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How to write for Vogue

As part of our new series diving into how to become a fashion writer, this week we also posted 10 Skills you need to work as a Fashion Editor . Today we bring you how to write and pitch your article to the Chanel of magazines; Vogue. Of course the strategies I will give you can also be applied to pitching to any of your other favourite magazines.

(PS We are also hosting a free live webinar next week on March 2nd and 3rd about 3 steps to become a fashion writer , click here to register for free.)

Whether you choose to freelance on the side or full-time, you need certain strategies in place to help you. While you might believe it is as easy as writing up an article, a lot more work goes into the entire process of submitting your work to Vogue or any publication. From pitching to understanding tone of voice, we have all you need to know to ensure you can pitch to the best of your ability to Vogue.

Understand the tone of the publication

Before you begin to consider anything from your pitch to your article idea, it’s important to first research the publication! Head to vogue.com or to your local shop to pick the latest print copy up. It’s crucial to have an understanding and knowledge of the magazine from the tone and style to the content. This will ensure your pitch and ideas will fit Vogue perfectly. When looking at the online publication, take note of which categories and subcategories stand out to you. Which best suit your niche and writing interests? Ensure you read some of the articles within this section to get a feeling for the tone of voice of the magazine. You can apply the same strategy when reading through the physical copy. You should even underline or highlight phrases, words, or sentences that stand out to you within the articles.

As you read the articles within your niche ask yourself;

Is this a more casual, chatty tone or serious and professional? Is this in the first or third person? Do they use numbers or write the numbers out? Does it feel like you’re reading from an older sister or a serious industry insider, or even a mix of both?

Use these questions to help you get a deeper understanding of the tone of voice within Vogue, to ensure you can fit within this writing style.

Generating ideas 

Coming up with the idea to pitch can be the most challenging part of fashion writing. Sometimes you can feel out of inspiration or lost of thoughts. To guarantee you can bring out your best ideas, there is a plan you can put in place. Let’s face it, you don’t want to be having one of those blank days the day you send your pitch to Vogue, do you?

Firstly you need to consider lead time! Before you begin brainstorming any ideas, it’s important to consider the overall lead time . Any professional writer will be mindful of how relevant and fresh an idea will still be, once it is published. The Industry used term ‘lead time’ acknowledges the time taken from your proposal, to writing the article, to the publishing date. So, it is important to first decide if you are aiming to write for Vogue digital or print. As print is published monthly, the lead time can be from 6 weeks to 3 months. Therefore you have to think ahead clearly. Whereas if you aim to write for vogue online, the digital platform is updated daily and the turn over is a lot quicker. So you can even pitch a week in advance. However, as Vogue is the top fashion magazine in the world! I would include even a week or two to answer your email pitch. Ensure you consider anything from 2 weeks to one month in advance when searching for your ideas to get published for Vogue.

Try to begin by mind mapping any ideas you may already have stored or have come to mind. It’s surprising once you start writing down your base ideas, how many more will suddenly spring to mind. Take a look at current news affairs and the digital Vogue categories again. Write each category out and think about what you would like to read within that category. Or what the audience of vogue might be missing? Don’t underestimate the power of a good pen and paper brainstorming session. Once you have your idea, you can search the keywords of them within the website, to ensure they haven’t been published recently. You don’t want to come across uninformed to the editor of Vogue.

Of course this strategy is more difficult with print, as there is no way to see a constant workflow of ideas from the publication. It is crucial you take in to account the longer lead time and even propose several ideas, if you want to write for Vogue.

Considering Writing Style

So, you have your idea and your beginning to prepare and think about how you will write this piece. Take your notes from the very beginning and remind yourself of the tone of the publication and their writing style just before you write your piece. This will ensure you are fully in the mind of a writer of Vogue. Even re-read your favourite articles to soak up the writing style. Nevertheless, it is also important to not loose your unique voice within your writing. Don’t be nervous if your writing does not read exactly as theirs. Everyone has their own personal writing style which will shine through all their articles, even making it recognisable as a piece of theirs. Publications want you to show you can fit within their tone of voice, but also bring something unique and fresh to your article. Which is a fundamental aspect to consider to write for Vogue.

When writing your piece , it is crucial to re-read numerous times to check all your grammar and spelling is on point. No publication, especially Vogue will ever publish an article with a mistake. This is incredibly important to establish yourself as a professional writer to the top global fashion publication. If you want to impress the Editor and you are aiming to write for the digital platform of Vogue, then consider SEO. Including SEO (Search Engine Optimization) strategies within your writing is fundamental to fashion publications to drive traffic to the website. Although it may sound complicated, it is as simple as following some guidelines when writing. This can include adding keywords throughout and external and internal links.

Perfect Pitch

Pitching is the most effective strategy to get your work published. This is when as a fashion writer you contact the Editor directly via email to propose your article idea, in order to write it and get published within the magazine. So, once you have done all your research, brainstormed your proposal ideas and considered the writing style; you are ready to draft your pitch.

The first step is to find the email you need. It’s crucial to ensure you pitch to the right people. A common mistake many people make is pitching to the wrong Editor, which often leads to your ideas being ignored. To guarantee your article and proposal is considered correctly to write for Vogue, you need to find the email of the correct Editor working within the category your idea falls under. For example, you wouldn’t pitch an article on the latest beauty trends to the Fashion Editor! It’s also important to consider the country you are pitching to. A publication as large as Vogue will have a different Fashion Editor for Vogue UK to Vogue America.

The next step it of course to draft your pitch. Make sure to keep it short and sweet, but you should include the following sections

• Introduce yourself. Briefly explain who you are and what you do

2. Pitch your idea! Explain how your article fits in with Vogue and what date you can have it to them by

3. Offer links of sample articles of previous work you have had published

4. Add your contact details; portfolio, email, LinkedIn

While it’s important to keep your pitch condensed, you also want to make it clear you are familiar with the publication and it’s work, while keeping a professional tone.

To learn more about how to start your career as a fashion writer and become published by your favourite publications, register for our free webinar about the 3 steps to become a fashion editor . Or join the waitlist now for the new course The fashion writing accelerator . Enrolment is opening again soon this month!

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Waiting for your reply

Esta pequeña guía paso a paso, Gracias por la solución… Estaba buscando exactamente lo que…..

I am Carol Starr, Astrologer/Psychic. I just thought I would put my two cents in here. I would love to write an article on the best styles for each zodiac sign. Astrology is hot today…. and style is of course always hot. I have a very large following on TikTok (all ages.). Check it out. astrostarr4.

This article on how to write for Vogue provides valuable insights into the world of fashion journalism. It’s clear and concise, outlining the key steps and tips for aspiring writers who dream of contributing to such a prestigious publication. The emphasis on building a personal brand, networking, and creating a unique writing style is especially helpful. The inclusion of real-world experiences from Vogue contributors adds authenticity to the advice given. Overall, it’s an excellent resource for those looking to break into the competitive field of fashion writing. Thank you for sharing these valuable tips and guidance!

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10 Proven Steps: How to Submit an Article to Vogue Magazine - Ultimate Guide 2024

Are you an aspiring writer dreaming of having your work published in Vogue magazine? Look no further! In this ultimate guide, we will provide you with 10 proven steps to help you submit an article to Vogue magazine and increase your chances of getting published . Whether you're a fashion enthusiast, a beauty expert, or a lifestyle guru, Vogue is the pinnacle of fashion journalism , and having your work featured in its pages can be a game-changer for your career. So, let's dive in and discover how you can make your dream a reality!

Important Statistics:

• Vogue magazine has a readership of over 12 million people worldwide.
• Vogue's website receives over 40 million unique visitors per month.
• The average Vogue reader spends 90 minutes reading each issue.
• Vogue magazine has been in publication for over 125 years.
• Vogue is published in 23 countries and regions around the world.
• Vogue's social media platforms have a combined following of over 60 million.
• Vogue magazine has won numerous awards for its editorial excellence.
• Vogue covers a wide range of topics including fashion, beauty, culture, and lifestyle.
• Vogue magazine has featured some of the most influential figures in the fashion industry .
• Submitting an article to Vogue requires careful attention to detail and a strong understanding of the magazine's style and audience.

1. Research Vogue Magazine:

Before submitting an article to Vogue, it's essential to familiarize yourself with the magazine's style, tone, and content. Spend time reading recent issues of Vogue to get a sense of the topics they cover, the writing style they prefer, and the overall aesthetic of the magazine. Pay attention to the types of articles that are published and the voices of the writers. This will help you tailor your article to fit seamlessly into the pages of Vogue.

Research Vogue Magazine

Researching Vogue magazine is the first step towards successfully submitting an article. By immersing yourself in the publication, you can gain valuable insights into their preferred style, tone, and content. Take note of the topics covered, the writing style used, and the overall aesthetic of the magazine. This knowledge will enable you to craft an article that aligns perfectly with Vogue's brand and audience.

2. Identify Your Target Audience:

Understanding your target audience is crucial when submitting an article to Vogue. Vogue caters to a specific demographic of fashion-forward individuals who are interested in the latest trends , beauty tips, and lifestyle advice. Consider who your article is intended for and ensure that it aligns with Vogue's readership. Tailor your content to appeal to this audience and provide them with valuable and engaging information.

Identify Your Target Audience

Identifying your target audience is essential when submitting an article to Vogue. Vogue's readership consists of fashion-forward individuals who are interested in the latest trends, beauty tips, and lifestyle advice. By understanding your target audience, you can tailor your content to meet their needs and interests. This will increase the chances of your article being accepted and resonating with Vogue's readers.

3. Choose a Compelling Topic:

The topic of your article plays a significant role in capturing the attention of Vogue's editors. Choose a topic that is relevant, timely, and aligns with Vogue's editorial focus. Consider current fashion trends, beauty innovations, or lifestyle topics that would appeal to Vogue's readership. Additionally, try to bring a unique perspective or angle to your chosen topic to make it stand out from the crowd .

Choose a Compelling Topic

Choosing a compelling topic is crucial when submitting an article to Vogue. Your topic should be relevant, timely, and aligned with Vogue's editorial focus. Consider current fashion trends, beauty innovations, or lifestyle topics that would resonate with Vogue's readership. To make your article stand out, bring a unique perspective or angle to your chosen topic. This will capture the attention of Vogue's editors and increase your chances of getting published.

4. Craft an Attention-Grabbing Headline:

The headline of your article is the first thing Vogue's editors will see, so it needs to be attention-grabbing and compelling. Use strong, descriptive words that evoke curiosity and make the reader want to click and read more. Keep it concise and to the point while still conveying the essence of your article. A well-crafted headline can significantly increase the chances of your article being noticed and considered for publication.

Craft an Attention-Grabbing Headline

Crafting an attention-grabbing headline is essential when submitting an article to Vogue. Your headline should use strong, descriptive words that evoke curiosity and entice the reader to click and read more. Keep it concise while still conveying the essence of your article. A well-crafted headline can greatly increase the chances of your article catching the attention of Vogue's editors and being considered for publication.

5. Write a Compelling Introduction:

The introduction of your article is your opportunity to hook the reader and make them want to continue reading. Start with a captivating opening sentence that grabs their attention and sets the tone for the rest of the article . Clearly state the purpose of your article and what the reader can expect to gain from reading it. Make sure your introduction is concise, engaging, and leaves the reader wanting more.

Write a Compelling Introduction

Writing a compelling introduction is crucial when submitting an article to Vogue. Your introduction should start with a captivating opening sentence that grabs the reader's attention and sets the tone for the rest of the article. Clearly state the purpose of your article and what the reader can expect to gain from reading it. Keep your introduction concise, engaging, and leave the reader wanting more.

6. Provide Unique and Valuable Content:

Vogue magazine prides itself on providing its readers with unique and valuable content. When submitting an article, ensure that you offer something fresh and insightful. Avoid regurgitating information that can be found elsewhere and strive to provide a unique perspective or angle on your chosen topic. Offer practical tips, expert advice, or exclusive insights that will captivate Vogue's readers and set your article apart from the rest.

Provide Unique and Valuable Content

Providing unique and valuable content is essential when submitting an article to Vogue. Avoid regurgitating information that can be found elsewhere and strive to offer a fresh perspective or angle on your chosen topic. Provide practical tips, expert advice, or exclusive insights that will captivate Vogue's readers and set your article apart from the rest. By offering something unique and valuable, you increase the chances of your article being accepted and published.

7. Follow Vogue's Submission Guidelines:

Every magazine has its own submission guidelines , and Vogue is no exception. Before submitting your article , carefully review Vogue's submission guidelines to ensure that you meet all the requirements. Pay attention to word count limits , formatting preferences, and any specific instructions provided by the magazine. Following these guidelines demonstrates your professionalism and increases the likelihood of your article being considered for publication.

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Follow Vogue's Submission Guidelines

Following Vogue's submission guidelines is crucial when submitting an article. Carefully review the guidelines to ensure that you meet all the requirements. Pay attention to word count limits, formatting preferences, and any specific instructions provided by the magazine. By following these guidelines, you demonstrate your professionalism and increase the likelihood of your article being considered for publication in Vogue.

8. Edit and Proofread Your Article:

Before submitting your article to Vogue, it's essential to edit and proofread it thoroughly. Check for grammatical errors, spelling mistakes, and ensure that your writing flows smoothly. Vogue magazine has a reputation for its high editorial standards, so it's crucial to submit a polished and error-free piece. Consider enlisting the help of a professional editor or proofreader to ensure that your article is flawless before submission.

Edit and Proofread Your Article

Editing and proofreading your article is crucial before submitting it to Vogue. Check for grammatical errors, spelling mistakes, and ensure that your writing flows smoothly. Vogue magazine has high editorial standards, so it's important to submit a polished and error-free piece. Consider seeking the assistance of a professional editor or proofreader to ensure that your article is flawless before submission.

9. Submit Your Article:

Once you have completed all the necessary steps, it's time to submit your article to Vogue. Follow the submission guidelines provided by the magazine and submit your article through the designated channel. Be patient and allow some time for the editors to review your submission. In the meantime, continue working on other writing projects and stay positive.

Submit Your Article

Submitting your article to Vogue is the final step in the process. Follow the submission guidelines provided by the magazine and submit your article through the designated channel. Be patient and allow the editors some time to review your submission. In the meantime, focus on other writing projects and maintain a positive mindset.

10. Follow Up and Stay Persistent:

After submitting your article, it's important to follow up with Vogue's editorial team . Send a polite and professional email inquiring about the status of your submission. However, be mindful not to pester or bombard them with multiple follow -ups. Remember that Vogue receives numerous submissions, and the review process may take some time. Stay persistent, continue honing your writing skills , and explore other publishing opportunities while waiting for a response.

Follow Up and Stay Persistent

Following up with Vogue's editorial team is crucial after submitting your article. Send a polite and professional email inquiring about the status of your submission. However, avoid pestering or bombarding them with multiple follow-ups. Keep in mind that Vogue receives numerous submissions, and the review process may take time. Stay persistent, continue improving your writing skills, and explore other publishing opportunities while waiting for a response.

Submitting an article to Vogue magazine can be a challenging but rewarding experience. By following these 10 proven steps, you can increase your chances of getting published and make your dream of seeing your work in Vogue a reality. Remember to research the magazine, identify your target audience, choose a compelling topic, craft an attention-grabbing headline, write a compelling introduction, provide unique and valuable content, follow Vogue's submission guidelines, edit and proofread your article, submit it, and follow up with persistence. Good luck on your journey to becoming a Vogue contributor!

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How do I submit an article to Vogue magazine?

To submit an article to Vogue magazine, you can visit their official website and look for the submission guidelines. They usually have a specific section for writers and contributors where you can find information on how to submit your article. Make sure to follow the guidelines and include any necessary information or attachments they require.

What are the requirements for submitting an article to Vogue magazine?

The requirements for submitting an article to Vogue magazine may vary, so it's important to check their official website for the most up-to-date guidelines. Generally, they may ask for a well-written and original article that aligns with their editorial style and content. They may also require a brief author bio, contact information, and any relevant images or visuals to accompany the article.

Is there a specific email address to submit articles to Vogue magazine?

Vogue magazine usually provides a specific email address for article submissions. It's recommended to visit their official website and look for the submission guidelines to find the correct email address. Make sure to use the designated email address and include all the necessary information and attachments as specified in the guidelines.

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A Millennial Guide Companion: Where To Pitch Your Op-ed

ReThink recently released our Millennials & New Media Guide: a resource that walks you through the most popular news outlets, websites, and podcasts that millennials and Gen Z’ers consult to get their daily news fix.  The Guide features everything from podcasts to online streaming services to newsletters. You may be left wondering: I wrote a good old-fashioned opinion piece. Which of these outlets will actually print my op-ed?

To save you some legwork, ReThink has combed through our Millennials & New Media Guide to identify outlets with strong opinion sections––that could soon feature your very own op-ed. 

Here’s our list, along with a short summary of each outlet’s tone, areas of coverage, and (if applicable) avenue to submit your piece. We encourage you to look at the Opinion sections on each site to get a sense for length, title, and topic of other op-eds.

AltMuslimah

An online magazine featuring compelling commentary on gender-in-Islam from both the male and female, Muslim and non-Muslim, perspectives. AltMuslimah publishes a combination of analysis and personal stories, and editorial staff works with contributing writers to revise pieces. Categories include Politics, Family, Community, Culture, Relationships, Columns, and Altfem.  You can submit your article here .

Bitch Media  

A tech company whose mission is to economically and creatively support Black millennials across the African diaspora, so they can pursue the work they love, and change the world in the process. Categories include News, Tech, Videos, Series, Opinion, and Finance.  You can submit your article here . 

A women-centric website and digital news channel from VICE that focuses on women's interests and the world from a distinctly female point of view, telling women's stories through long form journalism and original online video. It explores "sex, politics, culture, witchcraft: women’s news you thought would exist by now." Broadly has an Opinion section; you can find contact information for their Editorial staff here .

A news and opinion website that provides a fresh spin on news, entertainment, fashion, beauty, lifestyle, books, and any and all subjects that concern women. The website targets women ages 18 to 34, focusing on general interest topics from a female angle. Categories include News, Entertainment, Beauty, Fashion, Lifestyle, Tech, and Food.  Check out Bustle’s own tips for pitching your personal essay here , and then submit your piece .

An independent digital media company delivering news and entertainment to hundreds of millions of people around the world. You may have seen Buzzfeed’s list-style articles, or read from the robust Buzzfeed News section, but did you know you can submit longform, personal essays to Buzzfeed Reader ?  Scroll down for their Masthead, so you know which editor to pitch.

A daily news site where race matters, featuring award-winning investigative reporting and news analysis. The Editorial section presents articles written by leaders, organizers and authors of color on topics such as racial issues, arts, and relevant social issues. See all the details on submitting your own article here .

Cosmopolitan

An international fashion magazine for women. Often referred to as Cosmo, its content includes articles on women's issues, relationships, sex, health, careers, self-improvement, celebrities, fashion, and beauty. Cosmo prints personal stories; to find out who to pitch yours to, check out their company Masthead here .

An online platform that champions radical fashion and youth culture, defining the times with a vanguard of next generation writers, stylists and image makers. Dazed has a dedicated editorial and video team covering news, fashion, culture, music and art.  Find the appropriate editor to contact with your piece here . 

Global Citizen

A social action platform that covers major issues on the planet including topics on women's issues, health, education, finance and innovation, food and hunger, water and sanitation, environment, citizenship and more. In Global Citizen’s News section, there are plenty of opinion pieces and articles highlighting the work of nonprofits around the world. You can submit your story here . 

HelloGiggles

A positive online community for women (although men are always welcome!) covering the latest in beauty, fashion, lifestyle, female empowerment, culture, relationships, friendship, careers, and issues that matter most to young women’s lives. “We’re especially interested in personal essays and cultural criticism with unique and diverse points of view, LGBTQ perspectives, smart articles with original reporting, and illustrations.” More submission tips and Masthead here . 

An online news source that covers domestic and international news and politics, culture, business, science, media, technology and the millennial generation. Mic includes many verticals including Hype, The Future is Now, PayOff, MultiPlayer, The Movement, Slay, Navigating Trump's America, Out of The Office and Strut. You can submit your personal essay to [email protected] , or check out their Masthead to contact a specific editor. 

An online publication covering news and culture. The website is dedicated to bringing its readers features on people, places, trends, ideas and opinions before it's covered by mainstream media. Ozy also has a growing opinion section. Email your story pitch to [email protected] .

A digital news outlet that features the latest business and financial news, with in-depth statistical analysis, emerging trends and more. Quartz has an “Ideas” section that prints pieces combining personal narrative with new ideas/arguments about larger topics. Here’s the Ideas Editor’s guide on how to pitch  Quartz; once you’ve read through it, email [email protected]  with your pitch. An editor will work with you to refine your piece. 

An online destination for discovering the latest and best in independent fashion, beauty and style. Main categories that feature on the blog include Fashion, Beauty, Living, Entertainment, How To and News. Refinery29 also has a “Strong Opinions” sections, and accepts pitches for submissions at [email protected] . 

An online publication that targets the general interests of the online creative and alternative communities. Sections include: News, Entertainment, Books, Life, Sustainability, Tech & Business and Food. Check out their guidelines on story submissions, and then email your pitch to the appropriate section (you’ll find email options in the guidelines page above). 

An online news source that provides analysis and commentary about politics, news and culture. Slate examines current events through a critical lens and offers fresh perspectives on the arts, business, technology, science and more. Definitely read through Slate’s specific guidelines for pitching your piece, and scroll down for the appropriate editor’s email. 

A digital and print magazine analyzing world events and news from a Christian perspective, and providing  a synthesis of faith, culture, and politics with an emphasis on integrating the search for spiritual renewal with social justice. Read through their submissions guidelines and email yours with the word “submission” in the subject line to [email protected] .

An online magazine written for sophisticated teenage girls. Its content focuses on issues relevant to teens including fashion, make-up, shopping, music, celebrities, and general news. Opinion pieces often feature young voices, and/or stories on topics that are especially relevant for young people. To pitch your piece, find the appropriate editor on Teen Vogue’s Masthead . 

A site for women who want to view the latest fashion trends, read provocative takes on issues from politics to relationships, and preview new products. Sections include Style, Self, Culture, and Power. The Cut’s content is provided by New York Magazine staff.  Send your op-ed pitch to editorialsubmission[email protected] , and specify that you’re writing for The Cut. 

The Daily Dot

An online publication that adapts the community newspaper concept to online communities, and covers online news, events, viral trends, online cultures and more. For feature pitches, consult the appropriate editor for each section.

Layer 8: [email protected] ; Debug: [email protected] ; Unclick: [email protected] ; Upstream: [email protected] ; IRL: [email protected] ; Parsec: [email protected] . 

The Everygirl

A website that seeks to inspire young, career-driven women. It offers personal finance tips and information on careers, fashion, lifestyle and more. Blog categories include career and finance, culture, fashion and beauty, living, travel and wellness. Pitch your piece by emailing [email protected] . 

The Intercept

A digital magazine that produces original investigative reporting, analysis, and multimedia content focusing on national security, politics, civil liberties, the environment, international affairs, technology, criminal justice, media, and more. Submit your op-ed to [email protected] .

The Outline

An online news source whose coverage focuses on three topics that are increasingly converging in strange and important ways: power, culture, and the future. Email your opinion submissions to [email protected] , and/or check out their Masthead to contact an editor directly. 

The Tempest

A technology and media company aimed at building, amplifying and connecting innovative products and experiences for diverse millennial women. The Tempest includes verticals such as Life, love, News, Social Justice, and Pop Culture. Here’s an in-depth guide to each vertical, and how to pitch your story. 

A nonprofit organization and website that focuses on political news and analysis. It discusses current events and news and offers political commentary. The Speakout section in particular includes “quirky, personally reflective, or activism-focused” op-eds. Make sure to read through their (very particular) submissions guidelines before emailing your pitch to [email protected]. 

After you’ve figured out where you want your op-ed placed, remember the rules of pitching : Keep it short, keep it newsworthy, and offer a concrete resource. 

Good luck placing your piece, and happy pitching!    Are you a member of the ReThink community and would like a copy of the Millennials & New Media Guide, hot off the press? Email [email protected] or reach out to your ReThink contacts to request a copy.   Think we missed an outlet that belongs on this list? Tweet to us at @rethink_media to let us know!

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How to Pitch Editors At Teen Vogue

By Teen Vogue Editors

Thank you for your interest in pitching Teen Vogue! We regularly rely on freelancers to help us produce content that is meaningful and impactful to our readers, and want to make sure you have the tools to submit your best ideas to us. Please review these helpful tips before submitting a pitch to the appropriate section.

At Teen Vogue, we pride ourselves on publishing reported pieces and essays that are inclusive and disruptive. With smart, authentic takes on culture, identity, and politics, we tell the stories that normally go untold, defining the zeitgeist for a new generation that demands style and substance. As our Editor-in-Chief Versha Sharma says, we aim to be a “guide and resource for young people who want to change the world for the better, all the while reminding them to have fun and find joy doing it.”

Many of our readers range in age from pre-teens the to late twenties, but we attract readers beyond this group, too, thanks to our accessible and timely content about trending stories and issues. We help readers understand upcoming elections, rank their favorite new K-pop releases, stay informed on sexual and reproductive health news, and shop for commerce that is both fresh, as well as socially and environmentally conscious.

What We’re Looking For

Teen Vogue is accepting both reported and op-ed pitches across our four sections – Culture, Identity, Style, and Politics. Here is a breakdown of the types of stories we’re looking for, as well as previous examples and contact information for our editors.

Formatting Your Pitch 

Here are some general tips for submitting an effective pitch. 

• Grab our attention by formatting your subject line as a headline.  Ex. Pitch: Young People are Uniting to Fight Atlanta’s ‘Cop City’   Note : If your pitch is timely, add the word “Timely” to the beginning of your subject line so we know to take a look sooner than later. Keep in mind, we receive a ton of pitches and it’s impossible for us to respond to them all if they’re not a good fit. 
• A successful pitch will include a few clear sentences on the story you hope to tell, a general idea of the sources you’ll include and the access you have to them, and information on why your pitch is unique — how is this angle different from what’s already out there and relevant to Teen Vogue’s audience?  Tip: Want to make sure you have a strong pitch? Consider writing your nut graph as you’re working through your pitch.
• Tell us why you’re the best person to write this story. Your pitch email should include a brief bio (one to two sentences). Be sure to mention why you’re an expert or have a unique personal experience, and add links to similar work that showcases why you’re the best person to write this story.

Teen Vogue’s Culture section covers TV, music, movies, art, theater, internet culture, and more — anything that can be considered pop culture for young people fits here. We consider ourselves as writing  for fans (or future fans!) and are most interested in stories that delve  beneath the surface of celebrities, actors, artists, and trends. We love a  deep-dive profile of a young musician who  has a fast-growing fandom but little mainstream coverage, for example, or an op-ed that exposes the nuances of  a controversial scene on TV. We love stories that approach pop culture with  a critical eye , but  a good-faith one , too. What are  people missing in the response to Internet ephemera? Which  harmful stereotypes are being  perpetuated against a genre or movement, and how can we  add to discussions in a more fully-formed way? Whose crucial work is going unseen or  uncelebrated ? 

Outside of the above, we have an ongoing series that is generally open to pitches:

Main Character Energy is a Teen Vogue series that spotlights the scene-stealers in brand-new movies and shows, the ones who level up our favorite scenes. They're the supporting characters, the guest stars, the cameos — the ones who can destroy an enemy with a whip-smart comeback or shift the entire tone of a scene with a quippy one-liner. They're the best friends and the tricksters, the sidekicks, and the MVPs. Without them, those leads wouldn't be able to save the day — and their lives would be pretty boring. Who would Lucas be without Erica, or Edward without Alice? Read our past  Main Character Energy features here. Pitches should come about a month out from a show’s release date.

Senior Entertainment Editor : P. Claire Dodson,  [email protected]

Teen Vogue’s Identity section is dedicated to covering the business of being us — from providing top-quality information on  physical and  mental health to essays reflecting on the role  race plays in how we’re treated in different spaces. Topics most often covered in the section include  mental health,  sexual health, reproductive  rights , body image, and  LGBTQ and  racial identity. We're also interested in timely op-eds reflecting on the role identity plays in current news.

For stories including any sort of health information, all sources should be experts in their field —board-certified doctors, licensed mental health providers, or other credentialed specialists who work directly on the topic you're reporting on.

Features Director and Identity Editor: Brittney McNamara,  [email protected]

Style & Beauty

As Teen Vogue’s flagship vertical, the coverage we do in the style and beauty section is at the forefront of youth expression. We highlight  trends , changemakers and  entrepreneurs ,  celebrity style ,  industry news , and op-eds. Specifically, with our beauty coverage, we provide service content through  product reviews and investigative reporting of popular brands. We're interested in timely retrospective features unpacking  fashion history and beauty staples. As a conscious publication, we also cover how climate change has been accelerated by fast fashion and uplift ethical companies that prioritize workers’ rights and low-carbon emissions. 

For stories including any type of trends, all sources should be experts in their field and quantitative data should come from credible sources.

Senior Fashion & Beauty Editor: Karissa Mitchell,  [email protected]

Fashion and Beauty Associate Editor : Donya Momenian,  [email protected]

Commerce Editor: Shauna Beni,  [email protected]

The main coverage topics in the politics vertical are social justice, U.S. politics and history, and education. Our stories typically run between 750 words for quicker op-eds to up to 1,800 for more in-depth reported or research-based pieces. We run reported stories on how topics like  climate change ,  the education system ,  the economy , and  immigration are affecting young people; news  explainers ;  lots   of   op-eds ; occasional  Q&As ; and historical pieces/profiles that are relevant or interesting to a young audience for our  Overlooked history series . A youth angle is always preferred but not necessarily required. Our audience also lives all over the United States, so a more national angle to a local story tends to work better.

Politics Director: Allegra Kirkland,  [email protected]

Longform Features

Teen Vogue occasionally publishes long-form features on topics that specifically impact our young audience. These may be  profiles of important or popular figures, long looks into  cultural phenomena , or investigations. We've investigated at length the role  egg donation plays on college campuses, the impact of the " troubled teen " industry,  abortion access before and after Roe v. Wade, and more.

To pitch a long-form feature or profile, include a paragraph or two about the topic and why it's important for Teen Vogue's readers to know about it, information on sources you plan to include, and what kind of access you have to them. For investigative stories, it's best to include some pre-reporting to confirm that your idea has legs. Because of our limited bandwidth, investigative and other long-form articles may take a while to get published — we fact-check our reporting thoroughly, a process that takes some time.

By Yi Ning Chiu

Submissions

General Overview

Unlike many magazines, Creative Nonfiction draws heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of CNF contains at least one essay by a previously unpublished writer.

We’re open to all types of creative nonfiction, from immersion reportage to lyric essay to memoir and personal essays. Our editors tend to gravitate toward submissions structured around narratives, but we’re always happy to be surprised by work that breaks outside this general mold. Above all, we’re interested in writing that blends style with substance and reaches beyond the personal to tell us something new about the world. 

Creative Nonfiction accepts submissions online through Submittable. Please read specific calls for submissions carefully. 

When you submit online, you will receive a confirmation email from Submittable. We try to respond to all submissions as quickly as possible, but because the submissions are more often than not at the upper end of the word limit and because we really do read everything carefully, the process often takes a long time. Unfortunately, this is especially true for work we like. If you have not heard from us since the initial confirmation email, please assume your manuscript is still under consideration. 

What is Creative Nonfiction?

Dive in with CNF Founder and Editor, Lee Gutkind

Current Issue

78 / Experiments in Voice

Uncoventional narrators & shifting perspectives

What is voice? How do you find yours? How can you change it, rearrange it, play with it? And then, how can you use it to make change in the world? This issue is a celebration of writerly playfulness, exploration, and risk-taking, featuring breathless, epistolary, speculative, second-person, and snarky essays.

Current submission calls

Accepted All Year

We’re looking for writing about writing—smart and insightful ideas related to the art, craft, history, or philosophy of creative nonfiction.

Recently closed Submission Calls

Closed / June 27, 2022

True stories by (or about) nurses

For a special expanded anniversary edition of I Wasn’t Strong Like This When I Started Out: True Stories of Becoming a Nurse , Creative Nonfiction/In Fact Books is seeking essays by and about nurses.

Closed / August 1, 2022

Sunday Short Reads

Creative Nonfiction is currently seeking original short nonfiction for the Sunday Short Read email, which reaches 8,000+ readers weekly. Accepted work is also featured and archived online. We’re open to submissions on any subject, in any style.

Closed / May 15, 2022

We are actively reading the submissions received and will update submitters on the status of their work as soon as we can.

Closed / February 22, 2021

New Nonfiction by Older Writers

Closed / January 11, 2021

Experiments in Nonfiction

Pitch us a craft piece.

As of May 2022, we’ve retired this portal; see new guidelines, above.

A Note About Fact-checking

Essays accepted for publication in Creative Nonfiction undergo a fairly rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and ideally, it should, to some degree), CNF editors will ask you to send documentation of your sources and to help with the fact-checking process. We do not require that citations be submitted with essays, but you may find it helpful to keep a file of your essay that includes footnotes and/or a bibliography.

A Note About Reading Fees

Here at Creative Nonfiction, we are always reading, searching for excellent new work to showcase in our various publications. At any given time, we usually have several submission portals open (see above calls for submissions), many of which require writers to pay a reading fee to submit their work.

Frequently Asked Questions

Still have questions? View additional FAQs here , or contact us .

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HOW TO SUBMIT YOUR WORK TO TOP FASHION MAGAZINES

How to get published in Vogue? Fashion magazine submissions can be tricky. Whether you're looking to get your work published in Vogue Italia, Another Magazine, or L'Officiel magazine, we'll explain how to submit your work to top fashion magazines, with the help of photographer and Founder of Afi Magazine, Conrad Lee. You can also download a free list of magazines accepting submissions below.

How to Submit Work to a Fashion Magazine?

• Tell your shoot team that you intend to submit the work. Most submissions come from test shoots (collaborations with fashion teams) and it's important that, if you are the one arranging the test shoot, to tell the shoot team that you intend to submit the work and ask them not to publish or share the shots anywhere until you've sent them to the fashion magazines. Some fashion teams sign a  Test Shoot Agreement  (download a test shoot agreement template by clicking the link) before they shoot with a clause that outlines this point. If a fashion magazine sees that the shoot has been published elsewhere, it's less likely they will publish your submission. If you would like to arrange a Test Shoot (for free), click here to post your idea and source a shoot team or browse and apply for Test Shoots live on the Collaboration Board .
• Make a list of the magazines you'd like to submit your work. Pay attention to their previous content and themes. Read the submission guidelines to ensure you meet their criteria. Check if they have a particular theme for their next issue. Submission guidelines can generally be found on their website. If not, email them and ask if they A) accept submissions and B) when is the deadline for submissions and C) what the theme for the next issue. 
• Follow the submission guidelines . Some magazines have an online submission process. For example, Vogue Italia has a specific online process dedicated to online submissions. However, if you're required to email the work, a ZIP file containing high-res images, a PDF with the order of the shots and credits of the team will do.  
• Don't bulk email to a database of magazines. Typically, you can only have your work published in one magazine so choose your preference and work your way down the list. Give it around 2 weeks, if you don't hear anything back, re-submit the work to another magazine. Exclusivity (including use on their social media channels) is, more or less, mandatory. 
• Show editors that you understand their magazine. An email saying “Here are my photos, publish me” is less appealing to one explaining why you think your work is suitable for publication.  To get featured in highly competitive magazines such as, for example, Vogue, it's crucial that you understand what's required of your work before sending off your Vogue submissions. 
• Tell a story. For editorials, the story is key. What are you trying to convey in your fashion or beauty story? What mood? What product? Etc. An editorial with a good story is one that would likely to be picked over one without.

Do you need new fashion images to submit to fashion magazines? Click here to apply to test shoots and submit to magazines.

What makes a great fashion magazine.

There are a few things that I think make a great fashion magazine. Firstly, it’s great content, and this depends on the fashion magazine submissions. The content really defines the magazine and what it is about. What the magazine covers and whether readers like it is somewhat subjective. Whilst some Fashion magazines may focus on latest trends, others may focus more on news, business etc.

We at Afi chose to showcase the creative side of the fashion and photography industry by featuring fashion and beauty editorials, as well as interview creatives from this industry to share their work and words of wisdom. 

The key aspect is to have content that your target readers will find interesting and to predict that, you need to know and understand your target audience.  I often ask myself what I want my readers to feel after reading our magazines issue? Inspired? Motivated? Or maybe even in love?

The second aspect that I feel makes a great fashion magazine is it's aesthetics, especially for magazines showcasing fashion editorials. Magazine design and layout are really important aspects that help put a fashion story across in a cohesive way. The layout and designs also grabs attention and assist an editorial to become memorable. As an editor, I feel putting a good amount of effort into making the design neat and representable is a way of respecting the work of your contributors.

The magazine is like a gallery, I want to showcase my contributors work in the best way possible. This process is not easy, layout and designing is itself a creative process that requires time, and constant self-scrutiny and revision. Every aspect, from deciding on the cover, editorial title, type of font, to where the captions are placed can actually be tough decisions that one has to make. The quality and feel of the magazine really has to be consistent.

My third point is its exposure on social media and its influences. More readers mean your work gets seen to a wider audience, where future jobs and collaborations may arise. Certainly for a young independent magazine, building a following and network takes time to grow. However, the advantage of these smaller magazines is the personalised connections that they can make with it’s readers and contributors. Where, when and how a magazine shares contents can be a game changer in getting readers.

How do you choose which editorials to feature? 

It is often very hard to choose from numerous fashion magazine submissions! But firstly I would like to see that the submitter has followed all the submission guidelines when they send in their work. Fashion Magazine submissions  here .

Guidelines are there for a reason, and it also shows the editor that you have taken it seriously. Obviously, if the images do not meet the technical aspect for print (e.g. <300 dpi) then we cannot use them. Some magazines are very strict on guidelines, from the number of outfit changes, the source of outfits, to the requirement of agency models.

At Afi, I like to be less restrictive to give opportunities to a wider range of creatives. Therefore my advice is that before you submit anything, make sure it meets the requirements, from image size and format to team credits.

The photography, styling, makeup and hair are obviously all aspects that I will look at when deciding if an editorial is accepted. It really has to be creative, top notch work. Originality is great, as this will help inspire our readers with fresh content. Secondly, for editorials, the story is key. What are you trying to convey in your fashion or beauty story? What mood? What product? Etc. An editorial with a good story is one that would likely to be picked over one without. Changes in outfits, makeup, and hair etc will help make an editorial more interesting (although for those who do not have the team or budgets to create such a shoot, Afi magazine also accepts single images).

You also want to show editors you have an understanding of the magazine [you are suggesting to]. An email saying “Here are my photos, publish me” is less appealing to one explaining why they think their work is suitable for publication. We sometimes put a preferred theme in an issue and will put out a mood board, submissions consistent with the theme are obviously preferred. Just bearing all of these little things in mind may help you get your work published.

What advice would you give freelancers who wish to submit editorial work to magazines?

With fashion magazine submissions, you must pay attention to the magazine's previous contents, future mood boards, and themes. Make sure you read the magazine's submission guidelines and that your images meet their criteria. The more creative and original your editorial is, the more attractive it is for publication. Think about what message and mood you are trying to convey in your editorial story, and plan your makeup, hair, styling, lighting and location etc accordingly.

Sometimes your editorials will still get rejected despite how awesome it is, purely because it may not fit with the style of the magazine, so make sure you have done your research, and keep trying. Once you have been accepted for publication, make sure your work remains exclusive until it is officially released by the magazine. It is not unheard of to have editorials pulled from a publication if it was shared prior to its magazine release. My last piece of advice is to keep a good relationship with the magazine and editors. Consistent quality work and a friendly face will help you get ahead of the game.

You have worked with some incredible freelancers @ Afi magazine. Which freelancers have been highlights for you?

Everyone that I have worked with on Afi has been incredible and they are all highlights in their own respect. Working with creative individuals from different parts of the industry has really broadened my way of thinking. From styling, colour matching to photo compositions. I have a tremendous amount of respect for everyone involved in these projects, and I really believe team-work is the key to producing an extraordinary outcome. So get out there and network, form your teams, make friends and create something beautiful. Freelancer Club is a perfect platform for this. 

Is your work good enough?  Upload your work now to the latest projects page to be seen by 1000's of fashion magazines.

Website:  www.bit.do/afimag   Facebook:  https://www.facebook.com/afimag/  Instagram: https://www.instagram.com/afi_mag/

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Can you get your article published in Vogue? (2023)

• 1. Can you get your article published in Vogue?
• 2. How do you pitch to Vogue?
• 3. How do you get featured on Teen Vogue?
• 4. How do I get my article published in a magazine?
• 5. How much does Teen Vogue pay per article?
• 6. How much does Vogue pay freelance writers?
• 7. Can I write for Vogue?
• 8. How many emails do journalists get a day?
• 9. How do you feature on Vogue?
• 10. Can I model for Teen Vogue?
• 11. How old do you have to be to be on the cover of Teen Vogue?
• 12. How do I contact Vogue?
• 13. How much do magazines pay for articles?
• 14. How long does it take to get a magazine article published?
• 15. Where can I publish my article and get paid?
• 16. How much do editors at Teen Vogue make?
• 17. How do you become a writer for Teen Vogue?
• 18. What does Vogue pay per word?
• 19. Can you make a living writing magazine articles?
• 20. Does Vogue pay well?
• 21. Do you have to pay to be in a magazine?
• 22. Can I write for Vogue?
• 23. How do I publish an article on Teen Vogue?
• 24. How do I submit to British Vogue?
• 25. How do you get featured in publications?

Can you get your article published in Vogue?

This is when as a fashion writer you contact the Editor directly via email to propose your article idea, in order to write it and get published within the magazine . So, once you have done all your research, brainstormed your proposal ideas and considered the writing style; you are ready to draft your pitch.

If you want to pitch to a Conde Nast publication (Vogue, Teen Vogue, Glamour, Allure, etc.), editor email formats are usually [email protected] . For Hearst publications (Harper's Bazaar, ELLE, Cosmopolitan, Marie Claire, Seventeen, etc.) editor email formats are usually [email protected].

Teen Vogue works with established modeling agencies to cast talent in our editorials . We do NOT recruit models via TeenVogue.com, Facebook, Twitter, Tumblr, email, or anywhere online. Please see our model policy and send us an email if you've been contacted by a representative claiming they are from Teen Vogue.

• Choose a topic you're passionate about. Before you can see your byline in a magazine publication or website, you'll need to come up with a great article idea. ...
• Research and write. ...
• Edit your article. ...
• Determine which publications to submit to. ...
• Submit your article.

Teen Vogue Average pay is $0.30 a word for digital publication.

Write a first person memoir or cultural observation essay of 800 words centred on the theme . Your submission should be told from your own unique perspective. Provide a short covering letter to explain where you are in your studies or early career, outlining your interest in and aspirations around journalism.

Conclusion – Pitching to the Media with Ease 50% of journalists receive less than 10 pitches a day. Just over 42% of writers reported receiving 11 to 100 pitches a day, and almost 5% receive 100+ email pitches per day .

• Follow Vogue India on Facebook or Twitter.
• Tag Pantene India and Vogue India in all your tweets/posts.
• Use the hashtag #14DayChallenge while sending in your entries.

Teen Vogue often posts casting calls for models online , so stay on the lookout for these throughout the year. If you find them, then first make sure you fit the description of the type of person they are looking for.

How old do you have to be to be on the cover of Teen Vogue?

Teen Vogue is a monthly magazine targeted at female teenagers between ages of twelve to seventeen .

Customer Service can be reached at vogue.com/customerservice, 1-800-234-2347, or by email .

The Best-Paying Magazines for Freelance Writers The New York Times Magazine: Another one of the magazines that pay for articles, freelance rates vary from 50 cents to $2.75 per word for print and web. Pacific Standard: Freelancers report rates from $1 to $2 a word for the print magazine.

Question How long does it take for an article to get published? Solution Short answer: A decision will be usually made in 3 to 6 months, but no more than 9 months .

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If you're interested in working at Teen Vogue, you will likely need a strong background in a relevant industry, such as fashion, design or magazine publishing . Maintaining a blog or regularly publishing articles on fashion may also help you get noticed when applying for a job at Teen Vogue.

Carrie Bradshaw claimed Vogue was paying her $4.00 per word After decades in New York City, a successful column, and a rent-controlled apartment, she had less than $2,000 to her name.

No, but you do need to adjust your thinking about freelance writing in order to make a realistic income from this type of career . Open yourself up to doing other types of writing jobs like: online article writing, website content writing, blog writing and even ghostwriting books.

Vogue pays $41,491 per year, or $19.95 an hour in the United States . However, there's a significant range between what the company pays the top 10 percent and the bottom 10 percent of earners. Vogue pays the highest-paid employees over $88,000 a year, while the lowest-paid employees are paid less than $19,000.

Do you have to pay to be in a magazine?

Answer- No payment . You can get payment if your home is used for a brand or a movie or something like that. But rarely for a magazine. For a one page ad in a national magazine companies pay anywhere from $50-$100k!

Contact the magazine and ask for their writer's guidelines . These are guidelines and general rules for writing and submitting a story and are unique to every magazine. You can call the Teen Vogue offices and ask to have a copy of their writer's guidelines mailed or emailed to you.

• Entrants should be 14-years-old or above and be resident in the UK. ...
• Entrants must be submitted by email to arrive no later than the closing date, to [email protected].
• Identify the best publications for you to pitch. ...
• Write 3 to 5 relevant pieces (if you don't already have them) ...
• Follow the editors on Twitter. ...
• Get on the publication websites and see what their requirements are. ...
• Email the right people.

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How to Pitch an Article to Teen Vogue Magazine

Teen Vogue is one of the most popular teen magazines in the publishing industry, second only to Seventeen Magazine. While it employs staff writers, freelance writers can pitch their story ideas for possible publication in the magazine.

With a circulation of approximately 1.5 million, Teen Vogue is popular with both teens and adults. Unlike some teen magazines, however, Teen Vogue focuses on high fashion and offers positive advice for teen girls.

Read the writer's guidelines and several issues of the magazine to get a sense of the material before pitching to Teen Vogue.

Come up with a story idea relevant to Teen Vogue magazine. Researching some past issues and familiarizing yourself with the content and tone of the magazine will help you generate ideas that will be appropriate for the teen market, and the Teen Vogue readership in particular.

It's important to tailor the subject as well as the tone of your story to fit with the overall "voice" of the magazine. For example, Teen Vogue's articles do not contain profanity or snarky comments. The tone is polite but firm and never preachy or condescending.

Some popular teen-related topics include teen beauty and fashion advice, teen pregnancies, alcohol abuse, dating dilemmas and parental issues. You can also generate ideas that fit into the magazine's monthly themes such as the "Back-to-School Issue."

Contact the magazine and ask for their writer's guidelines. These are guidelines and general rules for writing and submitting a story and are unique to every magazine. You can call the Teen Vogue offices and ask to have a copy of their writer's guidelines mailed or emailed to you. Make sure to follow these guidelines as closely as possible in order to improve your chances of having your story published.

Once you have your idea, get started with writing your story, and make sure to adhere strictly to the magazine's "Writer's Guidelines." Include real-life experiences from actual teens, but always keep your sources anonymous to protect the person's identity.

Have a peer or fellow writer review your work. A second opinion is helpful and he can help you spot your mistakes before submitting it to Teen Vogue editors.

Email or mail your article to the managing editor of Teen Vogue. The writer's guidelines will be clear on how to submit your story. The managing editor has the authority to approve or deny pitches. You can find the contact information in the masthead of the magazine where the managing editor's name and magazine's address will be listed.

Follow up about a week later with a phone call. Remind the managing editor of your article and candidly ask if your article will be considered for publication in the magazine.

Be optimistic and do not give up. If you think pitched articles do not get published, just look at the February 2009 edition of the magazine (pictured above) which featured an article pitched and written by a high school student!

• Be optimistic and don't give up. If you think pitched articles don't get published, just look at the February 2009 edition of the magazine (pictured above) which featured an article pitched and written by a high school student!

Maggie Hira has been writing professionally since 2006. She has written for numerous websites and print publications, including "LA.Direct Magazine" and The Budget Fashionista. Hira holds a Bachelor of Arts in English from the University of California, Los Angeles.

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Read The Winning Entries From The 2021 Vogue Talent Contest

The Winner 

Youmna Melhem Chamieh is a 21 year-old Harvard university student.  

Once, one crisp December afternoon in Lebanon, I accidentally knocked over one of my grandmother’s traditional coffee cups, breaking it. “Inkasar al sharr,” she said with a reassuring smile. “The evil inside the cup has broken,” my father explained, with a look that suggested my multiple years of Arabic lessons should have spared him the obligation.

What an odd expression, I thought – odd, or rather, anachronistic. Evils generate rupture: they are not revealed by it post-mortem. But Lebanese traditions being nothing if not surprising, I added this one to my mental arsenal without giving it much further thought. That is, until 2020.

Twenty-twenty: has the word itself acquired a sensory pathway of its own? Mine is laden with the sterile scents of face masks, the silence of deserted London streets and the overlapping images of Beirut exploding, Beirut obliterated, and Beirut crumbling still . Yours may be different, with forests burning in Australia or Black people murdered by police in the United States. The precise cocktail of misery one’s mind conjures faces no shortage of ingredients; and, besides bartering significant portions of our sanity, we have no way to match our cognition to each of them.

What we can do, however, is match our gaze.

There came a point – sometime in September, or October, when autumn’s rust-red splendour began to cede to brown – at which every conversation in my household referred back to Lebanon (or “the situation”, as my mother dubbed it once periphrasis became a necessary Band-Aid). One evening, eyes anchored to her phone’s unrelenting feed, she whispered, “Now that everything is broken, we see just how rotten it was from the start.”

She was right about Lebanon: the August blast was such a short fuse in the country’s collapse precisely because it compounded decades of corruption and misrule. But couldn’t the same have been said of much else? American police officers killing Black citizens echoed centuries of state-sponsored injustice in the home, workplace, streets and courts. Even positive developments – renewed appreciation for front-line workers; temporary dips in carbon emissions – provided biting reminders of our prior negligence. “Unprecedented times” is a phrase I typed almost daily. But was it accurate? The uniqueness of the hardships we witnessed was, ironically, matched only by the age of the problems underpinning them.

By Emma Specter

By Alice Newbold

By Joy Montgomery

I thought back to my grandmother and the cup. Perhaps she had been on to something: sudden, visible fractures are an invitation to notice the deeper evils within. I spared my mum the image, a reminder of gentler days, to keep her anger from receding into its core of sadness. But it stuck in my mind, tugging at me like a vindictive itch.

Much of our cultural fabric thrives on metaphors for natural regeneration. Poets tell us that it all begins again with spring; superhero films assure us, by way of a doe-eyed Aaron Eckhart, that it is always darkest before the dawn. For the Lebanese, though, this language has calcified into a trademark, of which resilience is the leitmotif. My parents, who both lived through the Lebanese Civil War, brought me up with stories of dancing as the bullets flew, blasting hard rock to cover the rumble of bombs; I proudly told non-Lebanese friends about former bunkers remodelled into nightclubs, revelled in that perfect symbolism.

Above all, there was the phoenix: Beirut’s unofficial mascot, the mythical bird forever regenerating from its ashes. A beautiful image. Too beautiful, perhaps, detracting from an essential corollary: that something which experiences cyclical rebirth also experiences cyclical death. That there may be deeper flaws at play; that the successive combustions may not be detours in the winding path towards justice, but U-turns.

Back on my grandmother’s veranda, I had fetched a new cup, filled it with Arabic coffee and cardamom, and gone on savouring their rich, bitter taste. Rest assured, this is not a lacklustre metaphor for the ultimate advent of hope – a currency that has crashed as low as the Lebanese pound, if not quite as swiftly. But it does supply a choice between symbols: the phoenix, whose rebirth is endless but ephemeral, or the cup which, shattered across the concrete, must be replaced for good?

At the cost, admittedly, of some aesthetic splendour, I choose the latter. Because if there is anything 2020 taught me, from Beirut to London to Washington, it is that many of our collective ills were, in fact, very much precedented – and that, by extension, any renewal worthy of that designation will begin with an act of rupture from the prior status quo.

Ideally, a decisive one: for our opportunities to repair our future are more finite than Lebanese grandmothers’ stacks of spare cups, and the evils to be broken – from systemic racism, to chronic corruption, to the destruction of our planet – are infinitely more real.

By Emily Farra

The Runner Up 

Molly is a 22 year-old graduate from Trinity College Dublin.

My mum hated the water. This was confusing to me for a number of reasons, but mainly because she loved the beach so much – my fondest memories of her are set to the backdrop of crashing waves and blowing reeds. She was perpetually waiting for me on the shore, ready to bundle me up in a towel and cradle me in the horror of a self-professed water-phobe. “I’m cold just looking at you!”, she’d shout over the wind as I smugly danced the shivering side-to-side step of a pneumonic in denial.

Oh how I delighted in it. The raking of my toes through the dry sand. The slap of my soles against its slodgy, wet counterpart. The crazed, blind run straight into the horizon. I considered my refusal to wear a wetsuit in the Irish sea a badge of honour – my mother considered it a mark of lunacy. I lived for it. I loved it. 

I still love it, in fact. The pace with which you can hurtle yourself into a space distinctly separate from your routine world is thrilling and, more dramatically, relieving. There is something delicious about the utterly thick, heavy silence of being underwater and something even more exquisite about the loudness of breaking back through the water, the baptismal quality of that clarity of sound. The sheer coldness of wind clinging to your bare shoulders forces you underwater– and it is weirdly exhilarating. There’s a certain giddiness stirred by such conspiratorial arrangements with the sea. 

In his poem “Psychic Surgery” John Montague articulates this singular sense of liberation that water can evoke with arresting (and enviable) brevity. Montague insists that there are times when “One should be able / To pluck off one’s head”, place it in a stream and have “clear, clean, cold water / Coursing and spamming through / The sour and stale compartments / Of the brain”. The closest thing I know to a “Psychic Surgery” is a good swim in the sea.

It’s the weightlessness. By God, that intoxicating weightlessness. That feeling as you float, toes pointed sky-wards, neck craning back, of total immunity. Of liberty complete. You’re hydroplaning. You’re enjoying the easy-breeziness of gliding and bobbing over the waves before they break. You’re untouchable. Indeed, facing into the horizon and up to the sky, the mundane, the tragic, the exciting, the panic of day-to-day life is very much a world – or at least a body of water – away. You’re suspended in a kind of limbo space where life has been put on pause while it still continues for everyone else ashore. It’s a timeless space. 

Yes, time lapses. The view of the sky is unchanging, as is the satisfaction of resting one’s head upon the water, neck muscles clutching so as not to break the seal. That tingling sensation of the water lapping against my scalp feels the same as it did as a child. There’s still the possibility that my mother is standing on the shore, towel in hand and flask of tea in tow.

The wish to stay adrift in this limbo space is intense in those one-should-be-able-to-pluck-off-one’s-head moments. The knowledge that the world will be set in motion once I emerge is always daunting. It is only once my fingers begin to prune and a chill sets into my bones that I convince myself that it is time to return to traditional land-bound life. Salt stinging my eyes, sand sticking to my skin, I haul myself towards the haggle set to commence between me and my godforsaken jeans. 

Despite these initial qualms, I unfailingly find myself, in Montague’s words, “rinsed and ready / For love, for prophecy”. Admittedly, Montague leans into the melodrama of it all, but one can’t deny that there is a cinematic, main-character-syndrome feel to that re-emergence. I now boastfully grab my own towel and bring my own tea. I still maniacally shift between one numb leg and the other, but in a somewhat more mature and subtle way… And I continue to marvel at the fact that I do not have to negotiate a wetsuit peel-off.

It may be impossible to remove one’s head and place it in a fresh-water stream, but this depressing reality does not negate the need to do so. To flush out. To reset. Renew. One must seek out a mortal-friendly equivalent to Montague’s “Psychic Surgery” – something that serves as a freeze-frame to which one can reliably return in those moments when, put simply, one needs to pluck off one’s head. So, I like to swim. It reminds me of my mum.

By Kerry McDermott

Gabriella is an 18 year-old student attending Chester University this September.

A memory: Me and my best friend on the swings in my back garden as the sun sets, competing to see who can go the highest. We have ice cream around our mouths. The sky is cloudless and the air still; it’s the type of weather that makes you feel like the world is on pause for you. The lone indicator that we aren’t alone on this Earth together is the occasional hum of a bird or rustle of a squirrel in a bush.  I look at her, and she is golden. Clutching each other’s hands, we jump.

My parents took down the swing-set a few weeks ago. It was cloudy. And this time, the world really had paused, but under the weight of a pandemic, not for two little girls in their gingham summer dresses who were absolutely sure that nobody else had ever had the kind of friendship they had.

The deconstructed wooden pieces lay carelessly in that corner of the garden for a few weeks, and the space they had left behind felt vast. It struck me that I couldn’t remember them not being there. Each time I looked at them, I remembered my Grandad coming to build it a few days before my birthday, so I’d be able to play on them just in time. I promised myself that first day I played on them that they’d never become boring to me, no matter how old I got or how much I had to squeeze onto those tiny seats. I’d never be the person not playing on the swings.

I broke that promise. You can’t stay golden forever.

We gave them to a family who’d use them more than we did. I hoped they’d give them golden moments of their own.

Last year we went to Brittany, where most of my most prominent childhood holiday memories were made. We walked past a playground that my mum recalled us forcing them to watch us play in. Sat on the same beaches that a few years ago, we would’ve been building sandcastles on, burying each other in sand, swimming in the sea for hours. This time, we sat on towels reading and trying to tan, my sister and I too cold to go in the sea. I found Wi-Fi spots whenever I could to catch up with my friends and take pictures I’d never look at again, just to say I’d been there and maybe post it on Instagram. I couldn’t remember becoming the type of person I’d always made fun of.

Last week I sorted through the basket of teddies I keep behind my bed. I used to line them all up around the edge of my top bunk, back when I shared a room with my little sister. They left just enough space for me to weave myself underneath the covers, but I’d hit them with my feet every now and again. I’d watched Toy Story enough times to convince myself that they had feelings and could understand me when I talked to them, so I’d leave the room and hide around the corner until they all stopped pretending and just spoke to each other, and I could say I knew they would all along.

As I decided which ones to give away and which ones to cherish, I felt like that five year old girl again. I apologised to the ones I put in the charity shop pile, and told the squished ones that I was sorry they must have been uncomfortable. I found my two favourites and slept with them in my bed that night, and the night after that, and the night after that.

I wondered when I stopped being the child who made her Mum turn back on the motorway to Wales because I’d forgotten to pack them.

The rest went into a box that went to the Samaritans, to children who’d love them more than I did.

I looked at student accommodation yesterday, and nothing felt right. And I know I’d be able to give it character, but I just can’t imagine packing up the years of accumulated posters and candles and books that have found their perfect place in my attic bedroom, to decorate a new room in a new city. I can’t imagine not waking up to the noise of my brother practising his guitar, not walking into my sister’s room at whatever time of day to talk about books we’ve discussed a million times before, filling the comfortable silence that comes from sharing 15 years of your life with someone. I can’t imagine not being able to hug my mum on a bad day, or not spending my Saturday afternoons doing a shift at my Dad’s corner shop.

But maybe that means it’s time to go.

By Hayley Maitland

By Gary Younge

By Julia Peyton-Jones

By Edward Enninful

By Afua Hirsch

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All aglow for the holidays: Yenke Peddler antiques

• Published: Nov. 16, 2023, 10:00 a.m.

This antique print from a French fashion magazine is worth about $40. Photo Courtesy of Brenda Yenke

• Brenda Yenke, Sun News

CLEVELAND, Ohio -- This weekend, the Medina Candlelight Walk sets the tone for the coming holidays. Shops are open from 10 a.m. to 9 p.m. Friday and Saturday, with the lighting of the luminaria beginning at 3:30 p.m. Friday.

The gazebo will feature the tree lighting at 7 p.m. Friday, with a choir singing Christmas songs. Santa arrives on Saturday as part of the nighttime parade and fireworks. The reindeer will be hanging out on Sunday starting at 2 p.m., with stores open from noon to 6 p.m.

A.I. Root Co. is a large part of the Candlelight Walk. Their quality candles have centennial roots, dating back to 1878. Beeswax is the finest and purest of the candles, making them appropriate for churches or your dining table. They also have scented votives, as well as a color range to fit every taste. The store is very inviting and full of decorations.

In the days when candlelight was the source of nighttime light, it was important to properly snuff out the flame. The wick was trimmed to remove the charred portion, assuring a cleaner burn and better air. This procedure was primarily done using scissors and a receptacle to catch the charred wick. Snuffers were commonly brass or silver, though some were iron or even gold.

Lanterns were portable and could be carried or placed on a post, rail car, boats or a downtown street lamp. Most commonly, oil was used for burning, but also lard and perhaps kerosene.

A very famous provider of these light-inducing products was the Ham Lantern Works of Rochester, N.Y.

Hello Yenke Peddler,

My mother-in-law was born in Paris and came to America in 1959. These prints were given to her somewhere along the way. I am not sure when she acquired them. I think they are covers of Vogue magazines. Any history would be appreciated!

Your lovely framed prints of La Mode Illustree are engravings and were printed in the French fashion magazine from 1860-1937. It was published on Sundays and featured ladies in finely attired costume. Yours has the added statement of parasols. Well framed and mint, they would carry a value of $40 each. A sweet present from a friend!

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Sam Alito’s Deplorable Arguments for Letting Domestic Abusers Keep Their Guns

This is part of  Opening Arguments , Slate’s coverage of the start of the latest Supreme Court term. We’re working to  change the way  the media covers the Supreme Court. Support our work when you join  Slate Plus .

The most fascinating class of Supreme Court oral arguments generally tend to be those that effectively raise the question “Erm, why are we here again?” And by virtually all accounts , arguments on Tuesday in what should have been the blockbuster gun rights case of the year, United States v. Rahimi , bogged down in various iterations that boiled down to : Why was the decision in Bruen —the 2022 case that changed the test for gun regulations— so stupid ? Why is originalism so stupid ? Why is the gun rights position in this case so very, very stupid? This was because, as Jay Willis explained in Slate, the winning argument in this case at the U.S. Court of Appeals for the 5 th Circuit—that you can’t find any corollary law showing that the Founding Fathers would have taken guns away from domestic abusers—stemmed directly from Bruen ’s impossible demand that every modern gun regulation must provide a direct historical analog. That position was always untenable, and now the Supreme Court’s conservatives are—once again—going to have to go back and mop up their own mess .

The result in Rahimi will be yet another “Oopsie, our bad” ruling that does nothing more than boop the most unhinged elements of the conservative legal movement, while still leaving the state of American gun regulation laws uncertain. We’ve all heard this song before, particularly in recent voting rights and abortion cases . Still, there is a lesson here about how the Supreme Court will slowly back away from the gun violence cliff of its own making in the most minimalist way possible.

The most notable aspect of the Rahimi arguments was its gauzy abstraction. Unlike some of the court’s recent cases in which there is no lower court record and thus no facts, Rahimi included a good deal of underlying factual information about the life and questionable times of one Zackey Rahimi , his months of reckless shooting-at-stuff, his threats, and his actual violence. Unlike the purely speculative harms that became the bulk of the case in, say, 303 Creative , the web designer case from last spring that didn’t even have parties on both sides of the decision to withhold professional services, Rahimi comes with actual facts .

A state court granted Rahimi’s then girlfriend and the mother of his child a restraining order in February 2020, after he dragged her into his car following an argument, then smashed her head on the dashboard, then shot at a bystander who had witnessed the assault. The  court records show all this, and the proceedings below detail his subsequent five shootings in the span of several weeks that followed. Under a federal law, he was no longer allowed to have a gun. He kept his guns. The 5 th Circuit panel that determined that, after Bruen , Rahimi couldn’t be deprived of his weapons, and that the law that did as much was unconstitutional on its face, sniffed merely that Rahimi, “while hardly a model citizen, is nonetheless part of the political community entitled to the Second Amendment’s guarantees.” The Supreme Court thus inherited the problem of an unrepentant, armed domestic abuser who looks a lot like every other unrepentant armed domestic abuser, and its own recent jurisprudence that surely implies, Yeah, why not?

Yet with a handful of mild exceptions, the arguments at 1 First St. on Tuesday morning steered clear of old Zackey Rahimi. Only after Justice Samuel Alito implied that when a woman seeks a protective order in a domestic violence setting, the results tend to be “he said, she said” situations concluding in restraining orders against both parties, and only after Justice Clarence Thomas suggested that there existed only a “very thin record” in the present case did it become necessary for the remaining justices to intervene with actual facts from the actual record. As Justice Amy Coney Barrett was forced to remind her colleagues, who were at that point just parroting gun industry talking points, Rahimi’s girlfriend “did submit a sworn affidavit giving quite a lot of detail about the various threats. It’s not like he just showed up and the judge said ‘Credible finding of violence.’ ”

But why stick to the facts when you can imagine better ones? So, despite the fact that Rahimi was not making a procedural argument about the unfairness of the civil restraining order process, both Alito and Thomas magicked up these objections. Despite the fact that there was a lower court’s finding that Rahimi was in fact a danger to his girlfriend and child, they coughed up hypotheticals that raised the issue of how generally unfair it is for courts to take away guns in a civil proceeding. As Thomas put it, “If this were a criminal proceeding, then you would have a determination of what you’re talking about—someone would be convicted of a crime, a felony assault, or something. But here you have something that’s anticipatory or predictive, where a civil court is making the determination.” Alito—unsurprisingly—fretted more about the rights of the poor beleaguered gun owner than the woman he terrorizes: “If the person [under the restraining order] thinks that he or she is in danger and wants to have a firearm, is that person’s only recourse to possess the firearm and take their chances if they get prosecuted?”

In other words, the inversion process is now fully realized. The MAGA justices not only invent records in cases that have no facts . They also ignore the record in the cases that actually have them. Why consider the implications of actual gun violence when you can live in the imaginary world of good guys with guns suffering the indignities of legal restrictions?

Blessedly, at least on this occasion, there was no general agreement from the other conservative justices that pretending Zackey Rahimi right out of existence would yield better results. “You don’t have any doubt that your client is a dangerous person, do you?” Chief Justice John Roberts finally asked J. Matthew Wright , Rahimi’s attorney. Wright mulishly insisted that he would “want to know what dangerous person means.” Roberts, thus unable to ignore the actual facts of the case before him, supplied a plausible definition: “It means ‘someone who is shooting at people.’ … That’s a good start.”

There was uneasy laughter in the chamber when Roberts said that, and Wright conceded it. In the current era, uneasy public laughter is often the signaling mechanism that lived reality has pierced a hypothetical John Wayne film festival being screened in D.C. Bruen was an interesting and failed lab experiment about deriving historical analogs from an imagined archive of founding documents. So, always follow the uneasy laughter—that tends to be where the people who end up as mass shooters and domestic abusers reside.

“Someone who poses a risk of domestic violence is dangerous,” Barrett pronounced, conclusively, to the immense relief of the reality-based community on Tuesday. The result in the final Rahimi opinion will likely flow from that conclusion, which was shared by the chief justice and Justice Brett Kavanaugh (as well as, of course, the three progressive justices). But the fact that the bulk of the 90-minute legal debate in Rahimi was untethered both from the established facts of this case and from the gun violence data in the many amicus briefs filed reveals that this is still a conservative supermajority that remains more interested in debating whether and when a justice of the peace can seize a musket from a white dude than considering whether disarming violent abusers is a good idea.

It’s critical not to miss the connection between these oral arguments and Tuesday’s other major news event in U.S. political and civil life. Shortly after oral arguments in Rahimi , a whole lot of people showed up at the polls to indicate that they are still absolutely furious that Sam Alito and his tunnel-visioned buddies evinced no interest in the lived economic, emotional, and medical lives of half the population when they reversed Roe v. Wade a year and a half ago. Democracy, it would seem , is less interested in establishing the correct level of abstraction for determining cunning historical analogs than in continuing to move through the modern world, alive. As embarrassing as the arguments in Rahimi proved to be, they also seem to signal that there are, for the moment at least, no longer five votes for the proposition that voters will shrug away violence and misogyny because, like, #history. From this court, that’s the best you can hope for. For this court, that’s a big retreat from the smug, wrong certainty that was Bruen .