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Tamasha review: Ranbir gets more space, Deepika is luminous

Tamasha review: deepika padukone is luminous, and she is much more sure-footed in her part. even though ranbir kapoor gets more space, tara is drawn with welcome depth..

tamasha movie review in hindi

Just short of an hour into the film, I was up to there with ‘Tamasha’. All we’d got till then was scene after pretty scene in Corsica – picturesque bistros, colourful locals in fancy dress, leafy green countryside, sparkling blue waters, and two of the most interesting actors in Bollywood desperately acting out their parts : over-emphasising their meet-cute, making eyes and coming hither. To absolutely no effect. No impact. Zero. Nada.

Can you imagine getting Ranbir and Deepika and not letting them fall into a real, true, passionate twosome, because the writing in this initial part of the film forces them into an annoyingly artificial construct : we know we are combustible, but we won’t, because you know, we are in this make-believe la-la land where we won’t reveal our real selves?

tamasha movie review in hindi

Got it? No? Good, because I didn’t either.

Ved ( Ranbir) and Tara ( Deepika) swan around cluelessly and uselessly in the first hour of the film, and you wonder just how much more of waste it can get . And then, surprise, it gets better, and so do they. And ‘Tamasha’ becomes, somewhat, the film you presume Ali and his actors had set out to make.

Turns out that the obedient, well-behaved boy that Ved used to be has grown into the obedient, well-behaved young adult, but not in any way that does him any good. A demanding father sets Ved upon a path not of his own choosing, and the break-through comes when he meets the girl : the cocoon shatters, and the real Ved emerges, putting his yes-sir, no-sir, three-bags-full-sir robotic existence behind him, coming out into a world of light and imagination and magic.

Ved loves being told stories. He discovers he loves telling stories as much. When the director delves deep into this groove, he mines something solid and yes, I will use that word again, real. Those are the moments that make this film shine, and leave you smiling. It’s interesting how accepting that make-believe can set you free sets both the director and the actor free : there are flashes here of the terrific actor that Ranbir can be, and that’s a relief both for the performer as well as the audience.

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Deepika is luminous, and she is much more sure-footed in her part. Even though Ranbir gets more space, Tara is drawn with welcome depth : it is usually a leading man’s prerogative to sulk and stomp. Did she fall in love with her idea of love, and can she sustain it with the passage of time? Ali puts forth a fairly radical idea as well : can the love that you feel when you are out of time, in exotic locales, survive a storm of ordinariness? Of ‘aam-aadminess’?

We do get the answers, and they do leave us feeling warm and fuzzy, but it’s not enough. That wasted, stretched introduction is a problem. So is the director’s penchant of using music to underline the sentiments : why not more confidence in just letting the moment, and the actor, speak for itself? Why the clunkiness?

I really liked a lot of the second half. There’s so much good stuff going on, including the pair which strays, and then journeys towards each other. Despite its flaws, this is Ali’s most complex story, teeming with ideas, and gives us Ranbir back again, along with the lovely Deepika, even if the plot keeps losing sight of her : there are tracts when she goes missing.

Pity it peters out.

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Tamasha review by Anupama Chopra: Love, sex and lies

In tamasha, director and writer imtiaz ali grapples with many big ideas..

Tamasha, as far as I know, is the first instance in Hindi cinema of the Zipless F**k. The phrase, coined by Erica Jong in her 1973 novel Fear of Flying, denotes a sexual encounter between two strangers, who don’t even know each other’s names.

Ranbir and Deepika come together for the third time for Tamasha.(UTV Motion Pictures)

There is no emotional involvement here, no commitment, no agenda. There are absolutely no strings attached. Tamasha gives us the Bollywood version. Ved and Tara meet in Corsica. This is the kind of sun-kissed Mediterranean island where inhibitions are automatically checked in at immigration.

So Ved, played by Ranbir Kapoor, becomes Don; and Tara, played by Deepika Padukone, becomes Mona Darling. They make a promise to tell each other only lies. For a week, they live in a delightful fictional world. But then reality intrudes, as it must.

In Tamasha, director and writer Imtiaz Ali grapples with many big ideas. The film is a celebration of storytelling, of the power of lies to reveal the truth. It is also about the transformative power of love. And it’s about following your passion and seizing the day.

In Tamasha, director and writer Imtiaz Ali grapples with many big ideas. (UTV Motion Pictures)

Imtiaz is a fabulously talented director but eventually it proves to be too much messaging for one film. Tamasha’s first half is enchanting. Corsica is gorgeous; so are Ranbir and Deepika. Though Tamasha is about Ved’s evolution, Tara is a far more interesting character. As long as the film stays with her, it’s interesting. But post interval, we have to watch Ved unleash his inner artiste, which is a bit of a bore.

Tamasha starts to feel indulgent and predictable. The writing also gets lazy — Imtiaz settles for stereotypes and simplistic resolutions. We even get a philosophical rickshaw driver, who shows Ved the way.

But even as the story stumbles, Ranbir and Deepika power through. They have a special kind of talent — the ability to be both extraordinary and instantly relatable. They are transparent actors. Their tears have a genuine ache.

So for the price of a movie ticket, you can experience their magic and travel the world (for no apparent reason, Tamasha ends in Tokyo). That seems like a good deal to me.

Watch trailer here:

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Anupama Chopra is the editor and founder of Film Companion. ...view detail

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Deepika Padukone and Ranbir Kapoor in Tamasha, directed by Imtiaz Ali.

Tamasha review – Bollywood goes nouvelle vague

Imtiaz Ali’s film is a surprising meta-narrative of archetypal star-crossed lovers, but its cool tricksiness leaves little room for surrendering to the story

T he nights draw in, and the stars come out. Before Christmas, we’ll see Priyanka Chopra waging war in the historical epic Bajirao Mastani and the Shahrukh Khan-Kajol Devgan dream team reunited for Dilwale, yet it may turn out that Tamasha will need its stars, Deepika Padukone and Ranbir Kapoor, most – just as points of recognition. With its self-reflexive title (“Spectacle”) and avant garde theatrical wraparound, Imtiaz Ali’s film is about as tricksy – and tricky – as Bollywood gets, its debt to modernism flaunted from the start in an opening splurge of stories within stories within stories. Only when our leads show up do we know whose tale this really is. Or do we?

Even after Padukone and Kapoor appear, as backpackers falling in love against a fairytale Corsican backdrop, something about Ali’s arch dialogue – all quotes from, and references to, previous love stories – strongly hints these are archetypes, aware that their fate is to be separated, then reunited in time for the credits. The resistance to conventional characterisation is such that there’s a (not unenjoyable) suggestion the performers are playing themselves: hot-to-trot actors messing around on location. When Kapoor introduces Padukone to the patrons of one bar as a major Indian movie star, we’re not so far from Julia Roberts impersonating herself in Ocean’s Twelve.

Tamasha keeps shapeshifting, in ways both intriguing and self-defeating. When our lovers next meet, two years later in Delhi, they could be completely different people: a newly ponytailed Padukone sober and serious, Kapoor a corporate drone missing all traces of his prior spark. Ali’s exploring the much-unpicked idea that we play different roles at different times, which is why he returns to the stage as a metaphor for life. Yet it’s a liability when a movie turns its leading man into a colossal bore at a penstroke, when its characters too closely resemble marionettes at the mercy of an off-screen puppeteer. Prem Ratan Dhan Payo ’s play-acting was simpler, but far more emotionally rewarding.

To his credit, Ali keeps us semi-interested. He rightly senses he can set Padukone to do nothing more than quietly read Catch-22, and three-quarters of his audience will be happy enough. Different styles are found for the various stories: loose and dreamy for the Corsica scenes, something more clipped and naturalistic for Delhi, emphasising the Kapoor character’s deadening prework routine while effectively embargoing any merriment. Here, the one number in AR Rahman ’s typically lush if naggingly unmemorable score gets put over by a lowly covers band, and taken up by a street beggar. In the absence of a hero, the songs drift elsewhere.

Even as this bold experiment fizzled out – and it really does in the second half, as Kapoor pursues a cure for his dullness, sidelining Padukone – I retained some admiration for its ambition. The urge to deconstruct still feels unusual in this context; it’s not every week a Hindi film reminds you of early Resnais. The stars commit to the conceit, playing off one another better than they did in 2013’s birdbrained Yeh Jawaani Hai Deewani . Yet all that Tamasha’s cool cleverness achieves is to get in the way of rapture. When a film is so insistent on telling us that what we’re watching is all story, and just a story, what chance do we have of surrendering to it?

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‘tamasha’: film review.

Bollywood's Ranbir Kapoor reunites with writer-director Imtiaz Ali for a sleek urban drama.

By Lisa Tsering

Lisa Tsering

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'Tamasha': Film Review

Viewers who spot writer-director Imtiaz Ali’s name on the credits of Tamasha ( Spectacle ) may be tempted to give his latest film a miss, put off by the self-indulgence and scattered focus of his two previous efforts, Rockstar and Highway .

Read more : ‘ Rockstar ‘: Film Review

Release date: Nov 25, 2015

But Ali has found his footing as surely as has his protagonist, Ved ( Ranbir Kapoor ), in this satisfying and emotionally challenging tale of a young New Delhi man struggling to determine which parts of his life are artifice and which are real.

Despite a squarely adult theme — the film raises questions only a viewer with life experience can understand and appreciate, so wiser fans are advised to leave children at home —  Tamasha has made a respectable mark at the box office, buoyed by word of mouth and the appeal of Kapoor and his real-life love interest, Deepika Padukone . 

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The word Tamasha can mean a grand show or performance, so when Ved and Tara ( Padukone ) meet cute, on a sunny restaurant patio while on vacation in Corsica, France, they playfully vow to use only made-up names and to part ways after one week.

They soon return to their normal upscale lives, as planned, but as their fates play out over the years, they come to realize what they’re missing. Tara figures out one clue after another in an attempt to search out Ved and recapture the brief, but real, connection they had.

Read more : ‘Bombay Velvet’: Film Review

With well-timed flashbacks, Ali depicts why Ved is the straitlaced and slightly dull young professional he appears to be: A dreamy little boy who grows into a gangly teen, failing at engineering and forced by his family and his own conscience into a business career, Ved has maintained a lie so long he doesn’t even know how to be creative anymore. One day, the affable businessman just snaps — destroying his career and falling into a devastating depression.

As with  Rockstar , Tamasha ’s strength comes from seeing one man strip away layers of artifice to become what he’s fated to be. But what makes this film so much more effective is how Ali depicts Ved’s breaking point and subsequent depression, and how the people around him react to it: his wealthy father, noting that he’s supported Ved through college, observes, “You don’t have any real problems. Why are you creating them?” Anyone who’s dealt with depression will know there’s no easy answer to that question.

Kapoor is beautifully cast, his trademark mix of assertive theatricality and subtle emotion well suited to the role of a man who seemingly has it all under control, until he doesn’t. The one person who really gets Ved is the woman who met him in Corsica, on that summer day when he was playacting as a mafia boss on the run.

The elegant Padukone mixes playfulness and depth in a performance that ably complements Kapoor’s, as a woman who understands the man behind the mask and whose love and acceptance allow him to become who he was meant to be.

Read more : Indian Director Imtiaz Ali: ‘I’m Supposed to Be a Vulgar Sellout’

DP S. Ravi Varman, whose distinctive bright, colorful style made a mark in the Ranbir Kapoor starrer Barfi! , numerous South Indian films and a video by British rapper M.I.A., expresses Ved’s changing sense of reality with distorted, pixelated visuals populated by mythological heroes and villains. Adding to the color are numerous scenes shot on location in Corsica, marking Tamasha as the first Indian film to take advantage of France’s filming incentive program.

The film’s nine songs are placed at organic points in the story, and Oscar-winning composer A.R. Rahman dips into his familiar bag of rural folk styles and lush orchestrations to craft winning songs and inspiring incidental music.

Production companies: UTV Motion Pictures, Nadiadwala Grandson Entertainment Pvt. Ltd.

Cast: Ranbir Kapoor, Deepika Padukone

Director-screenwriter: Imtiaz Ali

Producer: Sajid Nadiadwala

Executive producer: Rajesh Sharma

Director of photography: S. Ravi Varman

Production designers: Sumit Basu, Snigdha Basu, Rajnish Hedao

Costume designers: Aki Narula, Anaita Shroff Adajania

Choreographers: Ashley Lobo, Bosco Martis, Caesar Gonsalves

Editor: Aarti Bajaj

Music: A.R. Rahman

No rating, 155 minutes

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The film begins as an onstage skit as part of a spectacle by Ved ( Ranbir Kapoor ) and Tara ( Deepika Padukone ). The skit presents the monotonous office lives of people in general along with their pasts, which are shown through flashback sequences. The film switches to a flashback, in Shimla , showing a child Ved being fascinated by the stories narrated by a roadside storyteller ( Piyush Mishra ) who keeps mixing up his characters .

The film then shifts to a time where Tara meets an adult Ved while both are on a holiday in Corsica . After instantly connecting, they produce an amusing verbal pact to keep their real identities undisclosed, with hopes of not falling in love, as they explore the island together. One of their frequent jovial activities includes pretending to be movie characters where Ved often poses as "Don" and Tara, as "Mona Darling" . As their bond grows stronger, Tara realizes she is falling in love with Ved and afterward, decides to leave Corsica despite their romantic friendship . The film moves back to another flashback where a young Ved is seen questioning the storyteller about the reason for happy times ending rapidly, after noticing a sad part in all of his stories.

In India, after Tara returns to Kolkata , her father (Nikhil Bhagat) hands her over his tea business and she expands it by starting a line of tea boutiques, taking the company ahead. Four years later, after going to Delhi for work, she meets Ved one day, much to her surprise, and learns he is now a product manager. They reveal their original identities and she becomes excited to spend time with him, ready to act on her initial love for him. However, as they spend time together, she notices how vastly his charismatic persona and carefree attitude has changed. He talks differently, behaves more formally at their dates, and shows up at a fixed time at her place. His monotonous and tedious lifestyle on a daily basis, from morning to evening in a similar pattern, includes him waking up on time, completing the morning chores, wiping the car, ignoring the hijra on the way, helping an elderly woman at his office, giving a presentation for work, and, meeting Tara in the evening. Ved, now more reserved, proposes to Tara with a ring on his birthday but she declines as she is unhappy with this reserved version of him. Ved leaves for his home and on the way, the driver (Ishteyak Khan) tells him about how his dreams of becoming a singer were crushed in earning his livelihood. Ved breaks down and his residual mental disorder is triggered. [6]

Due to his Schizotypal personality disorder , Ved ends up upsetting his boss with nonsensical presentations and random behavioral issues in business meetings. As Ved begs Tara to come back to his life, she indirectly informs him she is fixated on his cheerful personality from Corsica instead of his attitude of simply living by societal conventions. After claiming his lively nature to be his true, undiscovered identity and politely asking him to genuinely figure himself out, Tara tearfully expresses her realization of unintentionally hurting him and apologizes. Frustrated and confused, Ved leaves in tears. The next day, he slightly changes his daily routine at the office, gives the ring to the hijra, and afterward gets evicted from his workplace for his continuous mindless actions. Ved returns to Shimla and gets in a tussle with his father, Brijmohan Sahni ( Javed Sheikh ), after telling him he had lost his job and had been wandering around for six months. Ved then gains introspection from a reflection in the mirror , as he decides to meet the old storyteller from his childhood in order to complete his own story. Upon their encounter, the old storyteller criticizes Ved's irrationality and confronts him to complete his own story. This opens Ved's eyes and he goes back to his house where he starts narrating events that happened in their family, using theatrics and metaphors in the form of storytelling to the family audience. Moved by his art of storytelling , Brijmohan forgives him for leaving his job and lets him pursue his life as he wishes.

Ved returns to Delhi and accepts the ring being kindly returned to him by the hijra. Tara, after finishing a business meeting at Oracle in Tokyo , is surprised when Ved shows up back with his gleeful attitude and they both happily begin impersonating characters again. The film goes into a flashback and through a montage sequence , shows Ved in three of his stages as a child, an adolescent, and an adult, sequentially. The film cuts back to the onstage skit again, which is in continuation of the opening scene of the film and the elaborated allegorical spectacle, as Ved and Tara prepare for its conclusion. The film ends with Ved taking a bow amid the applause of the audience.

Development

In 2013, it was announced that director Imtiaz Ali will be making a film with Ranbir Kapoor and Deepika Padukone in the lead titled, Window Seat . [7] Anushka Sharma was the original choice for the lead actress which later went to Padukone. [8] The title was changed to Tamasha in 2014 which was taken from the lines of poet Ghalib –"Hota Hai Shab-O-Roz Tamasha Mere Aagey" (your most personal thought is your life's biggest spectacle). [9] [10] Ali said that the film is "about the journey of someone who has lost his edge in trying to conform to the society" and about "abrasion and loss of self in attempt to fit in". [11] He called the film "severely intense and personal" story that questions the "systems we get trapped in and crushed childhood dreams". [12] [13]

Talking about the reason behind the working title Window Seat , Ali said: "It's that thought that crosses your mind when you are sitting by the window of a train and watching Ratlam go by and you think, what if I get down from this train? What life awaits me there?". [14] Ali stated that he wanted to create "different tone" for the film and thus made Kapoor look attractive in Corsica and ordinary in Delhi. [15] Both Ali and Kapoor met Teejan Bai for the research for narrations of the Mahabharata in the film. [16] Ali described the characters of Ved and Tara as "storyteller" and "emotionally agile" respectively. He called these characters as the closest to him. When the characters meet for the first time in the film, they decide not to disclose their identities. The film paid homage to actor Dev Anand through this act. Kapoor took classes from mime artists to mimic the requisite dialogues. [17] Pakistan actor Javed Sheikh was cast in the role of Kapoor's father. Aki Narula designed the costumes for Kapoor, whereas Anaita Shroff Adajania for Padukone. The costumes were made according to the different mood of the film. [18]

Principal photography began in Corsica , France on 9 July 2014 and was wrapped on 30 July 2014. [19] [20] The song "Matargashti" was shot in Bastia . [21] Some portions were shot in Shimla for 15 days featuring flashback sequences of a younger Ved. [22] [23] [24] Tamasha was also shot in Kolkata in January 2015, where Padukone's office scenes were filmed on a set in the office of J Thomas & Co. Pvt. Ltd. [25] [26] The song titled, "Heer To Badi Sad Hain" was shot in Kolkata. The sequence between Kapoor and Padukone before the song "Agar Tum Saath Ho" took over three days to finish as Ali felt it was "emotionally draining" for Kapoor and Padukone. Ali said he was inspired by a real girl he saw in Europe who was continuously crying on a bench and people were coming and going. [27] Padukone did not use glycerin for the scene and cried for real. The following scenes were improvised.

The Delhi schedule of filming began on 29 January 2015. [28] Scenes featuring Kapoor were shot at the Time Tower Business Park in Gurgaon . [29] Padukone joined the same schedule, a day later, beginning the shoot in southern Delhi's Hauz Khas . [30] The schedule was wrapped up by 23 February 2015. [31] Certain scenes were shot in Delhi from 10 March 2015, extending a week further. [32] Majority of the scenes were shot at Bishop Cotton School , Shimla . [33] The next filming schedule began in Tokyo on 8 April 2015 and lasted for two days. [34] Further filming continued in Delhi for five days. In August 2015, the last schedule of filming began at Mehboob Studio in Mumbai. [35] [36] The filming was completed on 6 August 2015. [37] [38] Tamasha was shot in 91 days in Corsica, Shimla, Delhi, Tokyo, Kolkata and Mumbai. [39] Ravi Varman and Aarti Bajaj served as the film's director of photography and editor respectively. [40]

The film is noted for its portrayal of mental health. Kapoor plays a character who depicts a mental health crisis, showing symptoms of borderline personality disorder . [41] [42] [43]

See main article: page and Tamasha (soundtrack) . The soundtrack album and film score is composed by A. R. Rahman with song lyrics by Irshad Kamil . [44] The soundtrack album's first single "Matargashti" was released on 9 October 2015. [45] The album was released on 16 October 2015 by the record label T-Series . [46]

Tamasha was censored with U/A certificate on 7 November 2015. Scenes with bawdy dialogue references and comments addressing Padukone's character [47] were muted. [48] The censor board claimed it as the most lengthy kissing scene ever on screen, longer than the one picturised between Aamir Khan and Karisma Kapoor in the film Raja Hindustani (1996). On 17 November 2015, The British Board of Film Classification passed the film uncut with PG certificate. [49] The film had a special screening at Yash Raj Studios on 26 November 2015. [50]

The film released on 27 November 2015 at an estimate 2100 number of screens in India and 571 screens overseas. [51]

Critical response

Tamasha garnered mixed reviews from critics upon its theatrical release, praising the film's music, production values, cinematography & lead performances, but criticism was for the complexity of its plot & narration. Bollywood Hungama rated the film 3 out of 5 stars. [52]

Critic Mehul of Deccan Chronicle awarded 4 stars (out of 5) and stated, "Imtiaz Ali, in this film, creates a different world and makes you believe in it till the last shot of the film." [53] Ananya Bhattacharya of India Today gave the film 3.5 stars (out of 5), writing, "In all, Tamasha is vintage wine. There are inhibitions that keep you from falling head-over-heels in love with the film the first time you watch it. Once done away with the initial hesitation, Tamasha is an experience." [54] For The Times of India , critic Priya Gupta said, "The route Tamasha takes is long-winded and plain boring at times." [55] She gave the film 3 stars (out of 5).Pallavi Patra of Zee News gave the film 3.5 stars (out of 5) claimed, " A clear picture of how twisted your life can get under the painful currents of life. All said and done, the clear winners in this 'drama' are the protagonists, more than the story itself." [56]

For The Huffington Post , critic Supratik Chatterjee writes, " Tamasha is, in many ways, a culmination of the recurring themes in Ali's filmography. It is tonally messier than his last film, Highway , but more emotionally satisfying than Rockstar and brings together elements from many of his films in a pleasing-enough manner." [57] Writing for CNN-IBN , film critic Rajeev Masand called Tamasha an uneven film that oscillates between inventive and indulgent, never quite striking a consistent tone. He criticized the script but praised the performances of Kapoor and Padukone. He gave the film 2.5 stars (out of 5). [58] A film critic based at Bollywood Hungama gave the film 2 stars (out of 5) and wrote, "On the whole, Tamasha comes across as a colossal disappointment in spite of towering performances and chemistry between the lead stars." [59] In his review for NDTV , Saibal Chatterjee gave stars (2.5 out of 5) writes, " Tamasha is at best a one-time watch because of the sparkle the leads lend to it. It could have been so much more." [60]

Surabhi Redkar of Koimoi pointed out, " Tamasha is different but not perfect. Ranbir Kapoor and Deepika Padukone deliver fine performances." However, she awarded the film 2.5 stars (out of 5). [61] Critic Shubhra Gupta of The Indian Express reviewed in positive stating, "Deepika is luminous, and she is much more sure-footed in her part. Even though Ranbir gets more space, Tara is drawn with welcome depth." [62] However, she gave the film 2 stars (out of 5). Critic Subhash K. Jha for Firstpost stated, "This is a film that doesn't entirely succeed in its endeavor to decode the heart's enigmatic excursions. But the journey is fascinating and admirable, though not entirely fulfilling." [63] Critic Anupama Chopra , in her review to Hindustan Times writes, " Tamasha starts to feel indulgent and predictable. The writing also gets lazy — Imtiaz settles for stereotypes and simplistic resolutions." [64]

In her review for The Hindu , critic Namrata Joshi called the film "ponderous and protracted". [65] Rachit Gupta of Filmfare mentioned, " Ironically, it has a story that tries to ward off mediocrity in everyday life, and yet the film only manages to evoke mixed reactions. [66] Satya Kandala who gives the film 3 (out of 5 stars) in her review, stated, " Tamasha fall short of true greatness is Ali's indulgence with the characters and situations, which at times makes the film look like it is trying too hard and a little too kitschy." [67]

Andy Webster for The New York Times emphasized reviewing the characters and the direction. In his review, he mentioned, "Imtiaz Ali actually celebrates two love affairs: Ved and Tara's, and (given Ved's universal adulation) with his own self-aggrandizing vision of his calling." [68] In her review for Gulf News , Manjusha Radhakrishnan wrote, "The lead actors and Corsica look picture-perfect, but the movie isn't free of blemishes." [69] Sneha May Franics of Emirates 24/7 opined, "Imtiaz Ali's indulgent narrative isn't quintessential Bollywood, and that's not necessarily bad". [70] In a review for The Guardian , Mike McCahill wrote, "Imtiaz Ali's film is a surprising meta-narrative of archetypal star-crossed lovers, but its cool trickiness leaves little room for surrendering to the story." [71] Deepa Gauri of Khaleej Times awarded the film 4 out of 5 stars and wrote, " Tamasha is un-Bollywood in its rhythm and pace, yet endears you with its essential simplicity." [72] Lisa Tsering of The Hollywood Reporter stated, "The film is a moving meditation on what it means to find out who you really are." [73] In his review for The Express Tribune , Rafay Mahmood gave the film 2.5 stars out of 5, stating: "Great music, exceptional performances and a different take on love don't prevent Imtiaz Ali's Tamasha from culminating in a disappointment." [74] Jay Seaver of Online Film Critics Society noted, "So it's a little bit bigger than a romantic comedy, although still enough of one that the story of a guy finding what he wants to be doesn't overwhelm it. It's not a perfect film, but it's consistently a bit better than expected." [75] Giving the film 2.5 stars out of 5, Mohaiminul Islam's review in The Daily Star opined, "This is Ali's most complex story, teeming with ideas, and gives us Ranbir back again, along with the lovely Deepika, even if the plot keeps losing sight of her." [76]

Tamasha opened with 40% occupancy on the day of release. [77] The opening day nett figures were . [78] On the second day the film collected . [79] On the third day, the film raked in nett. The total opening weekend collections of the film were nett.

However, the collections dropped in the beginning of the first week, collecting on the first Monday. Estimating for individual days until Friday—collections were nett, nett, nett and nett. On the second Saturday and Sunday, the collections were nett and nett respectively. By end of first week, the total collections (on tenth day) were nett.

The collections between eleventh to fourteenth day were nett. By the end of second week, the total collections stood at . The collections between fifteenth to twenty-first day were nett. By the end of third week, total collections were . The collections between twenty-second to twenty-eighth day were nett. By the end of fourth week, total collections were . Film's lifetime collection at the Indian Box Office are ₹94.92 crore.

By end of December 2015, the film earned gross in USA and Canada , gross in United Kingdom, gross in United Arab Emirates and Cooperation Council for the Arab States of the Gulf , gross in Australia , gross in New Zealand , gross in Pakistan and gross in Germany . In remaining territories of the world, the film collected gross. Summing up the collections at Indian and overseas box offices, the film collected an estimate .

External links

  • Tamasha Movie Outfits at Bollywoo.ooo

Notes and References

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  • Web site: 'Tamasha' not autobiographical, says Imtiaz Ali . The Indian Express . . 22 November 2015 . 25 November 2015 . Mumbai . 25 November 2015 . https://web.archive.org/web/20151125180832/http://indianexpress.com/article/entertainment/bollywood/tamasha-not-autobiographical-says-imtiaz-ali/ . live .
  • Web site: 'Tamasha' review roundup: What critics have to say about Ranbir Kapoor-Deepika Pade kaun starrer . International Business Times, India Edition . 22 January 2016 . Suparno . Sarkar . 27 November 2015 . 22 December 2015 . https://web.archive.org/web/20151222110448/http://www.ibtimes.co.in/tamasha-review-roundup-what-critics-have-say-about-ranbir-kapoor-deepika-padukone-starrer-656814 . live .
  • Web site: 2020-06-16 . How Tamasha evolved as a Cult Film - The Indian Wire . 2023-09-16 . en-GB.
  • Web site: Deepika and Ranbir's Chemistry in Tamasha is Electrifying . The Quint . 22 September 2015 . 5 January 2016 . 25 January 2016 . https://web.archive.org/web/20160125204722/http://www.thequint.com/entertainment/2015/09/22/deepika-and-ranbirs-chemistry-in-tamasha-is-electrifying . live .
  • News: Ranbir Kapoor, Deepika Padukone in Imtiaz Ali's 'Window Seat' . The Indian Express . 20 September 2013 . 3 May 2018 . 23 February 2015 . https://archive.today/20150223062456/http://archive.indianexpress.com/news/ranbir-kapoor-deepika-padukone-in-imtiaz-alis-window-seat/1171834/ . live .
  • News: Anushka Sharma Rejected 'Tamasha' Because The Role Wasn't 'Meaty' Enough For Her . Pathak . Ankur . HuffPost . 8 April 2016 . 3 May 2018 . 4 May 2018 . https://web.archive.org/web/20180504011020/https://www.huffingtonpost.in/2016/04/08/heres-why-anushka-sharma-_n_9641638.html . live .
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  • News: Pakistani cinema will have an identity of its own: Imtiaz Ali . The Express Tribune . 18 November 2015 . Liaqat . Amber . 14 November 2015 . 17 November 2015 . https://web.archive.org/web/20151117161915/http://tribune.com.pk/story/991384/pakistani-cinema-will-have-an-identity-of-its-own-imtiaz-ali/ . live .
  • News: 'Tamasha' is about choosing your own story: Imtiaz Ali . Business Standard . 10 March 2015 . 4 May 2018 . 4 May 2018 . https://web.archive.org/web/20180504155512/http://www.business-standard.com/article/pti-stories/tamasha-is-about-choosing-your-own-story-imtiaz-ali-115031000431_1.html . live .
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  • Web site: Ranbir Kapoor, Deepika Padukone's costumes in Tamasha are as emotive and powerful as the actors . 3 December 2015 . Firstpost . 2 December 2015 . Mitali . Parekh . 4 December 2015 . https://web.archive.org/web/20151204053824/http://www.firstpost.com/politics/ranbir-kapoor-deepika-padukones-costumes-in-tamasha-are-as-emotive-as-the-actors-2529688.html . live .
  • News: Ranbir Kapoor, Deepika Padukone to Shoot in Corsica . 24 June 2014 . NDTV . 9 July 2014 . 4 July 2014 . https://web.archive.org/web/20140704231616/http://movies.ndtv.com/bollywood/ranbir-kapoor-deepika-padukone-to-shoot-in-corsica-547153 . dead .
  • News: Ranbir Kapoor to play a nomad in Tamasha . Pathak . Ankur . The Times of India . 7 August 2014 . 4 May 2018 . 3 April 2018 . https://web.archive.org/web/20180403180453/https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Ranbir-Kapoor-to-play-a-nomad-in-Tamasha/articleshow/39795177.cms . live .
  • News: Ranbir Kapoor, Deepika angry about leaked images, video . 7 August 2014 . Emirates 24/7 . 10 August 2014 . 10 August 2014 . https://web.archive.org/web/20140810051002/http://www.emirates247.com/entertainment/ranbir-kapoor-deepika-angry-about-leaked-images-video-2014-08-07-1.558768 . live .
  • News: Tamasha in Shimla . The Indian Express . 21 November 2014 . 21 November 2014 . 25 November 2014 . https://web.archive.org/web/20141125111959/http://indianexpress.com/article/entertainment/screen/tamasha-in-shimla/ . live .
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  • Web site: Ranbir Kapoor debuts new look for 'Tamasha' . 1 December 2014 . 8 December 2014 . Deccan Chronicle . 10 March 2015 . https://web.archive.org/web/20150310192156/http://www.deccanchronicle.com/141201/entertainment-bollywood/article/ranbir-kapoor-debuts-new-look-tamasha . live .
  • News: TETE A TEA WITH DP . 24 January 2015 . 28 January 2015 . The Telegraph . Kumar . Karo Christine . 1 February 2015 . https://web.archive.org/web/20150201201056/http://www.telegraphindia.com/1150124/jsp/t2/story_9844.jsp#.VMNOJV2t-o9 . dead .
  • Web site: Deepika Padukone spotted filming for 'Tamasha' in Kolkata . India Today . 19 January 2015 . 22 January 2015 . 22 January 2015 . https://web.archive.org/web/20150122173229/http://indianexpress.com/article/entertainment/bollywood/deepika-padukone-spotted-filming-for-tamasha-in-kolkata/ . live .
  • Web site: Watch Imtiaz Ali Talk about This Iconic Tamasha Scene Where Deepika Cried for Real . Mazumder . Sreeparna . Vagabomb . 23 January 2018 . 4 May 2018 . 5 May 2018 . https://web.archive.org/web/20180505065625/https://www.vagabomb.com/Deepika-Padukone-Didnt-Use-Glycerin-to-Enact-This-Emotional-Scene-in-Tamasha-Were-in-Awe/ . live .
  • News: Ranbir Kapoor lands in Delhi to shoot for Imtiaz Ali's 'Tamasha' . The Indian Express . 29 January 2015 . 29 January 2015 . 29 January 2015 . https://web.archive.org/web/20150129225212/http://www.deccanchronicle.com/150129/entertainment-bollywood/article/ranbir-kapoor-lands-delhi-shoot-imitiaz-alis-tamasha . live .
  • Web site: Ranbir Kapoor shoots in Gurgaon . The Times of India . 30 January 2015 . 27 November 2015 . 4 April 2015 . https://web.archive.org/web/20150404003346/http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Ranbir-Kapoor-shoots-in-Gurgaon/articleshow/46054985.cms . live .
  • Web site: Deepika Padukone shoots for 'Tamasha' in Delhi . The Indian Express . Sunitra . Pacheco . Mumbai . 31 January 2015 . 1 February 2015 . 1 February 2015 . https://web.archive.org/web/20150201044527/http://indianexpress.com/article/entertainment/bollywood/deepika-padukone-shoots-for-tamasha-in-delhi/ . live .
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  • Web site: Deepika Padukone heads back to Delhi for 'Tamasha' shoot . Deccan Chronicle . 10 March 2015 . 10 March 2015 . 11 March 2015 . https://web.archive.org/web/20150311033652/http://www.deccanchronicle.com/150310/entertainment-bollywood/article/deepika-padukone-heads-back-delhi-tamasha-shoot . live .
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  • News: Ranbir Kapoor begins Tokyo schedule of Tamasha . Deccan Chronicle . 12 April 2015 . 12 April 2015 . https://web.archive.org/web/20150412064552/http://www.deccanchronicle.com/150409/entertainment-bollywood/article/ranbir-kapoor-begins-tokyo-schedule-tamasha . live .
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  • News: Deepika Padukone, Ranbir Kapoor's 'Tamasha' in Mumbai next . The Indian Express . 1 August 2015 . 1 August 2015 . https://web.archive.org/web/20150801132842/http://indianexpress.com/article/entertainment/bollywood/deepika-padukone-ranbir-kapoors-tamasha-in-mumbai-next/ . live .
  • Web site: Deepika, Ranbir End Their Tamasha by the Sea . NDTV Movies . Divya . Goyal . 7 August 2015 . 9 August 2015 . https://web.archive.org/web/20150809233822/http://movies.ndtv.com/bollywood/deepika-ranbir-end-their-tamasha-by-the-sea-1204809 . live .
  • Web site: Aamir Khan's dedication is legendary — Siddharth Roy Kapur . Shahryar . Faridoon . 13 August 2015 . Bollywood Hungama . 13 August 2015 . 13 August 2015 . https://web.archive.org/web/20150813223854/http://www.bollywoodhungama.com/movies/features/type/view/id/8814 . dead .
  • Web site: Ranbir, Deepika's Personal History Doesn't Bother Tamasha Director . 10 March 2015 . 10 March 2015 . 13 September 2015 . https://web.archive.org/web/20150913090824/http://movies.ndtv.com/bollywood/ranbir-deepikas-personal-history-doesnt-bother-tamasha-director-745509 . live .
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  • Web site: 2021-07-08. "Tamasha", A Mental Health Tamasha Of Bollywood . 2022-01-21. Media Policy Project. en.
  • Web site: Rahman to compose music for Ranbir-Deepika's Window Seat . Bollywood Hungama . 30 October 2013 . 29 October 2015 . 25 November 2015 . https://web.archive.org/web/20151125213044/http://www.bollywoodhungama.com/news/2190420/Rahman-to-compose-music-for-Ranbir-Deepikas-Window-Seat . dead .
  • Web site: Watch: Deepika, Ranbir look great in Tamasha's 'Matargashti' but what's new in that? . Firstpost . 9 October 2015 . 9 October 2015 . Ramakrishnan . Swetha . 11 October 2015 . https://web.archive.org/web/20151011203615/http://www.firstpost.com/bollywood/watch-ranbir-kapoor-deepika-padukone-look-great-in-matargashti-but-whats-new-in-that-2461952.html . live .
  • Web site: Tamasha (Original Motion Picture Soundtrack) by A. R. Rahman on iTunes . iTunes . 19 October 2015 . 25 November 2015 . 17 November 2015 . https://web.archive.org/web/20151117050920/https://itunes.apple.com/in/album/tamasha-original-motion-picture/id1048180613 . live .
  • Web site: Censor Board beeps saali in Imtiaz's film . The Asian Age . 18 November 2015 . 18 November 2015 . K. Jha . Subhash . 19 November 2015 . https://web.archive.org/web/20151119105432/http://www.asianage.com/bollywood/censor-board-beeps-saali-imtiaz-s-film-878 . live .
  • Web site: Ranbir-Deepika's kissing scene eliminated from the Movie – Tribune Reporter . Tribune Reporter . 10 November 2015 . 18 November 2015 . en-US . 19 November 2015 . https://web.archive.org/web/20151119015729/http://www.tribunereporter.com/ranbir-deepikas-kissing-scene-eliminated-from-the-movie/8083 . live .
  • Web site: TAMASHA British Board of Film Classification . www.bbfc.co.uk. 21 November 2015. 21 November 2015. https://web.archive.org/web/20151121060550/http://www.bbfc.co.uk/releases/tamasha-film. live.
  • Web site: Tamasha Special Screening . www.boxofficeindia.co.in . 26 November 2015 . 27 November 2015 . https://web.archive.org/web/20151127004357/http://www.boxofficeindia.co.in/tamasha-special-screening/ . live .
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  • Web site: Tamasha Review 2.5/5 | Tamasha Movie Review | Tamasha 2015 Public Review | Film Review . .
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  • Web site: Tamasha movie review: Deepika, Ranbir or Imtiaz – spot the rockstar here : Reviews, News – India Today . indiatoday.intoday.in . 27 November 2015 . 31 December 2015 . https://web.archive.org/web/20151231193326/http://indiatoday.intoday.in/story/tamasha-movie-review-deepika-ranbir-or-imtiaz-spot-the-rockstar-here-tamasha-review-story-release/1/532794.html . live .
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  • Web site: Tamasha movie review: It's all about Ranbir, Deepika's painful yet ecstatic journey . Zee News . 27 November 2015 . 27 November 2015 . 31 December 2015 . https://web.archive.org/web/20151231140433/http://zeenews.india.com/entertainment/movies/tamasha-movie-review-its-all-about-ranbir-deepikas-painful-yet-ecstatic-journey-%C2%A0_1827144.html . live .
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Not Another Church Movie

Not Another Church Movie (2024)

Taylor Pherry is commanded by God to write a movie inspired by his crazy, dysfunctional family, but the Devil has his own devious plans in this hilarious spoof comedy. Taylor Pherry is commanded by God to write a movie inspired by his crazy, dysfunctional family, but the Devil has his own devious plans in this hilarious spoof comedy. Taylor Pherry is commanded by God to write a movie inspired by his crazy, dysfunctional family, but the Devil has his own devious plans in this hilarious spoof comedy.

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  1. Tamasha Review in hindi, Tamasha movie review

    Tamasha starring Ranbir Kapoor and Deepika Padukone has released worldwide. Read the full review here. यहां पढ़े इम्तियाज अली की फिल्म तमाशा का रिव्यू। फिल्म में रणबीर कपूर और दीपिका पादुकोण मुख्य किरदारों में हैं।

  2. Tamasha (2015 film)

    Tamasha (transl. Spectacle/Drama) is a 2015 Indian psychological coming-of-age romantic drama film written and directed by Imtiaz Ali and produced by Sajid Nadiadwala from his studio, Nadiadwala Grandson Entertainment.It stars Ranbir Kapoor and Deepika Padukone.The film score and soundtrack album were composed by A. R. Rahman, while lyrics for the songs were written by Irshad Kamil.

  3. Movie Tamasha 2015, Story, Trailers

    Tamasha captures Deepika-Ranbir's loving-'n'-longing. Story: Ved (Ranbir) and Tara (Deepika) meet each other with fake identities and take a week-long vacation in Corsica. Back in India though, it ...

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    In that sense, Tamasha could well be the next part in the Ranbir Kapoor-in-evolution series of Hindi cinema that boasts of films like Wake Up Sid, Rockstar and Yeh Jawani Hai Deewani.

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    Tamasha: Directed by Imtiaz Ali. With Deepika Padukone, Ranbir Kapoor, Naila Grrewal, Arushi Sharma. A boy meets a girl, in Corsica. They decide not to reveal their real name or personality.

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    Tamasha (aka) Tamaasha review. Tamasha (aka) Tamaasha is a Hindi movie with production by Nadiadwala Grandson Entertainment Pvt. Ltd, UTV Motion Pictures, direction by Imtiaz Ali, cinematography ...

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    Read 's Tamasha movie story, cast & crew, review and release date in Hindi on FilmiBeat Hindi. तमाशा मूवी : जानें रणबीर कपूर की फिल्म 'तमाशा' की कहानी, कलाकार, रिलीज़ की तारीख, गाने, ट्रेलर, फोटो ...

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    Tamasha, as far as I know, is the first instance in Hindi cinema of the Zipless F**k. The phrase, coined by Erica Jong in her 1973 novel Fear of Flying, denotes a sexual encounter between two ...

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    27 Nov 2015, 12:00 am. Director: Imtiaz Ali. Cast: Ranbir Kapoor, Deepika Padukone and Piyush Mishra. Tamasha, as far as I know, is the first instance in Hindi cinema of the Zipless F**k. The phrase, coined by Erica Jong in her 1973 novel Fear of Flying, denotes a sexual encounter between two strangers, who don't even know each other's names.

  14. Tamasha

    65% 17 Reviews Tomatometer 68% 500 ... 2019 Full Review Anna M.M. Vetticad Firstpost Tamasha harks back to the raw talent that was evident in ... Hindi. Release Date (Theaters) ...

  15. Tamasha Movie: Showtimes, Review, Songs, Trailer, Posters, News

    Tamasha Movie Review & Showtimes: Find details of Tamasha along with its showtimes, movie review, trailer, teaser, full video songs, showtimes and cast. Ranbir Kapoor, Deepika Padukone, Javed ...

  16. Tamasha (Tamasha Story) Movie (2015): Release Date, Cast, Ott, Review

    Tamasha Hindi Movie: Check out Ranbir Kapoor's Tamasha aka Tamasha Story movie release date, review, cast & crew, trailer, songs, teaser, story, budget, first day collection, box office collection ...

  17. Tamasha Movie Explained in Hindi

    Multiple personality disorder, Stockholm Syndrome, and many more theories discussed in the video. Tamasha has a very unique set of audience and there is a re...

  18. Tamasha Movie Review in Hindi

    Movie Review of "Tamasha" starring Ranbir Kapoor and Deepika Padukone, directed by Imtiaz Ali.Tamasha (English: Spectacle[2]) is an Indian romantic drama fil...

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    तमाशा कहानी - Read Tamasha Movie Story in Hindi, Tamasha Synopsis, Tamasha movie details, Tamasha movie first look, review and Preview in Hindi and more in the online movie database of Filmibeat Hindi.

  20. Imtiaz Ali sheds light on Deepika Padukone and Ranbir Kapoor's deep

    Imtiaz Ali's 2015 film 'Tamasha' resonated with many fans, sparking discussions about its poignant final scene. Ali discussed the scene's execution in a recent interview, crediting Ranbir Kapoor ...

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    In this video we explain you the story of Tamasha in hindi.Tamasha is a 2015 Indian romantic comedy-drama film written and directed by Imtiaz Ali and produce...

  22. Watch Tamasha (2015) Full HD Hindi Movie Online on ZEE5

    Tamasha is a 2015 Hindi romantic drama film starring Ranbir Kapoor and Deepika Padukone. However, when they meet in India, Tara finds Ved to be a completely opposite. ... Watch Tamasha Full Movie Online on ZEE5. The Tamasha movie was theatrically released on November 27, 2015. It received mixed reviews from film critics and was rated 7.3 out of ...

  23. Tamasha (2015 film) explained

    Language: Hindi. Budget: 87 crore. Gross: 136.63 crore [2] Tamasha [3] is a 2015 Indian psychological coming-of-age romantic drama film written and directed by Imtiaz Ali and produced by Sajid Nadiadwala from his studio, Nadiadwala Grandson Entertainment. It stars Ranbir Kapoor and Deepika Padukone.

  24. Tamasha (1952 film)

    Language. Hindi. Tamasha is a 1952 Indian Hindi -language romantic comedy film directed by Phani Mazumdar, starring Meena Kumari, Dev Anand and Ashok Kumar. One of the big hits of the year from Bombay Talkies produced by Ashok Kumar and Savak Vacha, "Tamasha" had a narrative far ahead of its times, its action spread over 16 eventful days.

  25. Not Another Church Movie (2024)

    Not Another Church Movie: Directed by Johnny Mack. With Mickey Rourke, Jamie Foxx, Vivica A. Fox, Tisha Campbell. Taylor Pherry is commanded by God to write a movie inspired by his crazy, dysfunctional family, but the Devil has his own devious plans in this hilarious spoof comedy.

  26. Bade Miyan Chote Miyan (2024 film)

    Bade Miyan Chote Miyan (transl. Big Master Little Master) is a 2024 Indian Hindi-language science fiction action thriller film directed by Ali Abbas Zafar, who also co-produced it with Jackky Bhagnani, Vashu Bhagnani, Deepshikha Deshmukh and Himanshu Kishan Mehra under the banners of Pooja Entertainment and AAZ Films. The film stars Akshay Kumar and Tiger Shroff in the titular roles, alongside ...