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Analysis of Charlotte Perkins Gilman’s The Yellow Wall-Paper

By NASRULLAH MAMBROL on April 28, 2022

First published in New England Magazine in January 1892, and reprinted by Small, Maynard and Company as a chapbook (1899), “The Yellow Wall-Paper” is Charlotte Perkins Gilman’s most famous work. Depicting the nervous breakdown of a young wife and mother, the story is a potent example of psychological realism. Based loosely on Gilman’s own experiences in undergoing the rest cure for neurasthenia, the story documents the psychological torment of her fictional first-person narrator.

The narrator’s husband, John, a physician, prescribes isolation and inactivity as treatment for her illness, a “temporary nervous depression—a slight hysterical tendency” (10). John forbids her to engage in any kind of labor, including writing. Despite his admonitions, however, the narrator records her impressions in a secret diary.

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These diary entries compose the text of the story; they reveal the narrator’s emotional descent. As the story unfolds, it becomes apparent that she is suffering an acute form of postpartum depression, a condition acknowledged neither by John nor by the late-19th-century medical community. So severe is the narrator’s depression that a nursemaid has assumed care of the new baby. Deprived of the freedom to write openly, which she believes would be therapeutic, the narrator gradually shifts her attention to the yellow wallpaper in the attic nursery where she spends her time. The paper both intrigues and repels her; it becomes the medium on which she symbolically inscribes her “text.” Soon she detects a subpattern in the wallpaper that crystallizes into the image of an imprisoned woman attempting to escape. In the penultimate scene, the narrator’s identity merges with that of the entrapped woman, and together they frantically tear the paper from the walls. In an ironic reversal in the final scene, John breaks into the room and, after witnessing the full measure of his wife’s insanity, faints. Significantly, however, he is still blocking his wife, literally and symbolically obstructing her path so that she has to “creep over him every time!” (36).

Critics disagree over the meaning of the story, variously arguing the significance of everything from linguistic cues, to psychoanalytic interpretations, to historiographical readings. While some critics have hailed the narrator as a feminist heroine, others have seen in her a maternal failure coupled with a morbid fear of female sexuality. Some have viewed the story, with its yellow paper, as an exemplar of the silencing of women writers in 19th-century America; others have focused on its gothic elements.

Since the Feminist Press reissued the story in 1973, “The Yellow Wall-Paper” has been widely anthologized and is now firmly assimilated in the American literary body of work.

BIBLIOGRAPHY Gilman, Charlotte Perkins. The Yellow Wall-paper. Boston: Small, Maynard, & Co., 1899. Reprint, Old Westbury, N.Y.: Feminist Press, 1973. Lanser, Susan A. “Feminist Criticism, ‘The Yellow Wallpaper,’ and the Politics of Color in America.” Feminist Studies 15, no. 3 (Fall 1989): 415–441. Shumaker, Conrad. “ ‘Too Terribly Good to Be Printed’: Charlotte Perkins Gilman’s ‘The Yellow Wallpaper.’ ” American Literature 57, no. 4 (1985): 588–599. Veeder, William. “Who Is Jane? The Intricate Feminism of Charlotte Perkins Gilman.” Arizona Quarterly 44, no. 3 (1988): 40–79.

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Home — Essay Samples — Literature — The Yellow Wallpaper — Thesis For The Yellow Wallpaper

Thesis for The Yellow Wallpaper

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Analysis of 'The Yellow Wallpaper' by C. Perkins Gilman

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Like Kate Chopin's " The Story of an Hour ," Charlotte Perkins Gilman's " The Yellow Wallpaper " is a mainstay of feminist literary study. First published in 1892, the story takes the form of secret journal entries written by a woman who is supposed to be recovering from what her husband, a physician, calls a nervous condition.

This haunting psychological horror story chronicles the narrator's descent into madness, or perhaps into the paranormal, or perhaps—depending on your interpretation—into freedom. The result is a story as chilling as anything by Edgar Allan Poe or Stephen King .

Recovery Through Infantilization

The protagonist's husband, John, does not take her illness seriously. Nor does he take her seriously. He prescribes, among other things, a "rest cure," in which she is confined to their summer home, mostly to her bedroom.

The woman is discouraged from doing anything intellectual, even though she believes some "excitement and change" would do her good. She is allowed very little company—certainly not from the "stimulating" people she most wishes to see. Even her writing must happen in secret.

In short, John treats her like a child. He calls her diminutive names like "blessed little goose" and "little girl." He makes all decisions for her and isolates her from the things she cares about.

Even her bedroom is not the one she wanted; instead, it's a room that appears to have once been a nursery, emphasizing her return to infancy. Its "windows are barred for little children," showing again that she is being treated as a child—as well as a prisoner.

John's actions are couched in concern for the woman, a position that she initially seems to believe herself. "He is very careful and loving," she writes in her journal, "and hardly lets me stir without special direction." Her words also sound as if she is merely parroting what she's been told, though phrases like "hardly lets me stir" seem to harbor a veiled complaint.

Fact Versus Fancy

John dismisses anything that hints of emotion or irrationality—what he calls "fancy." For instance, when the narrator says that the wallpaper in her bedroom disturbs her, he informs her that she is letting the wallpaper "get the better of her" and refuses to remove it.

John doesn't simply dismiss things he finds fanciful though; he also uses the charge of "fancy" to dismiss anything he doesn't like. In other words, if he doesn't want to accept something, he simply declares that it is irrational.

When the narrator tries to have a "reasonable talk" with him about her situation, she is so distraught that she is reduced to tears. Instead of interpreting her tears as evidence of her suffering, he takes them as evidence that she is irrational and can't be trusted to make decisions for herself.

As part of his infantilization of her, he speaks to her as if she is a whimsical child, imagining her own illness. "Bless her little heart!" he says. "She shall be as sick as she pleases!" He does not want to acknowledge that her problems are real, so he silences her.

The only way the narrator could appear rational to John would be to become satisfied with her situation, which means there is no way for her to express concerns or ask for changes.

In her journal, the narrator writes:

"John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him."

John can't imagine anything outside his own judgment. So when he determines that the narrator's life is satisfactory, he imagines that the fault lies with her perception. It never occurs to him that her situation might really need improvement.

The Wallpaper

The nursery walls are covered in putrid yellow wallpaper with a confused, eerie pattern. The narrator is horrified by it.

She studies the incomprehensible pattern in the wallpaper, determined to make sense of it. But rather than making sense of it, she begins to identify a second pattern—that of a woman creeping furtively behind the first pattern, which acts as a prison for her.

The first pattern of the wallpaper can be seen as the societal expectations that hold women, like the narrator, captive. Her recovery will be measured by how cheerfully she resumes her domestic duties as wife and mother, and her desire to do anything else—like write—is something that would interfere with that recovery.

Though the narrator studies and studies the pattern in the wallpaper, it never makes any sense to her. Similarly, no matter how hard she tries to recover, the terms of her recovery—embracing her domestic role—never make sense to her, either.

The creeping woman can represent both victimization by the societal norms and resistance to them.

This creeping woman also gives a clue about why the first pattern is so troubling and ugly. It seems to be peppered with distorted heads with bulging eyes—the heads of other creeping women who were strangled by the pattern when they tried to escape it. That is, women who couldn't survive when they tried to resist cultural norms. Gilman writes that "nobody could climb through that pattern—it strangles so."

Becoming a Creeping Woman

Eventually, the narrator becomes a creeping woman herself. The first indication is when she says, rather startlingly, "I always lock the door when I creep by daylight." Later, the narrator and the creeping woman work together to pull off the wallpaper.

The narrator also writes, "[T]here are so many of those creeping women, and they creep so fast," implying that the narrator is only one of many.

That her shoulder "just fits" into the groove on the wall is sometimes interpreted to mean that she has been the one ripping the paper and creeping around the room all along. But it could also be interpreted as an assertion that her situation is no different from that of many other women. In this interpretation, "The Yellow Wallpaper" becomes not just a story about one woman's madness, but a maddening system.

At one point, the narrator observes the creeping women from her window and asks, "I wonder if they all come out of that wallpaper as I did?"

Her coming out of the wallpaper—her freedom—coincides with a descent into mad behavior: ripping off the paper, locking herself in her room, even biting the immovable bed. That is, her freedom comes when she finally reveals her beliefs and behavior to those around her and stops hiding.

The final scene—in which John faints and the narrator continues to creep around the room, stepping over him every time—is disturbing but also triumphant. Now John is the one who is weak and sickly, and the narrator is the one who finally gets to determine the rules of her own existence. She is finally convinced that he only "pretended to be loving and kind." After being consistently infantilized by his comments, she turns the tables on him by addressing him condescendingly, if only in her mind, as "young man."

John refused to remove the wallpaper, and in the end, the narrator used it as her escape. 

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“The Yellow Wallpaper” and Women’s Pain

Charlotte Gilman wrote her famous short story in response to her own experience having her pain belittled and misunderstood by a male physician.

The woman is ill, but nobody believes her. She sits in a room with yellow wallpaper, unable to convince the men around her that her suffering is real. “You see he does not believe I am sick!” she writes of her doctor husband.

That cry, uttered by the unnamed protagonist of Charlotte Perkins Gilman’s 1892 short story “The Yellow Wallpaper,” could just as well be that of Abby Norman, author of Ask Me About My Uterus , or Porochista Khakpour, author of Sick . Both memoirs, published this year, focus on women whose physical symptoms are downplayed and disbelieved. And both carry uncomfortable echoes of Gilman’s creepy story.

The tale, which follows its protagonist’s slow descent into madness as she gradually discerns a woman trapped inside the yellow wallpaper of her sickroom, has long been heralded as a feminist masterpiece, a cry against the silencing patriarchy. But literary scholar Jane F. Thrailkill warns against looking too hard for those meanings in the text . Instead, she focuses on Gilman’s own insistence that medical gender distinctions hurt female patients.

“The Yellow Wallpaper” comes from Gilman’s own struggle with a “nervous disorder,” a depression for which she was treated by a physician named S. Weir Mitchell. It was a new diagnosis at the time, and when physicians treated women with complaints for which they could find no obvious source, they turned to new diagnostic techniques and treatments.

Mitchell was entirely interested in the body, not what women had to say about their own symptoms. His signature “rest cure” relied on severe restriction of the body. Patients were kept completely isolated, fed rich, creamy foods and forbidden to do any kind of activity, from reading a book to going on a walk. “Complete submission to the authority of the physician” and enforced rest were seen as part of the cure.

But Mitchell was no women’s specialist. In fact, writes Thrailkill, he honed his medical skills during the Civil War, treating soldiers who became “hysterical” or developed symptoms like phantom limbs after amputations, surgeries, and traumatic battles. As a result, Gilman was treated with what Thrailkill calls “a model of disease articulated through experience with male bodies.” Mitchell likened the strain of the nineteenth-century home to that of war and his female patients to vampires who sucked the life out of everyone around them.

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Gilman bucked hard against her treatment and Mitchell’s misogynistic reign. Nonetheless, notes Thrailkill, she shared some of his views. Like Mitchell, Gilman believed that psychological conditions were physical ones. But she used that belief to push for equality both in medical treatment and in life. Women’s brains are no different than men’s, she argued, and women should be able to sidestep a stifling home life in favor of a professional career.

Today, it’s more common for women to document their pain through memoir as opposed to fiction. Books like Sick and Ask Me About My Uterus  insist on gender parity in medicine, while also situating women’s pain within a patriarchy that stifles and silences. Thrailkill encourages readers to try reading “ The Yellow Wallpaper” literally. Gilman, she writes, wanted the story to shock readers—specifically, her own doctor—into changing their treatment of women.

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General Education

Charlotte Perkins Gilman’s classic short story, "The Yellow Wallpaper" tells the story of a young woman’s gradual descent into psychosis. " The Yellow Wallpaper" is often cited as an early feminist work that predates a woman’s right to vote in the United States. The author was involved in first-wave feminism, and her other works questioned the origins of the subjugation of women, particularly in marriage. "

The Yellow Wallpaper" is a widely read work that asks difficult questions about the role of women, particularly regarding their mental health and right to autonomy and self-identity. We’ll go over The Yellow Wallpaper summary, themes and symbols, The Yellow Wallpaper analysis, and some important information about the author.

"The Yellow Wallpaper" Summary

"The Yellow Wallpaper" details the deterioration of a woman's mental health while she is on a "rest cure" on a rented summer country estate with her family. Her obsession with the yellow wallpaper in her bedroom marks her descent into psychosis from her depression throughout the story.

The narrator of "The Yellow Wallpaper" begins the story by discussing her move to a beautiful estate for the summer. Her husband, John, is also her doctor , and the move is meant in part to help the narrator overcome her “illness,” which she explains as nervous depression, or nervousness, following the birth of their baby. John’s sister, Jennie, also lives with them and works as their housekeeper.

Though her husband believes she will get better with rest and by not worrying about anything, the narrator has an active imagination and likes to write . He discourages her wonder about the house, and dismisses her interests. She mentions her baby more than once, though there is a nurse that cares for the baby, and the narrator herself is too nervous to provide care.

The narrator and her husband move into a large room that has ugly, yellow wallpaper that the narrator criticizes. She asks her husband if they can change rooms and move downstairs, and he rejects her. The more she stays in the room, the more the narrator’s fascination with the hideous wallpaper grows.

After hosting family for July 4th, the narrator expresses feeling even worse and more exhausted. She struggles to do daily activities, and her mental state is deteriorating. John encourages her to rest more, and the narrator hides her writing from him because he disapproves.

In the time between July 4th and their departure, the narrator is seemingly driven insane by the yellow wallpaper ; she sleeps all day and stays up all night to stare at it, believing that it comes alive, and the patterns change and move. Then, she begins to believe that there is a woman in the wallpaper who alters the patterns and is watching her.

A few weeks before their departure, John stays overnight in town and the narrator wants to sleep in the room by herself so she can stare at the wallpaper uninterrupted. She locks out Jennie and believes that she can see the woman in the wallpaper . John returns and frantically tries to be let in, and the narrator refuses; John is able to enter the room and finds the narrator crawling on the floor. She claims that the woman in the wallpaper has finally exited, and John faints, much to her surprise.

Background on "The Yellow Wallpaper"

The author, Charlotte Perkins Gilman, was a lecturer for social reform, and her beliefs and philosophy play an important part in the creation of "The Yellow Wallpaper," as well as the themes and symbolism in the story. "The Yellow Wallpaper" also influenced later feminist writers.

Charlotte Perkins Gilman

Charlotte Perkins Gilman, known as Charlotte Perkins Stetsman while she was married to her first husband, was born in Hartford, CT in 1860. Young Charlotte was observed as being bright, but her mother wasn’t interested in her education, and Charlotte spent lots of time in the library.

Charlotte married Charles Stetsman in 1884, and her daughter was born in 1885. She suffered from serious postpartum depression after giving birth to their daughter, Katharine. Her battle with postpartum depression and the doctors she dealt with during her illness inspired her to write "The Yellow Wallpaper."

The couple separated in 1888, the year that Perkins Gilman wrote her first book, Art Gems for the Home and Fireside. She later wrote "The Yellow Wallpaper" in 1890, while she was in a relationship with Adeline Knapp, and living apart from her legal husband. "The Yellow Wallpaper" was published in 1892, and in 1893 she published a book of satirical poetry , In This Our World, which gained her fame.

Eventually, Perkins Gilman got officially divorced from Stetsman, and ended her relationship with Knapp. She married her cousin, Houghton Gilman, and claimed to be satisfied in the marriage .

Perkins Gilman made a living as a lecturer on women’s issues, labor issues, and social reform . She toured Europe and the U.S. as a lecturer, and founded her own magazine, The Forerunner.

Publication

"The Yellow Wallpaper" was first published in January 1892 in New England Magazine.

During Perkins Gilman's lifetime, the role of women in American society was heavily restricted both socially and legally. At the time of its publication, women were still twenty-six years away from gaining the right to vote .

This viewpoint on women as childish and weak meant that they were discouraged from having any control over their lives. Women were encouraged or forced to defer to their husband’s opinions in all aspects of life , including financially, socially, and medically. Writing itself was revolutionary, since it would create a sense of identity, and was thought to be too much for the naturally fragile women.

Women's health was a particularly misunderstood area of medicine, as women were viewed as nervous, hysterical beings, and were discouraged from doing anything to further “upset” them. The prevailing wisdom of the day was that rest would cure hysteria, when in reality the constant boredom and lack of purpose likely worsened depression .

Perkins Gilman used her own experience in her first marriage and postpartum depression as inspiration for The Yellow Wallpaper, and illustrates how a woman’s lack of autonomy is detrimental to her mental health.

Upon its publication, Perkins Gilman sent a copy of "The Yellow Wallpaper" to the doctor who prescribed her the rest cure for her postpartum depression.

"The Yellow Wallpaper" Characters

Though there are only a few characters in the story, they each have an important role. While the story is about the narrator’s mental deterioration, the relationships in her life are essential for understanding why and how she got to this point.

The Narrator

The narrator of the story is a young, upper-middle-class woman. She is imaginative and a natural writer, though she is discouraged from exploring this part of herself. She is a new mother and is thought to have “hysterical tendencies” or suffer from nervousness. Her name may be Jane but it is unclear.

John is the narrator’s husband and her physician. He restricts her activity as a part of her treatment. John is extremely practical, and belittles the narrator's imagination and feelings . He seems to care about her well-being, but believes he knows what is best for her and doesn't allow her input.

Jennie is John’s sister, who works as a housekeeper for the couple. Jennie seems concerned for the narrator, as indicated by her offer to sleep in the yellow wallpapered room with her. Jennie seems content with her domestic role .

Main Themes of "The Yellow Wallpaper"

From what we know about the author of this story and from interpreting the text, there are a few themes that are clear from a "Yellow Wallpaper" analysis. "The Yellow Wallpaper" was a serious piece of literature that addressed themes pertinent to women.

Women's Role in Marriage

Women were expected to be subordinate to their husbands and completely obedient, as well as take on strictly domestic roles inside the home . Upper middle class women, like the narrator, may go for long periods of time without even leaving the home. The story reveals that this arrangement had the effect of committing women to a state of naïveté, dependence, and ignorance.

John assumes he has the right to determine what’s best for his wife, and this authority is never questioned. He belittles her concerns, both concrete and the ones that arise as a result of her depression , and is said so brush her off and “laugh at her” when she speaks through, “this is to be expected in marriage” He doesn’t take her concerns seriously, and makes all the decisions about both of their lives.

As such, she has no say in anything in her life, including her own health, and finds herself unable to even protest.

Perkins Gilman, like many others, clearly disagreed with this state of things, and aimed to show the detrimental effects that came to women as a result of their lack of autonomy.

Identity and Self-Expression

Throughout the story, the narrator is discouraged from doing the things she wants to do and the things that come naturally to her, like writing. On more than one occasion, she hurries to put her journal away because John is approaching .

She also forces herself to act as though she’s happy and satisfied, to give the illusion that she is recovering, which is worse. She wants to be a good wife, according to the way the role is laid out for her, but struggles to conform especially with so little to actually do.

The narrator is forced into silence and submission through the rest cure, and desperately needs an intellectual and emotional outlet . However, she is not granted one and it is clear that this arrangement takes a toll.

The Rest Cure

The rest cure was commonly prescribed during this period of history for women who were “nervous.” Perkins Gilman has strong opinions about the merits of the rest cure , having been prescribed it herself. John’s insistence on the narrator getting “air” constantly, and his insistence that she do nothing that requires mental or physical stimulation is clearly detrimental.

The narrator is also discouraged from doing activities, whether they are domestic- like cleaning or caring for her baby- in addition to things like reading, writing, and exploring the grounds of the house. She is stifled and confined both physically and mentally, which only adds to her condition .

Perkins Gilman damns the rest cure in this story, by showing the detrimental effects on women, and posing that women need mental and physical stimulation to be healthy, and need to be free to make their own decisions over health and their lives.

The Yellow Wallpaper Analysis: Symbols and Symbolism

Symbols are a way for the author to give the story meaning, and provide clues as to the themes and characters. There are two major symbols in "The Yellow Wallpaper."

The Yellow Wallpaper

This is of course the most important symbol in the story. The narrator is immediately fascinated and disgusted by the yellow wallpaper, and her understanding and interpretation fluctuates and intensifies throughout the story.

The narrator, because she doesn’t have anything else to think about or other mental stimulation, turns to the yellow wallpaper as something to analyze and interpret. The pattern eventually comes into focus as bars, and then she sees a woman inside the pattern . This represents feeling trapped.

At the end of the story, the narrator believes that the woman has come out of the wallpaper. This indicates that the narrator has finally merged fully into her psychosis , and become one with the house and domesticated discontent.

Though Jennie doesn’t have a major role in the story, she does present a foil to the narrator. Jennie is John’s sister and their housekeeper, and she is content, or so the narrator believes, to live a domestic life. Though she does often express her appreciation for Jennie’s presence in her home, she is clearly made to feel guilty by Jennie’s ability to run the household unencumbered .

Irony in The Yellow Wallpaper

"The Yellow Wallpaper" makes good use of dramatic and situational irony. Dramatic literary device in which the reader knows or understands things that the characters do not. Situational irony is when the character’s actions are meant to do one thing, but actually do another. Here are a few examples.

For example, when the narrator first enters the room with the yellow wallpaper, she believes it to be a nursery . However, the reader can clearly see that the room could have just as easily been used to contain a mentally unstable person.

The best example of situational irony is the way that John continues to prescribe the rest-cure, which worsens the narrator's state significantly. He encourages her to lie down after meals and sleep more, which causes her to be awake and alert at night, when she has time to sit and evaluate the wallpaper.

The Yellow Wallpaper Summary

"The Yellow Wallpaper" is one of the defining works of feminist literature. Writing about a woman’s health, mental or physical, was considered a radical act at the time that Perkins Gilman wrote this short story. Writing at all about the lives of women was considered at best, frivolous, and at worst dangerous. When you take a look at The Yellow Wallpaper analysis, the story is an important look into the role of women in marriage and society, and it will likely be a mainstay in the feminist literary canon.

What's Next?

Looking for more expert guides on literary classics? Read our guides on The Cask of Amontillado and The Great Gatsby .

Need important and interesting quotes? Check out these 18 To Kill a Mockingbird Quotes and 9 Great Mark Twain Quotes .

For help analyzing literature and writing essays , read our expert guide on imagery , literary elements , and writing an argumentative essay .

Carrie holds a Bachelors in Writing, Literature, and Publishing from Emerson College, and is currently pursuing an MFA. She worked in book publishing for several years, and believes that books can open up new worlds. She loves reading, the outdoors, and learning about new things.

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The Yellow Wallpaper

Charlotte perkins gilman, ask litcharts ai: the answer to your questions.

Reading the series of diary entries that make up the story, the reader is in a privileged position to witness the narrator’s evolving and accelerating descent into madness, foreshadowed by her mounting paranoia and obsession with the mysterious figure behind the pattern of the yellow wallpaper.

As the portrayal of a woman’s gradual mental breakdown, The Yellow Wallpaper offers the reader a window into the perception and treatment of mental illness in the late nineteenth century. In the style of a Gothic horror story, the tale follows the gradual deterioration of its narrator’s mental state, but it also explores the ways that her husband John’s attempted treatment aggravates this decline. In one sense, then, the story is a propaganda piece criticizing a specific way of ‘curing’ mental illness. Charlotte Perkins Gilman, the author of the story, suffered from post-partum depression and, in circumstances very similar to those of the story’s narrator, was prescribed a ‘rest cure’ by Dr. Silas Weir Mitchell, who is mentioned by name in her tale. She underwent a mental breakdown as a result of this enforced idleness, which forbade any form of writing or work outside of the domestic sphere. The forced confinement of the story’s narrator, and her husband’s injunctions against writing or other activity, mirror this ‘rest cure’ in the author’s life.

John, the narrator’s husband, serves also as her de facto doctor. As such, he is a model of traditional attitudes toward mental illness. He is driven purely by practicalities, prescribing self-control above all else, and warning against anything that he sees as indulging his wife’s dangerous imagination or hysteria. His refusal to acknowledge his wife’s concerns about her own mental state as legitimate, or to listen to her various requests – about their choice of room, receiving visitors, leaving the house, her writing or, of course, the wallpaper – ultimately contributes to her breakdown, as she finds herself trapped, alone, and unable to make her inner struggles understood. This feeling of powerlessness, of an inability to communicate, is portrayed with special horror to inspire empathy in a progressive reader, who may have been moved to reconsider methods such as the rest cure of Weir Mitchell.

Mental Illness and its Treatment ThemeTracker

Mental Illness and its Treatment Quotes in The Yellow Wallpaper

John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do?

He is very careful and loving, and hardly lets me stir without special direction.

I have a schedule prescription for each hour in the day; he takes all care from me, and so I feel basely ungrateful not to value it more. He said we came here solely on my account, that I was to have perfect rest and all the air I could get.

The paint and paper look as if a boys' school had used it. It is stripped off—the paper—in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life.

John is away all day, and even some nights when his cases are serious. I am glad my case is not serious! But these nervous troubles are dreadfully depressing. John does not know how much I really suffer. He knows there is no REASON to suffer, and that satisfies him.

There comes John's sister. Such a dear girl as she is, and so careful of me! I must not let her find me writing. She is a perfect and enthusiastic housekeeper, and hopes for no better profession. I verily believe she thinks it is the writing which made me sick!

But, on the other hand, they connect diagonally, and the sprawling outlines run off in great slanting waves of optic horror, like a lot of wallowing seaweeds in full chase.

Dear John! He loves me very dearly, and hates to have me sick. I tried to have a real earnest reasonable talk with him the other day, and tell him how I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I wasn't able to go, nor able to stand it after I got there; and I did not make out a very good case for myself, for I was crying before I had finished.

If we had not used it, that blessed child would have! What a fortunate escape! Why, I wouldn't have a child of mine, an impressionable little thing, live in such a room for worlds. I never thought of it before, but it is lucky that John kept me here after all, I can stand it so much easier than a baby, you see.

Of course if you were in any danger, I could and would, but you really are better, dear, whether you can see it or not. I am a doctor, dear, and I know. You are gaining flesh and color, your appetite is better, I feel really much easier about you.

On a pattern like this, by daylight, there is a lack of sequence, a defiance of law, that is a constant irritant to a normal mind… You think you have mastered it, but just as you get well underway in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream.

At night in any kind of light, in twilight, candle light, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern I mean, and the woman behind it is as plain as can be.

It used to disturb me at first. I thought seriously of burning the house—to reach the smell. But now I am used to it. The only thing I can think of that it is like is the COLOR of the paper! A yellow smell.

There is a very funny mark on this wall, low down, near the mopboard. A streak that runs round the room. It goes behind every piece of furniture, except the bed, a long, straight, even SMOOCH, as if it had been rubbed over and over. I wonder how it was done and who did it, and what they did it for. Round and round and round—round and round and round—it makes me dizzy!

And she is all the time trying to climb through. But nobody could climb through that pattern—it strangles so; I think that is why it has so many heads.

I always lock the door when I creep by daylight. I can't do it at night, for I know John would suspect something at once.

I have found out another funny thing, but I shan't tell it this time! It does not do to trust people too much.

John knows I don't sleep very well at night, for all I'm so quiet! He asked me all sorts of questions, too, and pretended to be very loving and kind. As if I couldn't see through him!

Then I peeled off all the paper I could reach standing on the floor. It sticks horribly and the pattern just enjoys it! All those strangled heads and bulbous eyes and waddling fungus growths just shriek with derision!

I am getting angry enough to do something desperate. To jump out of the window would be admirable exercise, but the bars are too strong even to try. Besides I wouldn't do it. Of course not. I know well enough that a step like that is improper and might be misconstrued.

I suppose I shall have to get back behind the pattern when it comes night, and that is hard! It is so pleasant to be out in this great room and creep around as I please! I don't want to go outside. I won't, even if Jennie asks me to. For outside you have to creep on the ground, and everything is green instead of yellow. But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way.

"I've got out at last," said I, "in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!

62 Essay Topics on The Yellow Wallpaper

Welcome to The Yellow Wallpaper Essay Topics page prepared by our editorial team! Here you will find an extensive list of essay ideas on the short story! Literary analysis, themes, comparison, characters, & more. Get inspired to write your own essay!

• 🔬 Literary Analysis
• 🎭 Character Analysis
• 📊 Compare & Contrast
• 🗺️ Navigation

🎓 References

🔬 the yellow wallpaper: literary analysis essay topics.

• Irony and imagery in The Yellow Wallpaper
• Symbolism in The Yellow Wallpaper by Charlotte Perkins Gilman
• The Significance of First-Person Narration in The Yellow Wallpaper
• The Window as a Symbol of the Yellow Wallpaper
• Color Symbolism in The Yellow Wallpaper
• Gilman’s The Yellow Wallpaper: Point of View
• Would The Yellow Wallpaper Be Different If Told from John’s Point of View?
• What are the Meanings behind the Color of the Wallpaper?
• Imagery and Allegory in The Yellow Wallpaper
• The Yellow Wallpaper: Themes & Symbols
• What Are the Examples of Irony in The Yellow Wallpaper?
• Gothic Elements in The Yellow Wallpaper
• The Yellow Wallpaper: Metaphor Analysis
• Setting Symbolism of The Yellow Wallpaper by Charlotte Perkins Gilman
• What is the Style of The Yellow Wallpaper?
• What Instruments Does the Author Use to Create an Atmosphere of Suspense & Horror in The Yellow Wallpaper?
• What Does the Mysterious Figure Symbolize in The Yellow Wallpaper?
• Why Does the Description of the Wallpaper Change over Time?

🎭 The Yellow Wallpaper: Character Analysis Essay Topics

• What is The Narrator’s Inner Conflict in The Yellow Wallpaper?
• Is John the Villain in The Yellow Wallpaper? Why or Why Not?
• Who is to Blame for the Narrator’s Descent into Madness? Why?
• What is the Significance of the Minor Female Characters in The Yellow Wallpaper?
• What Happens to the Narrator after the Story Ends?
• Who is the Protagonist in The Yellow Wallpaper?
• John in The Yellow Wallpaper: Character Analysis
• Why Does the Narrator Remain Unnamed in the Story? What Does This Symbolize?
• What Is the Connection between the Narrator & the Woman behind the Wallpaper?
• How Does John Treat His Wife in The Yellow Wallpaper?
• Is the Narrator Reliable in The Yellow Wallpaper?
• Why Does John Faint at the End of The Yellow Wallpaper?
• Jane’s Depression In The Yellow Wallpaper
• What Does the Woman behind the Wallpaper Represent in The Yellow Wallpaper?

🌻 The Yellow Wallpaper: Themes Essay Topics

• The Yellow Wallpaper: Insanity as a Theme
• Postpartum Depression in The Yellow Wallpaper by Charlotte Perkins Gilman
• The Yellow Wallpaper: Women & Mental Illness
• Depression due to Repression in The Yellow Wallpaper
• The Yellow Wallpaper: Feminist Critique
• The Yellow Wallpaper: Perception Vs. Reality
• Freedom of Expression in The Yellow Wallpaper
• The Yellow Wallpaper: The Three Stages Towards Feminine Freedom
• The Yellow Wallpaper as a Feminist Story
• Creativity Vs. Madness in The Yellow Wallpaper
• Marriage & Family as a Theme in The Yellow Wallpaper
• Loneliness in The Yellow Wallpaper
• How Does The Yellow Wallpaper Present the Conflict between Rationality & Creativity?
• Feminist Theory in The Yellow Wallpaper
• Does The Yellow Wallpaper Have a Happy or Sad Ending? Explain Your Answer
• Marriage in The Yellow Wallpaper
• Feminist Criticism in Charlotte Perkins Gilman’s The Yellow Wallpaper
• Main Questions In The Yellow Wallpaper: Analysis Essay
• Social Surroundings and Interactions in The Yellow Wallpaper
• In What Ways Does the Wallpaper Embody the Theme of the Story?

⌛ Essay Topics on The Yellow Wallpaper’s Context

• The Historical Context In Charlotte Gilman’s The Yellow Wallpaper
• Victorian Gender Roles in The Yellow Wallpaper
• The Yellow Wallpaper as an Autobiography
• Describe the Time Period when The Yellow Wallpaper Was Written
• What Was Gilman’s Intention When She Wrote The Yellow Wallpaper?

📊 The Yellow Wallpaper: Compare & Contrast Essay Topics

• Edgar Allan Poe’s The Tell-Tale Heart & Charlotte Perkins Gilman’s The Yellow Wallpaper: Mood Comparison
• Solitude as a Theme in The Yellow Wallpaper & A Rose for Emily
• Gender Roles in The Yellow Wallpaper & Trifles
• The Need for Change in Ragged Dick and The Yellow Wallpaper
• The Yellow Wallpaper & A Rose for Emily
• Past Essay Topics – University of Warwick
• CS Topic Generator – Purdue Computer Science
• Literature Topics and Research // Purdue Writing Lab
• What are the top research topics in literature? – Quora
• Suggested research topics | English at Leicester
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Study Guide Menu

• Summary & Analysis
• Themes & Symbols
• Quotes Explained
• Essay Topics
• Essay Examples
• Questions & Answers
• Charlotte Perkins Gilman: Biography
• Chicago (A-D)
• Chicago (N-B)

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"62 Essay Topics on The Yellow Wallpaper." IvyPanda , 13 Aug. 2023, ivypanda.com/lit/the-yellow-wallpaper/essay-topics/.

IvyPanda . (2023) '62 Essay Topics on The Yellow Wallpaper'. 13 August.

IvyPanda . 2023. "62 Essay Topics on The Yellow Wallpaper." August 13, 2023. https://ivypanda.com/lit/the-yellow-wallpaper/essay-topics/.

1. IvyPanda . "62 Essay Topics on The Yellow Wallpaper." August 13, 2023. https://ivypanda.com/lit/the-yellow-wallpaper/essay-topics/.

Bibliography

IvyPanda . "62 Essay Topics on The Yellow Wallpaper." August 13, 2023. https://ivypanda.com/lit/the-yellow-wallpaper/essay-topics/.