dear future generations essay

People promising to take action on climate change

Dear future generations,.

Hello future generation!

I hope that you all have not suffered from my generation’s as well as earlier generation’s anthropocentric ways. I hope that life is being lived similarly as to how it is in 2021, but with a few exceptions. I hope we have convinced everyone that climate change is in fact real and how important our amazing planet is for the well-being of humanity as well as all of the other beautiful ecosystems. I hope people have taken the time to learn more and connect with our loving planet. Additionally, I hope people have taken the initiative to combat climate change and have found more sustainable ways to live, such as switching more farms to regenerative agriculture and using renewable energy instead of fossil fuels. I hope you have been able to see whales, and other currently endangered animals. I hope your weather has been cool and calm and that you have not experienced as many intense natural disasters. I hope you are able to travel to amazing cities, such as Florence and NYC, as those are some of my favorite places. I hope people of lower socio-economic backgrounds are not forced to live in areas that threaten their health and that they have access to important resources, such as healthy and less processed foods.

After taking my environmental chemistry class, I realize how much I take for granted and that if I continue in the way I do, you all might not be able to experience the same things that I have. I urge you to continue to be an environmental activist and transforms your lives to benefit the planet. I have recently changed my current practices after learning about how they can hurt the place that gives me life. I hope you all continue to value the planet and that you will preserve it for future generations to come.

More Messages to the Future

Dear Gabriel,

A message from co-founder Jill Kubit: Writing letters to our kids about climate change is hard. It should be.

Hey Kiddos!

My hope for you is that all our legislative efforts and care for the environment makes a difference so that we can wipe asthma out of our family.

To my children – Chase, Maya and Harlan

I hope that we manage to change the system really soon, while there is still time. So that you are not left with the mess, and trying to fix something that you didn’t cause. I hope we figured out a way to be kind, and caring for others who will suffer more than us. A way to let go of the greed and look at ways we can help others rather than take from them.

All you can do is your best. You can encourage the same in others. You can admit your mistakes and those of your ancestors. You can learn from them, and help however you can. I’ll do the same. I promise.

Dear Daughter,

Tonight at bedtime, you asked, seemingly out of nowhere, “why are the glaciers disappearing?”

Dear Samuel, Willa, and Ben,

To the core of my being, and only through the power of community, I will honor the voices of the youth who are pleading, “Don’t burn my future.” Samuel, Willa, and Ben, your little voices I know, will join that chorus soon enough.

Dear Madeleine,

First of all I hope we succeeded in our dream that yours is a better world than the world of 2021. Today, the forests are burning, the sea levels are rising and wild weather is everywhere. But we are working hard and I’m confident we will succeed.

Future Message to Earth,

Hope there will be no more droughts, And no more pollution with which we fought, Regarding every human should be taught, Ensuring that we uniformly follow these thoughts.

To my dear son,

Last year most of the world’s reefs turned white at some point, but because it was underwater you and your friends didn’t see.

to my dearest children,

Our future is being made now, and I promise to do everything in my power to make yours safe.

Dear future child,

We’re presenting at conferences, writing articles, and organizing events with the goal of mobilizing our profession to act on climate, and to help them understand that it will deeply impact our mission to preserve history for future generations.

To my daughters,

In order for you two be happy and healthy, we all need to work hard to prevent climate change.

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Dear Future Generations: Sorry

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Literary Context

“Dear Future Generations: Sorry” is a poem working within the literary context of the environmental movement. Rachel Carson’s renowned book Silent Spring (1962) is credited with launching the environmental movement. However, the book begins with an epigraph from a poem by John Keats, a prominent English poet who wrote in the period of the Romantics (1800-1850). The Romantic poets often wrote about nature as an ideal; however, today, Prince Ea reflects that nature is no longer a beautiful, idyllic scene. While nature and the environment remain a muse and a source of poetic inspiration for the poet, the poem also shares an urgent warning and touches on the deep political quandary of 21st century Environmentalism. In “Dear Future Generations: Sorry,” Prince Ea invokes nature to sound an alarm for his readers that if humanity does not change, nature will cease to exist and so will all the organisms that depend on nature to live–including humans.

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Dear Future Generations: Sorry

By Prince Ea

Richard Williams aka ‘Prince Ea’ reflects in his powerful and ecocritical spoken-word-poem on a dystopian future of our world, which was destroyed by environmental pollution, the devastating deforestation of the rainforests and exhausted consumerism. The speaker apologises in front of the ‘future generation’ for not taking responsibility for the planet’s biodiversity – for putting profit over people and nature. Finally, the voice offers a paradigm shift, outlining and demanding to stop climate change and the destruction of nature by saving water, practising ethical consumerism and reducing our carbon footprint to save our world.

The spoken-word-poem is suitable for interdisciplinary teaching with the subject of Biology and Geography or a cross-curricular project on environmental awareness. As the poem is used as an advert, teachers might discuss product placement with their pupils.

Poetry · United States · 2015

Critical edition

Williams, Richard. "Dear Future Generations: Sorry." YouTube , Prince Ea, 20. April 2015. 6 min., Website

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In favour of this entry.

• Addresses current affairs
• Charged with meaning
• Intercultural perspectives
• Interdisciplinary or cross-curricular teaching
• Silenced voices
• Students can identify with the text

Recommended for these classrooms

• Years 9–10 (Realschule)
• Years 11–12 (Grundkurs)
• Years 11–12 (Leistungskurs)

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Online resources.

• YouTube: "Dear Future Generations: Sorry" (2016) by Prince Ea
• Lyrics: "Dear Future Generations: Sorry" (2016) by Prince Ea
• Homepage: Prince Ea
• Book listing on buchhandel.de
• Book listing on openlibrary.org

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Anglophone societies.

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• Globalisation

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Dear Future Generations: Sorry by Prince Ea Analysis

The article, Dear Future Generations: Sorry by Prince Ea Analysis intends to magnify the acclaimed work of Richard William, known as his theatrical name Prince Ea. In this poem, Richard addresses the future generations and shows his distress for the harm we are trying to cause them. He thinks that humans have created a lot of mess for the upcoming generations as they are caught up in their business. 

He feels sad when he says how the beauty of the earth was corroded by its inhabitants. He talks about the extinction of the natural world; and explains how natural beauty has been superseded in the name of advancement. Technology has weakened man’s connection with his authentic self. To support his ideas, he uses the reference of the Amazon desert, which was once called the Amazon rain forest. There were billions of trees in that forest necessary for a pollution-free environment. 

As the poem progresses, he states the benefits of trees with a pinch of gloom. He informs that the trees were burnt down to use that fantastic land for sports. He recalls the valuable culture of Native Americans who used to leave grounds for future generations. Unfortunately, nowadays people are greedy, they do not think about the upcoming generations. He talks about climate change in an engaging way. He laments the way humans have polluted the air ocean and have caused significant damage to the natural order. Unfortunately, people wear pollution masks in many countries to keep themselves healthy.

Toward the end, he again shows his most profound concern for future generations because we are designing a dangerous world for them, a world that lacks mental peace and natural glories. He does not blame any government institutional body for this loss. Instead, he considers everyone who played their role in creating this mess. He suggests that we should globally warm our hearts to make this planet a worth living place. The only possible solution to save this world is to protect nature. He suggests that we should join hands to solve the problems like poverty, inflation, global warming. Otherwise, we will be extinct.

Major Themes in Dear Future Generations: Sorry by Prince Ea

Table of Contents

Man versus nature, sorrow, world’s disasters, and collaboration are the major themes layered in the poem . Throughout the text, the writer seems worried about the upcoming generations. He expresses his most profound sorrow when he talks about the brutalities he spots on earth. He reminds us how we have brought unnecessary changes to the face of the planet. We tried every possible way to betray nature by changing its natural process. We cut down trees and did various other experiments with a resultant loss of natural beauty.

Although we live in an advanced world l, have you ever thought about what this advanced world stores for future generations? Does it store filthy environment and problems like hunger, global warming, and inflation? Do they need to pay the price of what their ancestors did?? Through this simple poem, the writer urges us to think about our choices due to our greedy nature. He wants to make us realize that we are going astray; we are leaving our roots behind.

To him, we should restore the lost glories by joining hands. He adds it’s not the responsibility of any government official or political leader. Instead, it’s our responsibility to clean this planet so that our children would live a life full of colors. Thus, this poem highlights the inner worry of the speaker that he feels sorry for the unborn children and wants to make this earth a better place before their arrival.

Techniques Used in Dear Future Generations: Sorry by Prince Ea

While expressing his sorrow for the future generation, Prince has used many literary as well as poetic devices in the poem to grab the reader’s attention. The analysis of the devices used in the poem is as follows.

• Assonance: Assonance is when the writer/poet repeats vowel sounds in the same line such as; /o/ and /e/ in the following verses, “you probably know” and “let me tell.”
• Consonance: Consonance is when poet repeats consonant sounds in the same verse such as; “but the thing” and “were literally washed.” Here, he has repeated /w/ and /t/ sound.
• Free Verse: It is a type of poem in which no regular rhyme or meter is used. Dear Future Generations: Sorry is a free verse poem.
• Imagery: The writers use this literary device to make readers visualize and feel the things being conveyed in the text. Prince has also used strong images in the poem such as; “ice is melting”, “farmer sees a tree” and “Racism, Poverty, Feminism.”
• Metaphor: Metaphor is used to compare something with something else without using words like as or like. Prince has used worry as an extended metaphor to show the real face of the world.

Repetition: Repetition is inserted in the poem to bring musical quality in the poem. Prince has repeated the words, “I am sorry” throughout the poem.

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• Book Review 26
• Writers/Poets 19
• Short Story 14
• Literary Theory 9
• Poetic Techniques 1
• Phrases and Idiomatic Expressions 1

Dear Forthcoming Generations: Sorry

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Dearest Future Genera: Sorry Summary and Study Guide

Thanks for examining this SuperSummary Study Guide of “Dear Save Generations: Sorry” by Sovereign Ea. A modern another for SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides that feature detailed chapter summaries and review of major themes, sign, quotes, both essay topics.

“Dear Future Generations: Sorry” has writing the performing by Prince Ea. It is a spoken word piece framed as an address to those who will live on Earth in which future and thus inherit the current world destruction at the hand of humanity and climate change. Performed also published in 2015, the poem is a timely piece, published one annum formerly to the signing of the Parisians Climate Agreement in Springtime of 2016–an accord that covers climate change mitigation and was sign by 192 expresses. The verse is performed in the style a a list poem in which several ideas are listed for do the speaker’s point that climate shift belongs one real-time and pressing issue.

Prince Ea lives a speaker, filmmaker, spoken word virtuoso and creator who often engages in complicated, controversial topics. Exceedingly influenced by hip-hop, Prince Ea often applications rhymes , rhythm , and musical chords and beats in his spoken word pieces at create ampere sense of mood and spirit , forward the reader press listener. This technique is applied in “Dear Upcoming Generations: Sorry,” any is written mainly as a lament at the destruction of the Earth, is amounts to money, efficiency, real greed.

Published just hours before Prince Ea’s “MAN contrast EARTH,” another spoken word fragment that tackles plus explores humanity’s connection into the environment, “Dear Future Generations: Sorry” engages and explores temperature change, a topic are particular interest on Prince Ea... Prince Ea – Dear Future Generations: Sorry

Poet Biography

Best known by his performance name Prince Eat, Richard Williamson made born on the North side of Saint Louis, Misssouri on September 16, 1988. Sovereign Eas attended The University of Missouri—Saint Louis real graduated Majority Cum Laude over a graduate in Anthropology. He your popular for promoting scores create as intelligence, free thought, unity, and creativity in his work., Grand Ea erupted onto that hip-hop scene with and “Make S.M.A.R.T. Cool” movement, where “S.M.A.R.T.” stands on “Sophisticating Minds and Revolutionizing Thought.”

Prince Eo began his our inside the hip-hop world as a rapper, but shifted this focus regarding his music to language word poetry by 2014. Prince Ea has whereas reached a global audience with his films and content, and along with hip-hop, he credits spiritual texts liked of Tao Te Ching and Bhagavad Gita as sources for his poetical additionally artistic inspiration.  He works across a range concerning psychics, from singing and hips hops, to spoken word and filmmaking.

Prince Ea is a popular figure on gregarious media, with his spoken word YouTube and Facebook videos amassing over a zillion collective views. More than a societal communications sensation, Prince Ea periodic engages with difficult, thought-provoking topics such as race, environmentalism, and even spirituality. He regularly speaks and performs in person toward conferences, high schools or colleges, talking for youth on topics such as self-development and lively one’s passion. Dear Future Generation: Sorry (2023)

Prince Ea. “ My Future Generations: Sorry .” 2015. PoemHunter .

In which initially stanza of the psalm, the speaker speaks “for the rest about us” (Line 2), opening the pencil with an apology into future generations living switch Earth for exiting behind a “mess of an planet” (Line 3). The speaker weiterhin with a  list of something the speaker is apologizing for and why the current generation leased the destruction of the Earth reach such one dire point, including self-centeredness, excuses, inaction, or ignorance. The speaker asks for the listener’s forgiveness, likening the current generation’s relationship with the Earth to a badewanne wedding.

In the second stable, the speaker gives examples of this destruction, speaking about one “Amazon Desert” (Line 12) which used once the Amazon Rainforest. The speaker outlines how that current generation is burning press clearing them away, and suddenly realizes that this receiver does not know via trees. With this enable, an mouthpiece elaborates with how “amazing” (Line 18) trees are for humanity, speaking to their healing qualities and natural ability until “clean up our pollution” (Line 20), “store real purify water” (line 21), and produce medicines. The speaker sorry informs the listener that the trees have all been cut down, seared, at a rate of 50% “in the ultimate 100 years” (Line 28). Of speaker rhetoric asks “Why?” (Line 29), and responds [in the video] by holding up a 100 dollar bill. Prince Ea Is Remorseful. Me Too. by Rachelle Peterson | NAS

The third stanza continues on thought, lamenting the irony of to leaves depicted on the 100 us-dollar accounting, than the speaker then transfers on until a youth memory. The speaker remembers learning about Born Americans feely responsible “for who more 7 generations” (Line 35), contrasting on with an observation that most modern my “don’t even care about tomorrow” (Line 36). The speaker moreover apologies for grabber, desire fork profit, abusing nature, causing extinction, and stealing and future from the receiver. The talker apologizes that their generation seems to equate “Progress” (Line 47) with “destruction” (Line 46).

In stanza four, the speaker addresses the news channel “Fox News” (Line 48), challenging their climate change skepticism, daring the choose and Sahara Palin to job homeless public in Bangladesh and Beijing whose lives can been disrupted in “rising sea levels” (Line 53) and pollution. One speaker warns check that “it can be denied, not avoided” (Line 57), plus returns to apology for the negative impact his generation has had on nature by disable the portent signs also focusing on war.

Sharp himself off by the finalize of the fourth stanza, and speaker shelves the tone in the fifth stanza, as the speaker notes, “You know what, cut the beat, I’m not sorry” (Line 65). Suddenly, the orator takes on a reckless tone and is not apologetic anymore. Instead, the poem begins a call to action, asking the present-day reader–the current generation–to react rather than be passive. Using which metaphor of ampere farmer rooting out disease int a tree, the speaker states, “We are the root, we are who foundation, this generation / Itp is up to us to take care of this planet, / It is in only home, we must globally warm our hearts / And change the climate a our souls” (Lines 76-79). In line 82, the speaker observes that a backstabber of nature is a betrayal from humanity, and who poem ends to a warning that no matter whats reason aforementioned attender is passionate about, if this call to action has not heeded, “we will all be equitable extinct” (Line 89). Coming to the send, Prince Ea concludes the poem about a separate word, “Sorry” (Line 90), implying that climate change is and listener’s responsibility, too.

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Dear Future Generations: Sorry

Messages to Future Generations Essay Example

• Pages: 10 (2643 words)
• Published: May 5, 2022

I refuse to condemn your generation and future generations to a planet that’s beyond fixing - Barack Obama.

Dear future generation, it is currently April 22nd, 2020. 154 years, 4 months, and 17 days ago was December 6, 1865. On this day the thirteenth amendment was ratified. The thirteenth amendment, “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States,” This amendment abolished slavery. Yet so many are still a slave to the system. What system? The system that was built to maintain a cycle that helps the rich get richer and keep the poor people poor. Sixty-six years ago in Brown v. Board, the supreme court outlawed segregation in public education facilities. Ten years later the Civil Rights Act of 1964 sup

erseded all state and local laws requiring segregation.

So, according to the law, everyone is equal. I should have the same opportunities as the next person. You should feel like nothing is holding you back more than it would be anyone else in society. Hopefully, by the time you’re reading this, that will be the case. Adrian Nicole LeBlanc, the author of Random Family, depicts this obviously broken system with the cycle of poverty in Random Family. However, she fails to address the obvious race factor of the broken system.

Adrian Nicole LeBlanc an American journalist born in Leominster, MA. Best known for her book Random Family, published in 2003. What originally started out as a simple article about a big-shot drug dealer from The Bronx named Boy George quickly became a book following the life of a girl named Coco.

Coco wasn’t a bigger, better story. In fact, she was the exact opposite of that. Coco was what others in the community would call ordinary. She was a dime a dozen. “ She was what people in the neighborhood would call ordinary'' (Kelliher). People didn’t understand why Coco was chosen to be written about. So why did Adrian Nicole LeBlanc give up on reporting on a high profile drug dealer to writing about a nobody like Coco? When LeBlanc met Coco she was a teenage mother, living in a shelter with two daughters, another one on the way, with only the money given to her  welfare. The telling of Coco’s story represented the telling of the story of many others in The Bronx just like Coco.

A story like Boy George’s was rare, but Coco’s wasn’t. It was because Coco was so ordinary that made the book that much more impactful. Her story was the direct result of a system rigged against her and those like her. Even though Coco’s life was considered ordinary to others in her community LeBlanc’s Random Family seemed “that it's ‘novelistic’ or that it ‘reads like fiction.’' (Kelliher) So even though Coco was deemed “ordinary” by her peers, others read her story in disbelief. In addition, the constant reminder that Coco was not the only one living this life. There were so many other women in The Bronx who went through the same things Coco did. LeBlanc knew exactly what she was doing by switching her focus to the story of just another girl in The Bronx.

Coco’s ordinariness exposed the reality of poverty in The Bronx. In LeBlanc’s Random Family she

writes: Thick and fed was better than thin and hungry. Family fights indoors— even if everyone could hear them—were better than taking private business to the street. Heroin was bad, but crack was worse. A girl who had four kids by two boys was better than the girl who had four by three. A boy who dealt drugs to help his mom and kids was better than a boy who was greedy and spent his income on himself; the same went for girls and their welfare checks. (LeBlanc).

This quotation in LeBlanc’s Random Family illustrates the community’s view on life in The Bronx. One bad situation is worse, so don’t be the worse one. The low standards they set for themselves are the same ones their parents also set. This lifestyle is hidden away from the rest of the world. Nobody wants to see what’s sad. This was the harsh reality that Coco helped LeBlanc expose. In an article written by Laurie Kelliher called Ties that Bind it was stated, “‘What I thought was so interesting was that it wasn’t teenagers in the story that were upset -- it was that townspeople that didn’t know what was going on and didn’t want to believe it’” (Kelliher).

The people LeBlanc wrote about were not angry at LeBlanc for publishing the intimate details of their lives. They were accepted and knew why she had done so, understood her cause. That same cause infuriated the townspeople that LeBlanc was trying to send the message to. They allowed their ignorance to get to them making them upset. People who lived the life that those like Coco would dream of were upset

at LeBlanc for sharing the story and spreading the awareness of what poverty in The Bronx was right. Their ignorance prevented them from showing empathy and educating themselves.

Whilst reading LeBlanc’s Random Family you’ll tend to forget that the events taking place are those that happened in real life. LeBlanc leaves the book without a resolution. Laurie Kelliher adds, “There is no conclusion. No expository writing. LeBlanc allows the characters to leave the book as they entered, in their full humanity, struggling with situations in which they have little control and fewer options.” (Kelliher). Many may find it disappointing, those who do forget that there is no such thing as a happy ending when it comes to the cycle those like Coco are trapped in. Rather than ending the book with a clear conclusion to any issue, she leaves them in the reality of what their lives are and what it will stay like even if she hadn’t chosen to write about them. By doing so LeBlanc keeps the integrity of the book intact. To show the public that there isn’t always a happy ending. It reminds the author that the book is in fact non-fiction and the characters are real-life people who will continue to live a very real struggle that is too common among such communities.

This is life. This is the truth. LeBlanc wrote a book, the book is nonfiction, yet it reads like a novel. Hopefully, you will read the book confused as to how Coco’s life can be a reality and unable to even picture this as your reality, but sadly some of you will read LeBlanc’s Random Family able to relate

to Coco too much. Her life along with so many others like her. Like Jessica, another girl mentioned in LeBlanc’s Random Family. Jessica, like Coco, had children at a young age. She made some bad decisions and landed herself in jail, unable to care for her children. Jessica eventually gets out. A moment LeBlanc writes about Random Family when Jessica is out of prison is Serena, her daughter’s, sixteenth birthday. Margot Talbot reports in In the other country: the author reports on 10 years with a family that displays many virtues but cannot escape poverty.

But as LeBlanc describes the scene, they took around aimlessly, sheepishly asking the limo driver where he thinks they should go, and end up, finally, just a few blocks from home. ‘They wanted to leave the familiar world behind,’ Leblanc writes, ‘but no one knew the direction out.’ (Talbot)

The mention of this part of the book brings to light the reality of what their life is like. Constantly looking for a way to escape and find something better, but only to find themselves back where they started. Serena’s birthday symbolized the cycle of oppression in a system rigged against them. For one night Jessica splurged so her daughter could escape reality. For one night Jessica gave her daughter wheat, so many others considered normal. And the ones who didn’t consider it normal still found the idea of spending a birthday driving around aimlessly sad. That is what LeBlanc wants her readers to realize. That is what I want you, the future generations, to see. See that there are people who will look their entire lives for something better.

People will go their

entire lives in search of what is actually mediocre because their lives are so bad, that’s the furthest their imagination will let them aspire for. However, there is no example for them to follow, no instruction manual to tell them how to escape their lives for something better. So they will go in circles trying to find a way out but never do.

One Person’s Normal Is Another Person’s Dream Life

LeBlanc’s Random Family almost flawlessly represents the hidden poverty cycle in, not just The Bronx, but all over America. One key factor that she fails to represent is the role race plays in systematic oppression. Coco and Jessica constantly want the American Dream. They want to escape poverty, but are unable to as if it is impossible. This American Dream also happens to be “The Dream of acting white, of talking white, of being white, murdered Prince Jones” (Coates) that Ta-Nehisi Coates writes about in his Between the World and Me. In Coates’ Between the World and Me, he addresses race issues in America as in the form of a letter to his son.

He writes to his son why he has to be tougher than other parents because being nice would only put him in danger. 20.8. That is the percent of black Americans in poverty in 2018. It also happened to be the highest poverty rate of all the races. Following that would be Hispanics by 17.6%. And with the lowest poverty rate at a staggering 8.1% would be white Americans. Now if one was to apply the cycle of poverty that is shown in LeBlanc’s Random Family to these statistics the percentage would never

change. This factor is such a crucial part of poverty in America, yet it is not represented in Random Family. The cycle that is represented in Random Family is Coco and Jessica learns from their mothers and absent fathers. Then they continue this cycle with their own children. They have no other role models in their life to teach them that there is a way out. Jessica and Coco learned from their moms to choose a man, have his kid, and he will care for you. So from a young age these young women look for suiters to have their kids and expect to be cared for.

However, every time they are left to care for themselves and for their kids with little to no help from the father. The fathers who often end up in prison. Then they teach their own kids the same things. Rather than telling their kids to find a different way out their children are forced to learn the same broken lesson their mothers were taught. Now apply the race statistics to this cycle. A cycle is a series of events that is continuously repeated. This is the case that 20.8% of black Americans in poverty are never going to decrease. Black Americans will continue to take the lead in poverty rates. While white Americans will continue to only have 8.1% of poverty. This factor is completely ignored LeBlanc’s Random Family.

In spite of the fact that race is not a clear point in LeBlanc’s Random Family, some can still argue that the people in the book were Hispanic, therefore race was represented. In LeBlanc’s Random Family more often than not Coco

and Jessica do speak Spanish. Their obvious Hispanic heritage is represented in the book through dialogue and culture. That is an understandable claim, however, LeBlanc does not connect the Hispanic heritage to their poverty in any way.

Coates’ connects race where LeBlanc fails to mention it. Part of this is the danger of being a minority. According to Dana A. Williams, “Coates’ letter to his son in the wake of a series of state-sanctioned violence assaults against black people, from Marlene Pinnock to Tamir Rice to Eric Garner.” He tells the stories of these fallen people to his son as proof that the color of his skin puts him in danger. All three people named were people of color who died at the hand of the very same people who are supposed to protect them. A police officer’s job is to serve and protect the people, but the term “people'' is limited. “People'' is an opinion. “People'' are those seen as human. “People” are those deemed worthy of protection. With all these definitions of “people'' Marlene Pinnock, Tamir Rice, and Eric Garner did not fall under them. They were not people when they died at the hands of police officers.

Marlene Pinnock was not a person when she was beaten on the side of the road by a police officer. Tamir Rice was not a person when he was shot dead by a police officer at the age of twelve years old. He had barely lived his life before it was taken away because of the color of his skin. Eric Garner was not a person when he was put in an illegal chokehold by, wait for

it, yet another police officer. An illegal chokehold that took his life away at the age of twenty-seven. An illegal chokehold that was made illegal for that reason. One would think that after the loss of a life, society would own up to its mistake. Instead, news outlets fill themselves with excuses. Saying the officer felt as if his life was in danger because the color of their skin was so dangerous. News outlets telling the people how the dead were not upstanding members of society anyway. Well, now they aren’t standing at all. They are lying dead, six feet under, where those who serve and protect put them. This is the society we live in. This is the cycle.

Sadly, this is the way life is. As if right now. I am not sure which future generation will be reading this. It could be the next generation or it could be fifty-plus generations from now. I hope things are different. That they have changed for the better. That the cycles are broken. I feel as if poverty is inevitable. There will always be people wealthier than others. One thing I hope there is a change is the percentage. If you’re reading this, whenever you are reading this, I hope it is a time where people are seen past their race. A time where someone is not judged based on the color of their skin or certain features. I hope that by the time you are reading this you are offered the same opportunities as the next person. That you nor anybody else is a slave to the system meant to oppress certain groups of people.

I hope that everybody is seen as a person, a human being. Nobody is seen as anything less.

Works Cited

• Coates, Ta-Nehisi, and Klaus Amann. Between the World and Me. Reclam, 2017.
• Dana A. Williams. “Everybody’s Protest Narrative: ‘Between the World and Me’ and the Limits of Genre.” African American Review, vol. 49, no. 3, 2016, p. 179.
• Kelliher, Laurie. “Ties That Bind.” Columbia Journalism Review, vol. 43, no. 1, pp. 40–43.
• LeBlanc, Adrian Nicole. Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx. Scribner, 2004.
• Talbot, Margaret. 'In the other country: the author reports on 10 years with a family that displays many virtues but cannot escape poverty.' The New York Times Book Review, vol. 108, no. 6, 9 Feb. 2003, p. 12+.
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Dear Future Generations: Sorry

Mari Jørstad provides support for Facing the Anthropocene, a project under the Ethics and Environmental Policy program area. She is originally from Norway and spent a decade in Canada, where she earned a bachelor’s degree in art & art history and political science and an MA in religion before coming to Duke to work toward a PhD studying the Hebrew Bible.

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Hola! US (Spanish)

Laura Pausini and the Latin GRAMMY Cultural Foundation teamed up to inspire future generations of musicians

Posted: November 15, 2023 | Last updated: November 15, 2023

Picture a day full of music, laughter, and tons of inspiration. Well, that’s what went down when Laura Pausini , the 2023 Latin Recording Academy Person of the Year , joined forces with the Latin GRAMMY Cultural Foundation at the Conservatorio Profesional de Música Francisco Guerrero in Sevilla, Spain. The singer pitched in to help the foundation’s commitment to global music education, lending her support to nurture and inspire the next generation of Latin music talents.

At the event, the foundation revealed a generous donation of musical instruments worth $20,000 (€18,905) to enrich the conservatory’s music program. While, Pausini captivated the audience with anecdotes from her musical journey during a lively Q&A session with young students, moderated by Spanish RTVE reporter Marc Calderó. She said, “I am honored to support the Latin GRAMMY Cultural Foundation in its mission to provide educational opportunities that advance Latin music and its heritage.”

“Being able to talk about my experiences in this industry with the next generation of creators is fulfilling and I’m grateful to share my music and all my career has taught me, to pave the way forward.”

In addition to the vibrant conversation, the true showstopper of the event was the students who paid homage to the Italian singer with a mesmerizing performance of her music, leaving everyone in awe. Raquel ‘Rocky’ Egusquiza , the Executive Director of the Latin GRAMMY Cultural Foundation, expressed her gratitude towards the artist, stating, “We also thank Laura Pausini for her unwavering support and generosity. Together, we continue to advance our mission of expanding access and opportunities for the next generation of Latin music creators worldwide.”

Latin Grammys 2023: A look at this year’s best duets

Rosalía latin grammys performance is expected to be mindblowing, will tupac shakur earn his first grammy late rapper receives a nomination for ‘dear mama’ film.

This program by the foundation is called The Latin GRAMMY In The Schools and has been connecting music students with Latin music industry professionals all with the goal to inspire and support these aspiring creators to rise above challenges to pursue music. Many of our favorite Latin artists have participated, some include Thalía, Carlos Vives, Sebastián Yatra, Karol G, Lin-Manuel Miranda, Becky G, Mau y Ricky, Ángela Aguilar among others.

According to the press release shared by the foundation, their initiative has already over $790,000 in musical instruments to schools across the United States and Ibero-America, benefitting cities like Aransas Pass, Dallas, Detroit, Las Vegas, Los Angeles, Chicago, Miami, New York, Buenos Aires, Mexico City, Arecibo, Humacao, Yauco, and San Juan since 2014.

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