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How To Describe Battle Scenes In Writing (10 Best Ways)

Battle scenes are the heart-pounding, pulse-quickening crescendos of many stories. They are the moments that grip readers, plunge them into the chaos of conflict, and leave them breathless with anticipation.

Crafting a compelling battle scene is a remarkable art, one that demands an intricate interplay of various elements – from vivid imagery and character development to pacing and emotional resonance.

Describing battle scenes in writing is not just about detailing the clash of steel and the chaos of war; it’s about immersing readers in the heart of the conflict, making them feel the fear, the courage, and the desperation that characters experience.

In this guide, we will embark on a journey through the steps, techniques, and nuances of describing battle scenes , equipping writers with the tools to create captivating, unforgettable clashes on the page.

Whether you’re an aspiring wordsmith seeking to craft your first battle scene or an experienced writer looking to refine your skills, this guide will help you master the art of weaving warfare into the tapestry of your narratives.

Table of Contents

How To Describe Battle Scenes In Writing

To describe battle scenes in writing, focus on vivid and sensory details to immerse your readers in the action. Use strong verbs, specific imagery, and engage multiple senses to create a gripping and realistic portrayal. Also, consider the following tips:

Show, don’t tell

Use action verbs and descriptive language to make the battle come alive.

Engage the senses

Describe sounds, smells, sights, and physical sensations to create a multi-dimensional experience.

Character perspective

Show the battle through the eyes of your characters, describing their emotions, thoughts, and reactions.

Vary the pacing to reflect the ebb and flow of the battle, mixing intense moments with quieter ones.

Strategic focus

Explain the tactics, strategies, and formations used by the combatants to add depth and realism.

Characters’ stakes

Make sure your readers understand why the battle matters to the characters involved.

Foreshadowing and tension

Build suspense before the battle and maintain it throughout to keep readers engaged.

Use realistic and purposeful dialogue to reveal character motivations and move the plot forward.

Familiarize yourself with historical battles or military tactics to create a more authentic and believable scene.

Revise and polish your battle scenes to ensure clarity, coherence, and impact.

Remember that the key is to balance action with emotion and engage the reader’s imagination.

Setting the Stage

In the world of storytelling, the battleground is not just a backdrop; it’s the symphony hall where emotions crescendo, the canvas upon which heroes and villains duel for destiny, and the crucible where the essence of your story is distilled.

Setting the stage for a battle scene isn’t just about choosing a location; it’s about invoking the very soul of your world, turning the ordinary into the extraordinary, and weaving an atmosphere so vivid that your readers can smell the sweat, hear the distant battle cries, and feel the very earth tremble beneath their feet.

It’s the alchemical blend of detail and imagination, where the mundane is transformed into the mystical, and the ordinary becomes epic.

The importance of world-building

World-building is the secret alchemy of storytelling, where the essence of a narrative transcends the confines of mere words and takes on a life of its own.

It is the backbone upon which the entire story rests, the invisible hand that shapes cultures, landscapes, and histories, breathing life into characters and conflicts.

Whether your tale unfolds in a magical realm, a distant future, or the familiar streets of a real-world city, world-building is the architect of immersion.

It invites readers into an intricately crafted universe, where they can wander through vibrant bazaars, navigate treacherous political landscapes, and witness the ebb and flow of life.

It’s the magic that allows readers to suspend disbelief, to believe in the fantastical, and to lose themselves in a realm so captivating that they forget it exists only between the covers of a book.

World-building is the passport to alternate realities, a testament to a writer’s dedication, and the cornerstone of memorable storytelling.

Character Development

Character development is the forge where literary heroes and heroines are not born, but transformed. It’s a sacred alchemy where words breathe life into mere ink and paper, turning two-dimensional sketches into vibrant souls that dance across the page.

Characters aren’t merely names and descriptions; they are the pulse of a narrative, the beating heart that readers come to love, loathe, or cheer for.

Their arcs are the rollercoaster of emotions that we willingly embark upon, where they grapple with flaws, chase aspirations, and confront the intricate mazes of their own souls.

Character development is the art of crafting individuals who leap off the page, take residence in our hearts, and linger in our thoughts long after the final chapter.

It’s the spellbinding magic of storytelling, where characters transcend the boundaries of fiction to become cherished companions on our literary journey.

Establishing unique character perspectives

Establishing unique character perspectives is like giving each person in your story their own pair of enchanted glasses through which they see the world.

These perspectives act as prisms, refracting reality into a kaleidoscope of emotions, biases, and experiences. Each character’s vantage point unveils a different facet of the narrative, providing depth and dimension to the overall story.

It’s not just about who they are, but also where they’ve been, what they desire, and the lens through which they interpret the events around them.

These distinctive viewpoints create a rich tapestry of understanding, painting a more complex and authentic portrait of the story’s world and its inhabitants.

Through these individual perspectives, readers are gifted with a multifaceted narrative that mirrors the complexities of our own world, making the characters and their journeys all the more engaging and relatable.

Pacing and Tension

Pacing and tension in storytelling are like the dance of a thousand fireflies on a moonless night, a delicate balance between frenetic chaos and electrifying stillness.

It’s the art of orchestrating heartbeats, where words on the page become the conductor’s baton, controlling the rhythm of emotions.

Pacing dictates when to sprint and when to tiptoe, guiding readers through an intricate maze of suspense and anticipation.

With each heartbeat of the narrative, tension is woven into the very fabric of the story, and readers are held in its mesmerizing grip, yearning to turn the page.

Like a symphony that rises and falls, pacing and tension are the pulse that keeps the story alive, compelling readers to ride the tumultuous waves of plot with bated breath and wide-eyed wonder.

Balancing action with reflection

Balancing action with reflection in storytelling is akin to a well-choreographed dance between the heart-pounding crescendos of battle and the hushed interludes of introspection.

It’s the art of providing readers with moments of respite amidst the storm, allowing them to catch their breath, ponder the character’s inner thoughts, and deepen their emotional connection to the narrative.

Action propels the plot forward, but reflection immerses readers in the character’s psyche, fostering empathy and understanding.

It’s in these quiet interludes that the true essence of a character is revealed, their vulnerabilities exposed, and their growth illuminated.

Balancing these elements creates a harmonious narrative rhythm, where readers are not just spectators of events but intimate companions in the character’s journey, making the action all the more impactful and the introspection all the more profound.

It’s the ebb and flow of storytelling that weaves a tapestry of depth and resonance, transforming a tale into an unforgettable experience.

Vivid Imagery

Vivid imagery is the sorcerer’s wand in the realm of storytelling, conjuring entire universes from the ink and parchment of our imagination.

It’s the key that unlocks the hidden chambers of a reader’s mind, painting landscapes with words, and breathing life into characters, emotions, and atmospheres.

With vivid imagery, you can make readers taste the salt in the sea air, feel the weight of an ancient sword, and hear the whispered secrets of the night.

It transforms mere storytelling into a multisensory experience, a waking dream in which the boundaries of reality and fiction blur.

Every word becomes a brushstroke, every sentence a masterpiece, and every reader an enchanted traveler in your literary world.

Vivid imagery is the beacon that guides the mind’s eye through the labyrinth of your creation, leaving a trail of wonder and awe in its wake.

The power of figurative language

The power of figurative language in writing is like a symphony of words that transcends the mundane and propels storytelling into the realm of the extraordinary.

Metaphors, similes, personification, and other figurative tools are the secret incantations that breathe life into the written word, transforming the ordinary into the extraordinary.

They are the brushstrokes of emotion and the architects of imagery, enabling writers to convey complex ideas and emotions in a way that engages the reader’s senses and emotions.

Figurative language isn’t just about describing; it’s about invoking, evoking, and enveloping the reader in a world of heightened sensations and deeper understanding.

Like a tapestry woven from dreams, it adds layers of meaning, richness, and depth to the narrative, making it resonate in the hearts and minds of readers long after the final page is turned.

Dynamic Action

Dynamic action in storytelling is the adrenaline surge that transforms words into a heart-thumping, cinematic spectacle.

It’s the narrative rollercoaster, where readers are strapped in for a breathtaking ride of conflict, danger, and high-stakes drama.

Dynamic action isn’t just about the physical spectacle of sword fights or car chases; it’s about the emotional crescendo, the rapid pulse of decision-making, and the magnetic pull of consequence.

It’s where characters reveal their true mettle, their instincts sharpened, and their fates hanging in the balance. Dynamic action doesn’t just invite readers to witness the chaos; it immerses them in the very midst of it, making their hearts race, their breath quicken, and their eyes widen in awe.

It’s the narrative adrenaline shot that leaves an indelible mark, reminding readers that in the world of storytelling, action isn’t just a scene—it’s an unforgettable experience.

Choreographing battle sequences

Choreographing battle sequences in writing is akin to composing a symphony of chaos, where every stroke of the pen becomes a strategic movement on the battlefield.

It’s the delicate art of harmonizing the clash of steel, the thunder of war cries, and the ebb and flow of conflict into a mesmerizing ballet of action.

Each duel, each maneuver, and each rally carries its own narrative weight, revealing the intricacies of character, strategy, and the shifting tides of fate.

Like a master choreographer, a writer must envision the battlefield as a stage, mapping out the dance of warriors, the crescendo of combat, and the dramatic crescendos of triumph or defeat.

Choreographing battle sequences is about not just painting a vivid picture but guiding readers through the adrenaline-pumping rhythm of the fight, where every thrust and parry propels the narrative forward, keeping readers on the edge of their seats.

It’s where the pen becomes a sword, and the writer, a martial artist of the imagination, creating scenes that leave a lasting mark in the reader’s mind.

Emotional Resonance

Emotional resonance in storytelling is the invisible thread that binds the reader’s heart to the narrative, creating a visceral connection that transcends the boundaries of the page.

It’s the heartbeat of empathy and the catalyst for tears, laughter, and soul-stirring contemplation.

Like a master musician, a writer orchestrates the emotional symphony of their characters, infusing their joys, sorrows, and inner struggles with such authenticity that readers can’t help but feel their pulse quicken in solidarity.

It’s the storyteller’s alchemy that transforms words into shared experiences, where the reader’s own hopes, fears, and dreams become entwined with the characters’.

Emotional resonance isn’t just about evoking feelings; it’s about forging a bond, leaving an indelible mark on the reader’s soul, and ultimately, ensuring that the story becomes a cherished part of their own narrative.

Conveying fear, courage, and desperation

Conveying fear, courage, and desperation in storytelling is akin to capturing the essence of the human spirit in its most vulnerable and triumphant moments.

It’s the art of delving into the deepest recesses of the characters’ souls, where fear is the jagged edge of the unknown, courage is the blaze that defies it, and desperation is the crucible that tempers them both.

Through nuanced descriptions, raw emotions, and heart-wrenching dilemmas, a writer can make these fundamental human experiences palpable to the reader.

It’s not just about describing emotions; it’s about making them resonate, creating a symphony of empathy that reverberates in the reader’s own heart.

Conveying these complex feelings is the alchemy that transforms characters into living, breathing individuals, and their struggles into a reflection of our own.

In this emotional crucible, readers can witness the full spectrum of humanity, from trembling vulnerability to resolute bravery, and, in doing so, find a mirror to their own fears and triumphs.

Point of View

Point of view in storytelling is the kaleidoscope through which we experience the world of a narrative. It’s the lens that determines not just what we see, but how we see it, and it’s the artistic choice that allows a story to take on countless shapes and colors.

It’s the whisper in a character’s ear, the bird’s eye view of an omnipotent narrator, or the confessional intimacy of a first-person perspective.

Point of view isn’t just a technical decision; it’s a doorway to the heart of the characters and the soul of the narrative.

It can shape our sympathies, challenge our assumptions, and immerse us in the most private chambers of a character’s mind.

Point of view is the storyteller’s ultimate tool, the architect of connection and the magician of revelation, where the chosen viewpoint isn’t just a window into the story; it’s the very essence of how we engage, empathize, and become part of the tale.

The advantages of multiple viewpoints

The advantages of employing multiple viewpoints in storytelling are akin to unfurling a rich tapestry, each thread representing a unique perspective.

This narrative technique allows readers to traverse the diverse landscapes of the human experience, witnessing the same events through different eyes.

It not only broadens the scope of the story but also offers a deeper understanding of characters , their motivations, and the intricacies of the plot.

It’s a literary kaleidoscope where readers can empathize with heroes and villains alike, fostering a nuanced sense of empathy and a profound connection to the narrative’s multifaceted world. Multiple viewpoints provide a multidimensional richness that keeps readers engaged, challenges preconceptions, and offers a more holistic, emotionally resonant exploration of the story’s themes, making it a captivating journey of discovery.

Reader Engagement

Reader engagement is the sacred pact between storyteller and audience, a dance where imagination meets ink, and the narrative transcends the realm of words.

It’s the spellbinding connection that transforms the pages of a book into a portal to distant realms or into the hidden chambers of the human soul.

Reader engagement isn’t just about turning pages; it’s about making hearts race, minds ponder, and souls yearn for more.

Like a symphony conductor, a writer orchestrates the emotions, the pacing, and the revelations to keep the reader tethered to the story’s beating heart .

It’s where storytelling becomes an unspoken dialogue, an unbreakable spell, and a shared voyage where reader and writer journey hand in hand, their destinies intertwined by the power of words.

In the realm of reader engagement, each page turned is a whispered promise that the tale will leave an indelible mark on the reader’s life.

The role of reader empathy

The role of reader empathy in storytelling is the catalyst that forges an unbreakable bond between the written word and the human heart.

It’s the mirror in which readers see reflections of themselves, their struggles, and their dreams, creating a bridge of understanding that transcends the boundaries of reality.

Reader empathy isn’t just a literary device; it’s the alchemical formula that transforms characters from ink and paper into living, breathing companions on a shared journey.

Through well-crafted narratives, readers can walk in the shoes of protagonists, feel their joys, their sorrows, and their growth.

It’s the empathy that compels us to cheer for heroes, mourn for their losses, and understand the motives of even the most enigmatic antagonists.

In the world of storytelling, reader empathy is the storyteller’s compass, guiding the narrative to resonate in the hearts and minds of those who seek not just entertainment, but also the profound human connection that stories have the power to create.

Realism vs. Fantasy

Realism vs. fantasy in literature is a thrilling duel of opposites, a literary tug-of-war where the boundaries of the ordinary and the extraordinary collide.

Realism anchors us in the familiar, allowing us to explore the human condition in a world that mirrors our own.

It’s the gritty authenticity of everyday life that resonates deeply, capturing the nuances of our experiences. On the other hand, fantasy catapults us into realms uncharted, where the impossible becomes plausible, and the extraordinary is woven into the fabric of existence.

It’s the domain of mythical creatures, magic, and the boundless tapestry of the imagination. The interplay of these realms is where the magic happens, where writers conjure the impossible into the possible and where readers are whisked away to explore the limitless horizons of human creativity.

It’s a delicate balance, an ever-evolving dance, and a literary playground where the storyteller’s imagination knows no bounds.

Striking a balance in speculative fiction

Striking a balance in speculative fiction is akin to navigating the fine line between the known and the fantastical, where the extraordinary is interwoven with the familiar.

It’s the art of creating immersive worlds that capture the imagination while maintaining a grounding in relatability.

Too much fantasy may alienate readers, but too much realism might stifle the genre’s essence. Skillful speculative fiction finds equilibrium, ensuring that even amidst alien landscapes or supernatural phenomena, characters’ emotions and experiences remain recognizable and authentic.

This balance invites readers to suspend disbelief, delving into the speculative with a sense of wonder and a connection to the human condition.

It’s a literary tightrope act that invites us to explore the limitless possibilities of alternate realities while never losing sight of the universal truths that make us human.

Editing and Revision

Editing and revision are the unsung heroes of storytelling, the chisel and polish that transform a rough-hewn manuscript into a literary masterpiece.

It’s where the wordsmith, who was once the architect, becomes the sculptor, meticulously refining every sentence, every phrase, and every punctuation mark.

Editing is the keen-eyed detective, ferreting out plot holes and inconsistencies, while revision is the symphony conductor, orchestrating the narrative’s rhythm and flow.

In this dance of refinement, a story is distilled, its essence brought to the fore, and its flaws expertly concealed.

Editing and revision are where storytelling transcends craft and approaches artistry, where the wordsmith’s passion meets precision, and the tale evolves into a timeless journey of literary wonder.

Polishing descriptions and language

Polishing descriptions and language is akin to the fine art of crafting a literary gem. It’s the meticulous process of sculpting raw language into a masterpiece, where every word becomes a brushstroke and every sentence a stroke of genius.

Descriptions must evoke sensory experiences that transport the reader into the story’s vibrant tapestry, where sights, sounds, and emotions are brought to life with a vividness that lingers in the imagination.

Language should flow like a melodic river, captivating readers with its rhythm and resonance. Every word must carry its weight, and every phrase should be a revelation, enhancing the narrative’s depth and impact.

In this process, storytelling transcends mere communication and enters the realm of artistry, where the mastery of language becomes a medium through which emotions, images, and ideas are conveyed with a profound and lasting impact.

Frequently asked questions about How To Describe Battle Scenes In Writing

What is the significance of describing battle scenes in writing.

Describing battle scenes in writing is crucial for creating immersive and engaging narratives. It allows readers to visualize and emotionally connect with the conflict, making the story more memorable and impactful.

How do I balance action with reflection in a battle scene?

Balancing action with reflection involves alternating between intense action sequences and moments of character introspection. This pacing keeps readers engaged and provides depth to the narrative.

What’s the role of vivid imagery in battle scenes?

Vivid imagery brings battle scenes to life by using descriptive language to appeal to the reader’s senses. It helps create a rich and immersive experience, making the scene more tangible.

How can I convey emotions like fear and courage effectively?

Conveying emotions in battle scenes can be achieved through character development, internal monologues, and vivid descriptions of their physical and emotional reactions.

Is it important to consider the point of view when describing battle scenes?

Yes, the chosen point of view (first-person, third-person, multiple viewpoints) significantly impacts how battle scenes are described and how readers engage with the story .

What’s the difference between realism and fantasy in battle scenes?

Realism refers to keeping battle scenes grounded in the rules of the story’s world or real-world historical accuracy. Fantasy allows for elements like magic and mythical creatures.

How do I know when my battle scene is well-written?

The effectiveness of a battle scene can be assessed through feedback from beta readers, peers, or writing groups. It should engage and resonate with the audience.

What are common pitfalls to avoid when describing battle scenes?

Common pitfalls include overloading the scene with excessive details, using clichés, and not balancing action and character development effectively.

Are there any recommended resources for improving battle scene writing?

Yes, there are many books, workshops, and online resources available for improving your skills in writing battle scenes . Joining writing communities and seeking advice from experienced writers can also be beneficial.

Can battle scenes be described differently based on the genre of the story?

Absolutely. The way you describe battle scenes can vary depending on the genre and the tone of your story. For example, a battle scene in a historical drama may differ from one in a high-fantasy epic. It’s essential to tailor your descriptions to fit the overall style and atmosphere of your narrative.

In the realm of storytelling, battle scenes are the crucible where heroes rise, villains fall, and destinies are forged.

Throughout this guide on how to describe battle scenes in writing , we’ve explored the intricate steps, the emotional nuances, and the literary techniques that bring these moments to life on the page.

It’s not merely about detailing combat but about captivating the reader, drawing them into the heart of the conflict, and making them feel every sword clash, every surge of adrenaline, and every heartbeat of courage and fear.

Whether you’re crafting epic fantasies, historical dramas, or intense personal confrontations, the principles of vivid imagery, emotional resonance, and balanced pacing remain the pillars of creating gripping battle scenes.

As you embark on your own literary battles, remember that the words you wield have the power to transport readers into worlds unknown, stirring their hearts, and etching your characters’ struggles into their memories.

With the insights gained here, you have the tools to make each battle scene an unforgettable journey for your readers, ensuring that your storytelling leaves an indelible mark in the hearts and minds of those who venture into your literary realms.

Related Posts:

• How To Describe Fight Scenes In Writing (14 Best Tips)
• How To Write A Military Fantasy (13 Best Tips)
• How To Describe Fear In Writing (13 Steps You Need To Know)
• How To Describe A Panic Attack In Writing (10…
• How To Write Fast-Paced Scenes (15 Best Ways)
• How to Describe a Heart Attack in a Story (10 Best Tips)

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How To Write An Epic Battle Scene

• by Hannah Collins
• January 18, 2017

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Whether it’s a muddy siege on a Medieval castle, rugged cowboys firing pistols from horseback, or a laser-beam shoot-’em-up in another galaxy, a great battle scene is a staple of action stories. High stakes, high body count, and – if it is in space – really, really high up.

We’ve covered the fundamentals of writing a good fight scene before , so let’s expand those ideas into the ingredients of an epic battle scene.

One battle scene is great, twelve is too many

Less isn’t always more. I, for one, prefer ‘more’ cake, for instance. But when it comes to battle scenes, this age-old phrase rings true. Why? Because they’ll start to seem like the worst thing an action scene can be: pointless and, by extension, dull. It may be tempting to fill your story with wall-to-wall, adrenaline-pumping battles in the spirit of ‘giving the people what they want’, but this level of drama is hard to maintain.

You also shouldn’t underestimate the power of breathing room in between periods of action. The best romance novels harness this power to its fullest – tantalizing readers with a slow build up of tension punctuated by short flurries of excitement, leading eventually to one or two big, um, ‘ pay-offs ’. This technique is applicable to novels with all kinds of action; it’s just that in a battle scene, the pay-off is more along the lines of slicing off someone’s head.

Define the goals and consequences

We’ve established that you should have plenty of breathing room between big battles, but what should you use that breathing room for? It may seem obvious, but a battle scene needs to have a point. Establishing your character’s goals will help you define why your battle scene is happening in the first place. What is your character’s motivation to fight? What is the end result they need from the battle? Are they going to win or lose? What does the outcome of the battle mean to them? What does the outcome mean for the story?

Determine short, medium and long-term goals for your character. If we use The Hobbit as an example, a short-term goal for Bilbo is answering Gollum’s riddles correctly or distracting Smaug long enough to steal the Arkenstone. A medium-term goal is for men, dwarves and elves to unite and defeat the orcs and wargs in the Battle of Five Armies on the Lonely Mountain. The long-term goal for Bilbo is… Well, just to get back home ASAP and put his hairy feet up. Each of these goals are character-building for Bilbo, as he truly – though begrudgingly – goes above and beyond his role as ‘thief’ in Thorin’s company, and as a result, changes the course of history in Middle Earth. Each of these conflicts also advances the narrative. They serve a purpose beyond mere spectacle.

Make the battle a personal struggle

As always, establishing empathy for your character will prompt your reader to invest in whatever perils you put them through. This is why – with the exception of sequels – starting your book in the middle of a battle is seriously risky. Without your reader knowing who any of the characters are or what the stakes are, there’s no way to make them really care about what’s happening.

The easiest way to heighten the stakes of a battle is to make them personal to both the protagonist and antagonist. Combining internal and external conflict grounds the fighting in something relatable. Huge explosions and thousand-strong armies are exciting, but they aren’t enough to fully engage us. Warring families, grudge matches, vengeance missions, and separated lovers, on the other hand, imbue a battle scene with emotional resonance.

The Battle of Hogwarts in J.K Rowling’s Harry Potter and the Deathly Hallows is a fittingly epic climax to the saga. Even though the reader knows this is a classic clash of ‘good’ vs ‘evil’, the emotional center of the drama rests on a long-awaited grudge match between two established enemies.

“Protego!” roared Harry, and the Shield Charm expanded in the middle of the hall, and Voldemort stared around for the source as Harry pulled off the Invisibility Cloak at last. The yell of shock, the cheers, the screams on every side of “Harry!” “HE’S ALIVE!” were stifled at once. The crowd was afraid, and silence fell abruptly and completely as Voldemort and Harry looked at each other, and began, at the same moment, to circle each other. “I don’t want anyone else to try to help,” Harry said loudly, and in the total silence his voice carried like a trumpet call. “It’s got to be like this. It’s got to be me.” – J. K. Rowling,  Harry Potter and the Deathly Hallows

Use perspective to your advantage

Writing an epic battle scene can be a tricky task for one simple reason: it’s a chiefly visual  event. Of course, as an author, this doesn’t need to hinder you. Rather, it should make you even more creative when you sit down to write your battle. Sure, the sight of blood splattering across a camera lens and the clashing sound of steel blades is a potent experience, but narrator-less battles can also be repetitive, confusing, and exhausting to watch. The ‘ Bayhem ’ of the Transformers movies is a good (or should I say ‘bad’) example of this.

Shifting perspective is a key tool, here. In the following action scene from John le Carré’s The Spy Who Came in from the Cold , Le Carré uses the third-person point of view to show us not only what’s happening around Leamus, but his own viewpoint on it.

Leamus was blinded, he turned his head away, wrenching wildly at Liz’s arm. Now she was swinging free; he thought she had slipped and he called frantically, still drawing her upwards. He could see nothing – only a mad confusion of color dancing in his eyes. Then came the hysterical wail of sirens, orders frantically shouted. Half kneeling astride the wall he grasped both her arms in his, and began dragging her to him inch by inch, himself on the verge of falling. – John le Carré, The Spy Who Came in from the Cold

We are able to clearly visualize each action as it happens through Le Carré’s economical sentences, and understand the emotional weight of them through Leamus’ reactions – aided by Le Carré’s focus on sensory description. Totally immersive, even without a single robot vs. alien smash-fest.

Keep track of your characters

If your character has to get from A to B via a war zone, you need to know how. After all, it’s probably not going to be a straightforward journey for them, and if it is, you probably haven’t thrown enough hurdles at them. Tracking your character’s path through the battle will stop you (and them) from getting lost or missing out key details, which is especially essential if you’re going to be jumping between different characters’ perspectives. How should you track them? Draw an actual map of the battle. It doesn’t have to look pretty, just functional.

This should also help you keep track of where landmarks are in relation to your characters at every point in the battle. Landmarks can be used as anchors for your reader as you move your character around the scene. If there’s, say, a castle to the north-west of where your character starts, where will that castle be when they’re at the half-way point, or at the end? How many yards or miles away is it? You may not end up including all of these details, but clear planning will help with clear description. You might want to convey a sense of chaos to your reader, but you don’t want to lose them in it.

The perfect battle scene

The major mistake that most authors make when writing a battle scene is to treat the battle itself as the focus. In written works, battles are about results, and these are far easier to communicate through individual characters.

Don’t try to communicate the chaos of warfare head on, but have it happen to your characters. Blow up their escape route, drop a building on them, and bombard them with trouble. If you want to show the battle on a wider scale, split them up, or spread them throughout the battle scene before it starts.

Spectacle is drawn from consequence – if a city the reader has never visited is overrun, they’ll struggle to care, but if they’ve been there in peacetime and know what’s being destroyed, or understand the city’s tactical value to the protagonists, then they know exactly what its loss means. The key to a great battle is in quantifying the events within it; the reader needs to know what’s at stake, what’s being lost, and what each specific event means for the overall outcome .

Why is the arrival of the cavalry always such a great moment? Because it completely alters the stakes and outcome in a way the reader understands (usually bringing the ‘good guys’ back from the brink). If you want to guarantee an epic battle scene, start with the goals of the protagonists and extrapolate moments that put those goals under threat. You’ll have a tense, exhilarating battle scene before you know it.

Do you have a favorite battle scene that’s inspired your writing? Let me know in the comments! Or, for more advice about writing combat in your story, check out Here’s How To Write A Damn Good Fight Scene ,  The 5 Immutable Laws Of Writing A Good Action Scene , and  How (And When) To Kill A Character .

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Hannah Collins

6 thoughts on “how to write an epic battle scene”.

Thank you, Hanna, wonderfully concise and understandable. Love that you used LeCarre to illustrate; one of my favourite scenes. You explained why, beautifully.

Thank you very much for the kind words! Yes, any opportunity to reference LeCarre has to be taken, IMO.

Thanks, Hannah

Hanna, this was good. I particularly liked (and took notes) about sketching the battle site/city/planet/dungeon. The point you made of “consequence” is spot on. Your example author, Tolkien wrote some epic battle scenes; Battle of Pelennor Fields comes straight to mind. He did just as you recommend, narrowed the viewpoint to only a few main characters and let their experiences reveal the action. One thing I’d add, if your battle comes before the Grand Kablooie, then it must have its own significant plot consequences. Main characters have to die. A battle for the sake of adding drama or action to an otherwise dull sequence will only make it worse.

Thanks for the comment and the kind feedback. Yes, Tolkien really was a master of his craft. I don’t think Peter Jackson’s adaptations would have been as strong as there were without the source material being so good.

I agree – without reason and consequence, a battle scene is all empty spectacle. A battle scene preempting the climax would – as you said – have to contain something as significant as a character death or bring closure to a subplot in order to avoid that trap.

Thank you Hanna, this was well made and everything I had hoped for. There are really good points to take away from this. Especially the thoughts on personal struggles, consequences for the reader and keeping track of your characters.

But I have some questions for my own story. My story starts with a battle scene, even though this is risky. It will be fairly short and not an entire intricate battle. Even though the reader does not know the character, or the stakes, I figured this a way to show what the character has gone through before he returns to the place where most of the action takes place. And it shows there will be battles and blood.

What do you make of this? Is this a viable “start with action”? Or should I keep some things in mind?

Hi Francis,

Thanks for the comment – I’m glad you found the article useful.

Starting a battle is a risky thing to do, as you said, but by no means impossible to pull off. I think keeping it fairly short – as you mentioned you would – is a good idea, just so you don’t risk losing the reader’s interest. If I were you, I would consider focussing that battle around your main protagonist(s) and use it as a device for your reader to get to know them. Personally, I don’t usually mind if I’m thrown into an action scene (or just any scene) and don’t immediately know what’s going on and what the stakes are, because there’s a kind of pleasure in discovering that as the scene continues. But what I do think is essential is connecting with the characters as quickly as possible. You want the reader to want to keep following them, even if they’re not sure of the destination yet.

Try and inject your protagonist’s personality into all of their actions and dialogue, and keep in mind how they’d be feeling during the battle – excited? Nervous? Scared? Angry? Once the battle is over, you can move into a ‘quieter’ section to reflect on what’s just taken place, which is when some key exposition will probably be needed to contextualise everything – including the all-important stakes.

I hope that helps.

For further advice on starting a story, you might find these articles useful too: //www.standoutbooks.com/how-to-write-first-chapter/ //www.standoutbooks.com/four-story-openings-put-people-avoid/ //www.standoutbooks.com/should-you-always-start-with-the-action/

Good luck with the writing!

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How to Write Battle Scenes

Last Updated: April 28, 2023 References

This article was co-authored by wikiHow staff writer, Hunter Rising . Hunter Rising is a wikiHow Staff Writer based in Los Angeles. He has more than three years of experience writing for and working with wikiHow. Hunter holds a BFA in Entertainment Design from the University of Wisconsin - Stout and a Minor in English Writing. There are 11 references cited in this article, which can be found at the bottom of the page. This article has been viewed 11,714 times.

A memorable battle scene can add a lot of action and tension to your story, but it can feel intimidating to write since there are so many elements to keep track of. No matter what genre you’re writing, your battle should feel exciting and keep your story’s plot moving forward to keep your readers engaged. While it may take time to plan out and work on multiple revisions of the scene, you can easily include epic battles in your writing!

Outlining the Battle Sequence

• You don’t need to draw a map if you don’t want to, but it can be very helpful for you to understand the layout.
• If you’re basing your story in a real location, look online for a map so you can use it as a reference.

• Your battle should always affect the protagonist’s progress toward their long-term goals, or else it won’t feel like there were any real conflict or consequences from it.
• Make the battle feel more dramatic by giving the character personal stakes in the battle, such as rescuing a loved one or breaking free from an oppressive ruler.

• Even if you give both sides different weapons or equipment, try to keep them evenly matched to make the scene more dramatic.

Tip: Try making the enemy forces slightly stronger or larger than the protagonist since it can add more tension and drama to your writing. It will also help readers empathize and root for your main character. [4] X Research source

• For example, if your protagonist is a noble fighter, they may try to attack the enemy head-on. However, the enemy forces may try to surprise your protagonist by striking from the flanks.
• Avoid making it too easy for your protagonist to win the battle since it won’t feel as dramatic or satisfying to the reader.
• Opposing forces will rarely have the same battle plans since they are trying to defeat each other and they’ll be viewing the battlefield from different perspectives.

• Many battles only last for a few minutes or hours, so keep in mind how long the events last while you’re outlining.

• For example, if an evil king wins a battle in a city, they may try taking over the land and imposing their own laws.
• As another example, if your protagonist’s long-term goal is to gain power, they may gain the respect from their peers if they win the fight.

Writing Your First Draft

• For example, you could write, “The red sun peeked over the mountains on the east, breaking through the fog covering the plains. Finally, I was able to see the wide river to the west preventing any surprise attacks. As the fog lifted, I could barely make out the silhouettes of infantry quickly approaching.”

• It’s okay to switch between characters during the scene, but consider how each one views the battle differently and what stakes they’re fighting for. For example, infantry in the front lines will have a more difficult experience in the battle than a general who’s watching it from a distance.

• For example, instead of writing, “From his scabbard, he pulled out his longsword before defending himself against the knight,” you could say, “He drew his sword and blocked the knight’s strike.”
• Long sentences can make the action seem slow so the battle won’t seem as dramatic or hectic.

Tip: Look for more actionable versions of verbs for your writing. For example, rather than using “run,” you could instead write, “bolt,” “charge,” or “dart.”

• For example, you may write, “The rain mixed with the blood on the battlefield, filling his nose with the scent of earth and iron. He licked the salty sweat from his lips and continued marching forward. He could barely hear his boots squish through the mud over the shouting and screaming of the infantrymen around him.”
• Avoid overly descriptive paragraphs that don’t contain any action since it will make your writing feel like it’s dragging on.

Revising the Scene

• Try working on a different scene while taking your break. That way, you’re still writing and getting work done.

• Avoid focusing on spelling or grammar errors during your first revision since they’re minor compared to how well you comprehend the writing.
• Print out your scene if you’re able to since it can be easier to write directly on the paper while you’re editing.

• You may also reach out to writing teachers or professors you have if you’re in school for additional feedback.

• It may take multiple revisions to make the scene concise and easy to follow.

Expert Q&A

• Use real-life battles and military strategy to help you get ideas of how to structure the fight in your writing. [16] X Research source Thanks Helpful 0 Not Helpful 0
• Try to avoid editing or revising as you write your first draft since you won’t get as much work done. Thanks Helpful 0 Not Helpful 0
• Avoid directly plagiarizing other writers because you can get into legal trouble. [17] X Research source Thanks Helpful 0 Not Helpful 0
• Be careful not to over-describe the fight scenes or use confusing language since it could make the battle seem like it’s slow. [18] X Research source Thanks Helpful 0 Not Helpful 0

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• ↑ https://mythicscribes.com/writing-techniques/how-to-write-battle-scenes/
• ↑ https://www.helpingwritersbecomeauthors.com/writing-epic-battle-scenes/
• ↑ https://pcwrede.com/planning-battle-scenes/
• ↑ https://www.freelancewriting.com/creative-writing/how-to-write-great-battle-scenes/
• ↑ https://library.defiance.edu/writingprocess/revisingetc
• ↑ http://www.michaelkennethsmith.com/the-writers-dig-with-novel-writing-advice-how-to-write-battle-scenes/
• ↑ https://www.nytimes.com/2019/02/14/books/dan-mallory-woman-window-denzil.html
• ↑ https://writersedit.com/fiction-writing/5-quick-tips-writing-thrilling-fight-scenes/

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War creative writing/descriptive writing

Subject: English

Age range: 11-14

Resource type: Lesson (complete)

Last updated

18 November 2020

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A lesson which plans a descriptive writing/creative writing piece inspired by war (specifically the film Greyhound and the Battle of the Atlantic). It include clips/links for context as well as a clip from the film Greyhound to use as inspiration. This is part of a unit called ‘clashes and conflict’ which includes war poetry (WW1 and others) as well as non-fiction texts. Pupils in this lesson are required to plan and write a description as a soldier/military/navy sailor from their perspective.

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Descriptive Writing: Definition, Tips, Examples, and Exercises

Descriptive writing is about using the power of words to arouse the imagination, capture the attention, and create a lasting impact in the mind of the reader. In this article, you'll learn how to employ descriptive elements in your writing, tips to enhance your descriptive writing skills, and some exercises to better yourself at it.

Descriptive writing is about using the power of words to arouse the imagination, capture the attention, and create a lasting impact in the mind of the reader. In this article, you’ll learn how to employ descriptive elements in your writing, tips to enhance your descriptive writing skills, and some exercises to better yourself at it.

Read the two sentences given below:

• I felt tired at work today.
• As the day wore on at work, I felt a cramp beginning to form at the nape of my neck, my eyes began to feel droopy, and the computer screen in front of me began blurring.

Which one of the two do you find more interesting to read? Most definitely the second one. This is because, while the first sentence merely tells you directly that ‘you felt tired at work today’, the second one explains the same experience in a much more vivid and relatable manner.

From this you can see that even something as simple as the above sentence can be transformed using literary devices that aid visualization, into something that someone can relate to. This is what descriptive writing is all about: heightening the sense of perception and alluring your reader to read ahead, because you have so much more to say.

Good Examples of Descriptive Writing

Given below are a couple of good pieces of descriptive writing from authors who know their business.

‘But the door slid slowly open before Lupin could reach it. Standing in the doorway, illuminated by the shivering flames in Lupin’s hand, was a cloaked figure that towered to the ceiling. Its face was completely hidden beneath its hood. Harry’s eyes darted downwards, and what he saw made his stomach contract. There was a hand protruding from the cloak and it was glistening, greyish, slimy-looking and scabbed, like something dead that had decayed in water…’ – Harry Potter and the Prisoner of Azkaban by J.K. Rowling

‘I don’t know what I’d expected but it was something different than I saw. She looked unexpectedly young. Or, I suppose said better, she looked unexpectedly “not old”. Her hair, which was completely white, had a yellowish cast that could almost have been mistaken for a pale blond, and it was loose around her shoulders. And long. Longer than mine. No doubt she normally wore it pulled up in a bun, and such a style would have given her a more predictable little-old-lady look, but the way it was here now, parted on the side – long, loose, and straight – she seemed ageless as an ancient sculpture. This sense was enhanced by her skin. Though it had the fragile crepeyness of age, she had few wrinkles, especially across her forehead, which was smooth to a point of being almost waxy looking. She was of obvious northern Germanic heritage, with pale eyes and prominent features. Although she was not overweight, her bones were big and blunt, giving the impression of a tall, sturdy woman.’ – Twilight Children by Torey Hayden

Why be Descriptive While Writing?

• The purpose of descriptive writing is to inspire imagination. When you put your mind into making a piece of writing more descriptive, you automatically begin to pay attention to detail and refine your perception about things. You begin to imagine them as much more than, say a  party hat or a hard-bound book . You begin to look at them as a tall, pink, pointed paper hat with tassels , and a book that had a gleaming golden spine, and weighed a few good pounds .
• The next, and probably the most important benefit of descriptive writing is that in the process of trying to make the reader visualize what you want to say, you tend to use more interesting words. You want to convey a mental picture to your reader. So you’re bound to use words that might be unconventional or less-used. You will want to find words that exactly describe what you want to say, and will look for different words that mean the same. This will help you suitably build your vocabulary.
• The success of descriptive writing lies in the details. The more detailed your depiction of a plot or a character or a place is, the more you engross your reader. You become a keen observer and minder of details. You pay attention to the tiniest bits of information and appearance, which in turn helps you transfer the details into your writing.
• Since you have picked something to describe and have observed all its details, you are sure to understand the subject better. You may even come across bits and pieces that you may have missed the first time you looked at the object/subject in question. Thoroughly understanding what you’re going to write about is exceedingly important to the process of writing about it.

Tips you Can Use Identify what you’re about to describe

As you start with descriptive writing, identify exactly what you are setting out to describe. Usually, a descriptive piece will include the depiction of a person, a place, an experience, a situation, and the like. Anything that you experience or perceive about your subject can be the focal point of your descriptive writing. You build a backdrop by identifying an aspect of a subject that you want to describe.

Decide why you’re describing that particular aspect

While it can be a wonderful creative exercise to simply describe anything you observe, in descriptive writing, there is often a specific reason to describe whatever you have set out to describe. Tapping this reason can help you keep the description focused and infuse your language with the particular emotion or perspective that you want to convey to your readers.

Maintain a proper chronology/sequence Sometimes, you may get so caught up in making your work colorful and creative that you may end up having a mash-up of descriptions that follow no particular order. This will render the effort of writing useless as the various descriptions will simply confuse the reader. For instance, if you want to describe characters in a particular situation, begin by describing the setting, then proceed to the most important character of that particular situation, and then to the least important one (if necessary).

Use Imagery Imagery is the best tool you can employ in descriptive writing. Since you cannot show your reader what you are imagining, you need to paint a picture with words. You need to make the depiction of your imagination so potent that your reader will instantly be able to visualize what you are describing. However, don’t go overboard. Make sure that the focus does not dwindle stray. Keep your descriptions specific to the subject in question. The writing must be able to draw in the reader; hence, the writer should say things that the reader can relate to or empathize with. An introductory backdrop can often provide an effective setting for the remaining part of the piece. Great descriptive writing has the ability to lure the reader, enticing him or her to continue reading right to the end. While giving the details is important, it is how they are presented that makes the difference.

Hone the senses One of the most effective ways to make the experience you are describing vivid for your reader is to use the five senses: smell, sight, sound, taste, and touch. When the descriptions are focused on the senses, you provide specific and vivid details in such a way that it shows your reader what you are describing. So, when you describe a subject, depict it in such a manner that it involves the reader’s possible sensory interpretations. It must make the reader imagine what he would see, hear, smell, taste, or feel when he reads what you have written.

She gently squeezed the juice out of the plump, red tomato. She blended this juice into the simmering mix of golden-brown onions and garlic in the pan, and watched as they melded into each other. She then added the spice mixture that she had prepared, and the air was permeated with a mouth-watering aroma.

Use strong nouns and verbs effectively, adjectives intelligently It is true that the purpose of adjectives is to describe a subject, but overuse of adjectives in descriptive writing can render the piece shallow and hollow. Hence, make it a point to use other parts of speech to express the same sentiment. You’ll be surprised how effectively nouns, verbs and adverbs can be used to describe something, sometimes even better than adjectives alone. For instance, look at the two sentences below.

• The flowers were as fresh as the morning dew.
• The flowers had a freshness that could only equal that of the glistening morning dew.

The first sentence has used an adjective (fresh)  to describe the flowers. It is a good description too, because the comparison to morning dew is something that will immediately put the reader in the sense of mind that you want. The second sentence too has compared the freshness to morning dew, but has used a noun (freshness) and a verb (equal)  to do so, and in the process has probably enticed the reader to continue reading, more than the first sentence.

Pick related words Before you actually begin writing, it is always a good idea to build a word bank of related words and ideas. For instance, if you are going to be describing a flower arrangement, you could jot down a few ideas before you start describing it, like: vase, color, types of flowers, leaves, stem, style, shape, fresh, etc. Once you have these basic words, you could start descriptive sentences for each one. Then, carry on from there.

Display passion Impact is what you’re looking to create in the minds of your readers. You want your readers to relate and empathize with what you’re writing. This will be close to impossible if your work does not reflect the passion that you feel for it. Make them feel what you feel with the words you write. Language that relates to powerful emotions such as love, hatred, admiration, disgust, etc., can convey the range and intensity of the sentiment that you are trying to express. Use them to your favor and get the desired effect.

Exercises to Enhance Descriptive Writing

Given below are some simple, yet effective exercises that you can use to better yourself at descriptive writing.

Exercise 1 Decide on an everyday action, say ‘making a pot of coffee’ and write about it in a descriptive manner. Give yourself 3 words that you’re not allowed to use while writing about it. You’ll see yourself reaching for the thesaurus, which will help improve your vocabulary.

Exercise 2 Pick random objects like a hat, a burger, a chair, etc., and place them before you. Enlist the different names that these objects can be called. Describe each of the objects in sentences that have more than 15 words each. Be as imaginative as you can.

Get your ‘assignments’ read by an objective person to see if they can relate to and understand properly what you have tried to convey.

Make descriptive writing a rewarding experience, both for your reader and yourself. If you like what you write, chances are that your reader will too. As is evident, having a comprehensive vocabulary is the key to good descriptive writing. But mere vocabulary will fall short if your piece lacks passion, logic and interest. The trouble is that it can easily become an incoherent rambling of senses and emotions. To avoid that, present what you are writing about in a logical and organized sequence of thoughts, so that the reader comes away from it with a cogent sense of what you have attempted to describe.

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• battle scene

MilesTro Senior Member

Battle scene examples.

Discussion in ' Setting Development ' started by MilesTro , Nov 7, 2017 .

googletag.cmd.push(function() { googletag.display('funpub_7fad1a2c47277cc7cb643e67826bd0fc'); }); Let's have some good battle scenes here. They can be any kind for people who have the trouble describing them. If you got any good ones or ideas, post them here, please. It doesn't how you write them as long as they are readable. Go crazy if you want to, but don't start a flame war. I just want good examples that can be shared here.  

John Calligan Contributor Contributor

googletag.cmd.push(function() { googletag.display('funpub_7fad1a2c47277cc7cb643e67826bd0fc'); }); This is from my web serial. Erland jumped over the boat with inches to spare. Impressive for a guy in armor. He was smiling. I hated how he showed his teeth, but I couldn’t reach him. I’d have to close the distance if I wanted to strike. Erland was waiting for me to try, so he could step into his own range; He didn’t fear me. We stared at one another for a long time – the only motion between us were his tests. He raised his sword or stepped his lead foot up to gauge a reaction. I gave him small reactions. Erland was looking me in the eye. I looked him in the chest. I had to stay focused on myself. Mind games would be too risky given my disadvantages. Again, he stepped a foot in but this time more boldly. He was trying to train me not to fear his step. I bit down on my impulse to pull back and acted as if I had frozen. It was the reaction he wanted, but I gave it to him on purpose. He laughed as he took a rushing step in and tried to cleave my head. Ready for it, I leapt away and swung the oar in a flat arc. Its blade landed flush with his ribs. Nothing’s more satisfying than making a clean hit with a blunt instrument. I could hammer nails all day.  

Cave Troll It's Coffee O'clock everywhere. Contributor

googletag.cmd.push(function() { googletag.display('funpub_7fad1a2c47277cc7cb643e67826bd0fc'); }); A short part of a little bit longer affair, from Major Graxis. Greeted by a pair of guards, they fail to react to our intrusion in time. Placing precise cuts into their unarmored bodies, spilling their organs and blood upon the crude stone floor. More come to join their fallen comrades. Bullets tear through the air and scar the walls of the cavern in the narrow passageway leading deeper into the much lager areas of the complex. The combative Confederation troops test my body armor, and my resolve. Taking a hit to my left forearm and another to my right thigh, I roar in pain and rage. Fighting through the searing punctures, a dozen more bodies lay mutilated by my blades. They begin to retreat from the animal they have awakened in me, realizing the fatal mistake it was to not put me down when they had the chance. Some men begin to be picked off ahead of me, and I can only assume the others found their way here into the fray. Limping and growling, I continue to cut them down like a farmer in harvest season. Each strike felling, and dismembering, hungrily gnawing into their soft tissues and shattering bone. Boots making the familiar sick slapping as I tread through blood, organs, and other bodily fluids. The last enemy unit falls to the floor with a dull wet thud from my blade, his eyes wide as his last breath hisses from his lungs and the lights leave his eyes. The others at my back ready to get the civilian captives out of here.I listen to them as they proceed in locating the cell blocks where they are held. I set off down another route to where the Harvest is being done, a pair of boots at my rear. I do not know who is following me, but at least they are on my side.The stench of death is a sick irony, as the death dealing enemies lay mutilated about the larger alcove. Tributaries of their blood slowly wind across the gray stone underfoot, making sticky tracks to a drain in the floor.  

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Examples Of The 5 Senses In Writing And How To Use Them

Using the 5 senses in writing can deeply immerse readers in scenes and stories by creating more vivid imagery in their minds. It’s a skill that can elevate books to a higher level. But so often we writers find ourselves lured into the trap of relying on sight and sound. Relying on a narrow range of sensory language isn’t always enough to bring a story to life. We can inject so much more into our stories simply by utilizing sensory details in our writing.

In this guide, we’ll take a look at our sensory organs, why we use vivid writing that appeals to the senses, look at the 5 senses and descriptive writing examples, and ways we can use each sense to elevate our stories to the next level. 

Many people experience things through smell, touch, and taste. So appealing to the senses in our writing will enrich our tales and prose with vivid imagery, which is often used to help the reader feel immersed and engaged. 

In fact, the oft-forgotten 5 senses are some of the most powerful forms of description, things that can enrich a story and give it life.

And, as we’ll see below, using a sensory description has an incredible ability to connect with us on a psychological level.

Let’s dive in. 

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What are the 5 senses in the context of writing, why are the five senses important in writing, understanding the science behind sensory description, 5 senses examples from descriptive writing, how to use the 5 senses in writing, 3 exercises to help you use the 5 senses in your writing, a list of helpful adjectives for the five senses, frequently asked questions (faq), what are the five sensory organs.

Before we dive into looking at the 5 senses in a writing context, let’s look at what the five sensory organs are:

• Special receptors in the skin that enable us to touch and feel

Combined, our five senses enable us to learn, experience and create memories. Pepsi Max, for example, always reminds me of my history lessons in college—I’d drink a can during every lesson. Think of songs too. They have an incredible ability to transport us back to moments in our past. Let’s explore things in more detail.

If you’d like to learn more about the basics surrounding the 5 senses, see more examples, or learn how to incorporate sensory description in your writing, see this quick video.

Are There More Than 5 Senses?

Now, something you may be wondering about is whether or not there are more than the 5 classic senses. It is, in fact, believed that there is more than touch, taste, sound, sight, smell. These golden 5 were defined by Aristotle because he could relate them to sensory organs. They are sometimes known as the “five senses folk model”.

But it depends on the manner in which you define a sense.

Newer approaches look at the number of sensory organs we have. And many academics now counter the sixth sense as the vestibular system . This relates to the inner ear and the impact it has on our balance and vision.

But other academics have gone further than this. Some tweak the definition to include sensory receptors. Now the skin, for instance, has at least four sensory receptors, relating to pain, temperature, touch and body awareness (otherwise known as proprioception).

So when someone asks how many senses do we have, it’s all a matter of definition. You can check out this awesome video below by SciShow which explains things in more detail.

Perhaps the main one of the five senses, sight often receives information first and therefore forms our initial judgements.

When it comes to using sight in writing, our stories and characters are often guided by this prime form of description. We describe what our characters see.

However, it would be nigh impossible to describe every aspect of a scene, and even if you did achieve it, nigh impossible to read.

Some of the most acclaimed writers, Charles Dickens, in particular, approached it by picking the right details. The little things that tell us everything. Let’s look at an example of the sense of sight in writing from Great Expectations :

“There was a bookcase in the room; I saw, from the backs of the books, that they were about evidence, criminal law, criminal biography, trials, acts of parliament, and such things. The furniture was all very solid and good, like his watch-chain. It had an official look, however, and there was nothing merely ornamental to be seen. In a corner, was a little table of papers with a shaded lamp: so he seemed to bring the office home with him in that respect too, and to wheel it out of an evening and fall to work.”

This is Jagger’s office. Though he doesn’t feature, we’ve gleaned much about who he is from details like the types of books upon the shelves and the paper-filled table, suggesting he lives a busy, professional life.

Colour is another fantastic tool when it comes to sight. Dickens was known for using colours to portray emotions or themes, such as red for frustration or anger, black for death, white for purity or goodness. Using colour, particularly with themes and the premise , can add extra layers to a story.

We explore some more 5 senses examples below to give you some ideas when it comes to sight.

Writing Prompt

Stand in the middle of your bedroom. Look all around you. Make notes of every little detail you see. Colours, shapes. Crumbs or dust on the floor. The more attentive you can be the better.

Pick out things that could relate to characterisation. The books on a shelf perhaps—what kind of books are they? Are there empty glasses beside your bed, dishes too? All of this helps to build interesting imagery, as well as contribute to other elements of the story, in this instance, characterization .

Sound is incredibly important when it comes to using the 5 senses in our writing. Dialogue dominates many stories, but so often little attention is paid to how characters sound when they talk. It’s strange when you think about how unique people sound, and a person’s voice makes such a difference to how we form views of them.

Something I learned not so long ago is that ducks don’t quack. They tend to grunt or even cackle. It’s easy to assume how things sound, but sometimes what we assume is wrong.

It’s always worth taking the time to research. In doing so you may find new and original ways to describe the sound. Using metaphors and similes, particularly if the sound is unusual, is a great way to bring clarity to descriptions.

Another often overlooked thing is silence. Silence is an excellent tool to set the tone or build an atmosphere or tension . A noiseless forest. A still, foggy street. Eerie.

Either using yourself or ideally, your character, place yourself in a location in which things are happening around you—a park, for instance. Close your eyes and listen.

Make a note of every little sound you hear, from tweeting birds to jackhammers digging up roads. If you can, make a note of how different sounds make you feel. Do fireworks startle you, for instance? Then think about why they could startle you or your character.

Of all the five senses, touch is, in my view, one of the most powerful yet underrated ones. If you can convey touch in an effective way, you’ll reap the rewards.

The scope of this sense depends on the nature of the scene, but imagine, for example, walking barefoot through a forest. The softness of moss between your toes, the cool slime of mud, the pokes and scratches of sticks and stones. Such details can draw readers deeper into the story.

We’ll look at some sensory writing exercises below, but as a brief writing prompt now, close your eyes and pick something up. Describe how that object feels. What features does it have? The texture? Sturdiness? Width? Weight?

These little details can make all the difference when trying to achieve vivid writing that appeals to the senses.

Taste is the more neglected one out of the five sensory organs when it comes to writing. Just like all of the senses, using taste can enrich your story immensely.

How many times have you said the phrase, “It tastes like …”. So many of our memories are tied to tastes. Like I said before, Pepsi Max always reminds me of history classes in college. Which tastes trigger memories for you?

If this happens to us, it happens to your characters too. It’s a great thing to include within your characterization process.

Like smell, taste can serve as a trigger for memories. For example, a husband who shared a love for apple turnovers baked by his deceased wife is reminded of her whenever he eats one.

Taste can also trigger emotions. There’ve been times when I’ve eaten food that tasted so good I bounced with glee in my chair.

A fun one. Head down to your kitchen and finding something to eat that has a bit of texture. Close your eyes, take a bite. Focus closely as you chew, as the food rolls around your mouth, over your tongue and down your throat. How does it taste? How does it make you feel?

We, at last, arrive at smell, though its place is no reflection on its importance when it comes to using the 5 senses in our writing.

The power of smells cannot be underestimated. We smell things all of the time and those scents help to shape our impressions. What can you whiff right now?

A smell helps us to form a judgement on things, such as whether something’s okay to eat. And crucially, smells can trigger vivid memories and emotions, vital tools to any writer.

Here’s one of my favorite 5 senses examples for using smell in writing from James Joyce’s Ulysses :

“ Mr Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liverslices fried with crustcrumbs, fried hencods’ roes. Most of all he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine.”  

How Do You Describe The Smell Of Rain In Creative Writing?

The technical term for the smell of rain is “petrichor”.

Rain brings with it a freshness, a crispness, an earthiness. It awakens the scents of other things like dry soil, flowers and grass. It’s something I turn to a lot when writing fantasy , especially in those scenes where characters are moving through rich, rural landscapes. 

Similar to the task above which involves a trip out to a busy place, like a park, sit down and have a good sniff. Another good place to try is a coffee shop. Lots of smells of roasting coffee and baking cakes in there.

Importantly, think about where those smells lead you in your mind. Do they trigger memories? Do associated words pop into your mind? From your character’s perspective, this is what their experience would be like too.

This may seem like a straightforward question, but it’s always best to cover the basics before advancing to more technical points.

This style of prose is essentially writing that employs the five senses to create mental images for the reader.

For example, if you want to create a vivid image of a beach, you may describe the smell of seaweed or the grainy texture of sand. 

In drawing upon these familiar sensations, we can open the portal wider for our readers to step into the scene, to feel what it’s like to be there. It’s a key part of creative writing in respect of description and something that can elevate your stories. 

So that’s what the 5 senses in writing are—they empower your descriptions and help draw readers into the story. Let’s look more at why using them is important.

Here’s a quick video explainer with lots of handy examples:

Using your five senses in your writing is an incredibly powerful way to immerse your reader in the tale.

The more the reader can understand what it’s like to be in your character’s shoes at that precise moment, be it fleeing a demon or marching to war, knowing how it feels and smells like, as well as the visual and audio descriptions, can elevate stories to a whole new level. It quite simply makes it more enjoyable to read.

From a writing perspective, incorporating each of the five senses in your writing at appropriate moments is something your readers will love.

From the perspective of the fantasy writer specifically, using the 5 senses is a terrific way to reveal the details created during your worldbuilding process.

This is especially useful when you’re trying to convey unique imagery or something that’s altogether alien to the reader. It’s something I used a lot when writing Pariah’s Lament and readers loved it. This is just one of the many 5 senses examples you’ll find below. 

We’ve covered a lot about using sensory descriptions and how they can elevate your writing to the next level. However, there are a lot of scientific studies that back up the theory.

For instance, in a study published back in 2011 by The Quarterly Journal of Experimental Psychology, it was found that we process certain words faster than others if there is a sensory experience attached to them.

Such studies aren’t new. In fact, Miller and Johnson-Laird (1976) examined how fundamental “word-percept associations” are to our language. This was expanded upon n a 2003 study by Rakova who emphasised a very important point—that the purpose of language is to express how we feel, what we see, hear, smell and taste.

Another study on sensory linguistics (which looks at how language relates to the senses), published by the University of Birmingham , examined humanity’s dependence on perceptions and how we interact with the world through feeling, seeing, tasting, hearing and smelling.

What we can see here is a growing understanding of the power and influence of a piece of sensory description. By examining these studies, writers can find a whole new appreciation for using the 5 senses in writing.

Let’s move on to look at the 5 senses and descriptive writing examples. As we’ve seen above, vivid imagery is often used to help the reader feel immersed in the story. So in this section, I’ve provided some from some bestselling books that make great use of the 5 senses, as well as some examples from my own novel.

“The tearing of flesh, as though a butcher were yanking meat from a flank. The bubbling of liquids and the soft rasping of the cutting tools.” Tooth & Nail , Ian Rankin

“Stars spun across his vision and his head felt as if it were about to burst… With difficulty, Hanno undid the chinstrap and eased off his helmet. Cool air ruffled his sweat-soaked hair.” Hannibal: Fields of Blood Ben Kane

“A cold wind was blowing out of the north, and it made the trees rustle like living things. All day, Will had felt as though something were watching him, something cold and implacable that loved him not.” A Game of Thrones, George RR Martin

“It was dark and dim all day. From the sunless dawn until evening the heavy shadow had deepened, and all hearts in the City were oppressed. Far above a great cloud streamed slowly westward from the Black Land, devouring light, borne upon a wind of war; but below the air was still and breathless, as if all the Value of Anduin waited for the onset of a ruinous storm.” The Return Of The King , JRR Tolkien.

This last one for me is a great example of a descriptive paragraph using the five senses. From the off, you not only get a vivid image of the setting (dark, dim, sunless dawn), but you can feel what it’s like to be there on an emotional level (hearts in the City were oppressed). Our senses are further teased with the description of a “still and breathless” air. 

I wanted to provide you with a few more examples of descriptive paragraphs that use sensory details from my own novel, Pariah’s Lament to give you an idea of how these principles can be used in practice. The idea is to add little details to paint a more vivid picture so that you can almost feel there in the scene.

Let’s start with a 5 senses paragraph example:

The mud of the road sucked at her tattered leather boots, a quagmire after incessant rains. Autumn circled like a hawk. The wind grabbed at her woollen green cloak and homespun dress. The hand-me-downs from her cousins never fitted, always too wide at the waist and short of length. She pulled her cloak tight about her, bundling it around her hands to keep away the biting chill.

The ringing gave way to those crashes and bangs, each one coming with the beat of his heart. His eyes flickered open. Slate-grey clouds hung above. Dust hovered in the air, rocks and debris showered down upon him. He raised his throbbing head and looked around. Men and women, hands over their ears, cowered down behind the crenellations of the wall, fear etched upon their faces, consuming their eyes, paralyzing their bodies. A few defiant individuals continued to loose arrows. For many, it was the last they shot. The Karraban thunder smashed the parapets to bits, obliterated siege engines, battered the cliff behind them and knocked from it great chunks of rock that tumbled down to crush those below. The ringing in Jem’s ears eased enough for him to hear the screams. They became the backdrop to the rumbling of the Karraban thunder. Only one thought entered Jem’s mind: flee.

The bells rang loud and panicked across Yurrisa. Hidden in the shadows of the abandoned warehouse, Edvar and the others lay in wait. He peered through a crack in a boarded window at the cobbled street. Echoing along it came a shout. Another. Steps rushed toward him, and into view burst a group of soldiers, breaths billowing mist in the cold morning air.

Laughter rippled from the table behind Edvar. The three men were tanners, the least difficult of all working men to identify: stained clothes and hands and stinking of a peculiar cocktail of rotten flesh and mint. They rubbed themselves with the latter to mask the stench of the former. Nobody could bear their presence long enough to tell them it didn’t work.

A Quick Exercise For Finding Good Examples Of The 5 Senses In Writing

If you’d like to find more sensory description examples, I recommend doing this simple exercise:

Pick up any book that you see, one ideally that you don’t mind marking with a pen or highlighter. Next, scan the pages, looking for descriptive scenes. Whenever you see a sentence that refers to any of the five senses, highlight it in some way.

The benefit of doing this is that you get examples from a variety of different writers, each with their own clever way of making their exposition more immersive.

Something you may notice is that many of them employ metaphors and similes to help you build a visual image in your mind. This is a very effective way of using the 5 senses in writing. You could say things like:

• The water smashed into the ground like the tide hitting a rocky coast
• A squeal filled the air like a pig fearing slaughter
• It smelled like an overflowing latrine pit sat in the baking sun

You can learn more about using metaphors and similes in this guide on writing prose.

Discover More Examples Of Descriptive Writing Using The 5 Senses

If you’re looking for more 5 senses examples for your writing, one of the best things you can do is to read books that pay particular attention to this. One of the standout books that explore this is Blindness by José Saramago.

There’s no shortage of sensory language examples out there for you to study. From books to writing guides like this, there are plenty of helpful resources you can learn from. 

If you re-read some of your favourite books there’ll no doubt be passages where the writer employs a sight and smell or taste or touch to great descriptive effect. Oftentimes they employ simple but effective techniques (which we’ll cover below) that draw you deeper into the scene, so much so that you feel as if you’re there. 

Often some of our favourite books are those that use to great affect the five senses. Books that transport us to new worlds and take us on epic adventures. And so often it’s the vivid descriptions that draw us in and help us walk amongst the characters.

We’ll look at some examples of the 5 senses in writing below that illustrate just how effective they can be further on below. But first, let’s look at why this is all so important.

How Do You Achieve Vivid Writing That Appeals To The Senses?

As we know, vivid writing that appeals to the senses has the ability to transform your story from something flat and full into something rich, comepelling and irresistable to read. It’s not an easy thing to do, but that’s why this guide exists, to show you and share my insights from 10 years’ experience writing. 

Here are three the most useful and simplest tips I’ve come across over the years to help you achieve more vivid writing that uses the senses.

• Practise – it sounds simple but one of the best ways to get used to including the 5 senses in your writing is to practise. Below, you can find lots of handy exercises that can help you sharpen your writing skills.
• Reading – another very effective method of sharpening your usage of the five senses in your writing is to simply read the works of top-class authors. These talented writers can use small details that appeal to the senses and immerse you in the story. 
• Explore – to boost your vocabulary when describing scenes, characters and feelings with the senses, it helps to go out and explore the world and absorb what it is you’re trying to convey. For example, if you need to describe the feeling of the bark of a tree, going out and examining and touching the different trees around you can help you come up with ideas for describing textures, smells and unique visual descriptions. Imagine stumbling across something like this below, for example. Have a go at describing the rich detail using each of the senses.

How Do I Use The 5 Senses To Write About Feelings And Emotions?

It’s difficult to describe how a character feels. People are complex beings and at the best of times, we can’t make sense of how we think and feel about a given thing. 

When writing, using the 5 senses can open up doors into the minds of our characters. In utilising them, we can avoid simply telling the reader what our character is feeling, (like, “he felt sad”) and instead, we can suggest or show it through the likes of body language, like how their shoulders are (sagging or raised).

Here are some more examples of the 5 senses when describing emotion:

• Sight – If, for example, your character is feeling a little down, you could focus on describing the way they interpret the world around them, such as focusing on the grey clouds hanging low in the sky, the wilted flowers in the garden, or the empty chair across the room.
• Sound – Incorporating sounds can help to create an atmosphere that resonates with your readers. Let’s say your character is feeling anxious. You could describe the ticking clock, the distant sirens, the creaking floorboards—things that increase the tension.
• Touch – A powerful method is to use tactile descriptions to help your readers feel what the character is feeling. For example, if your character is feeling nervous, you can describe their clammy hands, the beat of their heart in their ears, the tightness in their chest.
• Taste – Using taste really adds depth to your descriptions of emotion. If your character is feeling joyful, you could describe the sweetness of a ripe strawberry, the richness of a dark chocolate truffle, or the effervescence of champagne bubbles. Linking these things back to memories can also help to trigger a more powerful reaction. For instance, the taste of a an Indian curry that you had the night you proposed to your wife.
• Smell – Scent can also help to create a visceral experience for your readers, one that relates to them on a more emotional level. If your character is feeling nostalgic, you can describe the aroma of freshly baked cookies, the salty sea air, or the musky scent of old books.

By using the five senses in your writing you can create a multi-dimensional experience for your readers, making your characters and their emotions more real and relatable. Let’s take a look at just how powerful sensory details are when it comes to painting a picture in the reader’s mind. 

Use A Checklist To Help You With Writing With The Senses

Something I’ve done to improve my use of the 5 senses in my writing is to include them within the planning process. It’s good to save it until the end when you’ve plotted out your story or chapter, however.

What I do is read over the plan and try and place myself in the scenes. Working my way through each sense, I list everything that pops into my head.

• It’ll be unlikely that you need to spend too much time on sight , but taking the time to consider things in detail can provoke new and unique ideas. What little details can be included? Remember the power of specificity.
• Next, onto sounds . Like sights, it’s unlikely you’ll need to spend too much time on this but it’s always helpful to consider the likes of characters’ voices and any usual sounds that could be featured.
• Smells . When it comes to smells a good starting point is to list everything that comes to mind, even mere whiffs, which can be the most telling of all. Smells can provoke memories and emotions too, like the smell of perfume could remind a character of their dead lover, and that leaves you open to describe emotions.
• What can your character touch or feel? How does the hilt of the sword feel in your character’s fingers? How does the touch of a vivacious woman feel to your lonely character? What information can be gleaned from the manner of a handshake?
• Lastly, what tastes , if any, can you include? Is your character eating? Can they taste blood after being punched in the cheek? Do they enter a room where the smell is so foetid they can taste it?

Here are a few useful exercises to get into the swing of using the senses. The more you practice, the more it’ll become ingrained in the way you write and that’s why it’s one of my favorite writing tips of all!

• One place, one sense . As the title suggests, think of a place and describe everything you can using just one sense. Challenge yourself. Pick a sense you feel you struggle with. Or do one sense, then a different one. 
• Describe an object using the 5 senses. This is a nice simple exercise. Pick one object and describe it using all of your senses. Examples of objects could be chocolate (so you can taste) or a bottle of perfume (for the smell!).
• Close your eyes and pick an object up. This one was mentioned above, but it’s a powerful tool. Jot down everything you can think of.
• Pick your favourite food and eat! This one’s a bit more fun. Take chocolate for example. Savour each bite and write down everything, from taste to texture, the sounds of it breaking in your mouth, and importantly, how it makes you feel.
• Pick something alien and try to use sensory descriptions. This is a great way to challenge your use of the 5 senses because you have to create everything from scratch and to a whole new level of detail. So if you’re a sci-fi writer, this could be a great way to learn how to describe a spaceship in writing. 

Here’s a brilliant visual exercise too which I highly recommend trying. It’s quick, and easy and really does hone your skills when it comes to using the 5 senses in writing.

1. Walk And Write

This exercise I call walk and write . Take a notepad and write five headings: sight, sound, touch, taste, and smell. The next time you go out, even if it’s just to the shop on the corner, write down everything you experience. The touch of the rain or breeze, how the pavement feels underfoot, snippets of passing conversation you hear, the whistle of birds, how that warm and crispy sausage roll tastes. *Warning* You may look odd stopping all the time.

Here’s a step-by-step guide:

• Take a walk outside and observe your surroundings. Use your senses to take note of what you see, hear, smell, taste, and touch. Write down your observations.
• Choose one of the things you noticed on your walk and use it as a prompt for your writing. For example, if you noticed the sound of birds chirping, write a descriptive paragraph that captures that sound.
• As you write, be sure to use sensory language to bring your description to life. Instead of simply saying “I heard birds chirping,” try something like “The melody of birdsong filled my ears, each chirp a delicate note in a symphony of nature.”
• Repeat this exercise for each of the senses. Choose a different observation each time and challenge yourself to use vivid sensory details to paint a picture with your words.

2. Write A Short Story With The 5 Senses

One of the most effective ways that you can sharpen your sensory description writing is to write a short story with the 5 senses. 

The way it works is simple. Plan out your story—characters, plotting, theme—and then when it comes to the writing, you’re only permitted to use the five senses. 

It can help to think of a story in which you’d likely use the sensory organs more than usual. Let’s look at a few writing prompts:

• Your protagonist awakens in a dark cave. It’s cold and damp. They must figure out what’s happened and find their way out.
• Your protagonist is fleeing through a forest. What are they running from? What awaits them up ahead?
• Your character is upon a ship and is knocked overboard. How do they survive in the turbulent waves?

These are just a few prompts that are specifically designed to help you use the five senses in your writing. Trust me, an exercise like this will have your skillset sharpened in no time.

3. Use 5 Senses Writing Prompts

Here are some 5 senses writing prompts that may help you get started:

• You’re at home, watching TV. You catch the scent of something. Something that makes you mute the TV, look around, stand up. What is it you smell?
• For three days you’ve been travelling alone through the woods. You’re two days from your destination. Tired, weary. And you’re pretty sure something is following you. The sun has long since set. The embers are dying in your fire. And you begin to hear sounds close by…
• You’ve just started a new job. The office is big, labyrinthine. On your way back from lunch on your first day, you get lost. You open a door with stairs leading down. You follow them. Get further lost. And the steps give way. You awake in darkness to the sound of something growling. You reach for your phone, turn on the torch…

There are a few examples of sensory language-based writing prompts for you. See where they take you.

You can never have enough adjectives to help you describe the five senses. Below, you can find a pretty simple list, but it serves as a great starting point. From there you can add some of your own examples of using the 5 senses in descriptive writing. I also have some other helpful writing tools here that you may find useful. 

Below, you can find answers to some commonly asked questions when it comes to sensory descriptions, as well as more descriptive writing examples using the 5 senses.

“The icy wind rattled the ancient shutters upon the windows, stirring a shudder and setting every hair on her body on edge.”

This sentence uses sensory language to describe not just how the setting looks (from the rattling ancient shutters we see it’s an old possibly abandoned house), and crucially, we get a sense of how it feels to be in that setting, which is the main objective. It feels eerie, we feel the cold. We’re spooked. 

Sensory description in fiction writing requires a writer to utilise the 5 senses – sight, sound, touch, taste and smell.

Incorporating the senses into your writing is simple. First, focus on what your characters can see in the scene. Then, one by one, think about what they can hear, smell, feel and taste. Assort your various descriptions and pick out your most powerful few.

The five senses are often used to draw a reader deeper into the scene, to feel closer to the characters. Writers do this by adding extra details focusing on the likes of touch and smell. This vivid writing that appeals to the senses can help immerse readers in our tales.

The best way is to pick up your favourite book and highlight any sentences or paragraphs that utilise the 5 senses. You’ll then have a bank of sensory details examples to call upon whenever you need them.

A sensory description is one that includes sight, sound, touch, smell and taste. Exploring sensory language examples gives you a greater ability to immerse your readers in the story and experience what the characters feel.

If you have any questions or need more examples of the 5 senses in writing, please contact me.

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In 1820 or 1821, a baby named Araminta Ross was born to the parents of Harriet Ross and Benjamin Green. The family lived in Dorchester County, Maryland, an area which allowed slavery. At some point in her early years, young Araminta changed her name to the same as her mother’s, Harriet (Chism).

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Segregation was a common vice that to place in most of the social amenities. The fact that the available public facilitates were used separately by the white and black due to the concern of superiority and inferiority that existed between the two races. Although the separate facilitate did attribute to the segregation it also had benefits on the fight against the segregation practice (Brinkley, 2007 p.34).

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Battlefield Description

The Moment Before the Battle

Dusk is approaching but the heat does not retreat. The stagnant air still hangs loosely under the lambent sun. Weak rays of sunlight ignite the clouds, and burn across the sky, turning it into a sea of flames. A vast expanse of emptiness stretches underneath the alit clouds. The land is hot and dry, no seeds are germinating; no plants are growing; no animals are living. The sunrays have penetrated deeply into the ground, leaving huge cracks, splitting the land into millions of pieces. Nothing is in sight, apart from two fronts drawn between the Spartans and Persians.

On one side, valiant Spartan soldiers stand uniformly. They are highly disciplined, but their growing impatience is becoming more and more apparent. Through their eyes, fierce anger and uncontrollable hatred is building. They seek revenge from the opponents whom stole their family’s lives; insulted their religion; pillaged their country’s wealth. The stallions are becoming restless, stamping their hooves loudly on the hard ground, eager to tear a gap in the enemy lines. Every man and animal is garbed in shiny armor, which, even in the dim sun, glitters. The morale of the army is building. The soldiers and steeds are hungry for blood.

This is a preview of the whole essay

At the very front of the troops, erects a man and his steed. Clad in gold lustrous armor, his battle horse neighs loudly at the sight of the enemies. It had lost one of its pupils during one of its ferocious battle, but the other is glaring and burning. Its thick muscular legs matches well with its rider. And like his malicious steed, the man is coated also in thick armor. Underneath the armor, his body is scarred with wounds acquired from countless battles and skirmishes. His eyes - like his soldiers - are full of hatred and anger, eager to slaughter the enemies. The piercing stare seems to penetrate the opponent lines, and none of the enemies dare to meet his gaze.

The atmosphere on the other side is entirely different. The armors are still polished, and the swords are still sharp. However, fatigue and plague has swept across the entire army. Everyone is tired and exhausted. The wounds are coming back and hurting more than ever. They seem eager, but it is merely a mask. Behind the mask is nothing but fear. They fear the enemies; they fear death; they fear this fight. They are fighting an impossible battle, and it has ended before it has begun.

The general’s sword hisses as he draws it out of its sheath. Him, the knights, the cavalry, are all thinking as one—cut; kill; crush. They will hack through the enemy lines and mow down every single body standing in between them and victory. He signals and a prisoner of war is brought forth. The general calmly brings his sword up and bellows his ritual. The deep strong voice quakes the earth, and the enemies shiver uncontrollably in fear. Suddenly, he slices downwards with force and accuracy at the neck of the prisoner, blood spurting out as he soaks his sword in the enemy’s blood.

The soldiers behind him erupt in cheers of approval and the horses neigh loudly. The ritual is done. The enemy will pay with blood. Every friend and family they have lost by the cruel invaders will be avenged with no holding back. Minutes later, the tumultuous uproar dies down, and only silence remains. It is time for battle.

The general shrieks his war cry that pierces the eerie silence, and the cavalry charges towards the enemies.

Document Details

• Author Type Student
• Word Count 590
• Page Count 3
• Subject English
• Type of work Coursework

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Last updated on Feb 14, 2023

10 Types of Creative Writing (with Examples You’ll Love)

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

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Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

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Miss Huttlestone's GCSE English

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2 Grade 9 Creative Writing Examples

I recently asked my year 11s to pen a piece of description and/or narrative writing for their mini assessment. I gave them the following prompts:

Your school wants you to contribute to a collection of creative writing.

EITHER: Write a short story as suggested by this picture:

OR: Write a description about a person who has made a strong impression on you.

The following were two COMPELLING and CONVINCING examples of the second choice – one pupil taking ‘you’ as a fictional invitation, the other as a biographical one:

EXAMPLE ONE:

Gradually, I awake and open my eyes only to see the cracked white ceiling which greets me every day. Here I sit, slumped in the bed with the scratchy white sheets hugging me and muffled beeping noises jumping into my ears. Rubbing the sleep crust from my bloodshot eyes, I observe the scene before me. The sound of footsteps overlapping as nurses rush from bed to bed; the metallic tang from stainless steel invading my nostrils; the cold metal bed rail imprisoning and mocking me; the pungent scent of antiseptic troubling me and the blood-curdling cries and moans utterly terrifying me. Using all my strength, I try to imagine I am somewhere else, anywhere else but here.

Crowds, signs, roars: it was 1903 and the suffragette movement had begun. It was a crisp night, refreshing almost and I had taken to the streets. It was like I was possessed by something that night, some urge and deep desire within me that had led me there, surrounded by women like myself. I stood clueless and lost in the crowd; the women yelling ‘Deeds not words’ in unison; passionately parading with large wooden signs and viciously shattering windows with bricks and stones. Despite the violence that was displayed before me, I was not afraid of what was happening and I didn’t deem it unnecessary or improper, in fact I wanted the same as these women, I wanted equality. Abruptly, all of the roars and cheers became muted and faint, one woman walked slowly towards me, her hair messily swooped into an updo, her clothes somewhat dirtied and her chocolate brown corset slightly loosened. There was a glimmer in her eyes as tears seemed to swell within their hazel pools, she seemed inspired, hopeful. After reaching me in the crowd, she held out her hand, gently passing me a sign. Immediately, I clasped it and the yelling and chanting rang loudly in my ears once more. My journey had begun.

Here however, is where it ends. I am aware I do not have much time left, as the doctors have told me so, and spending my last moments in this hospital room is not optimal. However, as I look around I can see beauty within a room which at first glance seems void of it. The hollow medical tubes by my side remind me of the awful act of force feeding I have faced in the past; the shrieks and bawls of patients reflecting the pain women had felt in my time and the bed bars mirroring the prisons we were thrown into and the gates we would chain ourselves too. I know these things may seem far from beautiful, but I can see my past within this room, the power I possessed and the changes I have contributed to today. I know now that I can leave this earth having had an impact. Slowly I close my eyes, I can see her, the women who changed my life many years ago, her name, Emmeline Pankhurst.

EXAMPLE TWO:

I will never forget that day. The hazel pools of her eyes glazed over, and hands delicately placed at her sides. Nobody in the room could quite grasp the fact that this was happening. The crowds of black attire row on row seemed to mimic the thing she loves most in life, the piano. However, this time she had taken the ivory natural keys with her and left everyone else with the sharp tones. You needed both to create beautiful symphonies but all that filled the room was the excruciating silence of her absense. Even the metronone like ticks of the clock seemed to come to a standstill.

It had all began that day, she seemed to open up this whole new world for us to explore together as she placed my fingers onto the keys for the first time. I knew that this was what I was meant to do. She was the most passionately beautiful pianist I had ever seen in my life. Often, I would peer round the oak doorway before my lessons just to catch a glimpse at her. It seemed like nothing in the world mattered to her at the time.

As the years progressed, so did the scope of this world we were exploring. Each sheet of lovingly handwritten sheet music was like a new section of the map we were slowly creating together. Each of her students had their own map. Each as beautiful and each as unique as the pianist. The crotchets and quavers that adorned the staves directed the different paths we could take as my fingers graced the keys. This may not have been a beautiful ballet routine, but this was our dance and it had been carefully choreographed just for us.

That piano room was the safest place in the world. Every inch of it her: the potent scent of her floral perfume; shelves full of scruffy and well loved sheet music; rows upon rows of framed photos of her and her students; the vintage piano which she always kept in tune, it was home. I couldn’t bear the

idea that someone else was going move in and rip away the music room without a second thought. It was her music room.

It was up to me now. Up to me to finish this journey we had begun together.

She may not be with me in person anymore, but she will always live within the world we built together and nothing could ever change that. For she could never truly be gone since she left a piece of her within every one of her students; the passion for piano.

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gcseenglishwithmisshuttlestone

Secondary English teacher in Herts. View all posts by gcseenglishwithmisshuttlestone

2 thoughts on “2 Grade 9 Creative Writing Examples”

This has helped me a lot, I myself am preparing for a narrative test like this and these prompts and descriptive short stories are marvellous! Thank you for sharing this! 🙂

My pleasure!

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Quotes and Descriptions to Inspire Creative Writing Discover, Share, Connect

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19,890 quotes, descriptions and writing prompts, 4,964 themes

blanket fort

In that artistry of wool, within a fabric that told of patient hours of tip-tapping knitting needles, we dwelled within a castle within our home.

"When we make daily choices that are emotionally indifferent, the sort that the money-nexus makes faux-virtues of, we build our capacity for emotional indifference at the direct expense of our capacity for empathy, and thus the conflict between money and love is laid bare."

marvellous school of neurology

"It turns out, as obviousness would have it, that our brains (especially those of Stan Lee and Jack Kirby in this case) have been teaching us neurology through comic books and the movies that have come from them." Full article linked to from my profile, click "abraham" below, awesome!!

"Adjective and noun associations are worthy of our consideration because by careful linkage of words such as 'black' with strong emotionally positive words (such as in 'black heavens' and 'noble black night') we can start to program subconscious bias from the brain by creating a background neurochemistry that is more positive. This keeps the prefrontal cortex more fully operational and encourages more empathy in both thoughts and behaviours. Thus society develops better through their own choices and evolves. This is part of social evolution and this kind of awareness in writers is essential."

It was a bonny path that chattered day and night, the free leaves upon it and their twig-attached brethren in seasonal conversation.

walking in the rain

I won't say I love the cold rain. I won't say I love being soaked to the skin. I won't say I'm alright with how long it takes for my boots to dry. But I will say it enlivens me and awakens a part of me that slumbers in the warm and sunny weather. I will say that jumping in puddles is fun and that I'm far too old to be enjoying such things. I will say that a part of me finds a beauty in wondering how many raindrops there are and listening for them in the meditative pitter patter.

I wonder if the roof tiles miss the rain on these long summer days. I wonder if they miss making their together song. Or perhaps they await the tickle of bird feet and a hearth-warm breeze. Or maybe it is the variation that makes these seasons special.

essential career advice for writers

"For writers in the next half century and beyond, a comprehension of how creative writing, neurology, biology and our environment interact will be essential for a successful career." - a link to the full article is in my bio and on the Descriptionari "About" page. Much love!!! Angela Abraham (Daisy)

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The Top 20 Descriptive Paragraph Examples

Written by Dan

Last updated March 20, 2024

Are you tired of hearing your students say, “I don’t know how to write a descriptive paragraph!”? If so, you’re not alone! Writing compelling descriptions can be one of the most challenging parts for teachers and students.

But it doesn’t have to be so tricky! With suitable examples and guidance, anyone can become an expert in vividly describing people, places, things or events.

Before jumping into the deep end of resources out there, it’s a good idea for students to check out websites offering free essay samples, like StudyMoose .These platforms provide a wide range of free essays that can help students enhance their writing skills.

In this blog post, I will provide twenty stellar examples you can use as models for teaching your students how to write compelling descriptive paragraphs.

Related : For more, check out our article on Building Suspense In Writing here.

According to Grammarly , descriptive writing can enhance content, from an essay describing a historical event to a blog post narrating a personal experience.

IUP’s Writing Center further explains that effective descriptive writing evokes sights, smells, sounds, textures, and tastes, immersing readers in the narrative. But how does one master this craft?

Study.com provides a comprehensive lesson on the techniques and examples of descriptive writing, while LanguageTool offers insights into the illustrative writing style.

Table of Contents

Descriptive Paragraph Example 1:

The sun-kissed beach was a veritable haven. Soft, white sand stretched lazily from one end of the coastline to the other, inviting visitors to take off their shoes and dip their toes in the cool water.

Warm sunshine beat down on my skin as I walked along the smooth shoreline, enjoying the salty ocean breeze that greeted me with each step. In the distance, I could see boats anchored in the harbour, their masts swaying gracefully with the rhythm of the waves.

Descriptive Paragraph Example 2:

The older man shuffled slowly down the dirt road, a faded baseball cap pulled low over his eyes to shield them from the sun’s rays. He wore overalls and a flannel shirt, his hands calloused from years of hard work in the fields.

His face was craggy but kind- a life filled with stories hidden beneath the wrinkles that framed his eyes. I watched him as he walked, his steps light despite the weight of all he had seen.

Descriptive Paragraph Example 3:

The bustling city street was a melting pot of cultures, languages, and flavours. As eager shoppers stopped to examine their wares, merchants called out from their booths. Everywhere I looked, people were walking, talking, laughing- the occasional honk of a car horn punctuating the air.

The smells were a mix of mouthwatering cuisine from dozens of countries, the sound of different languages intermingling as the conversation drifted through the air.

Descriptive Paragraph Example 4:

The lush meadow was blanketed in soft green grass, punctuated with wildflowers in all rainbow colours. The sun shone brightly in the sky, warming everything beneath it with its gentle rays. In the distance, a stream babbled peacefully as birds chirped their songs from the trees that lined it.

The air was heavy with the sweet scent of honey, and I closed my eyes to take in all of its beauty.

Descriptive Paragraph Example 5:

The forest was alive with activity; small creatures skittered through the undergrowth while bright-coloured birds flitted from branch to branch overhead. A cool breeze caressed my skin and rustled through the leaves of nearby trees as I walked along the path, breathing deeply of the damp woodland air.

Everywhere I looked, lush greens and browns reminded me that life was flourishing here in this small corner of the world.

Descriptive Paragraph Example 6:

The ancient ruins surrounded a vast desert, their sand-covered stones looking out over miles of wind-swept dunes. I walked through the crumbling archway and into the courtyard, taking in the eerie silence that pervaded the entire site.

The sun beat down from above, its rays glinting off broken columns and walls that told stories of a forgotten time. Here was evidence of an ancient civilization that had disappeared into history.

Descriptive Paragraph Example 7:

The decrepit old mansion stood atop a hill like a silent sentinel watching over the valley below. Tall windows stared blankly from the walls, their glass panes long since shattered. The grounds were overgrown with weeds and wildflowers, a testament to the fact that no one had set foot here in many years.

I stepped through the doorway and into what felt like an entirely different world- a place filled with secrets and stories waiting to be discovered.

Descriptive Paragraph Example 8:

The silver moon shone brightly against the night sky, its reflection glittering on the lake’s still surface below. Fireflies sparkled around me like stars fallen from the heavens, their lights twinkling with those of distant galaxies.

Crickets chirped softly as they scuttled across my path while owls hooted in the distance. Everything felt peaceful and calm, like time had stopped to admire this magical moment.

Descriptive Paragraph Example 9:

The beach was a tranquil paradise, soft white sand stretching towards an endless blue horizon. The waves crashed gently against the shore, their foamy spray cooling my skin under the hot afternoon sun.

Seagulls hovered overhead, crying as they searched for food along the shoreline. Everywhere I looked, there was beauty; everything seemed perfect at that moment, from the towering palm trees to the sparkling sea below.

Descriptive Paragraph Example 10:

The snow-capped mountain peak rose majestically above me, its rocky sides glinting in the bright sunlight. I could feel the chill of the air around me and see my breath misting in front of me as I trudged up the steep path.

All was silent except for a few birds singing in the distance and the occasional avalanche tumbling down one of the nearby slopes. Everywhere I looked, there were breathtaking views and a sense of awe at being so close to such a powerful force of nature.

Descriptive Paragraph Example 11:

The sun was setting, painting the sky in vibrant shades of orange, pink and purple. The clouds were streaked with golden light, completing the brilliant spectacle that was taking place all around me.

I stopped to take it all in, feeling deep gratitude and awe at witnessing such a beautiful sight. All my worries seemed so far away at that moment; here, nothing else mattered but enjoying this fantastic view.

Descriptive Paragraph Example 12:

The dusty roads wound their way through the rolling hills of the countryside, lined by ancient trees whose roots had grown deep over centuries. Wildflowers flourished in splashes of colour against the backdrop of green fields and blue sky.

The air was sweet with the scent of fresh-cut hay and the buzzing of bees. There was a beauty that could only be found in nature, a timeless reminder of the power and magnificence of the world around us.

Descriptive Paragraph Example 13:

The city skyline glowed in all its glory against the night sky, its skyscrapers towering majestically above me. Cars whizzed by on crowded streets, neon signs flashing in their wake, while music drifted through the air from distant clubs and bars.

People bustled about their business with purpose and energy, carrying an infectious enthusiasm for life. Everywhere I looked, I saw evidence of progress and growth; it was a sight that reminded me just how vast and varied our world is.

Descriptive Paragraph Example 14:

The desert stretched out before me, a vast expanse of red sand and sun-bleached rocks. The heat was oppressive but calming, the warm breeze carrying an earthy scent. In the distance, I could see dust devils whirling across the dunes, throwing up clouds of golden sand in their wake.

It felt like a place stuck in time, where one could take refuge from the frenetic pace of modern life and find solace in nature.

Descriptive Paragraph Example 15:

The forest was alive with sound and colour; birdsong filled the air while shafts of sunlight pierced through the canopy above, dappling the ground below with splashes of gold.

The trees stood tall and proud, their leaves rustling in the gentle breeze. Everywhere I looked, there was evidence of life; from the scurrying squirrels to the buzzing insects, it seemed as if everything had been frozen in perfect harmony and balance. It was an enchanting sight that made me feel profoundly alive.

Descriptive Paragraph Example 16:

The lake shimmered in the afternoon light, its still waters reflecting the clouds above. The sun shone brightly in a deep blue sky, making everything around me seem alive and vibrant. I could feel the warmth of the sand beneath my feet as I walked along the beach, watching the waves lap against the shoreline.

Everywhere I looked, there was beauty; from the towering mountains on either side to the lush greenery that covered them, it was an idyllic setting that filled my heart with joy.

Descriptive Paragraph Example 17:

The stars twinkled in all their glory above me, casting an ethereal glow over everything below. I stood in awe, my eyes searching the night sky for constellations. The moon shone brightly, its pale light illuminating the darkness and giving everything an otherworldly feel.

It was a breathtaking sight that reminded me of the power and mystery of our universe. Here I could escape from my troubles and bask in the beauty of nature’s grandeur.

Descriptive Paragraph Example 18:

The thunder roared as it rolled across the horizon, creating a rumbling sound that could be felt deep beneath my feet. Lightning crackled above, illuminating the sky with flashes of brilliant white light. The rain poured down in sheets, washing away all traces of dirt and dust from everything it touched.

This violent storm was both awe-inspiring and frightening in its intensity, a reminder of the unpredictability of nature. I felt as though I was witnessing something that could never be recreated; a moment of beauty and power that would stay with me forever.

Descriptive Paragraph Example 19:

The autumn air was crisp and clean, filled with the smell of fallen leaves and freshly cut wood. The last rays of sunlight cast an orange hue over everything, creating an ethereal atmosphere that seemed almost magical.

Everywhere I looked were vibrant red, gold, and orange shades as trees shed their leaves for the winter ahead. It was a beautiful sight that reminded me how quickly time passes and how we must cherish each moment before it slips away. It was a reminder of just how vast and varied our world is.

Descriptive Paragraph Example 20:

The snow fell softly from the sky, blanketing the world in a thick layer of white. C crystalline frost covered trees, and icicles hung from rooftops, their needles glistening in the pale moonlight.

Everything was still and silent; it felt like I was the only living soul for miles. With each breath, the cold air filled my lungs, and I savoured this moment of peace, so pure and untouched by modern life. This was nature at its finest, a reminder of how fragile our existence is.

1. What is descriptive language?

Descriptive language is a literary tool used by writers to paint vivid pictures in the reader’s mind. It involves using adjectives, adverbs, metaphors, similes, and other figurative language to describe a scene, person, or situation in detail.

2. Why is descriptive language important in descriptive paragraphs?

The essence of a descriptive paragraph lies in its ability to create a clear and vivid image in the reader’s mind. Descriptive language is instrumental in achieving this, as it adds depth, detail, and color to your writing, making it more engaging and relatable for your audience.

3. Can you give an example of descriptive language?

Absolutely! Consider this sentence: “The sun set over the ocean.” Now, let’s add some descriptive language: “The fiery sun slowly sank beneath the horizon, casting a golden glow over the tranquil, azure ocean.”

4. How can I improve my use of descriptive language?

Practice makes perfect! Try to incorporate descriptive language into your everyday writing. Read widely to expose yourself to different styles of descriptive writing. Experiment with various literary devices such as metaphors, similes, and personification.

5. Does using more adjectives and adverbs make my writing more descriptive?

Not necessarily. While adjectives and adverbs play a key role in descriptive writing, it’s essential to use them judiciously. Too many can make your writing seem overwrought and confusing. The goal should be clarity and precision.

6. How does descriptive language contribute to the tone of a paragraph?

Descriptive language can significantly influence the tone of a paragraph. For instance, using words like ‘gloomy’, ‘dreary’, or ‘haunting’ can create a dark or melancholic tone, while words like ‘vibrant’, ‘lively’, or ‘sparkling’ can evoke a more upbeat and positive tone.

7. Can descriptive language be used in all types of writing?

While descriptive language is most commonly associated with creative writing, it can be effectively used in almost all types of writing, including academic, business, and online content marketing, to engage readers and make the content more memorable. Remember, mastering descriptive language is a journey. Keep practicing, keep experimenting, and most importantly, keep having fun with your words. After all, isn’t that what writing is all about?

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About The Author

I'm Dan Higgins, one of the faces behind The Teaching Couple. With 15 years in the education sector and a decade as a teacher, I've witnessed the highs and lows of school life. Over the years, my passion for supporting fellow teachers and making school more bearable has grown. The Teaching Couple is my platform to share strategies, tips, and insights from my journey. Together, we can shape a better school experience for all.

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Descriptive Paragraph

Ai generator.

To compose an impressive descriptive paragraph, it is important to take note that the main purpose of your writing is not to plainly describe but to paint a picture out of your words. Though it may sound confusing, discovering the deeper world of descriptive writing will surely clear things up. In this article, we are going to discuss the fundamentals of descriptive paragraphs and help you write a magnificent composition of your own. Read through to learn more.

There are various ways to apply descriptive writing and write a descriptive paragraph. Before starting with the proper lecture, we gathered some samples to give you a broader overview of developing your descriptive writing skills . Take a look at these samples:

Descriptive Writing Essay Template

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Short Descriptive Writing

Creative Descriptive Sample

What Is Descriptive Writing?

Descriptive writing is a writing style which is used to describe in sensory detail the different things, places, people, and ideas. Descriptive writing sketches an image on the reader’s mind by giving a detailed description of the particular topic or subject. By doing this, the writer creates a vivid image of whatever he/she is writing about, and allowing the reader to imagine such an image while reading the composition. These are applied in different literary works such as novels, stories, and metaphoric poems .

What Are Some Examples of Descriptive Writing?

Basically, descriptive writing is creating a picture and scenes out of the descriptive sensory details stated by an author about a certain topic. Now that you already have a broader overview of what is descriptive writing, let’s discuss some documents or literally works that apply practical utilization of this type of writing.

Descriptive Essay

A descriptive essay is a literary form that aims to describe a certain subject such as objects, places, experiences, people, etc. Needless to say, descriptive writing is applied in this composition because it enables authors to use adjectives that incorporates the senses such as touch, taste, hearing, smell, and sight to paint a portrait of the mentioned scenarios in the reader’s mind.

Novels are extensive fictional narrative works that are commonly written in prose form. These often deal with complex human experiences that are incorporated with a sequence of events and various characters and settings. Novels are also dissected into different types such as mysteries, thrillers, historical, suspense, crime fiction, science fiction, romantic, etc.

Short Story

Short stories are greatly alike to novels; however, these pieces are significantly shorter and less intricate. The adjective “short” in short stories does not really mean brief, but it shows that these works have a limited scope of settings and characters. In fact, a prominent American humanist, Charlotte Perkins (Stetson) Gilman, composed a long short story that is written on about 19 pages. The short story is entitled “Insidious.”

These are still more kinds of literary pieces that involves descriptive writing in the process such as scripts, descriptive dictionaries, poems, feature articles and many more. Remember that descriptive writing is a literary device, not a classification that defines the whole context of a text. Thus, do not be confused if descriptive writing is applied in a narrative, alright?

Free Descriptive Writing

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Printable Descriptive Writing

How to Start a Descriptive Essay?

Writing a descriptive essay is pretty easy because basically, you only need to describe something with the use of words that collaborates with the five senses. However, to make a compelling and interesting composition that people would read through the last punctuation is indeed a terrific challenge. If you want your readers to continue reading the whole essay, you need to be critical with your introduction first. To help you make an alluring intro, you may follow these steps.

1. Consider your topic.

Topics are usually decided before focusing on your introduction. Now that you have a specific topic you want to describe, make sure that your topic is within the set criterion (if there is any) and truly interests you. Your topic will be the basis for your thesis statement which will also be the key topic of the whole essay so choose the finest topic you can pick.

2. Consider your target readers.

Before writing a single alphabetic character, give yourself some time to ponder on who do you want to be the reader of your work. To do this you may try to meditate and think on the question, “If your essay was a speech, who would be your listeners?” Also,  do not forget to align your audience to your topic. For example, if you want to describe “family planning” then do not expect grade school students to be your target reader. By doing this, it would be easier for you to identify what language and style type you must apply in your essay.

 3. Write statements about your topic.

In this step, we will be needing your pen and paper now. Once you already have them, kindly write any random statements that are relevant to your topic. You may make three to four statements in which all revolve around your main topic. If your topic is something you are very familiar with, you can make use of your own personal experience. For instance, assuming that you want to describe your summer vacation, you can craft a statement like “This essay describes my short stay in Hawaii last summer vacation.” After you have made adequate numbers of sentences, choose the best one. This will serve as your thesis statement.

4. Write some things your reader will learn.

In this step, you need to specifically mention or depict three to four things that your reader will learn upon reading your essay. Make sure these also relate to your thesis statement. Take note of these lessons and utilize the same format in writing them such as:

• Readers will learn how fun my summer vacation was
• Readers will learn what are the superb experiences I encountered in Hawaii
• Readers will learn what are the great places I visited in Hawaii
• Readers will learn what makes the beaches in Hawaii great

These will serve as your topic sentences.

5. Summarize your topic sentences.

Write down all your topic sentences in summary form. A while ago, the same format was used; however, for this part, remove all of them. If you take a hard time to do this, reading the paragraph you have constructed aloud would be a great help.

6. Create your introduction.

Now is the time to make your final intro. Simply craft a summary paragraph of the statements you have stated a while ago. Also, apply variety and creativity in your recapitulation to make the paragraph flow smoothly. Commonly, you can mention your thesis statement in the final part of your introduction.

For experts, you might not need this chronological sequence of steps; nonetheless, for beginners who are unconfident with their composition, relying on this section will never be a bad idea. You can apply it as many as you can until you don’t need it anymore.

Importance of a Descriptive Essay

The basic aim of a descriptive essay is to  show  the readers, and not simply tell them the details through a thorough description. Descriptive essays let the writer connect better with his/her readers. In descriptive writing, the writer stimulates the readers’ imagination through vivid descriptions of the subject. You may also see formal writing examples & samples .

Thus, it is important for the writer to be observant of the details while being creative and imaginative at the same time. It is hard to capture a reader’s attention and keep it until the end of a story, but a well-crafted descriptive effective essay is able to do both things at the same time.

Through descriptive writing, the reader will be able to recreate images on their minds and feel emotions being depicted in the composition. Therefore, the writer must avoid using vague words and descriptions in writing an essay for descriptive.

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Teaching Descriptive Writing

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Personal Descriptive Writing

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Descriptive Writing in PDF

How to Write a Descriptive Paragraph?

Essays are made up of integrated paragraphs. A paragraph is an independent unit of writing a discussion that deals with a specific point or topic that are used to organize longer prose. In its formal sense, paragraphs are consist of one or more sentences and should carry a topic sentence. Similar to essays, paragraphs can also vary according to their purpose. In this section, we are going to give you steps on how you can write a descriptive paragraph.

1. Begin with your topic sentence or interesting idea.

In writing each paragraph it is important to keep it interesting, especially if it is the introduction or the lead of a document. To do this, one can start with a topic sentence. This sentence holds the key idea of the whole paragraph or states what the paragraph is all about. For example, if your topic sentence is “Watching the warm orange sun as it sets from the horizon of the bay makes my eyes misty.” then the whole paragraph simply takes about this specific idea. You can discuss the reason why you act that way or basically anything that supports this sentence.

It is effective to begin your paragraph with the topic sentence because it would establish expectation to your audience what this paragraph is all about at the very opening sentence. Also, it would be a lot easier for you to compose since the following sentences are already guided with the topic you have mentioned. If you want a different approach, you can utilize any interesting detail as your introductory sentence.

2. Support with interesting details.

As mentioned earlier, a topic sentence is supported with relevant details. These sentences or ideas will act as your building blocks to build a concrete message to your reader. Since each paragraph holds different topics, there are also numerous ideas you can include. For example, if you are describing a person, you can elucidate on his appearance and personality. If you are giving a description of an object, you can talk about its size, shape, texture, color, etc. On the other hand, if it is a place that you want to describe, you can add some details about how you feel about the place or the most striking element of the area. Remember, in adding supporting details, only include the most important information about your paragraph to avoid confusing your readers.

 3. Include sensory details.

In order for you to make your descriptive paragraph more compelling, it is important to use sensory words. These are the details that incorporate your senses such as sight, hearing, smell, touch, and taste to create a picture of your experience that your reader could also imagine. This also greatly helps notably if you are going to describe something unknown to the common.

There are various sensory details that you could use to improve your description. For example, rather than stating “I love the air of the province.”, you can express this sentence into “I love the soothing fresh air of the province as it calmly enters my nostrils.” By simply adding sensory details, you can upgrade a plain sentence with no fuss.

 4. Include figurative language and compelling adjectives.

Figurative languages are the tool that writers use to establish a creative way of expression apart from the conventional and formal order of writing. These create complex meaning, colorful writing, indirect comparison, and clarity. In writing your own paragraph, it is important to use figurative language in the process.

There are several figurative languages that you can utilize such as metaphor, simile, personification, hyperbole and a whole lot more. Moreover, in using them, make sure to apply them correctly and do not overuse these tools, too. On the other hand, using strong adjectives can also enhance the appeal of your works. Considering that descriptive paragraphs are more on describing, it would be helpful for you to learn the nature of adjectives or describing words.

5. End with a terminating conclusion.

As beautiful as your intro, your conclusion should be considered well, too. In ending your paragraph, it is important to have a clean, nice and smooth exit. You can do this by stating the significance of an object or an event that closes your story. Before ending your paragraph, also make sure that you already expressed the complete total message you want to convey before stating your conclusion.

What Is an Example of a Descriptive Paragraph?

In the field of journalism, a lead or lede is considered as the sentence or paragraph that contains the essential information of an article. It also sets the tone and alures people to continue reading the whole content. Moreover, leads are commonly used as an introduction.

Apart from hard-news leads that are commonly briefly written with pieces of information bearing the who, what, when, where, when, why, and how of a story, there is a kind of lead that allows a writer express a story creatively. This lead is what we call a feature lead or delayed lede. It allows a writer to create a scene, describe a subject or tell a short story or anecdote. Furthermore, descriptive writing is also applied in this paragraph.

Difference between Narrative and Descriptive Writing

In school, we learned to write different compositions on the different types of writing styles.

Narrative and descriptive writing are two of the writing styles we’re already familiar with. However, because of their similarities, some are still unable to differentiate both styles from each other. You may also see what is writing used for?

Basically, narrative writing is a narration of an event or a particular experience, while descriptive writing is a description of a certain topic. Still, let’s dig deeper.

1. In narrative writing ,  the writer recreates a particular memory of experience through by the sequence of events in chronological order. Narrative writing retells events in detail, creating a story out of it. Narrative writing aims to tell a story to its readers. It also includes the basic elements of the story, such as characters, plot, setting, among others, and is often written in the first person or third person point of view.

2. In descriptive writing, the writer illustrates an image of the subject being described. The writer often relies on the human senses upon describing things, places, events, people, feelings, or ideas. This enables the reader to easily visualize the image, as described by the writer. You may also like essay writing examples & samples .

What Are the Types of Descriptive Writing?

Descriptive writing is essentially about describing a subject; however, subjects in a descriptive text differ from each other. Because of this variety, here are the three major types of descriptive writing:

1. Descriptive writing about a person

This type of descriptive writing generally talks about an individual or group of individuals. It creatively discusses the personality, the characteristics, the demographic information and appearance of the described person. In this type of descriptive writing, mentioning details pertaining to the physical feature of an individual is advisable since it is one of the first characteristics that people usually observe first, and it creates an emotional appeal to the reader.

2. Descriptive writing about an object.

Needless to say, this type of descriptive writing depicts an object. In writing a descriptive statement about a thing or object, it is important to make use of the five senses. Treat your readers as innocent children, as if they never met before the object you are describing. For instance, instead of saying “The jacket that Betty uses is nice.”, you can state as “The pink soft furry hoodied jacket that Betty uses is so fantastic.” Since object-related topics commonly hold less emotion, using metaphorical terms would also help in appealing your readers.

3. Descriptive writing about a place

One major type of descriptive writings is about places. This basically features the place but also encompasses everything around and in it. Details are an important factor in this writing since it is like creating a landscape painting with the use of words. You can often start with the most fascinating characteristic of the place or your first or total reaction upon visiting or seeing the place. You can also add some dialects or bizarre qualities of the region or scenery as well.

Text prompt

• Instructive
• Professional

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