips will help you. Here are our top tips for oral presentations.

• Use the planning time to prepare what you’re going to say. 
• If you are allowed to have a note card, write short notes in point form.
• Use more formal language.
• Use short, simple sentences to express your ideas clearly.
• Pause from time to time and don’t speak too quickly. This allows the listener to understand your ideas. Include a short pause after each idea.
• Speak clearly and at the right volume.
• Have your notes ready in case you forget anything.
• Practise your presentation. If possible record yourself and listen to your presentation. If you can’t record yourself, ask a friend to listen to you. Does your friend understand you?
• Make your opinions very clear. Use expressions to give your opinion .
• Look at the people who are listening to you.
• Write out the whole presentation and learn every word by heart. 
• Write out the whole presentation and read it aloud.
• Use very informal language.
• Only look at your note card. It’s important to look up at your listeners when you are speaking.

Useful language for presentations

Explain what your presentation is about at the beginning:

I’m going to talk about ... I’d like to talk about ... The main focus of this presentation is ...

Use these expressions to order your ideas:

First of all, ... Firstly, ... Then, ... Secondly, ... Next, ... Finally, ... Lastly, ... To sum up, ... In conclusion, ...

Use these expressions to add more ideas from the same point of view:

In addition, ... What’s more, ... Also, ... Added to this, ...

To introduce the opposite point of view you can use these words and expressions:

However, ... On the other hand, ... Then again, ...

Example presentation topics

• Violent computer games should be banned.
• The sale of cigarettes should be made illegal.
• Homework should be limited to just two nights a week.
• Should school students be required to wear a school uniform?
• How to become the most popular teen in school.
• Dogs should be banned from cities.

Check your language: ordering - parts of a presentation

Check your understanding: grouping - useful phrases, worksheets and downloads.

Do you think these tips will help you in your next speaking exam? Remember to tell us how well you do in future speaking exams!  

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How to Use Oral Presentations to Help English Language Learners Succeed

Please try again

Excerpted from “ The ELL Teacher’s Toolbox: Hundreds of Practical Ideas to Support Your Students ,” by Larry Ferlazzo and Katie Hull Sypnieski, with permission from the authors.

Having the confidence to speak in front of others is challenging for most people. For English Language Learners, this anxiety can be heightened because they are also speaking in a new language. We’ve found several benefits to incorporating opportunities for students to present to their peers in a positive and safe classroom environment. It helps them focus on pronunciation and clarity and also boosts their confidence. This type of practice is useful since students will surely have to make presentations in other classes, in college, and/or in their future jobs. However, what may be even more valuable is giving students the chance to take these risks in a collaborative, supportive environment.

Presentations also offer students the opportunity to become the teacher—something we welcome and they enjoy! They can further provide valuable listening practice for the rest of the class, especially when students are given a task to focus their listening.

Research confirms that in order for ELLs to acquire English they must engage in oral language practice and be given the opportunity to use language in meaningful ways for social and academic purposes (Williams & Roberts, 2011). Teaching students to design effective oral presentations has also been found to support thinking development as “the quality of presentation actually improves the quality of thought, and vice versa” (Živković, 2014, p. 474). Additionally, t he Common Core Speaking and Listening Standards specifically focus on oral presentations. These standards call for students to make effective and well-organized presentations and to use technology to enhance understanding of them.

GUIDELINES AND APPLICATION

Oral presentations can take many different forms in the ELL classroom—ranging from students briefly presenting their learning in small groups to creating a multi-slide presentation for the whole class. In this section, we give some general guidelines for oral presentations with ELLs. We then share ideas for helping students develop their presentation skills and describe specific ways we scaffold both short and long oral presentations.

We keep the following guidelines in mind when incorporating oral presentations into ELL instruction:

Length —We have students develop and deliver short presentations (usually 2-4 minutes) on a regular basis so they can practice their presentation skills with smaller, less overwhelming tasks. These presentations are often to another student or a small group. Once or twice a semester, students do a longer presentation (usually 5-8 minutes), many times with a partner or in a small group.

Novelty —Mixing up how students present (in small groups, in pairs, individually) and what they use to present (a poster, a paper placed under the document camera, props, a slide presentation, etc.) can increase engagement for students and the teacher!

Whole Class Processing -- We want to avoid students “tuning out” during oral presentations. Not only can it be frustrating for the speakers, but students also miss out on valuable listening practice. During oral presentations, and in any activity, we want to maximize the probability that all students are thinking and learning all the time. Jim Peterson and Ted Appel, administrators with whom we’ve worked closely, call this “whole class processing” (Ferlazzo, 2011, August 16) and it is also known as active participation. All students can be encouraged to actively participate in oral presentations by being given a listening task-- taking notes on a graphic organizer, providing written feedback to the speaker, using a checklist to evaluate presenters, etc.

Language Support —It is critical to provide ELLs, especially at the lower levels of English proficiency, with language support for oral presentations. In other words, thinking about what vocabulary, language features and organizational structures they may need, and then providing students with scaffolding, like speaking frames and graphic organizers. Oral presentations can also provide an opportunity for students to practice their summarizing skills. When students are presenting information on a topic they have researched, we remind them to summarize using their own words and to give credit when using someone else’s words.

Technology Support —It can’t be assumed that students have experience using technology tools in presentations. We find it most helpful using simple tools that are easy for students to learn (like Powerpoint without all the “bells and whistles” or Google Slides). We also emphasize to students that digital media should be used to help the audience understand what they are saying and not just to make a presentation flashy or pretty. We also share with our students what is known as “The Picture Superiority Effect”-- a body of research showing that people are better able to learn and recall information presented as pictures as opposed to just being presented with words (Kagan, 2013).

Groups -- Giving ELLs the opportunity to work and present in small groups is helpful in several ways. Presenting as a group (as opposed to by yourself) can help students feel less anxious. It also offers language-building opportunities as students communicate to develop and practice their presentations. Creating new knowledge as a group promotes collaboration and language acquisition--an ideal equation for a successful ELL classroom!

Teacher feedback/student evaluation --The focus of oral presentations with ELL students should be on the practice and skills they are gaining, not on the grade or “score” they are earning. Teachers can give out a simple rubric before students create their presentations. Then students can keep these expectations in mind as they develop and practice their presentations. The teacher, or classmates, can then use the rubric to offer feedback to the speaker. We also often ask students to reflect on their own presentation and complete the rubric as a form of self-assessment. Figure 30.1 – “Presentation Peer Evaluation Rubric” , developed by talented student teacher Kevin Inlay (who is now a teacher in his own classroom), is a simple rubric we used to improve group presentations in our ELL World History class.

Teaching Presentation Skills

We use the following two lesson ideas to explicitly teach how to develop effective presentation skills:

LESSON ONE: Speaking and Listening Do’s and Don’ts

We help our students understand and practice general presentation skills through an activity we call Speaking and Listening “Do’s and Don’ts.” We usually spread this lesson out among two class periods.

We first ask students to create a simple T-chart by folding a piece of paper in half and labeling one side “Do” and the other side “Don’t.” We then post Figure 30.2 “Speaking Do’s and Don’ts” on the document camera and display the first statement (the rest we cover with a blank sheet of paper).

We read the first statement, “Make eye contact with the audience,” and ask students if this is something they want to do when they are giving a presentation or if it is something they don’t want to do. Students write the statement where they think it belongs--under the “Do” column or “Don’t” Column. Students then share their answer with a partner and discuss why they put it in that column. After calling on a few pairs to share with the class, we move down the list repeating the same process of categorizing each statement as a “Do” or a “Don’t.” Students write it on their chart and discuss why it should be placed there.

After categorizing the statements for speaking, we give students Figure 30.3 “Listening Do’s and Don’ts .” We tell students to work in pairs to categorize the statements as something they do or something they don’t want to do when listening to a student presentation. This time, we ask students to make a quick poster with the headings “Do’s” and “Don’ts” for Listening. Under each heading students must list the corresponding statements--the teacher can circulate to check for accuracy. Students are asked to talk about why each statement belongs in each category and should be prepared to share their reasoning with the class. Students must also choose one “do” statement and one “don’t” statement to illustrate on their poster. Students can present their posters in small groups or with the whole class. This serves as a great opportunity to apply the speaking and listening “do’s” they just reviewed and heightens their awareness of the “don’ts!”

A fun twist, that also serves as a good review on a subsequent day, is to ask groups of students to pick two or three “do’s” and “don’ts” from both Speaking and Listening to act out in front of the class.

LESSON TWO Slide Presentations Concept Attainment

We periodically ask students to make slide presentations using PowerPoint or Google Slides to give them practice with developing visual aids (see the Home Culture activity later in this section). We show students how to make better slides, along with giving students the language support they may need in the form of an outline or sentence starters. An easy and effective way to do this is through Concept Attainment.

Concept Attainment involves the teacher identifying both "good" and "bad" examples of the intended learning objective. In this case, we use a PowerPoint containing three “good” slides and three “bad” ones (see them at The Best Resources For Teaching Students The Difference Between A Good and a Bad Slide ).

We start by showing students the first example of a “good” or “yes” slide (containing very little text and two images) and saying, “This is a yes.” However, we don’t explain why it is a “yes.” Then we show a “bad” or “no” example of a slide (containing multiple images randomly placed with a very “busy background”), saying, “This is a no” without explaining why. Students are then asked to think about them, and share with a partner why they think one is a "yes" and one is a "no."

At this point, we make a quick chart on a large sheet of paper (students can make individual charts on a piece of paper) and ask students to list the good and bad qualities they have observed so far. For example, under the “Good/Yes” column it might say “Has less words and the background is simple” and under the “Bad/No” column “Has too many pictures and the background is distracting.”

We then show the second “yes” example (containing one image with a short amount of text in a clear font) and the “no” example (containing way too much text and using a less clear font style). Students repeat the “think-pair-share” process and then the class again discusses what students are noticing about the “yes” and “no” examples. Then they add these observations to their chart.

Students repeat the whole process a final time with the third examples. The third “yes” example slide contains one image, minimal text and one bullet point. The third “no” example, on the other hand, contains multiple bullet points.

To reinforce this lesson at a later date, the teacher could show students more examples, or students could look for more “yes” and “no” examples online. They could continue to add more qualities of good and bad slides to their chart. See the Technology Connections section for links to good and bad PowerPoint examples, including the PowerPoint we use for this Concept Attainment lesson.

You can learn more about other presentations that support public speaking, such as home culture presentations, speed dating, talking points, top 5 and PechaKucha Book talks in our book, “ The ELL Teacher’s Toolbox: Hundreds of Practical Ideas to Support Your Students .”

Larry Ferlazzo has taught English Language Learners, mainstream and International Baccalaureate students at Luther Burbank High School in Sacramento for 15 years. He has authored eight books on education, hosts a popular blog for educators, and  writes a weekly teacher advice column for Education Week Teacher .  He was a community organizer for 19 years prior to becoming a high school teacher.

Katie Hull Sypnieski has worked with English Language Learners at the secondary level for over 20 years.  She currently teaches middle school ELA and ELD at Rosa Parks K-8 School in Sacramento, California. She is a teaching consultant with the Area 3 Writing Project at the University of California, Davis and has leads professional development for teachers of ELLs. She is co-author (with Larry Ferlazzo) of The ESL/ELL Teacher’s Survival Guide and Navigating the Common Core with English Language Learners .

English Speaking Practice Through Presentations

If you’re anything like most teachers, you’re probably constantly looking for new ways to encourage your students to practise their oral English and speak spontaneously. In this article, we consider the value of the ‘presentation’ in achieving this.

Asking students to give presentations has the following advantages:

• it gives the presenting student a good opportunity to practise unaided speaking
• it gives the other students good listening practice
• it increases the presenting student’s confidence when using English
• it can be good practice for the real situation for those students who may actually need to give presentations in English in their professional lives
• it is an excellent generator of spontaneous discussion

First of all, let’s define what we mean by ‘presentation’. For our purposes, we mean:

A short talk by one person to a group of people introducing and describing a particular subject (for example: a new product, company figures or a proposed advertising campaign).

This is a narrow definition. In reality, presentations may be given by more than one person, are not necessarily short and are not necessarily a ‘talk’ since they may be by video, Internet etc.

Here we are considering, not so much the ‘presentation’ as an end in itself as the use of presentations for speaking practice.

Whether your students themselves will be keen to give presentations will depend on various factors. Their level is one. From intermediate upwards, students should derive real benefit from this type of activity. (That is not to say that below this level they should not attempt presentations.) Culture is another. Some nationalities are quite used to speaking in public and may be only too happy to have the opportunity to practise their spoken English in this way. Other nationalities are much more reserved and will be reticent or downright unwilling. At the individual level, a student who is an expert on something of great interest may be keener to talk than one who apparently has nothing to talk about.

Only you can judge the situation. It may be necessary to introduce the idea of presentations with tact. Imposing a presentation on unreceptive students will probably be counter-productive. Asking, suggesting, implanting the idea are more likely to be productive approaches.

Choice of Subject The first question that goes through any student’s head is ‘What will I talk about?’ That is where preparation on your part, perhaps weeks before, can help.

Before any mention of a presentation, elicit interests from each student. These may be hobbies, professional activities, past holidays etc. Rarely do you find that every student in a group is a professional sky-diver, brain surgeon or stand-up comedian. Yet, with a little prompting, you will often find that each student has an interest or skill that is particular to her but of potential interest to others. Having dug a little into each student’s mind, you can store the interests for the moment when you propose presentations. Even then, you do not normally need to suggest to each student what he could talk about. Say something like: ‘The subject could be anything, for example, your work, your hobby, a holiday.’ Only if a student is at a complete loss do you need to help her with your previously elicited list of interests. But students are often more imaginative than we suppose. One of the best student presentations I ever saw was ‘How To Change Baby’s Nappy’, illustrated with a life size doll, Pampers, talcum powder and a flask of water!

Time limit If students are apprehensive about giving a presentation, it may help to point out that it need not be a long presentation, ‘just 5 or 10 minutes, plus questions.’ In reality, it is far more difficult to prepare and give a 5-minute presentation than a 20-minute one. In addition, once underway, students very often overrun on their time. The important thing is that they be given a time-limit of some kind. It is up to you to decide this. It will depend on how many students there are, the overall time available, and whether the presentations are to be given during the same lesson or over a series of lessons. In general, it is probably best to limit the number of presentations to two per lesson and to set a time-limit for each of 10 to 15 minutes plus questions. You should build a certain amount of overrun time into your lesson plan. You may wish to adhere strictly to time limits, but the speaking practice and spontaneous discussion generated by presentations are so valuable that it may better to be more flexible.

Equipment Clearly, this will be governed by your environment. The main thing is to encourage students to use support material and visual aids. The bare minimum would be a whiteboard or flipchart. If you have an OHP, so much the better. But encourage students to bring in additional material, for example wall maps or samples (realia).

Preparation Without doubt, preparation is the key element of any presentation. Give your students plenty of time to prepare. It will give them confidence on the day. They can use homework and/or classroom time for preparation. You can help them to prepare by explaining what they need to think about.

The Presentation You may wish to help your students by teaching the principles of presentations. It depends on your objective. Are you teaching ‘presentation’ as an end in itself, or are you using presentations as a means to practise English? In any case, explaining the value of, for example, preparation and signposting will help. As a teacher, you are presenting all the time and probably take for granted the sheer mechanics of presentation and forget the butterflies you had before your first lesson.

Keywords And Notes Remind students that the objective is not to come to class, show everybody the top of their head and read a text. The objective is speaking, admittedly prepared, but without a text. Key words, yes! Notes, yes! But no texts please. Again, you can help them prepare their notes or keywords.

Questions Presenters usually indicate to their audience when they will answer questions – ie, during or after the presentation proper. For your purposes, it may be best to encourage question-taking after rather than during the presentation. This will give the presenting student more time for uninterrupted, unaided speech and avoid any danger of the presentation itself degenerating into a free-for-all. But a well managed question-and-answer session at the end of the presentation is of real value. Encourage the presenting student to invite questions and the audience to ask them. You can certainly start the ball rolling, but try not to dominate. And don’t be afraid of silence! Students need time to think of and formulate questions.

Teacher Feedback If you are actually teaching presentations, you will probably want to give feedback on each presentation. This should be done with tact. You are best placed to judge the value of such feedback, depending on level and culture. You might prefer to use a prepared observation feedback form, divided into sections such as body language, signposting and audience rapport. Then you can give your comments verbally and/or in writing. A feedback form is particularly valuable in giving the presenting student something tangible to take away as a mark of achievement. And you should certainly strive to ensure that overall the feedback is positive, while not avoiding important negative points that need to be worked on.

Peer Feedback Again, depending on group, level and culture, you may wish to invite feedback from other students on the presenting student’s performance. You can give the audience a prepared feedback form, listing the points to watch out for and comment on. But be very careful. This will definitely depend on the group, its level and culture. Some nationalities will be unwilling to, as they see it, ‘criticise’ their colleagues. At lower levels, students may be totally demoralised by such feedback. In all cases, the audience should be looking for positive points at least as much as for negative ones. This can be a useful activity as it sensitises all students to the do’s and don’ts of presentation giving. But if in doubt, it’s probably best avoided.

Presentation Resources A number of ELT coursebooks deal with the language and art of presentation giving. There is a particularly useful chapter in Business Class by David Cotton & Sue Robbins.

You’ll find useful presentation vocabulary at EnglishClub.com Business English.

Students (and teachers) who want to study presentations in greater depth will find a wealth of information in Presentations & Public Speaking in English. The bonus package includes power words for students and an observation feedback form for teachers.

Using Video You could try videoing each presentation for subsequent playback and comment, perhaps giving each participant a cassette of his performance. Again, this depends on various factors. The important point is that any such exercise should have a positive, beneficial result. If there is a danger that videoing will be counter-productive, don’t do it. If you’re not sure, try asking your students. Maybe they will all clamour to be videoed!

You may also like:

• Classroom Practice for IELTS Speaking 1 & 3
• Teaching English as a Non-Native English-Speaking Teacher: Tips and Considerations
• Pronunciation Problems For Spanish-Speaking Learners Of English

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• Articles / Oral Presentations

4 Fun Ways to Practice Short Oral Presentations

by MiddleWeb · Published 07/17/2018 · Updated 07/03/2022

When our book The ELL Teacher’s Toolbox was published this spring, the KQED MindShift blog published an excerpt titled “How to Use Oral Presentations to Help English Language Learners Succeed.”   MiddleWeb asked to share our tips for short presentations that appear in the book right after this excerpt.

You might find it helpful to read both posts. We think our strategies for ELL students can be adapted for any group of students working to improve speaking and listening skills. ~ Larry & Katie

By Larry Ferlazzo and Katie Hull Sypnieski

Speed Dating

Speed dating is a quick way for students to present their work to classmates while gaining speaking and listening practice. The teacher divides students into two rows facing each other (students can be standing or seated in desks).

One row is assigned as the movers . The teacher tells students the amount of time each partner will have to speak (this depends on the length of what they are sharing). When time is up, the teacher says “switch” and the mover row stands and moves one person to the right. This can be done several times so that students can present to multiple partners. (When the movers shift, one person in the stationary row will be without a partner. Have that person move to the other end of their row.)

Students can share their work in different ways (e.g., by sharing specific parts of a mini-poster or explaining something they’ve written). To boost listening skills, we often require students to ask a question after their partner presents (sometimes providing question and answer frames).

The previous paragraphs describe individual presentations. An easy way to do speed dating after students have worked in groups to prepare joint presentations is to assign half the groups to different parts or corners of the room (they become the stationary groups). Each remaining group (who will be the movers) is assigned to start with a stationary group partner. After each of the paired groups makes its joint presentation to the other, the mover group rotates and the process repeats itself.

Talking Points Presentations

This activity is a fun way for students to practice the presentation skill of speaking from their notes, not reading from them.

In this activity, the teacher first asks students to generate a quick list of topics they know a lot about (we often have students consult their heart maps or writing territories, which are discussed in Strategy 18 of our book, “Writer’s Notebook”).

Students then choose one topic to write about for several minutes—writing anything they know or that comes to mind. The teacher can model the same process on the document camera with a topic of his or her choice.

Teacher model: “My worst Disneyland memory was throwing up after Star Tours.”

After writing, the teacher shows students how they can use this quickwrite to create several talking points or categories by looking for ideas that they can expand upon from their original writing. For example, if they wrote about Disneyland then the categories might include “my favorite rides,” “my best memory at Disneyland,” “my worst memory at Disneyland,” or “my favorite Disney character.”

Students then choose three of their categories and draw a quick picture representing each one. For the Disneyland example, Katie modeled drawing a picture of the submarine ride, a picture of her throwing up after going on Star Tours, and a sketch of Minnie Mouse!

The teacher then gives students a simple outline and models using it as an assist while speaking for a brief amount of time (no more than two minutes). See Figure 30.4: Talking Points Presentation Model and Outline for the teacher model and the outline we used for this activity.

Click to enlarge

The teacher reinforces the difference between reading the talking points (a don’t ) and speaking from the talking points (a do ). Students are then given time to practice presenting using the outline as a guide—an opening, talking about each picture (using the talking points as cues), and a closing.

Students can give their presentations in small groups or in pairs (preferably with different students than they practiced with). Depending on their English proficiency level and the amount of practice they’ve had, students may or may not need to look at their outline. Listeners can be tasked with thinking of a relevant question to ask the speaker at the end of their presentation.

Top Five Presentations

This activity involves students working in groups to develop a top five list based on their interests and then preparing a short presentation to share with the class. We were introduced to the idea by ELT specialist Clare Lavery in her British Council post “Short Projects to Get Them Talking.”

In our version of the activity, we put students in groups of three and give them a few minutes to come up with three to four topics they all find interesting. Sometimes students need a few ideas to get them started so we list some examples on the board (animals, sports, music, fashion, etc.).

Students use the outline to develop their presentation ideas – to list their choices for the top five in their topic and to explain why they believe each one belongs in the top five.

We’ve found it is also helpful and enjoyable for students to create a visual aid to further communicate their points. In the past, students have created top five posters and five to seven slide PowerPoints. Students have also incorporated songs and movie clips into their presentations. We usually give groups a speaking time limit of three minutes with the requirement that each person in the group must speak during the presentation.

Students are then given time to practice their presentations. It might be necessary for the class to review our dos and don’ts for speaking and listening . The presentations can be done in front of the whole class or small groups can be paired up and present to each other. Listeners can be asked to provide feedback on a sticky note (writing something they liked about the presentation or a question they had).

PechaKucha Book Talks

PechaKucha (“chit-chat” in Japanese) is a popular presentation format in which 20 slides are shown for 20 seconds each (20 × 20) – about six and a half minutes. The slides, which usually contain one to two images and minimal text, are programmed to advance automatically as the speaker talks along with them.

In other words, each slide is used as a background or visual cue as the speakers progress through their presentation. Many language teachers use the PechaKucha presentation format because it can be easily modified. PK presentations have several advantages for ELLs—they are short, structured, highly visual, and informal.

Students can use the PechaKucha format to develop presentations on basically any topic. Teachers can adjust the time format if they want to give students more time on each slide or have students present fewer slides (e.g., 10 slides × 30 seconds each).

One variation of Pecha Kucha we’ve used in our classes was introduced to us by educator Anthony Schmidt in his helpful blog post “The Power of PechaKucha.” His modified version has students create a short PechaKucha presentation on a book they’ve read. We often have students do book talks with a partner and this is a great way to give those a different spin. Here is the outline Anthony used with his intermediate students:

Five Slide PechaKucha (2:40)

• Slide 1—10 seconds: Introduction, title of book
• Slide 2—60s: Plot, summary
• Slide 3—30s: Favorite scene, character, part
• Slide 4—60s: Evaluation and recommendation
• Slide 5—0 s: Thank you

We provided our students with this outline. Students then created their slide presentations about their books. They selected online images based on a key idea for each slide (e.g., one student chose an image of the cover of his book for Slide 1 and an image of a gold medal for Slide 4).

Because we had beginners and intermediates, we gave students the option of using sentence frames to write their notes for each slide and posted them on the front board (e.g., “The title of my book is.” “I recommend this book because.” ).

Students then printed out a copy of their PowerPoint to use for practice and sent them to us. We had one or two students present their PechaKucha book talks each day over the course of a few weeks.

Short presentations build confidence

Short presentations help us meet our goals of teaching students to develop and deliver effective oral presentations, providing them with lots of practice, and enabling them to feel empowered, not overwhelmed, by the experience.

NOW AVAILABLE: The ESL/ELL Teacher’s Survival Guide: Ready-to-Use Strategies, Tools, and Activities for Teaching English Language Learners of All Levels, 2nd Edition in April 2022.

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Tags: ELL English learners Katie Hull Sypnieski larry ferlazzo listening oral presentations speaking teaching ELLs

MiddleWeb is all about the middle grades, with great 4-8 resources, book reviews, and guest posts by educators who support the success of young adolescents. And be sure to subscribe to MiddleWeb SmartBrief for the latest middle grades news & commentary from around the USA.

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Great resources to help teachers’ teaching.

Really great ideas, thank you for sharing.

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Starting a presentation in english: methods and examples.

• By Jake Pool

If you’re going to make it in the professional world, most likely you’ll have to give a presentation in English at some point. No reason to get nervous!

Most of the work involved lies in the introduction. You may or may not need an English presentation PPT file, your topic, audience, or time limit may vary, but a strong opening is a must no matter what! Everything that follows can build from the opening outline you present to your audience.

Let’s look at some guidelines for starting a presentation in English. If you can master this part, you’ll never have to worry about the rest!

Opening in a Presentation in English

While it’s important to have your entire presentation organized and outlined, planning and organization are especially important in the introduction. This is what will guide you through a clear and concise beginning. Let’s look at how to start a presentation with well-organized thoughts .

Introduction Outline

• Introduce yourself and welcome everyone.
• State the purpose of your presentation
• Give a short overview of the presentation

As we say, it’s as easy as 1-2-3. (No need for a more detailed English presentation script!) Let’s examine the first step.

1. Introduce Yourself & Welcome Everyone

The self-introduction is your opportunity to make a good first impression. Be sure to open with a warm welcome and use language that is familiar and natural. Based on your audience, there are a few different expressions you can use to start your presentation.

If you’re presenting to coworkers who may already know you:

• Hello, [name] here. I would like to thank you all for your time. As you may know, I [describe what you do/your job title] I look forward to discussing [topic] today.
• Good morning/afternoon/evening everyone. Thank you for being here. For those who don’t know me, my name is [name], and for those who know me, hello again.

If you’re presenting to people you’ve never met:

• Hello everyone, it’s nice to meet you all. My name is [name] and I am the [job/title].
• Hello. Welcome to [event]. My name is [name] and I am the [job/title]. I’m glad you’re all here.

There are certainly more ways to make an introduction. However, it’s generally best to follow this format:

• Start with a polite welcome and state your name.
• Follow with your job title and/or the reason you’re qualified to speak on the topic being discussed.

2. State the Purpose of Your Presentation

Now that your audience knows who you are and your qualifications, you can state the purpose of your presentation. This is where you clarify to your audience what you’ll be talking about.

So, ask yourself, “ What do I want my audience to get from this presentation? ”

• Do you want your audience to be informed?
• Do you need something from your audience?
• Do you want them to purchase a product?
• Do you want them to do something for the community or your company?

With your goal in mind, you can create the next couple of lines of your presentation. Below are some examples of how to start.

• Let me share with you…
• I’d like to introduce you to [product or service]
• Today I want to discuss…
• I want to breakdown for you [topic]
• Let’s discuss…
• Today I will present the results of my research on [topic]
• By the end of this presentation, you’ll understand [topic]
• My goal is to explain…
• As you know, we’ll be talking about…

When talking about the purpose of your presentation, stick to your goals. You purpose statement should be only one to three sentences. That way, you can give your audience a clear sense of purpose that sets them up for the rest of the presentation.

3. A Short Overview of the Presentation

The final step in starting your presentation is to give a short outline of what you’ll be presenting. People like a map of what to expect from a presentation.

It helps them organize their thoughts and gives a sense of order. Also, it lets the audience know why they’re listening to you. This is what you’ll use to grab their attention, and help them stay focused throughout the presentation.

Here are some examples of how you can outline your presentation:

• Today, I’m going to cover… Then we’ll talk about… Lastly, I’ll close on…
• We’re going to be covering some key information you need to know, including…
• My aim with this presentation is to get you to… To do that we’ll be talking about…
• I’ve divided my presentation into [number] sections… [List the sections]
• Over the next [length of your presentation] I’m going to discuss…

That’s it! It’s as simple as 1-2-3. If you have a fear of public speaking or are not confident about presenting to a group of people, follow these three steps. It’s a simple structure that can get you off to a good start. With that in mind, there are other ways to bring your introduction to the next level too! Read on for bonus tips on how to really engage your audience, beyond the basics.

For a Strong Presentation in English, Engage your Audience

Presentations aren’t everyone’s strongest ability, and that’s OK. If you’re newer to presenting in English, the steps above are the basics to getting started. Once you’re more comfortable with presenting, though, you can go a step further with some extra tricks that can really wow your audience.

Mastering the skill of engaging an audience will take experience. Fortunately, there are many famous speakers out there you can model for capturing attention. Also, there are some common techniques that English-speakers use to gain an audience’s attention.

*How and when you use these techniques in your introduction is at your discretion, as long as you cover the 3 steps of the introduction outline that we discussed earlier.*

Do or say something shocking.

The purpose of shocking your audience is to immediately engage them. You can make a loud noise and somehow relate the noise to your presentation. Or, you can say, “ Did you know that… ” and follow with a shocking story or statistic. Either way, the objective is to create surprise to draw their attention.

Tell a story

Telling a story related to your presentation is a great way to get the audience listening to you.

You can start by saying, “ On my way to [location] the other day… ” or “ On my way here, I was reminded of… ” and then follow with a story. A good story can make your presentation memorable.

Ask your audience to take part

Sometimes a good introduction that captures attention will involve asking for help from the audience. You can ask the audience to play a quick game or solve a puzzle that’s related to your presentation. Also, you could engage the audience with a group exercise. This is a great way to get people involved in your presentation.

There are many more ways to engage the audience, so get creative and see what you can think up! Here are some resources that will help you get started.

Also, if you want to get better at public speaking (and help your English speaking too!), a great organization to know about is the Toastmasters . The organization is dedicated to helping you be a better speaker, and there are many local groups in America. They offer free lessons and events to help you master your English speaking, and also offer additional help to paying members.

The Takeaway

A presentation in English? No problem, as long as your introduction sets you up for success . Admittedly, this can be easier said than done. Native speakers and non-native speakers alike sometimes struggle with getting a good start on their English presentation. But the advice above can help you get the confidence you need to lay a good foundation for your next speech !

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English Presentation Structure (Introduction, Closing) & useful Phrases

02.21.20   •  #powerpoint #presentation #english.

When giving a presentation in english, there are certain guidelines you should follow. Maybe you haven't got a lot of experience presenting - or you would simply like to refresh your already existing knowledge - we're here to teach you the basics about presenting and provide you with a free list of useful phrases and the basic structure you can in your presentation!

1. Structure

The general structure of a presentation is the following:

• Introduction

It is up to you to design these three parts. Using videos or everyday-examples can be a great way to introduce the audience to the topic. The important thing is that you capture the audience's attention from the beginning by making an interesting introduction. The main part is where you present your topic, ideally divided into sections. You can be creative with it - incorporate images, videos, stories or interactive polls . We generally recommend using different kinds of elements, as that makes the presentation more lively. Make sure your main part is well structured, so your audience can follow. In the conclusion, you should give a short summary of the points you made without adding any new information. You can also make an appeal to your audience in the end.

2. Useful Phrases

Here you'll find several phrases that you'll need in every presentation. Of course, you should adapt them and use them in a context that is suitable for your setting. The phrases are divided into subcategories so you can find what you're looking for more easily.

Starting your Presentation

In your introduction, you should:

Welcome your audience

Good morning/afternoon/evening everyone!

Ladies and gentlemen, I welcome you to my presentation about...

Introduce yourself

I am ... (from company ...) and today I would like to introduce you to the topic of ...

My name is ... and I am going to talk about ... today.

Icebreakers (for audience engagement)

Icebreaker polls are an amazing way to engage your audience instantly. They function as a fun and playful element at the beginning, giving you the perfect start you need to give a successful presentation. Click here to read our detailed post about icebreaker polls!

Mention the presentation topic and the reason for giving the presentation

I am grateful to be here today and tell you you about...

I would like to take this opportunity to talk about ...

I am here today to talk to you about ...

The reason why I am here today to talk about ... is ...

The purpose of this presentation is to ...

My goal today is to ...

Hopefully, by the end of the presentation, you will all know more about ...

Give a short overview of the content

To make it as understandable as possible, I divided my presentation into ... parts. In the first part, I will concentrate on ..., the second part will be about ..., ...

First of all, I will give you a short introduction, then we will move on to ...

... and finally, I will give you some insights to ...

Here are a few phrases that you could use during the whole presentation, but especially in the main part.

Engage your audience

In order to raise the audience's attention and improve their engagement, it is extremely important to make contact with them. A great way to do so is by adding interactive elements such as polls. If you would like to know more about this topic, read our article on How To Boost Audience Engagement . You can also use a software like SlideLizard , which allows you to conduct live polls, do Q&A sessions with your audience, share your resources and many more benefits that take your presentation to the next level.

Please raise your hand if you ...

Have you ever thought about ... ?

I would like to do a poll about ...

Please ask any questions as soon as they arrive.

On one hand, … on the other hand…

Comparing … with …, we can see that…

Clearly, … makes more sense than …

Whereas Option A is …, Option B is …

Making new points

Firstly,… Secondly,…

What also has to be mentioned is…

Next, I would like to bring up the topic of…

That being said, now we are going to take a look at…

Let's move on to the next topic.

On the next slide,…

The last thing I would like to mention is…

We made a whole blog post about how to pose questions in your presentation: The Right Way to do a Question Slide .

Talking about images or videos

In this image you can clearly see that ...

We are now going to take a look at a picture/video of ...

I'm going to show you a video by ... about ... now.

I've prepared a video about ...

Talking about statistics and charts

I am now addressing this graph that refers to the results of study XY.

In the graph on this slide, you can see that ...

The average is at ...

This graph clearly shows that the majority ...

According to this graph, the focus should be on ...

What that study tells us for practice is that we should ...

Emphasizing

I would like to emphasize the importance of ...

Moreover, it has to be said that ...

I want to stress the importance of ...

We always have to remember that ...

This is of high significance because ...

That part is especially important because ...

When something goes wrong

I am sorry, but it seems like the projector isn't working.

Could someone please help me with ...?

Is anybody here who knows how to ...?

Could someone give me a hand with ...

I would like to apologize for ...

I apologize for the technical problems, we are going to continue in a minute.

I am sorry for the inconvenience.

End of Presentation

In the conclusion, you should...

Sum up the main points

In conclusion I can say that…

To sum up the main points,…

With all mentioned aspects taken into consideration, I can say that…

Make an appeal

So please, in the future, try to be conscious about...

Please take a moment to think about...

I would like to encourage you to...

Thank your audience and say goodbye

It was a pleasure being here today.

Thank you for listening and goodbye.

Thank you for being such a great, engaged audience. Goodbye.

Thank you so much for listening, see you next time.

What is the structure of a presentation?

Your presentations should always have an Introduction, a Main part and a Conclusion.

What is a good way to begin a presentation?

You can start by introducing yourself, giving an overview of your topic, telling a little story or showing the audience an introductory video or image.

What are good phrases to use in English presentations?

There are many phrases that will make your presentation a lot more professional. Our blog post gives you a detailed overview.

Related articles

About the author.

Pia Lehner-Mittermaier

Pia works in Marketing as a graphic designer and writer at SlideLizard. She uses her vivid imagination and creativity to produce good content.

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Slide transitions.

Slide transitions are visual effects which appear in PowerPoint when one slide moves to the next. There are many different transitions, like for example fade and dissolve.

Solution Presentation

A solution has already been found during a solution presentation. The only thing that remains is to find a solution on how to realize the decision.

Learning Management System (LMS)

Learning Management Systems (LMS) are online platforms that provide learning resources and support the organisation of learning processes.

Corporate Events

A corporate event is an event organised by a company and intended for employees, stakeholders, customers, a charity event or public. The audience depends on the goal of the event.

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Oral Communication for Grade 7

Oral Communication for Grade 7 is a critical skill that shapes the way students interact and express themselves. This comprehensive guide delves into practical Communication Examples tailored for seventh graders, enhancing their ability to convey ideas effectively. From classroom discussions to presentations, this guide offers invaluable insights into developing adept speakers who can navigate various communication scenarios with confidence and clarity.

What is Oral Communication for Grade 7?

Oral Communication for Grade 7 refers to the verbal expression of ideas and information by students in the seventh grade. It’s a vital component of their educational development, encompassing everything from participating in class discussions to giving presentations. This form of communication not only aids in academic growth but also plays a significant role in developing interpersonal skills and self-confidence among young learners.

What is the Best Example of Oral Communication for Grade 7?

A quintessential example of oral communication for Grade 7 is a classroom presentation. This involves a student preparing a topic, organizing their thoughts, and verbally presenting the information to their peers and teacher. Such presentations are instrumental in enhancing public speaking skills, fostering critical thinking, and encouraging the effective organization of ideas. They offer a practical, engaging way for students to develop and demonstrate their oral communication skills in a supportive educational environment.

30 Oral Communication for Grade 7 Examples

Oral communication in Grade 7 encompasses a variety of activities designed to bolster students’ verbal expression and listening skills. These examples, rich in Oral Communication strategies, enhance students’ ability to articulate thoughts clearly and listen actively. By engaging in these diverse exercises, seventh graders develop a robust foundation in Effective Communication , preparing them for academic and personal success.

• Group Discussions on Current Events : Students discuss a current news topic, learning to express opinions and listen to others. Example: “I believe that renewable energy is important because…”
• Book Report Presentations : Each student presents a summary and review of a book they’ve read. Example: “This book was intriguing because it showed…”
• Role-playing Historical Figures : Students embody historical characters, enhancing understanding and speaking skills. Example: “As Abraham Lincoln, I would have prioritized…”
• Debate on Environmental Issues : Engaging in debates teaches argument formulation and rebuttal skills. Example: “My stance on plastic usage is…”
• Poetry Recitations : Reciting poems improves memory and expressive language skills. Example: “This poem resonates with me because…”
• Storytelling Sessions : Creating and telling stories boosts imagination and narrative skills. Example: “Once upon a time, in a land far away…”
• Public Service Announcement Creations : Crafting PSAs develops persuasive speaking and social awareness. Example: “I want to raise awareness about…”
• Interview Simulations : Practicing interviews hones question-response skills. Example: “My greatest strength is…”
• Mock Trial Participation : Involvement in mock trials enhances critical thinking and argument delivery. Example: “As a defense attorney, I argue that…”
• Persuasive Speech on Community Topics : Giving speeches on local issues develops persuasion and research skills. Example: “I believe our community should…”
• Science Experiment Explanations : Describing experiments teaches clarity and descriptive skills. Example: “In this experiment, we observed…”
• Classroom Newscast : Reporting class news develops reporting skills and confidence. Example: “Today’s top story is about…”
• Dramatic Monologues : Performing monologues improves emotional expression and public speaking. Example: “In this scene, my character feels…”
• Oral Book Reviews : Sharing book opinions encourages critical thinking and expression. Example: “What I liked about this book is…”
• Language Learning Conversations : Practicing a new language fosters communication and cultural understanding. Example: “En español, me gusta hablar de…”
• Giving Directions Exercise : Students practice giving clear and concise directions. Example: “To find the library, you need to…”
• Socratic Seminars : Participating in discussions fosters analytical thinking and respectful dialogue. Example: “Socrates might argue that…”
• Explaining Math Problems : Talking through math solutions develops explanatory and logical skills. Example: “To solve this equation, first we…”
• Cultural Exchange Presentations : Sharing about different cultures enhances global awareness and respect. Example: “In Japanese culture, an important tradition is…”
• Biography Speeches : Speaking about a significant person’s life encourages research and storytelling. Example: “Nelson Mandela was important because…”
• Giving Instructions for a Game : Explaining game rules refines clarity and instructional skills. Example: “To play this game, you must…”
• Peer Teaching Sessions : Teaching a concept to classmates enhances understanding and communication. Example: “To understand photosynthesis, remember that…”
• Talking About Personal Experiences : Sharing personal stories develops empathy and self-expression. Example: “A challenging moment for me was when…”
• Explaining Artwork : Discussing the meaning behind art pieces fosters interpretation and descriptive skills. Example: “This painting represents…”
• Community Issue Forum : Discussing local issues encourages civic engagement and speech skills. Example: “A pressing issue in our community is…”
• Creating How-To Guides : Writing and explaining guides develops instructional and technical language. Example: “To create a birdhouse, first…”
• Expressing Future Goals : Talking about future aspirations enhances goal-setting and motivational speaking. Example: “My dream job is to be…”
• Health and Wellness Presentations : Educating peers about health topics promotes research and public speaking. Example: “A healthy lifestyle includes…”
• Technology Usage Discussions : Debating technology’s role in life cultivates analytical and persuasive speaking. Example: “Technology impacts education by…”
• Environmental Conservation Speeches : Advocating for environmental issues develops passion.

Grade 7 Oral Communication Activities

These activities, tailored for seventh graders, focus on interactive and creative exercises that foster Effective Communication and Assertive Communication in young learners. From impromptu speaking to group discussions, these activities are designed to be both educational and enjoyable.

• Impromptu Speaking Challenges : Students speak on a topic with little preparation, enhancing quick thinking. Example: “If I could invent something, it would be…”
• Communication Skill Workshops : Workshops focus on specific skills like tone, volume, and body language. Example: “When speaking assertively, I focus on…”
• Interactive Language Games : Language-based games improve vocabulary and spontaneity. Example: “In this word game, I need to describe…”
• Peer Feedback Sessions : Students give and receive constructive feedback, improving their communication. Example: “One thing you did well in your speech was…”
• Emotion Expression Exercises : Activities that involve expressing different emotions verbally. Example: “When I feel happy, my voice sounds…”
• Listening and Responding Drills : Focused exercises on active listening and appropriate responding. Example: “What I heard you say was…”
• Classroom Debates on Literature : Debates on literary themes and characters enhance analytical speaking. Example: “In this book, the main character’s choice to…”
• Story Building in Groups : Collaborative story creation enhances creative communication. Example: “The next part of our story should include…”
• Cultural Discussion Circles : Exploring different cultures through guided discussions. Example: “In my culture, we often communicate by…”
• Speech Writing and Delivery : Crafting and presenting original speeches develops comprehensive communication skills. Example: “In my speech today, I will talk about…”

Grade 7 Oral Presentation Rubric

These rubrics provide clear criteria for both teachers and students, focusing on aspects like clarity, engagement, and organization. This structured approach ensures that students understand the key components of Effective Communication and Visual Communication in presentations.

• Clarity and Articulation : Evaluating the clearness of speech and pronunciation. Example: “Your articulation of words was very clear when…”
• Content Organization : Assessing how well ideas are structured and presented. Example: “The structure of your presentation made it easy to follow because…”
• Engagement and Eye Contact : Rating student’s ability to engage with the audience. Example: “Your eye contact with the audience was effective as it…”
• Use of Visual Aids : Evaluating the appropriateness and effectiveness of visual aids. Example: “The visuals you used enhanced your presentation by…”
• Voice Modulation and Tone : Assessing the variation of voice pitch and tone for impact. Example: “Your tone variation brought emphasis to your main points because…”
• Response to Questions : Rating the ability to answer questions accurately and thoughtfully. Example: “Your response to the question about… was insightful because…”
• Time Management : Assessing the ability to present information within the allotted time. Example: “You effectively managed your presentation time by…”
• Creativity and Originality : Evaluating the uniqueness and creativity of the presentation. Example: “Your original approach to the topic was refreshing because…”
• Body Language and Gestures : Rating the use of body language to enhance communication. Example: “Your gestures added to the meaning of your words when…”
• Audience Awareness : Assessing the ability to tailor the presentation to the audience. Example: “You showed awareness of your audience by…”

Multimedia Resources for Oral Communication Grade 7

These resources, ranging from online platforms to interactive applications, provide diverse and innovative ways for students to practice Interpersonal Communication and Digital Communication . They offer a dynamic approach to learning, integrating technology with traditional oral communication techniques.

• Educational Podcasts : Podcasts discussing communication skills and techniques. Example: “Listening to ‘The Art of Speaking’ podcast, I learned about…”
• Interactive Language Apps : Apps that offer speaking and listening exercises. Example: “Using the app ‘SpeakRight,’ I practiced…”
• Online Public Speaking Courses : Courses that focus on developing presentation skills. Example: “The online course ‘Speak with Confidence’ taught me…”
• Video Tutorials on Speech Writing : Tutorials guiding students through the process of writing speeches
• Virtual Reality Scenarios for Practice : VR environments for practicing public speaking. Example: “In the VR setting, I practiced speaking in front of a…”
• Communication Skill Games Online : Online games focused on enhancing speaking and listening skills. Example: “Playing ‘Word Rush’ improved my quick thinking in…”
• E-Learning Modules on Nonverbal Communication : Modules teaching the importance of body language and facial expressions. Example: “The e-module on ‘Reading Body Language’ highlighted that…”
• Social Media Challenges for Speaking : Engaging in social media challenges that involve speaking tasks. Example: “Participating in the ‘#SpeakUp Challenge’ on Instagram, I shared…”
• Webinars by Communication Experts : Webinars offering insights and tips from professionals. Example: “In the webinar ‘Speak Like a Pro,’ I learned…”
• Animated Storytelling Software : Tools for creating and narrating animated stories. Example: “Using ‘StoryMaker,’ I crafted and narrated a story about”

How to Develop Oral Communication Skills in Grade 7?

Developing Oral Communication Skills in Grade 7 is crucial for students’ academic and personal growth. This age is pivotal for enhancing verbal abilities that are essential not only for immediate academic success but also for future interpersonal interactions. Here’s a comprehensive guide to fostering these skills effectively.

• Encourage Regular Practice : Regular practice is key. Encourage students to engage in daily speaking activities, such as discussing a book they’re reading or sharing their thoughts on a recent class topic. This continuous engagement helps build confidence and fluency.
• Implement Interactive Classroom Activities : Incorporate activities like debates, group discussions, and storytelling in the classroom. These activities not only make learning fun but also provide a safe space for students to express themselves and listen to their peers.
• Utilize Multimedia Resources : Leverage multimedia resources such as educational podcasts, videos, and online courses. These resources can provide diverse perspectives and innovative methods to learn Oral Communication .
• Focus on Nonverbal Communication Skills : Teach students the importance of nonverbal cues, such as body language and facial expressions.
• Provide Constructive Feedback : After oral presentations or speeches, offer constructive feedback.
• Create a Supportive Environment : A supportive and non-judgmental classroom environment encourages students to take risks and speak up without fear of embarrassment. This includes respecting different opinions and fostering an inclusive atmosphere.
• Incorporate Technology : Use technology to your advantage. Encourage students to create digital presentations or engage in online forums where they can practice writing and speaking.
• Teach the Art of Listening : Good communication is as much about listening as it is about speaking. Teach students active listening skills, such as maintaining eye contact and responding appropriately to what they have heard.
• Encourage Peer-to-Peer Learning : Peer learning can be a powerful tool. Students often feel more comfortable and less intimidated when practicing with their peers. Group activities where they can learn from each other can be very effective.
• Incorporate Real-World Scenarios : Use real-world scenarios to teach practical communication skills.

To further support this learning journey, educators and parents can utilize resources from the National Institute on Deafness and Other Communication Disorders (NIDCD), which offers comprehensive materials on child development and communication skills. Their page on “Speech and Language Developmental Milestones” ( NIDCD ) is a valuable resource, providing insights into the typical developmental stages of speech and language skills in children. Additionally, exploring resources from Harvard’s Graduate School of Education, particularly their page on “The Value of Listening” ( Harvard GSE ), can offer innovative and research-backed approaches for enhancing oral communication skills in educational settings.

AI Generator

Text prompt

• Instructive
• Professional

How to Prepare an Awesome Presentation in English

By Marie-Anne Duffeler

That was a great introduction your boss just delivered. The room is quiet and now it is your turn…your turn to speak.

Maybe you need to present your team, or deliver a sales pitch, or explain some figures and trends.

One thing is for sure: your presentation has to be awesome!

And your presentation will be in English, of course, as it is the language of communication at work.

Let’s think back: your English is quite decent – you can travel abroad and make yourself understood everywhere, you can communicate on the phone with your English-speaking colleagues and get the message across, and you write so many e-mails every day.

True, but these are familiar situations.

This time, however, you feel anxious because this presentation is formal and you have only one chance to get it right.

Speaking in public has always made you nervous, but speaking in public in English makes you twice as nervous.

What can you do? Simply follow this guide, which will help you step by step to prepare an awesome presentation in English.

First I will introduce the steps to create the oral presentation, and second we will look at some tips for the format and the style.

How to Prepare in 5 Steps

Remember that the stress before giving an oral presentation is normal, and even beneficial – it will give you the energy and motivation to prepare a good presentation, and preparation is key to delivering a memorable speech.

Good preparation will also give you confidence, which in turn will make speaking in front of your audience easier.

The five steps to follow to prepare a good presentation are simple to remember: they are the ‘ BASIS ‘ steps.

B = brainstorm A = audience S = slides I = ideas S = simulate

Let’s look at each step carefully.

1. Brainstorm

Brainstorming means putting on paper all the ideas that are connected to the topic of your presentation .

You can brainstorm alone or with colleagues. Ideally you should take a sheet of paper and write on it all the information you know and all the ideas you have about this topic.

A common way of brainstorming consists in writing the main topic inside a circle at the center of your page and then jotting down all around it the ideas and information connected to it. You can use arrows to indicate relationships.

2. Audience

Knowing who you will address is vital as it determines what information you need to select from your brainstorming session.

Keep only the information that is important to your audience .

If you add unnecessary information, you will end up losing your audience’s attention and your important message will get lost. So select carefully what to include in your presentation.

Another important reason to know your audience is the degree of formality that you need to use.

For example, how to address the listeners (“Ladies and Gentlemen” as opposed to “Hi everyone”), and whether or not to include humor (but I will come back to that later).

Make sure you find out who your audience will be before preparing your presentation.

Visual aids are key : they help you to remember what to say, and they help the audience to understand your presentation. However they need to be used wisely.

Most presentations will have slides, which can be designed with various software programs (e.g. PowerPoint, Open Office Impress or Prezi ).

Because your slides contain the information about your topic, you do not need to memorize your whole presentation, nor do you need to use clumsy paper notes, and so your hands can move freely during your speech.

When designing your slides remember:

• include an overview at the beginning of your slideshow
• present only the information that you have selected in step 2, only the information that is relevant to your audience
• present only one idea per slide
• write only keywords. Lengthy text will only detract your audience’s attention
• include numbers if necessary: long numbers are easier to grasp when they are written
• include as many pictures (or graphs) as possible – a picture is worth a thousand words.

Now that you have designed your slides, you need to accompany them with explanations. This step is the most difficult one if English is not your native language.

You need to prepare the explanation for each slide. In order to describe the idea in each slide, you need to use precise vocabulary combined with correct grammar – and to deliver both fluently.

So, sit back and look at each slide, then say out loud (or do it mentally if that is not possible) what you will say in front of your audience.

Describe each idea with your own words in the most natural fashion, as if you were explaining it to a friend or to a close colleague .

If you do not know some terms, look them up in a dictionary and write them down.

However, resist the urge to write a script for each slide. Written speeches generally get in the way of effective communication as the speaker ends up reading a script instead of talking to the audience. Only talented speakers can make written speeches sound natural.

Also, rely on what you already know in English. Now is not the appropriate time to venture into grammatical constructions that make you feel uncomfortable. There are many ways to express ideas, so use the words and grammar that you know well.

5. Simulate

The final step is simulating the actual presentation and it is essential to the success of your presentation.

This is what you need to do:

• First, record your presentation with a video camera
• Watch the recording and assess it with a self-assessment grid (I’ve included an example below)
• Film yourself a second time while making the corrections you identified from the self-assessment
• Assess your performance a second time.

You can use a simple video camera, your smart phone, a digital camera or even a webcam.

However, it is important when you film yourself that the camera focuses on the upper part of your body, so that you can assess your body language.

Also, make sure you are standing up. This is important for 3 reasons:

First, because this will likely be your position during the real presentation.

Second, it is a position that opens up your lungs and helps you to breathe better (which is very important to speaking loudly and clearly).

Finally, it allows you to move and to accompany your speech with gestures that emphasize the meaning of your words – and so improves your communication.

How to Self-Assess and Improve your Presentation

After you have filmed yourself, watch your presentation with a critical eye – give yourself both positive and negative criticism.

What did you do well? What do you need to improve?

They are many aspects to oral communication besides the words you say – your voice, body and eyes need to complement your speech.

To evaluate your performance you can use the following self-assessment grid:

Download the Self-assessment Grid

Once you have used the self-assessment to identify your communication problems, you need to address them: correct the English mistakes, improve your voice or your body language, and film yourself a second time.

Then assess your performance again with the same self-assessment grid. If you are happy with the result, you are ready for the final show.

If not, you can continue to rehearse the presentation until you feel ready.

Depending on time constraints you can choose how many times you practise your speech before the actual performance, but remember that practicing it is not optional: if you want to deliver a good presentation, you have to practise it first .

A final consideration goes to the room where you will give your presentation: if possible, practise in that room, or at least get familiar with it (check where the switches for lights, screens, projectors, etc. are located).

Some Tips on Style and Format

Your oral presentation should have 3 parts : an introduction, a body, and a conclusion.

Your introduction presents the topic and gives an overview of the presentation, the body contains the information, facts or ideas, and the conclusion summarizes the ideas developed previously.

Repetition helps retention : if some information is important and needs to be remembered by your audience, be sure to repeat it. For example, mention it in the body and in the conclusion.

Tell your audience what you are going to tell them Tell them Then tell them what you have told them.

Keep it short and simple : remember that too much information will only result in your audience remembering nothing. Present only the important ideas in your slideshow, and repeat them in the conclusion.

Be credible : avoid spelling mistakes and mispronunciation. You might be a very talented professional but your presentation will be less convincing if it contains errors, spelling mistakes or mispronunciation of English terms.

You need to pay special attention to spelling and pronunciation in titles and keywords as well as in the introduction and the conclusion.

Use spellcheckers to check the spelling of your slides and online dictionaries to listen to the pronunciation of words (such as the Cambridge Dictionary ).

Avoid humor . Although humor can be helpful to defuse tense situations, it can also be dangerous and unpredictable. What makes you smile or laugh might be offensive to a foreigner.

Unless you know your audience well, refrain from using humor in professional presentations as it might lead to the opposite effect.

Engage the audience . When you deliver your speech, you need to establish a relationship between you and your audience.

A good way to do that is to keep eye contact and to ask questions. You can ask direct questions and the audience can answer verbally or physically (by raising their hands, for example) or you can opt for rhetorical questions, which are questions that do not require answers.

For example, you can introduce a slide with the following rhetorical question: “So how can we address this problem?” and then you give the solutions. Or start your conclusion with “What have we learnt so far?” and repeat the important ideas.

Asking questions is a good way to keep your audience attentive and to put rhythm into the presentation.

Ready, Set, Go!

You are now ready to stand up in front of your audience and deliver a memorable speech. Relax, take a deep breath, and just do it.

In conclusion, remember that the more oral presentations you make, the more confident you will be and the easier they will become.

View every opportunity to make a presentation as a challenge and as practice for your next big presentation!

Have you found this article interesting? Which tips will you try out? Tell us by adding your comments below – I look forward to reading your feedback.

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Who are TJ Taylor?

TJ Taylor is a language school that organises intensive courses in the UK and Ireland for professionals, and delivers corporate courses in Italy for over 100 companies. Founded in 2003 » Learn more

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Scared for Your Oral Presentation in English? Follow This 6-step Example

When you stand up for an oral presentation, you want to feel like a rockstar .

Confident. Cool. Ready to blow the audience away.

That is the ideal situation, anyways.

In real life, most people—even native English speakers—feel totally the opposite before an oral presentation.

Nervous. Self-conscious. Scared the audience will fall asleep.

Most of us have been there. Every student and professional, at some point, will have to do an oral presentation . Of course that includes English language learners. In fact, oral presentations might happen more often in an English class because they are a good way for teachers to assess your speaking and writing skills.

This article will provide a six-step example of how to ace your oral presentation in English . We will provide key English phrases, tips and practice techniques you can use for any presentation you have coming up.

Soon you will be presenting in English with the confidence of a rockstar !

Download: This blog post is available as a convenient and portable PDF that you can take anywhere. Click here to get a copy. (Download)

Follow This Example to Rock Your Oral Presentation in English

Every country has different cultural standards for communication. However, there is a general consensus in English-speaking colleges and universities about what makes a good oral presentation.

Below, we will show you how to write a presentation in English that your listeners will love. Then we will show you the English speaking skills and body language you need to present it effectively.

1. Introducing a Presentation in English

Having a strong introduction is extremely important because it sets the tone for the rest of the presentation .   If the audience is not interested in your presentation right away, they probably will not pay attention to the rest of it.

To get everyone’s interest, try using attention-grabbing language . If your introduction is engrossing enough, the audience will not care if you have an accent or mispronounce a few words. They will want to learn more about your topic because you did such a great job of making them interested.

Here are some example ideas and phrases you can use in your own presentation introductions:

• Start with a story or personal anecdote , so the audience will be able to relate to your presentation.

“When I was a child…”

• Mention a startling fact or statistic.

“Did you know the U.S. is the only country that…”

• Have the audience imagine something or describe a vivid scene to them.

“Imagine you are sitting on the beach…”

• Show an interesting picture or video on your presentation screen.
• Introducing yourself can also help make the audience more comfortable. It does not have to be anything fancy.

“My name is John and I am…”

“I became interested in this topic because…”

2. Supporting Your Claims with Evidence

If you have written an essay in English , you have probably had to do some research to provide statistics and other facts to support your thesis (the main point or argument of your essay). Just like those essays, many oral presentations will require you to persuade someone or inform them about a topic.

Your presentation will need background information and evidence . To persuade someone, you will need convincing evidence. No one will be persuaded if you simply say, “We need to stop global warming because it is bad.”

At the same time, it may be hard to express your thoughts or argument if English is not your first language. That is why doing research and finding credible sources is extra important.

Using information and quoting from sources can make your presentation much stronger. (Of course, always remember to cite your research properly so you do not plagiarize !) If you are not sure how to go about researching or where to look for evidence, the University of North Carolina’s Writing Center provides some excellent examples here .

After you have done research, add a section or a slide that specifically gives facts or evidence for your topic . This should be somewhere in the middle of the presentation, after your introduction but before your conclusion or closing thoughts (basically like the body paragraphs in an essay). This will help keep your ideas logical and make it a really effective presentation.

3. Incorporating Persuasive Language

Specific evidence is crucial for a persuasive argument. But to truly impact your audience, you need to speak persuasively, too .

Need some vocabulary that will catch everyone’s attention? According to Buffer , the five most persuasive words in the English language are surprisingly simple:

• Free (this one is less relevant to oral presentations, since it is used in the context of persuading people to get a product)

Using these words in your introduction and throughout your presentation will help keep the audience engaged.

For example, if giving a persuasive speech, speaking directly to the audience will have a better effect:

“To help lessen the effects of global warming, the planet needs you .”

4. Using Logical Flow and Transitions

As an English learner, was there ever a conversation that you could not follow because you had no idea what was going on? A language barrier often causes this confusion. However, even if your English is fluent, this can also happen when ideas or information are presented in an order that does not make sense.

This applies to presentations as well. If the sequence is illogical, the audience may become confused. It is important to have a clear sequence of thoughts or events. A distinct beginning, middle and end with logical sequences is needed for your audience to follow along.

As an English language learner, you may not be familiar with certain transitional words or phrases. Below are some example English words and phrases to use as you transition through your oral presentation.

General transitions that show sequence:

• First…
• Next…
• Then…
• In addition/additionally…

When you are nearing the end of your presentation, it is important to let the audience know you are going to finish soon. Abruptly ending the presentation may confuse the audience. Or, the presentation may not seem as effective. Just like with introductions and transitions, there are certain phrases that you can use to bring your presentation to a close.

Phrases to conclude your presentation:

• To conclude/In conclusion…
• To sum everything up…
• Finally…

5. Speaking Clearly and Confidently

You may be self-conscious about your ability to speak clearly if you are not fluent in English or if you have an accent. But let us be honest. Many people do not have long attention spans (the length of time someone can focus on one thing), so you will need to keep their attention during your presentation. And to do this, you will have to  enunciate (speak clearly, loudly and confidently).

Do not expect this to just happen on the day of your presentation. You will need to practice ahead of time . Here is how:

Pay attention to how your lips, mouth and tongue move.

Practice saying different sounds and words over and over in front of the mirror, or have a friend watch you. What shapes does your mouth make? When does your tongue raise or flick? How can you change those movements to make each word sound clearer?

Listen to others speak English so you know how it should sound.

FluentU takes authentic videos—like music videos, movie trailers, news and inspiring talks—and turns them into personalized language learning lessons.

You can try FluentU for free for 2 weeks. Check out the website or download the iOS app or Android app.

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Record yourself when you practice your presentation.

This will help you get a better sense of how your mouth moves or how you pronounce words. You will also see what kind of mistakes you made and will be able to correct them.

Practice speaking slowly.

Along with enunciation, it is important to practice speaking slowly . Nerves can make us rush through things, but the audience may not understand you if you speak too quickly. Try reading your presentation for a couple minutes a day to get used to speaking slowing.

6. Making Eye Contact

In American society, it is important to keep eye contact. It is considered rude to not look someone in the eyes when you are speaking with them. Avoiding eye contact (even if it is unintentional or out of embarrassment) might frustrate your audience.

Therefore, when giving your oral presentation, you will want to try to make eye contact with your audience, especially if you are in the U.S. The audience will not feel appreciated if you stare down at your note cards or at the presentation screen. They may become bored. Or, they may think you are not confident in your work—and if you are not confident, they will not be, either!

Here is an example of a speaker  demonstrating eye contact during an English presentation . Notice how he is careful to make eye contact with all audience members, looking left, right and forward throughout the presentation.

Following the tips in this article will help make your oral presentation great. Who knows, maybe your teacher or professor will use it as an example for other students!

As an added bonus, all of the skills needed for a good oral presentation are needed in everyday English. Speaking clearly, making eye contact and having a logical flow of ideas will help you communicate better with others when you are speaking with them in English. In addition, knowing how to write an introduction, use attention-grabbing language and provide evidence will help you in English classes. You will be able to get a great grade on your presentation and improve your overall communication skills.

And One More Thing...

If you like learning English through movies and online media, you should also check out FluentU. FluentU lets you learn English from popular talk shows, catchy music videos and funny commercials , as you can see here:

If you want to watch it, the FluentU app has probably got it.

The FluentU app and website makes it really easy to watch English videos. There are captions that are interactive. That means you can tap on any word to see an image, definition, and useful examples.

FluentU lets you learn engaging content with world famous celebrities.

For example, when you tap on the word "searching," you see this:

FluentU lets you tap to look up any word.

Learn all the vocabulary in any video with quizzes. Swipe left or right to see more examples for the word you’re learning.

FluentU helps you learn fast with useful questions and multiple examples. Learn more.

The best part? FluentU remembers the vocabulary that you’re learning. It gives you extra practice with difficult words—and reminds you when it’s time to review what you’ve learned. You have a truly personalized experience.

Start using the FluentU website on your computer or tablet or, better yet, download the FluentU app from the iTunes or Google Play store. Click here to take advantage of our current sale! (Expires at the end of this month.)

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VCE Oral Presentation: A Three-Part Guide to Nailing It

January 17, 2020

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Go ahead and tilt your mobile the right way (portrait). the kool kids don't use landscape....

We've all been there. You're moments away from having to deliver your 5-6 minute long oral to all of your classmates and your teacher, and you're still trying to memorise that one bit that you just can't seem to get down pat. It sucks.

For many VCE English students, the oral presentation is the scariest part of the course; it’s often also the first.

Doing a speech can indeed be daunting— you’re marked in real time, you can’t go back and edit mistakes, and the writing part itself is only half the battle. Nonetheless, the oral SAC can also be one of the more dynamic and engaging tasks you complete in VCE English, and there’s plenty of ways to make it more interesting and also more manageable for yourself.

We’ll break the whole process down into three parts (don’t worry, one of these will be the delivery itself) and have a look at ways to tackle each; hopefully, you’ll feel more empowered to give it a go on your own terms. Don't forget to also check out Our Ultimate Guide to Oral Presentations for everything you need to know for Oral Presentations.

Part One: Choosing a good topic

(in this section—researching events & issues, topic ideas).

For a bit of a head start on this step, be sure to check out our blog post filled with Oral Presentation Topics for 2020 . It's one of our best kept secrets!

In the study design, the description that’s given for the Oral Presentation is:

“A point of view presented in oral form using sound argument and persuasive language . The point of view should relate to an issue that has appeared in the media since 1 September of the previous year.”

Besides this restriction on how current/recent your issue is, the expectations themselves for this task are pretty standard (and therefore pretty broad): you

• select a topic or point of view
• research arguments and supporting evidence; and
• position the audience accordingly in your speech

Getting started on this first part can be tricky though, especially if you want to choose something a bit more original or fresh.

In any case, the first thing you need is an event . As a reminder, an event in the VCE English context is anything that happens which also generates opinionated media coverage —so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.

You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.

So where do you find an event? If you can’t think of a particularly interesting one right away, you could always try Wikipedia. Seriously, Wikipedia very helpfully has pages of things that happened in specific years in specific countries, so “2019 in Australia” might well be a starting point. The ABC news archive is also really helpful since you can pick dates or periods of time and see a good mix of news events from then.

I wouldn’t underestimate your own memory here either. Maybe you attended the School Strike for Climate and/or you feel vaguely disappointed in the government. Maybe there was something else happening in the news you remember (even though it is often about the environment these days). It doesn’t have to be from the news though—maybe there was a movie or TV show you watched recently that you have thoughts about. You could really do a speech on any of these, as long as you suspect there might be recent, opinionated media coverage .

Only once you have an event should you look for an issue . This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister, whether or not it’s appropriate to discuss policy already when people are still grieving. All of these issues are going to be more current and more focused than just ‘climate change’, so pick one that resonates for your speech. For a list of 2019-20 issue-debate breakdowns (i.e. topic ideas!), give this a read!

From there, you might delve a little deeper into viewpoints around your chosen issue, and you’d do this mostly by reading opinion or analysis articles (rather than hard news reports). Opinion is great to see what other people are thinking, and could help you bolster or reinforce your own arguments, whereas analysis is good to get a little deeper into the implications of and evidence behind the issue. The actual contention itself comes last—even though you might already have an idea what you think about the issue, you’ll be best prepared to articulate it after doing the research first.

Part Two: Writing a good speech

(in this section—register/tone selection, personas, openings, how formal you need to be, drafting & rehearsing).

For this part of the task, I’d keep in mind a specific snippet of its description: the need to use sound argument and persuasive language .

To be fair, persuasive language mightn’t necessarily be something you actively think about when you write persuasively—you wouldn’t ever really be like “hey, this is a great spot to include an appeal to compassion.” However, while you don’t need to start now, it’s good to have in mind a general register for your speech before you start. It’s one of the first things you might analyse in a written essay for good reason—it’s broad and it sets the tone for your argument/s.

With the bushfires for instance, you might contend that even though grief is a strong emotion, it should also be a trigger for resolute, permanent policy reform. But will you come from a frustrated, this-is-what-we’ve-been-saying-for-years register, or a compassionate look-at-the-damage-caused register, or an assertive, we-need-to-bring-the-community-together-first register?

Maybe you can incorporate a bit of each, or maybe (probably) there are more options, but in any case, making this decision first will help with stringing together arguments and incorporating more persuasive language techniques (PLTs). Note that most PLTs can be used across a number of registers, but there are some that might work more effectively with some of these.

For example:

These are things you’ll have to think about for your written explanations, and might also help you shape future research if you need to shore up the speech a little more. Something you may consider as well is adopting a persona , that is a character and a context for your speech. You don’t have to, but it may help you get started. It can be hard to just write a speech from scratch, but if you’re the mayor of a township affected by the fires and you’re outlining a course of action, it’ll help with your register and outlook.

Openings in general can be tricky though. Try to avoid stating your event, issue and contention outright—the audience doesn’t need to know that “recently, Australia experienced a horrific bushfire season and I’m going to talk about why now is the time to act on climate change.” They’ll figure it out. Instead, try to start with something that clearly communicates your register and/or persona (if you have one). If you’re a frustrated climate activist, start by illustrating the historical patterns of bushfires getting worse and worse. If you’re a compassionate community-builder, start with anecdotes of the damage. If you’re an assertive leader, explain who you are, what your experience is and how you want to create change. Don’t worry if you feel like the issue won’t be clear enough—again, they’ll figure it out! The opening also sets the bar for formality in your speech, and it’s honestly up to you how formal you’ll want to be. As a rule of thumb, don’t be so formal that you can’t use contractions (such as “you’ll” and “can’t”)—avoid those in essays for sure, but they’re a natural part of speaking and it’ll feel strange if you don’t use them.

I’d also recommend you draft and rehearse in front of others, highlighting areas where you think are the weakest and asking them for specific advice on those sections at the end. Having specific questions to ask, such as “should I include more data/quantitative evidence in x section?” or “is this specific appeal to x obvious enough?”, also means you get better feedback (since these are much easier to answer than “Was that fine?”).

Part Three: Delivering an engaging presentation

(in this section—body language, eye contact, rehearse rehearse rehearse, tone variation).

Most of you probably find this the most daunting part of the SAC—honestly, me too—but this is the part with the most tried-and-tested tips for success.

With regard to body language , stand with your feet shoulder width apart and, more importantly don’t move your legs . Especially if you’re nervous, swaying or shuffling will be noticeable and make you appear more nervous—when you practise, pay attention to the lower half of your body and train it to stay still if possible. That being said, do use your arms for gestures. Those are more natural and will help engage the audience, though don’t overdo it either—usually, holding cue cards in one hand frees up the other but also stops you from going overboard.

And cue cards brig us up to another important consideration— eye contact . Hold cue cards in one hand as high as you can without it feeling uncomfortable. This means you don’t have to take your eyes away from the audience for too long or too noticeably to check your notes.

Of course, knowing your speech better means having to check your notes less frequently. When I did my speech, I’d read it out aloud to myself 3-5 times a day for a week or two in advance, which made me feel like I was going insane but also meant that my speech was basically memorised . The cue cards were there in case of emergency, but I really didn’t need them at all. Absolutely make sure to rehearse your speech. Further, when you rehearse, try to pretend that you’re actually delivering the speech. This means:

• looking up ahead
• holding the cue cards in the right spot; and
• not just reading the words but speaking as if to an audience.

This last point is really important— tone variation might come naturally to some but not to others. I always found that building it into rehearsal helped with getting it consistent and natural. Tone variation involves things like emphasising certain words, using pauses or slowing down for effect, or modifying volume . Incorporating some of these elements—even writing them into your notes by bolding/italicising/underlining—will help you break out of monotony and make the speech more engaging as well. Be sure to emphasise things like emotive language and any evidence you might use to illustrate your arguments. And one last thing— don’t speak too quickly ! Easier said than done, but often the icing on the cake for a speech that is memorable for the right reasons.

Wondering where to go from here? Well, luckily, my eBook, How To Write A Killer Oral Presentation, details my exact step-by-step process so you can get that A+ in your SAC this year.

• Access a step-by-step guide on how to write your Oral Presentation with simple, easy-to-follow advice
• Read and analyse sample A+ Oral Presentations with EVERY speech annotated and broken down on HOW and WHY students achieved A+ so you reach your goal
• Learn how to stand out from other students with advice on your speech delivery

Sounds like something that'd help you? I think so too! Access the full eBook by clicking here !

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Now quite sure how to nail your text response essays? Then download our free mini-guide, where we break down the art of writing the perfect text-response essay into three comprehensive steps. Click below to get your own copy today!

Access a FREE sample of our How To Write A Killer Oral Presentation study guide

Written by Lisa Tran, who achieved FULL marks in her Oral Presentation:

• How to choose, plan and write your oral presentation and written explanation
• A simple, persuasive speech structure that will blow your audience away
• All essays FULLY annotated so you know exactly what you need to do and what not to do

The following is a snippet from my study guide, How To Write A Killer Oral Presentation . It's filled with unique advice that takes you from start to finish in mimicking the techniques used by a perfect-scorer VCE Year 12 student. You may want to start off reading Our Ultimate Guide to Oral Presentations and come back to this blog if you haven't already!

This blog covers the first step within Pillar 2: Writing The ‘This Is-Going-To-Blow-You-Away’ Speech. Once you've chosen an interesting topic and have researched all of its different viewpoints, it's time to formulate your contention. Often, creating a killer contention is about avoiding some common traps that will make your overall presentation boring, bland and just like the rest of your cohorts'.

So, I like to avoid: ‍

Broad, overarching statements

If you think your contention is, ‘abortion in Australia’ then you’re wrong. This is simply not a contention! A contention is an opinion. The example, ‘abortion in Australia’ offers no insight into your opinion on the issue at all. Instead, ‘We need to consider women’s mental health when judging their decision on abortion’ is an opinion. ‍

A contention that is just plain obvious

Let’s say we use the issue of ‘homelessness in Australia’. Arguing ‘homelessness in Australia is a problem’ or ‘we need to fix the homelessness issue in Australia’ just isn’t going to cut it because you’d never argue the opposite, ‘homelessness is great’. There are no differing viewpoints against your contention which means that you have nothing to argue against.

You need to be more specific with your issue - that’s why you looked up all those viewpoints in your research. For example, you could contend, ‘We need to fix the problems in homes in order to fix Australia’s homeless issue.’ This does has varied viewpoints because someone else’s solution could be to give homeless people greater access to help.

TEST: Before you move on to writing structure, ask yourself, can people argue against my contention? If yes, proceed ahead! If no, you’ll need to revise your contention again. Do this over and over until you can confidently answer ‘yes’ to the above question.

Avoid a contention that is generally accepted as true in today’s age ‍

When climate change first came onto the radar, the main debate was whether it was a real or a conspiracy theory. These discussions were in full force over 5+ years ago. These days (with the exception of climate change skeptics of course), discussion on climate change revolves more heavily around the slow pace of policy implementation, intergenerational effects of climate change, and mental health surrounding climate change.

Rather than arguing, ‘Climate change is real?’ (which your teacher has probably listened to a dozen times), you’re better suited to argue ‘Young people, not governments, should lead the fight against climate change’. Not only does this tie into the LSG belief that you should be more specific with your issue, it’ll also mean that your contention is relevant to today.

Now it's your turn. Give it a go! You might need to take a few tries to get your contention right, and that's absolutely OK.

If even after that you’re still unsure about your contention, make it a priority to speak to your teacher about it. Ask them if they could review your proposed contention and offer you any constructive feedback. Heck, even if you are confident with your contention, I’d ask your teacher anyway for any insight you mightn’t have thought of.

• Introduction

Choosing an Oral Presentation topic can be tough. Finding an idea that’s unique, relevant and interesting all at once can sometimes feel impossible; but don’t worry, this is where we come in! Below is a list of 12 potential Oral Presentation topics for you to draw inspiration from, selected in reference to the VCE assessment criteria .

Remember, this blog is not a resource to give you a finished speech idea , these are just jumping-off points. Plagiarism is very harshly punished in VCE and many other students will currently be reading this very same post, meaning it's up to YOU to figure out how you’ll form a unique angle if you pick one of these topics. To help you do this, each section provides an overview of the cultural events that make this topic relevant. Additionally, possible contentions are included, ensuring you can see how arguments about these topics can be effectively made. 

1. Kanye’s blow-up - The necessity of the media to stop platforming celebrities spreading harmful ideas

American rapper Kanye West has always been a controversial figure, but since his endorsement of Trump in 2016 he’s seemingly been on a particularly bad downward spiral. His descent into increasingly more extremist right-wing politics has led to the question of whether the news media, detached and neutral as they might claim to be, should even be reporting on him. 

As of writing (late 2022), Kanye’s recent appearances on far-right talk shows to voice support for Hitler and question the existence of the Holocaust (which has no doubt been topped by something equally controversial by the time this gets published) pushes this question right to its limit. 

Events like this are undoubtedly big stories that many people would like to know about, but does reporting on them do more harm than good? Do we realistically all have the self-control to ignore these figures when so much of modern news already revolves around controversy and gossip? Possible Contentions:

• Major media companies should reach an agreement to actively avoid covering celebrity behaviour that spreads dangerous ideas. 
• News media should make an extra effort to disprove the dangerous ideologies of those they cover, rather than presenting them in a ‘neutral way’.

2. Amber Heard - How online discourse can villainise marginalised groups and encourage ‘dogpiling’

A similar celebrity controversy that dominated 2022 headlines was the two-way public defamation lawsuit between actors Johnny Depp and Amber Heard, which involved accusations of abuse on both sides. One of the most notable parts of this case was the online depiction of Heard, on social media platforms such as Facebook and Youtube. 

Heard emerged as the internet’s new favourite punching bag, with an endless stream of videos and memes where her ‘ allegations of domestic violence and sexual assault were mocked for entertainment ’. Crucially, these were made to criticise her in a way that most clearly mirrored historical sexist stereotypes about emotionally manipulative women. You probably came across examples of these yourself, as platforms like Youtube have a history of directing users to this kind of content. 

As such, key issues were identified in terms of how social media warps online discussions of allegations of abuse. Additionally, like the last topic, the very fact that this legal dispute was publicly broadcast raises questions as to whether the media’s focus on this event may have worsened the issue. 

Possible Contentions:

• Personal legal proceedings between celebrities are not something that should be broadcast to the public.
• The online discussion regarding this trial demonstrates the need for increased regulation of hateful and abusive content on social media platforms.

3. Should Australia be made a republic in the wake of the Queen’s death?

The death of Queen Elizabeth II in September of 2022, among many other things, drew Australia back into a debate it's been having for decades; should we become a republic? This would be a shift from our current state of (effectively) being overseen by the United Kingdom as a ‘constitutional parliamentary monarchy’, with the ‘head of state’ now being an Australian citizen rather than the UK monarch. 

Although the replacement of the Queen with the new head of state (King Charles III) shouldn’t really shift people’s perspective on this issue, it most likely will. Queen Elizabeth has been the welcoming and approachable symbol of the monarchy for many Australians. Her death could be the catalyst for a shift in public opinion, severing the connection that many citizens still had to the UK monarchy. 

This issue can be approached from many different angles, inducing discussion on HOW the process of Australia becoming a republic should occur (especially how the new head of state should be chosen), as well as stepping back and assessing the positives and negatives of making this shift.

• Australia’s transition to a republic is a necessary step in helping honour the country’s Indigenous population and rejecting its colonial past
• Australia’s transition to a republic, although often framed as an act of national unity, will actually worsen the cultural divides within our country. 
• Although Australia should transition to a republic, the current rise of nationalist politics makes a public election of the new head of state extremely risky.

4. Are NFTs a positive advancement in contemporary technology? 

Whether or not you understand what it actually means, the phrase ‘NFTs’ has probably been inescapable on your social media feeds over the last year. Without getting too detailed, these ‘Non-Fungible Tokens’ are essentially investments into non-replicable representations of artwork , which will (supposedly) increase in value over time. 

Despite seemingly being an exciting new technology that could have given control back to artists through copyright ownership, NFTs have instead been heavily criticised for commercialising artwork by reducing it to a literal piece of digital currency. Further issues have arisen in terms of how this technology can easily be used to scam people through misrepresenting the value of individual NFTs, or NFT owners simply taking the money and running.

What do you think? All new technology seems shaky and uncertain at the start, and maybe we should recognise that the current negative impacts of NFTs must simply be overcome with time. How do we weigh the benefit this technology has for individual artists against its potential drawbacks?

• For their many flaws, NFTs give the power back to creators and, therefore, need to be improved rather than roundly rejected. 
• Despite preaching democratisation, NFTs and Bitcoin are both a part of a technological trend that will further increase wealth inequality.

5. How much can Western citizens really do to fight injustice via social media activism?

The effect of the COVID pandemic on developing countries, the Russian invasion of Ukraine, and human rights abuses by the nation of Qatar - this year has seen an innumerable number of news stories that would make any reasonable person jump to their phones to see what they could do to help, like signing an online petition or sharing a public post to spread awareness.

However, as you probably know, these forms of social media 'slacktivism’ have historically drawn criticism for their ineffectiveness and self-serving nature. Increasingly though, this debate has become more complicated, moving away from the simplified dismissal of any social media activism that emerged around the turn of the century . Others have rightly pointed out that many influential contemporary social movements, that have had real-world impacts, did emerge from social media, such as the BLM and #MeToo movements. 

As such, there’s a lot of room for different arguments here regarding whether a critical perspective of ‘social media slacktivism’ has become outdated in a world that is increasingly unavoidably based on the internet.

Possible Contentions: 

• Social media activism is unavoidably the way that young people are going to engage with political issues, and a rejection of it is naive and impractical. 
• Political activism should distance itself from the online world if it wants to make real-world change that doesn’t fit neatly under existing power structures.

6. Is the overload of various media streaming service subscriptions sustainable?

‘Streaming fatigue’ has emerged as a 2023 talking point that may have seemed unthinkable just a few years ago. Remember when we just had Netflix offering us a new way of consuming film and TV that was both more convenient and cost-effective than ‘pay TV’ packages (which were often heavily inflated in price and packed with unwanted channels )?

However, as we move into 2023, many have argued that the current subscription landscape now mirrors the previous pay-TV model. Consumers once again find themselves having to pay for an increasingly large amount of services if they want to conveniently access their film and TV shows. Predictably, this has seen a re-emergence of video piracy . 

Does this mean that it's fundamentally impossible for us to access our media as conveniently as we’d like to, and the years of Netflix being the only streaming service that had all we wanted were never sustainable? Or maybe corporations are unfairly squeezing every dollar they can out of us, and piracy is a fair and just consumer response?  

• Through offering convenience that is unparalleled by any other previous technology, streaming services are still worth the cost. 
• Consumers should actively engage in digital piracy until media corporations create a more affordable streaming environment.

7. Is a post-COVID work-at-home model healthy for the next generation of workers?

Although 2020 and 2021 may be remembered as the ‘years of COVID’, 2022 onwards is perhaps when we will see which long-term impacts of the pandemic continue to stick around. Aside from the permanent placement of public hand sanitiser stations, working from home has emerged as one of the most prominent main-stays from our lockdown years. 

Is this something that we should embrace? A lot was said during the lockdown about the mental health effects of being deprived of human connection; is this something we should just forget about when it comes to work? As with many of these issues, the question arises as to whether this shift is an inevitable effect of technological advancement, which we can either accept or fruitlessly battle until it becomes the new normal. 

However, the fact that this ‘work from home’ dynamic only emerged due to a pandemic complicates this idea, making it possible that we may have accidentally all become accustomed to a new economic model of work that we would be better off without. 

Possible Contentions:  

• We must actively push back against the ‘work from home’ model; if we don’t, we will suffer both mentally and financially into the future.  
• Working from home is a win-win; it's more convenient and cost-effective for both employer and employee.

8. How can gentrified and aestheticised versions of social movements be avoided?

I wonder whether you saw the Indigenous name for Victoria’s capital city (Naarm) appear more frequently on your social media feeds this year, with people adding it to their Instagram bios or referring to it on TikTok? What started as a conscious choice to respectfully refer to the city by its original Indigenous name quickly became criticised as a trendy aesthetic for outwardly progressive white Victorians, with terms like ‘naarm-core’ becoming short-hand for a specific kind of trendy fashion that was ‘ devoid of any ties to First Nations people ’. 

‘Naarm-core’, therefore, stands as another example of a movement that may have started with admirable aims, but was drowned out by those who just wanted the social benefits of participating in progressive politics. Think of the recent similar debates about ‘rainbow capitalism’, with similar criticisms being made of brands that co-opt progressive concepts like LGBQTI+ identity purely for social (and financial) capital. The question naturally emerges as to how we can avoid this for future political movements. 

Or maybe you disagree with all these critiques? Political discussion moves so fast these days that it can feel like people are in such a rush to criticise things that they miss actual progress being made. After all, the use of the term ‘Naarm’ to refer to Melbourne was undeniably popularised on the back of this trend. 

‍ Possible Contentions: 

• The criticism of political movements that deal with race being tokenised by white people can only be solved by allowing people of colour at the centre of these movements.
• People are too cynical about social movements and trends; virality and popularity, despite ‘inauthentic intentions’, often do more good than harm. 

9. How can the highly polarised discussion concerning COVID vaccines become more productive?

Another thing you may have witnessed from living in a post-COVID world is an increase in how divided simple issues seem to make us. Ever tried to convince a relative or friend that, no, in fact, vaccines are not designed to implant us with microchips - seems impossible right? 

For many people, the pandemic was a tipping point into full-blown conspiracy communities, meaning people are increasingly able to exist within their own social-media realities that don’t need to be bound to scientific truth or objective fact. This all creates a division between those with different beliefs that is somehow wider than before, where we can’t even agree on simple statements of truth. 

The debate around what to do about this deals with questions of human psychology, social media (again), but also freedom of speech. Should spreading (potentially dangerous) false information that conflicts with scientific consensus be allowed on social media? Most importantly, how do we encourage actual communication between different sides?

Possible contentions:

• Talking in person is the only way for people with vastly different beliefs to find common ground.
• Those spreading dishonest and dangerous conspiracy theories about public health cannot be reasoned with, and need to be actively shut down wherever they appear.

10. With the infamous Oscar slap, what ‘consequences’ should comedians and satirists face for what they say?

Here’s a news story that you’re probably tired of hearing about! Actor Will Smith’s act of violence against Oscar host and comedian Chris Rock for a joke about his wife’s alopecia (hair loss) caused many different conversations to happen at once; about toxic masculinity, celebrity culture, violence as a spectacle. These are all totally valid angles for your Oral Presentation, but let’s focus on maybe the most common debate; did Chris Rock deserve this?  

Functioning as a comedian hosting an awards night, Rock’s job was to poke fun at everyone participating, and these sorts of roles have often involved controversial comments and jokes . Does this mean they have immunity from any consequences for their words though? What should these consequences look like? And, if we excuse smaller acts of violence, what does that normalise? 

The 2015 terrorist shooting of the staff of satirical French magazine ‘Charlie Hebdo’ for their depiction of the Islamic prophet may seem a world away from Will Smith’s slap, but some may argue that this is the logical end-point for a world that believes physical violence is the way to deal with jokes people don’t like. 

• The idea of comedians actually being threatened by violence is overblown; the slap was an isolated incident.
• Protecting the safety of those who make controversial jokes is paramount to maintaining freedom of speech.

11. With Optus and Telstra’s recent data breaches, is placing all our valuable personal information in virtual spaces sustainably safe? 

This year saw a record-level data breach from one of Australia’s leading telecommunications companies, Optus. The personal details of almost 10 million customers were given to the hackers. 

Then, two weeks later, a similar data breach happened at Telstra. Yes, this time, no customer information was leaked, but information on the company’s employees was again released. 

All of this may disturb the image we all have in our heads of online databases as relatively unbreachable, locked away behind thousands of firewalls somewhere in the cloud. In fact, much of modern society operates on this assumption. Maybe you’ve added your credit card details to your Chrome tab because it makes online purchases easier? This convenience comes with the implicit assumption that online personal info is pretty much always safe when protected by a big tech company, but these events arguably prove otherwise.  

Cyberattacks are ‘ increasing as a threat ’, yet danger for the sake of convenience is something that all of us deal with. Maybe you think there are degrees to this; should we draw a line at information that can cause us legitimate harm if given to a malicious party?  

• Our society is already too technologically dependent to try and ‘go offline’ for the sake of data safety.
• Valuables of any kind are always going to run the risk of being stolen, and digital piracy is no different.

12. What is the role of Western countries in resisting the unlawful Russian invasion of Ukraine?

As already mentioned, the Russian invasion of Ukraine was one of the biggest news stories of 2022. Putin’s unlawful decision to attack the country’s capital in February of 2022 has left more than 10,000 people dead and millions displaced from their homes. Virtually all world leaders condemned this act immediately. Yet, almost a year later, the war continues, and documented war crimes occur on Ukrainian soil.

Thinking larger than just social media, the question of what can actually be done to help by the countries who condemn this war has naturally emerged. Many nations have supported Ukraine financially, including the US giving nearly $20 billion . Some may argue that this is not nearly far enough, and that all world powers have a responsibility to wage direct war against Russia in support of Ukraine. Naturally though, many are strongly against Western intervention in this form, believing that countries like the US should not see themselves as all-knowing powers that can intervene in other nations based on their ideological beliefs. 

‍ Possible Contentions:

• Any attempt to guilt individual citizens about their need to ‘do something about Ukraine’ is completely unfair; the responsibility for any meaningful action is entirely on the government.
• The West, particularly the US, has a long history of militarily invading smaller nations for their own purposes; their condemnation of the Russians is hypocritical.

If you haven’t already done so, check out our Ultimate Guide to Oral Presentations for some general tips and tricks to get you started!

Written by Milo Burgner

Don't forget to also check out Our Ultimate Guide to Oral Presentations for everything you need to know for Oral Presentations.

Here are over 20 Oral Presentation Ideas for you if you're presenting a speech on Australian issues in the media.

• Should gay couples have the same adoption rights as straight couples?
• Should businesses be required to have a sex quota?
• Should political parties be required to run a certain percentage of women candidates?
• Gender workplace diversity
• Treatment of refugees on Manus Island
• Should there be a temporary ban on all immigration into Australia?
• MP citizenship
• Should the government classify Bitcoin as a legal currency?
• Homelessness in Australia
• Obesity in Australia
• Sexual harassment in the TV/movie/hollywood industry
• Should gender identity be added to anti-discrimination laws?
• Should universities provide ‘trigger warnings’ and ‘safe spaces’ for students?
• Should workplaces provide ‘trigger warnings’ and ‘safe spaces’ for staff?
• Informed consent with online data
• Religious freedom
• Same sex marriage freedom
• Adani coalmine
• Political donations
• Penalty rates in Australia
• Wage theft in Australia
• Indigenous recognition in the constitution
• Should we invest in public interest journalism?

See last year's Oral Presentation Ideas here . You might also be interested in Advice for A+ oral presentations here too! Best of luck!

List of topics

1. ‘implementing a sugar tax to curb australian obesity.’.

Premise: Mexico and UK have already implemented the ‘Sugar Tax’ on soft drinks to prevent obesity through the avenue of consumer choices, with this debate being sparked in Canada and Australia as to whether this is a viable solution. The World Health Organization believes this could reduce consumption of sugar by reinvesting the more expensive prices into health initiatives against ‘Childhood Obesity’. The Federal Government is facing this decision in 2019, to introduce these radical changes. Thus, whether or not the sugar tax should be implemented would be the core of your oral.

Basis of the tax

Young stakeholders ‍

Expert opinions, use this for further reading ‍

Mexico comparison, who have done this

British conversation, opposing views on sugar tax ‍

2 . ‘What can Australia do to reduce the dangers of paramedic assault and overtime?’

‍ Premise: Lately in the media, paramedic attacks and unreasonable overtime shifts means that the safety of our ambulance staff is compromised. A series of movements and a necessity for awareness has been sparked in Australia, with one paramedic being assaulted every 50 hours, and 147 assaulted in 2018. Whether or not people choose to support ambulance safety on a political front, social front or preemptive front (see Ambulance Victoria’s ‘Help keep our ambos safe at work’), action has been gaining momentum in contemporary news and campaigns. Is Australia doing enough for paramedic safety? This would be the basis of your oral.

‍ Ambulance Victoria’s campaign

Paramedics’ Union urging Political Parties in 2019

Other factors, overtime shifts

Further reading on specific cases of paramedic violence ‍

3 . ‘How are our politicians dealing with events of Melbourne CBD terrorism ?’

Premise: A series of concentrated terrorist attacks on Melbourne’s Bourke Street and around Melbourne’s CBD has led to preventative measures such as 88 concrete blocks and anti-terror speaker systems. With politicians such as Matthew Guy pushing movements such as suspects facing curfews and counselling and drones around the city being put in place to monitor events like Christmas Day and New Years, this issue is being noted. But is enough being done? How effective are these measures, and are the police and government working closely enough to avoid these situations? This would be the basis of your oral.

Victoria Police’s response to terrorism

Bourke Street incidents

Links to other attacks and opinion article ‍

Political movements from Matthew Guy ‍

Anti-terror measures

4 . ‘Are loot boxes just gaming, or gambling?’

Premise: The question of whether loot boxes being utilised in video games marketed to underage children are in fact exposing them to gambling is currently being debated at a Senate level in Australia and around the world. Whilst opinions are segregated on whether this is harmless or harmful, statistics and experts seem to believe in Europe that the detriment is too high, with 15 gambling regulators pinning game developers and publishers. Similarly, the UK and especially Australia have been making movements to rid the gaming industry of this practice. However, ‘EA Games’ is a big player against this, thriving of their sales in games such as ‘FIFA Coins’ and ‘Star Wars: Battlefront’. Thus, whether it is just gambling or gaming would form this oral.

The Senate Inquiry on loot boxes ‍

Are loot boxes gambling? ‍

Expert Opinions ‍

Age restrictions with gambling v. gaming ‍

Global statistics/reasons against

5 . ‘ Anti-vaccination movements within Australia.’

Premise: The anti- vaccination movement, concentrated in the beachside town of Byron Bay in Australia is claiming more young lives daily, as medical reports are starting to note a greater toll in whooping cough cases and other vaccination related diseases. With campaigns such as the ‘No Jab, No Play’ initiative and other experts stating the way vaccinations are being handled, the situation is not apt in the current necessity for herd immunity amongst young Australians. Whether or not vaccination should be more heavily emphasised would be explored in this oral.

Geographic case study for vaccinations

Implications and health issues

No jab, no play campaign

Case studies

For vaccination

6 . ‘The competition of Uber, Taxis and other ride sharing services.’

Premise: The hyper competitive nature of ride-sharing services and transport on the Australian field means that Uber and taxis have a lot more competition with one another, meaning shared business can affect the others customers in a major way. Hence, the Australian approach of lawsuits and the pickup of other services such as Shebah, Gocatch and Ola, means that drivers are facing harder times finding customers and also maintaining a steady stream of income. Whether or not these competing companies escalate the quality of transport or are too detrimental to driver’s livelihood would be explored in this oral.

The premise ‍

Taxi share zones, official action/recognition ‍

The legal aspects ‍

For the competitive nature

Other platforms that affect this ‍

7. ‘The drought impact on Australian farmers.’ ‍

Premise: Communities within Australia, specifically in Queensland, prepare themselves for overwhelming drought this 2019, with as their profits will most probably drop below $13,000 in this next financial year for farmers. Whilst milk companies and other politicians have attempted to rally with farmers, more attention seemingly may have to be put in place to assure the livelihood of these agricultural practitioners. Hence, even with drought relief practices and campaigns with many stakeholders in the government and as owners of business, it may require more of a push on a formal level in these pivotal years for farmers. The necessary movements and activism for greater support of farmers would be explored in this oral. ‍

The lack of support for drought ‍

What the implications of drought are ‍

Campaigns and movements already in place ‍

Stakeholders and the issues amongst them ‍

The up and coming concerns for drought in 2019 ‍

8. ‘ Microplastics in the Ocean.’ ‍

Premise: The rise in plastic consumption on a global scale and also lack of environmental solutions has led sea turtle’s digestive tracts and parts of the deepest oceans to be littered with seemingly minute particles called ‘microplastics’. However, these particles have detrimental effects and often litter foods, water sources and our ecosystem, usually sinking to the bottom of the ocean, with 99% of the plastic the seas contain building on the bottom. Ultimately, how we deal with these microplastics and whether it is important would be illustrated in this oral.

Marianas Trench plastics ‍

Contamination in foods ‍

Actions against microplastics ‍

The basics of microplastics ‍

Expert opinions 9. ‘ Indigenous ‘Close the Gap’ Campaign’. ‍

Premise: The ‘Close the Gap’ campaign originally focused on integrating the Indigenous people back into modernized society that excluded them wrongly. Objectives were necessary to fulfill educational reforms, social necessities and the favour within employment that needed to be shown in order to “even the playing field”. Over the years, this has been scrutinised and subjected to downfalls, both political and social, with many of these objectives not achieved. Thus, greater attention or movement may have to be incited. Hence, whether enough is being done or more needs to be provoked would inspire this oral. ‍

Scott Morrison on the current ‘Closing the Gap’ measures

Discussion of the origins of this movement

Stakeholders in parliament, Indigenous rights

A review of the campaign and its downfalls

The new closing the gap campaign and its implications

10 . ‘Can we use genetically modified foods in daily life?’

Premise: The discussion of GMOs (genetically modified foods) and their ethical, moral and health implications have segregated both consumers and producers alike. Australia’s viewpoint of the scientific practice in modifying foods has been portrayed in the recent elongation to bans in South Australia until 2025, but has also been challenged with groundbreaking research that could double the crop yield in theory, due to the advances in photosynthetic characteristics and other chemical properties of plants. Thus, whether or not they should be refuted or supported would form the basis of this oral.

The science behind GM foods

Other global players accepting GM crops

Advances and what this means for farmers

Photosynthesis/scientific endeavours in the field of GM crops

The bans in South Australia, and the dangers

11 . ‘The wage gap : Women in STEM.’

Premise: It is rare to find a career where the exact same work will be paid differently based on sexuality, race or gender. It seems in the contemporary age the real issue is that cultural norms raise more women lawyers, doctors and teachers than engineers, physicists and STEM workers. Rather than a direct percentage of the pay gap, it is made apparent that it is rather a systematic average of less over time because of the careers being chosen. Whether or not the wage gap is due to STEM and what we can do to prevent this would be the formation of your oral.

What is the gender pay gap?

Statistics and figures

Australian specific pay gap

Against the gender pay gap

12. ‘Should we take on Finland’s education system ?’

Premise: Standardised testing is often a debate that goes without alternatives that truly work. But the core of Finland’s number 1 education system in the world is that they hire so many good teachers, hence independent learning is monitored and possible. The VCE system and IB curriculum does not streamline because students are so pressured they do not take time to explore and ultimately find what they want to do in tertiary. In Finland, it is less about the competition, and more about individual learning up until university so that they excel in different pathways. What would it take to change Australian systems to model this? This would be a key idea within your oral.

Australian education reform

Study assist packages being released

Universities involved, education opportunities amongst

Finland school system comparison

The National qualifications bureau

13 . ‘Should we change Australia day? ’

Premise: This is a heavily utilised oral topic. The Australia Day debate is a popular one, and this is because it is rich in cultural, social, ethical and political stances within itself. With the date remaining the same in 2019, and with the fireworks of the Perth council still going ahead, more protests and council movement means that these discussions are still very contemporary and readily available online. The bids and failed attempts to change the day to a Reconciliation Week celebration, or any date but ‘Invasion Day’ all form evidence to back up either side. Hence, the question of whether or not the date should be moved would be the primary focus of this oral.

‘For’ changing Australia Day in its entirety The council players in changing the date Bids/failed attempts to change the date The council’s on movements and government reflection on history

14 . ‘Is the National Broadband Network , working?’

Premise: The National Broadband Network policy meant that the telecommunications sector was supposed to gain momentum and strengthen itself, however, downfalls of the technicians and rollout of the service have meant public scrutiny and Government blame being laid. Telstra’s work on this with ping and download speeds being effective, but upload speeds suffering means that Australian consumers are not completely satisfied with the service, putting into question the ultimate effectiveness of NBN as an invested infrastructure. The success of NBN would form the base of this oral.

New rollouts geographically

New government policies

The effectiveness of NBN

Does it work as promised?

Downfalls of NBN

15. ‘ Teaching standards for undergraduates in Australia.'

Premise: The teaching standards of Australia have been heavily scrutinised after certain lower ATAR scores were primarily accepted into the fields. Thus, the question of whether the right teachers are being accepted and their skills are being honed is put into the spotlight, as a lower bar for the academic necessity of the career sparks debate on whether the standards for Australian education has fallen. However, with 2 teachers in the Global Top 50 for the education sector means there is still hope, and with lots of regional areas geographically, it can be difficult- So whether or not Australia is doing enough would form this oral.

ATARs and their own role in teachers

The skills necessary for teachers

A lower bar for academics means a lower bar for teachers

The consequences for teachers in regional areas

Australian teacher’s success stories

16. ‘Is the cost of living rising too high in Australia?’

Premise: The cost of living within Australia is inevitably rising, with a spike of homelessness within Sydney and the common retiree locations being in Asian countries forming the basis of whether or not we should start working on this sector of Australia’s wealth. However, some sources argue that our economy is steady and positive, with the perspective gained on this challenging what 2019 seems to hold for the cost of living. It is a contemporary topic as the next generation will have to face these challenges, proving an interesting oral if you focus on the stakeholders in each category (teenagers, workers, government and retirees).

The rising homelessness rates

Key area in the study of rising prices

The perspective of the greater economy in comparison to the cost of living

The meaning for retirees and where they have to go

The changes in 2019 to the cost of living

17 . ‘Are we doing enough to aid beekeepers in Australia?’

Premise: The ‘Save the Bees’ campaign begun as we started to realise the necessity and imminent danger we would face if bees were in harm's way. Recently, South Australia faced some strange occurrences with mysterious bee deaths, and younger stakeholders attempting to grasp Australia’s bee population. National Geographic focused on real steps and actions that could be taken within Australia, with measures that could potentially be put in place in order to protect these bees. Hence, this could be a unique oral if presented with the statistics and urgency of this issue.

Young stakeholders trying to save the bees

The implication of bees dying

Bees dying in South Australia

The plan to save Australia’s bees

Other measures in place that may affect bees

18. ‘The impact of the strawberry needle scare. ’

Premise: The Strawberry Needle Scare was a 2018 issue, with 2019 implications in the dangers of food tampering, and a case of needles in grapes at a Melbourne store. Moreover, the implications for farmers and the agricultural community meant that many workers were affected by this, as consumers initially feared the worst, affecting Australian livelihood at its core. Thus, in order to do a contemporary oral on this, you would focus primarily on the impact on the farmers, what future fears could arise, (eg. the grape needle scare), and what consumers need to be aware of in future contamination.

The grape scare, new to 2019

The Western Australian side of the strawberry scare

Food tampering in history, where this fits

The effects on farmer that the needle scare has

The movement for farmers from consumers to just ‘cut them up’

19. ‘The epidemic of anxiety. ’

Premise: In a digital, gratification-desiring age, anxiety and depression are symptoms of the high pressure scenarios within daily life. Recently, new studies proving the dire nature within Australia’s mental health provoked more attention by experts and the population into methods and the ‘epidemic’ we face, as we continue to head down a dark spiral. With case studies, statistics and the current situation within pressurised work situations, this could form a strong oral.

The need for instant gratification

The effects of employment on mental health

Australian statistics on worry and anxiety

The Kids helpline and a case study

More statistics/stakeholders in the debate

20 . ‘Is the zero road toll possible?’

Premise: The concept of the ‘Towards Zero’ campaign is that we would have no deaths on the roads in short. This takes drink driving measures, the hazardous first months of a probationary driver and the zones in which these accidents are most highly occurring into consideration, as the government, younger drivers, and adult drink drivers are all concerned. There are already worrying trends going into 2019 however, as this forms the basis of some concerning patterns, and could be explored either way in an oral of whether or not the ‘zero road toll’ is truly possible.

The action plan, released by TAC branch

The implications of striving for the road 0 toll

What is already in place, is there grounds to this?

Trends and why it may not be possible

The official campaign

1. What is an Oral Presentation? 2. What are you expected to cover? (Oral Presentation Criteria) 3. Choosing your Topic 4. Choosing your Contention 5. Writing your Speech 6. Presenting your Speech 7. Writing the Written Explanation 8. Resources to help you prepare for your Oral Presentation

What is an Oral Presentation?

Doing a speech can indeed be daunting— you’re marked in real time, you can’t go back and edit mistakes, and the writing part itself is only half the battle. Nonetheless, the Oral SAC can also be one of the more dynamic and engaging tasks you complete in VCE English, and there’s plenty of ways to make it more interesting and also more manageable for yourself.

Keep reading for a comprehensive overview of what you need to know to succeed in your Oral Presentation. We’ve got you covered- from choosing your topic and contention, to writing and presenting your Speech.

We’ll also be suggesting useful resources, Study Guides and YouTube videos that will provide more detailed information and give you more confidence. Let’s get into it!

What are you expected to cover in an Oral Presentation? (Oral Presentation Rubric)

1. Your Oral Presentation SAC has two components. The first is the Oral Presentation itself (“a point of view presented in oral form”), and the second is a Written Explanation, also known as a Statement of Intention.

2. Your selected topic needs to be an issue that has appeared in the media since 1 September of the previous year

3. Your aim for this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.

Here’s the raw version of VCAA’s expectations from you, taken from the VCAA website :

How to choose your Oral Presentation topic

1. select a topic that has appeared in the media since 1 september of the previous year.

This can be time consuming and tricky, especially if you want to choose something a bit more original or fresh.

Firstly, you need an event.  An event in the VCE English context is anything that happens which also generates opinionated media coverage—so, it’s not just an event but it has to be an event that people have published opinions about, and they have to have been published since September 1.

You might wonder why we don’t go to the issue straight away. Here’s a hypothetical to illustrate: if you asked me to name an issue, the best I could probably come up with off the top of my head is climate change. However, if you asked me to name an event, I’d pretty easily recall the Australian bushfires—something much more concrete which a) has generated specific and passionate opinions in the media; and b) can easily be linked to a wider issue such as climate change.

The ABC news archive is also really helpful for finding events since you can pick dates or periods of time and see a good mix of news events from then. Otherwise, Wikipedia has helpful pages of  events that happened in specific years in specific countries, so “2023 in Australia” might well be a starting point. 

When you have your event, you can then look for an issue. This will be a specific debate that comes out of the event, and can usually be framed as a “whether-or-not” question. The bushfires, for example, might generate debate around whether or not the Australian government is doing enough to combat climate change, whether or not Scott Morrison has fulfilled his duties as Prime Minister.

Most importantly, choose an issue from an event that’s interesting and important to you. After all, you’re going to be spending the time researching, writing and presenting!

2. Filter out the boring events/issues

Understand who your audience is.

Once you know who your audience is, ask yourself: Does this event and issue relate to my audience?

This question matters because “your aim of this entire Oral Presentation SAC is to persuade your audience to agree with your contention (whatever that may be) based off the issue you’ve selected.” This means that what you say to your audience and how they respond to your speech matters.

Even if your assessor isn’t counting exactly how many people are still listening to your speech at the end, everyone knows a powerful speech when they’re in the presence of one - it hooks the audience from start to end - and an assessor, consciously or subconsciously, cannot deny that the collective attentiveness of the room has an influence on their marking of your Oral Presentation.

That’s why you should choose a topic that your audience can relate to. Also, avoid topics that have too many unfamiliar words, because as soon as there’s something they don’t understand, it becomes much harder for them to follow your speech.

Now you may be asking yourself; what is the best topic for oral presentation?

Here are some example topics from previous years to give you inspiration:

VCE English Oral Presentation Topics 2014

VCE English Oral Presentation Topics 2015

VCE English Oral Presentation Topics 2016

VCE English Oral Presentation Topics 2017

VCE English Oral Presentation Topics 2018

VCE English Oral Presentation Topics 2019

VCE English Oral Presentation Topics 2020

VCE English Oral Presentation Topics 2021

VCE English Oral Presentation Topics 2022

VCE English Oral Presentation Topics 2023

For more detailed information on choosing a topic, read my blog Choosing a WOW topic for your VCE Oral Presentation ‍

How to choose your oral presentation contention

Once you've chosen an interesting topic and have researched all of its different viewpoints, it's time to formulate your contention.

Often, creating a killer contention is about avoiding some common traps that will make your overall presentation boring, bland and just like the rest of your cohorts'.

So, there are three things I like to AVOID:

1. Broad, Overarching statements

2. A Contention That Is Just Plain Obvious

3. Avoid A Contention That Is Generally Accepted As True In Today’s Age

For more information on writing a contention, read my blog Creating a Killer Contention for your Oral Presentation ‍

How to write your speech 

1. Have a CAPTIVATING introduction sentence; use a short, clear and powerful sentence.

2. RELATE to your audience so that it keeps them interested so they actually WANT to listen.

3. If you are taking on a persona, firstly study and UNDERSTAND your character.

4. Don’t forget your persuasive techniques. I usually use repetition in conjunction with the ‘rule of three’.

5. Remember that you are writing a SPEECH, not an essay. Instil your oral with emotion, varied tone and sentence lengths.

In fact, I've talked about a few of these in a 'Must Dos and Don'ts' video. If you haven't seen it yet, watch below before you read on.

4 tips on presenting your Speech

1. Body Language

Confidence is key. Stand with your feet shoulder width apart and, more importantly don’t move your legs. Especially if you’re nervous, swaying or shuffling will be noticeable and make you appear more nervous—when you practise, pay attention to the lower half of your body and train it to stay still if possible.

That being said, do use your arms for gestures. Those are more natural and will help engage the audience, though don’t overdo it either—usually, holding cue cards in one hand frees up the other but also stops you from going overboard.

2. Eye contact

Cue cards brings up another important consideration- eye contact. Hold cue cards in one hand as high as you can without it feeling uncomfortable. This means you don’t have to take your eyes away from the audience for too long or too noticeably to check your notes.

Eye contact increases your engagement with the audience. It also gives the impression of confidence and that you’ve been practicing and know your speech inside and out!

3. Rehearse, rehearse, rehearse

In a best case scenario, you won’t need to rely on your cue cards as you will have your speech basically memorised! Read your speech aloud and pretend that you’re actually delivering your speech. This means:

- Looking up ahead

- Holding the cue cards in the right spot; and

- Not just reading the words, but speaking as if to an audience

 It’s extremely helpful to also practice your speech to an actual audience! Practice in front of your family and friends. An alternative is to put a sticker next to your camera and record yourself. The sticker will help indicate where you should create eye contact. Look back at the video and give yourself some feedback, you might be surprised at your presentation!

4. Tone variation

Tone variation involves emphasising certain words, using pauses or slowing down for effect, or modifying volume. Incorporating some of these elements- even writing them into your notes by bolding/italicising/underlining will help you break out of monotony and make the speech more engaging.

Be sure to emphasise emotive language and any evidence you might use to illustrate your arguments. Most importantly, don’t speak too quickly!

5 things to keep in mind while writing the written explanation

For oral presentation based written explanations, the VCAA study design requests students write...

"A written statement of intention to accompany the student’s own oral presentation, articulating the intention of decisions made in the planning process, and how these demonstrate understanding of argument and persuasive language."

Using the topic, 'Why we need to stop crying 'cultural appropriation' when cultural exchange is far more important, ‘let’s see how this can be done with FLAPC with some examples below:

2. Language

3. Audience

For more information on writing a Written Explanation and a sample FLAPC compiled and rearranged for flow and fluency, read my blog How to Write a Stellar Written Explanation (Statement of Intention) .

Resources to help you prepare for your Oral Presentation

Doing this study all by yourself can be rather daunting, so we've got your back. We specialise in supporting VCE English by creating helpful videos, study guides and eBooks. Here are some just to get your started:

‍ A Three Part Guide to Nailing Your Oral Presentation

Advice for A+ Oral Presentations

How I Got A+ in My Oral Presentation | Live QnA With Lisa Tran

How To 'Overcome' Your Fear of Public Speaking

Oral Presentations | How To Do Speeches

5 Common Oral Presentation Mistakes

Our How to Write a Killer Oral Presentation Study Guide has all the information you need to succeed in your Oral Presentations. Sample A+ essays and written explanations are also included!

Theme vs. Motif vs. Symbol

Themes, motifs and symbols are different kinds of narrative elements - they’re parts of a story that help to shape its overall effect. However, even though they’re words we use all the time in our English studies, it isn’t always easy to tell the difference!

This post will take you through some definitions , give you some examples and show you how you can use them in essays too. Let’s start with the broadest of the three…

What Is a Theme?

A theme is an idea or a subject that an author wants to explore. Themes appear throughout a work, and they’re often abstract ideas rather than concrete images that you can explicitly identify. Themes usually appear in interactions: for example, a parent reuniting with a child might evoke the theme of parenthood or family, an experience of discrimination might evoke the theme of prejudice or racism, a character facing a difficult choice might evoke the theme of morality or conflict, and so on. As you might be able to see, themes can require us to read between the lines because they are usually implied.

What Is a Motif?

A motif is something a bit more specific. Rather than an abstract idea, we’re looking for a concrete object (usually physical items, but also potentially sounds, places, actions, situations or phrases) that returns time and time again throughout a text. This repetition of motifs helps to create structure for a text - it can tether parts of the story to or around a central image. Because motifs are often linked to a theme , they can also serve as a reminder of that theme’s importance. For example, if the central theme was family or parenthood, the author might create a bird’s nest outside a character’s room; as we watch the bird and the chicks grow throughout the text, parallels are also drawn back to the theme.  

What Is a Symbol?

You can think of symbols as motifs minus the repetition . It’s the more default word we use when referring to an object that represents an idea, and unlike a motif, symbols only need to appear once to have an impact. They can simply tell us more about a character or situation in that instant, at that specific time, rather than being a parallel or recurring throughout a text. However, they’re still identified in a similar way to motifs: symbols are also concrete objects and they’re still connected to themes. 

Examples of Themes, Motifs and Symbols

Here are some text-specific examples for a closer look at these terms: 

Check out our Macbeth , Rear Window and The Great Gatsby blog posts for more on these texts. If you’re studying other texts, have a look at our list of text guides in The Ultimate Guide to Text Response .

Identifying and Using Themes

Themes usually come across in interactions , and a possible first step to identifying them is thinking about if an interaction is good or bad, and why. For example:

In Rear Window , one of the neighbours berates everyone else for failing to notice their dog’s death.

This is a bad interaction because:

• a dog dying is never any good
• it tells us that none of these neighbours are looking out for or really care about each other
• someone may have killed the dog

The theme we might identify here is duty. The film might suggest that we have a duty to look out for our neighbours (without sacrificing their privacy) or to do our part to keep the neighbourhood safe from potential criminals.

Another example might be:

In The Great Gatsby , the Sloanes invite Gatsby over for dinner without really meaning it.

• it tells us how nasty the Sloanes are
• Gatsby still seems to be a misfit despite his wealth
• Tom is at best complicit in the Sloanes’ insincerity 

The themes here might be society, wealth and class . This interaction shows us where these characters really stand with regard to these categories or ideas. Because he is ‘new money’, Gatsby cannot understand or fit in with the cruel and disingenuous customs of ‘old money’.

Most interactions in a text will fit into a theme somewhere, somehow - that’s why it’s been included in the story! Try to identify the themes as you go , or maintain lists of interactions and events for different themes. Because themes are so broad, they’re useful for guiding your understanding of a text, particularly as you’re reading it. They also provide a great foundation for essay planning since you can draw on events across the text to explore a certain theme.

Identifying and Using Motifs & Symbols

While themes can generally appear in texts without the author needing to make too much of an effort, motifs and symbols have to be used really consciously . A lot of interactions might just be natural to the plot, but the author has to take extra care to insert a symbol or motif into the story.

To identify either, pay attention to objects that might feel unusual or even unnecessary to the scene at first - from the examples above, Gatsby showing Daisy his shirts might seem like a strange detail to include, but it’s actually an important symbol in that moment. Then, you go into the brainstorming of what the object could represent - in this case, Gatsby’s newfound wealth. Symbols in particular often appear at turning points : the relationship between two characters might take a turn, an important sacrifice might be made or perhaps someone crosses a point of no return - all of these are potential plot points for the author to include symbols. For motifs , look more for repetition . If we’re always coming back to an image or an object, like Daisy’s green light or Lisa Fremont’s dresses, then it’s likely that image or object has significance.

Symbols and motifs can be more subtle than themes, but they will also help to set your essay apart if you find a way to include them. You’d usually include them as a piece of evidence (with or without a quote) and analyse what they tell us about a theme. For example:

‍ On the surface, Gatsby appears to be financially successful. Over several years, he has acquired many material belongings in order to demonstrate his great wealth. For example, Fitzgerald includes a scene featuring Gatsby tossing his many ‘beautiful’ shirts onto Daisy, who sobs as she admires them. This display of wealth represents the superficial natures of both characters, who prize material belongings over the substance of their relationship.

You don’t need a quote that’s too long or overpowering ; just capture the essence of the symbol or motif and focus on what it represents. This is a really good way to show examiners how you’ve thought about a text’s construction, and the choices an author has made on what to include and why. To learn more about text construction, have a read of What Is Metalanguage?

Updated 14/12/2020

• Definition of Metalanguage
• Examples of Metalanguage in VCE English

1. Introduction

Although it appears on criteria sheets, many students never really understand the term  metalanguage . Strangely, it is something that is rarely addressed in classrooms. While the word may be foreign to you, rest assured that metalanguage is not an entirely new concept you have to learn. How come? Because you have been unknowingly using metalanguage since the very beginning of high school.

It's a word that is more and more frequently thrown around as you get more advanced in high school. And, it's something that becomes tremendously important in your final year of high school, because the more you include metalanguage discussion in your essays, the more intricate your discussion becomes and the more unique it also becomes.

So, let's find out exactly what metalanguage is.

2. Definition of Metalanguage

Metalanguage is  language that describes language .

So, instead of maybe using the word, "He was sad ", we might say something like, "He felt sorrowful " . The choice in words changes the meaning that is interpreted by the reader, just slightly, but there is still a difference. So, when it comes to studying texts or reading articles, and trying to analyze what the author is trying to do, we look at metalanguage as a way to help give us insight into the ideas that they're trying to portray.

The simplest way to explain this is to focus on part 3 of the English exam – Language Analysis. In Language Analysis , we look at the author’s writing and label particular phrases with persuasive techniques such as: symbolism, imagery or personification. Through our description of the way an author writes (via the words ‘symbolism’, ‘imagery’ or ‘personification’), we have effectively used language that describes language.

Now, if we look at the bigger picture, our analysis of an author’s language can be applied to Text Response, and even Reading and Comparing. To learn more about why metalanguage is important in Text Response, check out our Ultimate Guide to VCE Text Response . Otherwise, for those interested in Comparative, head over to our Ultimate Guide to VCE Comparative .

3. Examples of Metalanguage in VCE English

• Grammar and punctuation
• Characterisation
• Foreshadowing

For example

• Achilles is  characterised as a foetus, for his position is ‘chin down, shoulders hunched’ as though he is inside a womb. ( Ransom , David Malouf)
• In the first scene of All About Eve* , Mankiewicz foreshadows Eve's sinful and regretful actions, as a sorrowful expression is emphasized as she accepts her award

As you can see, the word 'foreshadows' pushes us in a new direction. Rather than just saying what has already happened or telling your teacher or examiner something that they already know, it forces you to actually analyze what's in front of you and to offer your own unique interpretation of why this metalanguage or why this technique has been used.

*If you happen to be studying this text, check out our All About Eve Character Profiles .

• Mise-en-scene
• Camera angles

When Terry leaves Friendly’s bar, the thick fog symbolises his clouded moral judgement as he decides whether he should remain ‘D and D’, or become a ‘rat’. ( On the Waterfront , Elia Kazan)

• Stage direction
• The miniature set Zac creates is designed with a white backdrop, symbolising his desire to wipe away reality since he ‘can’t stand real things'. ( Cosi , Louis Nowra)

In Medea , the motif of animals emphasizes the inhuman and bestial nature of Medea, highlighting how she defies natural norms.

This student has actually given us an analysis of why animal motifs are used. And that is to highlight how Medea defies natural norms, because of her inhuman and bestial nature.

4. Conclusion

As indicated earlier, you should be familiar with many, if not all the terms mentioned above. Take note that some metalanguage terms are specific to a writing form , such as camera angle for films. If you need help learning new terms, we have you covered - be sure to check out our metalanguage word banks for books and our metalanguage wordbank for films .

As you discuss themes or characters, you should try and weave metalanguage throughout your body paragraphs . The purpose of this criteria is to demonstrate your ability to understand how the author uses language to communicate his or her meaning. The key is to remember that the author’s words or phrases are always chosen with a particular intention – it is your job to investigate why the author has written a text in a particular way.

[Modified Video Transcription]

Hey guys, welcome back to Lisa's Study Guides. Today, I'm really excited to talk to you about metalanguage. Have you guys ever heard of metalanguage before? It's a word that is more and more frequently thrown around as you get more advanced in high school. And, it's something that becomes tremendously important in your final year of high school, because the more you include metalanguage discussion in your essays, the more intricate your discussion becomes and the more unique it also becomes. So, let's find out exactly what is metalanguage. Simply put, metalanguage just means language that analyses language. When authors write anything, we make certain decisions when it comes to writing. So, instead of maybe using the word, "He was sad", we might say something like, "He felt sorrowful". The choice in words changes the meaning that is interpreted by the reader, just slightly, but there is still a difference. So, when it comes to studying texts or reading articles and trying to analyse what the author is trying to do, we look at metalanguage as a way to help give us insight into the ideas that they're trying to portray.

Metalanguage comes in really handy, especially if you're somebody who struggles with retelling the story - I have a video on how to avoid retelling the story , which you can watch. Metalanguage essentially takes you to the next level. It prevents you from just saying what happened, and forces you into actually looking at how the ideas and themes are developed by the author through the words that they choose to use. So, let's have a look at a couple of examples to give you a better idea. I'm going to show you two examples. One uses metalanguage and one doesn't, and you'll see how a massive difference in how the student understands the text is really clear.

Number one, foreshadowing.

In the first scene of All About Eve , Mankiewicz emphasizes Eve's sorrowful expression as she accepts her award.

In the first scene of All About Eve , Mankiewicz foreshadows Eve's sinful and regretful actions, as a sorrowful expression is emphasized as she accepts her award. As you can see, as soon as we put in the word foreshadows, it pushes us in a new direction. Rather than just saying what has already happened or telling your teacher or examiner something that they already know, it forces you to actually analyse what's in front of you and to offer your own unique interpretation of why this metalanguage or why this technique has been used. So, in this case, it's foreshadowing. ‍ Let's have a look at another one, motif.

In Medea , Euripides commonly refers to animals when describing Medea's actions and temperament.

See how, in the first example, it was really just telling you what we might already know through just reading the book, but when it comes to the second example, this student has actually given us an analysis of why animal motifs are used. And that is to highlight how Medea defies natural norms, because of her inhuman and bestial nature. So, those are some examples of metalanguage. There are so many more different types of metalanguage out there...

1. List of Listening Resources That You Can Access For Free 2. How To Use These Free Resources (a Step-by-Step Guide) 3. Let Me Walk You Through How I approach These Listening Exercises 4. Time to Test Your Listening Skills

For an overview of the EAL study design plus tips and tricks for reading comprehension, time management and more, check out The Ultimate Guide to EAL .

The listening tasks of the EAL exam are worth 20% of the total exam marks.  Since this section was introduced to the exam fairly recently, limited past exam questions are available for students to practice. In this blog, you will find a comprehensive list of external resources that are accessible for free. Although they are not designed specifically for the purpose of VCAA exams, they can still boost your marks if used wisely. I will offer some advice that helped me receive a perfect study score in EAL and give you a step-by-step guide on how to use these listening resources to better prepare for EAL listening.

1. List of Listening Resources That You Can Access For Free:

ABC Radio National

• ‍ The art of 'adulting' - Mornings - ABC Radio
• ‍ Our future shaped and changed by Covid 19 - Big Ideas - ABC Radio National
• ‍ The New Laws of Robotics and what they might mean for AI - Future Tense - ABC Radio National
• ‍ Urban pandemic – isolation and inequality - Future Tense - ABC Radio National
• ‍ Will this new vaccine be a game changer? - 7.30 (abc.net.au)
• ‍ Borders starting to open up across the country - 7.30 (abc.net.au) ‍

Randall’s Listening Lab

• ‍ General Listening Quizzes
• ‍ Summer Camp | Randall's ESL Cyber Listening Lab (esl-lab.com)
• ‍ Check out this inspiration speech from Lisa Tran, our founder of Lisa’s Study Guide
• ‍ Inside the mind of a master procrastinator | Tim Urban - YouTube
• ‍ Intermediate English Listening - Nelson Mandela (esolcourses.com)
• ‍ Online English - Martin Luther King Jr Video Listening Quiz (esolcourses.com)

ABC 5 minutes more (this is super fun and easy one to listen to, perfect for times when we feel a bit lazy)

• ‍ Umbrellas Up! Umbrellas Down! : ABC iview
• ‍ The Friendly Caterpillar : ABC iview

BBC The Newsroom

• ‍ How to Vaccinate the World - Episode 3 - BBC Sounds
• ‍ Steve Jobs' 2005 Stanford Commencement Address - YouTube
• ‍ Bill Gates Harvard Commencement Address 2007 - YouTube
• ‍ In case you missed my Tulane speech, watch it here! - YouTube
• ‍ Natalie Portman Harvard Commencement Speech | Harvard Commencement 2015 - YouTube

And for my fellow Chinese friends, I recommend 可可英语 . It pretty much includes all major news sources worldwide including the Voice of America, CNN, ABC, National Public Radio, NBC News, BBC, The Economist and National Geography. I particularly love the fact that both the website and its free app offer English transcription and Chinese translation side by side.

2. How To Use These Free Resources (a Step-by-Step Guide)

I recommend you listen to the audio three times. Below, I have broken down what you should pay attention to during each listening exercise.

1st Time Listening

Step 1: read and annotate background information  .

• Read the background information if available. This mimics the ‘Background Information’ given at the very start of each question in the VCAA exam. In most cases, it provides a general introduction to the speakers and gives you a brief idea of what to expect in the upcoming audio. 
• Highlight the name of the speakers.
• Underline important information.

Step 2:  Read and Annotate the Questions

• Familiarise yourself with the questions during reading time and annotate them. 
• Develop an annotation system that works well for you personally.

1. I usually underline key information that gives me information on  ‘what’, ‘why’, ‘how’, ‘where’ and ‘when’ (refer to the table in Step 4 below for definitions for these ‘W’ words).

2. Highlight the main person/subject that the question is referring to. This will help you during note taking and formulating your answer. Under the stress of exams, we might lose track of which speaker is talking, especially when the two speakers sound similar. By highlighting the name of the speaker in the question, it reminds us which speaker to pay attention to when answering the question.

• If you are playing the audio clips by yourself for practice, make sure you give yourself time to analyse the questions before hitting play! If you have a friend or family member who can act as your ‘exam facilitator’, as soon as reading time ends, highlight or underline the keywords before your exam facilitator plays the audio clips! 

Step 3:  Listen to the Audio Only (Without the Visual)

This is pretty self-explanatory!

Step 4: Write Down Side Notes

• Write down as much information as you can to practice speed writing
• Some ‘W’ words (see table below) may not apply to all audio clips so free feel to only use the ‘W’ words that are relevant

2nd Time Listening 

Step 1: Fill in the blanks and try to be aware of words you don’t quite ‘get’.

Step 2: Note down how the speakers convey their attitude, feeling, ideas, etc.

Step 3: Interaction between speakers. 

There will typically be a question that asks you to describe the interaction between the speakers, such as , ‘Suggest 2 words to describe the interaction between A and B’. The answer you need to provide will typically be a two-word answer. I would encourage you to learn the adjectives used to describe a range of interactions, for example: 

Words to describe positive interactions include:

• Friendly, respectful
• Professional, formal, polite
• Relaxed, warm
• Amicable, sanguine

Words to describe negative interactions include:

• Embarrassed
• Teasing, childish
• Tense, unpleasant, disappointed
• Confrontational

3rd Time Listening  

Listen to the audio while you read the transcript if available.

3. Let Me Walk You Through How I approach These Listening Exercises

Now that you know the steps, let’s see them in action. Below, I will demonstrate the step-by-step process of how you can make full use of the listening resources above.  

We’ll use this video clip from ABC Life Matters as an example: Is the internet becoming more 'ethical'?

Download this worksheet so that you can work through this listening task on your own too!

Step 1: Read and Annotate Background Information

Step 3: Listen to the Audio (Without the Visual)

Step 4 : write down side notes.

For practice, I recommend taking notes in a table format, using the ‘W’ words I mentioned above. We are going to designate a separate table for each speaker in the audio.

2nd Time Listening   

This is where you have the opportunity to fill in the blanks for the challenging words that you did not pick up in the first round. For example: Ubiquitous, monopolists, admirable, immersed, sophisticated and algorithm 

I will use ‘friendly’ and ‘polite’ to describe the interaction between the interviewer and Jocelyn Brewer. As you listen, see if you can identify why I have chosen these two words to describe the interaction. Keep in mind that there is no right or wrong answer here as long as your choice of descriptive words suit the audio clip.

3rd Time Listening   

Usually I would read the transcript in this third and final step, however, since there is no transcript available for this piece, I will skip this step.

4. Time to Test Your Listening Skills

Using the same audio clip and worksheet , have a go at these VCAA-style questions that I wrote up, and then check out my sample answers to see how your own answers compare. You will probably notice that a lot of the information you gather from the  ‘W’ words actually provides you with the answers to the majority of the questions here.

Sample Questions:

• What are the problems with internet use today? (2 marks)
• What is it that can draw people in and what example does Brewer use in relation to this? (2 marks)
• What is Beverley Wang’s opinion on some apps showing many ‘likes’? Support your answer with an example of word choice and language. (3 marks)
• What are the costs people have to pay, as Brewer suggests, for the use of Internet? (2 marks)
• What does Ecosia try to recognise? (2 marks)
• Give the word that the company officer of Ecosia uses to describe Google’s dominant power over the search engine. (1 mark)
• What are the two adjectives Beverely Wang uses to praise Ecosia? (2 marks)
• What are the challenges faced by companies like Ecosia, according to Brewer? (2 marks)

Sample Answers: 

• The problems of internet use lie in its prevalence in society and how powerful the technology is. The apps are designed to mimic the best psychological behaviours and maintain our interest. 
• Users are drawn in by a range of psychological hacks employed by the app designers. For example, Facebook has adjusted the size of the font to keep us engaged and immersed. 
• Beverley Wang expresses her opinions that some apps can foster addictive behaviours and can be scary by using a frustrated and alarmed tone. Additionally, by repeating the term ‘consuming’ four times in a row, delivered in a fast pace, Wang affirms the unethical and addictive nature of the apps.
• Brewer suggests people have to pay with time and attention.
• Firstly, Ecosia aims to be an ethically-orientated company by planting one tree for every 45 web searches. Secondly, it promises to be a ‘privacy-friendly’ platform and endeavours to expose the shameful motives of some search engines such as Google. 
• ‘monopolists’
• ‘noble’ and ‘admirable’
• Since using Ecosia requires ‘people-poser’, the public need to be more aware of the benefits of switching from an ‘automatically-preferred’ search engine to Ecosia. Ecosia receives ‘56 enquiries every minute’ compared to ‘40 thousand’ enquiries on their competitor’s web engine. 

For further tips and tricks on tackling the EAL Listening Exam, check out How To ACE the EAL Listening Exam . For more advice and samples about listening practice, see EAL Listening Practice , Tips on EAL Listening and How To Take Speedy Notes During Listening Component of VCE EAL Exam .

1. What do Year 10s Learn in English?

2. year 10 english curriculum breakdown, 3. year 10 english texts, 4. how to get good marks in year 10 english.

Year 10 English is when the Pre-VCE year kicks in. Most schools will treat it as an opportunity to expose you to the VCE curriculum, but with Year 10 level texts. This means they’ll cover the same assessment tasks and begin teaching you the skills you need to have by the time you get to VCE.

Other schools will use this year to prepare students for the different English subjects that are offered at the VCE level, so they can decide by the end of the year. These may include VCE English/EAL, VCE Literature and VCE English Language.

For this blog, we’ll focus on the current Victorian Year 10 Curriculum (this will be updated as they change).

Similar to the VCE years (Year 11-12), most Year 10’s will be expected to complete the following assessment tasks:

Text Response

• Comparative text response
• Creative (with a written explanation)

Argument Analysis

Under each area of study, there will be key skills that you will need to learn to nail the accompanying assessment tasks.

Considering what you would have learnt in Year 9, Year 10 builds on those skills a bit further. Fundamentally, you would need to provide more detail whenever you’re expected to analyse evidence or provide an explanation and there will be specific essay structures your teacher will want you to follow. This may vary depending on your school.

Check out ' What should Year 9 students expect when they enter Year 10 ' for a more in depth breakdown of the Year 9 to 10 transition!

Let’s break down each assessment task you’re expected to complete as mentioned above.

Watch our video What kind of assessments can you expect at a Year 10 level!

Many Year 10 students will be introduced to the world of annotations when going through the text response unit. This is because the text will need to be understood inside out for you to score highly on the essay.

When you begin annotating your text, look for the following:

• Key ideas explored by the author
• Characterisation and character transformation
• Social/Historical/Cultural/Political context
• Stylistic features used by the author, such as symbolism, motifs, etc.
• Words you don’t understand (and then define them)

To help you have a better understanding of your text, teachers will usually assign you comprehension questions about your text and that will be their way of easing you into writing analytical body paragraphs.

Examples of prompts you may receive for text response include:

• ‘Night paints a vivid picture of a broken society in a broken place.’ Discuss.
• ‘Holden’s critique of phonies in The Catcher in the Rye is his way of critiquing society.’ Do you agree?

As important as the keywords are in the prompt, you need to be able to identify the type of prompt you have chosen to answer. Similarly, you must take some time to familiarise yourself with the task words that commonly pop up in prompts.

Check out The Ultimate Guide to Text Response to get a more specific idea of HOW you can smash out this essay.

Comparative Text Response

This is oftentimes deemed to be the most difficult area of study students will complete in English. Instead of just interpreting and analysing one text, you’re now presented with two texts you will need to find common ideas and themes to discuss.

To get in the high-scoring range you will need to do the following to help you stand out from the rest of your classmates:

• Constantly form links between the texts and the prompt you’re answering
• Consistent and detailed comparison throughout the essay between the two texts
• Be able to demonstrate a depth understanding of the texts
• Refer back to the writer’s views and values (their intention/message to the reader)
• Explore the different ideas expressed by the author
• Examine HOW the author has created certain effects on the reader , taking into consideration their use of narrative and stylistic choices
• Use relevant metalanguage

We also have The Ultimate Guide to VCE Comparative to help you break down HOW you can best prepare for this assessment task.

If you would like to know the pros and cons of the different comparative essay structures you can follow, check out this blog .

Creative Task

This particular assessment will generally be based on the text you have studied with your class. It may be a collection of short stories, a novel, poems, etc. The majority of the time, teachers will expect you to pick one of the characters from the text and write an alternate plot for them while also mirroring the style of the original text . 

Sometimes, teachers will allow you to pick the story and character you get to focus on, other times, they’ll provide you with a list you can choose from. If you’re given free rein for this task, check out our creative ideas you can adopt.

A written explanation usually accompanies this assessment task as well. This is where you break down your creative task for your teacher, sharing with them your purpose for writing it the way you have. You will address your language choices, themes, literary devices used, intended audience, etc. This tends to be around 200 words in length. Here’s a blog that explains HOW you can write the best written explanation.

Some more creative writing resources to help you out with this assessment:

• How To Achieve A+ In Creative Writing
• How YOU Can Be A Better Creative Writer! For ANY Student
• 11 Mistakes High School Students Make In Creative Writing

Mimicking the analysing argument essay you will need to complete in both Year 11 and Year 12, you will be expected to:

• Demonstrate your understanding and knowledge of both written and visual features of persuasion in your analysis (this is where the intended effect of the writer comes into play)
• Be able to identify and explain your assumptions with sophistication 
• Show insightful knowledge of both explicit and implicit meaning within the texts
• Prove that you know HOW language choices can influence the audience
• Use relevant metalanguage (this may include persuasive devices, language or visual techniques)

Some schools like to pick a specific issue to focus on, for instance, social media. All of the articles and tasks they assign their students to analyse will then be focused on this issue. Other schools will expose their students to a variety of different issues. Either way, you will be exposed to a variety of persuasive material and forms, including opinion pieces, speech transcripts, editorials, cartoons , etc. This is elaborated on in The Ultimate Guide to VCE Language Analysis .

Different schools will teach different analysis techniques. One of the most common ones includes the WHAT-HOW-WHY method . This will be applicable when you move into Year 11 and 12 English too.

Introductions for this particular essay are just as straightforward and can be quite formulaic. Check out our YouTube video on how to write an A+ language analysis introduction to learn the elements you need in an argument analysis introduction. If you’re curious about the writing process for the entire essay, then check out this video .

A lot of the time in Year 10, you will also be unpacking media advertisements. This will tie into the argument analysis area of study.

Here, you may be analysing HOW and WHY advertisements are created the way they are and the choices made by the creator to influence the specific target audience. Sometimes, you will also have the opportunity to create your own! If this is the case, you will also most likely write up a written explanation of around 200-300 words explaining the choices you have made.

As you would have read in The Ultimate Guide to Year 9 English, reading is one of the most important skills that need to be maintained as you progress through high school.

Here is a list of 10 texts many students at a Year 10 level may have read:

• Animal Farm by George Orwell
• Jane Eyre by Charlotte Bronte
• Lord of the Flies by William Golding
• Of Mice and Men by John Steinbeck
• Pride and Prejudice by Jane Austen
• The Book Thief by Markus Zusak
• The Great Gatsby by F. Scott Fitzgerald
• The Life of Pi by Yann Martel
• The Simple Gift by Steven Herrick
• To Kill A Mockingbird by Harper Lee

How many of these texts can you tick off the list? 

a) Knowing Where to Start

Of course, it’s important to acknowledge your strengths in English; however, to improve upon your marks and do even better, you will also need to fine-tune your weaknesses . Merely relying on strengths won’t be enough anymore. 

Identify the skills you need to improve and be specific!

For example, ‘I need to make my introductions shorter and simpler’ or ‘I will plan my essay more extensively so I will know which pieces of evidence will be relevant for each body paragraph.’

If this is the case, writing a million essays won’t get you to where you want to be. It would be inefficient and a waste of everyone’s time. Hone down your focus to one or two things , instead of every skill that falls under essay writing. 

Referring back to the above example, if you want to make your introductions shorter and simpler, read through a few sample high-scoring introductions and test them you can adopt for an introduction and know which one will work best for you. Or if your pain point is the planning process, compile different essay planning templates and use them in your essay planning so you can narrow down your options for different types of prompts.

This way, starting small will help you improve without overwhelming you so much. Check out How I Went From Average To A+ In High School English to get that boost of motivation and confidence before you embark on this learning journey.

As you do this, don’t forget to keep in mind the 7 Deadly (English Writing) Sins you should always avoid!

b) Work With Your Teacher

As we’ve explained in our Instagram post on the feedback loop , getting feedback for your essay or paragraph from your teacher and tutors will also help you improve much faster !

If you’re not familiar with the essay writing feedback loop process, it goes:

• Step 1: Write a paragraph(s) or essay
• Step 2: Get input on what works and fix what doesn’t (this input can come from your teacher and/or tutor)
• Step 3: Redraft or write a new one to test your skills
• Step 4: Repeat

Whether it’s just a plan, an introduction, a body paragraph or even a complete essay, taking the initiative to seek help from your teacher will provide you with clarity on what it is you need to be working on. This is crucial if you want to jump from a C grade to an A+. 

Each time you write a practise essay or paragraph, you should have a goal in mind so you know what you’re trying to improve upon. This way, you can cut down your workload and reduce study time !

I would recommend you do this as many times as necessary until you get that 10/10 essay so you can use it as a template or model essay in the future!

c) Write Under Timed Conditions

Even though a lot of the time in Year 10, teachers will be a bit more lenient so they’ll permit you to bring in a cheat sheet into the exam or assessment. However, that doesn’t always mean you’ll be able to finish on time, so it’ll serve you best to do some additional practise essays under timed conditions. 

Some things to look out for when you do practise writing timed essays or paragraphs:

• Ensuring that your handwriting is legible 
• Trial and error different types of planning methods to find which suits you best
• Know the essay structure you want to adopt for the particular essay
• Avoid ‘fluff’ (unnecessary details) and get straight to the core idea and analysis since that is where you’ll get the marks
• Practise makes perfect! 

Here’s a YouTube video that details how you can go about writing 3 essays in 3 hours which you’ll eventually need to do!

At LSG, we have the most qualified tutors who have received the marks you’re after who can walk you through your high school English journey with you. 

What will we offer you?

• Regular English advice and support (whether that is homework help, essay feedback or if you just want to go the extra mile and get ahead with your English studies)
• A specialised LSG Signature Program that can cater to your goals and help you develop the knowledge and get all the consistent writing practise you need
• Guidance as we work through the necessary writing skills and strategies that will get you the A+ you desire
• Access to exclusive LSG resources that will save you time creating your own notes (planning and writing templates, sample high-scoring essays, and so much more!)

If you want more information on why you should pick us, check out our tutoring page . Otherwise, click here to express your interest today!

• Symbols and Analysis
• Discussion Questions
• Sample Essay Topics
• Essay Topic Breakdown

Go Went Gone revolves around an unlikely connection between a retired university  professor , Richard, and a group of asylum seekers who come from all over the African continent . While he’s enjoyed a life of stability and privilege as a white male citizen, the lives of these asylum seekers could not be more different: no matter where they are in the world, uncertainty seems to follow. Richard initially sets out to learn their stories, but he is very quickly drawn into their histories of tragedy, as well as their dreams for the future. 

However, the more he tries to help them, the more he realises what he’s up against: a potent mix of stringent legal bureaucracy and the ignorance of his peers . These obstacles are richly interwoven with the novel’s context in post-reunification Germany (more on this under Symbols: Borders ), but bureaucracy and ignorance are everywhere - Australia included . This novel, therefore, bears reflection on our own relationship with the refugees who seek protection and opportunity on our shores - refugees who are virtually imprisoned and cut off from the world .

Richard ultimately realises that these men are simply people , people who have the same complexities and inconsistencies as anyone else. They sometimes betray his trust; at other times, they help him in return despite their socio-economic standing. The end of the novel is thus neither perfect nor whole - while the asylum seekers develop a relationship with Richard and vice versa, neither is able to entirely solve the other’s problems, though both learn how to be there for each other in their own ways. We don’t get many solutions to everything the refugees are facing, but what we end up with is a lesson or two in human empathy. 

The title of Jenny Erpenbeck’s novel Go Went Gone is a line she weaves into a couple of scenes. In one example, a group of asylum seekers in a repurposed nursing home learn to conjugate the verb in German. In another, a retired university professor reflects on this group, about to be relocated to another facility.

The various privileges Richard holds shape his identity in this text. It shapes how he approaches his retirement for example: now that “ he has time ”, he plans to spend it on highbrow pursuits like reading Proust and Dostoyevsky or listening to classical music. On the other hand, the asylum seekers sleep most of the time: “if you don’t sleep through half the morning, [a day] can be very long indeed.” Richard has the freedom to choose to spend his time on hobbies, but the asylum seekers face a daunting and seemingly-impossible array of tasks. After getting to know them more, he realises that while his to-do list includes menial things like “schedule repairman for dishwasher”, the refugees face daunting socio-political problems like needing to “eradicate corruption”. 

Freedom in general is a useful way to think about privilege in this text, and besides freedom to choose how you spend your time, this can also look like the freedom to tell your story. While Richard helps the men with this to some degree, even he has a limited amount of power here (and power can be another useful way of thinking about privilege). Richard realises that “people with the freedom to choose…get to decide which stories to hold on to” - and those are the people who get to decide the future of the refugees, at least from a legal perspective. 

Though Richard can’t necessarily help with these legal issues, he finds himself doing what he can for the refugees over time. He demonstrates a willingness to help them in quite substantial ways sometimes, for example buying a piece of land in Ghana for Karon and his family. In the end, we see him empathising with the refugees enough to offer them housing: though he is not a lawyer, he still finds ways to use his privilege for good and share what he can. He taps into his networks and finds housing for 147 refugees. 

The tricky thing with empathy though is that it’s never one-sided, not in this book and not in real life either. It’s not simply a case of Richard taking pity on the refugees - we might think of this as sympathy rather than empathy - but he develops complex, reciprocal and ‘real’ friendships with all of them. This can challenge him, and us, and our assumptions about what is right. When Richard loses his wallet at the store, Rufu offers to pay for him. He initially insists he “can’t accept”, but when he does Rufu doesn’t let him pay him back in full. Erpenbeck challenges us to empathise without dehumanising, condescending or assuming anything in the process. 

It’s an interesting way to think about social justice in general, particularly if you consider yourself an ‘ally’ of a marginalised group - how can we walk with people rather than speak for them and what they want?

Freedom of movement is sort of a form of privilege, but movement as a theme of its own is substantial enough to need a separate section. There are lots of different forms of movement in the novel, in particular movement between countries . In particular, it’s what brought the refugees to Germany at all, even though they didn’t necessarily have any control over that movement.

Contrast that with Richard’s friends, Jörg and Monika, who holiday in Italy and benefit from “freedom of movement [as] the right to travel”. Through this lens, we can see that this is really more of a luxury that the refugees simply do not have. Refugees experience something closer to forced displacement , rather than free travel, moving from one “temporary place” to the next often outside of their control. In this process, their lack of control often means they lose themselves in the rough-and-tumble of it all: “Becoming foreign. To yourself and others. So that’s what a transition looks like.”

3. Symbols & Analysis

Language and the law.

Many of the barriers faced by the refugees are reflected in their relationships with language; that is, their experiences learning German mirrors and sheds light on their relationship with other elements of German society. For example, there are times when they struggle to concentrate on learning: “It’s difficult to learn a language if you don’t know what it’s for”. This struggle reflects and symbolises the broader problems of uncertainty, unemployment and powerlessness in the men’s lives.

The symbol of language often intersects with the symbol of the “iron law”, so these are discussed together here. It’s hard on the one hand for these men to tell their stories in German, but it’s also hard for the German law to truly grapple with their stories. Indeed, Richard finds that the law doesn’t care if there are wars going on abroad or not: it only cares about “jurisdiction”, and about which country is technically responsible for the refugees. In this sense, the law mirrors and enables the callousness which runs through the halls of power - not to deter you from learning law if you want though! This might just be something to be aware of, and maybe something you’d want to change someday. 

There’s one law mentioned in the novel stating that asylum seekers can simply be accepted “if a country, a government or a mayor so wishes”, but that one word in particular - “ if ” - puts all the power in lawyers and politicians who know the language and the law and how to navigate it all. These symbols thus reflect power and privilege. 

Borders (+ Historical Context)

Throughout the novel, there’s a sense that borders between countries are somewhat arbitrary things. They can “suddenly become visible” and just as easily disappear; sometimes they’re easy to cross, sometimes they’re impossible to cross. Sometimes it’s easy physically, but harder in other ways - once you cross a border, you need housing, food, employment and so forth.

This complex understanding of borders draws on the history of Germany , and in particular of its capital Berlin, after World War II. After the war, Western powers (USA, UK, France) made a deal with the Soviet Union to each run half of Germany and half of Berlin. The Eastern half of Germany, and the Eastern half of Berlin, fell under Soviet control, and as East Germans started flocking to the West in search of better opportunities (sound familiar?), the Soviets built a wall around East Berlin. The Berlin Wall , built in 1961, became a border of its own, dividing a nation and a city and changing the citizenship of half of Germany overnight. Attempts to escape from the East continued for many years until the wall came down in 1989, changing all those citizenships right back, once again virtually overnight.

This history adds dimension to Erpenbeck’s novel. Refugees pass through many countries, but Erpenbeck draws on Germany’s history specifically as a once-divided nation itself. This helps to illustrate that national borders are just another arbitrary technicality that divides people, at the expense of these refugees. 

Bodies of Water

One motif that comes back a few times in the novel is the drowned man in the lake by Richard’s house. This has a few layers of meaning.

Firstly, the man drowns despite the lake being a perfectly “placid” body of water, and for whatever reason, this bothers Richard immensely: “he can’t avoid seeing the lake”. There’s an interesting contrast here to be drawn between this one death in a still body of water and the hundreds of deaths at sea that are recounted in the novel. Rashid’s stories are particularly confronting: “Under the water I saw all the corpses”. Erpenbeck questions the limits of human empathy - whose deaths are we more affected by, and why - through contrasting these different bodies of water, and those who die within them. Richard is more affected than most, who visit the lake all summer leaving “just as happy as they came” - but even he has his limits with how much he can see and understand. 

The next layer of meaning with this symbol then is more around the surface of the water itself: it is significant that in Rashid’s story, the casualties are below the surface. This reflects the common saying, “the tip of the iceberg” - the survivors who make it to Europe are really just the tip of the iceberg , only representing a fraction of the refugee experience. Often, that experience ends in death. Erpenbeck asks us to keep looking beneath the surface in order to empathise in full. 

Music and the Piano

This symbol is specific to Richard’s relationship with Osarobo , to whom he teaches the piano. There’s one scene where this symbolism is particularly powerful, where they watch videos of pianists “us[ing] the black and white keys to tell stories that have nothing at all to do with the keys’ colours.”

It speaks to the power of music to bring people together, and also to the importance of storytelling in any form: Rosa Canales argues the keys’ colours, and the colour of the fingers playing them, “become irrelevant to the stories emanating from beneath them”.

• “What languages can you speak?”
• “The German language is my bridge into this country” 
• “Empty phrases signify politeness in a language which neither of them is at home” 
• “The things you’ve experienced become baggage you can’t get rid of, while others - people with the freedom to choose - get to decide which stories to hold on to”
• “He hears Apollo’s voice saying: They give us money, but what I really want is work. He hears Tristan’s voice saying: Poco lavoro . He hears the voice of Osaboro, the piano player, saying: Yes, I want to work but it is not allowed. The refugees’ protest has created half-time jobs for at least twelve Germans thus far” 
• “Not so long ago, Richard thinks, this story of going abroad to find one's fortune was a German one”
• “Is it a rift between Black and White? Or Poor and Rich?” 
• “Where can a person go when he doesn't know where to go?” 

5. Discussion Questions

Here are some questions to think about before diving into essay-writing. There’s no right or wrong answer to any of these, and most will draw on your own experiences or reflections anyway. You may want to write some answers down, and brainstorm links between your responses and the novel. These reflections could be particularly useful if you’re writing a creative response to the text, but they’re also a really good way to get some personal perspective and apply the themes and lessons of this novel into your own life.

• Where do you ‘sit’ in the world? What privileges do you have or lack? What can you do that others cannot, and what can others do that you cannot?
• Think about the times you’ve travelled around the world - how many of those times were by choice? What might be the impact of moving across the world against your will?
• How do you show empathy to others? How do you receive empathy from others? What is that relationship ‘supposed’ to look like?
• What are some different names for where you live? How can you describe the same place in different languages or words? If you’re in Australia, what was your area called before 1788?
• Have you ever learned or spoken a language other than English? What language do you find easier to write, speak and think with? How might this impact someone’s ability to participate in different parts of life (school, work, friendships etc.)?

6. Sample Essay Topics

• Go Went Gone teaches us that anyone can be empathetic. Discuss. 
• In Go Went Gone , Erpenbeck argues that storytelling can be powerful but only to an extent. Do you agree?
• How does Erpenbeck explore the different ways people see time? 
• It’s possible to sympathise with Richard despite his relative privilege. Do you agree?
• Discuss the symbolic use of borders in Go Went Gone .
• Go Went Gone argues that the law is impartial. To what extent do you agree?
• “The German language is my bridge into this country.” How is language a privilege in Go Went Gone ?
• Who are the protagonists and antagonists of Go Went Gone ?
• Go Went Gone shows that it is impossible to truly understand another person’s experiences. To what extent do you agree?

In what ways do the people Richard meets challenge his assumptions about the world?

• Go Went Gone is less about borders between countries than it is about borders between people. Do you agree?

7. Essay Topic Breakdown

Whenever you get a new essay topic, you can use LSG’s THINK and EXECUTE strategy , a technique to help you write better VCE essays. This essay topic breakdown will focus on the THINK part of the strategy. If you’re unfamiliar with this strategy, then check it out in How To Write A Killer Text Response .

Within the THINK strategy, we have 3 steps, or ABC. These ABC components are:

Step 1: A nalyse

Step 2: B rainstorm

Step 3: C reate a Plan

Step 1: Analyse

This prompt alludes to certain assumptions that Richard might make about the world. If it’s hard to think of these off the top of your head, consider where our assumptions about the world come from: maybe from our jobs, our families and friends or our past experiences. Maybe there are some assumptions you’ve had in the past that you’ve since noticed or challenged. 

Then it asks us how the people Richard meets challenges those assumptions. There’s no way to get out of this question without discussing the refugees, so this will inform our brainstorm.

Step 2: Brainstorm

I think some of Richard’s assumptions at the beginning come from his status: being a professor emeritus makes you pretty elite, and he can’t really empathise with the refugees because his experiences of life are so different. Part of the challenge with this prompt might be to break down what life experiences entail, and where those differences lie: particularly because it’s asking us ‘in what ways’. These experiences could be with language, employment, or personal relationships just to name a few ideas. 

Step 3: Create a Plan

Because Richard’s life experiences are so vastly different, I’d contend that his assumptions are challenged in basically every way. However, I also think that his interest in the refugees exists because he knows they can challenge his assumptions. I want to use the motif of water surfaces to tie this argument together, particularly in the topic sentences, and this could look as follows:

Paragraph 1 : Richard realises that he only has a ‘surface-level’ appreciation of the refugees’ life experiences.

• He realises that he knows little about the African continent (“Nigeria has a coast?”) 
• He suffers from a “poverty of experience” which means he hasn’t had to interact with this knowledge before
• His renaming of the refugees (Apollo, Tristan etc.) suggests that he still needs his own frame of reference to understand their experiences
• He learns about the hardships of migration through the tragic stories of those like Rashid

Paragraph 2 : He also realises that he has a ‘surface-level’ understanding of migration in general.

• This comes from the fact that he has never actually moved countries; he’s only been reclassified as an East German, and then again as a German. Neither happened because he wanted them to.
• On the other hand, the refugees want to settle in Europe: they want the right to work and make a living - it’s just that the “iron law” acts as a major barrier. Their powerlessness is different from Richard’s.
• Part of migration is also learning the language, and Richard is initially quite ignorant about this: he observes that the Ethiopian German teacher “for whatever reason speaks excellent German”, not realising this is necessary for any migrant to survive in the new country.
• We can think of this as the difference between migration and diaspora, the specific term for the dispersion of a people.

Paragraph 3 : Richard is more open than most people to looking beneath the surface though, meaning that his assumptions are challenged partly because he is willing for them to be.

• The symbol of the lake works well here to explain this: he is bothered by its still surface, and what lies underneath, while others aren’t
• We can also contrast this to characters like Monika and Jörg who remain quite ignorant the whole time: Richard’s views have departed from this throughout the course of the novel
• Ultimately, the novel is about visibility: Richard’s incorrect assumptions mean that he isn’t seeing reality, and his “research project” is all about making that reality visible. 

‍ Go Went Gone is usually studied in the Australian curriculum under Area of Study 1 - Text Response. For a detailed guide on Text Response, check out our Ultimate Guide to VCE Text Response .

We’ve come to that time in the year when everyone is scrambling to find the perfect Oral Presentation topic. Choosing the best topic for you is easily the most difficult part of this SAC, so to hopefully ease the burden, I’ve crafted this list with the latest and biggest global debates. My two biggest pieces of advice are NOT to choose an overly complex subject and NOT to choose anything you don’t really understand. A simple idea that is argued effectively works far better than a complex idea argued poorly. Moreover, find a topic that you are genuinely passionate about; regardless of what your ideas are, your passion is the key to success.

That being said, if you are currently struggling to find some inspiration, have a read of the following oral topics that will hopefully bring light to the relevant and pressing issues of the world.

If you haven’t already, check out our Ultimate Guide to Oral Presentations for some general tips and tricks to get you started!

1. Not enough is being done to address gender discrimination, violence and inequality in Australia

We are lucky to live in a country where gender discrimination is on the decline, and where we’re progressively making our way towards equality. Unfortunately, we haven’t quite reached it yet. Gender discrimination and sexist ideologies slowly make their way through our school locker rooms, into our classrooms, across our halls, and most tragically, into our homes. Do we really focus on fixing these issues from youth through education, or are the government and media just letting these problems run their course?

 The key thing to focus on is the barriers still present in society that are preventing us from reaching true equality. Search for famous female figures in Australia and the struggles they had to overcome solely based on their gender like Julia Gillard, Grace Tame and Nicole Kidman. Moreover, in a country as advanced and progressive as Australia, why are hundreds of women continuing to be murdered in domestic abuse disputes? It’s these terrifying statistics that demonstrate how far we have to go as a country, and how quickly we need action.

2. Addressing the ‘Climatic Catastrophe’ is being hindered by climate scepticism and multimillion-dollar corporations

Climate change. A buzzword for the top problem of the future. Even now, we’re feeling the terrible effects of the heating climate - floods, droughts and life-changing bush fires that have misplaced thousands of Aussies. A problem this big should require immediate action, right?

Well, two things are preventing us from slowing the changing climate and growing emissions. Firstly, Australia is clearly over-reliant on the coal industry. It is our top export after all, and our mining industry always proves to be a ‘booming success’. Not to mention the several ‘generous’ donations provided from multimillion-dollar fuel corporations to several of our own government parties.

Secondly, there seems to be certain online rhetoric that perpetuates false information. Otherwise known as ‘climate scepticism’, there are people who genuinely believe that climate change is a ‘hoax’ and not worth the time or effort to address. Think about the impact that the spreading of this misinformation can do. 

3. Are we too reliant on fossil fuels?

The Russian war against Ukraine has had several terrible impacts across the world, affecting countries that weren’t even involved in the conflict to begin with. You may have heard your parents complain about the soaring fuel prices, or even had to cash out almost double for petrol yourself. The main reason for this is Australia’s reliance on fuel imports from Russia, which have quite obviously been disrupted.

This brings forward an important question, are we too reliant on fossil fuels as a nation? Imagine if we had made the switch to electric cars even just a few years earlier. I have a feeling our transport situation would be significantly better. Think about the policies we would need to introduce to become greener and more self-sufficient.

4. Indigenous injustices and deaths in custody are still being ignored

WARNING: This topic contains descriptions and the name of a recently deceased Indigenous person .

Veronica Nelson, a 37-year-old Indigenous woman, died whilst in custody after calling out 40 times for help from prison staff while being tragically ignored. Her unjust death evaded all sorts of media attention until her recent coroner’s report was revealed. According to doctors, if she had simply received medical attention that night, she would still be here with us today. Unfortunately, this is not an isolated issue.

Hundreds of reports of police brutality, deaths in custody and compliant media sources have been covered up or callously ignored. Take a look at the recent Royal Commission into the almost 500 Indigenous deaths in custody. What can we do as a nation to prevent further harm to our First Nation People?

5. Are social media ‘influencers’ skewing our perceptions of reality?

There’s no denying it, social media is one of the most influential platforms across the world. We often look towards celebrities and new ‘influencers’ for inspiration, life advice and familiarity. Especially coming out of the pandemic, these influencers have been a source of comfort for many during lockdowns. Unfortunately, lives are easy to fake and we are left wondering whether the people we look up to in the social media world are creating unrealistic expectations for us. Are they gaining profit at the expense of our mental health, or do they genuinely care for human connection?

6. Overconsumption in the fashion world: SHEIN, Fashion Nova and more

Online shopping is becoming our new reality, but rapidly growing fashion trends have led to mass production and inhumane outsourcing of labour. Think about the new fast fashion outlets that opened in Melbourne. Should we really be giving a retail platform to businesses that exploit workers and tailors, consistently produce poor-quality clothes and contribute to extensive land pollution? We’ve experienced huge clothing turnover over the past decade, contributing to one of our biggest land-fill issues at the moment. The emphasis on the constant need for more ‘trendy’ pieces results in items of clothing being poorly produced and going ‘out of fashion’ faster and consequently getting thrown out at the end of a new season. Fast fashion is an affordable option for many, but it comes at a cost of underpaid labour and pollution. How can society work towards finding the middle ground, so that everyone benefits and more importantly, what individual efforts can be made to ensure this?

7. Alcohol consumption amongst youths is becoming increasingly normalised

Everyone knows about the impact of alcohol on the body and mind, especially when it is consumed under age. Yet, binge drinking in Australia is a common weekend occurrence for students and is constantly normalised at social gatherings. Turning 18 and officially becoming an adult is exciting for many because of the prospect of finally being able to legally purchase and consume alcohol. However, even now, the long-term effects of alcohol have been proven to be the same as certain drugs and yet, it is heavily marketed by various companies, particularly to young Australians (Cassidy, 2021).

Many healthcare professionals stress that we need to work on reducing the culture of heavy drinking in Australia by increasing awareness of the genuine dangers. Think about ways in which we can do this that are different from what we have in place already.

8. The treatment of Ukraine vs. the Middle East/Sri Lankan/Asian refugees

When the war began in Ukraine, it rightfully caused worldwide outrage. Countries pledged artillery, medical aid and further security assistance for those fighting and opened their borders to Ukrainian refugees. However, during numerous conflicts in the Middle East, Sri Lanka and Southeast Asia, the world remained silent. The irony lies too within our own government, which was quick to reprimand Russia during the war and willingly state Australia will accommodate Ukrainian refugees, yet sends all other refugees that arrive in Australia to Christmas Island, or back home. There was, and still is, a difference in the treatment of vulnerable people that has long been tied into prolonged systematic racism, and it is still not being addressed.

9. ‘Financial influencers’ are damaging people’s lives and careers

We’ve all seen it online, across Facebook and TikTok. ‘Financial influencers’ that can ‘turn you into a millionaire’ as long as you invest in their 12-step monetised plan for monetary freedom. For the most part, it is unsupported financial advice from online influencers who don’t have any qualifications. They cover bitcoin, cryptocurrency and ‘NFTs’ on social media, mainly encouraging people to quit their jobs and fully focus on the stock markets. Whilst some people have given out genuinely helpful and accessible advice, most end up teaching teenagers and young adults the wrong information, or strategies that have a low chance of success. We have a duty to protect people online, and adults making unsupported gambles with their finances is going against that. A good place to start would be to find out the real-life experiences of people who have lost money and stability as a result of this ‘advice’.

10. Social media has led to growing desensitisation and a lack of human empathy

The internet can be a place of joy and entertainment, allowing us to connect with people across the world and have access to endless information. Unfortunately, it is also a dark space filled with unregulated content that can be easily accessed. We’ve seen mass shootings, suicides and other disturbing material live streamed, exposing us to the worst acts of human nature. There are even those with a ‘morbid curiosity’ who purposefully try and find this content. Continued exposure to this type of content results in more desensitisation towards this material. If we continue this path, are the majority going to lack empathy towards others? Have a look at the wider effects of this type of content on the development of the brain.

11. The gaps in our labour market are only going to grow without rapid action

Over the past year, we have had some of the worst gaps in the labour market. There have been shortages in some of the most essential positions such as nursing, teaching, paramedics and 000 operators. The low wages and stressful nature of the jobs have made it difficult to find enough people willing to enter those job sectors. However, they are vital for our society to function, so how come nothing has yet been introduced to rapidly fix these shortages? Currently, we are out-sourcing labour, but this isn’t a long-term solution and we need to ensure that we don’t experience these problems in the future.

12. Vaccine privilege

Over the past few years, especially in Australia and the USA, we have noticed an increasing trend in people refusing vaccines (COVID and others) due to growing anti-vax sentiments. Despite the plethora of evidence online that discusses the benefits and heavy testing that vaccines have and continue to undergo, people still claim that they do more harm than good. Moreover, it has now been noted that we now have a surplus of vaccines within Australia because of our vaccine hoarding during the middle of the pandemic.

Yet, there are still people across the globe who are dying from various illnesses due to their country’s inability to afford or get access to vaccines. It is now our responsibility to ensure nothing like this happens again in the future, by finding ways to reduce these inequities and tackle vaccine privilege.

13. Our personal data, information and finances are becoming increasingly exposed

This might seem like a bold statement to make, but imagine the sheer level of data that you store online or on your phone. There’s GovID data that is simply stored on your phone that contains information about your entire identity, facial recognition technology that is used everywhere (biotech), cameras and fingerprint access everywhere. The debate is extremely two-sided, with increased cyber protection assisting in solving crimes and preventing identity fraud, but with the growing level of cybercrimes, we’re also put at risk.

What side are you taking?

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Post Date: 16 August 2023

NCCA - Consultation on the Draft Transition Year Programme Statement

The consultation on the draft TY Programme Statement is now open.

The closing date is 20th October 2023.

Post Date: 12 July 2023

Senior Cycle SPHE

The draft Senior Cycle Social, Personal and Health Education (SPHE)  Specification  is now available for consultation.

The consultation period ends on the 18th of October 2023. 

All information can be accessed  here .

Post Date: 08 June 2023

Looking at Our Centre 2023: A Quality Framework for Centres for Education and Community Training Centres

Looking at Our Centre 2023: A Quality Framework for Centres for Education and Community Training Centres provides a unified and coherent set of standards to guide and support the work of Centres for Education and Community Training centres.

Post Date: 07 June 2023

JCT would like to wish the very best of luck to all students beginning state examinations today.  A total of 135,033 students combined will sit this year’s Leaving Certificate, Leaving Certificate Applied and Junior Cycle examinations at over 800 post-primary schools and other venues across Ireland from today. Go n-éirí go geal libh ar fad. 

Post Date: 26 May 2023

Circular 0028/2023

Arrangements for the implementation of the Framework for Junior Cycle with particular reference to the school year 2023/2024.

This  circular  supersedes  Information  Note 11/2022  and  Circular  59/2021.  It  sets  out  the arrangements now governing the implementation of the Framework for Junior Cycle 2015, with particular reference to the school year 2023/2024.   

Post Date: 22 May 2023

Education for Sustainable Development Newsletter

May 2023 Edition Available Now

The Department of Education's newsletter on Education for Sustainable Development (ESD) will keep you up to date with the latest ESD news. Enter the May 2023 ESD Newsletter Photo Competition for Schools and you could win an insect hotel or a garden planter for your school!

Post Date: 19 May 2023

RIAI Graphics Exhibition 2023

The Royal Institute of the Architects of Ireland (RIAI) and the JCt4 Graphics team are delighted to launch the  "Find Your Fun"  exhibition, in which students explored objects, buildings and spaces that they associate with fun.  Thank you to all the teachers and their students who contributed to this exhibition. To visit the exhibition please click on the image below. The student work can also be viewed on the  RIAI website  by exploring the  Virtual Gallery.

Post Date: 18 May 2023

Arts in Junior Cycle Summer 2023 Elective Workshops 

Places are still available in the following Summer 2023 elective workshops. 

For more information and to register go to:   www.artsinjuniorcycle.ie 

Translations - An introduction to socially engaged art  Arts in Junior Cycle with Kilkenny County Council Arts Office and artist educator John Johnston  Date: Tuesday 6th June 2023   Time: 10.30am - 3.30pm  Venue: Stoneyford Community Centre, Stoneyford, Co. Kilkenny, R95 FCV9 

Rhythm and Moves - A dance workshop  Arts in Junior Cycle with the JCT Physical Education team, Afro-Brazilian and Capoeira dancer Alessandra Azevedo and contemporary circus performer Danae Wollen Dates: Tuesday 6th and Wednesday 7th June 2023  Times: Day 1 & 2 10.30am – 4.00pm  Venue: Irish World Academy of Music and Dance, University of Limerick 

Your Story Starts Here - A creative writing workshop  Arts in Junior Cycle with author Dave Rudden and MoLI  Dates: Monday 12th and Tuesday 13th June 2023 Times: Day 1 & 2 10.30am – 4.00pm   Venue: Museum of Literature Ireland (MoLI), 86 St. Stephen’s Green, Dublin 2. D02 XY43

Unearthing the Past - A hands-on archaeology experience  Arts in Junior Cycle with Mark Kelly from the School of Irish Archaeology Date: Friday 16th June 2023   Time: 10.30am – 3.30pm  Venue: Bective Abbey, R161, Ballina, Co. Meath 

Social, Personal and Health Education (SPHE)

The specification for the NCCA short course in Social, Personal & Health Education (SPHE) 2023 has been published. From September 2023 onwards first years entering post-primary school will follow this specification.

Visit the NCCA's  website  to access the  2023 SPHE specification  and  2023 SPHE toolkit .

Post Date: 04 May 2023

Towards a New Literacy, Numeracy and Digital Literacy Strategy

The report "Towards a New Literacy, Numeracy and Digital Literacy Strategy: A Review of Literature", together with supporting review papers, was launched on 3rd May 2023 by Minister for Education Norma Foley TD.

The new Literacy, Numeracy and Digital Literacy Strategy  published will provide the overarching framework connecting many Department of Education policies, strategies and developments at curriculum level. It will be relevant for all learners, educators and education partners and stakeholders – including those in early learning and care, primary and post-primary school settings.

Post Date: 02 May 2023

Arts in Junior Cycle

Booking is now OPEN for our Summer 2023 Elective Workshops , all taking place in June.  For more information and to register, go to:   www.artsinjuniorcycle.ie

Translations - an introduction to socially engaged art  Arts in Junior Cycle with Kilkenny County Council Arts Office and artist educator John Johnston  Date: Tuesday 6th June 2023  Time: 10.30am - 3.30pm  Venue: Stoneyford Community Centre, Stoneyford, Co. Kilkenny, R95 FCV9

Rhythm and Moves - a dance workshop  Arts in Junior Cycle with the JCT Physical Education team, Afro-Brazilian and Capoeira dancer Alessandra Azevedo and contemporary circus performer Danae Wollen. Dates: Tuesday 6th and Wednesday 7th June 2023  Times: Day 1 & 2 10.30am – 4.00pm  Venue: Irish World Academy of Music and Dance, University of Limerick 

Lights, Camera, Action !  A film production workshop  Arts in Junior Cycle with Young Irish Film Makers (YIFM) and Kilkenny Education Centre  Dates: Wednesday 7th, Thursday 8th and Friday 9th June 2023  Times: Day 1, 2 & 3 10.30am - 4.00pm  Venue: Kilkenny Education Centre, Callan Road, Kilkenny, R95 RH97 

The Magic of Musicals - a musical theatre workshop  Arts in Junior Cycle with the Gaiety School of Acting and facilitator Charlene Gleeson Dates: Thursday 8th & Friday 9th June 2023  Times: Day 1 & 2 10.30am – 3.30pm  Venue: Gaiety School of Acting, Essex St, Temple Bar, Dublin 8 D08 T2V0 

Contemporary Life Drawing - a drawing workshop  Arts in Junior Cycle with curator Sarah McAuliffe, Dorothy Smith and Sahoko Blake  Dates: Monday 12th and Tuesday 13th June 2023  Times: Day 1 & 2 10.30am – 3.30pm  Venue: Royal Hibernian Academy of Arts (RHA), Dublin 

Your Story Starts Here - a creative writing workshop  Arts in Junior Cycle with author Dave Rudden and MoLI  Dates: Monday 12th and Tuesday 13th June 2023 Times: Day 1 & 2 10.30am – 4.00pm  Venue: Museum of Literature Ireland (MoLI), 86 St. Stephen’s Green, Dublin 2. D02 XY43

Unearthing the Past - a hands-on archaeology experience  Arts in Junior Cycle with Mark Kelly from the School of Irish Archaeology Date: Friday 16th June 2023   Time: 10.30am – 3.30pm  Venue: Bective Abbey, R161, Ballina, Co. Meath 

Figurative Oil Painting - a painting workshop  Arts in Junior Cycle with visual artist Blaise Smith  Dates: Monday 19th and Tuesday 20th June 2023  Times: Day 1 & 2 10.30am – 3.30pm  Venue: Royal Hibernian Academy of Arts (RHA), Dublin 

Do Your Own Thing!  A workshop to explore the creative process  Arts in Junior Cycle with visual artist threadstories and writer and poet Colm Keegan  Dates: Thursday 22nd and Friday 23rd June 2023  Times: Day 1 & 2 10.30am – 4.00pm  Venue: Irish Museum of Modern Art, D08 FW31 

For more, go to: www.artsinjuniorcycle.ie

Post Date: 25 April 2023

Exploring the Introduction of the Framework for Junior Cycle

Newly Published: Exploring the introduction of the Framework for Junior Cycle: A longitudinal study – Interim report no. 2. This is the second in a series of research reports on the implementation and impact of the Framework for Junior Cycle and, as such, provides further insights into schools’ experiences of working with the Framework since its introduction in 2015.

Post Date: 24 April 2023

Register for all our workshops on www.artsinjuniorcycle.ie  

NEW! An Introduction to Visual Thinking Strategies (VTS)  Arts in Junior Cycle with artist Claire Halpin and the Hugh Lane Gallery  A unique opportunity for teachers of all subjects and disciplines to utilise the VTS method of looking. During the workshop, participants will:  •  look at and respond to a range of images  •  practice the VTS method of looking in a collaborative and supportive environment  •  discuss how thoughtful image selection supports aesthetic development and critical thinking skills  •  reflect on how the VTS method can be utilised to engage students in analysing imagery Date: Saturday, 13th May 2023  Time: 10:30am - 3:30pm  Venue: Hugh Lane Gallery, Dublin D01 F2X9

The Art of being in Nature  Arts in Junior Cycle in collaboration with Kilkenny County Council Arts Office, Kilkenny Education Centre and artist Lisa Fingleton  This workshop explores the intersection of Art, Food and the Environment. You will discuss the connections between local food, self-sufficiency and sustainability, examine the role art can play in protecting biodiversity and gain insights into eco-social art practices.  Date: Tuesday 25th April 2023  Time: 7:00pm - 8:30pm  Venue: Zoom

Journalism in the Digital Age  Arts in Junior Cycle with Newsbrands Ireland and Chris Maddaloni  Join us online for Video Journalism with Chris Maddaloni. We will explore the power of image and video to tell stories and their importance in responsible journalism. Date: Tuesday 25th April 2023  Time: 7:00pm - 8:30pm  Venue: Zoom

Knights of the Borrowed Dark: Approaches to Story Writing  Arts in Junior Cycle with award-winning author Dave Rudden  Using his novel Knights of the Borrowed Dark - an indicative text for 1st year junior cycle English - Dave will share how he turns inspiration into a fully developed narrative.  Date: Wednesday 3rd May 2023 Time: 5:00pm - 6:30pm  Venue: Zoom

Let’s Dance! Arts in Junior Cycle with JCT Physical Education team and dancer Alessandra Azevedo Some places are still available in this practical workshop in which you will create and choreograph a dance piece and explore Afro-Brazilian and Capoeira dance.  Coming to Galway on Saturday 6th May 2023

Artistic Performance Community of Practice  Our final community of practice 2022-23 supporting engagement with the junior cycle short course in Artistic Performance takes place next month.  Date: Monday 8th May 2023  Time: 7:00pm – 8:00pm  Venue : Zoom 

Tartuffe: Text to Performance Arts in Junior Cycle with the Abbey Theatre  Some places are still available in this workshop, which includes a performance of the Abbey Theatre’s visually stunning production of Molière’s 17th century classic comedy Tartuffe.  Coming to Cork on Saturday 13th May 2023

For more details and to register, go to www.artsinjuniorcycle.ie

Post Date: 18 April 2023

NCCA: 3 Short Courses - Early Insights Review

The public consultation is now open.

The NCCA is seeking the views of a range of parties, including education stakeholders, practising teachers and students who are interested in contributing to the following three short course early insights reviews:

Chinese Language and Culture

Digital Media Literacy

Closing date: Monday, 29th May at 5pm.

Post Date: 17 April 2023

Cineáltas Implementation Plan 2023-2027

The Department of Education has published ‘Cineáltas: Action Plan on Bullying Implementation Plan 2023-­2027’ to prevent bullying in our school communities and ensure that individual difference is both valued and celebrated in schools.

Post Date: 03 April 2023

Arts in Junior Cycle – Upcoming Events;

For more details and to register for any of the workshops below, go to www.artsinjuniorcycle.ie 

Green Fingers Arts in Junior Cycle with organic horticulturalist Colman Power Join us for this hands-on workshop, facilitated by expert in organic horticulture Colman Power, in which you will explore approaches to organic growing and create and design a sustainable organic garden. Please Note: Places are limited to a maximum of 10 participants.  Date: Saturday 22nd April 2023  Time: 10:00am - 3:30pm  Venue: Featherfield Farm, Rathangan, Kildare

Knights of the Borrowed Dark: Approaches to Story Writing  Arts in Junior Cycle with award-winning author Dave Rudden  Using his novel Knights of the Borrowed Dark - an indicative text for 1st year junior cycle English - Dave will share how he turns inspiration into a fully developed narrative. You will see the writing process from the inside and learn creative writing techniques you may wish to use in the classroom.  Date: Wednesday 3rd May 2023 Time: 5:00pm - 6:30pm  Venue: Zoom

Journalism in the Digital Age  Arts in Junior Cycle with Newsbrands Ireland and journalists Sybil Mulcahy and Chris Maddaloni  Join us for this two-part online workshop in which you'll gain insights into digital and video journalism, support your own digital literacy and be inspired to engage with and create multi-modal texts in the classroom.  Sybil Mulcahy - Digital Journalism  Date: Wednesday 19th April 2023 Time: 7.00pm - 8.30pm  Venue: Zoom  Chris Maddaloni - Video Journalism  Date: Tuesday 25th April 2023  Time: 7:00pm - 8:30pm  Venue: Zoom

Modelling the Head in Clay   Arts in Junior Cycle with ceramicist artist Mairead Stafford  These studio-based ceramic workshops take place over two Saturdays. You will explore self-portraiture through drawing, experiment with modelling techniques to create form and structure, and experience approaches to raw glazing and the kiln-firing process.  Dates: Saturday 6th & Saturday 13th May 2023  Times: 10:30am - 3:30pm  Venue: Ballyelland Pottery, Co Wexford

Tartuffe: Text to Performance Arts in Junior Cycle with the Abbey Theatre  ‘Tiktok, techno and style – welcome to the world of Tartuffe!’ Some places are still available in Tartuffe: Text to Performance . This workshop includes a performance of the Abbey Theatre’s new and visually stunning production of Molière’s 17th century classic comedy Tartuffe.  Coming to Donegal on Saturday 6th May, and Cork on Saturday 13th May 2023

Let’s Dance! Arts in Junior Cycle with JCT Physical Education team and dancer Alessandra Azevedo ‘Lovely atmosphere with extraordinary professionals!'  (Participant, March 2023) Some places are still available in this practical workshop in which you will create and choreograph a dance piece and explore Afro-Brazilian and Capoeira dance.  Coming to Monaghan on Saturday 22nd April and Galway on Saturday 6th May 2023

For more details and to register for any of the above workshops, go to www.artsinjuniorcycle.ie 

Post Date: 31 March 2023

Get Your World Turning

Arts in Junior Cycle and the Junior Cycle Technologies Team (JCt4), in collaboration with woodturner Willie Creighton, are pleased to offer Get your World Turning again in April and May, 2023.

Experience exciting ways of creating turned artefacts in the Wood Technology classroom. Experiment with the craft of woodturning with an emphasis on using the natural properties and aesthetics of wood to create artefacts of value. Participants will experience a range of specialised turning techniques including laminated turning and others. The natural properties of wood will also be explored. All information, including dates and venues is available here .

Post Date: 23 March 2023

NCCA Level 1/Level 2 Learning Programme Update

As part of the consultation process on the Background Paper and Brief for development of Senior Cycle modules for students engaged in L1LPs & L2LPs, the NCCA are inviting individuals, educational organisations and organisations working with young people with additional needs to feed back, through written submissions or online survey, their views on the Background Paper and Brief. It is especially important the NCCA has as diverse a consultation process as possible.

This process will inform deliberations and discussions of the NCCA’s Post Primary Special Education Development Group.  

The closing date is Friday April 28th. Full details are available here .

Upcoming CSPE Workshop - Making Connections

When: 19th April - 4th May

This workshop comprises of three engaging sessions:

Session 1: Connecting the Strands

Explore practical ideas to integrate learning across the strands

Session 2: Consider-Create-Collaborate

Co-create learning experiences that are classroom ready

Session 3: Connecting the Learning

Consider interdisciplinary approaches to CSPE in your school.

Schools can register teachers via the blue button called “Register for CSPE Workshops 2023” on the dashboard of our registration site , www.jctregistration.ie

Post Date: 21 March 2023

State Examinations Commission Information Note, March 2023

Junior Cycle Examinations, 2022: Information note on Junior Cycle examinations in a range of subjects is available here .

Arts in Junior Cycle Workshops

NEW! A Stitch in Time  Arts in Junior Cycle with the National Library of Ireland  In this in-person workshop, facilitated by paper conservator Louise O'Connor, you'll learn about the history of paper, engage with practical ways of preserving unique documents and artworks, and discover the social, historical and scientific significance of selected objects.  Date: Saturday 6th May 2023  Time: 10:00am - 2:00pm Venue: National Library of Ireland, Kildare St Dublin 2 Register on www.artsinjuniorcycle.ie 

NEW! Journalism in the Digital Age  Arts in Junior Cycle with Newsbrands Ireland and journalists Sybil Mulcahy and Chris Maddaloni  Join us for this two-part online workshop in which you'll gain insights into digital and video journalism, support your own digital literacy and be inspired to engage with and create multi-modal texts in the classroom.  Sybil Mulcahy - Digital Journalism  Date: Wednesday 19th April 2023  Time: 7.00pm - 8.30pm  Venue: Zoom  Chris Maddaloni - Video Journalism  Date: Tuesday 25th April 2023  Time: 7:00pm - 8:30pm  Venue: Zoom Register on www.artsinjuniorcycle.ie 

Post Date: 06 March 2023

Circular 0015/2023

Circular 0015/2023: Amendments to Junior Cycle Irish T1 and T2 specifications and assessment arrangements for Classroom-Based Assessments 1 and 2

This Circular, available here sets out adjustments to the:

•  minimum volume of literary texts with which students engage over the three years of Junior Cycle for T1 and T2 as well as the genres to be explored,

•  the recommended list of literary texts for first year T2 and prescribed lists of literary texts for second and third year T1 and T2

•  assessment arrangements for Classroom-Based Assessments 1 and 2 for T1 and T2.

Senior Cycle Social, Personal and Health Education (SPHE)

Arising from the review of Relationships and Sexuality Education (RSE) in primary and post-primary schools, the need to update the Social, Personal and Health Education (SPHE) curriculum was identified as a key priority.

The first step involved a public consultation on the Background Paper and Brief for the redevelopment of Senior Cycle SPHE. This report has now been published and is available here .

The report on the consultation will inform the Development Group for Senior Cycle SPHE as they work on the redevelopment of the curriculum.

Post Date: 02 March 2023

Register for all our events on www.artsinjuniorcycle.ie  

Tartuffe: Text to Performance Arts in Junior Cycle with the Abbey Theatre  Places still available in Tartuffe: Text to Performance, Dublin.  Workshop includes performance of the Abbey Theatre’s new production of Molière’s 17th century classic comedy Tartuffe .  Dates: Saturday 11th March 2023  Time: 10:00am - 12.30pm (workshop) & 2pm (performance) Venues: Drumcondra Education Centre and the Abbey Theatre, Dublin  Date: Monday 13th March 2023 Time: 6:00pm - 7:00pm (follow-up online workshop) Register on www.artsinjuniorcycle.ie 

Let’s Dance! Arts in Junior Cycle with JCT Physical Education team and dancer Alessandra Azevedo Workshop places available in Dublin Saturday 4th March & Cork Saturday 11th March 2023 Create and choreograph a dance piece and explore Afro-Brazilian and Capoeira dance.  Dublin Date: Saturday 4th March 2023  Time: 10:00am - 1:30pm  Venue: Mash House, Dublin 1  Cork Date: Saturday 11th March 2023 Time: 10:00 - 1:30pm  Venue: Christ King Girls' Secondary School, Cork   Register on www.artsinjuniorcycle.ie 

Find the Seeker - Reading and Writing Poetry Arts in Junior Cycle with poet Colm Keegan  This NEW two-part online workshop offers an opportunity to expand your repertoire of methodologies for engaging with and creating poetry. You will consider approaches to reading and understanding poetry and engage in creative expression through oral language and writing.  Dates: Monday 24th April and Monday 8th May 2023  Times: 7:30pm - 9:00pm  Register on www.artsinjuniorcycle.ie 

Post Date: 28 February 2023

JCIS Webinar

The recording of our recent JCIS webinar, ‘Strategic Planning for Awarding the 2022 JCPA’ is available at this link

Post Date: 23 February 2023

Let's Dance! Arts in Junior Cycle with the JCT Physical Education team and dancer Alessandra Azevedo. Touring to Dublin, Cork, Monaghan and Galway March – May 2023 During this dance workshop, you will engage in warm-up dance activities, explore Afro-Brazilian and Capoeira dance, and create and choreograph a dance piece with others. This workshop may be of particular interest to junior cycle teachers of PE. No prior experience of dance is required.  Dublin: Saturday 4th March 2023 Time: 10:00am - 1:30pm at Mash House, Dublin 1, D01 A9N7  Cork: Saturday 11th March 2023 Time: 10:00am - 1:30pm at Christ King Girls' Secondary School, Cork, T12 R22C See flyer for details on Monaghan and Galway dates and venues.

Register on www.artsinjuniorcycle.ie 

Tartuffe: Text to Performance  Arts in Junior Cycle with the Abbey Theatre. Dublin, Donegal and Cork, March – May 2023 Would you like to explore how a play in performance communicates its message to an audience? Tartuffe: Text to Performance provides an opportunity to do just that. This elective consists of two workshops and a performance of the Abbey Theatre’s new touring production of Molière’s 17th century classic Tartuffe, directed by the Abbey's artistic director, Caitríona McLaughlin.  Dublin: Saturday 11th March 2023 10:00am - 12:30pm (workshop) & 2:00pm (performance)  Venues: Drumcondra Education Centre and the Abbey Theatre, Dublin  Online workshop on Monday 13th March 2023 6:00pm - 7:00pm  See flyer for details on Cork and Donegal dates and venues. Register on www.artsinjuniorcycle.ie 

Post Date: 15 February 2023

What's Your Story? National MFL Digital Story Award

Date: Tuesday 07th March 2023 Time: 18:00-19:30 Register by clicking on this  link

This is an online interactive workshop where teachers of Modern Foreign Languages explore how to support students in 1st, 2nd and 3rd year to write and produce a digital story of their choosing. When students have completed their story, they can submit it for entry to What's Your Story? National MFL Digital Story Award.

This workshop will also be repeated on the following dates, which you can register for by clicking on the relevant link below. 

Date: Wednesday 15th March 2023 Time: 18:00-19:30 Register for this workshop by clicking on this  link

Date: Thursday 23rd March 2023 Time: 18:00-19:30 Register for this workshop by clicking on this  link

Post Date: 08 February 2023

Applied Technology Elective Workshop

The Applied Technology team is delighted to announce that registration for our Spring Elective workshop, “Exploring how the sensor circuit board can further enhance teaching and learning in Applied Technology” is now open. This face-to-face elective will take place in Applied Technology rooms in schools around the country. Details of each event and their location can be found in the advertisement below. Click on the image or the link below to access the registration form. Places in each event are limited to a maximum of twenty participants. Applicants will be treated on a first come basis. Please click on the image below or this link for the Registration Form .

Post Date: 26 January 2023

Details for schools on the process of creating the Junior Cycle Profile of Achievement (JCPA) for students who completed Junior Cycle in June 2022 are now available by clicking on this link.

Post Date: 25 January 2023

Get your World Turning with woodturner Willie Creighton:

Arts in Junior Cycle and the JCT Technologies team (JCt4), in collaboration with woodturner Willie Creighton, are pleased to offer ‘Get your World Turning’ workshops again in early 2023.

Eight workshops will take place in four school venues over the coming weeks in counties: Sligo, Kerry, Offaly, and Waterford. Workshops are now full but you can still register for workshop waiting lists. Please visit the  Arts in Junior Cycle website , or click on the image below, for further details about the workshop events, and to register for a workshop waiting list.

SKETCH IT  with Jim O’Farrell:

 Arts in Junior Cycle and the JCt4 Technologies team, in collaboration with retired Technologies subject teacher and artist Jim O’Farrell, are delighted to offer  SKETCH IT  an elective sketching workshop for technologies subject teachers. Please visit the  Arts in Junior Cycle website , or click on the image below, for further details about the workshop, and to register for a SKETCH IT workshop.

Post Date: 17 January 2023

Science Elective Workshop

Date: Tuesday, January 24th Time: 7 pm Event: Online learning event Title: Developing Students’ Skills for a Science in Society Investigation - Moving Towards Classroom-Based Assessment 2 This live online learning event is to support teachers in developing their students’ skills towards the Science in Society Investigation, Classroom-Based Assessment 2. This event will be interactive where teachers can have professional conversations around their experiences so far and discuss/share ideas on how best to develop our students’ investigative skills from 1st year. It will particularly benefit new or returning teachers to Junior Cycle Science or any teachers that would like to further collaborate on how these skills can be implemented in the Science classroom. Developing these research and investigative skills from 1st year will ensure students are well-equipped with the necessary skills to engage with CBA 2 in 3rd year. You can register to attend at this link .

JCT English in collaboration with Arts in Junior Cycle were delighted to chat with comic book illustrator Will Sliney last year. In this conversation, Will discusses how he came to work for Marvel Comics. He also delves into the art of telling stories through comics! A particularly helpful podcast for anyone considering  Spider-Man: Into the Spider-Verse  from the new Prescribed Text List.

Click on this link to listen .

Post Date: 06 January 2023

Information Note TC11/2022

Please find an Information Note TC11/2022 published by the Department of Education by clicking here. It provides updates on the implementation of the Framework for Junior Cycle with particular reference to the school year 2022/2023. To be read in conjunction with Circular 0059/2021 which is available by clicking here.

Post Date: 14 November 2022

JCT English were delighted to chat with Kathyrn McCance, from the  Listen Now Again  Seamus Heaney exhibition curated by the National Library of Ireland. Kathryn gives a fascinating insight into Heaney's 'The Burial at Thebes.' The play is a version of Sophocles' Greek tragedy 'Antigone.' Kathryn discusses the creative departures that Heaney took from the original play and the various dramatic techniques he used to bring the play to a new audience.  

Listen at this link

Post Date: 09 September 2022

Junior Cycle and Leaving Certificate Examinations 2023

The Department of Education has published an updated document which sets out the adjusted assessment arrangements for post-primary students taking certificate examinations in the 2022/23 school year.

While the level of disruption to the learning experience due to Covid-19 reduced in the 2021/22 school year compared to the previous year, these arrangements are designed to take account of the disrupted learning experienced by students.

Post Date: 07 September 2022

CBA Calendar Dates, 2022/2023

Revised arrangements for the completion of Classroom-Based Arrangements (CBAs) for students in third year and second year in 2022/2023 are available here .

Post Date: 05 September 2022

Adjustments to State Examinations, 2023

The Minister for Education Norma Foley TD has announced that adjustments will be made to the assessment arrangements for students due to sit State examinations in 2023, to take account of the disruption to their learning during the COVID-19 pandemic.  A document detailing the adjusted assessment arrangements for every subject/ module descriptor in the Leaving Certificate Established, Leaving Certificate Applied, Leaving Certificate Vocational Programme and Junior Cycle programmes will be issued to schools and schools will be asked to ensure that all students are made aware of these changes.

Post Date: 30 August 2022

Looking at Our School 2022: A Quality Framework for Post-Primary Schools

Looking at Our School 2022: A Quality Framework for Post-Primary Schools is a framework that provides a shared understanding of what effective and highly effective learning, teaching, leadership and management practices look like in the Irish school system. This document replaces the previous version published in 2016.

Post Date: 02 June 2022

Summer Programme 2022

The Department of Education encourages schools to provide the summer programme for primary and post-primary students with complex special educational needs and those at greatest risk of educational disadvantage. Find out more about this programme by watching this short video .

Post Date: 01 June 2022

Important Update - Management Resource Hours

The Department of Education has decided, on an interim basis, to continue to allocate the Management Resource Hours for the school year 2022/23. All Post-primary schools have been sent a letter outlining this arrangement in further detail. Please find a wealth of supports developed by JCT for MRH personnel here .

Post Date: 26 May 2022

JCIS CPD for 2022/2023

Schools will have received a letter regarding the scheduling of a day of whole-school planning and self-evaluation for Junior Cycle implementation 2022/2023.

The theme of next year’s JCIS workshop is to review your Junior Cycle implementation and identify areas for consolidation and further development.

Further details of this whole staff workshop are found in the JCIS CPD Brochure . The earliest day for bookings will be Monday, 12th September 2022. Please contact your Regional Team in order to book your JCIS day.

Post Date: 25 May 2022

JCt4 - CBA 2 updates

Graphics : The NCCA have published the domain for Classroom-Based Assessment (CBA) 2 – Graphical presentation skills in Graphics, which is to be completed by third year students in the 2022/2023 academic year. The domain can be accessed through the green panel on the Graphics section of  www.curriculumonline.ie.

Engineering: The NCCA have also published the theme for  Classroom-Based Assessment (CBA) 2 - Research and development in Engineering for third year student in the 2022/2023 academic year. The theme can be accessed through the green panel on the Engineering section of  www.curriculumonline.ie.

Post Date: 13 May 2022

Professional Time Resource

The most recent professional time resource created by the JCIS team offers ideas for teachers' individual and collaborative reflective practice. This Individual-Collaborative Reflective Practice Professional Time resource includes a Padlet and a one-page document with an explanation of each section of the Padlet. These sections are entitled Professional Reading, Professional Dialogue, Professional Learning and Professional Practice and consist of relevant readings, screencasts, PowerPoints, videos, support documents and reflective templates. This resource is located on the JCIS section of the JCT website in the Resources section under the heading Professional Time.

For all music colleagues participating in their Subject Learning and Assessment Review meeting in the coming weeks, please click our webinar ' A Shared Understanding: CBAs and the SLAR in Junior Cycle Music ' for further support.

Post Date: 05 May 2022

SPHE Resources

Thank you to all of the SPHE teachers for their positive engagement in our SPHE Online CPD 2021/2022 workshops. 

Resources are available here .

Post Date: 27 April 2022

Post-Primary SPHE/RSE Teachers

Minister Foley announces initiative to provide a new postgraduate upskilling programme for post-primary SPHE/RSE teachers. Find detail of the press release by clicking here .

Parents’ Information Leaflet – Russian

Junior Cycle Information for Parents of Post-Primary Students is available in Russian at the following link .

Parents’ Information Leaflet – Ukranian

Junior Cycle Information for Parents of Post-Primary Students is available in Ukrainian at the following link .

Circular 0027/2022

The new Digital Strategy for Schools 2021-2027, which will build on the progress made under the previous Digital Strategy, will be underpinned by an investment of some €200m included in the National Development Plan 2021-2030. Please find a link to the circular here .

Circular 0011/2022

Policy on Gaeltacht Education 2017-2022: Post-primary schools in Gaeltacht language-planning areas participating in the Gaeltacht school recognition scheme: Ongoing implementation of the Scheme (2022 - 2024). School authorities can access the circular published on 26th April 2022 by clicking this link .

Post Date: 08 April 2022

The presentation from the MFL SOLE elective workshop, “Formative Assessment in the Modern Foreign Languages Classroom” which was held recently has been uploaded to the MFL section of JCT’s website and is available at   this link .

Post Date: 24 March 2022

The resources associated with our recent elective workshop titled  Oral Communication in Junior Cycle MFL: Sharing learning from classroom experience & supporting our students towards Classroom-Based Assessment 1 , can be found by clicking on this  link .  This workshop is to support teachers in developing the skill of oral communication in the Junior Cycle MFL classroom. 

Post Date: 14 March 2022

The Department of Education has published the new English Prescribed Text List for 2nd and 3rd year students presenting for examination in 2024, 2025 and 2026. Click to access this  list . 

Post Date: 10 March 2022

Step Up Project Launch

Thank you to all who attended the launch of the Step Up website yesterday. The project story of the SSE journey of 9 schools is told in the videos, podcast, school reports and composite report on  http://stepupproject.ie

Post Date: 10 February 2022

JCt4 in conversation with GMIT Letterfrack (Part two)

The JCt4 Wood Technology team were delighted to recently record a two-part podcast with GMIT Letterfrack Head of Department, Paul Leamy for the latest episode of the ‘Hands On’ podcast series. 

In part two of this recording, Paul talks about the need for responsible use of wood, developing transferable skills with students and how GMIT Letterfrack has developed its facilities to include converting and seasoning their own timber for use in student projects. 

You can listen to the full podcast by clicking  here  or on the image below.

Post Date: 02 February 2022

The latest episode from the JCT English podcast series  'Conversations from the Classroom'  features English teacher Emer Whyte from Galway Educate Together Secondary School. Emer describes how she and her colleagues have incorporated planning for students following an L2LP in their Junior Cycle English Classes. Emer also offers an insight into some key steps that work for her and her colleagues when collaboratively designing learning.  A must-listen for those looking to learn more about supporting students following Level 2 and Level 3 in the Junior Cycle English classroom!

Post Date: 26 January 2022

JCt4 in conversation with GMIT Letterfrack (Part one)

The JCt4 Wood Technology team were delighted to recently record a two-part podcast with GMIT Letterfrack Head of Department, Paul Leamy for the latest episode of the ‘Hands On’ podcast series. In part one of this recording, Paul talks about the joy of designing and making with wood and the importance of developing the key principles of hand skills at GMIT Letterfrack, the National Centre for Excellence in Furniture Design and Technology.   You can listen to the full podcast by clicking  here  or on the image below.

Post Date: 19 January 2022

Graphics: CBA 1 Resources

The Graphics team have recently created some new resources as a support for teachers as their students engage with CBA 1: Communicating through sketching. These include a PowerPoint presentation entitled ‘Exploring Classroom-Based Assessment 1’ and a supporting interactive poster and video. Please click on this link or on the image below to access these resources. 

Post Date: 17 December 2021

Religious Education

Check out the video capturing some of the highlights from the ‘ National Forum Seminar on Valuing Teaching and Learning about Sacred Artefacts from the Worlds’ Major Religions’ , which included a presentation from Dr Ailís Travers, Team Leader for Religious Education with Junior Cycle for Teachers. The video is available at the following link: Video Highlights Link The event was hosted by Chester Beatty Library Dublin, with MIC Limerick and Dublin City Interfaith Forum.

Post Date: 09 December 2021

Circular letter 0059/2021

Circular letter 0059/2021- Arrangements for the Implementation of the Framework for Junior Cycle with particular reference to school year 2021/22 is available now by clicking on the following link: Link to Circular letter 0059/2021

Post Date: 22 November 2021

JCt4 Wood Technology: New Podcast

The Wood Technology team in collaboration with Arts in Junior Cycle were delighted to chat with furniture maker Daniel Gill about his passion for his craft & his process from wood selection to completion of a piece of furniture. Listen to the full conversation by clicking on this link

Post Date: 17 November 2021

The NCCA have published updated Assessment Guidelines for the Classroom-based Assessments dated November 2021. 

To access please click  here  

Post Date: 03 November 2021

Technologies Sample Papers

The State Examinations Commission (SEC) published sample examination papers (common level) for each of the suite of Technology subjects on Friday 22nd October. Please click on the relevant subjects below to access the respective sample examination paper.   

Applied Technology Sample Paper

Engineering Sample Paper

Graphics Sample Paper

Wood Technology Sample Paper

Post Date: 18 October 2021

JCT English in collaboration with Arts in Junior Cycle were delighted to chat with poet and playwright Inua Ellams earlier this year. His text “The 14th Tale” is on the current prescribed text list for 2nd and 3rd year students.  

Listen to our full conversation in collaboration  here

Post Date: 17 October 2021

The coursework briefs and project materials for the suite of Technology subjects have been published by the State Examinations Commission. Please click on the relevant subjects below to access the documentation. 

Wood Technology Coursework Design Briefs

Applied Technology Coursework Briefs

Graphics Student Project

Engineering Project Coursework

Post Date: 06 October 2021

Junior Cycle English

JCT English are delighted to release their latest podcast with Galway author Patricia Forde. Patricia talks about the power of language and her novel “The Wordsmith” which is on the new indicative text list for First Year students 2021, 2022 and 2023. Have a listen to this and other podcasts in the series by clicking on Junior Cycle Talks  on SoundCloud, or by searching for Junior Cycle Talks wherever you listen to your podcasts.

Post Date: 28 September 2021

Graphics CBA 2 Resources

A number of newly created resources including an ‘important considerations’ document, a PowerPoint presentation with supporting interactive poster and video for CBA 2: Graphical Presentation Skills can be accessed by clicking on resources or on the graphics image below.

Engineering CBA 2 Resources

A number of newly created resources including a video, support documents, and details on important considerations for CBA 2: Research and Development can be accessed by clicking on  resources or on the engineering image below.

Post Date: 17 September 2021

New MFL Resources

Our MFL Team have uploaded new resources which can be accessed by clicking on the links below

CEFR Infographic  – exploring links between the CEFR, the Junior Cycle Framework and the MFL Specification

Screencast: Planning with Learning outcomes   -a screencast to introduce our new planning resource

Planning with Learning Outcomes  – a resource to support collaborative conversations around planning for learning

Learning Outcomes and Planning for Student Learning  – a one page document to support MFL departments in planning for student learning

Digi Tech for Languages   - a tool to support teachers to further integrate digital methodologies into their practice.

Post Date: 06 September 2021

Department of Education (DoE) Update (18 August 2021)   

Assessment Arrangements for Junior Cycle and Leaving Certificate Examinations 2022.

Click to download PDF document. 

Post Date: 09 March 2021

The Department of Education published on 09th March 2021 guidelines for schools entitled “Assessment and Reporting on Students’ Learning - Junior Cycle 2021”. The guideline documents can be found here:

Assessment and Reporting on Students’ Learning – Junior Cycle 2021

Guidelines for Schools on Assessment and Reporting on Students’ Learning – Junior Cycle 2021 issued by the Department of Education on March 9th state that the school will issue a School Report detailing the learning achievements of the student. Each school has the autonomy to choose the format of the school report that will be used and issued to students. Relevant supports for reporting can be found at this link: Reporting/NCCA

The Junior Cycle Wellbeing Guidelines have been updated to support schools as they continue to plan and develop junior cycle Wellbeing programmes. The updated 2021 Guidelines can be found at this link:

Wellbeing Guidelines for Junior Cycle | NCCA

Post Date: 04 November 2020

Visual Arts

The themes for CBA 1: From Process to Realisation 2020/21 can be found on www.curriculumonline.ie and here.

Food Literacy Skills Examination Assignment Briefs are now available on www.examinations.ie or here.

SEC sample papers for Final Assessment are now available for the following subjects:

Mathematics Higher Level  

Mathematics Ordinary Level

Post Date: 25 September 2020

Report on early enactment of Junior Cycle Business Studies and Science published by the NCCA. Click here...

Post Date: 10 December 2019

JCT in Conversation with Parents

“JCT in Conversation with Parents” video is available here...

It is found on the Communication with Parents page of the Leadership section of jct.ie, here... , along with many other resources to support schools communicating Junior Cycle to parents. 

Post Date: 01 October 2019

How are we equipping our young people to flourish in The Fourth Industrial Revolution? The role of creativity in the Junior Cycle Classroom

Article by Fiona O’Brien, Team leader for School Leadership, Junior Cycle for Teachers here...

Post Date: 27 May 2019

The Webinar "Guidance Related Units of Learning" is now available online here...

The Webinar "Exploring Other Areas of Learning in Junior Cycle" is now available online here...

Post Date: 13 December 2018

Special Schools and Further Education Sector

JCAD Handbook and User Guide

Post Date: 03 December 2018

Please find attached a handbook and appendices for schools to assist in the issuing of the JCPA

The handbook also contains the following:

Appendix 1 - Checklist

Appendix 2 - Logos and Signatures

Appendix 3 -  Privacy Notice and Consent Forms

Appendix 4 - Samples of JCPAs for 2018

Please complete Appendix 2 should you wish to submit or update your school crest or signatures by Wednesday the 5th December, 2018.

(Please note, only Principal and Year Head signatures can appear on the JCPA).   Vice/Deputy Principal  or  Co-Ordinator  will not appear on the JCPA.

Please note that the administration grant to support schools with production of the JCPAs will also issue in the coming days.

Should you have any queries please email  [email protected] .  Please ensure you quote your school name and roll number in all correspondence”.

Post Date: 27 September 2018

Enhancing Teacher Professional Collaboration Through Junior Cycle Reform

Post Date: 14 March 2018

Our recent Leadership for Learning Conference showcased the learning from our ATS2020 Erasmus + project . This short video shows some of the highlights from the day: Video...

Post Date: 12 December 2017

Placing the Student at the Centre of Learning

Post Date: 25 May 2018

JCT Email Disclaimer

Events Calendar

Mailing lists, subject cpd online cluster events.

Dr. Pádraig Kirk Director, CPD for Junior Cycle

Junior cycle for teachers (jct) is a dedicated continuing professional development (cpd) support service of the department of education. our aim is to support schools in their implementation of the new framework for junior cycle (2015) through the provision of appropriate high quality cpd for school leaders and teachers, and the provision of effective teaching and learning resources. our website was designed with feedback from teachers in mind and launched in 2017.  you will find everything you need in relation to cpd for the junior cycle framework right here, and more. jct is committed to updating the site regularly with information, relevant resources, materials and details of upcoming events. i hope you enjoy browsing our website, and should you have any feedback please let us know.

Join our Mailing Lists and receive regular email updates

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The central Twitter account of Junior Cycle for Teachers (JCT) can be found at @JCforTeachers

JCT also has a further 19 Twitter accounts linked to subjects and other areas within the service. These are currently listed as: @jctEnglish @jct_Business @jctGaeilge @jctMFL @JctScience @JCTSteAm @JctVisualArt @JCTL1LPs_L2LPs @JCTClassics @JctGeography @JctHistory @jctHomeEc @JctLeadership @JctMaths @JctMusicEdu @jct_re @JCt4ed @JuniorCycleArts The various accounts are administered by full-time members of the JCT support service. If you follow us, you can expect tweets about: • Press Releases on the activities of JCT • Media appearances by JCT • Alerts about new content on the JCT website and our educational partners • News and updates for schools and teachers • Other practical information on services available from JCT • Links to relevant educational resources

Who we follow

If you follow us, we will not automatically follow you back. Our Twitter accounts aim to communicate relevant information and serve as a support to teachers and schools therefore as a general rule we don’t follow individual or school Twitter accounts. So, if you follow us, it is unlikely that we will follow you back.

JCT use twitter mainly as a ‘broadcast’ tool to share information with people who are interested in education. Generally, we do not provide replies or other feedback to our followers. From time to time JCT may share and/or retweet tweets from other organisations. The purpose of these tweets is to generate discussion and debate and, therefore, any comment or retweet of this nature should not be seen as a corporate endorsement of that outside organisation. Sending a message via twitter is not considered as contacting JCT for official purposes and we are not obliged to monitor or respond to requests for information received via twitter.

The best means of communicating a query to JCT is by contacting our email account at:

Please do not include personal/private information if you tweet us.

JCT reserves the right to block accounts in cases where appropriate netiquette is not forthcoming. This can include spurious unidentifiable accounts, or accounts operating as nom de plume.

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Junior Cycle for Teachers Support Service (JCT) is committed to protecting and respecting your privacy. This Privacy Policy sets out how Junior Cycle for Teachers Support Service (JCT) uses and protects any information we collect from you, or that you provide to us, when you use our website.

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Junior Cycle for Teachers Support Service (JCT) will not use cookies to collect personally identifiable information about you. However, if you wish to restrict or block the cookies which are set by the Junior Cycle for Teachers Support Service (JCT) website, or indeed any other website, you can do this through your browser settings. The Help function within your browser should tell you how. Alternatively, you may wish to visit About Cookies which contains comprehensive information on how to do this on a wide variety of browsers. You will also find details on how to delete cookies from your computer as well as more general information about cookies. For information on how to do this on the browser of your mobile phone you will need to refer to your handset manual. Please be aware that restricting cookies may impact on the functionality of the website.

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Access officer.

Website Accessibility

Junior Cycle for Teachers Support Service (JCT) website follows guidelines on accessibility set out by the W3C (the World Wide Web Consortium). The W3C WAI (Web Accessibility Initiative) produces accessibility guidelines that are an internationally recognised benchmark of accessibility. In designing this site, we have attempted to meet the WAI's Web Content Accessibility Guidelines (WCAG) 2.0 requirements (success criteria) and techniques.

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If you feel that this website could be easier to use, or you have difficulty accessing any information or find that any part of the site is not accessible, please email Lisa Kelly and put ”Website accessibility“in the subject line. Junior Cycle for Teachers Support Service (JCT) will continue to closely monitor developments and changes in WAI guidelines and general website best practice. Junior Cycle for Teachers Support Service (JCT) is committed to making its website accessible to all people, regardless of ability. This accessibility statement was last updated in January 2021.

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Material on this website is protected by copyright. Reproduction of material from this website is authorised for personal use. Where this material is being issued by others, the source including the URL and copyright status must be acknowledged. The copyright in material reproduced from this website shall be maintained by JCT. The permission to reproduce copyright material does not extend to any material on this site which may be the property of a third party. Authorisation to reproduce such material must be obtained from the copyright holders concerned.

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The information contained in this website is provided for general information purposes only, in the interests of public service. While every effort has been made to ensure the accuracy of the information contained on the website, JCT and its staff give no guarantees, undertakings or warranties in this regard, and do not accept any liability arising from any errors or omissions. Errors or omissions brought to the notice of JCT will be corrected as soon as practicable. Any views, opinions and guidance set out in this website are provided for general information purposes only, and do not purport to be legal advice or a definitive interpretation of the law. Anyone contemplating legal action in respect of matters set out in this website should obtain advice from a suitably qualified professional adviser. Any views, opinions and guidance set out in this website should not be taken as the definitive view of JCT. Accordingly, JCT reserves the right to make decisions which are at variance with any views, opinions and guidance that may be set out in this website. Any links from this website to external websites, which are not maintained by JCT, are provided as a matter of convenience only, and should not be taken as an endorsement by JCT of the contents or practices of those external websites for which JCT assumes no responsibility.

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